#Say no more bitch

[octobers-veryown]

Living my Dark Academia life, ignoring all my problems because this is my view everyday.

[biggest-gaudiest-patronuses]

main take aways from Halloween (1978) rewatch:

michael myers is canonically 21??? this bitch should be at the club

*sees tiddies* ***MURDEROUS RAMPAGE NOISES***

that's it that's the movie

outside of the fact that everyone who has sex is murdered by the narrative, this is a surprisingly chill portrayal of female sexuality? these teen girls are horny and actively enjoying Getting It On with their boytoys. no pushy boyfriends sneaking in through their bedroom windows--these ladies are taking the initiative to sneak out and GET SOME. one of them gets laid and then immediately orders her boyfriend to get her a beer. (yes she gets Slashered soon afterward, but so does the boyfriend so honestly, gender equality.) yes the Final Girl is the only one not having sex, but she's not bullied for that, nor are her friends slut shamed except possibly by being murdered by the narrative

actually the only character who is shown being morally condemned on-screen is michael myers. specifically FOR his violent overreaction to other people's sex lives. (people he is spying on). metaphorically, the villain is American Puritanism sticking its judgy nose into other people's business.

aka Michael Myers Is A Republican

but actually the real villain is the doctor. guy's a judgemental, shaming, pathologizing asshole. and he's been in charge of michael's care since he was SIX YEARS OLD? kid never had a chance. i'd go on a killing spree too

also the parents. where are the parents? it's halloween night and all the teenage girls are home babysitting their younger siblings? come to think of it, michael's first victim was his own older sister, whom he killed while she was babysitting him. teen girls are really shouldering a labour burden here. maybe parentification is the true villain

side note: mike commits his first murder wearing a clown costume...which is never referenced again? his 'iconic' costume is a generic mask and wig and jumpsuit, when we coulda had a Killer Clown Michael Myers??? travesty

i like how the Final Girl and her friend casually smoke weed in her car. yeah she's an honor student and her friend is the sheriff's daughter. yeah they smoke weed. so what it's 1978

(to reiterate, mike is 21 and should be at the club. im not saying he shouldn't be rampaging, im saying it's sad that he broke out, tasted freedom for the first time in his life, and immediately snuck back into his childhood home to go rampaging. let's have a remake where he goes to a nightclub and has a few beers. maybe some slutty dancing. then rampage)

oh no he's hot

[brainrotcharacters]

the easy grip on the knife. the leg over the seat. the hand over the other seat. the sassy "come get it" move. you know the bitch is smiling behind that mask even as he said the line.

[orions-aether]

adaine punching her dad to death "guess what bitch I'm strong now" adaine punching her dad to death "you never have to be afraid of being weak again" adaine punching her dad to death "your father hurt you and he hurt your sister and no matter what anybody fucking thinks about it guess what he never gets to hurt anybody ever again" adaine punching her dad to death ADAINE PUNCHING HER DAD TO DEATH

[rafesweetie]

need a jealous bsf!rafe x reader where he is possessive and doesn’t want other guys touching her even though he touches other girls, so she is basically over it and at a party, she dances on another guy and he gets mad

౨ৎ in which bsf!rafe just can’t help wanting to protect you.

you were done with rafe cameron. you’ve decided it. he was your best friend, sure, but he was controlling, mean, overly protective, and he acted like he owned you or something. so you were completely done with him, forever.

this is the third time you’ve promised yourself that, and news flash — you never dropped him.

it wasn’t your fault, you try to tell yourself every time. he just wouldn’t let you leave him, shutting you up whenever you’d even try and be reasonable with him, yelling louder than you or slamming his palm over your mouth. but a little part of you knows that you like the attention. you like that rafe cares so much about you, even if it does ruin your chances of getting a boyfriend. today is the day that you break the pattern though, and rebel against his constant authority.

parties are where rafe thrives. he’s like a celebrity, it always wonders you how much people love him. during parties, he keeps less of an eye on you, assuming you’re just busy gossiping with your friends. but little does he know, you’ve found a boy — it wasn’t often you’d get the opportunity to chat with a boy that wasn’t rafe, and you were loving every second of it. you felt so free from your friend’s gaze, listening to the boy talk, his deep voice vibrating your brain.

but the issue was, the boy was boring. he didn’t talk about cool things, like dirtbikes or his life or death adventures or money. you hated to say it, but he just wasn’t rafe. your mind kept flashing back to him, how much more you smile and enjoy his company. maybe rafe was right. you just didn’t need boys when you have him.

you’re so close to excusing yourself from the boy, going back to rafe’s arm and giggling with him and talking with your faces really close together. you glance back to where he is, ready to retreat, until you see it. you see her.

you’re not sure who she is, but she bothers you. her hair is so gorgeous and healthy, and you can’t see her face from behind but she must be gorgeous. her arm is on rafe’s bicep — your bicep, the one you always hang onto while you’re walking with rafe. you hate that you’re jealous. rafe’s your friend, not your boyfriend, you have no reason to be. but it’s like you can’t control it, your rage, and before you know it, you’re blinking back any potential tears and touching on this boy — this stranger — like there’s no tomorrow. tyla is blasting through the speakers, and yours and these boy’s hands are all over each other’s bodies. you really hope rafe sees you like this, drunk off the smirnoff pink lemonades and enjoying another mans company.

it really doesn’t take long for him to notice. he’s so predictable. shrugging the girls hand off of him, rushing over to his dear friend to get her away from this lowlife.

usually he’d reason with you. coax you away from the boy nicely and lecture you. but he’d had a few beers and a line of coke and he was in no mood for politeness. a rough hand pushes the boy away by the chest, and rafe isn’t muttering a word to anyone, grabbing your wrist and stomping away with you stumbling behind.

he pushes you into a spare bedroom, the first private place he could find. sitting you on the edge of the bed, he starts pacing in front of you and rubbing his face as if this was hurting his head. it’s like your brain flicks a switch, back to “rafe rafe rafe” as you’re sat there with tears brimming your eyes, fiddling with your manicure as you bat your eyelashes up at him, remembering the girl flirting with him, and now you making him mad, and now he’s got you in a puddle of guilt.

“shit— it’s like, you never do what i say, huh?” he mutters, still pacing. “you know i do everything to protect you, kid. you even know who that fuckin’ guy was? no, m’sure you don’t, cause you don’t think. thought by now my voice would be in your pretty head, there to help you make some smart decisions every once in a while. but nah, nah, you see one other boy and it’s back to square one with you,”

you go to speak, glossy lips parting, but he shuts you up with a quick “no”, and stopping pacing to go kneel in front of you.

“everything i do — for you, okay? for you. my girl,” he often calls you that, it makes you weak every time. he grabs your hands. “stop fiddling, paid for this polish.” you stop instantly. “i know— i know you think that my protectiveness is, uh, stupid, but i need to be like this, or you’re gonna get hurt. i know you, baby. i need to be all over you for you to even have a slight awareness to not do stupid things. so i do take some ownership over you in that sense—“

you cut him off, muttering a, “don’t want you to take ownership.”

he huffs. “yeah, but i do, so…” he shrugs. “you’re mine. my friend, my girl. so i don’t like it when someone else touches my girl, or when you’re the one intiating it. makes me so fuckin’ angry, kid, makes me wanna, like—“ he cuts himself off. “so i need you to knock it off.”

you wanna argue so badly, but your brain turns to mush around him. so you sniffle and nod hesitantly.

“no, i want a ‘yes rafe.’ need your words.”

“i just think that—“ you try.

he cuts you off. “yes rafe. say it with me.”

“..yes, rafe.” you both say.

he squeezes your hands and gets up. “yeah, there you go, good girl. now do you, uh, need a minute, fix your makeup, or d’you wanna go back down there and hang out with me?”

your hand goes to his bicep as you stand up with him, and a ghost of a smile appears on his lips. “wanna go with you,” you say softly, leaning into him a bit.

“yeah, that’s what i thought.”

[roartowrecks]

just dumping my late night arcane sketches here. whatever. is this a safe space can i say that if he'd asked her a couple more times jinx would absolutely have joined viktor's cult

[vohtaro]

achilles’ breaks are a serious matter. bitch. | in which patroclus is rather protective of achilles’ break time and continues his crass manner with zagreus and also calls him a bitch because he can

[theabigailthorn]

"Good" Acting

i have a theory that a lot of people say acting is "good" when they're emotionally moved by it, and a lot of cishet white people have a lifelong habit of not listening or empathising when minoritised people speak, so minority actors get called "bad" even when they display some pretty fucking amazing technical skill

[shorthaltsjester]

when people think delilah just completely takes over and laudna has no control. when people think jester is just an uwu child who has been manipulated by every man she’s met. when people think vex is an empty husk of daddy issues without her brother by her side. when people think fjord is an arrogant asshole who doesn’t pay attention to the party around him. when people think scanlan saying that vox machina doesn’t care about him is an accurate assessment.

[mohntilyet]

i have to be so real. sometimes you have to outright not give a shit what the author thinks. i’m not saying to disregard how a character is portrayed and give into fanon characterisations but sometimes i will see fans be like “(head writer) omggg do you think this character is a good person?” “how would this character react if xyz happened?” as though that’s not a question you can and have to answer for yourself.! any character can contain multitudes and if you keep limiting your perception of them solely on word of god its not fun for the writer or even yourself anymore. THINK FOR YOURSELF. INVENT NEW WAYS TO FUCK YOUR FAVORITE CHARACTERS OVER

[saessenach]

dear fellow traveller

I know they're in their divorce era rn, but I'm still on S1 and they will not let me rest

Galadriel & SauronHalbrand in Númenor, in a moment of peace between arrests

[confessedlyfannish]

Writing Prompt #12

Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.

Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.

Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.

While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.

These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".

There is a knife to his right, if memory serves (it does). In the next five seconds—

"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.

But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.

He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.

"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.

"What a shame," he says, placing it face side up on the table.

"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.

He doesn't look away from the man.

"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."

"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.

The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.

The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"

Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."

"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."

He offers Bruce the watch. After a moment, Bruce takes it.

"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.

"You can look left, Mr. Wayne."

Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.

"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."

"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.

"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."

"Him."

"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."

"Why me?"

"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."

This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.

"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"

"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."

Bruce bristles. "I bow to no one."

"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."

"A weapon you want me to bring to my city."

"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."

"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."

"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.

"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.

"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."

"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."

"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."

Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.

Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.

"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."

The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.

"We will not meet again for some time, Mr. Wayne."

Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.

"Ask your question, Mr. Wayne."

"I have more than one."

"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."

"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"

There is a pause.

"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."

"Resolve what?"

"It is not his future I mean to protect," the man says. "It is his present."

"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.

"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."

Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."

The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.

"I am not inclined," Clockwork says slowly, "To this future."

"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."

"They will have already muzzled him."

Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.

"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."

"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—

Clack!

"sluuuuurp!"

"Master Timothy, honestly!"

"Sorry Alfred!"

[jpg-of-dorian-slay]

no bc jackie wanted to be loved so badly and she cared so much for everyone on her team, she did their face paint and misty's makeup and tried to boost morale and she loves shauna so fucking much and they exiled her and they left her outside and she froze to death. they literally froze her out. i'm genuinely never getting over her death bc she did not deserve that and all they would have had to do was ask her to come inside and if shauna was just like "hey i love you i'm sorry" she would have come inside. SHE WOULD HAVE COME INSIDE GUYS.

[casscainturnedmegay]

I know he’s just lying to protect his secret identity but I’m sobbing over the idea of Jack Drake being the Tony Hawk of philanthropists in Gotham

[cubbihue]

When you said that the unluckiest person is most hopeful, it reminded me of Nagito Komaeda. If the universe were combined, do you think he would fair well having Anti Cosmo as his anti fairy?

Funnily enough, I feel like it would be Hajime who would have an anti-fairy companion. I mean, he’s surrounded by extremely skilled people! That would attract bad luck in some way for him. Nagito wouldn’t be good food for anti-fairies. Or Fairies. Or Pixies.

...Honestly, Fairies aren’t quite sure what food he produces. It’s like a weird amalgamation of luck, desire, greed, and all sorts of emotions they can’t disentangle. Like a crockpot gone horribly horribly wrong. Eating any bit of that would make any fairy sick.

Eugh. The hell is wrong with that one.

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[amanfromnewjersey]

I am going insane about these stoats

(my insta is @trisideseye and that's where I mostly post art. I'm purely posting here bc @quiddie is active on here and I need aabria to know, personally ,how fucked up I am about these stoats)