#SO WHAT IM PROPOSING IS……

[luuxxart]

leaks from the anime post bnha 430……. #REAL #NOTFAKE

[eloscore]

impossible minecraft more like. um. uuummmm........ uhhhhhh

[vacz]

I present to you my idea of a alternative bad ending for Wirt...

THE HUNTER

Instead of Beast!Wirt is Woodsman!wirt

After accepting the deal with the Beast, Wirt became the new lantern barer in hopes to keep Greg alive. He took the job to cut down the ellewoods and make them oil to feed the lantern so Greg's soul would never turn off, exactly what the woodsman used to do with his daughter. But as different from the woodsman, Wirt does know where the ellewoods truly came from, so the Beast has decided to take advantage of it and included him a little bit more into his chase for new victims. Now having Wirt helping the Beast to guide lost souls to the wrong path, it has become so much easier for the Beast to trap new souls

Wirt's role was this for a time: Becoming the new woodsman and finding lost kids to give them wrong directions or ideas. Despise how much he refused in the beginning, soon the Beast made him understand that this was the price for his mistakes, unless he wanted to Greg pay the price instead...

Until one night, Wirt had to confront a travel soul. A boy like him, wanting to save his little brother from the cruel breaches of the tree growing on his helpless body, and finally leave the woods with him, like Wirt himself once did. However, the Beast pressured and demanded him to take action himself, but unlike the old woodsman, Wirt did cut the boy down.

And since that incident, Wirt now has a new task to commit every time a new soul enters into the unknown.

He could barely sleep at night before, now he can't sleep at all. Wirt has stopped taking care of himself, at least he washes his hair and clothes once in a time but time itself seems so uselessly long for him until the point that things don't seem to matter anymore, nothing matters for Wirt, not even himself and his feelings... except keeping the lantern lit

The Beast knows better than anyone that Wirt's mind has become so weak until the point that he can't even survive by himself. He had succeeded in destroying this boy whole identity, only leaving a white paper to work on, so now he tries mold Wirt according his own twisted needs. Ironically, thanks to the Beast's influence, Wirt remembers the reason why he has to keep going with this but also he slowly starts to see people in a similar way that the beast's twisted perception does; trees to feed the lantern, not ready to burn yet but they must be prepared.

It's not surprising how much he has given up to the Beast. But unlike him, Wirt doesn't like to "play" or manipulate their victims, because he doesn't want to know them at all. Wirt already knows how these people will end, and he doesn't want to feel worse than he feels now, so he mostly tries to make his interactions shorter or cut them down directly, the quicker the easier it is for him to adopt this 'human dissociation' mentally

Of course, when he chooses violence, people tend to run rather than do what he plead, so he has to chase after them. Running after someone is exhausting for Wirt because he isn't that athletic in that aspect, and it's frustrating when he can't reach them. There are times when they manage to escape and some others that they don't

Wirt hates running after them, because it makes the situation more torturous and he gets exhausted. But if they don't start running, he is the one who tells them to do so. He doesn't understand very well why he does this but he likes to think that is a way to give them a chance to escape so he doesn't have to be the one to end with them, after all Wirt wants to believe that he is not evil

And yet, at the same time Wirt finds some kind of satisfaction on it... He is scared of what he is becoming.

Of course, he has this little duality inside his brain. The Beast has done a good job to keep Wirt in his role but still that doesn't make Wirt's guilt disappear at all

At least, his guilt has been manifested into a voice, represented by the rock fact. Even if the rock fact was meant for Greg to make silly but un-true facts, Wirt's interpretation of his own rock facts are the cruelest truths he refuses to believe. The rock fact represents that honest and logical part of him that is still there, under the tone of the self hate Wirt has grown on himself.

Of course, when he is around people for a longer period than he feels he should, Wirt stops trying to act normal and let himself to act a little... dramatic, in hopes to scare them or "prepare" himself mentally to go and chase them down with the axe

For this, he likes to use the rock fact. He always keeps it in his hair and uses it to try to re-create a rock fact like the ones Greg used to make, but instead of charming or adorable he looks insane, and he already knows that. Of course, he tries to re-create them seriously when he is alone but still fails miserably

Wirt does this in a poor intent to feel in touch with Greg, even tho they usually talk a lot with each other

Jason Funderberker has been gone for a long time by now, so the Beast is the only company Wirt has left, but most of the time he is alone.

He doesn't devout that his brother is there anymore, after all, Now Wirt can hear Greg's voice coming out of the lantern so what would be a better proof than that?. Greg is the only person left who seems to not hate him or is scared of him, the little ray of sunshine in his poor cruel life. If you tell him otherwise, Wirt won't want to believe you, even if deep down somehow, someway no matter how delusional he may be... He knows is true

Of course, I wouldn't recommend saying this because after having a nervous breakdown he will absolutely go after you with all pure rage.

Now here are some questions and its explanations:

Where does this idea come from?

Where does the name "The Hunter' come from?

What's Wirt and The Beast's relationship?

Wirt, The Woodsman, The Hunter and The Beast

Where does this idea come from?

It's no surprise that it comes from the idea of a bad ending for Wirt, one that is more fitting with the logic of the series. Because let's be real;

If he accepted the deal he wouldn't turn into the new beast because The Beast's motivation was to survive, he doesn't seem to want a replacement or transpass the role to anyone. In that case he would have already done it with The Woodsman.

The unknown was completely fine with the Beast gone so is not that he is THAT important for the forest to need a replacement.

Also, remember this little scene? it's from chapter 1: The Old Grist Mill. When Wirt and Greg just entered the unknown and suddenly heard the Woodsman cutting wood, before talking to him, Wirt said:

"Do you think it's some kind of deranged lunatic with an axe waiting out there in the darkness for innocent victims?"

So I thought; What if in the bad ending... He became that deranged lunatic?

Where does the name "The Hunter" come from"?

In the concept:

Since there are times when Wirt's victims escape, those who survived spread the word of a maniac who is wandering around the woods, looking for new victims, and once he finds them he will chase them until he can cut them down to the bone with his axe

They named him "The Hunter"

Wirt knows about his new reputation, since the travelers call him that once he reveals his real intentions, but he isn't really aware of all the rumors and stories people of the unknown had made about him, he knows that he will not like them but at the same time he is very curious about it. Some of them are true and others are just exaggerating. But at this point, Wirt Hunter had accepted that now he is one of the particular characters of the unknown.

In technical explanation:

In Over The Garden Wall we saw that most of the characters are named by "the what" for example: The Beast and The woodsman, they had no name by their own outside of their archetype. So I thought that in Wirt's case he would have a name like that, losing his own as a representation of how he has lost his own original identity. Wirt is no longer "the worthy one" anymore because he is more lost than the woodsman ever was, and there is no chance to bring him back, so he became "The Hunter" for the unique faction that makes himself distinguish from The Woodsman: The killing

The woodsman is just a man who lives in the woods and cuts trees, it just happens that the Beast used one to keep the lantern on. However.... The Hunter is someone that hunts, the whole point of a hunter is that he chases living beings and strap them, mostly for need. That is something The Beast himself does in his own way, which makes Wirt and The Beast more similar and unionite than the previous dynamic with The Woodsman, or even I dare say they are just alike; The Creature and The Man who hunts for surviving

Also, more into Bad End Friend's territory; Every evil alternate version has their own unique name, for example the icon trio, Bipper and Ice Finn (Also officially named "The Snowman") but then we have just "Beast Wirt" and until now NOBODY has come up with an actual name that fits him. I remember that someone already suggested the name "The Hunter" for Beast Wirt but it didn't make much sense (At least to me). However, in a woodsman context I think it could work better.

What's Wirt and Beast's relationship?

In Wirt's perspective

Basically a case of Stockholm Syndrome: At first he felt more like a prisoner, The Beast was a figure who he should follow if he wants to keep Greg alive, he is more than Wirt and his power overcomes his young self. However as the time passed, Wirt realized that the Beast can also be very merciful and at the same time rightfully ruthless as his monstrous nature allows him, as he has 'shown' him acts of trust. For Wirt, The Beast is a dark but fair being, not as evil as everyone told. The Beast acts similarly like a father would do towards Wirt, but without that human openly caring love. He is strict and cold, but is for Wirt and Greg's own good

In Beast's perspective:

Wirt is nothing but an interesting experiment. The Beast has been manipulating every little detail of Wirt's surroundings, so he decides to obey him by own choice, which worked out way better than expected. He has seen Wirt changing to fit into his needs, becoming more useful and useful than last time. Anytime the Beast has thought he reached the limit, Wirt proves him wrong and finds a way to pass it and go on anyway. His determination is so fascinating to the Beast that he continues to see how far he could go

Their dynamic:

Naive teen being manipulated by his father figure to be useful for his plans or desires (but even more mess up)

Examples of this kind of dynamic are Rapunzel and Mother Gothel from Tangled (2010) or Hunter and Belos from The Owl House (2020)

Wirt has been alone for so long to the point that he holds tightly to anything that could give him a minimum sign of love, and The Beast knows that more than anyone

He has taken advantage of this, so by convincing Wirt to isolate himself and showing barely love, Hunter would listen and obey him without any doubt. It doesn't matter if The Beast is the main responsible for his situation, things have been twisted so much to that point that Wirt fully believes that this is all his fault. He must do the right thing at any cost, after all, he would do anything for the ones he loves right Gregory?

Wirt, The Woodsman, The Hunter and The Beast

These are the four identities Wirt adopts in the time on the unknown, like states of his sanity slowly decaying

Wirt

The anxious teen we all know and love, the guy he has been during his journey until the point where he faced the Beast face to face

The Woodsman

Wirt post-deal

At first:

He doubts that Greg may be in the lantern, and now he regrets his decision. However he doesn't know what to do now because the guilt for Greg will not leave him in peace, and so Wirt feels like he doesn't deserve to go home, he can't go back, no without Greg. So he still lives in the forest, feeding the lantern and hearing the Beast's words, however The Beast insists that Greg is indeed in the lantern, but Wirt isn't sure whether to believe him or not

Even if Wirt knows he needs the ellewood, like the woodsman, he tries to help and warns about the Beast to those who came into the unknown

The Beast warned him about helping people, but he didn't listen to him until one night. There was an incident where he almost lost Greg's light forever for the lack of ellewood. Since then, Wirt finally cooperates with the Beast

At last:

Wirt knows what he must do. He misguides those who pass through the way in forms to get enough ellewood for Greg, always making sure to keep himself distance and not get too close with them. However there are times where he can't NOT sympathize with the travelers and so he offers his genuine help

The Beast wasn't comfortable knowing that Wirt still kept helping people.

The Hunter

Wirt post-murder

At first:

After his first kill, Wirt felt so guilty that he stopped taking care of his health (He stopped eating, bathing, and stuff) and encaged himself inside the house with all the bottles of oil, fearing that he would hurt someone again

At this time Wirt started to hear the voices of Greg, the rock and the crying of the lost souls, and talk to them until he ran out of oil

When he finally went outside, his body was too weak to even walk and he fell on the grass unconsciously. At that moment the Beast thought Wirt died and so he was about to take off the lantern, but the boy's hands wouldn't stop grabbing it with all the fury. The Beast kept trying until suddenly Wirt woke up and said to him that as long as his brother needs him he would be still here. For his stupid unbreakable determination, the beast didn't see any other option but to take care of the kid

As he recovered, The Beast started to convince him of the idea of taking people as nothing but ellewoods he needs. Wirt didn't like it at first, but the Beast's kind act and the poor health state he put himself into finally made him accept the new task.

At last (actual state):

Most of the time he is alone, searching around the forest for more ellewood to feed Greg with, day and night. He doesn't fully sleep, he takes naps in the afternoon so he can be wake up all night as he wants. To eat he hunts animals, fish, rabbits and some other birds or frogs, whatever living being he finds. To entertain himself he recites poetry and sings songs that the Beast has taught him, all loud like someone would listen to him. At home he writes his poems and composes his own music, mostly for clarinet.

At times the voices are louder and other times they are quiet. If it's Greg then it would be a nice time, if it's the rock fact it's a guarantee he would be at least pissed off, and if it is the distant crying of the lost souls then paranoid it is.

When someone crosses his way, it depends on how things are going to see how things will end. When he just indicates the direction you'll better leave as soon as you can, because the longer you stay and talk to him Wirt will act weirder in hopes for you to leave him alone, otherwise, if you cross the line with your words, he probably will run out of patience and starts to prepare the axe

But it also depends on how likeable he finds you. He could not care and warned you before he attacks you as usual, he could hate you so much to the point that he attacks you with no warning, he could like you and give you five seconds of advantage, and if he likes you a little bit more he would become obsessed with you and will maintain you inside his house so the Beast will not know about your existence as long you don't go outside

The Beast

The Beast (According to the Woodsman's words) is the death of all hope. How low would you have to go so you lost your whole humanity to become the living embodiment of one of the darkness concepts in human kind?

If Wirt ever became the Beast, he should have been falling in grace until the lowest point a person could go. So in my idea of The Hunter, I like to imagine that the differences between The Beast and Wirt would slowly fade away until they are one in the same

Inside The Hunter, Wirt has not only become lost in life but he has also lost his identity, his spirit, his desires and his home. The one thing left to lose is his humanity... His soul

The only thing that separates him from The Beast, is him holding on to the last piece of humanity he has left; Greg

Day after day his sanity is drifting away, but it's because of Greg's existence that he is connected with his humanity, because his actions are meant for Greg's surviving, not his

If Wirt descends to absolute madness and forgets completely about Greg but also openly enjoys his cruelest actions, to the Unknown's eyes, he would no longer be worthy of humanity, and as a punishment he would be cursed to be the successor of the Beast

And becoming worse.

Like I have been having this idea in my mind for a while now and I wanted to share it. I hope you liked my idea and the drawings I made because it really took me a lot of time trying to finish this post because you know... Christmas and happy new year (ah yes, what a happy post to show in these lovely times, yeah!)

SO WHAT YOU THINK?

[damconcha]

One of my favorite things about the ASL Brothers is the fact that Ace was the one brought out the sake and proposed becoming brothers.

Not Luffy or Sabo but Ace.

Ace, who believes he is unlovable, Ace who believes that his blood is dirty, Ace who believes that he didn’t deserve to be born, Ace who thinks that his life is worthless, Ace who believes that his mere existence is a crime.

And yet Ace saw these two boys and approached them without apprehension or fear of rejection even though he was proposing something as irrevocable, something as bonding as brotherhood

[try-set-me-on-fire]

Ok well i had the brief thought “what about an ER nurse Eddie au?” and then this popped fully formed into existence so fuck it Friday pt 2.. warnings for smoking and vague references to critically injured kids

“That doesn’t seem very healthy.”

Smoke curls up from the cigarette held loosely in Eddie’s hand. “It’s not, particularly.”

Buck’s hands are in his pockets as he strolls away from the glass doors out into the ambulance bay where Eddie is doing the mature, professional equivalent of playing hide and seek. He comes to a stop barely a foot or two away from where Eddie leans against grimy concrete. “Didn’t know you were a smoker.”

“I’m not,” Eddie sighs, “Particularly.” He looks over Buck’s face as he takes a drag, cataloging bruises and cuts. He hadn’t been the one to look him over before he was discharged, probably because he was out here avoiding having to do so. “Only when it’s- only after the bad shifts.” And only once a month, even if the bad shifts come again and again. He bought this pack in January, it’s stale as shit.

Buck’s eyes follow the smoke as it drifts skyward. “Rough one today?”

Eddie thinks he probably doesn’t have to explain to Buck that it’s sometimes better when a kid is dead on arrival so he doesn’t have to try his best to administer care he knows will be useless. He doesn’t have to explain a day where nothing goes right and he loses more people than he can save and he still has to walk away from someone’s parent or wife or sister, left behind forever in a waiting room on the worst day of their life, and go on to lose the next person too. Doesn’t have to explain why he’s out here, and not in there. “Mm. We’ve got this repeat customer, always hate to have him back.”

Buck’s eyes flick to his face before they settle somewhere around his elbow. “Yeah?”

“Yeah. He seems like a nice guy. I worry about him. He’s here too often.”

Buck doesn’t look up. “What was he in for this time?”

“Minor concussion. Bruising. Lacerations.” Eddie sucks cancer into his lungs. “Heard a house fell on him.” Exhales it into the night.

Buck does look up this time, eyes a darker blue out here in the shadows. “Part of a house. Just a staircase and the- like, the balcony, really.”

“Maybe he should stay away from those.”

“From houses?” Buck asks, half his mouth twitching into a smile.

Eddie rests his head on the wall behind him. “Guess that’s not really practical.”

“No.” Buck is quiet for a moment, one hand slipping out of his pocket and running through his hair. Eddie wonders what he looks like, when he’s not here. He’s more styled, sometimes, when things aren’t very bad. He wonders if he’s usually all gelled up and neat. Eddie kind of likes the loose curls. “I’m sorry.”

“For what?”

“Making your day worse.” Buck looks genuinely apologetic, and Eddie shakes his head.

“The guy made it out okay this time.” Buck is just close enough that Eddie can kick at his boot with his sensible orthopedic sneaker. “You didn’t even need stitches.”

“That’s good.” Eddie’s left foot is pressed along the inside of Buck’s right, and Buck is staring down at them. “His favorite nurse was on break. I would have missed you if someone else had to do them.”

Eddie laughs, just a few bursts of soundless oxygen. “You gotta find new ways to see me before something happens that I can’t fix.”

Buck moves, taking the few steps necessary to lean against the wall beside him. Carefully, he takes the cigarette from Eddie’s hand, holds it between two of his own fingers, and takes a drag. Eddie watches it happen like he’s monitoring somebody’s pulse ox, and when Buck coughs he laughs again, louder this time. “Fuck,” Buck says, laughing too. “Thought that would be cooler than it was.”

“Smoking isn’t cool, firefighter Buckley,” Eddie says, taking the cigarette back and pulling from it again between smiling lips.

“Hm,” Buck says, grinning out into the night. Then he sighs, and rolls his head along the concrete to look at Eddie. “I think there’s nothing you can’t fix.”

They’re very close. “There’s lots I can’t fix.”

Buck shrugs like he disagrees. “I also think I’d like to find other ways to see you.”

Buck’s eyes are even more in shadow at this angle, and they’re the color of the lake back in El Paso that he and a bunch of kids went to after graduation, drunk off beer somebody’s cousin got for them, skinny dipping with breathless terrified delight under bright constellations. “Then ask me.”

Buck inhales as Eddie exhales. “What time’s your shift end?”

“5:30 AM. So, probably 6:15.”

Buck traces the two fingers he’d used to hold the cigarette down Eddie’s arm. “You wanna get breakfast with me?”

“Yes. I would.”

Buck smiles, and Eddie snubs out the cigarette on the wall between them. “I’ll meet you here?”

“Alright.” He takes a step forward, then a step to the right so he’s standing in front of Buck. “Two hours.”

“Uh huh.”

He should really get back inside. They’re understaffed, as always, and there are too many patients, as always, and not enough beds, as always. “See you then.” He doesn’t make any move to leave.

“See you then,” Buck almost whispers. He leans forward, and Eddie still doesn’t move, so he presses a tiny kiss to the corner of his mouth for just a moment. His lips are warm. Eddie hadn’t noticed it was cold outside.

Buck pulls back and leans against the wall again. Eddie smiles, puts a hand in his pocket, and walks back toward the doors.

[yuwuta]

gojo would kill your work husband. but if he were the work husband, that's a different story

REAL!! he’s such a hypocrite because if someone mentioned you had a work husband, his entire world would stop and he wold devise the absolute worst plans to make sure that your co-worker, everyone at your job, and everyone in the next building over knew that he was happily committed to you 

but if he is the work husband, he’s very........ dutiful in his role. there’s a loose office/lawyer au in my head where satoru is your secretary, and for all intents and purposes, your personal assistant, and he’s good at his job, but mostly because he considers his job to be pleasing you. he has coffee for you when you arrive, he moves your schedule around without you asking, he has answers to questions before you can even ask them, he has fresh flowers on your desk weekly, pokes into your meetings to pretend to hand you a file that’s really just maybe a single document in a manilla folder with candy on top of it—he’s made himself your business, your partner; he’s made himself irreplaceable, and he loves to remind everybody of that fact. 

he’s also extremely loyal. sure, he could day a week’s worth of work done in about a day, but that doesn’t mean he’ll just use his talents for anybody. he’s your secretary, so he’s at your beck and call, and everyone knows it. they know he’s the best, but also that he’s off limits—not because you won’t share him, but because satoru won’t let himself be shared. 

he also extends his duties beyond work, of course. when he hands you a print out of your schedule for the day and you’re confused by the three-hour block of time you have in the middle of the day, satoru just helps you shrug your coat of your shoulders and smiles, “that’s for the lunch date you have with me, of course!” hanging up your coat in your closet for you, “i’m paying, see you soon, sweets.” and because you’re great at your job, and satoru helps you be great, nobody really questions when the two of you have time for a 13-course tasting menu at 1pm on a tuesday afternoon. and if they did, all satoru would say that you two had a lovely date 

[arsenicflame]

It's a time-honoured tradition- every time Sam comes across Izzy (and Ed) in their travels, he asks Izzy to marry him. And every time, Izzy turns him down.

At this point, Sam is asking more for the sake of it than any belief Izzy will ever say yes, a remnant of childhood dedication touched with 30 years of heartbreak and regret- though even now, a small part of him still holds out hope. Sam's promises have only got more extravagant over the years, from a job as his first mate, to a captaincy, a fleet at his command, a whole fucking island if that's what Izzy wants- but he knows it isn't though, not really. If Izzy was ever going to agree to marry him, to leave his life and go with Sam, it wouldn't be for anything Sam could offer him. Izzy never did care for flashy shows of wealth, for a ship or to be captain. The only thing that ever mattered to him was loyalty given, and loyalty shown in return. 

It all comes to a head after Stede left and came back, after Izzy lost a toe, lost his leg. Sam hasn't seen him since before things with Ed started to really slide off the rails, before stress permanently set into the lines of Izzy’s face. So, when he sees a dishevelled man with a hoof for a leg in a no-name port, he doesn't even consider the idea that he might know him. It's only when he turns towards him, and Sam catches a glance at those oh too familiar tattoos, he realises this is Izzy, his Izzy, that stands before him.

Knowing Izzy's discomfort with pity, he doesn't treat him any differently than he would in years gone by, positioning himself in Izzy's line of sight before approaching and sweeping him up into a bone crushing hug. 

“Israel-goddamn-Hands!” he exclaims, as Izzy grumbles back a begrudging “Samuel-fucking-Bellamy”, a tradition almost as old as their friendship itself. Izzy might not hug him back, but he can’t keep the corner of his mouth from twitching, just for a second.

(If Sam holds Izzy a little tighter and a little longer than usual, well. That's his business)

By the time Sam lets go, most of the crew has appeared in the town square, drawn in by the commotion. They may have given Izzy his leg and welcomed him as one of them, but still there’s an underlying tension, with nobody quite ready to set aside everything that happened before the Kraken. Seeing him cosying up to an unknown man sets everyone on edge, unsure whether to come to their first mate’s aid, or to assume that they've been betrayed once again.

When Ed sees that the yelling was Sam, his hand goes tense where it's held in Stede's. He knows the routine, has seen it more times than he can count, but as he watches them part he realises that this is the first time in a long time he's unsure of what Izzy's response will be.

Knowing that something’s different, knowing that Izzy's feeling vulnerable already, Sam doesn't go for the same flashy proposal he’s been giving for years. He doesn't promise Izzy the world, he doesn't cause a scene (or, any more of a scene than he already has, anyway). He looks at the fractured man in front of him, takes his face in his hands, and says the exact same thing to him he said when they were little more than boys. “Israel, I have to ask you. I know what you'll say, but I have to try. Come with me. Marry me and sail away with me. I'll keep you safe”

And Izzy… hesitates. He glances over at Ed, at Stede, and says to Sam “...We’re staying in port for a week. Ask me again then”

That's the moment Sam knows there is something deeply, horribly, wrong. He's not just looking at an Izzy who got seriously injured in a fight and is struggling to cope, this is something so much bigger than that- and that Ed has something to do with it. Izzy wouldn't even be considering leaving if he didn't. Whether it was negligence or something more sinister, Sam doesn't yet know, but he intends to find out.

[sunbloomdew]

he's not fooling anyone

the og meme

[littleplantfreak]

'When', not 'if'

("I'm not a romantic" I cry and scream before dropping the most sickening thing i've written to date. Blame @stunie because i did tell her i would write the most ume thing ever and maybe this is it. The title in my docs for it is 'Fucking disgusting' but i figured i better not title it that here because I'd be seeing it in my notifs lmaoo)

SFW/no cw unless you hate fluff

When you wake up from your nap, one of your slippers is gone, and there's a blanket on you that wasn't there prior. Looking at the clock, it's been about an hour since everyone had left your apartment once your birthday party ended. The day as a whole had been chaotic, your boyfriend shoving you out the door with a note to go see Kotoha.

The note took you farther than that, though, as it seemed Umemiya created a whole scavenger hunt for your birthday that had you running into all of your friends, having dessert at your favorite cafe, and eventually ending up at your shared apartment to find that all that time spent around town was a distraction so that he could set up the space for your party. After it had ended, you were banished to the couch because princesses aren't allowed to help clean up their own birthday parties, which had you huffing and falling face down into the chicken shaped pillow affectionately called Mr.Clucky.

It was a product of your boyfriend's endless cycle of hobbies when he took up sewing. A little lopsided and overfilled with stuffing, you complained to and into Mr.Clucky with your face pressed into him. Apparently, he was soft enough to fall asleep on because before you knew it, you had been drooling on him the entire hour. Prying yourself off the couch took more effort than was almost worth it before your eyes fell on the reason you were so tired to begin with.

Hajime smiles and hums looking at your bleary eyes. "Good morning sunshine, I was just about to take you to bed," he says, folding a dish towel over a chair. You toss off the blanket and grab on the slipper that fell under the living room table before padding up to him. Dipping your hands under both of his arms to lock them together behind him, now your face is in his chest instead of the chicken, which is entirely preferred.

"Don't wanna go to bed just yet," you muffle, sinking even deeper into him when both of his arms wrap around you in support. He smells like dish soap and birthday cake, and you turn your head to hear the heartbeat in his chest.

"What do you wanna do lovey? You know I'd give you the world if you asked," you can hear the rumble of his voice in his chest with your pressed ear. He's cheesy, but half asleep, you feel just as much, if not cheesier.

"I have the world if I have you, they're one in the same. So just you is more than fine." Your eyes are closed, but you feel him shiver a little. "I wanna dance with you, though," you say, voice still soft and kinda raspy from sleep.

"Dunno if I can top what you just said even when I propose," he chokes out a laugh, or at least you think it's one. He shifts his hold a bit and starts leading you both in a lazy sway that starts near the toaster and ends next to the potted plant at the back door before starting over.

"When? Not if?" You tease him, a hand going to scratch the nape of his neck lightly.

"I'll never meet another you, so I'm pretty set on When."

"I'll say yes." Because you will. You can't imagine a life where you wouldn't.

"And I'll still cry when you do." You can tell he's crying now because it comes out shaky and his hold tightens a bit, before you lean back, stopping your impromptu waltz. Both of your hands come up to cup his face and look at his teary grey eyes before cooing at him.

"You big baby! Save those tears for When please. You'll be congested and sniffley all night if you don't stop." You start cleaning off his face with your sleeve, but he stops one of your hands and starts peppering your palm and wrist with small kisses. "I think I'm ready for bed now. Princess's orders," you say, dragging him towards your bedroom. You'll have to figure out tomorrow just how soon When is going to be, but for now you can hear the slow thumps of Hajime's steps as he follows behind you, squeezing your connected hand. It's not pressing in the least, you think, because it feels like there will be plenty of tomorrows too.

-----

When you wake up in the morning, it takes you an hour to realize Hajime had put the ring on your finger while you were asleep.

It takes you five minutes to run through town in your pajamas, barefoot to find and full on tackle him in front of the place he was about to get your breakfast in.

And it takes about two minutes of unintelligible blubbering on both your parts before anyone understands what is going on.

No one timed it, but if they did, it would've taken less than ten minutes for the whole town to find out via texts, calls, and yells down the streets and through windows that you're engaged.

[napping-sapphic]

Picture this: we eat a truly absurd amount of mashed potatoes and then go to sleep

[introspectivememories]

obsessed with the idea of timbern baby. like it starts in the cult and bear finds this kid, literal child, in the cult and y'know he may be a depressed and suicidal bastard but he's not so far gone that he's just gonna ignore a literal child (let's call him luka) in the pain cult. and bear's been rising through the ranks, so he smuggles luka out and tells (read: lectures) him to stay out. except this is the first time anyone's ever really cared about luka, so luka just latches onto bear.

eventually bear starts letting luka stay over at his apartment bc whoever was taking care of the luka before clearly doesn't care if he was left unsupervised enough to join a pain cult. so it becomes this kind of family unit. bear wakes up, wakes luka up, drops luka off at school, then goes to class, comes home and makes some food so luka has smth to eat after school, fucks around with the cult for a few hours, and then goes home and tries to avoid luka's concerned glances. wash, rinse, repeat.

and this is going well for a good few years and then senior year of college, everything goes into overdrive. bear who has risen through the ranks of the cult has been chosen for the sacrifice and yeah, luka will be sad when he dies or whatever but he's got money set aside for luka. luka can live on without him.

and then tim comes back into his life. tim drake from high school. his tim drake. darla's tim drake. their tim drake. who likes skateboarding and photography and is maybe a little too serious about mario kart. tim drake comes back and for a brief, weightless, moment, bear thinks he can do this. he can do this life thing and want to live. he can take care of luka and watch him graduate and be friends with tim again. he can stop blowing off the people at school who want to be friends with him. he can live again.

and then, like he does with everything, he ruins it. luka sees him off on the night of his "not-date" with tim drake with a teasing shout of "don't put out on the first date dad!" bear whacks him upside the head. the not-date goes really well right up until the fucking cult kidnaps him and preps him over the course of the next few days for the sacrifice. as he greets the pain like an old friend, all he thinks in between the haze of getting whipped is that luka must be going out of his mind with worry. and then they have him strapped to the altar and he lets the wine they're practically waterboarding him with take him away. his leader raises the knife and bear relaxes. this is where he was always meant to be. he has no other purpose than to be the vessel. it's not like he meant much anyway.

and then, robin is bursting onto the scene and punching the leaders in the face and somewhere in between kicking ass and taking names, bear realizes he wants to live. like for real, for real. he wants to wake up tomorrow. he doesn't actively want to die. he wants to see luka walk the stage at his high school graduation. he wants to hear tim drake laugh one more time. so he lets robin save him and then goes home and lets luka sob and fuss over him as bear promises to be a better parent.

and that's it he thinks. he definitely scared tim off with the whole getting kidnapped and being part of a cult thing. it's okay, he tells himself, at least you got tim back for a little while. but then tim is showing up at his door like a week later and he wants to go on a proper date?? like an actual date. bear is overjoyed but wary. tim drake is tim drake-wayne and bear is bernard dowd who has been consistently fucking up his life since his best friend got shot and died in high school. he figures that this thing between them will last maybe what, 4 months, before tim realizes he can do better.

except it lasts long than 4 months. it goes on for almost a year before bear realizes that tim is here to stay. well, fuck, now he has to tell his boyfriend that he has a kid. lord knows, luka wants to meet him too. so he texts tim one day, can we talk? and tim shows up at the cafe nervous and panicky. and bear just fucking blurts it out. i've got a kid. he says.

what? tim replies. i've got a kid. like a kid i'm raising. like a son. he says. so you're not breaking up with me? tim asks slowly. what? no! and so he explains the whole situation and tim just laughs a little hysterically and goes how does this happen twice? except now tim wants to meet his kid. so bear brings him over and to put it gently, it's a fuckin disaster. luka hates tim. tim spends the next year trying to get into luka's good graces. it only works when bear gets kidnappped for umpteenth time and tim spends the two weeks bear is missing for, taking care of luka and spending lots of his considerable fortune getting bear back.

[sukibenders]

Anthony doesn't get enough flack from this fandom if I'm being honest, like most of it is pushed onto other female characters while he gets the "he was struggling," excuse. And while he was struggling, there's definitely validity to that, he also should not have his actions (eg. playing with Kate's feelings, putting her and Edwina in a difficult situation, etc) excused because of that.

[frobby]

rin 1000000% has a list somewhere of things hes good at that yukio is bad at

[corviiids]

woke up this morning and my immediate first half-asleep thought was "could i post an academic paper on ao3"

[xxplastic-cubexx]

hear me out guys james mcavoys charles in the krakoa charles fit…

the ideal timeline is where instead of getting dark phoenix we waited like two years and got a krakoa movie and then i get escorted out of the movie theater for being Not Normal about bald mcavoy in the black suit and fuck-off chrome-dome helmet

[valeriianz]

I've had this Dreaming The Proposal AU sitting in my drafts for a while. Then @voukkake comes out with this art and I figured it was time to brush off the dust and share what I'd written lol. This is seriously all I'm going to write so if anyone is interested I'm begging you to pick this up. I'm dying to read Dream awkwardly interacting with Hob's family (also @valiantstarlights suggestion that Betty White is Destiny?? ABSOLUTELY BRILLIANT). Anyway...

------------------

Dream is about to be deported because his visa application has been denied. He is in the middle of a meeting with his lawyers when Hob, his secretary, pops in the room to inform Dream of a very important phone call and Dream comes up with the insane plan to marry Hob to keep his immigration status.

He gestures for Hob to come over and Hob, clueless, wanders into the room and stands next to Dream, who takes him by the arm and tugs him just a little bit further to stand awkwardly close.

Dream announces their engagement and Hob stands there, shell shocked and feels his mouth moving against his will. That yeah, they are getting married. They are in love, sure. It isn’t until they leave the office, following Dream back to his, that Hob’s brain seems to come back online.

“What just happened in there?”

Dream grouses, head down, already back to his work as if nothing happened. Like he didn’t just use Hob as a pawn in his scheme to get around his denied visa application.

“They were going to make Morningstar editor-in-chief.” Is all Dream says, disdain dripping from every word. He still hasn’t looked up.

Hob stands there, still as a statue. His head is swimming with words, with emotions. Anger, disbelief, betrayal… and a small tiny flicker of undeniable interest that he hastily stomps out.

He manages to put the pieces together rather quickly though, while Dream continues sifting through paperwork.

“This is illegal,” Hob manages to croak out, brows furrowing. 

“Oh, please. The government looks for terrorists, not book publishers.” Dream’s head is still down in his paperwork.

Hob blinks, taking a step up to Dream’s desk. “I'm not marrying you.”

“Sure you are.” Dream sets aside a stack of papers and finally gives Hob his attention. “Because if you don't, your dreams of ‘touching millions of lives with the written word’ are dead.” 

Hob’s jaw drops. That was a line, corny as it was, that he’d used in the panel interview for this job. Three years ago.

----------------------

“Were you not in that room? I could get fined, I’ll go to jail over this. If you want me on this deal, you will promote me to editor.”

Without even glancing up from his phone, Dream scoffs.

“Absolutely not.”

“Well then I guess you’re screwed. Buh-bye.” Hob turns with a flourish and has to bite back a grin at how Dream splutters behind him and grabs him by the arm.

“Fine– fine! Editor.” His face seems to go through the five stages of grief. He drops his hold on Hob.

“And You’ll publish my manuscript.” Hob throws in. In for a penny.

Dream’s brows narrow and he shakes as if he’s physically controlling the urge to stamp his foot.

“Sure. I’ll publish your hack manuscript.”

“Good.” Hob slips his hands in his pants pockets, staring at Dream, deciding on one last nail in the coffin.

“Now do it properly.”

Dream cocks an eyebrow. “Do what properly?”

“Propose. Like you mean it.”

Dream’s entire body seizes up, but he manages not to let it show, distracting himself by slipping his phone in the pocket of his expensive slacks and clasping his hands in front of him.

“Will you marry me?”

“No.” Hob, the arrogant bastard, is visibly biting back a smirk. “Say it like you mean it.”

Dream takes a long, steadying breath through his nose.

“Hob Gadling. Will you–”

“And get on your knees.”

Dream absolutely refuses to decipher the thrill that shoots through his body at Hob’s command. Instead he keeps his mask of irritation and indifference on as he scans the crowd around them. They are still outside the courthouse, and the concrete sidewalk is going to potentially tear Dream’s Hugo Boss black wool pants.

So he carefully lowers himself, scowling as the smirk on Hob’s face only widens as Dream slowly settles onto the ground.

Once he’s as comfortable as Dream’s going to get, he clears his throat.

“Hob Gadling,” he glares at his subordinate from under his lashes. “Will you fucking marry me?”

Hob curls his lips in mock consideration, looking up past Dream’s head. He rocks back on his heels and nods with a forlorn sigh.

“Okay.” He still hasn’t met Dream’s gaze. “Could've done without the sarcasm but it will do. See you at the airport tomorrow.” 

And turns and walks away, leaving Dream to fend for himself on the ground.