#No but really what happened to my post

[ur-fav-fuhirou-shiper]

(I HAD TO WRITE IT AGAIN FUCK YOU TUMBLR)

Warning: This tought was made at night when I was trying to sleep and it's really dumb but now it have been on my mind for a few days and its abaut fuhirou so I think im gonna post it here (I swear it had more sense in my head)

So you guys know "Inazuma eleven 2: Blizzard" (Game) and its like "focused" on Fubuki, right? Like the name of the game literally says it

But it's also "focused" on Diamond Dust(With means its also focused on Suzuno), we don't even play agnist Prominence in the main story (maybe later we can, idk). Also this whole ice theme just match Diamond Dust.

Also this official art

And this

Interesting choice of words

It's giving Soulmates au vibes

(Like two Characters that barley know eachother are somehow connected)

(I Cant explain it more but I think you get it)

[giantkillerjack]

Today my therapist introduced me to a concept surrounding disability that she called "hLep".

[plain-text version of this post can be found under the cut]

Which is when you - in this case, you are a disabled person - ask someone for help ("I can't drink almond milk so can you get me some whole milk?", or "Please call Donna and ask her to pick up the car for me."), and they say yes, and then they do something that is not what you asked for but is what they think you should have asked for ("I know you said you wanted whole, but I got you skim milk because it's better for you!", "I didn't want to ruin Donna's day by asking her that, so I spent your money on an expensive towing service!") And then if you get annoyed at them for ignoring what you actually asked for - and often it has already happened repeatedly - they get angry because they "were just helping you! You should be grateful!!"

And my therapist pointed out that this is not "help", it's "hLep".

Sure, it looks like help; it kind of sounds like help too; and if it was adjusted just a little bit, it could be help. But it's not help. It's hLep.

At its best, it is patronizing and makes a person feel unvalued and un-listened-to. Always, it reinforces the false idea that disabled people can't be trusted with our own care. And at its worst, it results in disabled people losing our freedom and control over our lives, and also being unable to actually access what we need to survive.

So please, when a disabled person asks you for help on something, don't be a hLeper, be a helper! In other words: they know better than you what they need, and the best way you can honor the trust they've put in you is to believe that!

Also, I want to be very clear that the "getting angry at a disabled person's attempts to point out harmful behavior" part of this makes the whole thing WAY worse. Like it'd be one thing if my roommate bought me some passive-aggressive skim milk, but then they heard what I had to say, and they apologized and did better in the future - our relationship could bounce back from that. But it is very much another thing to have a crying shouting match with someone who is furious at you for saying something they did was ableist. Like, Christ, Jessica, remind me to never ask for your support ever again! You make me feel like if I asked you to call 911, you'd order a pizza because you know I'll feel better once I eat something!!

Edit: crediting my therapist by name with her permission - this term was coined by Nahime Aguirre Mtanous!

Edit again: I made an optional follow-up to this post after seeing the responses. Might help somebody. CW for me frankly talking about how dangerous hLep really is.

Plain-text version:

Today my therapist introduced me to a concept surrounding disability that she called "hLep".

Which is when you - in this case, you are a disabled person - ask someone for help ("I can't drink almond milk so can you get me some whole milk?", or "Please call Donna and ask her to pick up the car for me."), and they say yes, and then they do something that is not what you asked for but is what they think you should have asked for ("I know you said you wanted whole, but I got you skim milk because it's better for you!", "I didn't want to ruin Donna's day by asking her that, so I spent your money on an expensive towing service!") And then if you get annoyed at them for ignoring what you actually asked for - and often it has already happened repeatedly - they get angry because they "were just helping you! You should be grateful!!"

And my therapist pointed out that this is not "help", it's "hLep".

Sure, it looks like help; it kind of sounds like help too; and if it was adjusted just a little bit, it could be help. But it's not help. It's hLep.

At its best, it is patronizing and makes a person feel unvalued and un-listened-to. Always, it reinforces the false idea that disabled people can't be trusted with our own care. And at its worst, it results in disabled people losing our freedom and control over our lives, and also being unable to actually access what we need to survive.

So please, when a disabled person asks you for help on something, don't be a hLeper, be a helper! In other words: they know better than you what they need, and the best way you can honor the trust they've put in you is to believe that!

P.S. Also, I want to be very clear that the "getting angry at a disabled person's attempts to point out harmful behavior" part of this makes the whole thing WAY worse. Like it'd be one thing if my roommate bought me some passive-aggressive skim milk, but then they heard what I had to say, and they apologized and did better in the future - our relationship could bounce back from that. But it is very much another thing to have a crying shouting match with someone who is furious at you for saying something they did was ableist. Like, Christ, Jessica, remind me to never ask for your support ever again! You make me feel like if I asked you to call 911, you'd order a pizza because you know I'll feel better once I eat something!!

Edit: crediting my therapist by name with her permission - this term was coined by Nahime Aguirre Mtanous!

Edit again: I made an optional follow-up to this post after seeing the responses. Might help somebody. CW for me frankly talking about how dangerous hLep really is.

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[introspectivememories]

was it casual when i sat in your lap in public? was it casual when i said "recently my heart is crying because you're leaving"? was it casual when we decided how your last name would fit with mine? ("yuki tsunoda-gasly" / "no tsunoda, only gasly" / "yuki gasly?") was it casual when we sang adele's "someone like you" together at your going away party? was it casual when i knew it was you just by touching your ass? was it casual when i knew it was you by smell alone? was it casual when "will you miss me?" / "for 2-3 minutes maybe" / "i'll take that. even if it's just 2-3 minutes, i'll take that"? was it casual when that bus was completely empty and we still sat right next to each other, all the way in the back? was it casual when i picked you up multiple times so you could dunk a basketball? was it casual when i begged to come over to your house multiple time and then you finally let me and we cooked fried rice together? was it casual when we played christmas twister together and i said "your big eggplant is touching my ass"? was it casual when we were pressed up against each other on a scooter going two miles per hour? was it casual when-

[slavhew]

two guys enter a closet

[soosoosoup]

treasure planet au: cabin boy duties

[collieii]

someone probably said this already but in spiderverse i think it's interesting how when pavitr was first introduced everyone thought something bad was gonna happen to him bc of how confident and optimistic he was. and then in the actual movie we see that something bad was supposed to happen to him (police chief dying!) but it doesn't! miles stops it! and miguel berates miles for this, says it's going to cause the universe to collapse or whatever.

there's this idea that tragedy is inherent to spidermans growth, and while it's true that some spiderpeople learn important lessons through loss, no one stops to ask, is it really necessary? yeah, maybe the chief was supposed to die. but why does spiderman have to be formed through tragedy? why do we (as heroes) have to let people die? pavitr didn't lose anyone, and he's still a good spiderman! maybe, if he doesn't suffer, he'll end up better off for it!

so while miguel is arguing for all this big picture stuff about saving the multiverse he's lost sight of what it really means to be a spiderman, he's not looking out for the real individual people. yeah it's just one person who would die, but that one person means something to someone. shrugging and saying "stuff just sucks sometimes, we can't do anything about it" is the opposite of what superheroes do. pretty obviously, miles arc is also a reflection of the struggles people face in real life, working within unequal systems, where it's easy to shrug and say "that's just the way it is" and not ask "but why does it need be this way? can't we do something about it?"

miguel is arguing that you can't have your cake and eat it too. presumably, miles and co. are going to find a way to get around that and change things for the better (and maybe that's why miles has that line about two cakes in the advisors office!)

[bixels]

tarpit site.

[bunnieswithknives]

Thanks.

Prev

[borderlinereminders]

Messing up while trying to learn healthier coping skills or communication skills doesn't mean your progress ceases to exist.

If you lashed out at someone during an argument instead of using your coping skills, it's okay to forgive yourself. If you reacted based on your emotional urge instead of looking at the situation, that's okay. It happens.

No one is perfect all the time. I think we expect so much more of ourselves. In my case, because I felt so ashamed of who I used to be. It makes me feel extra pressure to "do better". But the reality is, people who aren't in recovery mess up too. And sometimes they may not even notice it.

You don't need to beat yourself up about it. In fact, beating yourself up about it doesn't really help anyone. You can learn from it. Was there something going on that made it harder to use your coping skills? Was there a certain trigger? Maybe a bad day? Take your new knowledge and move forward.

Your progress still very much exists. I promise.

[devotion-disorder]

Have you played Homicipher?

girl scroll down a bit lol

[xxplastic-cubexx]

Hi!! Your Cherik is so good and gorgeous 🤩🤩 If you don't mind wanna try to draw some Fall of X Cherik please?

thank you so much !!

i have a couple of ideas relating to the fall of x period specifically since theres. A Lot i wanna play with, so i hope this lil thing may be a satisfactory start :]]

and the obligatory bonus:

[musubiki]

.🖤🔄🤍.

[dekarios]

i need help with vet bills (again).

hi. for those of you who remember, earlier this year i asked for donations to help me afford toos' vet bills, who we found out through your help had kidney failure, and again with your help we got her on medication for it. unfortunately it wasn't enough, and we lost her. and then shortly after, dexter began deteriorating, which we put down to his grief of losing toos - she kept him young, he followed her everywhere, he only played because of her, he only ate when she ate, etc. without her he just stopped. and then he started to have seizures and fits daily. we got him blood tests, but he was suffering so badly. we made the decision to put him down. i didn't ask for donations this time, because i was so deeply embarrassed to ask for help again. but we are still recovering financially from that, as well as the parts of toos bills that didn't get covered from donations. my mother hasn't worked for a very long time, she's disabled and very sick, and she receives PIP from the government that only covers her monthly medications that are not covered by the NHS. my father retired early to become her full time carer, and we are living off his pension. i am too disabled to work, but because my mother already receives PIP and i live with them, the government are resistent to giving me any help - so i have zero income, and rely entirely on my parents.

this is jenny. she's a 14 year old cairn terrier, who loves when we garden because she wants to help dig holes. she helped us bury dexter and toos, digging their graves for them with my dads help. she's an angel, and loves people so much she likes to escape under the fence and join other families for awhile. one time she got into someones back garden and asked to come in as they were eating lunch. she really hates flies, and will try to bite them out of the air (she has never succeeded but i believe she will one day). she will rub her face against you until you start stroking her, and will growl and even bark if you stop! we don't have the money to take jenny to the vets, for a checkup or for anything they may want to do. this has been an ongoing issue, but toos and dexter took priority, and it hasn't been a bother to her. she existed as normal for a long time, but that's since changed.

jenny has this lump in her mouth, it is larger than the picture shows, but she is a nightmare to force open her mouth since this got so big, i think it's uncomfortable or painful for her. she can't properly close her lips now, and it has pushed all her front teeth away, misshaping her mouth, and sometimes it bleeds profusely. eating has become difficult for her, she can't eat anything hard, and currently will only eat soft human foods like rice, scrambled egg chopped up so small she doesn't have to chew, and things like soups and gravy. she's lost a lot of weight, and i'm getting frightened. to add onto it, i've found lumps like this across her body. i've done as much research as i can, and i believe it to be an oral tumor, it fits, and it looks right, and it spreading across her body is called 'full staging'. and going by all i've read - they will want to remove them in surgery. according to my research, this will cost anywhere from £585 - £4,740 for just the lump in her mouth. that's not including any checkup/test costs, or the other lumps on her body.

she hasn't been to the vet yet, i don't have any secure goal or bills to share, just my assumptions and beliefs from researching myself online. my parents refuse to take her because we can't afford it. i want to save up money, have it in my bank, and show them that we can help her now, before it gets worse, or it's too late. as i said before, i don't have any income, so the only way i can do this is with help.

here's a link to my paypal.me

the icon is a little mouse, and the @ is rivellon

i struggled so badly posting the first post like this for toos. i felt so guilty and embarrassed and ashamed. but i have no choice again, i want to help jenny. i don't want her to suffer. and selfishly, i can't handle losing another dog so soon. this year has been waking nightmare, and i need your help to stop it getting even worse.

please reblog and share, even if you can't donate.

thank you for reading.

[thehargreevesfam]

is it just me but it feels like five got dumbed down and nerfed the most in terms of his powers? Five didn’t see Ben steal the marigold, he didn’t figure out the CIA was part of the keepers but Luther did? What? No hate to Luther at all, I love that oaf but it doesn’t feel like FIVE!

Not to mention he was the ONLY one whose powers weren’t working or he couldn’t use to his advantage? Like what? Five? FIVE??? He should’ve figured out the teleporting thing. He should’ve figured out the subway. One opportunity I think the writers didn’t use is as the seasons progress five gains a deeper understanding of time travel and he’s able to figure it out more and more, so it comes full circle from s1 when he got stuck in the apocalypse because he didn’t understand time travel, but they don’t do that!! Like is this the same five who figured out what the sigil was in the s3 finale?

One reason I loved five was his intelligence but it doesn’t feel like it in s4

[vwoop-prince]

YJ S3 Dick, still in the midst of his fever dream, hides underneath the 'souvenir' instead of behind some boxes, and accidentally opens the airlock trying to take care of the Parademons. The others get it to close... but not before Nightwing is thrown into space.

There, he stares at the ship holding his friends and mentors. There, he wishes more than anything that he can, somehow, survive. There, he tries to live, if only so his family don't have to bury him like Jason.

There, Nightwing dies, wanting to save everyone, even with the cold seeping into his bones far too quickly for a regular section of space.

Then, Dick opens his eyes to... Earth? There's a little house, and grass, and trees, but there's a bubble of green over it all. Outside of that green was an entire castle, one that looked like it should have far more support beams than it does for even a hope that it stays standing.

And the sky was swirling shades of that same green. It makes him think of Lazarus.

"Well, that's something you don't see every day." He whips his head behind him, a bit too fast for Earth's atmosphere, but it doesn't hurt him. Past the bubble of green was a blue-skinned adult in purple robes, the insides of a grandfather-clock fitted inside their torso, and a black staff with a stopwatch on its top. Beside them was a man with snow white hair, glowing green eyes, a crown of frozen fire dancing above his head, and the most galaxy-like cloak Dick's ever seen clasped to his shoulders. He's wearing... a hazmat suit? Maybe? The twinkling stars and odd lighting of wherever he is were giving him a bit of a headache.

But in front of those two, within this bubble, was...

"DICK!" Wally shouted with unrestrained glee, a blur overtaking his spot for barely a heartbeat before Dick's stuck in a crushing hug that he reciprocates once his brain stops feeling like its melting.

He doesn't know how long it took for them to calm down, but the man with the crown spoke up after a time, as Wally was still wiping their faces free of tears. "Welcome to the Infinite Realms, Nightwing." Dick barely even registered that he was still wearing his suit, but now it felt suffocating. "I suppose you're the one Clockwork was holding out for; There shouldn't've been enough Ectoplasm around you to form a Ghost, and your physical body's still in space. I can see why you like this one, though, Clockie," he states flippantly, turning to his companion. Almost like he didn't expect Dick to pay too close attention to what he was saying.

"Either way, there's two options for you." The man didn't let Dick swallow his tears and question anything. Dick's not sure if he's grateful or not. "First: Stay in the Realms permanently. You'll see Kid Flash whenever you want and learn to be a Ghost with the denizens of the Realms. Maybe find your parents."

"But..." Dick pulls away from Wally, keeping him at arms length, eyes flitting between them. The two outside the bubble were distinctly... ghost-like, so the mentions of 'Ghosts' make sense. But Wally looked... alive. A bit pale, a bit thin... but alive. Dick can't see any of his own skin to see if it was blue or tinted that way, but the Nightwing symbol on his chest kept flickering between its own blue and this 'Realms' green. "But--What about the others? What about you? Why can't you come home?" The last two, he focuses on Wally, because now he can feel a heartbeat beneath his gloves. Wally's alive. He's alive.

His friend just shrugs. "Something about their portals not fit for the living? I'm meant to wait for someone to figure out a permanent portal, but they won't tell me how long that'll take." Wally glares at the... 'Ghosts'? There was a heat to it, but it also seemed like this was a well-worn argument.

"The permanent portal was always an 'if', Wallace West. And that is entirely dependent on if Richard Grayson takes the second option," the clock Ghost--Clockwork?--speaks up. But instead of the adult Dick was expecting, there was an elderly Ghost in their place. Still with the time motif. Was that... more literal than Dick took it?

"Yes, the second option..." The crowned man glares daggers at Clockwork. The temperature dips below comfortable. Dick tries to blink the spaceship and stars out of his sight, withdrawing his arms from Wally to try and warm himself. Tries to remember he's not in space. "The second option is that you return to your body... changed. You'll be able to protect Earth better, stay with your alive family, save the Lost Ones... for a price."

Dick doesn't know if he should ignore the plural in 'Lost Ones'. He doesn't know if he's reading too much into how, in this Realm, apparently only his parents were able to be found. Where's Jason? He doesn't dare hope, but...

"What's the price?"

The man smiles and a ring of blue forms around his waist. It splits in two and travels up and down his body, replacing the cloak and whatever clothes he was actually wearing with a NASA shirt, worn jeans, and red sneakers actually duct taped together. The blue tint to his otherwise tan skin fades completely. His hair turns black. His eyes turn blue.

He was like a taller, slightly slimmer, way hotter version of Bruce.

The man walks through the bubble, but doesn't disturb the grass beneath his feet. "You become the Ghost King's vassal." Dick flinches away and almost hides behind Wally. "Not my idea! But, well... it is either this, or your permanent death."

"What does becoming a vassal do to him?" Wally asks, gently trying to stop Dick from breaking his ribs with how tightly he was hugging himself. Does he even have ribs?

"He gains my powers. Ice, electricity, invisibility, intangibility, flight... He becomes a Halfa. He becomes what I was, in life. Just... needing to make offerings to me, now and then. Something like that, at least. I give him powers, he gives me a chunk of, I don't know, chocolate once a week. Like a warlock."

Wally keeps talking to the man, keeps getting information that he knows he should pay attention to, but something in his chest screams to accept this deal, and he can't focus on anything else.

Nightwing can protect. He can return to life and go back to Blüdhaven, be the Vigilante they need. He can visit Gotham every now and then, help with cases and stop criminals from harming others. He can see his brother. He can see his friends. He can eat Alfred's cookies, and have little get-togethers with Babs and the Team--hell, he can argue with Bruce.

And all he has to do is... give an offering to this guy? The Ghost King? Every once in a while?

"There's no other price?" The King turns his attention to Dick. His eyes had shifted to a blue-green that almost hypnotize him. The green swirls, the blue forms and melts like snowflakes, and he can't look away.

He takes another step forward and Wally steps to the side. There was familiarity between them. Wally deferred to him. Dick can't quite tell why. Though, with how Wally hasn't once looked at Clockwork, maybe it's because he's... grounded? Are all speedsters in trouble with, what, the Ghost of Time? That... actually makes perfect sense.

"I'll be honest, Nightwing: You've impressed me." The weight behind the King's words lifts the ones that've been on his shoulders since he was nine. "You remind me of myself. Maybe, if I wasn't a Halfa... If I had a mentor... I could've been like you.

"Despite Clockwork's insistence over the years that I get back in touch with the living, I've held off. When he eventually suggested that I help create another Halfa, I locked him in his tower for twenty years. I didn't want anyone to go through what I had. But, now... I see that you won't. You can't. Even if you hide this deal--our shared powers... You'll still have people by your side. Strong people. Smart people. You can already handle yourself. And I'd love to see what you can do--who you can save--with my help."

There was maybe two inches between their faces when the King finishes speaking. Dick roves his eyes across the other's face, trying to find the common and familiar ticks that show lies and deceit and manipulation. All he finds is sincerity and genuine care.

Wally plays with his fingers from the corner of his eye, gaze hopeful as he looks between the two of them. Wally, who was alive and breathing and able to leave if he accepts. Eventually. Somehow.

Dick Grayson sends a quiet apology to his parents and hopes they will forgive him for being a little bit selfish.

"I accept."

He flings his eyes open. Above him, domino mask too wobbly to be properly secured anymore, was Robin crying and begging him to wake up. His hands were sloppily placed over his heart. Batman was trying to drag him away, the firm set of his jaw screaming grief.

Nightwing gasps once he registers his lungs burning.

There's a large cacophony of noise, multiple bright suits and people hounding over him, and the distinct artificial taste of slightly-too-much oxygen that the ship with the Parademons had. That he flew out of and died. He was still too cold.

Someone moves their arm beneath his knees and shoulder and Dick passes out.

(Dick 'Nightwing' Grayson dies in space. Ghost King Danny Phantom likes this too-human Hero. They split their souls in half, take one piece of the others, and all they know is that Phantom is now Nightwing's Patron Deity. Danny uses ice, for electricity killed him. Dick uses electricity, for ice killed him. They are opposites, and yet so incredibly similar. Clockwork was looking forward to when Danny starts putting off his paperwork to hang out with his new 'friend'.)