#Negative Ramble

[rxbelling-hxrald]

// So, over the last several days I've tried a bunch of things to try and get something new going, memes, promo, calls, even the interest tracker a few weeks back and I received nothing at all, which kinda sucks and is demotivating honestly.

Sure if people are just plain not interested, cool, but I can't help but wonder if something is up with me? my writing or anything else. So I'm asking if there is some sorta issue you or anyone has in general with me, no judgements would be made, its just for my own sanity so I could potentially improve or at the very least gain a better understanding why no interest.

I won't lie, Im half tempted to just leave tumblr since many if not most of my older mutuals have gone in some capacity now and it lowkey feels like since I'm not part of some already involved group there's just no care/interest in interacting with me. There's no hate based on that thought either, you have the best fun with your best/close friends and mutuals after all. Its a fact. Just feels like the doors and windows to even try spreading are just sealed shut with no interest in most others to try branching outside their own group. At least that's my impression from my time on here over the years.

I apologize for the negative post but it really does feel like that right now, the ever so frequent 0 interest results across the board are just demotivating to me. To those that do still interact with me, know that your treasured and I appreciate you every second for the time spent together. You honestly have been my biggest sources of energy and caused countless smiles when I look at the dash. I've made some good friends on here and I'd like to still keep that contact if possible.

Right now its looking more likely Ill leave and stick to discord if people wanna still chat or RP there. But I dunno, maybe I just need a break? Im just not seeing the likelihood of change however which again is why I fully invite people to be brutally honest with me. If I upset people in some form or you found me boring, whatever the reason if any, I'd love to know it. I prefer harsh truth to silence. You don't learn otherwise.

Thanks for reading through this ramble. Ill stop now. For the time being I'm pausing everything, since im unsure if ill continue or not.

[mariegolddoesthings]

I have been feeling like a mess lately. Sick in the stomach, multiple headaches, and it's not just the current events that are making me feel this way. It's a lot of things in my personal life too, a lot of things that I haven't rambled about.

I've been very passionate about art and I'm attending a concert Wednesday, but I can also hear these voices that keep telling me over that I can't be happy. Like they're using the pain in my head and my stomach as a reminder.

It just hurts. I'll just try to get better soon. That's all I want to be. Happy.

There's also a few hidden messages in the last artwork. See if you can spot them.

[genlossranbooautism]

You use "arospec people can still date and feel romantic attraction " as an excuse to ship cannon aro characters , I use it as justification to headcannon characters who canonically feel romantic attraction as arospec , we are not the same

[fernacular]

Some people on this website wholeheartedly believe a cat will only try to bite its’ owner if it’s under traumatizing levels of stress.

I assure you cats will bite for a variety of reasons up to and including “fun and me time”

[dawnscales]

At work today a guy asked where our travel guides are. I was carrying a bunch of things & on my way downstairs so I could only point with my elbow but basically "that door & then straight to the end of the room, my colleague is there if you need help"

that worked out fine but when i was back upstairs at the library & sat down to continue placing orders he asked again, or rather "I can't find the region I am looking for" & honestly our traveling guide section can be a lot. Also if you don't know that we put some places together, it gets even harder. He was looking for some maps about Bosnia so I showed him.

That's when he saw my star of David necklace & complimented it. I said thanks & got ready to return to my spot. All of a sudden, as I am already halfway across the floor, he yells "Oh & I need something else. I need books about the Nakba. You know what this is, right? The ongoing genocide committed by the Jewish people"

I told him I know what he means & if he could wait a moment. I told my co-worker to please take over as adviser for me, told him what the man is looking for & that we definitely have books about the topic.

It honestly was the right timing because my shift would end in 10 minutes & two girls needed help with books about a topic I just had training for so I knew I could help them real fast.

The man ignored my co-worker & proceeded to follow me, shouting. I informed him that I am currently helping other people & my co-worker can help, he is actually in charge of our history & politics section. I got a "I don't want him. I want your help. You know what is going on, don't you?"

It took me somewhat snapping & more rudely informing him that I am currently busy helping other people & getting a bit louder myself. It also took my co-worker putting his body between the guy & me for him to go quiet & then mutter "so you're fucking busy" & leaving.

This isn't okay. This is antisemitism. I do not wear a name tag that shows I have a name more commonly found in Israel. I do not speak with an accent - yes I grew up the first years of my life in Israel & I have dual citizenship. But he does not know that. All he saw was a visibly Jewish person.

My co-worker had me go to our office & informed me I could leave once he went through our library & made sure the guy wasn't outside. Like sincerely this is fucked up. I want to wear my Star of David, I want to be visibly Jewish. I don't want to put myself or my co-workers in danger.

I didn't realize how much this fucked me up until I arrived home, sat down & suddenly just cried.

EDIT 31.10.24: I want to say even if I was visibly Israeli, even if I wore the Israeli flag THIS WOULD NOT BE OKAY . I need people to know that I actually love my home country - I hate the government but I love the place - I have family there, October 7th was a horrific massacre & my family lost friends that day .

While we still lived in Israel my father often took me along to discussions between Israelis and Palestinians, I was raised to hope and believe in a two state solution in which both Palestinians and Israelis can live in safety and dignity. I still hope in that.

[gophergal]

Guilt tripping people does nothing but cause vulnerable folks to spiral and make folks who dont live with moral OCD feel negatively toward your cause

[lazylittledragon]

good evening everybody you're about to go insane over this job opportunity i just got recommended by one of the scouting sites i'm on

[ineffably-human]

So here's my problem.

And it's not about Nandermo, not exactly anyway. Because I didn't expect Nandermo to become textual until the very end, if at all. The show kept making it clear that they liked their ambiguity to keep the relationship on the razor's edge, and Paul Simms made it clearer and clearer that for some reason (put a pin in this) he just couldn't see their connection as a sexual one.

But I frankly don't care about that, because if anything is canon in this show it's that the vampires will eventually fuck everything, and Nandor canonically fucks his other friends. More importantly, their connection was always the emotional core of both characters. And Paul always did say he saw their relationship as a romance, if a strange and non-sexual one.

So I figured we'd maybe get Nandor confessing that Guillermo meant a lot to him (and immediately walking it back a little), or Guillermo confessing how lost he feels without his vampire dream and Nandor offering him a place. Maybe an ambiguous, could-just-be-queerplatonic-partners 'I love you'. Maybe just the hug they kept teasing for three or four seasons and never got. We got like...half of two of those, in episode 10, so I guess that's a wobbly semi-fulfilled thing by my definition of it.

But it's not the Nandermo of it all. It's the Guillermo of it all. And how this final episode seemed to almost mock Guillermo's place at the emotional core of the show.

And the Guillermo of it all is why we never got the Nandermo of it all.

Shadows has vampires doing absurd-ass things, but every character also has things they want and feel, and there are various amounts of emotional ink spilled about it. The show has found space, sometimes very poignant space, to take that seriously in between the piss and sex jokes. The vampires change very slowly and in spirals, they repeat a lot of their old issues that stem back even to their mortal lives. But they always try.

And things do change in the vampire house; that is not the same household from the first season. Every single character, right down to the Baron and the Guide and Derek, are in different and better places than they were before the show began. They've made progress in their individual desires, and a lot of that is due to the improved connections they have with each other, connections we've watched them foster. A lot of the time it's because they're talked about as a found family, something Guillermo started and Guillermo believed before any of the rest of them did.

---

So where is Guillermo this season? Our human point of view, our dynamic character, the character who has a dream and wants something more than any of the others? Whose dream drives the storyline of the entire show?

Guillermo has chosen to be human, and he thinks he can't be part of the household if he's not a vampire. We watch Guillermo try to throw himself back into the human world trying to make up for lost time - to the point that he forgets the person he called his best friend, the people he called his family, in a way I think we never fully resolve. He thinks he's thriving, and he doesn't even seem upset about leaving the others behind.

We watch him revert (and that's fine, people revert sometimes) to the same waiting lapdog he was when we started the series. We watch him realize that and he says no. Nandor stands up for him, and feels better and more fulfilled in doing so, and that's a great capstone for Nandor and Nandor's own tendency for selfishness. And that's excellent. Episode 10 was a great start for all the ground they had to cover.

Nandor offers for Guillermo to be his partner in crime. His sidekick, but Guillermo expressed that desire back in season one so it's not an insult inherently. But here's the problem. Here's the part of Guillermo that has frankly always been a problem, because I thought it's something the show was eventually going to cover respectfully, and instead it was always part of the joke.

---

Guillermo is someone who made a decision sixteen years ago as part of a very young man's desire, to be respected and have cool powers, to live forever, to see the world. (He somehow thought being a vampire, and only a vampire, could get him those things but that's a rant for another time.)

That young man has grown up. He's in his mid-thirties, he has a body count. We've watched him at various times be empathetic, clever, cunning, and brave. Also extremely sexy in bodyguard gear. (And for some reason, the show keeps wanting us to forget that for a season he was extremely competent and badass and sexy pretty much all the time, and he seemed thrilled to be in that role, and he didn't even care about being a vampire if he could protect Nandor in that way and be regarded as 'part of the team'.)

Then Nandor dresses him in a stupid cowboy costume, and gives him a sidekick name ending in 'Kid', which he seems less than thrilled about. They all still talk about him the entire episode as if he's a disobedient child. The vampires speculate if Guillermo is having a fling with the crew, but no - Guillermo's had one boyfriend, who we saw him hug once and nothing more. Despite living in a house for fifteen years that is openly raunchy and shameless, he seems like a character designed to be both desexed and humiliated, and they never expand on the reason why.

(And if Guillermo were ace it'd be amazing, hell it's my headcanon at this point, but I don't think that's what they're going for. I think the show just desexualizes Guilermo. As a matter of praxis. For some reason.)

And the show has done this more and more to Guillermo in the later seasons. Nandor says he could steal original!Freddie easily from Guillermo if he wanted to. The vampires laugh at the thought of him being a vampire - "a little bat pooping everywhere," and Guillermo's time as a vampire has him basically feeling no different in his sexuality or, after a very brief moment, his confidence. Even Nandor's big climactic moment in Episode 10 has him saying that just because Guillermo isn't as cool or hot or interesting or strong as Jordan (or Nandor) doesn't mean Guillermo deserves to be treated poorly.

Look, I don't know if it's because Harvey Guillen is babyfaced, or because he's fat, or because he carries a different energy to his masculinity. Or because it's great to talk about gay sex and being horny, but writing a gay relationship is just too hard. Or some fun combination of all those things.

But I keep thinking about everyone freaking out when Nandor swooped into the collapsed floorboards to save Guillermo in season 4, and everyone freaked out and swooned. And Paul Simms expressed that as "[Nandor] has to save his little buddy."

Guillermo is a grown-ass man, with a desire to feel powerful and special and accepted, who Nandor sees as his little buddy. (Who everyone in the house sees as their little buddy, and it's nice he's part of the family, but...) After every emotional beat that makes them seem like equals with a special connection, he reverts to the less-cool sidekick who makes Nandor feel special and important. And Guillermo's prior devotion to Nandor - not to vampirism, not to a job or promotion, to Nandor - changes to other things, but Nandor never figures out why that hurts him so much. And for some reason the deepest bond of the series just isn't sexual, the showrunner just can't see it that way, in a house where everyone's fucking but not you Guillermo.

We're at the end of the story, and that's our punchline.

---

And we don't end on one of the points where Guillermo is asserting himself as someone who deserves to be taken seriously, and given the things he wants - and the show has had plenty of those moments, all of which seem to be building and evolving his relationships over the years.

We end on Guillermo being told that suddenly, the documentary is packing up without any fanfare or clarity on what they were looking for in the first place. We get Guillermo stumbling for clarity on what it all meant, what the point was for him and what his life is going to be now. We're told over and over again the documentary (and Guillermo, and the viewers) needs a satisfying capstone, needs emotional closure.

And the vampires tell him to shut up. And they tell him this has all happened before, and none of it is special to them. ("No human is special," Nandor said several episodes ago, and never went back on it.) And they tell him to do a little dance for their amusement, and Colin recites some pithy lines. And every attempt to take a moment to care about Guillermo's journey, or the core of his character and what he needs, is turned into a joke for him and for us.

Guillermo's looking for a point to it all, for some kind of fulfillment, and there wasn't one. And everyone is satisfied in that but him. And even if there were times Guillermo got the chance to be respected, to have cool powers (which he kept, but the vampires keep forgetting them), to live forever (he will die and leave Nandor someday!), to see the world - none of these things are going to come to him now.

It would make absolute, complete, and devastating sense for Guillermo to feel he's outgrown them and to leave. Nandor doesn't even seem upset enough to try and stop him. We never really get a clear reason about why he decides to stay.

I mean, it's for friendship or something, with a line about how they can still be close but he needs 'his own thing'. But in six seasons, over and over and over, we've been driven back to the idea that the most emotional part of this story is Guillermo's desire to become accepted in this family, and the effect he has on Nandor. That Guillermo needs this home and he consistently makes Nandor softer, kinder, less selfish and more fulfilled when they're together.

But those parts of their relationship, the love story parts, don't matter. Guillermo is going to find 'his own thing' when it's been clear how entrenched in this world he is (right down to his DNA), but Nandor will drag him back into shenanigans anyway, probably keeping Guillermo from whatever 'his own thing' is.

And Guillermo will always be Nandor's sidekick, his little buddy, never to be taken seriously. And one day, Guillermo will die, and he'll be someone they all forget. And for some reason, he'll be just fine with that, because he belongs with them but will never really be in a better position.

And he'll be satisfied with that. For some reason. But I won't.

[chronicowboy]

can't wait for eddie to come clean to buck about everything in the diaz kitchen in the dead of night and it's a tough conversation, a little ugly, and the lights are low and eddie can barely look at buck and buck can't look away because how did he miss this. he's always so wrapped up in a relationship when eddie needs him the most and he always ends up missing eddie's declines until he's already at rock bottom. but this isn't about him. this is about eddie. and eddie's tearing up and he's chasing his dead wife who he can't ever get back and he's drowning in guilt and he doesn't know what to do and buck doesn't know what to do either. but he remembers the knot in his stomach and the way it didn't untangle itself until eddie hugged him. so he moves round the island and wraps eddie in his arms and eddie breaks and buck holds him through it all.

[celtrist]

It's okay to be emotional over a ship.

It's okay to be emotional over a ship. It's okay to be emotional over characters. It's okay to share grievances over a ship as much as it's okay to gush over a ship. It's okay to feel so overwhelmingly negatively over a ship just as much as it's okay to feel so overwhelmingly positive.

While it's always going to be better to focus on positives, it can also be just as good to let out any negatives you might have about something rather than bottling it in and, for some, feeling alone in your thoughts about it.

It is so, so, SO OKAY to be so heavy in emotions concerning a ship whether negative or positive because it means you're invested in the characters and their relationships. When spaces seem to allow only positivity when some people might have some negative thoughts on a ship, it really negates any conversations about it and even understanding sides of why someone may or may not ship something.

While understandable, there is a double standard between being negative and positive about ships (or portrayal of characters). If you feel overwhelmingly negative about something, "you need to go touch grass". If you feel overwhelmingly positive about something, "go at it queen". I would personally argue we all need to touch grass.

It is NOT okay to harass others. It is NOT okay to let your emotions dictate that you should attack somebody for LIKING a certain ship or DISLIKING a certain ship. Your emotions DO NOT dictate how OTHERS should feel.

It is okay to be negative about a character or ship as much as it's okay to be positive about them. Neither side of being for or against a ship is more virtuous than the others. It's okay to have some fucking emotions regardless if their positive or not, because it means you CARE about the media and the characters in it.

No, you should not revolve your whole online experience in negativity. Find positive in things you DO enjoy. But to brush off people who vehemently might dislike a character or ship as "losers with no lives" is to disregard a person's emotions on something. And if you do wanna think that mindset, congrats, people who obsessively love a character or ship are just the same by your logic. Obsession is obsession, regardless if it's negative or positive.

TL;DR, If it's okay to be overwhelmingly positive in liking something like a ship or character, it should be just as okay to be negative in disliking something like a ship or character. Just as long as it's not the ONLY thing you focus on and no one is actively being bullied, attacked, or harassed about it. And of course, either way, positive or negative, it is all fiction, and a real person should not be attacked or harassed for it. And if you don't want to indulge in negativity you might have, 100% valid. Both sides always need to take a step back into reality.

[fumifooms]

I don’t like minimizing the importance and gravity of Laios and Toshiro’s fight into just being a childish squabble, even if to a degree it is framed that way, because to both of them it has a lot of personal significance and emotional weight and runs very deep to their characters… The fight isn’t nothing it’s a LOT, they made up but it’s not something easy to express and to get over for either of them which makes it all the more meaningful! I’m on both sides but there very much are sides, there’s no "they’re both having a ball, Toshiro and Laios hand in hand yay" side to the fight, that comes after

The fight with Toshiro WAS very scary to Laios, almost existentially so, but it’s moreso the "I thought I’d made a friend!!" bit and my god. My god actually

Like it’s not "just" about oh his friend liking him less than he thought, THAT IS SO MUCH. It’s a bond he thought he had being a lie it’s all the time and moments spent together either being a lie from his perspective or marred now looking back. It’s not only being upset at Toshiro for lying but upset at himself that he’s so easy to fool, it’s being upset that there’s something so wrong with you that you can’t even tell if your "close buddy" even actually likes you or not, it’s like. Holding my head. He can’t trust his own vision of events that happened do you see. There’s always this film of distrust that it could be a lie that should be there when he interacts with people there’s always this sense of cloak and dagger to expect backstabs out of nowhere because you CAN’T see it coming you CAN’T you CAN’T there’s something about you which makes it impossible so you CAN’T-

He’s so scared of not being able to read people. He knows it’s a weak spot he has, he’s always known. All of these bits are centered around social expectations and betrayals, the assumption that he doesn’t belong either in society or with other humans.

And Laios’ level of awareness is actually sort of complex to analyze, but it’s there, there’s how out of him and Falin he was the one sensitive to the ~aura of hatred~ he felt from the townspeople, there’s of course his nightmares whispering to him about the mocking looks, and how yeah actually he realizes that his gold stripper coworker was taking advantage of him. There’s of course the Winged Lion speech about his trauma and how he fundamentally mistrusts/dislikes humans to some deep seated degree, this distrust that he still keeps under control always. There’s how pre-canon he often wanted to suggest eating monsters but never worked up the courage to bring it up with the others. There’s how he gets across as stoic when he isn’t being enthusiastic…… We don’t know how aware and wary he is exactly in the moment but we do know he has some anxiety around social stuff, and looking back he does notice and aughh augh, the sense you have to hide yourself to not get hurt and be on your guard and shit and.

When you don’t know what to look out for and when to look out for it, the general ‘common sense’ of not always trusting people or noticing when someone’s messing with you becomes hypervigilance in social settings

"Man they really know what you hate huh." Being socially unaware literally plagues him, he knows, he knows it so well.

It’s so quick that it’s almost hard to digest how literal and blatant Laios summoning his monster to crush all the people who’ve hurt him is. His literal go-to coping mechanism for comfort in his literal monster-induced emotionally intense nightmares, saving him by taking away the upsetting element (the humans)

"Monsters are his coping fantasy, where they can whisk him away from humanity, all the hurt it’s caused him and its arbitrary rules" with the subtlety of a brick. Monsters are his comfort safe zone "because they kill humans" yes but no it’s because he pits them as the guardians against humans who to him are in the role of the agressors. To him they represent freedom from the shackles of what it means to be part of humanity, a fundamentally social species

[azulsejos]

s2 + golbetty centric episode prayer circle 🍎💝

[gremlingirlsmell]

imagine concluding from this that transfems have disproportionately bad opinions, instead of tme people being disproportionately blind to transmisogyny

[starry-bi-sky]

i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.

He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.

And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.

And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.

Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.

Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."

There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.

It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.

Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.

At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.

"Do you like to do anything?"

Nothing. Just silence.

Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.

Danny says nothing the entire time, and is again the first to leave.

Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.

And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.

He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.

Danny is dull-eyed and blank faced the entire time; he looks miserable.

So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.

"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"

"Don't."

He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.

Bruce tilts his head, practiced puppy-like. "Pardon?"

"Don't." Danny says, strongly. "Don't make any deals with Vlad."

It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"

The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."

Bruce stares at him, thoughtful, before looking away. "Alright. I won't."

And they fall back into silence.

Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."

He's scampered away before Bruce can question him further.

(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)

At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.

Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.

("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")

(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)

(They are ecstatic to hear from him.)

It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."

The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."

The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.

When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.

Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.

"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."

When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.

Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.

[hoarah-babylon]

Let me switch it up and talk about some lore from the DLC that I really liked

Learning about Marika is the main thing that truly moved me so much. The items and atmosphere (that music!!!) in Shaman Village genuinely brought me to tears. I just wasn't expecting to get such a human perspective of Marika and her actions. Her past doesn't justify her actions during her reign at all of course, but I understand her motivations now and they're just... so human and illogical.

It really resonated with me. I know what it's like to feel loss, to feel like you don't have a home, or that you do have a home, but it will never be the same and you can never return to it. To have this idealised version of it in your mind and have this illogical need to preserve it. I know what it's like to feel guilt and try to right things even though it never can truly be fixed. It re-contextualises so much, and I loved that.

I always said I thought it was wild for her to take the Rune of Death from the Elden Ring, like how could she have ever thought that would work out? It was doomed to fail from the start. But I get it now. She wasn't doing that from any kind of logical thinking - it's all emotion, it's all trauma and grief and wanting to do whatever she could to avoid that loss ever again. Grieving a heavy loss and newly in a position of godhood... of course she made decisions that wouldn't make sense to most. Of course she removed Death as soon as she had the chance, or opportunity.

For me it completely negates any theory that Marika was working with Ranni on the dire plot - this makes The Shattering out to be something that was born completely from grief. She did everything she could, everything within her power to avoid experiencing this kind of loss ever again, and still lost her golden child in one of the most horrific ways possible. Marika started her reign on the premise of emotion and revenge, and essentially ended it for the same reasons. It's great storytelling, comes full-circle and answers a lot of questions I had from the base game! 10/10

[dawnscales]

starring at the news as the eu election results slowly trickle in and ?????? to all the people telling Jews that Jews are safe in Europe (or to go back there) fuck you. Parties that were founded and taught by actual Nazis are winning.

This is not safe for Jews, for queer people, for muslims, for anyone really. This is gross and you all are gross. Also if you didn't go vote because you were disappointed in how the left dealt with things: fuck you this is on you too.