#One who played its part and got out of the system | Explore Tumblr posts and blogs

moonsaver · 6 months ago

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Where the Lamb does not Belong.

You're isekai'd into the world of Honkai Star Rail. Thankfully, you're taken into the Astral Express and continue your journey peacefully, until you reach Penacony. Something, or someone, seems to be causing your system to continually crash. Perhaps it's because you did not belong here at all.

Warnings: yandere, obviously. Uh, mentioned fracture(?)

A/n; reader is a tad forgetful and can brush off a few things, and get distracted slightly easily. But for the most part, i think it won't ruin the immersion. Its my first time writing something "self aware" related, and something like a character breaking the 4th wall. I really love these tropes but rarely write them. I hope i did it well. Its roughly 4.5k long. Enjoy.

----

“Ace!”

“It's not ace.”

“Uno!”

“March, you're supposed to say it after you put down your second card.”

“Oh, sure.”

…

“March, it's not your turn.”

“Huh?!”

You giggle, listening in on their banter. You're leaned up comfortably on Dan Heng's back, messing around with a level on Stelle's phone she hasn't been able to beat.

You hear a loud groan, a fwop as March drops on her back onto the bed,

“This is so confusing!”

“The rules are simple, you're just trying to rush things.”

Dan Heng takes the cards and settles them, tapping them vertically to level and gather them onto the little table. You stretch your neck to look back and catch a glimpse of March sulking. Stelle gently pries the phone out of your hands as you do so.

“Hey let's go through our photo album again!”

“It's the 6th time this month.”

You chuckle, getting up from Dan Heng's back as you feel him shift, moving over to situate yourself around the table aswell, the the bed dipping under your weight.

“I knew you were into photography but wow, this is something, March.”

You say, leaning over on the table, your elbow resting on it as your chin rests on your palm,

“Well, you better be grateful ‘cause I just finished up your entry!”

“My entry?”

You blink, confused,

“She's been dutifully taking pictures of your progress as a new member of the Astral express. I've.. learnt from experience It's better that you don't try to stop her.”

You laugh awkwardly, staring down as March excitedly flips through the photo book. It's a bit embarrassing now that you recall.

“Here! Look, look, look! I caught [name] in all their glory!”

“March..”

You awkwardly laugh, as Dan Heng looks over at the photo March points to in her photobook,

You cringe as you see your own expression, dull and groggy, a stark contrast to the bright letters and stickers decorating the edge of the photo that's glued tightly onto the page. You're drooling, to top it off.

“Hehe, [name] looks cute here don't they?!”

March points down to another photo right below, blurry in the midst of action. Your hazy figure is sitting up on a bed, Stelle draped over your lap while in charge of watching over you when you first appeared.

“I should have stayed to watch over, instead.”

Dan Heng comments under his breath, glancing back momentarily at Stelle, her chin hooked over his shoulder after having abandoned the game, seemingly more interested in the collection.

You chuckle softly,

Where did it begin exactly?

You boarded as an official member of the Astral Express about a few months ago, a gold brooch handed over to you, and many new faces who welcomed you onboard. You remember being home one day, going to sleep and hoping, just hoping that all of your worries and stress would just.. disappear. Your head hit the pillow and then-

You woke up. Here.

Suddenly you woke up in the very game you played to relieve your stress. Ironically, that moment you woke up was one of your most stressful memories, panicking at the situation you were in–

“Aw, dang it. I got defeated.”

All of you look over to Stelle, and to the red screen on her phone. You chuckle, as March sighs and shifts the topic.

You yawn and settle back onto the bed, leaning on a pile of pillows as March and Dan Heng continue their banter, taking this time to go through your stats, swiping and tinkering on your phone.

You've reached a higher level now. Having unlocked many items and even levelled up some basic features which allowed you to at the very least, defend yourself.

You read through the archived stories, gazing over all the past dialogue you've shared with this trio from the “main quest” ever since you boarded. Your friendship level with many had increased gradually over time, and shot up with the trio, as expected.

“[Name]..”

Stelle whines, pushing her phone back to you. You giggle, taking the device from her hands,

“Alright, I won't get distracted this time.”

This was your first expedition as a new member of the Astral Express. Which didn't help considering you were going into Penacony of all places.

You were nervous – how was your presence going to alter the timeline? Maybe a less “on screen” role like Himeko's? Or maybe you should have just stayed back with Dan Heng? But the experience, materials and all sorts of gizmos Penacony was going to offer.. It was too tempting.

And here you are, in the lobby. Himeko and Welt continue negotiating with the young woman at the reception. You were already on edge, but it seemed things just had to go wrong as well.

To distract yourself, you fidgeted and anxiously viewed the prologue to Penacony the system had just offered to you, repeatedly scrolling up and down on your phone, tapping your foot, pacing around the hotel a bit when–

A hand came up to your shoulder.

“It seems you're quite worried.”

You looked back.

It's Robin.

“Sorry, uh, we're.. having difficulty with the check-in and..”

You momentarily trail off, almost lost as you look at Robin. Her in game model was beautiful, but now that you're standing in front of her, it's almost.. mesmerising. Her eyes are beautiful – deep and ethereal. Pretty pink lips and softly dusted cheeks, her hair wispy and framing her face just the right way. You're awestruck for a moment, before panicking and snapping out of your daze.

You're at a hotel lobby for aeons’ sake!

“O-Oh, uh, my family is–”

You turn over to see Himeko and Welt continuing to go back and forth with the young woman at the reception, and turn again to see March and Stelle slightly off in the corner talking anxiously.

“They seem lovely.”

Robin smiles at you. And suddenly, your eyebrows and shoulders relax. Your jaw slightly slacks. Something about Robin seems to soothe you more than you ever thought.

Your eyes trail over to the bar in the corner;

Friendship level: 0

Right. She's still a stranger, in this timeline of events.

You're snapped out of your thoughts momentarily as another, unfamiliar voice speaks up from the crowd – a blonde man, addressing your fellow trailblazers.

This can't be good.

You walk up, regrouping with March and Stelle as they watch it all happen.

–

The golden hour was a familiar map to you, particularly because you'd loved exploring the place back when you used to play.

But actually being there is stunning.

The yellow lights brighten up the night-like atmosphere in a beautiful, classy way. It's almost as though you're in an old film, the way everything around you is hazy and glowing. There's laughter in the background and shimmering lights somewhere in the distance, drinks and the smell of food occasionally wafting in the air from corner cafés or so. You wander, awestruck at the sight of the landscape when–

You bump into someone, a small sound leaving you at the impact.

You look back to take a look at the stranger - more to try and ground yourself into this “dream” and your current reality. You were in Penacony. And all of this was physically interacting with you, regardless of how miniscule you must be. Whether you would have been reincarnated as a Cafe owner, or an NPC, or anyone else. As long as you were on Penacony, you were going to be a part of Sunday's grand plan.

You zone out, the hazy cacophony of ecstasy in the background blurring in the crowded space of your mind, thoughts overarching and bubbling up.

Beep!

You look at your phone, buzzing as quests pop up. You take a moment to look around the various shops, before your eyes land on a cozy cafe.

It won’t hurt to rest for a moment.

–

“Shit, shit, shit..”

You curse to yourself, frantically tapping on the screen and trying to fix this mess.

“Just– cooperate damn it..!”

Your teeth gnaw at your lip, biting and peeling off bits of the skin. It stings, but in your anxious state, you barely pay mind,

Why was the system not cooperating with you?!

None of your teleportation points worked, you weren't levelling up, barely any of the trinkets given by completion of quests were being used up! It was rudimentary junk in your inventory and now for some god awful reason, your entire system was going haywire!

System error: freespace is occupied!

System error: unavailable tab

System error: unable to access tab

System error: unable to complete..

“Yeah, yeah I got it you little-”

“Is something the matter?”

You gasped under your breath, a chill shooting up your spine as you turn around,

“No, no! Nothing, haha just.. uh..”

You awkwardly shuffle, pretending to look into your bag,

“You seem to be having trouble.”

Sunday's poised figure contrasts your sweaty, nervous, fidgeting one, as you only panic more at his words.

“Oh, just.. well.. it’s my first time visiting another world, so..”

“Ah, first time jitters? I’m faintly familiar.”

You chuckle awkwardly, but your humour doesn't seem to be exactly matched. Sunday’s smile doesn't widen or lessen, and neither does he chuckle. You realise how uncanny he looks in the dim lights of the Golden Hour barely illuminating his face in the alley.

“You seem to have been separated from your group. Would you like me to accompany you on your way back?”

“Sure–”

Warning: you are currently interacting with an influential figure. Proceed with caution.

“..you seem hesitant.”

You look at the glaring notification on your screen - akin to when an amber alert pops up, or when an earthquake warning resounds.

“..uh, I think.. I’ll be able to find them on my own. I should be fine.”

“I insist. As the representative and Spokesperson of The Family it is my duty to ensure the safety and relaxation of guests in the Dreamscape.”

Shit. This guy isn’t giving in.

You hesitate, a bead of sweat forming on your forehead and grazing the top of your eyebrow,

Beep!

Optional: would you like dialogue suggestions to be displayed?

[Yes]

[No]

[No – do not ask again]

You sigh internally. At least this system knows how to assist you when you need it.

“Shall we?”

Sunday beckons you to follow, as the pop-up blinks away, before you get the chance to select.

There’s no getting out of this. You’re just gonna have to suck it up and be careful.

“..sure.”

Sunday doesn’t remember when it exactly began.

Strange patterns, predictable dialogues, and the anomalies that occured..

Right after Sunday discovered your name.

He watched as the cup from the trash pile slipped and fell onto the pavement. Your name was written on it – messily and hurried. The cup rolls down a bit before hitting the side of his shoe. Sunday watched it with indifference, opting to simply move it aside before he spotted it. Your name. But it wasn’t supposed to be.

An alias? Maybe. It was different than the name administered in your profile.

He opted to push it back for later; but it was an interrupted thought as he walked ahead and watched you fiddle around with your phone, buzzing constantly as you cursed at it.

He breathes out, before deciding to approach you.

–

“Alone?”

“Alone.”

You respond, your eyes embarrassed and watching the various shuffling of feet in front of you, the crowd forming in front of the Rollercoaster you were too scared to go on.

Well, it's rather you haven't been able to go onto them.

Stelle and March offered you to join, and usually you'd be able to accept the invitation pop up, but as of recent, your system has been going haywire. The system probably narrowed down the scenarios you'd be allowed to participate in,in order to control the situation.

So you stood there, your mood dampened as you accepted that the system would not allow you to partake in the ride with your friends, shaking your head and telling them to go on instead, leaving you behind.

And Sunday saw all of it.

Or rather, just that you haven't gone onto the ride.

“Are you afraid of heights?”

“No, nothing like that.”

You chuckle softly, shaking your head. Even if you were.. he's not exactly the person you'd tell it to, anyway. You ignore the buzzing of your phone as it displays the same warning, jaded and moody as you'd been denied a great opportunity to have fun.

“..there is a new bakery that's opened up in the corner. Would you like to visit?”

You blink, and look at him, confused. He seems to have understood your confusion, and follows up,

“Until your companions have had their fill. Just for a cup of coffee.”

You hesitate, humming in contemplation. You look at the options displayed;

Options:

□ “Sure. Let's go.”

□ “sorry, my husband's waiting for me on the express.

□ “No thank y–

System Error: no options available

You sigh. You really need to do something about these errors. You nod,

“Sure. Let's go.”

…

The bakery was warm, and lively. As soon as you entered, the faintly sweet smell of pastries and the waft of coffee enveloped you two. You gawked at the mesmerising scenery, while Sunday asked for an available booth that's more hidden from the public eye.

The seats were soft, and pliable as you took your seat, still taking in the view of the bakery. You hear Sunday clearing his throat and tapping the table, your gaze shifting to him. He points to the menu. You understand his cue and take to reading it, your eyes scanning the plethora of options as Sunday does the same.

“Have you.. been here before?”

“I have visited once in the past. With my sister.”

“Ah, how is Robin?”

Your eyes settle on a particular option, as the silence between you two fills with comfortable conversation,

“She has been well. Are you looking forward to her performance at the coming Festival?”

You blink as you realise. How could you forget? The entire reason you and the rest of the crew even came to Penacony! This was the guy who was gonna put everyone into a coma!

“O-Oh, uh, yes! March has been talking non-stop about it, so..”

You chuckle awkwardly, flustered as he caught you a bit off guard. He hums, his face indifferent and neutral as your words process in his mind.

“I suppose I shall expect you in the audience, then?”

“March will drag me to the front, so you'll probably get a clear view of me in my uncomfortable glory.”

That seems to elicit a small, soft chuckle from him, as his eyes land on a specific item on the menu, seeming to have decided his own liking.

“Very well. I'll look forward to it.”

Soon enough, a waitress comes up to the table, and begins taking your orders.

–

“It does seem a tad scary, but the view is always beautiful in the Astral express.”

“I'm sure of it. It sounds wonderful.”

Sunday listens to you dutifully, as you continue talking. Somewhere along the way, your discomfort at the awkward silence between you two led to you talking and filling in the silence, your coffee cup hanging idly in your hands. One thing led to another, as both of you started talking about your childhood memories, tea flavours, desserts, and so on. You find Sunday has been easy to converse with. You'd been ignoring the constant buzzing of your phone – most likely achievements or quests that popped up constantly wherever you went.

You take another sip from your coffee as Sunday takes his initiative to talk, listening to him well, and chuckling slightly at one or the other thing.

“I came to know tea is supposed to be made with hot water, but by then I'd gotten accustomed.”

You giggle, slightly in disbelief,

“Well, do you like iced tea now?”

Sunday shakes his head,

“I prefer coffee, more than that. Perhaps due to needing it more than a preference..”

His eyes trail to your cup, as you hold it in your hands. You follow his gaze,

Is something wrong? He'd been glancing at your cup a few times now, but you didn't comment on it before.

“Is.. something wro–”

Your words are cut off as your phone loudly rings, making you almost fumble and drop your coffee as you hurriedly take your phone.

It's March!

Crap, you forgot.

“Sorry, I uh..”

You scroll through the plethora of notifications, almost all of them missed calls and various texts.

“It seems your companions were searching for you.”

You look up, as Sunday looks into the distance, Stelle and March running towards you.

–

It was strange how things progressed since you came to Penacony.

Some of your equipment took ages to level up, the others taking barely anything before they hit their maximum level. Your friendship level progressed pretty highly on some days, and barely moved an inch on other days.

Your friendship level with Sunday, on the other hand, shot up to a 5. Not even anyone on the Astral Express had that level.

You only noticed it a fraction before you cleared all your notifications at once, swiped away before your finger had the chance to tap on it.

Regardless, that wasn’t your exact concern as of late. The story of Penacony had been well under way now, and things were starting to pick up.

As of recent, you haven't been able to remember the quest contents as much as you used to, only remembering enough in the last moment to avert an extremely bad decision – at least for yourself. Your own personal missions left you alive by a hair's breadth.

But if that didn't upset you – your crew did. The pressure of everything happening on Penacony seemed to have started to weigh down on your team, as they barely regard you anymore. You could technically blame it on the system – it's been trying desperately to revive and fix itself as the game progresses. You might be interfering with the inner workings, so you suppose it's only natural the game tries to limit your interactions with the world.

So for the most part, you've resigned yourself to be an NPC; walking around all of the tourist attractions, getting who knows how many cups of coffee, trying on various clothing items, and occasionally running into Sunday. The first few times, you awkwardly fiddled with your phone for optional dialogues, but as time went on, you felt more comfortable. Regardless, it's not like anything you say can technically avert him from his current plan. It's been in the schemes for who knows how long? As of now, it's less complicating to remain ignorant and act unknowing, and enjoying another walk with him as he surveys the Dreamscape. Considering how close you two might be getting, you'll probably end up telling him a few secrets from your past.

“The Grand theatre is Penacony’s main attraction.”

Sunday’s face is illuminated by it in the distance, as he stands, staring at it. His voice is barely audible, seemingly as if he speaks to himself. But that idea is swept under the rug the moment he turns slightly to you.

When was this cutscene? You curse your memory, the fog of your mind still not cleared from when you first came to this world,

“Have you decided to attend?”

Truthfully, you didn’t want to. Considering the story, you actually knew the event wasn’t going to happen. But in the case it did..

Options:

□ “Ill be there first in line to enter.”

□ “Im thinking about it.”

□ “probably not..”

“..I have.”

You hesitantly answer.

“You haven’t made up your mind.”

Sunday states, more as a fact than a question. You can’t blame him, considering the hesitance apparent in your voice.

“..out of everyone, I’d hoped you would have attended.”

The options flicker and appear, but before you can press and respond, he continues,

“I understand. How has your family been?”

He turns to face you, you stay silent for a moment, before humming and clicking on an option,

□ “They’re alright.”

□ “I hope they’re all okay.”

□ “I wouldn’t really know..”

“Ah, uh.. we’re all kind of in our separate ways right now, so.. I wouldn’t really know.”

“I see.”

Both of you stand in silence, as you follow his gaze to the glowing theatre. After a moment, Sunday breaks his silence,

“When I was a child, I was particularly soft-spoken. Back then, Robin used to stand up for me frequently.”

Your ears perk up slightly. Is he talking about a childhood memory right now?

“One day, she wasn’t around, taking a few extra music lessons. The other kids were simply curious enough to take me in.”

You hum, listening to him intently. Your eyes gaze over his features – softly shaded by the cold light of the theatre, and illuminated by the yellow lights of the path.

“We were all kids. One of them pulled and broke my wing that day.”

You gasp, involuntarily. Ouch.

But sunday only chuckles at your reaction, his eyes downwards and distant. You don't think he finds it funny.

“But do you know? Right after that - they visited me. Day after day. Every step of recovery. Every recess when I had to sit back, they accompanied me. I thought about it recently. Humanity is worth saving.”

You stay silent, before smiling. The silence seems pleasant over you two, as you stare at the Grand Theatre in the distance.

“That, is when human spirit and strife first piqued my interest.”

You blink, and turn to look at him, the smile on your face faltering,

“What must the weak, the misfortunate, and the falsely accused do to gain balance within this world?”

You’re left speechless for a moment. It seems even the system cannot exactly provide you any dialogue options, as you glance over to your phone.

“..balance in the world isn’t achievable, which is why the human spirit strives to fix it.”

You stay silent, listening to him.

“Would a bird that cannot fly be allowed to, simply because it yearns to? Would it be righteous of you, or of the bird, to allow the freedom and death of the vast sky? Is it still righteous, if you withhold its freedom?”

He inhales, slowly, speaking in a low voice, wavering.

“Is death the only comprehensible freedom life offers, beside slumber, to the weak? Is that truly freedom?”

Sunday turns to look at you – his golden eyes almost searing into your soul.

You break out into a sweat, panicking as you check your phone, desperately trying to find an option when–

System Error: options not available

Shit, shit, shit. Holy crap. Can you even speak right now?

You're left silently staring at Sunday. He stares back before resigning to quietly look away.

You should leave.

—

Your memory seems to be strangely affected – either because you haven't been able to adjust to the new world, or you just haven't been able to adapt to Penacony.

You groan and slump into the couch of your room, in the real world. You keep forgetting to charge your phone – which isn't technically a hassle; you can access the same menu options, it's just more.. time-consuming. Not to mention you lose your only source of dialogue option pop ups.

How long has this been going on? You knew Penacony had a vast and complicated storyline, but living it feels entirely different. Feeling it is entirely bizarre. No wonder your head's spinning.

But thankfully, it should end soon. Your last quest is to face off Sunday in his boss form. You and your members have decided to meet up at the Grand Theatre, where the event will take place.

You place your phone into charging, and right on cue, March pops up into your room. She stumbles around your room a bit the moment you turn your back, even hear her drop and accidentally knock over some items on her way, simply laughing at the girl, as you continue packing up and preparing for the final “showdown”. You disregard her words, when she tells you she felt something push her.

You're not sure when the next cutscene plays.

You're in the grand theatre; just having defeated Sunday, and collectively waiting to return to the Astral Express. This is when you meet Boothill and Black Swan, where she wakes you up using Misha as a fallacy within Ena's dream.

But you aren't waking up.

You've just been stranded in the empty grand theatre after the darkness lifted.

You try to turn your phone on – but its busted. March must have disconnected the plug when she stumbled across a few things.

You sigh, irritated and antsy, choosing to walk ahead and look warily at the mechanical statues. The quest description is empty; devoid of any explanation. The title is vague and doesn't indicate much. Are you stuck in the loading screen? What the hell is going on?

And just as you are about to shout out for help – Sunday appears. There he is, on the stage. But this time, there's no spotlight. He stares down at you, emptily. You're creeped out for the lack of a better word, feeling your skin crawl with every second he stares. The silence is paper thin and thickly dense at the same time; electrified with tension and the unknown.

He makes the first step, slowly descending down and towards you.

“You are an outsider.”

System error: cannot process dialogue

“You do not belong here.”

System error: cannot proceed further

“I do not belong here.”

System warning: further interaction in this context may lead to irreversible da–

Sunday's hand rips through the warning, causing it to glitch violently, and disappear. You're scared, your throat constricting and your heart almost lurching out of your chest as he continues walking towards you, eyes searing into your soul,

“We do not belong here.”

Beep!

Options:

□ We do not belong here

□ I do not belong here

□ You do not belong here

□ We belong together

■ There is nothing else left for you here. You cannot turn back. There is no other option.

The screen glitches out, as Sunday stands before you, his hand reaching out,

“Tell me. What is your name?”

You can't access anything – the menu, the quests, your inventory, nothing. You stare almost endlessly in horror, as Sunday speaks of your real name.

You shouldn't have used it on that coffee cup.

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mostlysignssomeportents · 5 months ago

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Blue states should play “constitutional hardball”

NEXT WEDNESDAY (October 23) at 7PM, I'll be in DECATUR, GEORGIA, presenting my novel THE BEZZLE at EAGLE EYE BOOKS.

Nothing's more frustrating that watching the GOP smash norms and decency to advance policies that harm millions of Americas, unless it's that, plus Democratic officials stamping their feet and saying, "C'mon guys, play fair."

The GOP's game is called "constitutional hardball." Think: Mitch McConnell refusing to hold confirmation hearings on Obama's federal judiciary appointments, not never for Merrick Garland's Supreme Court seat – then filling the Federal judiciary with the least-qualified, most FedSoc-addled lunatics in US history, all for lifetime appointments.

As bad as this is at the federal level, it's even worse at in the states, especially the Republican "trifecta" states where the GOP holds the governorship and the state house and senate, where shameless gerrymandering and legislative attacks on hard-won ballot measures are the order of the day. GOP-held state governments engage in rampant interstate aggression, targeting out-of-state abortion providers, publishers, and journalists.

This is a one-sided Cold Civil War, because state Dems, for the most part, are unwilling to play hardball in return (the closest they come is when, say, California sets strict emissions controls and manufacturers adopt them nationwide, rather than making special cars for the giant California market). Republicans engage in constitutional hardball and Dems refuse to fight back, a phenomenon called "asymmetrical constitutional hardball":

https://columbialawreview.org/content/asymmetric-constitutional-hardball/

Writing for The American Prospect, Arkadi Gerney and Sarah Knight make the case for symmetrical constitutional hardball:

https://prospect.org/politics/2024-10-18-playing-hardball/

The pair argue first, that the best way to get Republican state houses to play fair is to credibly threaten them with retaliatory action. They cite the recent attempt at a last-minute change the way that Nebraska's Electoral College votes are apportioned, which would have given all of five the state's EC votes to Trump. Maine threatened to effect the same change to its Electoral College system, which would have given all four of its EC votes to Harris. Nebraska surrendered.

But there's also a second advantage to playing Constitutional Hardball: it makes blue states better. For example, Minnesota gives free college tuition to exceptional low/middle-income students. Neighboring North Dakota got tired of losing all its smartest kids Minnesota schools and created its own subsidy. As Gerney and Knight point out, Minnesota (and other blue states) still has a huge advantage when it comes to attracting top talent, because attending university in a state with legal abortion is vastly preferable (and safer) than doing a degree in a forced-birth state.

Red states are bent on making life horrible for some really great people. The hardworking, talented Haitian migrants caught in the Springfield pogroms that Trump incited would be a fine addition to any blue state town – anyone who's got the gumption to haul ass out of a failed state and make their all the way to Springfield is gonna be a fantastic neighbor, citizen and worker, just like my refugee grandparents and father, who endured a million times more hardship than their neighbors ever did, getting to Toronto, finding jobs, and starting their family.

Influxes of young, hardworking immigrants are especially good for rural towns with dwindling populations. No wonder rural towns with above-average net migration swung for Biden in 2020.

All over America, families are despairing of their lives in red states. Whether you're worried that you or someone you love might need to terminate a pregnancy, or you're worried about gender-affirming care for you or a loved one, you can put your worries to rest in a blue state. Same goes for nurses and doctors who are worried they can't do medicine unless it accords with the imaginary dictates of Bronze Age prophets as claimed by pencil-neck Hitler wannabe Bible-thumper with a private jet and a face from Walmart. Fill the blue states with great schools, libraries and hospitals, and invite everyone who wants to do their job in a free country to come and work at 'em. Line every state border with abortion and mifepristone clinics, and set up billboards advertising the quality of life, the jobs, and the freedom in blue state America.

Every blue state public pension fund should ban investments in fossil fuels, and invest like crazy in renewables, especially in Texas, to hasten the bankrupting of the petro-kleptocracy that controls the state. Blue states should tack surcharges on goods imported from "right to work" states where unions are effectively banned, to compensate for the additional product testing needed to ensure that scab products are safe to use (ahem, Boeing).

Create joint occupational licensure rules across blue states: if you're certified as a teacher, nurse, hairdresser or auto-mechanic in New York, you should be able to carry that certification with you to Minnesota, California, or Maine. Create multi-state funding pools to build public housing. Offer med-school scholarships to the smartest red state kids, at universities where they'll learn evidence-based obstetrics rather than the Lysenokist nonsense taught at the Roy Moore College of Pediatrics and Obstetrics.

Dems have to get over their fear of "states' rights" and start playing state-level hardball. This doesn't mean escalating cruelty. Quite the contrary: every cruel measure enacted as red state red meat is a chance for blue states to extend a kindness, and capture even more of the best, brightest and kindest of the nation, creating a race to the top that Republicans can only win by abandoning their performative cruelty and corruption.

Tor Books as just published two new, free LITTLE BROTHER stories: VIGILANT, about creepy surveillance in distance education; and SPILL, about oil pipelines and indigenous landback.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/10/18/states-rights/#cold-civil-war

#pluralistic #states rights #cold civil war #constitutional hardball #extraterritoriality #federalism #abortion #lgbtq

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punkshort · 8 months ago

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Swept Away | Chapter 2: Paradise

Pairing: sugardaddy!Joel Miller x f!reader

Chapter Summary: It's your first day in paradise and, to your surprise, you get along with Joel much better than you expected.

Chapter Warnings: language, implied age gap, alcohol and food consumption, sugar daddy/baby dynamics, fake relationship, slow burn, flirting, sexual tension

WC: 10.1K

Series Masterlist

It was way too early. You hardly managed to get any sleep the night before, the excitement for what was to come too much for you to fully relax. You kept getting out of bed to look through your bag, wondering if you packed enough or forgot anything.

Joel had insisted you only needed to bring personal effects and essentials. You had given him your measurements once all the papers were signed and he sent an assistant on a shopping spree to buy you all new clothes and accessories based on the activities and events he knew you would be partaking in. He didn't bother to ask what your own personal style was like, if there were certain colors or clothes you preferred, because you were playing a part. You were his fiancée, someone who would enjoy the finer things in life and not care about comfort over style.

But just to be safe, you packed a few clothes of your own with your toiletries, books, makeup, hair products, and other odds and ends you kept shoving into your bag, thinking what's the harm?

Joel was waiting outside your apartment at three in the morning sharp, right when he told you he would in a sleek, black town car. You groggily stumbled down the steps, hauling your worn out duffel bag over one shoulder and your purse on the other. Joel's driver appeared out of nowhere, startling you when he put a hand on your shoulder to take your bag.

"Thank you," you told him softly, the stillness of the night making you feel like you shouldn't speak any louder. He just nodded and opened the back door, your bag clutched in his other hand, and you slid inside.

Joel didn't even spare you a glance. He looked down at his phone, his thumbs typing out some mile long email as you got situated next to him and buckled your seat belt.

"Thought I told you not to bring much."

"Good morning to you, too," you replied. He sighed and finally looked up from his phone.

"Mornin'. My assistant bought you everythin' you'd need."

You shrugged as Joel's driver pulled away from the curb. "I wanted some of my own things."

Joel didn't reply. He just went back to his phone while you closed your eyes and slid down further into the soft leather seat.

"How long is the flight?" you asked with your head resting against the tinted window, watching the dark, sleeping buildings pass you by.

"Thirteen or fourteen hours."

Ouch.

"That's a long time," you replied with a yawn. Joel paused his tapping on his phone to look at you.

"You can sleep on the plane, but I wanna review our backstory before we land."

"I'll try, but I've never been able to sleep the way you're practically sitting upright on a plane."

Joel frowned. "There's a bed."

You whipped your head in his direction as the driver began to get closer to the airport, the bright lights from the parking lots and runways filling the front seat of the car.

"A bed?"

"Yeah, a bed. The hell you think this is? I ain't flyin' commercial."

Your jaw dropped when the car drove past the departures exit and continued on towards the runway.

"Are we flying private?"

"'Course we're flyin' private."

You continued to stare through the front window as Joel's driver slowed down to a stop, rolling his window down when he reached a barrier to speak with a man in an orange vest inside a booth. Then the arm went up and the car continued on its way, excitement coursing through your veins as he drove down the runway, past a handful of other private jets either being boarded or refueling.

A squeal slipped past your lips when the car stopped in front of your plane and Joel looked at you once again, unamused.

"Get it outta your system now 'cause when we get there, you gotta act like this is your lifestyle. No slip ups, y'hear me?" Joel warned, but even his grumpy tone couldn't spoil your mood now.

"Yeah, yeah," you said dismissively before practically jumping out of the car when Joel's driver opened the door for you. You thanked him and danced from foot to foot, waiting for Joel to get out so he could lead you to the plane. He pocketed his phone and stretched an arm out, silently requesting you join him by his side.

"Oh, it's starting already?" you asked as you approached the plane. The pilot and two flight attendants stood next to the bottom of the stairs with wide smiles and their hands clasped obediently at their waists.

"No, just bein' courteous."

You raised an eyebrow at him and grinned when he rolled his eyes.

"Good morning," the pilot said as you got closer and reached out to shake Joel's hand. One of the flight attendants nodded to you both and ascended the stairs so you could follow her. Once you got to the top, what you saw took your breath away.

The body of the plane housed several oversized chairs peppered around two long, curved couches, and as you walked by and ran your fingertips along one of the beige cushions, the fabric felt smooth as butter. Strolling right past the glass desk already fitted with a laptop, you gawked at the big screen TV against one of the walls, which was displaying various snapshots of what you assumed to be the Fiji islands.

"Wow," you breathed as you tilted your head back to admire the lights that adorned the ceiling. They were dimmed but along the middle of the ceiling was a string of red LED lights that cast the furniture in a hauntingly beautiful glow.

"Back there's the bedroom," Joel told you gruffly. You swiveled around to see he was pointing past the main living space to a small area with a closed door. "Bathroom', too."

"This is beautiful. Do you own it?"

He nodded and picked one of the chairs to settle in, but you couldn't stop looking at all the amenities. Purple orchids sat securely to each side table and along the back wall was a narrow counter with fresh fruit, bottles of water and juice, and baked goods. Popping a grape in your mouth, you continued to examine the inside of the plane while the flight crew got everything situated for takeoff.

"This is the softest blanket ever," you told Joel when you picked up a beautiful white blanket from the back of a chair. His eyes flickered over to you briefly before focusing back on his phone. Once the stairs were brought up and locked, you picked a chair opposite from Joel and buckled yourself in, wrapping the blanket around yourself giddily in the process. He gave you another look but you just grinned.

"C'mon, lighten up. Nothing bad is going to happen if you let yourself enjoy something."

"I enjoy plenty," was all he said in response. You sighed and stared dreamily out the window as the plane began to depart.

The sun hadn't even begun to rise so once you were up high enough and all you could see was black out the window, you slid the shade closed and settled deeper into the chair.

"Thought you were gonna sleep," Joel said without looking up from the laptop he had brought over from the desk.

"Can't now. Too excited."

He narrowed his eyes at you before sighing and glancing over his shoulder, confirming the flight crew was busy and not eavesdropping. He then closed the laptop and tucked his hand into the inside pocket of his blazer, pulling out a small, blue box you only ever saw in magazine ads or movies.

"Here," he said, opening the box to show you a radiant oval shaped diamond so big you could probably see it from space.

"Holy shit," you whispered, reaching an arm out from under your blanket to nervously touch the ring.

"Don't get too excited, it's just on loan."

"Still," you muttered, "I've never seen a diamond like this in real life before."

You gulped when he took your left hand and carefully slid the ring over your finger. He gently tested it, giving it a little tug to make sure it fit before withdrawing his hand. The circumstances weren't exactly what you imagined when you were little and a man slid a ring on your finger for the first time, but what the hell? A lot of things didn't work out the way you expected in life.

"It suits you."

"Another errand for your assistant?" you joked, using the pad of your thumb to twirl the gold band around your finger, getting used to the feel. The corner of his mouth twitched and he quickly rubbed two fingers over his lips, then cleared his throat.

"Suppose we can go over our cover story, then," he said, changing the subject. You dropped your hand to your lap and tried not to play with the ring.

"Okay."

"We met at an art gallery two years ago. We'll say a mutual friend was havin' a show and we first bumped into each other in front of the same piece. I noticed how taken you were with it so I bought it for you as a surprise. When it was delivered, you reached out to the artist for my number, and the rest is history." He told the story stiffly, in one long breath as if he had rehearsed it. When he finished, he fiddled with the sleeve of his blazer, waiting for you to comment.

"What kind of piece was it?"

His eyes snapped up to yours and he tilted his head.

"Why does that matter?"

"It matters because it's how we first met, Joel. This one piece of art will forever bond us. It will be talked about at our wedding and, on our anniversary, you'll commission the artist to make a new piece, inspired by the original, just for me. We'll hang them above our bed and one day our children will hang them in their own homes. They'll tell everyone who comes to their house the story of the paintings and our love. That's why it matters."

Joel stared blankly at you for a long moment and you feared you might have gone too far and pissed him off but, surprisingly, he leaned back in his seat with a low whistle and shook his head.

"Goddamn, that's... that's good."

"Really?"

"Yeah, really," he said, rubbing his chin in thought, not bothering to hide his smirk now.

"Abstract expressionism," he eventually said. "Something in the vein of Kooning. We'll say the title of the work is Red 42 and I got into a biddin' war with 'nother buyer but I would stop at nothin' to get it for you so I ended up spendin' twice what it's worth."

"How romantic," you grinned.

"Don't get ahead of yourself, sweetheart," he replied, making you giggle as the flight crew began to enter the cabin with warm towels and a tray of beverages. You accepted a bottle of water with a small smile of thanks while Joel just waved them off.

"Okay, so what else? Shouldn't I know about your family, at least?"

Joel shot you a stern look and you dropped your gaze. For whatever reason, he seemed particularly sensitive about sharing anything personal with you.

"It won't come up," was all he said.

"Okay..." you said slowly, picking at the plastic label on your water bottle. "Well, tell me about work, then. How you got started, how you became so successful. All that stuff."

"Stuff?" Joel repeated with his eyebrows raised. You shrugged.

"Yeah. Stuff."

He sighed and looked out his window and for a moment, you thought he wasn't going to share anything about that part of his life, either, until he spoke again.

"One of my first jobs was a doorman at the Ritz in New York. I didn't have any experience but I had a nice smile and I knew how to use my charm when I had to, so I did well."

You had to bite back a remark about his smile, not wanting to interrupt him, but instead filed it away to wonder later where that smile went.

"I had odd jobs here and there, waitin' tables, tendin' bar, the usual, but I really loved workin' at the hotel. It felt like... like I finally belonged. I liked talkin' to important guests. I liked it when they'd remember my name and tip me well when I told 'em a good joke or helped 'em out with directions or whatever." He scratched his chin, still staring out the window. "But I made the mistake of thinkin' I was one of them. Y'know?" His eyes flashed to yours and you just nodded.

"Well, anyway. I wasn't. I was poor. I didn't go to college. I didn't have connections. I had nothin' but this fantasy that I belonged with these people and one day I just decided to do somethin' 'bout it."

"What did you do?" you asked softly, unknowingly leaning forward in your seat.

"I convinced the general manager of the hotel to take me under his wing. Help teach me more 'bout the hospitality industry. All the little tips and tricks, y'know? Like, pretendin' to offer an unhappy guest somethin' for free when it was already free with their stay. Offer 'em vouchers to use at the hotel restaurants. Not enough to cover their bill but enough to make 'em happy. That kinda thing."

You nodded along, mesmerized by the distant look in Joel's eye and the small smile tugging at his lips as he spoke.

"So, one day, I come to find out that general manager who mentored me was doin' some under the table shit. Any time someone famous would stay, he'd tip off the right people and get a decent buck. He figured the hotel wins 'cause it gets publicity, and he wins 'cause he's gettin' paid, right? Well, the owner didn't see it that way." Joel readjusted in his seat and you realized in that moment that it was the most he ever spoken to you at once.

"The owner didn't like that the paparazzi would be houndin' his guests. Made them wanna stay elsewhere. So, he got a memo one day 'bout who was tippin' off the paps and suddenly, that general manager job was open, and I got it."

You blinked slowly, replaying what he just said before you opened your mouth to reply.

"You got your manager fired and took his job?"

Joel chuckled dryly. "He did it to himself. I just saw an opportunity and took it."

"Okay..." you said, deciding to move past it. "Then what?"

"Spent several years as the GM at the Ritz, then the Plaza, til I realized I was thirty and had already made it as far as I could workin' for other men. A hotel off Fifth was goin' bankrupt, so I bought it with a couple other investors. My - I knew someone in construction, got a good deal on alotta materials and such, refurbished the entire spot, rebranded it and... The Parador was born."

"You did all this when you were thirty?"

Joel shrugged as if it were nothing but you could see the pride in his eyes. "Thirty-two when the first hotel opened."

"Whoa," you breathed while rubbing your eyes. You could see the sun beginning to break through the clouds in Joel's window. "That's so impressive, Joel. That's, like, a real rags to riches story."

He picked his phone up and tried to hide his pleased expression. "Why don't you go get some sleep? Gonna be a long flight 'n you should be well-rested when we get there."

You nodded and yawned behind your hand. "Are you sure you don't want to use the bed first?" you asked, but you were already standing up. He shook his head and motioned to his phone and laptop.

"I got work to do."

You wandered to the back of the plane and pushed open the door to the bedroom with a surprisingly decent sized bed. You weren't sure if you were just over tired or the mattress really was the most comfortable thing you'd ever laid on because within ten minutes, you were out like a light.

With the time change, you couldn't be sure how long you slept, but when you awoke and cracked the shade to peer out through the clouds, the sun was high in the sky over the ocean. The sunlight reflected off the massive rock on your left hand and you took another moment to admire it before dragging yourself out of bed.

When you tiptoed back out into the cabin, your eyes immediately found Joel. He was standing up with his back to you with his cell phone clutched in his hands. You let your eyes travel lower and you realized at some point he had changed into a perfectly tailored, navy blue suit.

"Isn't it going to be hot when we land?" you asked. You didn't know much about Fiji but in the past week you did remember to check the weather, and from what you saw, the temperature was supposed to be hot and humid.

Joel swiveled around in surprise when he heard your voice, his gaze dropping down your frame and suddenly you felt incredibly underdressed in your baggy shirt and leggings.

"Don't matter. I'm here on business, I ain't here for a vacation," he reminded you, as if you somehow could have forgot. "There's a couple things hangin' in the closet for you. Go pick one out and change, then we can eat." He turned back around to focus on his phone and you frowned. You weren't used to someone bossing you around like he was prone to doing but you had to remind yourself you were being paid to be there and do a job. Without complaint, you slipped back into the bedroom and shut the door before opening what you assumed was the closet to review your choices.

Your eyes widened when you saw the sampling of clothes hung up for you. The labels read names of designers you only ever saw people in TV or magazines wear, and occasionally, Celine. Your fingers gently dragged over the soft fabrics, then pulled each item out to hold it against yourself, trying to decide before finally choosing a light blue halter dress that fell perfectly at your knee and laid it on the bed.

Next, you opened a drawer, thinking there would be purses or sunglasses, then blushed when you were faced with matching sets of lace lingerie. You remembered Joel insisted sex wasn't part of the deal, and you even signed a contract stating such, but why would he buy you such fancy underwear if he didn't expect to see it? And why was the prospect of him seeing it getting you excited?

You closed the drawer, deciding to use your own underwear, then continued to explore the rest of the dresser. You found a small purse that looked like it would pair well with the dress, as well as a small bag of toiletries and a hair brush. Once you were dressed, you sifted through the bag. Should you wear a full face of makeup? What do rich people do? Probably get enough facial peels and cosmetic surgeries so they wouldn't need makeup. Remembering the temperature forecast, you decided on some tinted moisturizer and one coat of mascara. You dabbed on some expensive looking lip balm with the pad of your middle finger before brushing your hair. It was a little flat from the nap, so you rummaged around the other drawers but had no luck finding a curling iron. Luckily, you remembered to pack one.

You opened the bedroom door and walked back out into the cabin, your eyes trailing all over as you went, looking for your bag.

"Joel?" you asked, and he dragged his attention from his laptop. When his dark eyes landed on you, his shoulders stiffened, then his gaze slowly raked up and down your body, taking in your new look. Your breath hitched in your throat under his scrutiny and you shifted your weight from foot to foot.

"Do you know where my bag is?" you asked, hoping he didn't hear the nervousness in your voice from the way he was looking at you.

"Hmm?"

"My bag? I need my curling iron."

He swallowed and forced his eyes back up to your face. "Under the couch, but your hair looks fine."

You leaned forward a bit and saw the strap of your bag under the couch, just as he said. "No, it's flat, I need to -"

"It's not flat. You look beautiful."

Beautiful? That was a big jump from fine.

Your eyes darted back and forth between him and the bag, wondering if you should obey. Ultimately, you chose to forget the curling iron and sat down across from him. He didn't give you the impression he was the type of guy who blew smoke up your ass, so if he thought you looked good - beautiful - then you did.

"Do you prefer pasta or salad?" Joel asked when he spotted one of the flight crew waltzing up behind you with a smile and a pad of paper in her hand.

"Uh, whatever you're having is fine," you replied. Joel nodded and ordered chicken salads with sparkling waters for you both and the attendant disappeared back into the galley.

"When do we land?" you asked, jostling your arm and holding it up. The dainty gold watch you found in one of the drawers slid around your wrist so you could check the time.

"Couple more hours. Glenn's supposed to meet us at the airport and give us a tour of the island before droppin' us off at our hotel. Then the plan is to meet him for dinner, 'long with all the others, I imagine."

"You mean, the other hotel moguls?" you asked, and he nodded. "Do you know them?"

"Most of 'em. There ain't much real estate left on these islands so I'm willin' to bet we'll see some heavy hitters."

Lunch arrived and you didn't realize how hungry you were until you smelled the chicken and your mouth began to water. When you took your first bite, you let out a little moan and rolled your eyes.

"This is the best airplane food I've ever had," you said, hiding your mouth behind your hand. Joel chuckled and took a bite of his own salad before swallowing and wiping the corner of his mouth.

"So, you like workin' for a production company?"

You glanced up at him in surprise. For some reason, you weren't expecting him to inquire much about your real life during this trip.

"Uh, yeah. It was fun, I got to meet interesting people. It was exciting to see how movies and TV shows get made. I kind of always wanted to work for a talent agency, though," you confessed before stabbing a piece of chicken with your fork and popping it into your mouth.

"Yeah? Why's that?"

His elbows were propped on the table between you, hands cupped together with his fork in between, dangling over his plate and giving you his full attention. His eye contact was intense and it made you nervous.

"I like the idea of getting to know someone well enough to understand the types of projects they would be good in while also finding a way to make a difference in their lives. Help them achieve their dreams, you know?" You gave him a shy smile, watching as he absorbed what you said.

"I can see you bein' good at that," he said after a moment.

"You're just saying that. You hardly know me," you replied before continuing to pick at your lunch.

"True, I don't know you that well, but I got a knack for readin' people. You're quick on your feet and you're a good listener. You don't let people steamroll you and you know your worth. And, you don't quit. You're determined. Probably to a fault." He stared at you, watching your face as you worked through several emotions at once before you slowly swallowed the food in your mouth and cleared your throat.

"You got all that from the brief amount of time we've known each other?" you asked softly.

"Yep," he replied, fighting back a smirk. "How'd I do?"

You grinned and looked down at your half eaten salad, trying to hide the embarrassment from your eyes when you replied, "not bad, actually."

When you were finished with your lunch and a crew member came to collect your plates, Joel picked up his phone and it was then you realized he hadn't looked at it once the entire time you were eating.

"Do you ever sleep?"

His glanced up at you with an amused look. "Occasionally."

"Workaholic, then?"

"You tryin' to get a read on me now?"

"Maybe," you said, biting your lower lip playfully.

He shook his head and focused back on his phone.

"Good luck, sweetheart."

When the pilot announced he was getting ready to descend, your stomach started doing flips and your hands shook when you tightened your seatbelt. It seemed all the excitement you harbored before had quickly been replaced with anxiety. Taking a few deep breaths, you closed your eyes and tried to control your nerves, but Joel could see right through you.

"You good?"

"Yeah, I'm fine. Just getting nervous."

"Why?"

You opened your eyes. "I'm worried they'll be able to tell I'm not like you. I don't know all of the trendy designers and artists. I don't know the names of the chefs at Michelin star restaurants and I can't tell the difference between boxed wine and a three hundred bottle of Merlot." The words suddenly came tumbling out as quickly as you were landing but you found it actually felt better to talk to him about it. "For all I know, this ring could be fake but I'd believe it's real because it's heavy and shiny."

"You don't gotta worry 'bout any of that. I'll handle it. You just smile and look pretty and pretend you're in love with me. That's all you gotta do, okay?" he said with a soft tone you hadn't heard from him yet. "And trust me, the ring is real."

You grinned and looked out the window, feeling a little better. At that point, the plane had dipped below the clouds and you could see the crystal clear ocean and the lush tropical islands below. You noted a few resorts you could see from your side of the plane but at the very end of the island was a massive piece of land covered in palm trees and other thick greenery.

"That's the spot," he said as if he were reading your mind. "That's the piece of land we're here to get."

You took a deep breath and recalibrated, shaking off the anxiety. Instead, you rehearsed your story in your head and mentally practiced your greeting and smile, boosting your confidence while the wheels of the plane touched down and you were jolted forward in your seat. The seatbelt dug into your hips and your fingers gripped the armrests while the plane slowed down and eventually came to a stop.

There was a fancy looking car on the tarmac and an older gentleman with a sizable belly and a full head of white hair standing next to it with his hands shoved into the pockets of his cargo shorts and sandals.

Cargo shorts? That couldn't be...

"Glenn," Joel murmured in your ear when he stood up behind you and peered through the window.

"That's the real estate guy?" you asked while he fixed his tie. He reached down and scooped up his wallet and phone with a nod and was about to head to the stairs when you stopped him with your hands on his shoulders. "Let me fix this," you said quietly, making sure the collar of his shirt wasn't stuck underneath his blazer. When you were satisfied, you ran your palms across his shoulders with a smile. "Let's go knock 'em dead, honey."

Joel rolled his eyes but before he turned away, you caught the wide smile stretched across his face. That's where it went, you thought.

"Glenn!" Joel's deep voice boomed from the stairs as he made his way down with you following closely behind. "How the hell have ya been?" he asked, extending an arm just for Glenn to grab it and pull him into a hug with a few slaps on the back.

"I've been great, Joel. Thrilled you could make it, I know you're a busy man and taking a month out of your schedule is tough," Glenn replied with a toothy smile. Then his eyes trailed over Joel's shoulder and he lit up when he spotted you approaching. "Oh, who's this?"

Joel turned around with a radiant smile that stunned you for a moment until you remembered it was probably all for show. He introduced you by name and ushered you forward, wrapping one arm around your shoulders lovingly while you stuck your arm out with a smile of your own to shake Glenn's hand. "This is my fiancée," Joel added, and it was impossible to miss the surprise on Glenn's face when he looked back at Joel.

"You're engaged?" he asked, the excitement evident in his tone. Joel grinned and nodded.

"Popped the question a few weeks back and she was crazy enough to say yes," he replied. This jovial version of Joel was throwing you off but you did your best to not give it much thought. Instead, you focused on your own little act: playing the smitten fiancée.

"It was on the beach in Santa Monica at sunset," you said, thrusting your left hand out for Glenn to look at your ring. He gave a low whistle and raised his eyebrows at Joel. "He knows I love the beach so much. I couldn't wait to come visit your beautiful island, I'm so excited to see it!" you gushed, wondering if you were laying it on too thick, but based on the sparkle in Glenn's eye, you were doing just fine.

"Well, come! Hop in and I'll take you around before dropping you off at The Greenview. Should only take an hour, then you can get settled in before dinner," Glenn said as he opened the backseat of the car for you to slide in. Joel followed after he gave his flight crew instructions on where to take your belongings and Glenn settled into the driver's seat with a grunt.

"How's Mary doin'?" Joel asked as Glenn pulled away from the tarmac.

"She's great, she'll be joining us tonight along with my boys."

"Joel mentioned you have six kids," you piped up and you saw Glenn nod his head.

"If there's one thing I've done right in my life, it's having those kids," he said warmly. You smiled, your nerves already put at ease. You were expecting an uptight, rich type, but Glenn seemed like the exact opposite. If it weren't for the expensive car, you never would have guessed he was wealthy.

"I can't wait to have kids of our own," you said dreamily, then risked a glance at Joel. He smirked and gently shook his head.

"You won't regret it. They'll take years off your life but, dammit, if it ain't worth it," Glenn said with a look at the two of you in his review mirror. "Maybe having a couple kids will loosen you up a bit, Joel. Don't tell me you brought suits to wear the whole time you're here."

Joel chuckled and took your hand in his. The touch surprised you given Glenn couldn't even see it from where he was sitting, but you enjoyed it all the same.

"Oh, you know me," was all he said, but Glenn tsked as he merged into traffic.

"It's way too hot for those kinda formalities. Tonight we're having dinner on the beach. You don't wanna get sand in those loafers, now, do ya?" Glenn teased. Joel chuckled and changed the subject while you gazed out the window, watching the cute little restaurants and stores fly by until the car turned and suddenly you had a fantastic view of the ocean.

"Oh, wow, look at the water," you breathed, squeezing Joel's hand. "I've never seen something so beautiful before," you added, unable to peel your eyes away from the white, sandy beaches and turquoise water. You heard Joel murmur in agreement next to you but you were too taken with the thick, tropical forests dotted with shocks of purples, pinks, yellows and whites from the hibiscus plants growing wild along the side of the road.

"I think island life will suit you," Glenn said from the front seat with a grin.

"I may never leave," you joked, making both men chuckle.

"Well, that settles it. You'll have to have the wedding here, Joel."

"Don't tempt me," he replied. You dragged your eyes away from your window to look at Joel, who gave you an appraising nod.

"I think she'll be good for you. Help you relax a bit," Glenn laughed before pointing out the restaurant where dinner will be held later that evening as he drove by.

"Guess we'll find out," Joel replied, his gaze lingering on you after you turned your attention back to the window.

Glenn dropped you off in front of a beautiful resort named The Greenview, which, like many other resorts you saw along the way, was built to blend in and mimic the exotic landscape around it. The main entrance was built like a tiki hut with a fake thatched conical shaped roof and rounded, wooden pillars complete with knots framing the exterior entrance. When you followed Joel through the doors, you found the inside was similarly designed. A beautiful waterfall feature was displayed prominently in the lobby and when you walked by, you spotted brightly colored koi fish in the small pond below.

Once Joel checked you in, a bellhop ushered you towards the elevator, explaining all of the amenities the hotel had to offer as he led you to your room.

"Here we are, the Dream House Villa," he announced before unlocking the door and holding it open so you could walk in first. You gasped at the stunning layout, barely registering anything the bellhop was saying. The decor, much like the rest of the hotel, was an island theme. The floors and walls were all made of wood, and the small foyer you first stepped into held a little waterfall feature with gorgeous mood lighting built in.

You remembered what Joel had told you about containing your excitement so you bit your tongue and waited until the bellhop left before you whipped around to Joel with a huge smile plastered across your face.

"Look! There's an infinity pool right outside!"

"I see," he replied, but he appeared distracted. Still, you continued to lavish praise about the ocean view and you mentally pictured yourself relaxing on the covered daybed outside with a frozen cocktail as soon as possible. When it became apparent Joel wasn't in the same mood, you dialed it back.

"I'm sure your hotels are much nicer," you offered, but he waved you off.

"I need new clothes," he grumbled. You frowned and wandered over to follow him into the master suite where he had flung open one of the closets to reveal mostly suits, just like Glenn had suspected. "I can't stick out, I gotta blend in and make myself more relatable. He's a lot more casual since the last time I saw him. I had no idea he turned into Jimmy fuckin' Buffet."

You chewed on your bottom lip and nodded. "Yeah, you're right. Let's go shopping before dinner."

Joel groaned and rubbed his jaw. "My assistant usually does this kinda stuff."

"That's okay, I can help," you assured him. "It'll be fun. I saw a bunch of places on the way here we could check out."

Joel seemed to consider it for a moment before he sighed and shrugged off his blazer. "Alright. Lemme change and I'll meet you out there in five."

You turned to leave but when he called your name, you spun back around. "Here, your bag," he said, holding it out for you to take. "The crew brought all our stuff in here, we can move your clothes to the other room later."

"Oh, right, thanks," you said, taking the bag. "I'll go check my room out while you're getting ready."

The second bedroom was easy enough to find as it was directly across the hall. Both rooms had an ocean view and although Joel had his own bathroom attached and a king sized bed, you would do just fine with the queen bed and a bathroom down the hall.

You dropped your bag on the oversized white comforter and wandered aimlessly around the room, opening and closing dressers and drawers until you noticed two flat circular buttons built into the end table next to your bed.

"Hm," you said to yourself before pressing the first one and jumping when you heard a soft whirring noise behind you. You laughed out loud when a television appeared from behind two wood panels in the wall, then pressed the next button and watched the blinds slowly close, blocking out all the natural light flooding the room.

"What're ya doin' in the dark?" Joel's low voice carried over from the door. You pressed the button again and the blinds went back up.

"Just checking things out. Ready to go?" you asked, your gaze traveling down to take in his new outfit: a white polo shirt and khaki shorts.

"Yeah. Good thing I packed my golf clothes."

You followed him out of the room and through the rest of the villa. "You golf?"

"Yeah, but I hate it. Only came prepared 'cause I know Glenn likes to golf."

"You might be the first millionaire who hates golf," you teased when you walked by him as he held the door open for you. He grinned and made sure the door was shut tight before falling in step beside you.

"I don't mind the drinkin' part afterwards," he replied, then gently placed his hand on your lower back, guiding you into the open elevator car. You stood in a comfortable silence while the elevator took you back down to the lobby and you waited off to the side while Joel went to the front desk to request a car.

"You sure you know what you're doin'? You know anythin' 'bout fashion?" Joel asked once you settled into the backseat of a town car and he had given the driver instructions to take you to the nearest shopping plaza.

"Not really, but I saw what Glenn was wearing. I'm sure we can find some good options."

He hummed and nodded before slipping on his sunglasses and looking out the window, effectively ending the conversation. You decided to use that time to pull out your phone and text Celine, letting her know you arrived safely.

Don't forget to send me pics!

How are things with Joel? Is it awkward?

You glanced over at him, making sure he couldn't see over your shoulder before replying.

Actually things are pretty good

He's not so bad once you get to know him

You rolled your eyes when Celine's next message came through.

Remember - you're only pretending to be his fiancée ;)

Then again, if I had a daddy who looked like him, I would try to make that fantasy a reality lol

The car pulled over and came to a stop in front of a strip of shops along a quaint looking road so you quickly told Celine you would check in with her later before the driver opened your door and you slid out, patting down your dress and looking around.

"Let's try there," you said once he joined you at your side. You pointed to a store a few doors down from where the car was parked. Inside the window, you could see male mannequins sporting trendy looking beachware.

When you opened the door, you were greeted with beautiful island music filtering through the speakers. The walls were painted a deep shade of blue, most likely chosen because of the resemblance to the water, and a hand painted mural of a beach with the sun glittering off the ocean was painted behind the register.

You began to sift through the nearest rack, pulling out various linen button downs and crochet shirts after confirming his size. Joel wandered deeper into the store to look at pants while you examined each article of clothing carefully. You were trying to decide if Joel could pull off bright purple when a young woman with big hoop earrings and a loose fitting paisley dress approached with a smile.

"Is there anything I can help you with?"

You gave her a cheesy grin and held up the shirts draped over your arm. "I'm shopping for my fiancé. We just arrived and the airport lost his luggage, can you believe it?" You gave her a devestated look which she sympathetically mirrored and stretched her arms out.

"Oh, gosh, I'm so sorry to hear that! Let me take those into a fitting room for you."

"Thank you so much, I'll find him and bring him right back."

You watched her sashay to the back of the store with the armful of shirts you had picked out before turning around just to find Joel standing on the other side of the rack.

"You're good at this," Joel said, sounding astonished.

"Good at what?" you asked.

"You're good at thinkin' on your feet and comin' up with these stories." He rounded the rack and, with a little smirk, gently pinched your chin affectionately between his thumb and forefinger. It happened so fast you didn't even have time to register it before he was walking in the direction of the fitting rooms with some shorts and pants slung over his shoulder. Trailing after him, you tried to ignore the fluttering in your chest, telling yourself his touch just took you by surprise and that's all it was.

You sat in a whicker chair outside Joel's fitting room, one leg crossed over the other as you fondled the ring on your finger and listened to Joel muttering under his breath on the other side of the door.

"Are you ever going to come out of there?" you asked. He shuffled around the room and swung the door open with a deep sigh.

"I don't know 'bout some of these shirts," he said, eyes flickering to a bunch hung up separately from the rest. "The neckline's too low, I don't wear stuff like that."

"Oh, come on! At least let me see what they look like on," you begged. "I like what you have on now," you added, pointing to the light blue linen shirt and relaxed fit khakis.

"Yeah, this ain't bad," he agreed, tugging on the material a bit before shutting the door. "I'll try one of these on and that's it," he called out. You could hear the rustling of fabric and the metal scratch of a zipper and you grinned at how easily the two of you fell into these roles you were playing.

When he opened the door a few minutes later, you were completely unprepared. He had chosen to pair a green crochet top with a pair of white shorts that fell right above his knee but your eyes were glued to the generous amount of smooth, tanned chest that was exposed from the plunging V neck.

Your lips parted as you continued to stare, watching the way the muscles and tendons in his neck twitched as he spoke. Shit, he was speaking and you had no idea what he said.

"Huh?"

Joel frowned. "I said, this ain't my style. At all. I look ridiculous."

"No, you do not look ridiculous, you look good," you immediately argued.

"I'm too old for-"

"No, Joel, listen to me: you look really fucking hot," you blurted out, still staring at his bronze chest. He fell silent and a moment later, you realized what you said and felt your cheeks flare with heat. Snapping your eyes up to his, you began to apologize.

"I'm sorry, that was probably inappropriate, Jesus Christ," you muttered, pressing the palms of your hands against your cheeks to hide your embarrassment, but he just chuckled and dropped his gaze to the floor. When he turned around to close the door, you noticed in the mirror his own cheeks were beginning to stain pink from the compliment.

Joel didn't say anything else about your comment but he ended up buying all the clothes you picked out for him. When you saw the V neck shirts being rung up, he shot you a wink. You grinned and shyly looked away, once again ignoring that excited feeling in your chest.

"Hope this dinner ends quick, I'm fuckin' beat," Joel grumbled at your side as he led you up to the host stand, one hand wrapped around the inside of his elbow and the other clutching a small, blue purse that matched the backless floor length dress you chose with blue palm leaves printed all over.

"You should have slept on the plane," you murmured, then gave the host a bright smile as Joel told him Glenn's name. He quickly ushered you through the restaurant and onto the beach, where a long table was set up and decorated with vibrant, gorgeous tropical flowers.

The seats were already filled by the other guests, who were sitting and leaning across the table to chat and laugh with drinks in hand.

"Alright, here we go," Joel told you before taking a deep breath and forcing a big smile and wave when one of the men caught his eye.

"Scott! It's been years!" he exclaimed. You smiled and loosened your grip so Joel could give the other man a welcoming hug.

After ten minutes of introductions, your head was spinning. You decided to keep it to one alcoholic drink that evening because you needed to keep a clear head and memorize who the people were that you were up against. Scott and his wife Tammy owned a chain of hotels in the northeast and appeared to be a little older than Joel. Harry owned a handful of exotic resorts mostly in Latin America but was looking to expand. He was accompanied by his husband, Ian, who was an artist. Jack and Lynne had a large footprint of three star hotels across America but as Joel told you later, their hotels lacked character. And finally, Zachary owned a string of hotels similar to The Parador but had a French motif. Zachary brought along his much younger girlfriend, Zoe, who seemed incredibly sweet.

"Down at the end, those two younger guys? They're Glenn's boys. The ones that'll take over for him when he retires," Joel said, jutting his chin in their direction. You casually glanced down the table and saw two men in their late twenties on either side of Glenn and his wife, Mary. You could see the family resemblance in their faces but one had dark, almost black hair, and the other's hair was dirty blonde.

"What are their names?"

"The blonde's Trevor, the other one's Brooks."

"Trevor and Brooks," you repeated softly to yourself, silently testing your memory as you went down the table, naming each person in your head as you went. Joel watched you for a moment before he leaned in.

"You're doin' great, don't worry."

You flashed him a smile and whispered your thanks right as the first course arrived.

For a majority of the meal, you smiled and laughed at the right times while you listened to rich people tell stories about their conflicts with private schools or run-ins with government officials, stories that made the conversations you have with your friends over dinner sound like they took place in a third grade cafeteria. Joel also remained relatively quiet with the exception of tossing in a quick comment here or there to be polite but when you looked at him, you could see the exhaustion in his eyes. It was no wonder he wasn't prepared when Glenn and Mary, who had just gotten done telling the table how they met in high school, asked to hear how all the couples met.

Great, you thought to yourself. We rehearsed this, it will be fine.

Scott went first, telling a funny and cute story about how he met Tammy in college. He had walked into the wrong class and he was too embarrassed to leave so he sat through a three hour lecture on women's studies. It only took him thirty minutes to realize he was the only man in the room and Tammy found his humility endearing. The rest was history.

Glenn and Mary exchanged warm glances at the story, gushing over them and saying words like fate and soulmate.

Next, Zachary began to boast about how he met Zoe, and the look on Glenn and Mary's faces slowly changed.

"It was opening night for The Barber of Seville. I had just sat down in my seat when this beautiful thing came through the curtain, absolutely convinced we were sitting in her seat. I said, 'Darling, I've had the same box seats in this theater since before you were born,'" Zachary laughed and the rest of the table joined in but you noticed Glenn and Mary only gave him tight, polite smiles as he continued.

"Well, I was taken with her, I mean, can you blame me?" Zachary joked, tossing his arm around Zoe's shoulders. "I insisted she stay and enjoy the show. By the end of the evening I was chartering my private jet to whisk her off to Italy that very night..."

Zachary continued to tell the table about Italy and all the expensive restaurants he took her to when Joel leaned into your side.

"We can't go with our story."

You whipped your head around to look at him, eyes wide.

"What do you mean?" you asked, panic lacing your voice.

"It's too pretentious. Look at them, they hate every goddamn word," he said quietly, snaking his arm around your shoulders so it looked like he was maybe talking about the food or how beautiful you looked. "We can't tell some story about your looks and my wealth. It's gotta be, fuckin'... I don't know. Warm. Romantic." He rubbed nervously at the back of his neck.

"I thought it was romantic..."

"Not enough."

"Okay, so what do we say?" you whispered.

"I don't know, I gotta think. Fuck," he grumbled, "I'm too fuckin' tired for this shit."

Unfortunately, Joel didn't have the luxury of time because Zachary finally finished up his long-winded story and Glenn's eyes landed on the two of you.

"Well, you told me how he proposed but we'd all love to hear how you first met," Glenn said, leaning forward, elbows pressed into the table with a sparkle in his eye. You glanced at Joel, your heart slamming wildly in your chest, and you knew immediately he couldn't think of anything new. He sighed and clenched his jaw before opening his mouth, about to launch into the only story you had talked about when you cut him off with a gentle hand on his shoulder.

"Oh, let me tell it," you said lovingly. You could see the confusion in his eyes as they shifted back and forth between you and Glenn and he slowly nodded before you turned back to your host.

"Joel hired me," you began, dropping your hand from his shoulder. "I was a nobody. Hardly any experience but he took a chance and hired me to manage the floor staff at The Parador Los Angeles. I was so grateful for the job that I would stay late almost every night just to make sure everything was perfect for our guests." You shot Joel what you hoped was a loving glance before continuing with your bullshit story.

"One night, as I was walking down to my car, I ran into Joel on the elevator. He was surprised I was staying so late and I explained we had a wedding the next day and I wanted to make sure the wedding party's favors were all set. Each room was supposed to get a box of Belgium chocolates but they melted in transport so I ran out to get fresh ones. Anyway," you said with a little smile, acting as if you were getting lost in a memory. Glenn and Mary appeared more and more delighted with each word. "I think it impressed him because after that night, I saw him almost every day. He would walk across the floor and wouldn't say a word but I caught him looking at me once or twice. Then, I got a call one day at the front desk, and guess who it was."

"Joel?" Mary asked excitedly. You nodded and leaned into Joel's shoulder.

"He asked me to come up to his office. I couldn't decide if he was firing me or giving me a promotion, but turns out, it was neither. He asked me to dinner and do you remember what I said?" you asked, turning to face Joel with a sweet smile. He was giving you a look you couldn't quite read and you just hoped you were doing the right thing.

"Uh, I think-" he began, but you waved him off and turned back to Mary. Fuck it, you were in too deep now, anyway.

"I laughed. I laughed in his face! I didn't believe him! Why would someone like him want anything to do with someone like me? I didn't come from a wealthy family. I didn't have connections or anything to offer. But he picked me. And every day since, I wake up and ask myself," you turned your head to gaze up adoringly at Joel. "How did I get so lucky?"

He pinned you with an intense stare and, without hesitating, Joel pressed his lips against yours so softly it almost made you gasp. He tasted like the wine he had with dinner and the hairs from his mustache tickled your nose. You giggled and pulled away, but not before dragging the pad of your thumb over his lip to remove your lipstick that transferred.

"Oh, that's just the sweetest story! Isn't it, Glenn?" Mary gushed, grabbing onto his arm with a huge smile. You tore your eyes away from each other to look back down the table. "It's like something out of a movie or book!"

"Goddamn, Joel, I didn't realize you were such a romantic. Now I gotta step up my game over here," he joked before pinching Mary's chin.

Harry and Ian were next to tell their story but you weren't listening. Your pulse was racing and your hands shook in your lap as your adrenaline began to wear off. Then, Joel's hand slid over your thigh, giving your leg a little reassuring squeeze as if he could sense your nervousness.

"You did so good, sweetheart," he whispered in your ear, making your skin prickle.

He could have removed his hand after that. No one was looking, no one could even see, but he didn't. He kept it planted there as if he were grounding you to him. Occasionally, he would laugh at something one of the other guests said or take a sip of wine, but his hand remained steady under the table. The longer it stayed, the more it became the only thing you could focus on.

Once dinner wrapped up and everyone stood, his hand finally dropped and you instantly longed for his touch again. On the way back to the hotel, Joel took a work call, which you tuned out. Instead, you spent the time telling yourself it was the wine and the jet lag that had you feeling fuzzy and excited.

In the elevator on the way up to your room, once you had some privacy, Joel turned to you and quietly said your name. When you looked into his eyes, what you saw caused your breath catch in your throat. He was looking at you with a tenderness you didn't think he was capable of and it made you swallow nervously.

"How'd you come up with that story on the fly like that?" he asked, his features softening and gaze only dipping from your eyes to your lips once.

It didn't mean anything.

"I-I don't know, it just came to me, I guess," you replied a little breathlessly.

It looked like he was about to say something else when the elevator doors slid open. He pressed his hand against the side of the car to hold the doors while you stepped out into the hall. He fell in step beside you as you walked the short distance to your room in silence.

"Thank you," he managed to say once he opened the door, letting you both in.

You shrugged as if it were nothing but on the inside you were preening, excited that you had managed to please him. When you entered into this unusual situation, you had no idea what to expect or how to behave, but considering how well the first day went, maybe you overthought things.

"I'm sure the original story would have been fine, too."

He nodded and tossed the keycard on the table by the door before strolling into the kitchenette for two waters.

"Wouldn't've ruined my chances, most likely, but I think the new story put me a notch above good ol' Zach, at least," he said with a grin and handing you a bottle of water. You took it with a small thanks and awkwardly looked around the huge villa.

"Well, you should try to get some sleep now," you told him, turning just in time to catch the way his eyes flickered over the soft curves of your body.

With a tired sigh, he nodded in agreement. "'Bout to fall asleep standin' up," he joked, walking down the short hallway between your two rooms, the both of you coming to a stop outside your doors.

"Okay. Good night," you said, not wanting to prolong the tension that was building up since you left dinner.

"Night."

You opened your door and gave him a quick smile over your shoulder before disappearing inside your room. You leaned against the door and took a deep, steadying breath in, then pushed off before going deeper into your room.

Before dinner, the two of you had moved all your things into your closet and you had the foresight to toss a pair of pajamas on your bed before you left. Shimmying out of your second dress of the day, you slipped on the lavender cotton tank top and matching shorts before grabbing your bag of toiletries, but when you reopened your door to go to the bathroom, you were surprised to find Joel on the other side with his hand raised as if he were about to knock.

"Oh!" you gasped in surprise.

"Sorry," he said sheepishly.

"It's okay, I didn't hear you."

He scratched his chin before pulling a white envelope out of his pocket and handing it to you.

"What's this?" you asked, taking it but not opening it.

"For you. For tonight. You did good, so..." he trailed off and stared at the plush carpet beneath his feet. Then it dawned on you what it was and your eyes widened in surprise.

"Oh, you don't -"

"I want to. You were hired for a job and you did it well, so you deserve it."

Your gaze dropped to the envelope, flipping it over in your hand before nodding.

"It's my pleasure," you finally replied, throat a little tight. When your eyes met again, that little glimpse of the softer side to him was gone and the cold blooded business man you first met was back.

"Alright, then. G'night," he said abruptly, then turned on his heel and disappeared back into his bedroom.

After you washed up and got into bed, you scrolled on your phone for a bit before sighing and looking at the envelope of cash propped up against the lamp on your end table, acting as a glaring reminder of what you were hired to do.

So why did you feel so conflicted taking it?

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#joel miller fanfic #joel miller fic #joel miller tlou #joel x reader #joel miller x reader #joel miller au #joel the last of us #the last of us fanfiction #the last of us au #the last of us fic #swept away fic

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the-orange-solace · 8 months ago

Text

When I was a child, I watched an episode of Criminal Minds where a man had a split personality. A woman who killed other women who threatened the man she formed to protect. I remember her sitting in the dark on a couch, a cigarette in hand beside a lamp, as she spoke to an Agent about why she had to kill them, that it was to protect him. It was her entire purpose for existing.

As a child, I used to pace empty halls in the middle of the night and lay in bed, repeating in my mind that I would be the only being in my body. I will not break into multiple people. I will be in control. I have to be because, at the time, I believed I could break into those monstrous plurals you see on TV. The ones that killed their family after years of neglect, abuse, and wrongdoing. The ones you should be afraid of ever becoming, no matter who you are or your situation.

So I became terrified.

And yet, nearly every night, I'd look up at the sky or the ceiling and beg for something to change—to not be alone. I was stuck pretending I was a different character, a type of escapism that sometimes got out of hand, lost in an identity that wasn't my own. Looking up and imagining being taken away, every character I adored was by my side, caring for me in return. I had to keep going, be them, and exist in a world with them.

I'd made up stories, different realities, and places in my mind to escape to, as well as explanations for things my underdeveloped brain couldn't comprehend in the place I found myself within. I clung to concepts, characters, and situations that reflected my own, and soon, I no longer felt alone—not with all the escapism I conjured up, not with the different identities to help me face what was happening.

But I was in control. I was one being. No matter what. I had to be a single being because that was good. I had to be good.

I would never hurt anyone, and being many meant being bad. I couldn't be bad.

When I was a teenager, I started researching and getting involved in minority and disabled spaces. I loved being informed, the stories, the many perspectives, and the complexity of humanity. So it was no surprise when I shared a plural headcanon with a friend, and they felt safe coming out to me. They were many. They took my hand and guided me through a community I was fascinated with and wanted to aid and represent like so many others.

I spent years learning, staying silent as others spoke, just listening to everything I could. But then, one day, like so many others, I spoke through a different facet, a different identity I had created as a child. The many faces of me represented things I could not be, I could not hold, nor could I handle. I was struggling; some of me wanted to lash out. So she did. She lashed out.

As always, I was faced with kindness, listening ears, and aid that then pushed me more to the surface from drowning. But I never left; just another part of me was lost, right? Of course. People are complex. I deal with my emotions in a complex way. Of course.

My plurally disabled friend watched as I became more comfortable speaking through the identities I had, whether they were facets of myself or characters that helped me. Soon enough, the continuous "role-play" and "emotional processing" developed into normal conversation, a comfort, a relief.

They kindly approached me and asked if I was a system, too. They had never met anyone who spoke to themselves like I do, definitely not any singlets. None of our other friends did, in person or not, not even people in our families. It was just us.

The fear from my childhood arose. I couldn't be multiple; I couldn't be more than one. It was bad. But hadn't I learned about Plurality? All its ups and downs? Its complexities and nuances? I accepted it wholeheartedly; I learned and evolved from the demonized perception I was given as a child. So, why was it still bad?

Because I must be lying; I must be a fake, a poser. It was the only reason, wasn't it? I had seen so many conversations and arguments about fakes, those who wished to be special. Had I somehow become the harm they spoke of? How could I do this to a community I swore to listen to and fight for?

I obsessed over it, forcing the panic, dissociation, habit, and ease of speaking in multiple identities and beings of myself away. I buried it as deep as I could for the betterment of everyone else. The community didn't deserve such harm, and I wouldn't bring it to their doorstep if I claimed it to be something I'm not.

The loathing became so present it formed into tics that caused aches and disruptions in my life. Multiple stressors--along with an identity crisis--will do that to someone. So my shoulder and neck muscles ached from shrugging, flexing, and all the repetitive movements I couldn't stop without crying from the suppression. So I didn't. I let it disrupt and hurt.

Then, one day, someone, some random, unknown system to me out in the world, spoke about how it didn't matter what was real or not; it didn't hurt anyone. Plurality and the belief of it didn't hurt anyone. It hurt no one to discover themselves, to test the waters, to simply pry into yourself and learn. There was no shame in figuring yourself, or yourselves, out. There was no right or wrong, nothing to be ashamed of or fearful of. Just another part of living.

So I did. I poked and prodded. I gave my parts names, spoke to them in the middle of the night, asked questions, got to know them, and learned we couldn't talk through words at first but could emotions and sensations. I realized I couldn't find where my Plurality started or where it ended, that we—oh god, we—the idea was so surreal but...comforting—were so combined, living without specific individuality outside of me that there was no separation in sight. Not that I could figure out. For so long, I believed everything was just me. Only me.

But now it was someone else, too. These things that made no sense, these things that felt out of place or special, unique, and ever-changing could be someone else.

Someone else.

The more I reflected, learned, applied, and prodded, the more things made sense. Until one day, I looked at my friends, held my breath, and spoke. Stated that it like it was a sin for me of all people to say.

I was plural.

No one blinked an eye. No one questioned it outside of boundaries and clarification. It wasn't surprising that their childhood friend was many. How surprising could it be when they used so many different names for different parts of themselves to express hard things?

It was astonishing.

And here we are, years and years later, grown and still learning, living, fighting, but more in touch with ourselves than ever before with so many more sys friends and aquatints. More experiences, a better understanding.

It's not shameful to learn, apply, and reflect. You take nothing from anyone but your time and open-minded exploration of the world and yourself(ves). There is no evil in being human, living life, phase or not. There is nothing wrong with you, any of you, for existing or living. You just are. I embrace you, I embrace us, and I embrace everything that comes with a life of many.

So, if you're struggling, just know you're not alone outside the body. We know, and so do many others. It's going to be okay; you'll find yourself in time. Don't rush it. There will always be time.

#🪶: atreus #🕯️: orange solace #sysconversation #plurality #plural system #endo safe #syscussion #plural pride #plural community #actually plural #system pride #system things #system stuff #tw // internalized pluralphobia #ask to tag #We are heavily dissociating writing all this out #We hope someone benefits from us sharing this

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utilitycaster · 1 month ago

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Hi, would just like to say thank you for writing up so much meta on campaign 3, it is keeping me sane seeing similar thoughts to what I’ve had written down coherently.

The last couple asks you’ve answered have got me thinking about how campaign 3 ended up like this (indecisive characters, weird nonsensical themes, only setpieces and maybe a ship or two being memorable) and I remember hearing that c3 was described by Matt as ”Pulpy” and I keep coming back to that and thinking that there was never even meant to be a big decision. From what I’ve read of old pulp fiction dnd novels it's pretty much “here’s the big bad go defeat/seal/slap them on the wrist, have fun on the way there with several cool setpieces and romance!” and I wonder if there was even meant to be a god debate at all or if it was just picked up in the middle of the story by the cast. It could explain why the characters wouldn't fit the story if this wasn’t meant to be the story.

Cause a character who goes with the flow is fine in those books and a character who only looks into what is thrust upon them works, but it feels like somewhere it tried to be more and just fell apart.

Because even now the story does feel pulpy but just held down by a narrative it isn’t handling well. 119 was a great episode and having the Raven Queen show up in the middle to give boons is an incredibly cool beat that would be memorable as hell but for it to end up as another god debate just sucks. But the rest of the campaign sort of does that with cool beats that end up dragged down in one way or another so its not unique I guess

I know you talked about the “pulpy”ness of c3 a while ago and was wondering if you had more thoughts now that we’re in the endgame for the campaign

I do - this is all rather speculative but in some discussions with other people one possible explanation that's come up is that Matt genuinely didn't expect the characters to be so hesitant to save the gods or stop Ludinus or sympathize with the the Vanguard, and has kind of pivoted to make a campaign that accomodates those doubts...but in doing so sort of fucked his end premise of "we must deal with Predathos". Which, you know, makes a lot of sense! What if Hearthdell was intended as a glimpse into why people might join something like the Vanguard to introduce an element of complexity to a party that (quite reasonably I might add) had said "these people are a fucking scourge on Exandria" but instead served to fan the flames of "well the gods didn't give me things when I asked so yeah we should let them be eaten"? What if the fetch quests to the Shattered Teeth or the scouting mission were like the quest for vestiges - something that the party desperately wished to do to achieve a deeply felt goal - and not something they had to be nudged along to do every step of the way? What if the party went into the final confrontation with any consensus or intention? Because then yeah a pulpier "you're taking on the Big Bad Ultimate Threat...but your MOTHER is on THEIR side" a la vintage superhero comics plays out much more coherently. I cannot stress enough that the cultural touchstone Matt brings up about the campaign is the 2012 Avengers film. Regardless of some posts I've seen (which tend to assume anything the cast has ever read/watched/played is an influence, which is. incorrect) that is your starting point.

The thing about all the "take a third option" and "status quo" talk surrounding this campaign is...this post is actually a good description of how it plays out in real life. Like yeah there's a lot of political constructs within the world that are stupid and unjust! However it is unproductive, naive, and idiotic to act as though just because you don't like them they aren't part of a complex system that needs thoughtful dismantling (at least, if you place any value on human life) or worse, that they simply don't exist because they shouldn't. Sometimes you genuinely do have two choices and neither is ideal and if you do not choose between them because you're holding out for a better option the choice is made for you, and often, it's the worse one. Sometimes there is in fact a problem caused by something stupid that you cannot undo in time to solve said problem, and it is selfish and childish to say "well I think this shouldn't be a problem" and leave it at that. You will fail in your endeavors if you do this. People will see that's your approach and stop listening to anything you say.

Bells Hells feel like that to me and it's not even entirely their fault. I think because Matt had such a clear endgame in mind in the sense of "face off against Predathos" and the party was so ill-suited, and the early pacing was genuinely already bad, he's sort of tried to pivot away by following every dumb idea Bells Hells have to perhaps funnel them towards that endgame. And this is a problem too, because it means the plot doesn't push back on them and they do not grow as people, which means that a lot of us are getting tired with their shit. It's telling that most of Bells Hells' loudest defenders are the "well, if you're traumatized, you're excused from all responsibility for your actions ever :)" types within the fandom because like, part of why people are sick of Laudna's shit (for example) is that it's like ok I agree you shouldn't have an evil wizard in your head but you do, so like, what are you doing about it. And because she hadn't done anything about it and because they had to get to Predathos we had our Deus Essek Machina situation, which to be clear, not mad about, but it also means Laudna never really learned or grew from this. And to be clear she's not alone; part of the frustration around Ashton is it seemed like they DID have a revelation around shardgate and then immediately discarded it.

There's many more factors I'm sure but just to sum up:

Matt has a very clear overarching plot in mind [and, also, probably was creating a campaign for characters who see point 3 had more realized worldviews and goals and investment in their communities]

Matt does not give the cast much guidance in creating characters for that plot; "pulpy" is really tonal and not even genre

Cast, having played characters specifically designed for the "complex and morally gray and must be from the continent the campaign is set on" campaign last, turn to wacky and go-with-the-flow types

Overarching plot kicks in; characters do not behave as expected

Matt tries to embrace/encourage this by getting the party to follow what they want to do

Go-with-flow/take no responsibility party doesn't know what they want to do

endless loop of a DM trying to adjust the direction of flow to a directionless party instead of imposing a direction/Cast trying to take direction cues from a DM who keeps throwing more options at them in the hopes one will appeal to them which turns into a "what do you want to do" "I don't know what do you want to do" situation.

#answered #Anonymous #cr spoilers

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lowpolynpixelated · 10 months ago

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Bloodborne PSX One of the best fanworks on the web

Though the PS4 boasted and still boasts an impressive library of releases, for many (myself included) the system served to be bought for initially one purpose, to be the Bloodborne Machine. Most of the people in my life who had a PS4 during its generation either bought one exclusively to play Fromsoftware’s Nightmare Hunting Adventure or had initially got one solely to play the game and ended up getting more games afterward. It’s a phenomenon the game industry sees time and time again, with previous generations having swathes of fans buying entire consoles for one or two games. As far as games go though, Bloodborne is at the very least worth the price of entry. At the time, it was heralded as Fromsoftware’s most cutting-edge and impressive game to date. A gorgeous gothic world filled with creatures ripped straight out of H.P Lovecraft’s nightmares, a haunting soundtrack showcasing beautifully composed choral scores and a combat system that incentivized aggression and speed to achieve brutal and bloody efficiency. It’s no wonder then why Bloodborne still has such a large following behind it. Fans of Fromsoftware have hoped for a sequel or PC port year after year to largely disappointing results. But where the community shines is in its fanworks.

From fanart, comics, music, animations, and even fan-made video game spinoffs, the game has been shown a monumental amount of love since its debut in 2015. One of these fanworks was released back in 2022 and has since become one of the most famous pieces of fan-made content surrounding the game, this of course, being BloodbornePSX by LWMedia. An incredibly impressive feat of coding and art direction, the game serves as a “Demake” of Bloodborne’s first Yharnam segment, made to look like and play as if it were made on the very first PlayStation console. With some custom-made areas and an entirely unique boss to boot the perfectly paced experience is both a treat to fans who have been orbiting the game since its earliest days and new fans looking for the best and brightest fanworks to interact with.

The game has since gone on to be covered by a variety of news outlets all over the web, along with its creator receiving much-deserved attention for her efforts. One Lilith Walther (AKA b0tster on social media) holds the title of developer for the project. A long-time video game enthusiast and FromSoftware fan herself, she’s had quite an impact on the community I’m sure she’s very proud to be a part of. Later in the article, we’ve got an interview with Lilith herself about both Bloodborne PSX and her current project, “Bloodborne Kart”, but first, let’s talk a bit more in-depth about BBPSX.

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(Official launch trailer for Bloodborne PSX, uploaded January 31, 2022 by LWMedia on Youtube)

Bloodborne PSX:

So, what exactly is Bloodborne PSX? To start, let’s answer what precisely a “Demake” is first. Demakes often have the goal of remaking the likeness of a game either stylistically, mechanically, or both, as if it was developed on retro/outdated hardware. Famous examples of Demakes include “The Mummy Demastered” developed by Wayforward as a sort of tie-in to the 2017 film “The Mummy” in the stylings of a 16-bit run and gun adventure against armies of the undead, and “Pixel Force Halo” by Eric Ruth games which take the prolific XBOX franchise and shrinks it down to a Mega Man-esque platformer reminiscent of the NES’ 8-bit days. Demakes are intensely attractive looking, not only into the past of video games and their developments but just how creative developers can be with games that they love and appreciate. Bloodborne PSX hits as hard as a Demake can in my opinion, blending masterfully recreated graphics with perfectly clunky early PSX gameplay quirks that go above and beyond to make the game not only LOOK like it belongs on the nearly 30-year-old console but feel right at home on it as well.

(A screenshot depicting the player character “The Hunter” facing off against two fearsome Werewolf enemies. Screenshot sourced from the Bloodborne PSX Official itch.io page)

Gameplay:

Starting off with the masterfully recreated clunk in the gameplay, Bloodborne PSX “shows its age” by hearkening back to a time when being seamless just wasn’t an option. Much like adventure action games of the past (and much UNLIKE its modern inspiration), you’ll be cycling through your inventory delightfully more than you’d expect. Equipping keys, checking items, and even the trademark weapon transformations are all done through the wonderfully nostalgic menu and inventory screens. Taking one of the foundational parts of Bloodborne’s combat system and making it such a more encumbering mechanic is nothing short of sheer genius when it comes to ways to really make you feel like it’s 1994 again. On top of this, the Hunter’s movement itself has been made reminiscent of classic action titles. Somehow, both stiff enough to feel dated and fluid enough to make combat that same rush of bestial fun found in the original, it goes a long way towards the total immersion into that retro vibe the game sets out to give the player. Anyone who grew up with Fromsoftware’s earlier titles like Armored Core and the King’s Field series will be very familiar with this unique brand of “well-tuned clunk”.

(A delightfully dated looking diagram showing off the controller layout for Bloodborne PSX’s controls. Image sourced from the Bloodborne PSX Official itch.io page)

Graphics:

Speaking of old Fromsoftware games, though, let’s talk about the absolutely bit-crushingly beautiful graphical work on display. As I’m sure you’ve seen from the videos and screenshots included in the article, BBPSX’s art style and direction are nothing short of perfect for what it aims to be. While playing, I couldn’t help but notice every little detail (or lack thereof) in the environments meant to emulate the experience of a game made on 30-year-old hardware. Low render distances, chunky textures, blocky polygonal models, just the right amount of texture warp, it all blends together to create an atmosphere that I can 100% picture being shown off on the back of a jewel CD case with a T for Teen rating slapped into the lower corner. While playing, something rather specific that called out to me was the new way enemy names and health bars were displayed in the bottom right corner of the screen while fighting. As a big fan of the King’s Field games, this small detail went (probably too much of) a long way toward my love of how everything’s meant to feel older. Other games trying to match the more specific feel of King’s Field, like “Lunacid” created by KIRA LLC, also include this delightful little detail, a personal favorite for sure.

(A screenshot depicting the second phase of Father Gascoigne’s boss fight, showing off the game’s perfectly retro art style. Image sourced from the Bloodborne PSX Official itch.io page)

Sound design/Soundtrack:

But where would a game be without its sound and score? No need to fear, however, because Bloodborne PSX comes complete with a chunky soundscape that will make you want to check and see if your TV is set to channel 3. A haunting set of tracks played by fittingly digital-sounding MIDIs ran through filters to sound just as crackly as you remember backs up crunchy sounds of spilling blood with low-poly weaponry. Original sounds from Bloodborne have been used for an authentic sounding experience, but have also been given the CRT speaker treatment and sound like something you remember playing on Halloween 20 years ago. If you watched the launch trailer featured above then you know exactly what I’m talking about. The Cleric Beast’s trademark screech and Gascoine’s signature howl after his beastly transformation have never sounded so beautifully dated, and I’m here for every bit of it. Even the horrific boss themes we know and love from the original Bloodborne have been brought through this portal to the past. One of my favourite tracks, the Cleric Beast boss theme, might just sound even better when played on a 16-bit sound chip. It really cannot be understated just how much weight the sound design of the game is pulling. In my opinion, the only thing missing is that sweet sweet PSX startup sound before the game starts crackling through the speakers of a TV in the computer room.

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(The Bloodborne PSX rendition of the Cleric Beast’s boss theme. Created by and uploaded to Youtube by The Noble Demon on March 20, 2021)

Interview with the developer:

Before writing this article, I had the absolute pleasure and privilege of talking with Lilith Walther about some developmental notes and personal feelings about inspirations and challenges that can come with the daunting task of being a developer. Below are the nine (initially ten, but unfortunately, a bit of the interview was lost due to my recording software bugging out) questions I posed to Miss Lilith, along with her answers transcribed directly from the interview.

I’d like to start this section of the article by saying Lilith was an absolute joy to talk to. During the interview, I really felt like she and I shared some common ground on some topics regarding how media can have an impact on you and what sorts of things come with video games as an art form. After some minor technical difficulties (and by that, I mean my video drivers crashed), I started off with something simple. The first question posited was: “What got you into video games initially?” Lilith’s response was as follows: “When I was a kid, the family member of a friend had a SNES lying around. I turned it on and didn’t really understand. I was a guy on top of a pyramid, I walked down the pyramid, and some big ogre killed me. Later I learned that was A Link to the past.” and after a brief laugh continued, “A couple years later my parents got a Nintendo 64 with Mario64 and Ocarina of Time and that was it. Never put the controller down since then.”

She then went on to describe what precisely about Nintendo’s first foray into 3D Zelda had hooked her. “I’ve heard this story so many times. It’s like you’re not even playing the game. You’re just in the world hanging out in Kokiri forest collecting rupees to get the Deku shield, and the game expects you to! It was just, ‘run around this world and explore,’ and that really hooked me.” I couldn’t agree more with her statement about her experience. Not just with a game as prolific as Ocarina of Time but many experiences from older console generations that could be considered “the first of their kind”, or at the very least some of the earliest. Lilith also described her first experience with a PlayStation console, stating: “Later on I got a PS2 which played PS1 games. I didn’t end up getting a PS1 until around the PS3 era, so I guess I’m a poser. I remember my sister bringing home Final Fantasy 9 when it was a relatively new game. If it wasn’t my first PS1 game it was definitely my first Final Fantasy game. Of course I went back and played 8 and 7 afterwards.” A solid answer to a simple question.

The second question I asked was one starting to move toward the topic of Bloodborne PSX and its namesake/inspiration. Or at least the family of systems it was released on: “What PlayStation console was your favorite and why?” Lilith’s answer surprised me a bit. Not because I disagreed, quite the opposite, actually. But with such a big inspiration for her work being games from the PSX-PS2 generations, what followed was a pleasant bit of insight into one of her favourite eras of gaming, to quote: “I can give you two answers here.” To which I assured her she was more than welcome to, but she was set on having something definitive. “No no I’m only going to give you one answer. I can give you the correct answer that I don’t want to admit, but it was the PlayStation 3. It’s so embarrassing but I genuinely was hooked into the marketing of the whole ‘The cell processor is the smartest thing in the world’ and all that. It really seemed like the future of gaming and I was all about it. I think I owned an XBOX360 before but I did eventually get it and really enjoyed it. It took a couple years for some of the best games to come out but I really did.” A few examples she cited as being some of her most memorable experiences on the console were Uncharted 2, Journey, Call of Duty 4: Modern Warfare, and Warhawk. All games I’ve seen on several top 5 and top 10 lists throughout my life within the gaming space. A delightful show of affection for a generation personally very dear to me as well, in which she ended the segment by declaring “Hell yeag”, a bit of a catchphrase she’s coined online.

Getting into the topic proper, my third question was one about her personal relationship with Bloodborne: “How did Bloodborne impact/appeal to your interests?” A question that received perhaps my favourite answer of the whole interview. From her response: ”Oh that’s a big one. Going to the opposite end of the poser spectrum, I was a Fromsoftware fan before it was cool. One of the games I played religiously on my PS2 was Armored Core.” A statement which made more sense than perhaps anything else said during my time with her. “Then later in the PS3 era everyone was talking about Dark Souls, this was when I was in college. I finally caved and got it and saw the Fromsoftware logo and thought ‘Oh it’s the Armored Core people!’ I played and beat it, really enjoyed my time with it. I skipped Dark Souls 2 because everyone told me to hate it, I still need to go back to that one.”

It’s something I would recommend anyone who hasn’t played Dark Souls 2 to go and do. “Then Bloodborne came out and I thought ‘Alright this is the new one, gotta play this one’ and I was a huge fan of all the gothic stuff in the aesthetic. And how do I explain this, I do really like Bloodborne. I like the design, and the mechanical suite of gameplay, as a video-gamey video game it’s very good.” The tone shifted here to something a bit more personal. “But as well, I was playing it at a specific time in my life. I came out in 2019, I know Bloodborne came out in 2015 but I was obviously just playing it non-stop. It was just one of my ‘coming out games’, you know?” For those who maybe don’t understand the statement there, “coming out” is a very common term used within the Queer community to describe the experience of revealing your identity to those around you. Whether it be to family, friends, or co-workers, almost every queer person has some sort of coming out story to tell. Lilith is speaking in reference to her coming out as a trans woman. She elaborated: “Obviously I can only speak for myself, but I just feel like when you make a decision like that, that part of my life just ended up seared into my brain, you know? Bloodborne was there, so now it’s just a part of me. And it definitely influenced some things about me. It was there because I was working on Bloodborne PSX at the time, but it had an impact on something I’ve heard a lot of other Trans people describe.” She went on to describe the concept of “Coming out a second time” as sort of “finding yourself more within your identity” and becoming more affirmed in it. She described both Bloodborne and her development on Bloodborne PSX influencing large parts of her life, a good example being how she dresses and presents. As a trans woman myself, this answer delighted me to no end. I, for one, can absolutely 100% relate to the notion of media you experience during such a radical turning point in your life sticking with you. There are plenty of games, shows, music, and books that I still hold very near and dear to me because, as Lilith stated, they were there. All the right things at the right time.

Halfway through our questions, we’ve finally arrived at one pertaining specifically to the development of Bloodborne PSX: “What are some unique challenges you’ve faced developing a game meant to look/play like something made on retro hardware?”

Lilith answers: “So there’s two things, two big things. One is rolling back all of the quality of life improvements we’ve gotten over the years in gaming. Not automatically using keys is always my go-to example.” Something as well I mentioned in my short talk about the game’s gloriously dated feeling gameplay above. “That was definitely very very intentional. Because it’s not just the graphics, right? It was the design sensibilities of the 90s. Bringing that to the surface was very challenging but very fun. Another big part was, since it was one of the first 3D consoles, I wanted to recreate the hype around the fact that ‘ITS IN 3D NOW!’ So if you go into your inventory you’ll see all the objects rendered in beautiful 3D while they slowly spin as you scroll through them.” This is a feature I very much miss seeing in modern video games.

She continued, “I think the biggest one was the weapon changes. Bloodborne’s whole thing was the weapon transformations. Like, you could seamlessly change your weapons and work them into your combo and do a bunch of crazy stuff, and I kind of said ‘that needs to go immediately.’ So now you have to pause and go to your weapon and press L1 to transform it, that was extremely intentional. So once I had those three big things down it all just sort of fell into place. Like the clunky UI and the janky controls. You need jank and clunk, and I think that’s why Fromsoft games scale down so nicely, because they are jank and clunk.”

A point I couldn’t agree with more. Despite all the modern streamlining and improvements to gameplay, Fromsoft’s ever-growing catalog of impressive experiences still contains some of that old-school video game stiffness we’ve (hopefully) come to appreciate. She went on to make a point I was very excited to share here in the article, “It was just a lot of trying to nail the feel of the games and not just the look, right? Like I’m not trying to recreate a screenshot; I’m trying to recreate the feeling of playing this weird game that’s barely holding together because the devs didn’t know what they were doing.” In my humble opinion, something she did an excellent job with.

Fifth on the list was a question relating to her current project, Bloodborne Kart, a concept initially drawn from a popular meme shared around social media sites like Tumblr when the buzz of a Bloodborne sequel was keeping the talking spaces around Fromsoft alight: “Anything to say about the development of Bloodborne Kart or its inspiration?”

Lilith answers: “So first off Bloodborne Kart is less trying to be a simulation of a PS1 game and more just an indie game. It’s not trying to be a PS1 game, I just want it to be a fun kart racer first. Starting off of course is Mario Kart 64, that’s the one I played back in the day. But I looked at other games like Crash Team Racing and Diddy Kong Racing, but also stuff like Twisted Metal of course. I always used those as a template to sort of look at for design stuff like ‘how did they handle what happens to racers after player 1 crosses the finish line.” The next portion of her answer was initially a bit confusing but comes across better when you consider certain elements present in BBK’s battle mode. “And also Halo, like for the battle mode. I had to do a battle mode and it kind of just bubbled to the surface. Split Screen with my sister was such a big part of my childhood. Thinking about Halo multiplayer while I was making the battle mode stuff.”

Her answer to the previous question began to dip into the topic of our sixth question: “Are there any unique challenges or enjoyable creative points that go into making something like Bloodborne Kart?”

As she continued from her previous answer: “One of the biggest quirks of the battle mode I had to figure out was how to tell what team you were on at a glance, and that came back to Halo again. I started thinking about how you could tell in that game and it hit me that the arms of your suit change to the color of whatever team you’re on. It was just something I never even thought of because it’s so seamless. So that gave me the idea to change the kart colours, and that’s the most recent example of me pulling directly from Halo. It’s wild how a small change like that can turn your game from something unplayable to something fun.” I would agree. Tons of small details and things you don’t think about go into making seamless multiplayer experiences. Some of which we take for granted nowadays. She then made a point about one of the most challenging aspects of BBK’s development, “The most challenging thing was definitely the Kart AI. AI is just my worst skill when it comes to game development among the massive array of skills you need to make a game. It’s really hard to find examples of people coding kart driving AI, You know? You need to make a biped walk around you can find a million tutorials online but if you need to make something drive a kart, not really. I was really on my own there. A lot of the examples out there are very simulation oriented. Like cars using suspension and whatnot, but I’m making a kart racer. So I started simple, I put a navpoint down and if it needs to turn left, turn left, if it needs to turn right, turn right. And I just kept adding features from there.”

Moving onto our last three questions, we started to get a little more personal. Question seven being: “What’s your favorite part of Bloodborne Kart so far?”

Her answer was concise in what she was excited about most, quote: “The boss fights.” Short and sweet but she did elaborate. “Translating a big part of Bloodborne is the boss fights. So I made a short linear campaign which is basically AI battles and races strung together. Some of those stages are just boss fights which are unique to the rest of the game. When you make a video game you sit down and you make all your different modes of interactions, and then you make a multi-hour experience mixing and matching all those different modes in more complicated ways. I think the most interesting part is when that style tends to fall away and it ends up building something entirely unique to that experience.” An example she gave was the infamous “Eventide Island” in Breath of the wild, it being a unique experience where the game’s usual modes of interaction are stripped or limited, forcing you into a more structured experience that ends up being a majorly positive one. “That’s what the boss fights are in Bloodborne Kart. They do multiple game mechanics like a chase that ends in a battle mode. Like Father Gascoine’s fight where he chases you, and after you blow up his kart he turns into a beast and picks up a minigun.” That sounds absolutely incredible. It’s very easy to see why she’d pick the boss fights as her favorite element when they’re clearly intended to be such unique and memorable experiences.

Our last two questions veer away from the topics of development proper and focus more on our dear dev’s personal thoughts on the matter. Question eight posits: “What’s your personal favorite part of being a game developer?”

After some thought, she gave a very impassioned talk about something she considers to be the best part of the experience: “When people who aren’t game developers think about game development they think of things like ‘oh well you just get to play video games all day and have fun’ but it’s not! Except for the 2% that is, and it’s near the end of development. When all the pieces fall into place and you start actually ‘making the game.’ Game development, especially solo, you’re so zoomed in on specific parts. Because you’re not making a game you’re programming software that’s what making a game is. You spend months working on different systems and then you actually sit down and make a level, and you hit play and it you go ‘Oh my god, I just made a game’. That part is what sustains me. It’s magical. That’s the best part when it comes to true appreciation of the craft aside from the reception.” An answer that I don’t think I could’ve put better if I tried.

My last question is one that I consider to be the question when it comes to interviewing anyone who works on video games. Perhaps a bit basic, but heartfelt nonetheless: “Anything to say to anyone aspiring to be a game developer?”

Lilith’s answer: “Yes. Just do it. For real. This is what I did and it always felt wrong until I looked at more established devs echoing the sentiment. You cannot plan a game before you’ve started making one. The example I always bring up is the team behind Deus Ex wrote a 500 page design document for the game and almost immediately threw it out when they started development. Just start! You’re going to have unanswered questions and I think that trips people up. Don’t start with your magnum opus idea, start with something simple and achievable. I feel like a lot of people set out with the goal of making a triple-A game, and that’s good! But it can’t be your first game. Game development is creating art, just like any other form of art, and it’s like saying ‘my first drawing is going to be the Mona Lisa’ and it just doesn’t work like that. You need practice and development, and it’s difficult to see that because games take so long and so much, so it’s definitely seen as a bigger undertaking. But it’s still art. You’re still making mistakes and learning from them for your first project. Your next game will be better. View your career as a game developer as a series of games you want to make, and not just one big game.” A perfect response to an otherwise unassuming question.

Lilith’s passion and love for video games were reflected very clearly in every response she gave during my time with her. Her dedication and appreciation for the art form can be seen in every pixel of Bloodborne PSX, as well as the development logs and test builds of Bloodborne Kart. I really do think that the way she answered my final question speaks volumes to the type of attitude someone should take up when endeavoring to make art as intensive as a video game. Whether it’s fanwork of a game that’s important to you or an entirely new concept, do it.

(developer of Bloodborne PSX Lilith Walther, image provided by Lilith Walther via Twitter)

Closing:

If you’d like to check out the positively phenomenal experience that is Bloodborne PSX I’ve included a link to the official itch.io page below the article, as well as a link to the official LWMedia Youtube page where you can check out Lilith’s dev logs, test videos, and animations about her work and other art. Thank you so much for reading, and another very special thank you to Lilith for setting aside some of her time to talk to me about this article. Now get out there and cleanse those foul streets!

Links:

Bloodborne PSX official itch.io page: https://b0tster.itch.io/bbpsx

LWMedia Official Youtube page: https://www.youtube.com/@b0tster

Lilith Walther Twitter page: https://twitter.com/b0tster

#my writing #my stuff #writing #video games #bloodborne #bloodborne psx #demake #article #b0tster #bbpsx #Youtube

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dailyadventureprompts · 20 days ago

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Dungeon: Murder in the House of Dolls

Art 1, Art 2

Though once the prize project of a master artificer famed for bringing joy across the land, the Lyrebird theatre now moulders in obscurity, its once wondrous hall now a place where strange things lurk unseen.

Adventure Hooks:

A body turns up in the party's home city, a tattooed man dressed in antiquated robes like the king of a fallen empire, exanguinated from strange cuts that encircle his major joints. Investigating the tattoos reveals that he was part of a gang that made it's coin "acquiring" things for interested parties by any means. Careful reconstruction of his trail leads to a tumbledown neighborhood frequented by artistic types. Perhaps they can point the investigators in the right direction.

If the party aren't the type to be solving crimes, a fence they know has a job for them: breaking into some boarded up building and stealing some select doohickeys on behalf of a wealthy buyer. Never mind that the last crew she sent in never came back.

Following rumors of strange music playing in the night, or their own need to aquire materials on the cheap, the party might find their own way to the Lyrebird. Sometimes you just need an urban dungeon delve on the quick, yeknow?

Background: It was a brilliant idea in concept, a clockwork playhouse, a scaled up version of music box automata that could play out entire performances accompanied by a clockwork band. In practicality, the system could only be made complex enough to alter between four per-determined plays, and after the novelty wore off no one wanted to see a theatre that could only run the same shows season after season, to say nothing of the stiff performances of clockwork actors.

And so the Lyrebird faded from grand attraction to tourist trap to derelict curiosity. The owners boarded up the building once it was too, which hasn't stopped adventurous youths and enterprising scavengers from sneaking in to take trophies from time to time.

None of this sat right with the spirits of art and wonder that'd come to dwell within the theater in its early days, born from the amazement of those first few years. The show must go on, and with a little encouragement from a fey-curse newly levelled against all the artificer's creations, the spirits got to work staging new performances of their favourite productions... even if they have to get a bit creative when it comes to replacing the damaged puppets.

Challenges & Complications

Using the marionette performers, the spirits infesting the theatre have been capturing those who break into the playhouse and using their bodies in place of damaged automata. A number of them are dead, as being jerked around on fillaments through dance routines or suspended by them for hours, but a few of the most recent band of thieves are piteously alive and in desperate need of rescue. Breaking them out immediately will see the spirits sending an army of possessed marionettes after the party, so the best course of action might be in staging one of the plays and getting all the victims on set before cutting them down and bolting for the door.

Navigating the mechanical theatre will require the party to venture through the uncanny corridors of the puppet workshop, the precarious pathways of the flyloft, and the deafening clatter of the orchestra pit. Along the way they'll face not only rogue marionettes and the hazards of a derelict building, but also fey mischief like swapping the doors around or costumes waiting in ambush that charm the victim into thinking they're someone else.

Even when the party escape, the Lyrebird theatre isn't done with them. Some time later the party will find one of their allies murdered, the death posed unusually so as to resemble the climax of one of the plays. The wrathful spirits of the playhouse have cobbled together a champion of porcelain, wood, and wire, and sent it out into the city to perform their art before a live audience.

#dungeon #city dungeon #city #town #fey #treasure hunt #mystery #dnd #d&d #dungeons and dragons #pathfinder

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writingoddess1125 · 1 year ago

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Ive Fallen

The moment they fell in love with you~

Luffy, Zoro, Sanji, Buggy, Shanks, Mihawk x GN Reader

Please support me on Ko-Fi I'd like to pay rent 👍🏽

Luffy

It was the moment you had made him his favorite meal and said the magic words-

"Hey Luffy welcome back!" You say cheerfully as you set down a plate for a customer. Your regular Luffy coming in for his normal mountain of food-

"Hey (Y/N)!" He said cheerfully as he set himself on his normal bench. You already having his glass of milk poured as you set it before him and got his plate consisting of his favorite items you had already made ahead of time.

"I saw you were getting your boat ready to set sail"

"I got to get everything going for when im pirate king!" He said loudly, taking a hefty bite of his food. You smiled, always loving his optimistic ways.

"Well, I believe in you Luffy. If there is anyone who will become king of the pirates its you" You say cheerfully and give him a smile.

Luffy felt his heart beating like a drum and warmth developed his body. Like your words had kicked his heart into action-

"Oop let me go refill Mr. Yamos drinks" You say cheerfully as you go to continue your work, Luffys eyes following you.

Had you always looked this pretty?

Zoro

When he saw you training

Zoro was.. well lost- He had needed to use the restroom when the ship made port and it was like he made one turn and suddently his was in a deep forest.

Fuck-

So Zoro went to make his way back, unknowingly getting himself more and more lost.

Stumbling through a clearing he stopped when he saw you- standing there practicing formation and swings with your sword- So beautiful and powerful, he couldn't help but be mesmerized.

Standing there watching from the trees he couldn't help but feel some warmth come to his cheeks, finally working the will to approach.

"Need a sparing partner?" He offered as he stepped forward.

Sanji

When he saw you baking and trying the food some kids had made for you

They had made port to restock supplies, in his case get more groceries since Luffy ate enough for 5 men. Walking through the streets of the village he smelled the sweets before he saw you- in the window letting out trays of freshly baked treats with a smile on your lips.

Your smile drew him to stop midstep and watch. A few young children running past him to the shop as they held up their treats to you-

He saw the pastry even from here he could see it was burned and most likely raw in the center, the thick layer of flower on the bottom no better then cement. Any person with a pallet wouldn't be able to swallow it- not even Luffy. However you smiled and took a big bite of the pastry and swallowed.

Smiling at the child and praising them on doing so well- Sanji felt his chest tughten and warmth unlike his normal attraction bubble in his system, his feet moving faster then his mind as he approached your bakery.

Buggy

When he saw you perform for the first time

Buggy had stopped by a village during a festival, Normally he would have just raided the place but he had a soft spot for festivals like this- So for now the village was spared.

Especially since they had one hell of a hot dog stand which he gladly took part in. While standing there eating his treat he turned to see the grand bonfire that was being set up as music started to be played, everyone starting to gather and dance- And then he saw you.

Singing and dancing along to the music as you stole the show, twirling around the fire with others as your clothes seemed to highly glow next to the light of the bonfire making you look like a living star.

Buggy felt Hypnotized as he watched you, The way you sang, dance and your overall grace.

He had never wanted to see another person perform so badly in his life, a warmth Flooding his face and chest as he watched you laugh and walk away to get a drink. Standing up to follow and work up the nerve to speak with you.

Shanks

When he heard you singing while gardening

Ah to he back at his favorite bar

He stepped out to get some fresh air, the warmth of the sun hitting his skin and making him feel energized. His train of thought was broken however as he heard singjng?- this wasn't a area that had a choir or anything like that so it caught his interest following the song to behind the bar.

Turning around the corner he spotted you, on your knees in the herb garden thay grew next to the restaurant gathering things needed for drunks and food.

He couldn't tear his eyes away from you as your voice washed through him- you looked so damn cute, paired with your singing it just made his chest squeeze at the sight.

"You have a beautiful voice" He said softly before giving you a sly smile, seeing you turn back to him and blush at being caught.

Mihawk

When you were sitting by the fireplace reading

Mihawk had arrived in a sleepy village, going to the nearest inn for the night to rest. Typically he would have just camped outside but the flash flood pouring over the village said otherwise-

Entering he spotted you right away, seated infront of the fire with a book. Normally he wouldn't bother glancing at such a sight but in truth he couldn't turn away.

You just looked so elegant? Seated so perfectly infront of that grand fireplace in comforble warm clothes, a cup of tea next to you and eyes focused only on the written word.

"Sir would you like a room?" The old women snapping him from his thoughts as he quickly nodded and paid for the room. Deciding it was best to just approach.

"What are you reading?" He asked, watching your eyes travel up to meet his and giving him a gentle smile as you tell him about the book series you were reading and offering him to read the first edition since you'd already completed it.

He accepts and sits at the chair across from you- A comforble relaxes feeling washing through him at this and he couldn't help but let his eyes fall in you.

Lovely

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hoodzgyal · 3 months ago

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thinking about fucking stoner roy..he’s so smug about how he’s finally got you laid out for him after months of hitting on you

YAWPPPPP THIS MY SHIT RIGHT HEREEE

fratboy!roy has been plotting on you since seeing you during NSO week almost two years ago. unfortunately, you two were in totally different circles; hes a finance major who does little else than smoke, party with his fraternity brothers, and fuck around with the plenty of girls that are clamoring to get on his dick.

meanwhile, you’re an english major, pre-law, and entirely too focused on getting to law school to indulge in his petty flirtations. but for once in your life, your friends have dragged you out to a party that just so happened to be hosted in roy’s frat house.

you’re not sure what has you placing your hand on roy’s chest as he rumbles in your ear over the blaring music of the party, but whatever it is, also leads you to play with the silver chain around his neck as he talks you into standing outside with him on the secluded balcony.

it’s here where he’s a lot more forward than usual, tired of beating around the bush when it comes to you.

“y’know,” he sighs, basically caging you against the wall with his body, shielding you from the cool fall air, “i see you makin’ eyes at me and shit all the time, pretty.”

you’d have to stupid, or just incredibly naive not to see the way his eyes trace over your skin, the seen and unseen parts as if to undress you with his mind. he breathes deeply, seemingly thinking hard about his next words, the marijuana in his system making his thoughts hazy and unfinished, no doubt.

one of his large freckled hands seems to move on its own, pulling you closer to him by the belt loop.

he chucks your chin as his hazy green eyes lazily search yours as he angles his head down, his lips almost against your ear as he murmurs, “listen… i’m pretty,” he slurs, fluttering his eyelashes and giving you a winning smile, “you’re pretty… why dontcha let me take you out, mama? maybe even make you feel good after? i’d be on my best behavior, promise.”

#— evie’s boytoys !#— evie’s fratverse !#WELL YES WELL YES WELL YES #roy harper x black!reader #roy harper x reader #roy harper x you

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qwertyprophecy · 2 months ago

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Mortholme Post-Mortem

The Dark Queen of Mortholme has been out for two weeks, and I've just been given an excellent excuse to write some more about its creation by a lenghty anonymous ask.

Under the cut, hindsight on the year spent making Mortholme and answers to questions about game dev, grouped under the following topics:

Time spent on development Programming Obstacles Godot Animation Pixel art Environment assets Writing Completion Release

Regarding time spent on development

Nope, I’ve got no idea anymore how long I spent on Mortholme. It took a year but during that time I worked on like two other games and whatever else. And although I started with the art, I worked on all parts simultaneously to avoid getting bored. This is what I can say:

Art took a ridiculous amount of time, but that was by choice (or compulsion, one might say). I get very excitable and particular about it. At most I was making about one or two Hero animations in a day (for a total of 8 + upgraded versions), but anything involving the Queen took multiple times longer. When I made the excecutive decision that her final form was going to have a bazillion tentacles I gave up on scheduling altogether.

Coding went quickly at the start when I was knocking out a feature after another, until it became the ultimate slow-burn hurdle at the end. Testing, bugfixing, and playing Jenga with increasingly unwieldy code kept oozing from one week to the next. For months, probably? My memory’s shot but I have a mark on my calendar on the 18th of August that says “Mortholme done”. Must’ve been some optimistic deadline before the ooze.

Writing happened in extremely productive week-long bursts followed by nothing but nitpicky editing while I focused on other stuff. Winner in the “changed most often” category, for sure.

Sound was straightforward, after finishing a new set of animations I spent a day or two to record and edit SFX for them. Music I originally scheduled two weeks for, but hubris and desire for more variants bumped it to like a month.

Regarding programming

The Hero AI is certainly the part that I spent most of my coding time on. The basic way the guaranteed dodging works is that all the Queen’s attacks send a signal to the Hero, who calculates a “danger zone” based on the type of attack and the Queen’s location. Then, if the Hero is able to dodge that particular attack (a probability based on how much it's been used & story progression), they run a function to dodge it.

Each attack has its own algorithm that produces the best safe target position to go to based on the Hero’s current position (and other necessary actions like jumping). Those algorithms needed a whole lot of testing to code counters for all the scenarios that might trip the Hero up.

The easiest or at least most fun parts for me to code are the extra bells and whistles that aren’t critical but add flair. Like in the Hero’s case, the little touches that make them seem more human: a reaction speed delay that increases over time, random motions and overcompensation that decrease as they gain focus, late-game Hero taking prioritising aggressive positiniong, a “wait for last second” function that lets the Hero calculate how long it’ll take them to move to safety and use the information to squeeze an extra attack in…

The hardest attack was the magic circle, as it introduced a problem in my code so far. The second flare can overlap with other attacks, meaning the Hero had to keep track of two danger zones at once. For a brief time I wanted to create a whole new system that would constantly update a map of all current danger zones—that would allow for any number of overlapping attacks, which would be really cool! Unfortunately it didn’t gel with my existing code, and I couldn’t figure out its multitudes of problems since, well…

Regarding obstacles

Thing is, I’m hot garbage as a programmer. My game dev’s all self-taught nonsense. So after a week of failing to get this cool system to work, I scrapped it and instead made a spaghetti code monstrosity that made magic circle run on a separate danger zone, and decided I’d make no more overlapping attacks. That’s easy; I just had to buffer the timing of the animation locks so that the Hero would always have time to move away. (I still wanted to keep the magic circle, since it’s fun for the player to try and trick the Hero with it.)

There’s my least pretty yet practical solo dev advice: if you get stuck because you can’t do something, you can certainly try to learn how to do it, but occasionally the only way to finish a project within a decade to work around those parts and let them be a bit crap.

I’m happy to use design trickery, writing and art to cover for my coding skills. Like, despite the anonymous asker’s description, the Hero’s dodging is actually far from perfect. I knew there was no way it was ever going to be, which is why I wrote special dialogue to account for a player finding an exploit that breaks the intended gameplay. (And indeed, when the game was launched, someone immediately found it!)

Regarding Godot

It’s lovely! I switched from Unity years ago and it’s so much simpler and more considerate of 2D games. The way its node system emphasises modularity has improved my coding a lot.

New users should be aware that a lot of tutorials and advice you find online may be for Godot 3. If something doesn’t work, search for what the Godot 4 equivalent is.

Regarding animation

I’m a professional animator, so my list of tips and techniques is a tad long… I’ll just give a few resource recommendations: read up on the classic 12 principles of animation (or the The Illusion of Life, if you’d like the whole book) and test each out for yourself. Not every animation needs all of these principles, but basically every time you’ll be looking at an animation and wondering how to make it better, the answer will be in paying attention to one or more of them.

Game animation is its own beast, and different genres have their own needs. I’d recommend studying animations that do what you’d like to do, frame by frame. If you’re unsure of how exactly to analyse animation for its techniques, youtube channel New Frame Plus shows an excellent example.

Oh, and film yourself some references! The Queen demanded so much pretend mace swinging that it broke my hoover.

Regarding pixel art

The pixel art style was picked for two reasons: 1. to evoke a retro game feel to emphasise the meta nature of the narrative, and 2. because it’s faster and more forgiving to animate in than any of my other options.

At the very start I was into the idea of doing a painterly style—Hollow Knight was my first soulslike—but quickly realised that I’d either have to spend hundreds of hours animating the characters, or design them in a simplistic way that I deemed too cutesy for this particular game. (Hollow Knight style, one day I’d love to emulate you…)

I don’t use a dedicated program, just Photoshop for everything like a chump. Pixel art doesn’t need anything fancy, although I’m sure specialist programs will keep it nice and simple.

Pixel art’s funny; its limitations make it dependent on symbolism, shortcuts and viewer interpretation. You could search for some tutorials on basic principles (like avoiding “jaggies” or the importance of contrast), but ultimately you’ll simply want to get a start in it to find your own confidence in it. I began dabbling years ago by asking for character requests on Tumblr and doodling them in pixels in whatever way I could think of.

Regarding environment assets

The Queen’s throne room consists of two main sprites—one background and one separate bit of the door for the Hero disappear behind—and then about fifty more for the lighting setup. There’s six different candle animations, there’s lines on the floor that need to go on top of character reflections, all the candle circles and lit objects are separated so that the candles can be extinguished asynchronously; and then there’s purple phase 2 versions of all of the above.

This is all rather dumb. There’s simpler ways in Godot to do 2D lighting with shaders and a built-in system (I use those too), but I wanted control over the exact colours so I just drew everything in Photoshop the way I wanted it. Still, it highlights how mostly you only need a single background asset and separated foreground objects; except if you need animated objects or stuff that needs to change while the game’s running, you’ll get a whole bunch more.

I wholeheartedly applaud having a go at making your own game art, even if you don’t have any art background! The potential for cohesion in all aspects of design—art, game, narrative, sound—is at the heart of why video games are such an exciting medium!

Regarding writing

Finding the voices of the Queen and the Hero was the quick part of the process. They figured that out they are almost as soon as writing started. I’d been mulling this game over in my mind for so long, I had already a specific idea in mind of what the two of them stood for, conceptually and thematically. When they started bantering, I felt like all I really had to do was to guide it along the storyline, and then polish.

What ended up taking so long was that there was too much for them to say for how short the game needed to be to not feel overstretched. Since I’d decided to go with two dialogue options on my linear story, it at least gave me twice the amount of dialogue that I got to write, but it wasn’t enough!

The first large-scale rewrite was me going over the first draft and squeezing in more interesting things for the Queen and the Hero to discuss, more branching paths and booleans. There was this whole thing where the player’s their dialogue choices over multiple conversations would lead them to about four alternate interpretations of why the Queen is the way she is. This was around the time I happened to finally play Disco Elysium, so of course I also decided to also add a ton of microreactivity (ie. small changes in dialogue that acknowledge earlier player choices) to cram in even more alternate dialogue. I spent ages tinkering with the exact nuances till I was real proud of it.

Right until the playtesters of this convoluted contraption found the story to be unclear and confusing. For some reason. So for my final rewrite, I picked out my favourite bits and cut everything else. With the extra branching gone, there was more room to improve the pacing so the core of the story could breathe. The microreactivity got to stay, at least!

A sample of old dialogue from the overcomplicated version:

Regarding completion

The question was “what kept me going to actually finish the game, since that is a point many games never even get to meet?” and it’s a great one because I forgot that’s a thing. Difficulties finishing projects, that is—I used to think it was hard, but not for many years. Maybe I’ve completed so many small-scale games already that it hardly seems that unreasonable of an expectation? (Game jams. You should do game jams.)

I honestly never had any doubt I was going to finish Mortholme. When I started in late autumn last year, I was honestly expecting the concept to be too clunky to properly function; but I wished to indulge in silliness and make it exist anyways. That vision would’ve been easy to finish, a month or two of low stakes messing around, no biggie. (Like a game jam!)

Those months ran out quickly as I had too much fun making the art to stop. It must’ve been around the time I made this recording that it occurred to me that even if the game was going to be clunky, it could still genuinely work on the back of good enough storytelling technique—not just writing, but also the animation and the Hero’s evolving behaviour during the gameplay segments which I’d been worried about. The reaction to my early blogging was also heartening. Other people could also imagine how this narrative could be interesting!

A few weeks after that I started planning out the narrative beats I wanted the dialogue to reach, and came to the conclusion that I really, really wanted it to work. Other people had to see this shit, I thought. There’s got to be freaks out there who’d love to experience this tragedy, and I’m eager to deliver.

That’s why I was fine with the project’s timeline stretching out. If attention to detail and artistry was going to make this weird little story actually come to life, then great, because that’s exactly the part of development I love doing most. Projects taking longer than expected can be frustrating, but accepting that as a common part of game dev is what allows confidence in eventual their completion regardless.

Regarding release

Dear anonymous’s questions didn’t involve post-release concerns, but it seems fitting to wrap up the post-mortem by talking about the two things about Mortholme's launch that were firsts for me, and thus I was unprepared for.

1. This was the first action game I've coded. Well, sort of—I consider Mortholme to be a story first and foremost, with gameplay so purposefully obnoxious it benefits from not being thought of as a “normal” game. Still, the action elements are there. For someone who usually sticks to making puzzle games since they’re easier to code, this was my most mechanically fragile game yet. So despite all my attempts at playtesting and failsafes, it had a whole bunch of bugs on release.

Game-breaking bugs, really obvious bugs, weird and confusing bugs. It took me over a week to fix all that was reported (and I’m only hoping they indeed are fully fixed). That feels slow; I should’ve expected it was going to break so I could’ve been faster to respond. Ah well, next time I know what I’ll be booking my post-release week for.

2. This was my first game that I let players give me money for. Sure, it’s pay-what-you-want, but for someone as allergic to business decisions as I am, it was a big step. I guess I was worried of being shown that nobody would consider my art worth financial compensation. Well, uh, that fear has gone out of the window now. I’m blown away by how kind and generous the players of Mortholme have been with their donations.

I can’t imagine it's likely to earn a living wage from pouring hundreds of hours into pay-what-you-want passion projects, but the support has me heartened to seek out a future where I could make these weird stories and a living both.

Those were the unexpected parts. The part I must admit I was expecting—but still infinitely grateful for—was that Mortholme did in fact reach them freaks who’d find it interesting. The responses, comments, analyses, fan works (there’s fic and art!! the dream!!), inspiration, and questions (like the ones prompting me to write this post-mortem) people have shared with me thanks to Mortholme… They’ve all truly been what I was hoping for back when I first gave myself emotions thinking about a mean megalomaniac and stubborn dipshit.

Thank you for reading, thank you for playing, and thank you for being around.

#so that got a bit verbose. you simply cannot give me this many salient questions and expect me otherwise tbh #the dark queen of mortholme #indie dev #game dev #dev log

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