#My friend told me that I never write/think about happy stories about any characters

[mountainsandmayhem]

BDSMaid - Chapter 8

Series Summary: After recently graduating you take what is supposed to be a job to save money before you go back to university to get your law degree. Your best friend offers you a job cleaning luxury homes for clients you’ll never know. Easy. Simple. Mundane. Until one of your clients is home and everything you felt was missing in your life starts to fall into place. This goes against the NDA you signed and you could get fired. Or worse, you could fall in love.  WC: 5.5k TW: I will put them below the cut for those who want to avoid spoilers. This is more of an original character, there have been some descriptions of reader throughout the series. A/N: How can I make a note when I have words?! I'm just so grateful for how many people have fallen in love with this story this year. It's crazy to me that I posted my first fan pic on December 23rd 2023, expecting about 3 people to see it and waking up to 100's of notifications. 2024 has literally been whirlwind, I've made so many wonderful ladies here and have grown more and more confident in my writing abilities. Thank you @lotusbxtch for being my forever beta for this series (probably an unhealthy crutch, but so be it haha). Thank you @for-a-longlongtime for letting me bounce ideas off of you and giving me a new insight to how sweet girl or Joel would think. @mermaidgirl30, @alltheirdamn and @littlevenicebitch69, what would I do if I couldn't scream about this story with you?! Ok eww, I'm done being sappy. Enjoy! Dividers and headers by @saradika-graphics

My Masterlist || Series Masterlist

TW: use of sex toys (vibrator and butt plug)

You

When you walked into your small apartment on Sunday, Odette was wrapped up in a blanket watching TV. She looked you up and down with a knowing smirk. It was pretty obvious based on the way Joel’s sweats and hoodie hung off your body that you were with a man all weekend. So, after she agreed to keep it between the two of you, you told her absolutely everything. It was freeing to finally be able to discuss Joel with one of your friends. The two of you spent almost six hours going over every detail of the last few weeks, and after ordering pizza and splitting a bottle of rosé, you had all the validation you needed. He loves you. And you love him, too. 

As the weekend rolls into the week, you still have not come down from your happy, little Joel Miller-shaped cloud. There’s not a single doubt in your mind that he is it. You have never let your walls down with someone like you have with him. It was always easier to just do it on your own; you could always count on yourself.  For the first time in your life, you can confidently say that you’re ready to let that go. It’s time for you to let someone take care of you for once. When he texts you on Monday to make plans for the following day, you decide that you’re going to tell him how you feel.

When Tuesday finally comes around, you practically skip up to his house. You have a duffle bag of items in one hand: your outfit for this evening, make up, and a change of clothes in case you spend the night. Wearing his clothing home was fun and all, but you won’t be doing any sort of walks of shame again. Clasped tightly your other hand is your company-provided caddy full of cleaning supplies. Just as you’re about to place the supplies on the front step, the large front door opens.

“Hi, Freckles,” Joel's voice coats every inch of your skin in warm honey. He shines an absolutely knee-weakening smile down at you. As per his usual JMKink attire, he’s in perfectly fitted black dress pants, expensive looking black dress shoes, and a pressed, crisp white dress shirt. The sleeves are rolled to his elbows and your mouth waters at the way his bare forearms look.  

“Hi,” you beam up at him, not holding back your ear-to-ear grin as you glow under his attention. “I wasn’t expecting you to be here!”

“I have to leave soon, but I have something for you.” He steps out onto the front steps and grabs everything from you before you follow him inside. You change into the white keds that Jamie gave you on your first day at Maid Discreetly before heading towards where he’s standing in the kitchen. There are three boxes on the kitchen island; two small black ones and one white one that you recognize immediately. He pushes that one towards you first. 

“This is your new iPhone,” he says with a wink and you feel your cheeks flush.

“Thank you,” you say shyly.

He shakes his head, “No, thank you for not fighting me on this. That cracked screen...”

“I know,” you say, raising a hand to stop him. You deepen your voice, “It’s a hazard, sweet girl.”

He laughs like he did that night at the Shibari class, deep and from his gut; it’s the most beautiful sound you’ve ever heard and your heart swells at the possibility of getting to hear that laugh for the rest of your life. “Exactly. These other boxes…well, they’re for you, but also for me.”

You raise your eyebrows curiously as he slides the smaller of the two black boxes across the smooth marble of the island. His bottom lip slips between his teeth as you pull the top off of the first box. Sitting on a bed of white tissue paper is a small metal plug with a pink heart-shaped diamond on the end. 

“Mister Miller! Scandalous!” You gasp, feigning shock and surprise.

He laughs again as he asks, “Is that ok?”

“Very much so,” you respond with a smile before opening the next box, which is slightly bigger than the last. A black, U shaped piece of silicone sits in the box, along with a small plastic rectangle that looks similar to a key fob. “What’s this?”

“That, my sweet girl, is a remote vibrator. I was thinking that maybe you could wear both of those while you clean my house today. I can control that with the remote from a close distance or from my phone anywhere in the world.” 

Every hair on your body stands on end as your clit throbs in excitement. “Yes, I would really, really like to do that!”

“Good girl,” he says with a wink, holding a hand out to you. His fingers link with yours and just the slightest touch from him sends sparks up your wrist and straight to your racing heart. He grabs your new toys and leads you up the stairs. Your giggle is laced with arousal when you come to a stop in his enormous ensuite. After placing the toys on the counter he pulls you in, his free hand cupping the back of your neck before he slams his lips into yours. He kisses you hungrily, and you meet his energy, kissing him back as if you’re drunk with passion. His teeth nip your bottom lip as he pulls away. You’re so insanely, maddeningly in love with this man that you almost forget how to stand as he steps back.

“Take off your pants, sweet girl.”

You do as he says, eagerly unbuttoning your company issued black dress pants before sliding them down your legs. He stops you before you remove your thong, breathing out a heady ‘fuck’ before hooking his thumbs through the bright pink lacy waist band and sliding them down your legs. 

“Put your hands on the vanity and bend over for me,” he instructs with bated breath. He watches your reflection in the mirror, looking right into your soul as always, as you follow his instructions.  

You smile lovingly at him, clocking the way his throat works as he swallows hard at the sight of you bending at the waist, pushing your ass out for him. “Fuck, how did I get so lucky? All of this, just for me?”

“Just you, Joel,” you breathe, slipping your bottom lip between your teeth. 

He slides open a drawer and takes out two small bottles before turning on the water. He pops the top of one bottle, using the contents to wash both toys, then steps back behind you with the second bottle in and the plug in his hands. A warm laugh leaves your lips, “Always so prepared, Mister Miller.”

“With a pretty little thing like you in my life, I better be.” He clicks the top of the lube open as he continues, “Ready? I’ll go slow.”

“Mm-hm, I’ll tell you if it’s too much,” you coo, your body thrumming with the anticipation of his touch. 

“I know you will. No safeword right now, okay? Just say stop, and I will.” He spreads the lube around your tight ring of muscle with his thumb. Every muscle in your body goes slack under his attention and you sigh as your lashes flutter against your cheeks. “Good girl, just relax for me.”

After a few minutes of teasing you with the pad of his thumb he switches to the plug. The cold metal makes you jump. He reassures you by squeezing your hip as he murmurs, “You’re ok, baby.”

He swirls it gently at first, slowly applying more and more pressure before it slips in on its own and you whimper at the feeling. “Does that feel okay, sweet girl?”

“Mmm, yes,” you smile at his reflection in front of you. The amber glow of the LED lighting behind the mirror accentuates the honey flecks in his eyes. Everything about the way he’s looking at you feels overwhelming. It’s like when you first step foot into a hot tub on a cold winter's night. The sting of the swirling water is almost too hot as you sink further in. For a second you consider getting out, but then every single cell in your body adjusts and you can’t imagine not being wrapped in that heat.

“Now this one,” he says, holding up the black u-shaped vibrator. He adds a bit of lube and then guides your hips further back with one hand before kneeling. Your pussy clenches against nothing as you glance over your shoulder seeing him on his knees behind you. He practically whimpers, “God, Freckles, this pussy. She’s so gorgeous.”

A shy smile turns your lips upward. Joel starts to work the toy inside of you and you gasp out a moan. He moves the bulbous head of the toy back and forth until it slips in on its own accord, just like the plug did. Your breathing quickens at the pressure on your g-spot and clit; the toy isn’t even on yet and it already feels so good. Joel’s lips sponge against the globes of your ass, then your hip as he stands. “Are you ok, sweet girl?”

“Yes, Mister Miller,” you respond, your breath catching in your throat as you stand. 

“Good. Now put your clothes back on and get to work.”

Before you can bend to pick up your discarded clothing, he pulls you into his arms and brings his lips to yours. The kiss is so soft that it steals your breath, and you almost blurt your feelings for him right then and there. He keeps one arm wrapped tightly around your waist while the other snakes up your body until his large palm cups the side of your face. This kiss, compared to the one from earlier, is different in every way. Where that one was rough and passionate, this one is gentle and almost lazy; a content moan rumbles from his chest. Before pulling away, his warm tongue swipes sweetly across yours. 

 “See you later, honey,” he whispers, then kisses your forehead and walks away.

Honey, he called me honey. Everything about the last few seconds feels so goddamn domestic, and your potential life five years from now flashes through your mind. 

You're standing in this bathroom, getting ready to head to the law firm you work at. Joel, no longer just your dom but also now your new husband, puts a fresh latte on the counter for you, then helps you with the clasp of your necklace before kissing that sensitive spot behind your ear. ‘See you later, honey’.

The rev of Joel’s Jag pulling out of the garage snaps you out of your daydream. You get dressed and walk back downstairs while opening the Maid Discreetly app. To your surprise, cleaning Joel’s office isn’t the first task. Instead, you’ve been asked to wipe down the kitchen, then vacuum the main floor, stairs and upstairs rooms, and finish off by dusting his bedroom. All of it seems very doable in the next four hours, and just when you think you’ll probably be done early and have time to properly get ready for your night out, Mister Miller reminds you that he has the remote to a very distracting detonator. 

The first few times the vibrator comes on it’s subtle, just a light buzzing against your clit. It’s enjoyable, almost like a tickling massage, but after almost an hour and half of being gently teased at random you can feel your frustrations start to reach a boiling point.

You: Mister Miller, you’re torturing me Joel: Oh, sweet girl. We’ve only just begun. You: *pouts* Joel: That’s not going to get you what you want. Be a good girl and get back to work. I have a meeting. 

You check off the kitchen and main floor tasks and then move to the stairs. You decide to start at the top, sitting on the stair below it and scoot down to save your back. You’re also hoping that the pressure on the toy will make it strong enough that you can finally come. Joel turns the vibrator on again and you whine out in frustration when your plan fails. The slight hum against your clit stops and you mutter something about Joel being a sadistic bastard under your breath and continue your backwards ride down the stairs. As you reach the halfway point the vibrator comes to life at an intensity so strong that you drop the hose of the vacuum and dig your nails into the plush carpet of the stair tread. 

“Oh, fuck,” you breathe, squeezeing your legs together as he brings you right to the edge. Your orgasm builds quickly, and just as it’s about to take you, the vibrations stop. 

Joel: You better not have come You: Please, Mister Miller. I was so close Joel: Not yet, babygirl  

Joel continues this throughout the afternoon. Every ten minutes or so, the black u-shaped torture device inside of you comes to life; always at different intensities and for varying times. 

Torture device might be a bit strong, the discarded box of feelings says from the back of your mind. We both know you’re enjoying it. You don’t know when she decided to come back, but at least she’s keeping you honest. 

It’s been about three hours by the time you get to your last task of the day. The vibrator buzzes gently as you grab a duster and head into Joel's bedroom. You bite back a smile seeing his bed, the white fluffy sheets neatly tucked in. You can’t help but run your fingers across the soft duvet, remembering how it felt against your skin, remembering how he felt above, behind, below and beside your naked body.

Joel: You doing ok? Do you need to use your safeword? You: I’m okay, Mister Miller. I REALLY need to come, but this is the best day I’ve ever had at work.

When 3:30pm hits, you’ve finished everything in the app, and are so wound up from being teased that you’re fighting from taking the vibrator out and making yourself come. Everytime the vibrator comes on, you break out in goosebumps, the hair on your body standing on end, but when he turns it off, your cheeks flush in frustration and a wave of heat rolls through you. You know Joel will take care of you when he gets home and sees how badly you need it. He talks a big game, but you see the way he folds when you beg. 

Joel: I’ll be home in about 40 minutes, Tommy won’t shut up about concrete. You: I need to come so badly, Mister Miller. I’m throbbing, please!  Joel: Soon. Just breathe, sweet girl. You can do this. 

You need to distract yourself, and you know Joel’s office usually gets pretty dusty, so even though it’s not on your list, you grab your cleaning supplies and slowly open the door. It’s as it usually is: small piles of papers on the desk and a few things out of place on the book shelf. You put the books back and dust the shelves, then run the duster over the blinds before cleaning the window.

Joel: Goddamn, he’s still going on about fucking concrete. How’s my baby doin? You: Horny, I’m trying to distract myself

The vibrator comes to life at the lowest setting. Once again, it’s not enough to make you come, just enough to tease and taunt. You could cry at the frustration of it. 

You: That’s not helping, Mister Miller Joel: What’s not? You: Hilarious. Please? Joel: Nope. I love watching you come, hearing the whiny little gasps you make, so not until later

You move towards the desk. Just as you reach to tidy the stack of papers, the vibrations against your clit hit at an intensity you haven’t felt yet today. You fall forward, gasping for breath, as the papers scatter to the floor. You’re about to fall into the pleasure, feel those waves of nirvana that you so desperately need when the vibrator turns off and you’re left with nothing. You bite back an agitated yell. 

Joel: See you in less than half an hour, sweet girl. You better not have come.  You: I didn’t. I promise. 

You’ve never read anything on Joel’s desk before, but you notice a familiar emblem on the first piece of paper you pick up. It’s a short, handwritten note, and as your eyes scan the few sentences, your heart leaps into your throat as your stomach simultaneously falls to the floor. You read through it once and then twice, trying to make sense of the information in front of you. After blinking hard a few times, you read it again. 

You feel like you’re being ripped in two. 

Joel, Thank you for your generous (and anonymous) donation to the law library. I’ll be sure to find her application and review it myself. See you at the club's anniversary party in a few weeks.

You flip the note over and back again, reading it through one last time. It’s not signed by anyone, just black ink on eggshell white, the University of Austin letterhead at the top. The letter and the room start to spin. You stumble towards his desk chair and breathe through the wave of nausea that hits you; your mind reels at what you’ve just learned. Anger, disbelief and sadness all push against your prefrontal cortex, fighting to be the winning emotion. You want it to be anger – anger is so much easier to deal with. Yelling and telling Joel to fuck off would make you feel so much better, but overwhelming sadness and disappointment ultimately become the victors. 

He doesn’t believe in me.

The realization feels like knives along your skin. Everything he said about how you could do it, or that you’d get in…that was all bullshit. He paid for you to get in, and then – and this is the part that hurts the most – he made you believe that you did it all on your own. Your lungs feel like they’re filled with glass as you force yourself to take slow, controlled breaths. 

He doesn’t believe in me.

Tears prickle behind your eyes but you force them back. You will not cry, not when you’ve been through this before and came out stronger. Your parents didn’t believe in you, and you proved them wrong, graduating early and making it on your own in Texas for the last four years.

I can prove Joel wrong, too.

You shut your eyes tight. You don’t need him; you don’t need anyone. But if that’s true, why does his sexy smirk flash behind your eyelids? The glass moves from your lungs to your veins; everything hurts, and you scold yourself for letting him get this intertwined in you. 

Never again, you tell yourself. Stick to your plan. Law school. Get in with a good firm, pass the bar and become partner; then worry about a love life. 

You walk to his bedroom, removing the toys and cleaning them off before changing into the black leggings and beige crew neck sweater you brought. You gather your hair into a claw clip and head downstairs. With your bag by the door and the letter still clutched in your hand you lean back against the kitchen island and wait for Joel. 

He doesn’t believe in me. 

Joel

The drive home feels like it takes forever; granted, Tommy talking about fucking concrete for almost an hour felt longer. At dinner tonight, he’s going to explain from the beginning. He prepares himself for the worst, for your anger or hurt. He won’t be able to live with himself if he’s hurt you, but anger he can deal with. He knows it’s selfish, but you yelling at him over this would make him feel better. 

Finally, he turns into his neighborhood. The sight of your slightly rusty SUV parked on the street spreads a familiar warmth from his heart to his toes. Mine, he thinks to himself as he pulls into his garage. He knows you’re going to be so tightly wound from all the teasing you endured today, and he plans to very slowly unwind you before you go for dinner. The way you fall apart for him is so beautiful, and after almost four hours of being brought to the edge over and over again, he can’t wait to have your writhing and shaking with a simple flick of his tongue against your clit. But first, he’s going to kiss every inch of your skin while occasionally clicking the vibrator on at its lowest setting. He almost trips over your bag as he comes into the house, and when his eyes meet yours, he knows something is wrong.  

“Baby?” His voice cracks in concern at the look on your face. He mentally runs through the rolodex of facial expressions he’s seen from you, and he hates that he can’t place this one; it’s not anger or sadness, and it most definitely is not excitement or curiosity. Your soft lips are turned down in the corners, arms crossed and eyes soft. “What’s wrong?”

Your arms uncross and you hold out the letter he should have shredded weeks ago.

His stomach does a free fall. Disappointment. The look on your face is disappointment, and that is so much worse than anger or sadness. 

Fuck. 

You

Joel walks towards you with slow, measured steps while carding a nervous hand through his curls. You force yourself to continue breathing, fighting against the tears that threaten to appear. He takes the letter from you and rips it in half; you drop your eyes, watching as the two halves of paper flutter to the ground and then slide away from each other along the marble. You shake your head at the symbolism of it, hugging your arms tightly against your body again.

“I thought you believed in me,” you say, trying not to sound as gutted as you feel. 

“I do, sweet girl,” he says, stepping so close that his black leather dress shoes line up with your socked feet. You look up as he continues, “I swear I do. You - you got in on your own. Please, just let me explain.”

His eyes line with tears and moments that you overlooked over the last few weeks playback like a movie. The first day in this kitchen he said he knew the dean of admissions. The flash of anger when you went to the Shibari night and his response of “all of them?” when you said you didn’t get in. The way he insisted you open the letters before the anniversary party. He knew, he fucking knew all along that at least one university would accept you. Dread settles in your stomach, turning the shards of glass under your skin to icicles. Berkeley.

“Did you pay off Berkeley, too?”

“I didn’t pay anyone off.” He’s calm but firm in his response, which just seems to piss you off more. 

You roll your eyes, gesturing to the ripped paper on the floor and scoff. “Did you pay off Berkeley, Joel?”

The two of you stare at each other for a few heartbeats, and you don’t back down as more tears gather along his bottom lash line. He shakes his head in defeat, burying his hands in his pockets and breathing slowly a few times before whispering, “No.”

“Why would you do this to me? This could have ruined my entire career.” You try to keep your voice calm, but how dare he stand in front of you holding back tears. 

“I’m sorry, sweet girl. I wasn’t - I just…I’m sorry,” he flounders.

“Why, Joel?” Your eyes dance along his face. You aren’t sure what justification you're looking for or hoping for. The dream of staying here died the moment you picked up that note, but you can’t go to California without knowing why he did it. 

He opens his mouth, shaking his head slightly and then closes his mouth. He takes a deep breath through his nose, blinking away the tears. “Because I don’t want to lose you, Freckles. I should have told you, I was going to tell you tonight. That donation isn’t the reason you got in…you did that on your own. I just…well, I just sped up the process. And I’m so sorry you found out like this.”

You scoff again. “I thought my consent was the most important thing to you.”

His eyes widened in shock. “It is, sweet girl.”

“I didn’t ask you to meddle in my life, Joel. And I certainly didn’t ask you to speed along the process. What happens if I become a Supreme Court judge and someone finds out that you bribed a university to get me?” He goes to speak, but you raise a hand to stop him and continue. “And don’t tell me that you didn’t bribe anyone, because that’s exactly how this looks and you know it. You wouldn’t be looking at me like a guilty puppy if you thought what you did was right.”

His hands come to cup your face. The warm coffee eyes that usually dance rhythmically around your face are replaced by shifting dark glass beads laced with fear and loss. The warmth you normally feel when he touches you is gone. His eyes flick to your lips and then back to your eyes before he speaks. 

“Freckles, I lov-”

Your still raised hand covers his mouth, clamping tightly to his face to stop him. 

“Please don’t,” you whisper, swallowing the lump in your throat and keeping your palm pressed to his soft lips. Your heart pounds behind your ribs in response to what he was about to confess. If he tells you what you so desperately wanted to hear just hours ago, you know you’ll crumble. You’ll let him take you up to his bedroom and apologize in a way that only he can. You’ll spend the night planning how you can do long distance while you’re in California. You’ll let him interfere with the plan…again.

“Don’t say that to me right now, I can’t hear that.”

He nods into your hand slowly, his eyes soften, and you try to memorize every bit of amber in his otherwise black brown eyes. This will be the last time he looks at you like this, and the realization seems to suck the air out of the room. You wish you could bottle up how it makes you feel when he looks at you like that; the way it comforts you and shuts off the narrated to do list in your mind that’s always growing in your mind. 

“Joel, if…if you feel that way, then you’ll let me go,” you tell him, voice just above a whisper. He lets out a shaky breath through his nose, the heat of it warming your hand. One of his hands leaves your face to wrap around your wrist, but he doesn’t pull your hand away or step back out of your grip. Instead, he runs his thumb in small circles along the soft, smooth skin there, and you swear you can feel the whorls of his thumb tattooing themself on you, trying desperately to stay with you forever. 

“You’ll understand why I have to go to Berkeley now,” you continue. “I have been working so hard for this. And for years, I have been doing it all on my own. I’m so close, Joel…so close to finishing what I started when I was, like, seven years old. So, please, I’m begging you…please do not finish that sentence.”

You drop your hand from his mouth, his grip going weak as he lets you slip out of his grasp. He looks small, almost deflated in front of you as he stumbles back a few steps. The silence between the two of you feels heavy. 

It’s over. Whatever this was, or could be, is over, and you both know it. 

When he finally speaks, it’s a sad whisper. “What about when you’re done?”

“A lot can change in three years, Joel,” you respond, mostly to extinguish the flicker of hope in your chest. It’s better for you to push him away now than to hope that he’ll be there when you graduate. No one has ever been there for you, and this is proving to be no different. You step around him and head to the front door, biting down hard on the inside of your cheek as the tears threaten to reappear while you get your shoes on. 

“Freckles, wait.”

You close your eyes, facing the door with your hand on the matte black knob. His dress shoes click on the shiny marble before his large hand comes to rest on the door beside your head. This is the exact position you were in after accidentally catching him in his office. You keep your eyes glued to the door and after a sniffle, a quiet clearing of his throat and a whispered, heartbreaking ‘fuck’, he continues. 

“I really am sorry,” he says, his voice hoarse. “This is not how I wanted this to go, but you know what you need and I respect your choice. These last few weeks have been so much more than I could have imagined, more than I deserve. You have brought me back, sweet girl. I know you probably don’t believe a word of what I’ve said tonight, and that’s ok, but with you, I felt that pull that I’ve been waiting for. I felt it the minute your cleaning caddy fell to the ground and I locked eyes with you. If you were anyone else, I would have let you run out of here and then had you fired. I chased you and I’ve been chasing you ever since, even though I know you are meant for more and that this could only ever be temporary for you. This was always going to be the end for me and a well-deserved, hard-earned beginning for you.”

He takes a shaky breath in and you open your eyes, but you don’t look back at him. “Regardless of all that, I meant what I said in my office that day. Starting this with you would be it for me. A lot can change for you in three years, and I want you to experience everything in California. But for me, it’s you. It will always be you.”

Your chest feels like it’s going to cave and your knees threaten to buckle. “I have to go, Joel,” you grit out, forcing your voice past the boulder that’s formed in your throat.

“I know, and I’m so proud of you, sweet girl,” he whispers, dropping his hand and stepping back. The heat of his broad body and leather-and-ash scent disappear from behind you, and it feels like you’ve been plunged into freezing, uncharted waters. 

You get in your car and drive, unsure of where your final destination will be. After driving around Austin for a while, you find yourself parking outside of the Maid Discreetly office. You take a minute, deciding what you are and aren’t going to tell your best friend before heading in. Jamie’s office is impeccable as always, not a single smudge on the glass desk as she types on her laptop, looking effortlessly perfect.  

“Hey, babe!” she says with a smile as you cross the threshold.

“How’s your dad doing with the California office?” you say, trying to act casual.

“Oh my god!” she practically shrieks as she jumps up from her chair. “Did you get into Berkeley?”

“That depends,” you say, raising one shoulder. “Does he have a job for me there?”

“Holy shit!” She runs around the desk and wraps you in her arms. How she can move like that in stilettos is beyond you.

“Careful, you’re gonna break an ankle,” you deadpan. The weight of what just happened with Joel almost dissipates. Jamie pulls back to look at you, her eyes scan your face and you feel exposed.

“Why aren’t you more excited? What’s wrong?”

Shit. 

A sob leaves your throat and you collapse into Jamie’s open arms. She pulls you into her office with one arm and closes her door with the other, then leads you to the couch along the far wall. As soon as she gets you seated, you manage to explain everything between sobs and very unattractive nose blowing.

This is supposed to be one of those exciting moments of your life. You did it: you got into the school you always dreamed of and you're moving to California; a place you always felt most at ease in. Yet, it’s all clouded over by having your heart wholly shattered by a man that you actually thought was going to be the love of your life. Someone who showed you he cared, showed you that he’d always be there. 

But it was all a lie. 

[itwasntimethatdidit40]

Merry Christmas, baby.

Pairing: Marcus Pike x f!reader Rating: just a little tiny bit of smut so still +18 but it’s mostly a huge pile of angst and fluff soooo Words Count: 10669 😵‍💫 Tags: POV second person, reader wears dresses, skirts, blouses and heels, she uses make up, she’s a journalist and a writer, no physical description of her is given besides having hair, angst, fluff, friends to lovers, slow burn, loss of a parent, infidelity, divorce, mention of food, alcohol consumption, both reader and Pike are bad at feelings, swearing, slurs, dirty talk, quarrels, reconciliations, funeral, sharing a bed, kissing, sad thoughts, casual encounters, mention of coffee, mention of spring break activities, geography probably a bit random (but I looked at the maps, don't jump down my throat, I did research and I've actually been to Boston many years ago, I tried my best lol), brief mention of Teresa. I hope I haven't forgotten anything, if so I'll add it immediately. A/N: Written for @pedrostories Secret Santa event, hello @letsgobarbs, I’m your Secret Santa! 🤶 Happy Christmas Eve, I hope you'll have a wonderful holiday season! 🎄 I hope you enjoy this story and I hope you find the angst, yearning and pining you wanted. Among the characters you had indicated as favorites there was Pike and I liked the idea of ​​trying to write him for the first time, he is so sweet and cute and he deserves to be happy, I hope I gave him an ending worthy of him 🥹 I apologize if you find any mistakes, English is not my first language and I don't have a beta so I did it all with just one pair of stupid and tired eyes 😵‍💫

A huge thanks goes to all the lovely people who supported me through the process while I was having a full crisis about everything in this fic 😂 @baronessvonglitter @almostempty @arcanefox207 @joelmillerisapunk I love you all, happy holidays 🥰

1990

“So what do you think?” 

“Um...you're good” You've just heard the ugliest Take on Me cover ever, but you can't tell the guy standing in front of you and looking at you with hopeful eyes. 

Marcus is your best friend, you've known him for a couple of years, since both of you were two dorky freshmen at your new school. You were looking for the literature room and wandering lost in the hallways when Marcus asked if you needed help. You bonded right away because you didn't know anyone else, you had just moved to Sacramento because of your father's job and he was from Texas, so it had seemed natural to lean on each other.

Over time you had become such good friends that he had met your parents, he would often stay for dinner, and your dad would let him use your garage to rehearse with his band. 

Marcus had put up flyers at school and enlisted two other boys, Timmy and Dave, who became the guitarist and keyboardist of Rocket Baby Doll. The name of the band was terrible, they were terrible, but you had never had the courage to tear them down in the face of Marcus's enthusiasm, he was sure that by continuing to rehearse they would make great progress. 

With his smooth talk, Marcus had managed to convince the committee to let them play at the freshmen's Christmas dance.

“You'll see that one day we'll be on the cover of Rolling Stone,” Marcus joked. Or at least you hoped he was joking because otherwise you wouldn't know how to talk him out of it. 

Marcus was a dreamer and he liked to do it big. He wanted to be a musician, or maybe an FBI agent, he told you. Two careers that had nothing to do with each other, but you knew that if anyone could afford to have ambitions it was him. Marcus was tenacious, persistent, dedicated, and never afraid to work hard to get what he wanted.  He certainly wasn't going to end up on the cover of Rolling Stone, but in your heart you were certain he was going to accomplish something important.

He was the kind of boy mothers liked, in fact yours loved him. When you needed math tutoring, he would come to your house totally for free and explain whatever you didn’t understand.

When Molly Preston wanted to exclude you from the winter dance because her ex-boyfriend, Ryder, had asked you out, he had been the one to give her a speech.

When you had a bad day Marcus would take you to get your favorite ice cream, you would talk for hours, and in the end he was the only one who could cheer you up.

Whatever problems you had, Marcus was there for you landing an helping hand. 

You knew your mother not too secretly hoped you would get together but it never happened, Marcus was your friend, just a great friend.

“Come on, my mom made cookies for everyone,” you told him as he continued to fantasize about what you might do. You would be their manager and you would both become rich and famous. He just couldn't keep his feet on the ground, even though he was a very good student and even had better grades than you.

You were 17 years old, your whole lives ahead of you, and you hoped that you will remain friends for many years to come.

_____________________________________________

1993

“What do you mean there is only one room available! We had booked two!” 

Marcus had yelled at the front desk of a motel where you stopped for the night. 

The owner, a rather creepy guy with a long scar on his right cheek, slumps in his shoulders, heedless “If you want number 12 is free, otherwise you can take your asses somewhere else for all I care.”

Marcus was fuming. 

It was spring break, any hotel was totally booked, and the possibilities were already significantly reduced given your pockets. 

You didn't even want to come; you had just broken up with Derek, your college boyfriend, and were back at your parents' house with the intention of spending your vacation there healing your wounds. Vegetating on the couch, reading books, watching movies, just relaxing. That was what you wanted to do. But Marcus had insisted, “Erik, Alice, Kate and Robert are in San Diego, let's join them!” 

You had shaken your head and declined “No way, I've seen enough wild college parties and besides, I'm not really in the mood.” 

“Oh come on, you don't want to spend Spring Break crying over that jerk,” he had said, shrugging and looking at you with his big brown puppy-dog eyes. 

“Marcus, I really don't feel like it.” 

“Come on, please do it for me! You'll see we'll have fun, they're nice!” Surrounding yourself with drunk and stoned 20-year-olds was the least of your desires. 

But on the other hand you felt you couldn't say no to him, it had been months since you had seen each other, your relationships had been reduced to long letters and phone calls telling each other about each other's schools.

You had chosen different colleges, Marcus had been accepted at Berkeley in California and you were at Boston University. You had changed coast, climate, everything. You were content but adjusting the first months had not been easy, you felt homesick and you missed your best friend. You were happy for him, you had known since your senior year that you were going to separate but that hadn't made it easy for you. 

You had only seen each other in person at Thanksgiving.

He had been forced to go to his relatives in Nevada for Christmas.

So you got dragged down to San Diego, because deep down Marcus was right, brooding all vacation about the relationship with Derek would not be good for you. You had had other guys before him but Derek had been special, until you found out he was cheating on you. You cried for hours on the phone with Marcus and he listened to you the whole time so maybe you owed him a little too.

After insisting on getting at least a room refund, Marcus had turned to you displeased “apparently we have no other choice.” 

“We'll adjust” you had smiled, but you couldn't deny that you were a little nervous. 

Once in the room he, too, seemed self-conscious. 

There was a double bed with a hideous floral bedspread in the middle of the room, brownish carpeting on the floor, dingy pictures hanging on the walls, and an old dresser on the opposite side of the bed with a rickety TV on it.

A smell of cheap deodorant with a musty undertone wafted around. It was the worst room you had ever set foot in, but at this point there was nothing you could do but make it okay. Sleeping in the car didn't seem so appealing.

You had set your bags down and looked at each other awkwardly “This room is awful,” Marcus had whispered, rubbing the back of his neck with his hand “I'm sorry, it didn't look that bad from the brochure.” 

“It's not your fault, I bet those pictures were taken at least 20 years ago” you had laughed ”it will do for one night” 

You had retrieved your pajamas from the suitcase and went to the bathroom. The light blue tiles made it look like a hospital, there was an old plastic curtain in the shower and the sink looked like it had been through a war but at least it looked clean. There was a strong smell of disinfectant that made you a little nauseous. You had changed quickly and returned to your room to Marcus who was sitting on the bed intent on calling his parents “Yes mom, everything is fine, we will be back tomorrow. Yes, sure, don't worry I'll definitely say hello to her, she's in her room now” You had noticed that he had not said anything about your misadventure, you had sat down smiling on the opposite side of the bed trying to be silent. 

Marcus had rolled his eyes closing the call “she is so old-fashioned.” 

You had laughed “I find her lovely” 

Marcus had chuckled “we'd better sleep, we have a lot of driving tomorrow. Are you okay with that side?”

“Yes, it’s fine” you had nodded ”however I'd rather get this bedspread out of the way, it gives me nightmares even when awake” 

Marcus had observed it agreeing that yes, it was rather eerie.

You had taken it off and laid it on the dresser before slipping under cold, scratchy and wrinkled sheets.

You looked at each other and burst out laughing, the situation was comical to say the least. “God, I think I won't forget this bed for a long time,” Marcus had said. 

“It feels like being in a burlap sack.” You had laughed.

“Could you not squirm like that?” 

“Sorry, I'm just looking for ways to be comfortable,” you had said, ”Mattress is lumpy.” 

You had laid on your side with your back to him and closed your eyes, trying to sleep. 

“So, did you have a good time?” you had heard Marcus whisper.

“Yes” you had replied “thank you” And it was true, his friends were really nice. You had bonded with the girls and exchanged addresses and phone numbers “you were right, I needed a vacation”

“I know, I'm always right” he had sentenced from the other end of the bed.  

You had turned to look at him "oh sure, like the other night when we ended up at that beach party and you said it was allowed and then we had to run away because the police were coming?”

“It was just a little misjudgment!” He retorted.

You had burst out laughing again “come on, sleep, Mr I know everything”

Marcus had turned off the lamp on the bedside table, next to the phone with which he had just called his mother “Hey...I need to tell you something” you had heard him say. 

“What?” the tone had suddenly changed and you felt confused, you looked over your shoulder at him in the dark. 

“I kissed Alice the other night” he seemed awkward in telling you and you didn't understand why.

“Oh. Well, good for you. She's a lovely girl” he was your friend, you were happy for him. 

If it weren't for the fact that you secretly hoped he would kiss you. You'd been thinking about it for a few days, ever since you'd seen him come out of the water while you were at the beach.

It had seemed to you that everything had started moving in slow motion, your eyes glued to his tanned skin, to his broad shoulders, to the way the water slid over his chest in little droplets that died on the waistband of his swimsuit. It was a feeling you had never experienced before in five years of knowing him. You had never seen Marcus as anything more than a friend, but in that moment, with his hair disheveled, his skin wet, a smile plastered on his face as he told you and the others that ocean was great, he had seemed like a vision, and you had felt your cheeks heat up. 

Where on earth that attraction came from you didn't know, but it had hit you hard and clear, like a bump on the head that had suddenly awakened you. You had convinced yourself that your brain was doing this to protect you from painful memories with Derek, lingering on your closest friend who had never let you down. Your trust in men was at its lowest, and Marcus had always reassured you, kept you out of trouble, and he was most reliable guy you had ever known.

He said he would do something and he always, unfailingly did it. You could not say the same about Derek or any other guy you had ever been with.

You had tried to chase that feeling away, burying it in the corner of your mind for all the following days; you didn't want to ruin the friendship between you, and you were pretty sure he didn't feel the same way about you.

Sure, you thought you kissed him on your 18s birthday while you were drunk, but the next morning you were so ashamed that you hadn't even told him about it, pretended you didn't remember anything and that it had never happened. Marcus had done the same, and everything had ended there. Two years had passed since that night, you had gone to college, you had both had more or less long relationships.

That one kiss was now so far away that you had listed it among “once-in-a-lifetime mistakes.”

"I wanted to tell you, that's it. Friends tell each other everything, right?"

“Yes, of course, you can tell me anything, I’m happy for you” you replied 

You had listened to Marcus talk about the girls he liked dozens of times and you had never cared, you would have certainly forgotten it, it was just a passing crush, you told yourself. That annoyance you felt, that bitter taste in your throat, would disappear after a night's sleep. Your friendship was more important, you wouldn't have ruined it just because your brain had thought it interesting to make it something more.

Yet when you had tried to sleep all you had seen was Marcus kissing Alice. You had not seen them, fortunately, but it was not a hard scene to imagine, and unfortunately it was now implanted in your brain. His strong arms holding her, his soft lips resting on hers, her surrounding his neck with her arms, her pelvis rubbing against his. Suddenly you couldn't stand it. You had narrowed your eyes, cursing your creative mind, grunting in frustration. 

“Hey, is everything okay?” had asked Marcus from the other side of the bed.

You had lied, of course, but you had kept brooding until you fell asleep exhausted by the workings of your brain.

In the morning you had woken up confused, not at all rested, and in his arms.

Your face was resting on his chest next to your hand. How had you ended up there like that? You didn't know. You felt like you didn't know anything anymore. 

He was blissfully asleep. He seemed unaware of anything as your throat was dry, your head ached, and your pussy throbbed. Yes, throbbing, desperately. The warmth of his body, the scent of his skin, that knowledge you felt inside that this was exactly what you wanted and you couldn't even quantify how long you had wanted it.

And the panic that had seized you immediately afterward. You were convinced it was a mistake, the most terrible mistake you could make. So why did it feel so right? Why did his body feel like it was made for you? Oh no, no you couldn't allow that. Certainly he had no idea whatsoever about the situation, there was no way he was aware and let you do it, it was all your fault. 

You were going to ruin everything, your friendship, your relationship with the one man who really seemed to understand and support you. And for what? To fuck him once? It wasn't going to work between you romantically. You were going to have to spend two more years away seeing each other only during the holidays to begin with, and then you were both stubborn, too proud...no, it was wrong, you didn't care what your body told you, you had to let your brain prevail.

You slowly slipped away, back to your side of the bed, practically holding your breath, cursing yourself and your heart that wouldn't stop hammering in the middle of your chest.

He had woken up shortly after, acted as usual, getting up, stretching in his T-shirt and basketball shorts, mumbled good morning to you and locked himself in the bathroom. 

Your eyes had slid lasciviously over his body, stealing glances of his exposed skin between his T-shirt and shorts, of his broad shoulders stretching the fabric, of his thighs...

All while you wanted to sink into a black hole and disappear forever. You sank your face into the pillow to keep yourself from screaming. 

And what was worse was that you had to carry the burden of what you felt alone because the person you would normally talk to about it was the one you were longing for. Wonderful, a wonderful situation. 

When he had come out of the bathroom, with his beautiful smile and that rough voice that he always had early in the morning you almost lost control. You were about to beg him to join you in bed. Ugh, your 20s, uncontrollable, stupid, senseless hormones.

“What are you waiting for? Come on, go get dressed, we have to leave,” he had told you, in the same friendly and vaguely mocking tone as always. 

“Oh. yes, thank you, I promise I will be quick.” You had stammered.

You got up, grabbed some random clothes from your suitcase, your beauty case and went to the bathroom to shower and change. He would be ready in 10 minutes at most so he would always let you go to the bathroom first, to give you time to do your makeup and fix your hair. Marcus knew that about you, too, and he was okay with that. 

You closed the door behind you, feeling the tears stinging your eyes. You had managed to hold them back until that moment, but in the shower, covered by his of the water, they had flowed copiously and salty down your cheeks. 

____________________________________________

2000

“Hey! How are you! My goodness, long time no see!” 

You had met him at the supermarket, as you were going around the shelves intent on shopping for your mother. 

You were back at your parents' house for Thanksgiving with your husband, John. 

The last person you thought you would see was him. 

“Marcus!” you had squeaked.

“I am fine! How are you? And Danielle?” 

Your mother had taken it upon herself to inform you that he had also married, had no children, and had become a detective. 

“Danielle is just fine, she is right there down the aisle picking potatoes according to my mother's exact instructions,” he had rolled his eyes, chuckling.

Damn, you had thought, he's breathtakingly handsome. 

You hoped that in all the years you had lost touch with each other he would have lost at least some of his hair like his father, but apparently he had not inherited that gene. His hair was thick and healthy as usual, he wore a gray T-shirt under a black leather jacket and a pair of dark blue jeans. You hated the way he could put on two random things and look so damn perfect while you felt like you had spent your whole life in front of your closet wondering what to wear. And even more you hated his smile, so friendly and sweet, that it hadn't changed at all. 

He seemed genuinely glad to see you. 

You had lost touch with each other after graduation, despite the advent of cell phones, computers, and email. Your friendship had survived handwritten letters, postcards, prepaid phone cards but still crumbled eventually. You were on the opposite coast, intent on your master's degree, dreaming of becoming a writer; he was hooked on a career in law enforcement. 

The letters had become fewer and fewer, as had the phone calls, and eventually what was there had simply slipped away as the months passed, the commitments increased, and each of you tried to become the adult you had dreamed of being.

You had thought it was much better this way, you had stifled your feelings for him for another four years before accepting that nothing would ever happen. You had dated other guys in the meantime, but Marcus had always remained in your mind as the perfect guy you could never have. It was only when you had met John that you had allowed yourself to think that maybe it could work with someone who was not your old friend. He was understanding, sweet, supportive, present and caring with you. John was a really good guy and so you had finally decided to marry him. He had asked you one spring day at the Public Garden, while you were eating a lobster sandwich under a tree in front of the pond, watching the swans. Your offices were close by, so you tried to spend your lunch break together as often as you could. You had gotten a job at the Boston Globe, were in charge of the wedding column, and wrote romance novels in your spare time, sending manuscripts left and right in the hope that some editor would notice them. John was a stockbroker, pragmatic, punctual and very thorough in his work as much as he was sweet and attentive with you. 

“How about we get married?” he simply had said to you, with his mouth full. You had laughed, thought he was joking, until you noticed his serious and hopeful look and exclaimed “oh my God, yes!” throwing your sandwich in the air and wrapping your arms around his neck. That was all you wished for. You had moved in together in a beautiful house downtown, not very big but lovely, you had fallen in love with it as soon as you saw it. It was bright and warm, the right place to start your life with John.

You had, of course, sent an invitation to Marcus as well, but he had declined, saying he was very busy with work. You had kind of tied it on your finger and so you had decided that he might as well get out of your life after all. Times change, people change, all I can do is move on and try to forget how I feel about him by devoting myself to my relationship with John, you thought.

Now that you had him in front of you again though, he looked the same as he always did, only grown. And your heart had skipped a beat the instant you recognized his voice greeting you.

“How long do you plan to stay?” you had asked out of pure courtesy. 

“About a week, we were able to take a few days to relax a bit. We're always working like crazy, you know, we both needed to get away for a while. How about you?” 

“Yes, us too, by the way if you remember Sunday is my father's birthday and my mother really wanted us to be there.” 

“I guess. By the way, I'm sorry. My mother told me when we arrived.” 

Your father had been ill for several months and unfortunately there was little left to do at that point. He was slowly fading away and it would probably be the last Thanksgiving you would spend together.

“I thank you. Oh here's John. John this is Marcus, an old friend of mine. Marcus, this is John, my husband.”

“Nice to meet you, Marcus,” John had said, shaking his hand. 

“Honey, I'm done, shall we go?” had chirped Danielle's voice as she approached you. 

“Yes love, but first let me introduce you to an old friend of mine and her husband” Marcus had told her softly. 

“Oh it's you! Marcus has told me several times about you! It's nice to finally meet you in person.”

Danielle was beautiful, dark hair, blue eyes and delicate features, a little nose that looked as if it had been drawn by an artist, full lips, high cheekbones and a well-proportioned chin. Her voice was melodious and sweet and she looked at you with an excited and surprised expression, " He didn't tell me you were so pretty!" 

“Oh, thank you, you are too,” you had said, slightly embarrassed by such kindness. At that point John had held you proudly, as if you were his greatest prize. His arm had wrapped around your waist, and his eyes looked at you lovingly "didn't she? I'm lucky that she married me." 

Danielle had laughed graciously and shook his hand introducing herself, while you and Marcus looked at each other almost studying each other, as if you were both trying to figure out how happy you actually were in your marriages.

That habit of worrying about each other had not gone away; after all, you had been close friends for quite a few years, and your friendship had faded not because of a quarrel, but because of distance and becoming busy adults. And because you had to get over the crush you had on him, of course, but you had never told him that. 

“Well, we have to go now, anyway come and see us if you can. My mother would love to see you again,” Marcus had said before offering to push the cart full of food that his wife had left beside you and start toward the checkouts. 

“We'll try, thank you,” you had nodded. You definitely should have helped your mother, tried to soothe her at least a little from the strain of caring for your father 24/7; you didn't know how much more time would be left for other things. 

You had watched them walk off together from behind, down the canned food aisle where you had retrieved the ready-made cranberry sauce you would never have time to prepare. 

They were a good-looking couple, really, attractive, well-dressed, Danielle looking impeccable in a pair of jeans that bandaged her while highlighting her curves, a red blouse that matched her complexion, and a pair of vertiginous heels on which you didn't even know how to walk. She seemed to do it without any problem. 

“We should go too, honey” John's voice had brought you back down to earth. 

_________________________________________

Once home John had announced to your mother that you had met your old friend at the supermarket, and of course she was thrilled, “Oh, he's such a nice guy, I saw him and his wife the other day walking downtown, they are such a nice couple, aren't they?” 

John had agreed, taking a beer from the fridge “really” 

“Well, like you, of course” your mother had added, looking at you softly. 

And it was true, you were fine with John, he was a good person, a hard worker, he treated you like a princess. What more could you want? 

Yet since you had seen him again, Marcus's face had made room in your mind. The intrigued way he had looked at you, as if trying to understand everything that had happened to you in the years you had not been in touch, the way his arms were reaching out to embrace you when John had arrived, a barely imperceptible movement that only you had noticed because you knew him better than the palm of your hand, the dimple that had popped up on his cheek as he smiled at you, the usual one you had grown to love so much.

You had pinched the bridge of your nose as you tried to drive it from your mind “Are you okay love?” had asked John immediately. 

“Yes, I just have a little headache, I'll get something later,” you had lied, hurrying to put away the rest of the groceries. 

What annoyed you the most was that it seemed like not a single day had passed since you were in your twenties and you had woken up hugging him in the bed of that dingy motel. It was absurd. You had worked so hard to move on and now it felt like you were back where you started. 

You couldn't let that happen, you wouldn't let your marriage be disrupted by a casual 10-minute meeting with him. 

You would not have gone to his house, no matter how much you would have liked to see his mother who had always been so kind to you. 

You had other things to think about anyway; your father was stuck in a hospital bed that you had managed to get him to be more comfortable. He had been put in the guest room on the ground floor, next to the bathroom, he couldn't do the stairs, and it was also easier for your mother to accompany him. The strong and generous man he had been was wearing out before your eyes, and it was a terribly painful image. You knew he had little time left, and you didn't want to waste it chasing the ghosts of the past when you had a husband who was helping you and hugging you every night trying to lessen your pain. 

Your Thanksgiving dinner had been unique to say the least, each of you shuttling from the dining room to your father's to spend some time with him, making sure he had everything he needed, helping him eat and drink. You had marveled at how gentle and patient John was with your dad, the big man you had married, one with two shoulders like a football player, feeding your father fruit jelly almost more gracefully than you. 

You knew how fond he was of your dad, they had hit it off right away, but you didn't know how much he was willing to sacrifice for him. You were moved.

___________________________________________

Your father was gone four days later. You and John were supposed to leave for Boston the next morning instead you had to call in to work, cancel your flight, call your trusty neighbor Marge to ask her to look at your house, pick up your mail, and water your plants. 

You were crushed and at the same time overwhelmed with bureaucracy so you couldn't stop. You had forgotten to eat breakfast that morning, got dressed in a hurry to go to the funeral home to deliver the suit with which you had decided to bury your father, then went to do some paperwork with the insurance company and finally to the church to arrange with the pastor the time of the service and the proceedings. When you left the church you felt an emptiness in your stomach, your head was spinning, you had eaten barely a sandwich in the last two days. 

You knew you were about to collapse, saw a café across the street from the church, and went inside to get a croissant and cappuccino to go. 

When you came out you found yourself in front of Danielle. She was so sorry, of course your mother had informed Marcus's mother and they would be attending the funeral. Danielle hugged you as if you were her sister, telling you that she understood you because she too had lost her father a few years earlier and even though you didn't know each other well you could have called her if you needed anything. 

You had thanked her and headed for the car, locked yourself in and took a couple of minutes to chug your croissant and drink your cappuccino. At least partially regenerated from the late breakfast you had headed back home, where John and your mother were waiting for you.

In the car you had been thinking about how kind Danielle had been and how lucky Marcus was to be with her.

The next day you had put on a sober black suit that you used for the office and probably wouldn't be able to wear again after that day, put on just enough makeup, helped John put on his tie, and headed for church with him and your mom. 

All three of you were exhausted, grieving, trying to hold the pieces together as best you could with each other's help but your dad's absence was hard to bear. You wished you could have woken up and found it had been just a nightmare, you wished you could have hugged him and talked to him and he, as he had always done, would have found the words you needed most.

There was only one other person who could soothe your worries in the same way your dad could, and that person was Marcus. 

John had been able to be there for you anyway, with actions more than words, taking tasks to take away from you, relieving you of burdens you could not carry alone, and for that you were infinitely grateful. He was a good husband. 

After the service, under his arm, you left the church behind your mother. You had lost count of the number of people who had come to hug you, faces you had never seen, work colleagues of your father's whom you had never met, old childhood friends, the church was full of people who had come to remember him fondly. This pleased you, but it was strange to you at the same time. You wished you had some time to yourself, alone, to try to catch your breath and rationalize at least some of what had happened, that blender of emotions that had shaken and sucked you in. 

You had made your way to the cemetery, walking along the path that led to the family grave where your grandparents were buried you had felt like you were in a muffled bubble where everything moved in slow motion, barely sensing John's presence beside you. 

When you had arrived, you had looked up for only a moment and before you had seen Marcus's. You had not noticed his presence in the church, busy as you were with hugging and greeting, you had seen only his mother but he had remained in the background, respecting your grief. Just as you wished others had done. There was nothing more to be said, he always knew what you needed, no matter how many years had passed, he could still read you like an open book just like when at 18 he had realized that your highest aspiration was to become a writer without even the need to make it explicit in words. 

His eyes were swollen and reddened; it was obvious that he was moved. Beside him was Danielle with a pair of dark glasses covering her face, clutching his arm elegantly and dignifiedly. 

You had smiled weakly at him, thanking him with your eyes, and he had smiled back, looking at you with the sweetest, sorriest eyes I had seen that day. 

___________________________________________

You had stayed behind to watch the final burial operations, while John had driven your mother back to the car, who had burst into convulsive tears, crushed by the realization that she had lost forever the man she had loved most in the world. 

You had felt a hand barely graze your shoulder, you had turned around and saw Marcus standing there on the grass “hey” As soon as you had seen him the impulse to hug him had come to you spontaneously, he had welcomed you into his arms, stroking your head, wrapping you against his chest, trying to comfort you. 

Being close to him still felt like home, his warmth immediately made you feel calmer, less alone, and not that John couldn't do that but with Marcus it was different. He had always been different in a way that was impossible to explain but that you felt hammering hard in your heart.

“Thank you,” you had whispered, with the tears you had finally allowed yourself to shed wetting your cheeks and his shirt. 

“Don't mention it,” he had whispered, continuing to hold you close. 

You had lingered a little longer in his embrace before pulling away and asking where Danielle was. 

"She went home with my mom. I stayed in case you needed anything.” 

“It's okay, thank you, there was no need,” you stammered lyingly. Yes you needed him, now more than ever, and he knew it well. 

“Your mother and John?” 

“Aunt Maggie drove them home, they left my mom's car with me.”

“Do you want me to drive?” she had asked and all you could do was nod ”please. But then how are you going to get back?” 

“I'll call Danielle, don't worry” he had encircled your waist with an arm as he walked you to the car. He had opened the door and helped you get in, even buckled your seat belt no matter how hard you had tried to insist you could do it yourself. 

Marcus did not spare himself when it came to caring for others. 

He had climbed up on the driver's side and in a rush had hugged you back, there, inside the car, whispering, “You don't know how sorry I am, baby. Your father was a great man.” 

You had looked at him gratefully, amid tears that had begun to flow profusely again "thank you" 

He had kissed you, right after that. And the instant his lips had rested on yours, you had felt that you could not help yourself no matter how hard you had tried to bury your feelings all those years. There was something inexplicable that united you, a way of understanding each other that needed no words, as if you were made to recognize each other, to see inside each other's souls. You had read in his eyes that day in the supermarket how much he had missed you, and he had read the same in yours, and just before that you had felt the same need to have him near, in spite of John, Danielle, and anything else that told you it was wrong. Deep inside you had always known it was right, you had felt it from the moment you first met him. You had been crowing for years about people talking about soul mates, meetings of destiny, and things like that. But now you knew you had felt it. His soft lips on yours were like honey to your soul, you wished you could sink into that feeling, drown in that sea and never rise again.

You couldn't leave John though. Not after you had built a life together in Boston, not after he had supported and cared for you all those days. Not after all he had done for you. 

As much as it hurt to do so, you pulled away from his lips. “I’ve always thought about you, all these years,” he said. “I’m sorry, you know, I didn’t realize it before, that maybe we could be something more. I never told you, but I remembered that kiss we shared when we were 18 very well.” Marcus was a torrent of words and was saying everything you’d always wanted to hear. “And I remember the night in that motel, too, how you held me in your sleep. I…” You knew he was about to say something like “I love you” “I’ve always loved you,” and so you cut him off. “Marcus.” He paused, his mouth half open as he looked at you in shock. “It’s too late. We can’t. Maybe there was a chance a few years ago, but now? We’re both married, we have responsibilities, we have to be realistic. It’s not fair to Danielle and John. And I have a job and a life in Boston, I can’t just leave everything all of a sudden.”

“But I…” and you knew he was about to say those words again. “Please don’t say that. Don’t make this any harder than it already is.”

Marcus had fallen silent, looking down at his hands draped over his lap, and then said sadly, “I understand.”

You had just lost your father and now you were losing him too. It wasn’t fair, but it was the only thing to do. “Take me home, please.” He would have started the car without saying anything, driving to your house without looking at you again, perhaps afraid that he wouldn’t be able to let you go if he ever laid eyes on you again. 

You got out of the car just saying thank you, without hugging him because you knew it would have hurt even more.

____________________________________

2008

When John had told you that you should move to Washington DC, you had not taken it well. You did not want to leave Boston, the bright home where you had begun to build your new life, that city that had welcomed you. Starting all over again somewhere else, in a city you had never been to, seemed too much. 

In the end, however, you had accepted it; leaving John seemed even worse. And he had continued to be a good husband, so you saw no reason to part with him.

After all, he had received a good promotion, he had rented a house where you had found a familiar light again, it had big windows, high ceilings, big rooms. John made good money and had tried to accommodate you in everything. 

He had made it worth it all the way.

You had been struggling a bit to fit into the editorial staff of the new newspaper you had found work for. You were aiming for the Washington Post, but they had totally bounced you, which had been no small disappointment to digest. 

However, after all, your life had regained some meaning. 

It was now six months since you had moved, you hadn't heard from Marcus in eight years. And this time it was not because of distance, but because it had really hurt you to find out that he felt something too but it never seemed to be the right time for you. It would have been in 1993 perhaps, if you had had courage, if you had taken the risk of exploring your feelings together. He hadn't had the guts to tell you anything, you were too afraid, and when you had found common ground it had immediately collapsed. 

John had noticed that something was wrong, even he knew you well enough to know that it pained you not to hear from your friend again, and at times he had even urged you to call him. You had told him that he had said something unpleasant about Danielle while you were in the car and you had felt sorry for her, from there you had started to argue. It was a really boorish excuse and you were pretty sure John hadn't bought it but had played it off for the sake of quiet life. 

“Can you stop by the bank to deposit this check this morning?” he had told you that morning before leaving the house. You were sitting at the kitchen table, drinking coffee and enjoying your day off. 

“Sure,” you had answered him, ”I'll go there before I go to the laundry to pick up my dress for tonight.” 

“Mmm the burgundy dress with that dizzying neckline?” he had told you as he leaned over to give you a kiss 

“Just that one” you had smiled as you returned the kiss and caressed his cheek ”you like it huh?”

“I'm looking forward to tonight” he had chuckled before leaving the house with his briefcase ”I'll be home at 7 o'clock okay?”

“Perfect, I'll be ready” you had thrown him a kiss and then curled up in your chair, finishing your coffee and admiring the view of the waking city outside. 

It was your anniversary, and he was going to take you to dinner at a French restaurant you had heard about in enthusiastic tones from your discerning colleague who was a food and wine critic. 

You had dressed quietly, gone out to do your chores, had a manicure appointment, then gone to pick up your dress at the dry cleaners and finally to the bank. 

As soon as you had left the bank you had bumped into a guy. 

You had looked up and been stunned. 

Marcus.

How was that possible? 

“Oh shit,” he had exclaimed.

His hair was slightly longer, he had grown a mustache and a beard but it was him, there was no doubt about it, you would have recognized him in a thousand. 

"What are you doing here?" you had asked him, widening your eyes, without a hello or how are you or anything else, you were too shocked. 

He was the last person you expected to see on your anniversary. 

Marcus had brushed his hand behind his neck, the gesture he always made when he was embarrassed “I got a big promotion” in a tone as if to apologize for existing in the same state as you, in the same city as you, for coexisting in the same environment as you.

“Whatever...I have to go, anyway, have a nice life,” you had tried to say quickly, to disengage yourself from that surreal situation. 

You had already turned your back on him when you heard him say “no wait...please...would you like to have a cup of coffee?”

You had turned silently to look at him. He couldn't have been serious. Yet he was.

And looking into those big brown pleading eyes, for some reason you had not been able to say no.

“All right,” you had replied with a shrug, ”I'll give you half an hour, then I'll have to go home.”

You went to sit in a café around the corner and ordered a cappuccino.

"So how are you?" you asked absentmindedly. 

“Danielle and I broke up last spring.” 

“Oh. I'm sorry.” It was like a blade through the chest to hear his voice again, to hear him say that he was single again and that his marriage was over. Somehow it made you feel guilty even though after eight years it was unlikely that the main reason for their breakup was you. 

“Yeah...she wanted children and for a while we tried but...” 

“Marcus please, I don't care, it's your business because it's over,” you cut off. 

You didn't have to get involved again. When you had thought back to your father's death and how he had confessed right afterwards you had been angry with him. Why had he done it at that time when you were so particularly vulnerable? It wasn't fair. 

"Sorry I-" he had babbled.  

“Never mind, never mind,” you had interrupted him again with a hand gesture. “Look, let's talk straight once and for all” you didn't know where all that aggression was coming from but it was growing inside you inexorably, like an infection ”why the hell are we here?” 

He had lowered his gaze to his cappuccino, then brought it back to you and stared at you in a way that made you feel naked and helpless. He still had an effect on you, and it pissed you off. “I miss you,” he had admitted under his breath, ”I miss talking to you and I miss having you around. I miss everything about you. When I saw you I couldn't believe it. But I know I can't let you leave without clearing things up.” 

“There's nothing left to clear up. It's over Marcus, can't you see that? There was never a right time for us.” 

“That's not true, I-” 

“Stop it! Look, I'm trying to live my life, you do it too,” you had screeched

“But-” 

“No 'buts'... Marcus, I'm tired. I'm tired of this running into each other and don't tell me it's fate because it's just pure randomness. John was transferred for work, now we live here, end of story. I'm still with him, okay? And I'm happy, so please leave me alone.” 

You could see his clenched fist on the coffee table, his eyes glazed with tears, his Adam's apple jumping as you mentioned John. He looked devastated. It was no longer your business anyway, so you had gotten up and made to leave, leaving a bill on the coffee table. “Don't look for me anymore.” 

Marcus had jumped up, his chair had fallen back crashing onto the pavement, and he didn't even seem to notice as he tried to stop you.

“Please” he had grabbed you by the sleeve of his jacket ”please.” 

You had turned back to him and looking into his eyes you had seen the little boy who asked you if he would ever be famous, the one who helped you with your homework, the 20-year-old who had involved you in the craziest vacation of your life, and then the adult who had broken your heart. 

“No.” you had whispered, ”no fucking way.” 

Marcus' face was a grimace of pain, as if in physical pain from your rejection, his shoulders hunched and his hand not letting go of you. He was pathetic and sweet at the same time.

His eyes were fixed in yours as he told you loud and clear, “I love you.”

I love you. 

You had longed to hear it come from his lips for so long that now it was like a lash that burned against your skin. You had stopped feeling like you were glued to the sidewalk, unable to take a step forward “What the hell! Did you have to tell me that? Was it necessary after I told you that I am still with my husband? Fuck, your timing is the worst thing ever. Do you know what day it is today? My wedding anniversary.” you had thrown up words at him angrily, feeling a knot in your stomach that nauseated you. 

“I don't want anything from you,” he had replied, his voice trembling, ”I just wanted you to know.”

“And now that I know according to you what have we solved? What have we gained? I'll tell you, absolutely nothing Marcus.” 

You had turned around and left, yelling at him, “I'll tell you again, don't ever look for me.” 

You had come home and taken a long hot bath, cried your last tears for him, and then decided it was John you had to think about, your special day. Marcus wasn't going to ruin it for you. You had prepared yourself carefully, put on the dress he liked so much, your favorite perfume, and waited for John. When he had come home you had driven out to a restaurant, had had a delicious dinner, sex as soon as you got home, and fallen asleep in his arms feeling that it was right. 

___________________________________

2010

“Love don't wait up for me, I'll be back late. I am so sorry, I love you.” 

It was already the fourth time in a week that he sent you such a message, by now John spent more time in the office than anywhere else. He had been given another promotion and was now mainly in charge of foreign exchanges, so he went to the office at impossible hours, came back later and later, and you barely saw him in the morning getting out of bed to jump in the shower. You hadn't had sex for at least a month, in those days you had talked more often with the mailman than with your husband.

Finally a publishing house had noticed you and they had published your book, you had gotten a chance to continue working for the newspaper by writing your articles from home so you could work on your second novel. 

You had huffed, looking at the screen, by now you were going to your friends' dinners alone, in those two years you had bonded with some couples in your neighborhood, and with a colleague from the newspaper and her husband. Every time you had been invited in the last three months John had declined, saying he had to work. 

You were beginning to feel really alone in your marriage, but you knew you had to try something. You still cared about John; you didn't want everything you had built together to be ruined. Sure, since he was earning more money he was showering you with unexpected and expensive gifts that certainly didn't make up for his absence, though. You had never been a materialistic person, no matter how beautiful the diamond bracelets and pearl necklaces and expensive shoes were, you missed falling asleep cuddled with your husband, feeling his caresses, having breakfast with him in the morning, spending a weekend together on the couch watching TV cuddling, simply spending time with him. For the past few weeks you had failed to write a word, you had hastily completed articles for the newspaper just to meet deadlines but your novel had stalled. You were busy cleaning to take your mind off things, you had joined the gym to force yourself to leave the house but then you would go back and find yourself spending entire evenings lounging around, not knowing what else to do. 

You had decided that night that you had to take matters into your own hands, put on a pretty dress, fixed your hair and make-up thoroughly, and then went out with the intention of surprising him. You were going to bring him his favorite dishes from your favorite Chinese restaurant to the office. 

When you had arrived at his workplace, you had looked up from the car window and seen the light on in his office. 

You had come down loaded with Chinese noodles and dumplings, and as you walked toward the entrance you had noticed his car parked not far away. 

You had taken the elevator with your heart in your throat, looking forward to seeing his happy face as he enjoyed a hot meal. The elevator had opened on the floor and you had started down the hallway leading to his office. There was no one there, everything was quiet and still, but the closer you got to his office the more you heard strange noises. Bellowing, hushed voices. 

The door was pulled over, you had pushed it slightly, and the scene that unfolded before your eyes was unsettling. 

Veronica, a married colleague of him whom you had met at the firm's Christmas party a few months earlier, was bent over John's desk, her skirt up, her panties down, her long legs covered by black hold-ups, her stilettos sinking into the Persian carpet under John's desk. And your husband holding her hips and sinking into her from behind. 

His shirt was hanging off his shoulders, his hair was disheveled, his neck tense and sweaty, as he stood there with his cool wool pants down, fucking his colleague. 

He grunted some words that you had never heard him say when you were having sex “Yeah, bitch, you like that huh? You like getting pounded by my cock huh? You're such a dirty slut, do you feel how wet you are for me?" 

You couldn't believe your eyes. Your sweet husband, the one who had stood by you so devotedly…where had that man gone? 

You dropped the bag with the Chinese dinner on the floor, the boxes had opened, and the noodles had spread all over the hardwood floor. “What the fuck?!”

John had turned around shocked, still with his cock inside his coworker “Oh shit. No, wait, honey I-” he had stepped out of her and tried to pull up his pants awkwardly ”please-fuck-I can explain.” 

“There's nothing to explain, you piece of shit!” you had yelled at him as he approached trying to stammer out some stupid excuse and had slapped him open-handed across the face as soon as he got in front of you ‘don't bother coming home’ you had added contemptuously.

“But love I-” he had pranced rubbing his cheek ”please-” 

“NO!” You had yelled “No, I don't want to hear your bullshit excuses, I don't want anything more to do with you, you disgust me!”

Veronica was standing in the corner buttoning her blouse and pulling down her skirt without meeting your gaze, her face hot and guilty.

Everything that you had sacrificed for that relationship, how you had followed him and reinvented your life for him, adapting to his needs, trying to build a happy nest for the two of you in Washington, all had been swept away. He had stomped on your marriage, your trust, your heart. 

You had driven home crying, risking missing a red light, had nailed down at the last moment with your heart bouncing inside your chest like a jackhammer. You had walked into the house throwing your purse and coat on the floor, throwing your shoes in the middle of the hallway and throwing yourself on the bed, hiding your face in the pillow with your head bursting, a sense of helplessness and defeat enveloping your temples, your chest, your stomach. 

It was over.

John had never come home, you had learned through his lawyer that he had rented an apartment near his office, and a week later he sent three big guys from a moving company to pick up his things.

You couldn't stay in that house anymore. Everything reminded you of him, the lies he had been telling you for months and what was even worse, all the happy moments you had lived in there in spite of yourself. 

You were dragging yourself from room to room without strength, you hadn't written anything anymore, you had told the editor of the newspaper that you were sick to have an excuse to delay the deadlines for your articles. 

You were tired, you were angry, you lacked the will to do anything, after three days without seeing you leave the house your friend Denise, who lived across the street had called you alarmed to see if you were all right, and hearing your dejected, fading voice had decided to use the keys you had given her in case of an emergency to come and check on you in person. 

You had not been able to lie to her; you had burst into tears and told her everything as soon as she asked you where John was. 

From that day she had been by every day bringing you dinner, making sure you ate, forcing you to shower, tidying up. You didn't know what you had done to deserve Denise in your life but you were incredibly grateful that she was there. 

Gradually you had forced yourself to take charge of your life again, started going out again pushed by your friends and even moved house, encouraged by them. You couldn't turn over a new leaf without getting out of there. 

And you had especially realized that you could walk with your head held high; you were not the one who had to be ashamed. 

And looking back on it, you had really overcome a lot in the last few years. The loss of your father, Marcus, your husband. All the men who had meant something to you in your life. 

You could have been proud that you did your best to stay on your feet. 

________________________________________________________

2011 

It had been a year since you had discovered John screwing his colleague.

You had tried dating men, without success, but things were going very well professionally. You had finally managed to finish your second book, and the publisher had been extremely pleased, so much so that he had arranged a series of meetings for you at bookstores around the country.  You had just returned from Ohio when you got a call from your mother inviting you for Christmas.

You had no desire to return to Sacramento, but how could you say no to your mom? She was left alone and it had not been easy for her. Your aunt and uncle lived nearby and took care of her but she had said she missed you a lot.

And she was so proud of you, she had asked you for copies of your books to give to all her friends, she was your biggest fan. You were happy to see her and spend time with her. 

And so, there you were at the airport, with a big suitcase, ready to get on yet another plane and fly across the country. 

You had just gotten an upgrade to business class and were in the private lounge of the area airline ordering yourself a martini when you heard a familiar voice behind you calling your name. 

Marcus. Again. 

“I swear I'm not following you,” he had raised his hands in surrender. 

“I know. I haven't seen you in three years, and we live in the same town.”

You had smiled; it wasn't bad to see his face again after all. 

“Martini?” He had asked pointing to your glass 

“Yeah. Can you please make another one?” You had said turning toward the bartender. 

You had sat at a small table with your cocktails “Are you going to see your mother?”

You had nodded, “You too?” 

“Yes, my parents were very insistent. Where is John?” 

“I have no idea,” you had squeezed into your shoulders taking a sip of your martini. 

“Oh, did you break up? I'm sorry, he seemed like a good man,” he had said.

“Apparently he wasn't since he was cheating on me with one of his colleagues.” 

“You should have better judgment anyway, aren't you a detective?” you had asked, raising an eyebrow and looking at him wryly 

Marcus had burst out laughing, “You're right, I should.”

And he had told you about the time he had fallen in love with someone named Teresa, a colleague of his, and had been left like a poor idiot the previous year, without realizing that she was in love with someone else. 

“It wasn't your fault, you know,” you told him sweetly, ”I know how you get when you have a crush.” 

“How do I become?” he had asked you with a sigh.

And you had replied with a smirk “Well, if you must know...naive, head in the clouds, like you live in a world of unicorns and fairies” 

“Really? A ridiculous clown? Is that what I become?” he had chuckled and then turned serious again ”Not with you, I hope”

You had laughed, you could have laughed at that point. Or maybe it was just the martini clouding your mind. 

“Whatever,” you had rolled your eyes. 

“Well, I'm sorry,” he had muttered.

“It's okay” you had smiled ”Really.”

At that moment they had announced boarding for your flight, so you had hurried to the gate together. 

You were both in business, so eventually you had sat next to each other and continued chatting. 

And it was nice, really nice. You were both single, more aware, you had reached an age where you could be honest with yourselves and you could joke about your dramas. 

“So you had noticed that I had hugged you that night huh?” 

“Sure. You pounced on me in my sleep and woke me up. I didn't want to embarrass you so I played it cool” she had smiled ”I thought you were sleepwalking and dreaming of hugging Keanu Reeves or whatever.” 

You had burst out in the loudest laugh you had had in years and then covered your mouth embarrassed that you had disturbed the other passengers. Fortunately those in your vicinity all had headphones on and were watching a movie. 

“Oh, come on” you had tapped his shoulder and then taken by you don't know what courage-probably the second martini you were downing-you had said ”the only one I dreamed of hugging was you.” 

“I didn't realize this until later...Now is there anyone you would like to hug by any chance?” he had whispered in your ear.

“Actually...yes” 

And there, in that plane, you kissed. For the first time without hindrance, without remorse, without drama, without fear. “I love you” he had whispered on your lips, and you had responded, finally free to say it ”I love you too.”

“So we'll try this time?” he had caressed your cheek, sliding his hand down your neck. 

“Yes” You had said ”definitely yes.”

“Your mother will be delighted” he had smiled, kissing you again “it's going to be a great Christmas.”

“Well, Merry Christman then” you whispered as your mouth moved down his neck.

“Merry Christmas, baby”

[spaloonbabooguuscooties]

You could drink your whole life away and still never get that taste out of your mouth.

half commission for @salempie half completely self indulgent dreck pieced together from our insane conversations abt franke and elka. told myself id finally write a big explanation for all of the dum shit between these two for context so Thats Under The Cut.

so I already wrote some stuff about elka and franke's relationship back in whispering rock so feel free to look at that too . it goes over elkas blindness/‘seeing’ with clairvoyance and how her and franke started talking & all that good stuff

SO FOR STARTERS. a lot of thsi wont make sense without a big breakdown of elka herself. because elkas potential as a character is like insane to me. like just the idea of her in the long run of her life reads as something so potentially tragic; a young girl whos plagued with visions of doom and destined to be an outcast even in her own home for things she cant control and clings to the One vision of her wedding that she thinks is 'happy' even despite the fact she doesnt really love the person in it. im choosing to take the li-po doc as canon here because its funny shes the only one with backstory-

but my fucking god even the smallest look into what her parents are like is soo fucked up to me. and i do think elka especially gets a lot of influence from her mother; its funny how easily you can fit mabel doom into a box just from what elka says about her. knees deep in an avon-esque pyramid scheme and leaning into her daughters depressing ass visions & taking her to therapy at age 11 (which would be good if not for the kind of person you can already assume she is & so i doubt the therapist she has really does her any good. i think they share one). she reads as a very I Am My Daughters Best Friend type of mom to me and i can see elka being a centerpiece of the conversation when she has her Amway Girls over for drinks. wine-mom that lets her kid sip from the glass so she can feel like a big girl type deal.

and you can tell that elka is trying to hard to be too mature for her age even in her campster posts. how she writes letters to nils' mom and exchanges baking recipes with her and that feels like she really only interacts with middle aged women and not really many people her own age outside of camp (like her moms friends). which makes sense shed feel the need to ‘grow up’ early when shes probably had to process so many hard things at a young age bc of her visions.

theres a lot of filling the blanks here of course.

elka obsesses over nils to an overbearing degree even despite the fact he treats her like shit ('you promised no talking' and so on) and she treats him bad right back. she leans onto stereotypical heterosexual ideals like taking care of him and overblowing how Manly and Protective JT is and she admires romance stories like pride and prejudice and it feels like she Projects Soooooooo much of what she wants onto boys she barely feels anything for without knowing what its actually supposed to feel like. and clearly she WANTS that ideal future, a happy marriage, an actual romance- but according to nils even when they were dating she ignored him most of the time, which just seems Very Telling

like shes filling a role, overcompensating for emotions and lacktherof she cant digest quite yet, and it only makes more sense when you know shes had visions of their future together. how could that be bad for her? shouldnt it be like the books and movies? but she doesnt really connect the fact that her visions are only for Doomed futures, and if she does she certainly doesnt show it. Doomed relationships. it's been a part of her family for generations and she isn't turning out much different, is she? i dont think she even realizes thats all she ever sees yet, just that its Going to happen. that it's Her future, and it always will be

and like, her only reference for a real marriage so far has been her own parents, and she already Knows they have an affair, and theyre doomed to split, (and i actually like to think they were in rough waters anyway and elka was a child meant to mend a crumbling marriage but thats a whole other thing) and so without a framework for what an actual healthy relationship is supposed to be like she cant really grasp that her relationship with nils Isnt that and isnt ever going to be. she can only cling to this one happy idea of the future, and thats why she keeps chasing him, self fulfilling the actuality of her situation and creating and fostering the unhappy life they will inevitably live together.

and that bleeds into everything else in her life, of course, because as the years go on, as the visions grow in number it just makes sense for her to fall into the predictability of her life. she always knows whats going to happen, her visions are Never wrong- so why try to change things? shes had time to process tragedies days, weeks, months, years before they happen, shes had time to settle into every crack of her life. her parents divorce, her various break ups, her future with the psychonauts.

“and she's already seen so much of a future with [nils] she feels trapped almost. Like she has to be happy in it or else it just means her life is miserable. And it's a mixture of pride and fear of the unknown that keeps her clinging to the One thing she knows. BUT LIKE!!! She knows what's gonna happen! It's easier to grieve when she's been grieving for years... She wants so badly to be happy, But to do that she has to step into the unfamiliar. And that's more terrifying than staying the same miserable person she's always been.”

and thats where franke comes in— and yeah you Do have to take a lot of liberties for frankes character since it’s basically, like, all the info for her is just that shes a Supreme Baby Dyke but thats enough for me. i think she has protective butch itch in her . on campster shes defensive over other women evidenced in the way she keeps watch over the girls cabins for lili when elton is pursuing her . but shes also eager to please and constantly trying to make kitty laugh and also Very naive. but she tries! and i think it only solidifies more as she gets Older and really gets a hold of her feelings & her powers. this is incredibly franke to me

and i think as they grow older together— because i think franke and elka Do stay friends, both because elka is just pathetic and needs that positive connection even if she doesnt realize it and because i think franke is a very Loyal person & annoyingly persistent if you let her be . and i am also a kitty/franke truther. because kittys also important in this web we weave

because i think franke and kitty stay together after camp, to a point— theres a falling out facilitated on kittys end and they break up, but reconnect, and franke kind of... saves kitty from herself a little, from her strict military father whos love only extends thru finances , from her own stifling future , she drives all the way to bakersville in her shitty van handmedowned from her dad and they move in together eventually . they get jobs at the motherlobe , because it’s a pipeline to a decent job, because it’s whats easy, because franke doesn’t really have a future, because she’s never really been good at much, because shes never had much sense, because franke doesnt really care as long as she can live and help, sometimes, if she can, and because kitty’s there, and because elka’s there, and shes so used to being elkas eyes now and shes good at it. shes good at being the muscle of the missions when her colleagues lack it, when hypnosis and predictions arent enough. she likes it that way.

and elka appreciates frankes company. she listens, shes sweet, she does little things for her that no ones ever really put the effort for before; she likes her. franke is strong and bold and makes her laugh and shes always there but god elka cant let go of that future, of that box shes put herself in, that her mothers put her in, of being a Good Wife to a Loving Husband, of getting married normally and falling into unfailing familiarity. thats all shes ever wanted and shes not going to jeopardize that . not for franke, who may not be a boy but is handsome like one, whos always held her after every break up with nils and the men that filled empty days inbetween.

and elka is too stubborn to recognize those feelings anyway. too prideful to accept a way out. too set in her cycle no matter how much she hates it, her little self fulfilling tragedy of her own making, wallowing in her own doom. she struggles for control of her own life when she feels like every choice has been made for her anyway, she puts up her walls and carefully constructs what people see. but franke was always harder to trick, because while empathy isnt a particularly useful psychic power it’s certainly an inconvenient one. all franke has to do is get too close and all those carefully crafted walls fall apart, and elkas control is gone, and thats all she really has. and she tries to distance herself, really she does, but franke is also too persistent. and elka wears gloves, keeps contact that would make her walls crumble from happening as best as she can, but she cant really keep herself from the brief moments where she feels like someone actually fucking cares about her.

and that slightest lack of control, the need to wrestle it back is why she proposes to nils the next time theres a falling out— she knows how it happens, she plans every detail. and he accepts, despite everything. gets her a cheap ring and it feels like lead on her finger and its nothing at all like how shed thought it to be when she was a kid, theres no feather light feeling in her chest, only that dreadful reality that she cant turn this back. BUT WHAT CAN U DO LMAO

elka doesnt tell franke about this engagement until later, on their way back from a mission. late at night when neither of them can sleep, and franke invites elka to smoke in her van, because its been so long since theyve been alone like that, because elkas been so strangely absent lately. and because of everything, because frankes always so damn nice, because elka hates the feel of the ring on her finger, because she let herself get high alone with franke fucking athens whos always been so good at pulling her apart— the truth of it all spills out and its messy and emotional and she hates it, she hates the life shes made for herself, but franke makes it easier to bare and now shes here and shes so close and god she wishes she could see her smile again, she wishes she could see franke, thats all she needs right now and she cant but she can touch her and she can hold her and for tonight, she can be known, she can let those walls crumble, she can be something else just for once here with franke . she can kiss her here in this van, touch that happiness for just a moment, and forget the future that waits for her outside of it. franke begs her to forget the wedding, to just let herself be happy— and god, she wants to, but it means turning her back on everything shes known and everything shes saw to be inevitable, and franke has never been in her future, so if it were supposed to work out why hadnt she seen it and she cant, she cant take that risk but she can have this, even if its temporary, she can have it.

and just as soon as she gets a taste of it, its gone. after that night, after the missions over and theyre back at the motherlobe and have to pretend like nothing happened (franke doesnt, of course she tells kitty about it, she tells kitty about everything.) but that brief moment together haunts elka every time she sees franke, sees herself through frankes eyes, sees herself in her wedding dress because god its all franke can think about! of course it is! she knows how much elkas destroying herself she knows how much misery shes wallowing in that kiss in the van felt like an emotional punch to the teeth and she hasnt ever forgotten it and all she can do is sit and watch while elka throws herself into a loveless marriage. she can come to her wedding and see the way the bride and groom kiss with the emotional weight of a wet towel no matter how hard elka tries to hide it under a pretty dress and bouquets of flowers and meticulous planning.

and elka resents nils but she cant really hate him, its not his fault, not really. he feels trapped just like she does and his feelings of misery only cycle back into hers . they fight and gnash and wear away at each other and its a relationship thats crashed and burned a million times before elka even said i do. and its inevitable that she falls into her mothers habits, a sip of wine here and there to loosen up, until it turns to a glass, until it falls into a bottle on nights when whatever work nils does runs late.

but franke’s still there. shes always been there, hasn’t she? always trying to play knight, always trying to save her, dragging her home when shes stumbling over herself because god who else is going to do it but her? who else is left to care? certainly not nils. never nils. because franke knows her. because franke pities her. shes always pitied her. shes always known. and elka hates it, she resents it, but god in the same breath she’s desperate for it, she envies it to her very bones. elka is a mess but after frankes done with her she has someone to go back to that loves her. and god what elka wouldnt do to have that. to take it and keep it for herself because shes never ever got to have that movie romance shes always wanted.

so now comes this.

because elkas particularly miserable and particularly spiteful and she needs to get franke to understand, just for a moment, drink with her and get on her level and she needs her there with her no matter how her pity makes her feel. no matter how much it makes her shake with anger and envy and desperation, but god the way franke looks at her, the way she still tries to salvage what they have, the soft, slurred way she tells her that it’s okay but its not okay, none of this is okay, it never has been and she just wants franke to shut up and see that, and if she cant then she’ll show her, she’ll show her all the raw angry desperation, with too much teeth and hands that claw and grab and she’ll know why everyones always said she’s too much.

and she knows this puts her on nils’ level too. that this makes her a cheater, that shes no better than he is now. no better than her father and his affair. but god, she wants to be selfish. she wants to be in control. just for once. she wants to feel right and she wants to feel happy and she wants to feel loved. thats all shes ever wanted. and franke will let her have that, just for a little while, at the very least.

anyway. sorry. sorry for being crazy . this isnt even getting into the shit after the comic takes place . elkas stupid brainworld thag she has to overcome in order to finally be allowed in the polycule and live happily ever as worlds first lesbian divorceman

sorry for all the shit i make up instead of caring about actual characters with screentime . bye !

[thewalkingkale]

SKZHOP Fanfic Series

It has never been like me to 'dip my toes' into literally anything, so obviously I'm getting back into fanfiction writing by taking on an eight-part themed project. Enjoy!!

status: 🟢 ongoing

A/Ns: I do not own SKZ, HOP, or any characters in these stories, all of the boys are more so written as characters and these are not accurate depictions of the boys personalities, traits, or actions. Reader discretion is advised as some works might be too mature for younger readers.

Read it on Ao3 here!!

MASTERLIST

guide (will be added once written)

🔥smut

🩷 fluff

💙 angst

✨ AU

railway || bang chan x reader

desc: You wake up after a year long sleep (read: death) the consort to a master vampire. He's more than happy to show you the ropes.

unfair || felix x reader ✨💙🩷

posted: 01/01/2025

desc: Everyone tells you to avoid the castle in the woods, and in turn, the man who lives in it. You've never been one to do as you're told.

hallucination || I. N. x reader

in progress

desc: Jeongin's art studio is covered in statues and paintings of a person he swears he must have met before. How will they tell him they've seen him too?

youth || lee know x reader

desc: You and Lee Know have been inseparable since birth. Somehow, someway, a prank on a college event brings you even closer.

so good || hyunjin x reader

desc: Hyunjin always tells you how nice it is to sit on your apartment building's roof whenever he needs to think. You decide to see what the fuss is about after an argument, you both forget what you were fighting about shortly after.

ultra || seo changbin x reader

desc: Dr. Seo's job, to him, is very simple; testing samples, reading labs, reporting his findings and breakthroughs. Your job is a little less simple: worry about the doctor endlessly, until your hair is gray.

hold my hand || HAN x reader

desc: With the help of your future self, you learn to forgive, forget, and stop being so angry. You're only a little jarred at the sight of your future self and your best friend's future self as a couple.

as we are || seungmin x reader

desc: Life has a funny way of making sure the people who were meant to be in your life find their way back to you. Worldwide sensation, K-Pop star, and your childhood best friend, Kim Seungmin, is absolutely no exception.

I'll be working on this as inspiration strikes, unfortunately I don't have any type of release dates/schedule just yet but I'll get them out as soon as possible!

[auclairedetoru]

Hello! I'm a little nervous because I haven't requested anything in a long time, but I was hoping that maybe you could write something for Gojo with a tall, muscular fem reader? Maybe some headcanons? The buff girlies hardly get any love. Thank you 🥺

- 👾Anon

Absolutely! I've noticed the majority of the time the reader is always described as smaller than the character, which don't get me wrong, I love feeling petite and adorable in fiction since that's not the reality 😭 but the strong tall girlies deserve representation too, that's why in my roomie! Sukuna story I made the reader a boxer!

ᯓᡣ𐭩 Oh you asked Gojo about his girlfriend? Oof, get ready for him to talk your ear off.

ᯓᡣ𐭩 He'll tell you all about her personality. How she's incredibly sweet, and she takes care of him and his students and friends with all the love in her heart, and she's so smart, he's pretty sure whoever made her chose only the best qualities.

ᯓᡣ𐭩 And then he starts talking about her looks and physique... Oh boy, if he wasn't hyper excited before, he's gonna be now.

ᯓᡣ𐭩 The first thing you'd notice about Gojo is how fucking tall he is. He's nearly 191cm, 6'3 in freedom units. He could very easily cosplay slenderman. People have a hard time looking up at him because their necks start to hurt after a little while, but... Not his girlfriend.

ᯓᡣ𐭩 She isn't as tall as Gojo, but she can make eye contact with him with ease, and he LOVES it! He can wrap his arms around her shoulders and hug her, he can kiss her without bowing down nearly 90 degrees, he can give her piggy back rides without having her stand on a chair first. He just loves her height, it was perfect, like she was made that tall just for him.

ᯓᡣ𐭩 Then there's her strength, and no, not the mental strength, but physical. Every time he sees her wearing shorts and/or sleeveless shirts, he goes feral. She makes him feel like a Victorian man seeing ankles for the first time, or like a school girl with a crush.

ᯓᡣ𐭩 His girlfriend trains hard everyday, and over time she has built very strong muscles that make Gojo salivate. His favourite thing to do is bite them, which earned him the nickname "vampire Toru" and every time she feels his teeth sink into her arms or thighs, she'd say something along the line of “uh oh, vampire Toru is awake!”. Namami told him that if he had a tail it would start wagging because of that one simple sentence.

ᯓᡣ𐭩 Gojo loves play fighting with her because she manhandles him with no fear of hurting him and it drives him crazy. Sometimes he lets her win just so she can pin him down on the floor, he would playfully gasp with a hand in front of his mouth to make her giggle, but the blush on his cheeks is very real.

ᯓᡣ𐭩 When his students met her for the first time, they were in awe (except for Megumi who already knew her). Her smile and voice were so sweet, but everything else about her would definitely crush them with a flick of her finger.

“Your shoulders are very broad.”

“thank you! I worked very hard on them.”

“and you're so tall.”

“you'll catch up to me eventually.”

“... Can you teach me how to be like you?”

ᯓᡣ𐭩 At first, Gojo didn't like that, he was supposed to be their role model, not his girlfriend! He huffed and pouted when they ignored him and focused on her instead, but when he got home and his pretty girl showered him in cuddles and kisses and told him he is still her number one, he was back to his happy self.

ᯓᡣ𐭩 Speaking of cuddles, Gojo loves when she holds him and vise versa. He never believed in soulmates, but with the way they fit in each other's arms no matter who's the little and big spoon, he started to believe she really is the other half meant for him and him only.

ᯓᡣ𐭩 He doesn't have a favourite love language with her, because they were all his favourite ways of loving her. Whether it's through kisses, gifts, words, he does them all. He knows that the world has been harsh on her given that she doesn't look like what people think a woman should look like, so he tries his best to give her back the confidence they have taken away from her.

ᯓᡣ𐭩 Over the years and with the help of Gojo, she has become so confident and secure in herself. She stopped hunching over and hiding behind baggy clothes and now stands tall and wears whatever she wants, because she found someone who loves her for the things she thought made her unlovable.

ᯓᡣ𐭩 So yeah, his biggest flex is his tall and buff girlfriend.

It went into a totally different direction than what I had in mind but I hope you like it!

[dubiousculturalartifact]

Obviously I’ve been queerbaited before, like, a genuinely incalculable number of times, and maybe thinking Buddie might actually go canon is a ‘fool me sixteen times, shame on me’ scenario, but I think one big thing that’s keeping my hope alive is this thought: If you genuinely believe that Buddie isn’t going to go canon, 100% zero possibility and absolutely no intention of trying... Then you also have to believe the people who create the show we’re all fans of are purposefully cruel dicks. 

Because we have SEEN what it looks like when the showrunner of 911 knows there is no possibility of it happening, has no plans of it, and is generally trying to avoid accusations of queerbaiting.

It looks like S5 & S6. Little bits here and there, the odd important scene to throw breadcrumbs… but a lot of keeping the two characters apart, being circumspect in interviews, PR shut downs on the actors, etc. The show has proven they are capable and willing to exactly that!

So indulge me, and imagine for a second. They had the conversation with the new network, and the execs told them they wanted to continue with the status quo, to write as if Buddie is never going to go canon, BUT were willing to bend so far as to make one of them queer, to keep the fans happy.

What would that look like?

I don't know, call me foolish.... But I think it would look like keeping the same dynamic from The Drought Seasons. Having them be friends and important to each other but still fairly disconnected, not having as much screen-time, etc, It would look like having Buck’s coming out arc be a SEPARATE, individual narrative. If they just wanted to write Tommy and Buck, and that's it, they could have done things differently.

There are just so many conceivable ways they could have written Buck’s coming out arc, to almost completely separate it from Eddie and have it be made clear, in no uncertain terms, that Buck is bi but that doesn’t mean he cares about Eddie like that, that Eddie is a hetero McHetero.

Buck’s coming out arc could have included him being jealous because he’s suddenly faced with Tommy in the flesh and is insecure about how he was technically ‘Tommy’s replacement’ at the 911, with Eddie not relevant to it at all, or have Maddie and Chimney be the ones to interrupt The Date, or literally any other scenario that didn’t make it all about Eddie. 

They could have had one short scene where Eddie and Buck talk about it, and then the rest would be like, Buck talking to Hen about being queer, Buck interacting just with Tommy and getting to know him, Buck doing a research binge about bisexuality and info-dumping at an inappropriate time during a call, etc etc etc.

That’s how you tell that story and only be writing it for the proverbial ‘general audience’.

But they didn't. They purposefully reversed direction. They chose for Buck’s coming out arc to... highlight his nigh-feral jealousy over Eddie forming a homosocial bond with another guy, having said guy repeat with genuine surprise and shock that it was him and not Eddie that Buck was interested in, have Eddie interrupt their date, have Buck be more worried about lying to Eddie than the fact that he’s queer at all, have Maddie say what she did to Buck about telling Eddie in specifically ambiguous terms…

In a season that also included the Fire Extinguisher Incident, and Buck saying he ‘wishes he could help’ with Eddie’s sexual frustration, and a big increase in social media engagement, and having Buck being Eddie’s rock in the last few episodes while he had a bizarrely platonic affair with his dead wife's doppleganger…

If they did that while KNOWING the plan was actually for Buck/Tommy endgame and Eddie riding off in the sunset with a hot female firefighter who has a cool motorcycle or whatever the fuck, or them both dying in a freak car-washing accident, or….

If they GENUINELY planned that? If the entire Buck jealousy plotline was intended to be nothing more than a deliberate queerbait-and-switch? Then they’re fucking assholes, sorry. They would have to know full well exactly what they were doing, how many people’s hopes and emotional investment they were toying with... If they were actually planning to keep dragging it along for seasons more of baiting and dangling things in front of us, while knowing categorically that they had no plans to deliver? That would be genuinely GOD TIER levels of specific, intentional queerbaiting.

Which could be the case! I won't deny that. Shows have done it before, plenty of times. Tim et al could be callous bastards deliberately instructing the actors to wink it up in interviews and share suggestive Tiktoks, and writing Buck’s coming out arc as being entirely focused around Eddie and throwing out hints... All while laughing behind Buddie fans' backs about our gullibility, how we’re keeping the show trending on the force of our delusions, etc. Maybe that's it! Maybe they just genuinely enjoying fucking with people. Or maybe they were just shitty enough writers that they didn't know what they were doing, and it was all a total accident, somehow, the proverbial monkeys pounding at keyboards and accidentally spelling out B U D D I...

But you know what? Call it naive, but I prefer to think they’re not huge assholes, or hugely incompetent.

That there might actually be a point to all this, somewhere down the line.

I guess we'll find out.

[selfloverrrrrr]

You Don't Need Anyone Else~

Warnings : smut , heavy smut, unprotected sex, Noncon, Anal sex, Kidnapping, physically and emotional abuse, biting, size difference, Yandere Geto, protective, jealous, obsessive, manipulative....

A/n : I do not write any character x character fics or character x male reader fics...but from now Gojo x Geto fics will be available in my blog...so you can ask me for SATOSUGU fics in requests too!

( All characters are aged up/18+)

Minors Do Not Interact

Read the warnings carefully....if you don't like my stories block me not report

Gojo Satoru and Geto Suguru were the most famous boys in jujutsu high. They were very well-known for their charms. All girls were ready to throw their body to them. Everyone knows they are bisexual. But none of them were in any relationship. But Geto Suguru had a great crush on Gojo. He never told him. But he loves Gojo...he admires Gojo soooo much. But he didn't let anyone know that.

Geto doesn't like when any girl flirts with Gojo and it's even worse when Gojo flirts back with that girl. Gojo is his... nobody else should try to get him or flirts with him.... Geto thinks. It isn't like girls don't like Geto or try to get him. Girls want Geto as much as they want Gojo. But Geto doesn't like to give them any attention. But he hate the most is whenever someone flirts with Gojo... Gojo also flirts back... Geto hates it!!!

One day Gojo was just about to enter jujutsu high when someone called him. "heyyyy.... Gojo-san???". He turned around and saw Yuta. Yuta was his childhood friend. He also reads in jujutsu high. Gojo smiled at him "yoo Yuta... seeing you after a long time...were you on some vacation or something?" Gojo asked. "Yes...how are you btw?" Yuta asked. "Yeah I'm fine" Gojo said.

"Yo Satoru... what are you doing here" Gojo saw Geto coming from inside of jujutsu high. "Oh Suguru... I was talking with Yuta" Gojo said. Geto glared at Yuta. "Um... actually I'm late I should go... Bye" Yuta said and went in the jujutsu high. "Satoru you told me to wait at the entrance of our classroom you are coming there in a minute and you were talking with Yuta?" Geto said. "Why are you jealous that I'm gonna make him my best friend?" Gojo said with a smirk. "What if I am?... is he more important than me?!" Geto said. "Suguru chill I was just talking with him!...ok I'm sorry and I'm gonna buy your lunch for it... happy?" Gojo said. Geto sighed and they both went inside.

One day Shoko gave a party at her place. Geto called Gojo.

Gojo: hello?

Geto: where are you Satoru?

Gojo: in Shoko's party... when are you coming?

Geto: tf do you mean when I'm coming? Didn't you told me that we're gonna go there together???

Gojo: oh fuck... I'm sorry Suguru! I totally forgot!! Should I come there now with my car?

Geto: no it's ok... I'm already on my way in a cab... gonna be there in a few minutes.

Gojo: okey okey... come then I'm waiting.

*Geto heard a girl's voice*

Geto: Satoru?

Gojo: hmm?

Geto: is there any girl infornt of you right now?

Gojo: oh... yes Mei Mei is here...

*Geto felt his jealousy come again but he took a deep breath and controled his anger*

Geto: okey Satoru...see you there.

Gojo: okey then...

They end the call.

Geto entered the party. Shoko greeted him. But what his eyes were searching for was Gojo. He finally saw him. And what did he saw?? Gojo was still flirting with Mei Mei! Geto went to them. "Suguru... finally here" Gojo said when he saw Geto. Geto smiled. "Can we talk?" Geto said. "Yes ofcourse... what's it?" Gojo asked. "I said Satoru can we talk?! Privately please!!!" Geto said with grinded teeth. Gojo could feel something was definitely wrong! He was taken back for a few seconds. "Y-yeah" Gojo whispered.

They both went to a side. "W-what happened, Suguru?" Gojo asked. "Why don't you stop your whore plays Satoru?" Geto said. "What?" Gojo asked. "Your fucking flirting shit which you do with 1000 of whores!" Geto replied. "Are you still mad Suguru? I'm sorry I forgot that I told you we're gonna come together" Gojo said pleadingly. "Everytime Satoru! Every. Fucking. Time....you always do this" Geto said. "I'm saying I'm sorr-" Gojo couldn't finish his sentence when Geto grabbed his face and pulled towards him. A tear almost fell from Gojo's eye. Some times Gojo really gets scared of Geto. And oh... Geto loved those moments! "You know what? Go on... gonna fix this shit later!" Geto said and let go of Gojo's face. Then he walked away and Gojo started at him.

Geto staring at Gojo the whole time from a distance. Scanning Gojo's whole body with his eyes. Maybe Mentally undressing him.... When the waitress was going to give Gojo his drink called her. Geto knows how to manipulate girls with his charms. And he did that and put something in Gojo's drink , give the waitress some money and tell her to be quiet. And she did as well.

After few times Gojo's eyes started getting blurry. Nanami was sitting beside him. He told Nanami that his head was hurting. Nanami immediately called Geto. Cause Geto is Gojo's bestfriend and roommate as well. Geto went there and put on his act. "Oh Satoru... this is why I told you not to drink too much" Geto said and bring Gojo out to Gojo's car and drove it.

Geto took Gojo in his room. Gojo's hand on Geto's shoulder and Geto's hand on Gojo's waist. "Fuck it's better now... I don't know what happened then but I couldn't see properly" Gojo said and sit on bed. Rubbing his eyes. Geto didn't replied and locked the room's door. "Suguru it's my bedroom you forgot I guess " Gojo said looking at him. "Tsk I know " Geto said walking towards Gojo. Geto grabbed Gojo's leg and pulled it. Gojo fell on his back.

Gojo: Suguru wha-

Geto: shhhh.... Satoru you talk too much you know.

Geto got on the bed on top of Gojo. He leaned over Gojo. Gojo's breath hitched.

Geto: why are you so nervous Satoru....

Gojo: Suguru what are you-

Geto: can't you really don't see Satoru?

Gojo: w-what do you mean????

Gojo asked pleadingly.

Geto: that I fucking love you!!!!!

Gojo started at Geto. Their lips were inches away.

Geto: that I fucking love you, I fucking care about you, I want you.... and you always give all attentions to those whores who doesn't even deserves these!!!! I'm obsessed with you!!!! Geto screamed.

Gojo got totally silent. Geto knows that gojo was scared right now. Geto smirked. "Don't be scared baby I didn't meant to scare you" Geto said and pressed his lips on Gojo's. Before Gojo could process Geto started rubbing Gojo's dick over his pant.

Gojo tried to push him away. But Geto wasn't going to stop. Geto could feel Gojo was getting hard. Gojo couldn't stop Geto's hand but he pushed Geto face away. Geto stopped. "Suguru sto-" before Gojo could complete his sentence Geto slapped him. "Why are you still being a bitch!!!!" Geto screamed. Gojo's tears falling down. He looked at Geto. Geto felt his heart almost stopped when he saw Gojo crying.

"I'm sorry" Geto said and went towards Gojo. Gojo was about to push him away but he realised that his hands were tied up on his back. His eyes widened. He looked at Geto. Geto cupped his face. "S-Suguru .... please" Gojo managed to say. "Don't worry baby...I know you are going to like it too" Geto whispered.

"S-stop" Gojo said. Geto pulled down Gojo's pant and started undoing his shirt. "P-please stopppp....why are you doing this?" Gojo asked. Geto could hear Gojo's breath uneven from fear. " I don't like when other boys or girls look at you " Geto said while rubbing his hand on Gojo's boxer on his erection again. Gojo's breath hitched. " You are mine.... I hate when those girls and boys of our class looks at you " Geto said tugging on his boxer. "I'm your bestfriend Satoru...I want to be more.... You don't need anyone else... it's always just me and you" Geto said and pulled down Gojo's boxer.

"PLEASE.... Please stop.... please stop" Gojo begged. Tears started forming in his eyes. Geto grabbed his dick and started stroking it. Gojo squeezed his eyes shut. "What if you want to give someone else what's mine???" Geto whispered. "I won't...I promise I won't... please just stop... I'm begging you" Gojo said. Tears started falling from his eyes. "Then you should prove it!" Geto said and licked his chest and bite on his nipple. Gojo groaned at that. Geto smirked.

Geto went down to the level of Gojo's dick and put it in his mouth. Gojo moaned loudly. Geto started rubbing his tongue around his dick. His dick was too big. Geto sucked on Gojo's tip harshly and pull out his dick with a 'pop'. Geto looked at it. Gojo's tip became so red when Geto had barely done anything yet. When Geto pulled out Gojo's dick his hips automatically bucked upwards... seeking for release. Geto looked at Gojo who's face was too red from blushing Geto smirked at that.

Geto flipped Gojo. Gojo was breathing heavily. Geto took off his pant. He lined himself with Gojo's butthole. Geto slowly pushed himself in. Gojo moaned . Geto gave Gojo some time to adjust it. Then he slowly started thursting in and out. With one of his hand he started stroking Gojo's dick. Geto started increasing the speed. Gojo was a moaning mess. Geto's dick was touching deepest parts inside Gojo. His speed became faster and harder. Gojo's hole clenched around Geto tightly. Geto smirked at Gojo's body's reaction.

Geto grabbed Gojo's hair and pulled him towards him. "F-fuck... can't believe I'm having you... I always dreamt about it!!!!" Geto moaned. Gojo's mouth was wide open. He was drooling. "Oh Satoru.... baby look at you... The strongest sorcerer becoming a mess under me" Geto whispered in Gojo's ear and bite his earlobe. Geto let go off Gojo's hair and rubbed his hand on Gojo's chest. Geto felt Gojo's nipple Harden. He pinched it. "S-Suguru...huhhh" Gojo moaned loudly. Geto's speed became too much fast and hard. They both came at the same time with too much loud moans. The curse disappeared from Gojo's hand. Gojo fell on the bed. Geto pulled out.

When Geto looked at Gojo he saw that Gojo already fell asleep. Geto cleaned both of them. He smiled watching Gojo's sleeping figure. Suddenly Gojo's phone rang. Gojo was sleeping so Geto didn't disturbed his sleep and picked up Gojo's phone. The call was coming from Shoko. Geto picked up the call. "So idiot... you finally got your crush huh? I told you for a long time that go and propose Geto but no you being shy all time! Finally got him...and gosh...the way you both were moaning!!!... remember it all happened from my party so I deserve a treat!" Shoko said on the call. Geto stopped. Then he processed the thing. That Gojo also had a crush on him?! 'so Satoru liked me? Ahhh... I get it now....he was liking it when I was being rough that's why he was acting that he isn't liking it so I'm gonna be more rough....my Satoru likes it rough, huh?' Geto thought with a smirk while looking at Gojo's sleeping figure. "Actually Shoko... I'm Geto, Gojo's sleeping right now...but thank you" Geto said and cut the call.

This is my first time writing satosugu fic 😭 so please be gentle with me 😭

Give me your requests guys....

I love when you give me your requests 💕

Tagging: @han11dh , @candy69gurl , @nanamiiiiiiiswife

[milaisreading]

🌱🩷: 7th story of this series! Hope u enjoy it!

Pairings: Itoshi Rin x Crossdresser!Yn

Warnings: Reader uses she/her when I write, but the characters use he/him when talking

⚽️Blue Lock belongs to Muneyuki Kaneshiro and Yusuke Nomura⚽️

🎄Dec 16th🎄

It was the first Christmas week after the Blue Lock team had defeated the U-20 teams, and as expected, the players became quite popular, especially among little kids. So, per request of the JFA, Ego and Anri sent out the players to different schools and kindergartens to make a surprise visit this week. And today it was (Y/n) and Rin's turn, and the younger boy was anything but happy.

"Rin...can you please smile...and pretend you are happy to be here?" (Y/n) scolded the vice captain as they walked down the hallway, towards the classroom where the kids were.

"Why should I? I never wanted to go here and entertain a bunch of 5 years olds." Rin rolled his eyes and looked in disdain at his Blue lock jersey.

"I don't get it, you don't like kindergartens, yet fought with Ego-san to go here with me." Rin tensed as (Y/n) brought that scene up.

"You should have let Yukimiya come with, me as it was planned-"

"No! I refuse to go with Tokimitsu anywhere."

"That's mean. Whatever, just don't scare them." (Y/n) sighed as they approached the door, then knocked a few times.

The duo heard a woman say to come in, Rin opened the door, only to meet a wide-eyed group of kindergarteners staring back at the players.

"And your surprise guests today are Blue Lock's players, (L/n) (Y/n) and Itoshi Rin. Please behave." The older woman said softly, smiling at the two teens. The duo walked in and bowed, then (Y/n) turned her attention to the kids, who were both shocked and giddy with excitement.

"Hello! I got told that there are a lot of you who want to become football players in the future. Maann, hope we will teammates then." (Y/n) chuckled as Rin kept silent, while a few kids approached her.

"I am a huge fan! Can I have an autograph?!"

"Please teach me that cool trick you used when blocking!"

"Ooohh! Are you close with Itoshi Sae?! I heard from my niisan that you two are friends!"

"Can I braid your hair, please?!"

The kids started piling up around them, which caused the teacher to intervene.

"One after the other. I am so sorry, Itoshi-san and (L/n)-san." The woman said apologetically.

"It's alright. They are kids after all. So, do you want to hear about some of our adventures at Blue Lock?" (Y/n) said, smiling back at the kids, who nodded enthusiastically.

"Alright, we will have to sit down for thus one tho." She said, guiding one group to a less cluttered corner. Meanwhile, Rin stayed with another group, who kept asking him various things about football, his brother, and his eyelashes.

'I hate kids.' Rin fought back a frown and went to entertain the group.

☃️🎄☃️🎄☃️🎄☃️🎄☃️🎄☃️🎄☃️🎄☃️🎄

"Oooh! You are able to kick so far?" (Y/n) asked one of the boys in her group, while the girls were busy either brushing, braiding or putting clips in her hair. The girl didn't mind that much and she let them do whatever while keeping her attention on the boys.

"And do you have any team you would like to join in the future?" (Y/n) asked the boys, who nodded their heads.

"PXG! PXG!"

"My pick is Bastard München! I think Noa-san is soo cool!"

'Just like Isagi.' (Y/n) chuckled as she watched the excited boy.

"Royale is the best pick!"

"Nooo! Manshine is!!"

"Ubers has some cool designs! I want to join them and travel to Italy."

"All of them are really great choices. And what are the positions you would like to play there?"

'How is he so natural about it?!' Rin thought as he kept glancing at (Y/n) from time to time. Envying how comfortable she was with the kids, and how they were comfortable with her.

"Itoshi-san! What's it like in Blue Lock?! Could I join it?" Rin looked back at the little boy, slowly nodding his head.

"Sure. If you have the passion for it. I guess you can."

"Wwaah!" The boy cheered as another one intervened.

"Can we be teammates in the future, please!!"

"Yeah." Rin shrugged his shoulders.

"As long as you work on your skills, we can be teammates."

"Woo-hoo!" The boy, and another one next to him cheered, and Rin fought back to urge to wince.

'So loud...' He thought, noticing a few girls looking up at him with puppy eyes.

"Yes?" Rin asked, as softly as he could.

"Can we style your hair?! Please!!" The girls exclaimed, showing Rin their combs, hair clips and ties. The teen fought back a groan as he nodded his head.

"Sure."

The girls cheered and went to work on his hair, while their classmates started talking again.

🎄☃️🎄☃️🎄☃️🎄☃️🎄☃️🎄☃️🎄☃️🎄☃️

Soon after, the duo was working on some holiday cards for the kids, while they took a afternoon nap.

"Here." Rin said as he sat down and handed (Y/n) a glass of water. The girl smiled as took it from him.

"Thank you. The kids are really nice, don't you think so?"

Rin thought for a moment then slowly nodded his head, going back to writing something on one of the cards.

"Yeah... they are funny."

The teen blushed as he heard (Y/n) laugh at his words.

"They are good kids.... they look up to you, you know?"

"W-what?" Rin looked up at (Y/n) in surprise, only to blush more as he noticed the smile on her face.

'So pretty...' He thought, gulping.

"They look up to you. Some of the boys I was babysitting said they like you a lot, but are too shy to say anything."

"Uh..." Rin fidgeted in his spot as (Y/n) returned her attention back on the holiday card she was making.

"You are enough. You don't need to chase after your brother's validation."

Rin felt his heartbeat quicken and he held back a few tears.

'I am enough... for him?'

Rin felt a wave of happiness and... relief hit him, and opted to keeping quiet after that.

🎄☃️🎄☃️🎄☃️🎄☃️🎄☃️🎄☃️🎄☃️🎄☃️

Sighing, Rin finished with his shower routine and put on the pj's that Blue Lock gave them. Both him and (Y/n) had returned 2 hours ago, and when the girl finished her showering, Rin took his turn. But before he went to the bathroom, (Y/n) had told him she will visit Karasu, Otoya, and Yukimiya for something.

'Why am I so stale in conversations?' Rin thought to himself as he walked out of the bathroom and towards his bed.

"Huh?" Rin blinked as he noticed a piece of paper on his bed. Walking closer, he took and inspected it for a moment, only to realize it was a Christmas card... the one ot those that (Y/n) was making today?

It was a normal blue and white one, with a poorly drawn Christmas tree.

'Idiot can't even draw.' Rin rolled his eyes and opened it.

As he read what was on it, Rin felt his face turn red and happiness to bubble up inside of him.

'Thanks for accompanying me today! I appreciate it!

(Your initials)'

'Idiot! I hate him!' Rin thought as he plopped himself on the bed and hugged the card closer to his body.

'But... he is my idiot. Only mine.' Rin thought in embarrassment.

[the-blossica-fan]

Blossica and A Nightmare At Green Lake

An analysis made by THE Blossica fan

Why do I love Blossica? Why is it so important for A Nightmare At Green Lake? Would the story be the same without it?

In this long rant I call "Analysis", I will tell you my thoughts, the reasons and MY opinion on this ship and its importance to the entire event.

It can not be yours, and I'll gladly listen to your thoughts and reasons, but here's why it is so important and the story wouldn't be the same without it.

It has been edited, there might be some more changes if I see any inconsistencies.

Let's start by what most people call this ship, Childhood friends to lovers. I've seen a lot of people call it that, and while it's not wrong, it's also not right.

The better term Is "Childhood crush", as Blonney (Jennifer) is Jessica's childhood crush.

Must take into account that Blonney never knew of Jessica's existence, the OG Jessica was Blonney's imaginary friend, Changeling/Jessica just happened to hear it and thought it was Blonney giving her a name.

Why childhood crush? Well, it's pretty easy to know that Jessica's infatuation that persisted through the years is far more than just friendship. From things like reviving all the stories she told, retelling them and even exhausting them for everyone else.

It's also not a secret that she has probably been looking for someone to replace Blonney's space in her heart, which is why no one has ever seen as interesting in her eyes.

In Vertin's words "What happened to those people that accepted to stay with you? When you ran out of available games, they were no longer adored by you. I can stay longer than them, but with no exceptions. I'll become boring one day." These words are a hint to something.

No one can replace Blonney's place in Jessica's heart.

And, what about Blonney?

Blonney is definitely a lesbian, but this is no headcanon, in fact, I'd argue this is definitely canon. From design hints like those hair clips (this is Bluepoch, they pay heavy detail to their models, this is definitely not a coincidence), to even more hidden hints in her stories.

Since a child, Blonney has been writing in her diary stories, but you know what's interesting? Blonney describes the women as beautiful, like in the story about the dead bride.

A bride that looks for other happy brides? Mmm, doesn't it sound weird?

Blonney also describes Anne/Anna in extra detail, as if she had some sort of fixation with her. Let's remember that this description of characters is not only a script, but Blonney's own thoughts written on paper. When she criticizes herself, saying she'll pay for her doings one day, it feels crude and out of place because that is what she thinks about herself: That she'll pay for being a liar and mean (an arcanist and a lesbian)

The event itself also tells us enough for it to not be speculation, but absolutely straight up in your face.

Blonney's denial of her arcanist self (she punched Jason and yelled that she was not an arcanist, for those with internalized homophobia, this is a common reaction. Anger), the iconic couch scene and later on, her discussion with Jessica.

"How many times do I have to tell you how much I hate being called an arcanist", this is similar to a reaction I had before, denial and anger. In this case, and during the entire event, "arcanist" is used as an allegory.

For fuck's sake, Blonney was CUDDLING with Anne right BEFORE the iconic couch scene. Jessica/Anne is the one that made Blonney start to accept that side of herself, alongside with Tooth fairy's guidance; a professional lesbian.

"You seem to really like me. You would jump off a car to rescue me, you protect me, praise me. You would even be happy because I was happy." "Because I've never seen anyone as pretty as you are. You're special, you're different to the rest of us"

Oh God do you see that? This is flirting.

And while some might say Jessica doesn't know what romance and what liking romantically means, I'd argue otherwise.

Jessica does know what romance is

Let me tell you quickly. Jessica said in "The nightmare of green lake", she has met a couple of people who have different relationships with each other. She has even interacted with them, as in, she HAS talked to them. She has 6 people (excluding Michael, Jason and Freddy) in a cave, she knows some stuff.

When she says "I like you", she knows what she means. Her desperation to get Blonney to stay is not only because she doesn't want to be alone, but because she wants Blonney and ONLY Blonney to stay.

It's possible she's not sure she's in love, but she knows her feelings go far more deep than just a normal friendship. Plus, she has lived with Blonney's childhood stories, and those horror stories do have romance (The pathetic bride includes romance, Jessica is the one behind the pathetic bride, she knows). She's not oblivious nor stupid, she's just inexperienced. She knows she likes Blonney more than a common friend (based on how she treats others), and I think she would never like anyone that's not Blonney.

And what about their relationship?

People think they're master and pet, owner and pet, and I don't think they realize how deep that goes. Blonney is definitely in need of a person like Jessica, who fully supports her and her unique ideas. Jessica loves Blonney unconditionally, there's no reason to not think so. Their relationship is perfectly healthy, Jessica loves being adored and treated as a pet by Blonney, and Blonney is happy to see her happy.

That line of dialogue about a collar, despite how sexual it might be, is made out of innocence. They're not just master and pet, they're girlfriends and, don't we all have weird relationships with each other? They're happy, they're good for each other and are what the other needs.

So... What's their importance to the event? Are they really that important?

Yes.

The event wouldn't exist without that crush and romance. If Jessica didn't think romantically of Blonney, the event would be different, she wouldn't try hard enough to just keep Blonney and much less plan to get rid of everyone around Blonney so it's just the two of them.

If Blonney wasn't in denial of her homosexuality (and arcanum?), the event wouldn't be about accepting yourself as you are, it wouldn't be a story about coming out and the morals wouldn't be as impactful.

It would be a lackluster event.

Their relationship with each other is of heavy importance because it's that crush and denial that make up the entire story. The horror is just a side dish, the murderer and all of it, because this is not a horror story.

It's a love story

"I don't care whether my parents allow it or not!"

"I will quickly reveal this true look of mine, and everyone will look at me as if I've done something wrong"

Huh? Are we still talking about arcanists?

These lines are out of place for a 'friendship', or a discussion about staying or not. This is romantic, and especially in the homosexual way.

This true "look" of mine, doesn't it mean love? People do look at same-sex couples as if they've done something wrong, and while Jessica is talking about her changing abilities, we all knows this is about her crush on Blonney and how society would look at her wrongly.

Because, if she truly didn't know about her crush on Blonney which is the basic of all; everyone knows about crushes and romance, then how would she know people would look at her wrongly?

"I don't care whether my parents allow this or not"? Is a line said in ROMANCE. All romance stories with a 'secret romance' have this sort of line, whether straight or gay, this is a basic must-have in this sort of relationships.

She's not only talking about Jessica's changing abilities and arcanum, she's talking about her own blossoming love.

Especially when Jessica asks if Blonney liked her story, she's seeking approval and a hint Blonney will stay by her side, this is a confession. Which is why she gets so down when she gets a "yes, I like it very much". That's not a yes, it's a dismissal, a 'not so important' thing. This is a rejection of her feelings, even if on accident.

And, why does Vertin intervene? Why does she have the talk to Jessica about staying?

Because Vertin more than anyone knows what it's like to let go of a lover, she knows about not being able to confess in time and she knows that if she doesn't intervene, this will be like her and Schneider all over again. Regrets. She's being supportive, she's trying to do what she couldn't do. She's playing cupid.

A place where no one would judge Jessica for her looks, also known as the homosexual suitcase. We all know that no one in Reverse is straight, or at least, 99% aren't. We all know no one would bat an eye if a deer girl was kissing an 80's horror movie girl in the middle of the wilderness.

This is the perfect place for both, Blonney and Jessica, a place where they can be together while not being judged.

And what about Horropedia, Sonetto and Tooth Fairy? What part do they play in this Horror story?

Oh, they're very important as well. In fact, all of them are.

Horropedia, despite interrupting the girls RIGHT BEFORE KISSING, is the reason they're there. Without him, this would be a psychological horror story. And Blonney and him are the wlw and mlm hostility, they're so hating on each other but they do care. Sonetto has helped Blonney in silent ways, not only by helping her become more herself and supporting her fully, something she needed, but she's also an example of someone who's tied down. They've become good friends because they both used to be in similar situations mentally and emotionally.

But out of the two, Tooth Fairy is definitely the most important. She has gone through the same experiences as Blonney. Arcanist living in human society and a lesbian. She knows what Blonney is going through so she's helping, in her own way. She's the one who makes Blonney start to accept herself, to accept the fact that she is the only one Jessica wants and the one who understands her the most. Blonney softens because of both, Jessica and Tooth Fairy.

Tooth Fairy was the key to Blonney's acceptance, and it's because of her talk to Tooth Fairy that Blonney treats Anne better, that she's willing to share more of herself, that she's more physical. It's not a coincidence that after slowly accepting the fact she's an arcanist (lesbian) that she gets more flirty and physical with Anne/Jessica.

This entire event was a way to talk about coming out, and I've watched this event so many times I wrote this out of memory. It feels this way because it's INTENDED to be that way. It's real, it's crude. It's so direct because that's what it is.

A coming out story, a horror story

A love story

[dragonfly0808]

Sky: The Thesis

This has been the most difficult thesis for me to write, I just don’t always know how to explain just what I wanted to do with Sky and I really hope I did manage to properly convey this here

So, here goes nothing, also, MAYOR SPOILERS FOR A WHOLE LOT OF PLOT POINTS, DO NOT READ IF YOU HAVEN’T READ AT UP TILL S4 CH 22 IF YOU DON’T WANT SPOILERS FOR SKY’S CHARACTER

First Things First

From the very start I knew I wanted Sky to suffer. Just joking (kinda).

 I know that in the OG he could ocasionaly come across as insufferable and I really did not want that.

I chose to give Sky somewhat of a ‘sins of the father’ kinda narration. Sky bears the burden of his father’s crime. His main objective in life is to fix what his dad broke.

From a young age Sky realized that it would be up to him to save Eraklyon from his family line, a duty that he takes very seriously.

Sky has an absent mother and a father that never truly saw him, he saw the way his dad’s betrayl destroyed him and he is determined to never suffer the same fate.

Sky blames himself for pretty much everything in existence, a situation that is not helped either by the duty of acting as King since 15 and actually becoming King at 18 + all the stuff that has happened in the rewrite.

Sky’s main trait and his main objective revolve around redemption, at first, the redemption of his bloodline and of Eraklyon and, later on, his own redemption.

Tried to Bargain with the Stars for More Than Half Your Heart

Sky is stuck from a very young age in this in between place of being the son of destruction and the hope for redemption.

He is partially desperate to be seen as something more, as who he could have been if he’d been the son of anyone else, which is why, when he makes his first true friend (or more accurately his first friend with no royal ties), Brandon, he finds some solace

This is also part of the reason why the switcharoo happens. Yes, it happens mostly for safety reasons, but Sky does take the opportunity to know what it is like to be treated like anyone else

In S1 we see him with a lot of built up frustration over not being able to help his planet and being dismissed by his father, which eventually results in his falling out with Riven

Sky’s frustration is born from a helplessness, he’s not allowed to do anything for his planet nor for himself. The only way he’s told he can help his planet early on in the rewrite is by marrying Diaspro and giving up the chance to marry for love, which obviously causes a bit on anger and resentment which can explain (but not fully justify) some of his attitude in season 1

Sky wishes to be seen and loved for who he is and not ‘in spite’ of his family’s past crimes.

I Can Run But I Can’t Hide From my Family Line

Sky’s greatest fear is turning out like his father, being unable to escape the generational curse of cowardice and betrayl.

We see him at his lowest when Valtor curses him, causing him to undergo his greatest fear, being like his father.

Right before the curse, we see him prioritize Eraklyon and his friends, asking Diaspro to kill both him and his father to prevent any harm from being done if they are cursed, which Diaspro can’t go through with it

Sky has a love/hate relationship with his father, between everything that he did that Sky feels responsible for repairing and also the fact that, after betraying Domino, Erendor was never the same and simply not that great a father to Sky, he tried, but never enough

Sky desperately wants to see the man his father was before, the man who seemed so happy next to Orion and Radius in portraits and pictures, the man his generals have told stories about. But he never gets even a glimpse of who his dad was before, which just causes a bigger rift between the two

Erendor thinks there is nothing left for him, no redemption and no real hope for the future, he gives up, this in part, impacts Sky in the sense that, he is someone who will always cling on to the hope of redemption and who will never back down nor give up

Sky is absolutely determined to keep going, he’s not always sure how he’ll do it, but he knows what giving up does to a person and he doesn’t want that for himself.

Castles Crumbling (You Don’t Wanna Know me Now)

Season 4 Sky is in shambles but he will not let anyone see it.

As I’ve said before, Sky carries the weight of both things that he was responsible for and things that weren’t his fault with equal guilt

In S4, Sky struggles with the sense that he doesn’t deserve forgivness nor does he deserve help in his struggles or pain, his thought is ‘I caused them enough pain and troubles, I shouldn’t burden them with my pain’

Sky is low-key having a months long breakdown, no longer sure of who he is or who he will become, feeling partially isolated in the squad. Valtor took something from him, took his confidence that he would never be like his father, that he would never forget the mistakes of the past

Even if he was cursed and not fully in control, Sky doesn’t see it that way, he still sees everything he did while under the curse as his own failure and as a betrayl to both his friends and to himself since he’d always been adamant about promising himself to never be like his father

Everything that Sky truly has is himself. Eraklyon, the crown, all of that is an inheritance stained by his father’s past. The only thing to truly belong to himself is the determination to right past wrongs, and, by being forced into making choices more aligned with his father than with himself, it truly breaks a part of Sky

We’ll see in his arc in S4 that he is very haunted by the idea of his father and wondering what could have been if Erendor had been just a little bit different

I’m really excited to explore a bit more of his mentality and see how his view of himself slowly changes through the healing of a few of his relationships, specifically with Flora and Bloom

Sky embraces the weight of the crown and is, at his core a very selfless and guilt-ridden person. If he could have it his way, he’d study architecture and lead a quiet life, but he will never try to pursue that life until he feels he has achieved giving Eraklyon peace, and even then he’d probably still feel a sense of responsibility to stay on the throne to ensure peace remains

Thoughts Behind His Main Relationships

Brandon

Brandon is Sky’s very first non-royal friend, they meet at 13 and Sky feels like he can just breath around him, Brandon was the first person from Eraklyon Sky felt safe enough to let his guard down around and he really helped him in becoming a socially functioning person since up until then he really only knew how to interact at balls and formal events or with Stella

But Brandon doesn’t just give Sky a friend, but a whole family. Brandon has a huge heart and a big family, the second he realized that Sky’s family was not like his own, he made sure to integrate Sky into his family.

They see each other as siblings, Sky absolutely sees Brandon’s sisters as his own (especially Alexa) and Brandon’s parents are Sky’s parents. They give him a safe space and the kind of unconditional love Sky had never known

Brandon and Sky are both very dedicated and strong-willed, they push each other to be better and, one of Sky’s favorite things about Brandon is that he doesn’t care about Sky’s royal status, if Sky does something stupid, Brandon will let him know and will tease him

Their friendship is one of absolute trust and brotherhood. They see each other at their lowest and never think for even a second to leave each other

Sky is one of Brandon’s biggest supporter once he’s back in regaining movement in his hand and there is no one else he could even think of to be his right-hand man and be right there with him as he becomes King

And, while Brandon is partially impacted and saddened when he learns of Sky’s choices when cursed, he never doubts that it wasn’t technically Sky truly and knows he will forgive him, because that’s his brother.

They are brothers, they could destroy each other and they’d still love one another, they could end each other, they’d forgive one another. What other word could possibly describe their relationship?

Bloom

They are a friends to lovers situation. From the moment they meet they are quite soft with each other and I think it took them a second to develop a crush but it happened quite organically, nothing dramatic just being like ‘huh, everytime I see you I like you more and more and I’d like to get to know you even better’.

However, after Darkar and Valtor, their relationship is at a standstill. They both have too much on their minds and find themselves tortured by their own thoughts and weights far too heavy for their ages resting on their shoulders

I feel like Sky and Bloom’s relationship is a tragedy, but like, a tragedy because of the narration ya know? Like there are these two kids who for all intents and purposes would’ve known each other their whole lives if Domino hadn’t fallen. Who care about each other so much and just want to be there for each other but have also hurt each other (for Sky, it’s his bloodline that hurt Bloom, for Bloom, it’s the very loyalty that Sky loves that winds up hurting him when Bloom choses a side).

Their tragedy is one of; I love you so much but the universe keeps fucking us over and revealing things that make me wonder if we truly can love each other and be together without another wave of hurt falling upon us.

Their tragedy in s4 converts into one of; I love you but I don’t know if there is room in my mind for that love anymore. I love you but I’m not sure if I even know you anymore. I’ll always love you but I don’t know what to do with that love anymore.

Can two people grow apart and them grow closer once more? Can you forgive that it wasn’t you I hurt? Can you forgive the side I chose wasn’t yours? Can we be friends again? Can we try? Would you like to try?

Their love of each other is pure, it’s just a question of whether or not it can survive all the bullshit the universe keeps throwing at them.

Stella

Sky and Stella have known each other since birth. They’ve been best friends since they were less than two years old and have always had each other’s back.

One of the major changes I made to season 1 was having Stella know about the switcharoo between Sky and Brandon, mostly because, since she’s known Sky her whole life, they couldn’t really keep it a secret from her.

This formed a dynamic for the trio and made them the closest subunit in season 1 since they’ve known each other the longest.

Stella and Sky are two kids who bonded as kids but continued to deepen their bond as they both realized the weight on their shoulders due to being the future rulers of their respective planets.

These two are definetely siblings. They both had somewhat strict mothers so when together, they love to get to just be goofy teenagers. Their friendship is one of ‘We both have so much to do and a lot of weight on our shoulders but when we’re together we can let go and try to trip each other into a fountain for the fun of it and stick out our tongues just because we can and I know you’d never get mad at me over something like that. But you know that if you even need anything I will be right here and nothing will stop me from helping you.’

Stella utterly and fully believes in Sky, she sees right through him and is perhaps the only one who truly knows just how deeply Sky’s eternal guilt runs

Sky can see through Stella just the same, and for a long time, was the only one that was even aware of just how insecure Stella once was deep down

Who is Sky in this Rewrite?

Sky is a good man but a bad son.

Sky is a boy king bearing the weight of past crimes and sins and of his home planet on his shoulders.

He is a boy whose greatest fears came true and he cannot forgive himself for not being strong enough to prevent that from happening. To keep from betraying himself and everything he stands for.

Sky is someone who is ultimately selfless and with a well of guilt deep in his gut that sometimes won’t allow him to breath

Sky is someone who, in a short 3 years has kind of lost himself. He knows what he wishes his life were, he knows what his life must be, but he no longer knows quite who he is, if perhaps he was partially playing a role in fear of what would collapse if he were to stop

Sky is someone who is trying to not only be forgiven but also to forgive himself

Sky is someone determined to not repeat the mistakes of the past and someone determined to redeem his planet and himself

Sky is someone terrified of himself. Of who he could become if he were unable to run from his bloodline, if he is unable to keep himself from turning into his father

He is someone who feels like an outsider and an imposter within his own friend group. He was made into an outsider by circumstances out of his control but somehow, he is the one who keeps himself at the border, even when everyone else has begun to move on and forgive him

—————————

Masterlist

Sky Moodboard

Sky’s Instagram

Sky and Brandon Moodboard

Sky and Bloom Moodboard

Sky and Stella Moodboard

[steddieunderdogfics]

This week’s writer spotlight feature is: @thefreakandthehair! With thirty-nine works in the Steve/Eddie and Stranger Things tags on Archive of our Own!

In an underdogfics first, we have TWO nominators!

Our first nominator recommends the following works by @thefreakandthehair:

this is my month, I can feel it. october, baby!

never been afraid of any deviation.

scar-crossed lovers.

the answers are all inside of this.

Our second nominator, @sidekick-hero, recommends the following works by @thefreakandthehair:

over the hills and far away

meeting you was coming home.

make no plans and none can be broken.

rounding third, sliding home.

what's mine is yours (to leave or take)

Lex's brain is full of very creative scenarios, reading her writing is like reading an anthology of short stories but it's with all of your favorite characters! You get to see what they'd do in this AU or that AU, I love the exploration. It's like she's made a stew and it's simmering on the stove and you realize you're so hungry for stew as soon as you see it. <3 -- anonymous

Lex writes characters that come to life on the page while you're reading her stories. It makes it so easy to get invested in them, to feel with them and root for them to get their happy ending. She's one of these authors I would follow anywhere, any trope, any setting and universe, I am here for it. So I think more people should get to find her stories and be treated to the magic. -- @sidekick-hero

Below the cut, @thefreakandthehair answered some questions about their writing process and some of their recommended work!

Why do you write Steddie?

How can I possibly give just one reason! These two burrowed themselves into my brain like little gerbils with no hope of ever getting them out. I mean, was I supposed to hear ‘dontcha big boy?’ and be normal about it? But in all seriousness, they’re two sides of the same coin and those oppositions in character are super fun to play with!

What’s your favorite trope to READ?

It was tough to choose, but friends to lovers keeps coming up!

What’s your favorite trope to WRITE?

If I have to choose a particular trope, hurt/comfort would be the closest fit, but in the sense of healing past hurts together as a unit.

What’s your favorite Steddie fic?

This question sent me into an existential crisis and the best I could do is narrow it down to three, and even that was nearly impossible. In no particular order: We’ll Know For The First Time by KikiZ; carve your name into my chest by hexiewrites; and more recently, Among the Wildflowers by ParadimeShifts.

Is there a trope you’re excited to explore in a future work but haven’t yet?

Rivals to Lovers in my football AU! I’ve been so excited to get moving on that one.

What is your writing process like?

Oh, I wish I had a better one. I start with a skeleton outline, pop on some music, and then pick and choose which part of the outline sparks joy in that moment. I rarely, if ever, write chronologically so I just write what feels good in the moment and then go back with a scalpel to create connective tissue.

Do you have any writing quirks?

Definitely writing out of order, I think! And if there’s one thing about me, it’s that someone is gonna have an introspective moment looking up at the stars. Someone told me it’s like my calling card and they’re not wrong.

Do you prefer posting when you’ve finished writing or on a schedule?

I like a bit of both. I like to post on a schedule for multi-chapter fics but only after it’s either completely done or mostly done so that there’s no pressure to it.

Which fic are you most proud of?

Over The Hills And Far Away incorporated some personal bits of my past that were equal parts cathartic and difficult to write at times, so I’d have to say that one! It’s really satisfying to take experiences that you regret or that didn’t end the way you’d hoped and give them a different ending in fiction.

How did you get the idea for never been afraid of any deviation?

The Eddie Month prompt for that day! Me and my co-mod for the event, nostalgicbones, included Bad Reputation by Joan Jett as a prompt and as I was listening to it, it got me thinking about how Eddie is someone who cares for those in less than ideal situations— maybe even to the point of weaponizing his own bad reputation to protect someone. In this case, that was Steve!

When writing the answers are all inside of this, what was something you didn’t expect?

I didn’t expect it to become multiple chapters! That one is part of my So Much For Stardust series (that I haven’t forgotten about, I’ve just been busy with big bangs) so it was based on The Pink Seashell interlude from the album. I still don’t know exactly how a 1-minute interlude turned into a 15k multi-chapter fic, but it was super fun to let go off the rails!

What inspired scar-crossed lovers?

Also a So Much For Stardust series fic, the first one in the series, actually. I heard Heaven, Iowa for the first time and wrote this based on that song in a day. My brain just kept rotating it around like a rotisserie chicken until I wrote it.

What was your favorite part to write from scar-crossed lovers?

This is ironic because I’m not an angst-writer by nature, but writing about the slow deterioration of Eddie’s van as a symbol for the passage of time was really fun to do. Bittersweet, but it was one of those things that I didn’t realize I was doing until I was in the middle of it and once I realized, I just carried it throughout!

How do/did you feel writing never been afraid of any deviation.?

Excited! It was the first time that I wrote pre-s4 steddie (which is wild that in two years, I just wrote that for the first time last fall?) and it was so fun to do!

What was the most difficult part of writing the answers are all inside of this.?

Probably balancing the kids’ voices in the first chapter while still creating tension between Steve and Eddie.

Do you have a favorite scene and/or line from any of your fics?

It isn’t one of the fics listed here, but in no better version I could pretend to be tonight, I loved writing the line “Something about Steve feels like home, and Eddie is only familiar with houses.” Hurt/comfort, my beloved.

Do you have any upcoming projects or fics you’d like to share/promote?

I’m planning on taking a break from big bangs for a bit to focus on some super neglected WIPs, so there are a few upcoming fics I’m excited about! My Football AU, an ASMR Artist!Eddie x Insomniac!Steve AU, and I’m working on a fic called Pickup Note with sidekick-hero and firefly-party that I cannot wait to dive into fully.

Outside of these questions, Is there anything YOU would like to add?

Just thank you so much for all that you do with this blog! The ship truly exploded overnight and there are so many incredible stories that I’ve completely missed just because they’ve fallen through the cracks. I really appreciate what you’re doing here and the undertaking that it’s been!

Thank you to our author, @thefreakandthehair, and our nominators, anonymous and @sidekick-hero! See more of @thefreakandthehair works featured on our page throughout the day!

Writer’s Spotlight is every Wednesday! Want to nominate an author? You can nominate them here!

[trulycertain]

I did not expect to like Taash nearly as much as I did, though I'm aware "large and gruff" is my favourite character type. I really like the way that matter-of-factness applies to all the aspects of them: I loved them simply telling Bellara when she was down, "I want you to be happy", rather than couching it in platitudes. Also, I tend to have way more patience for prickliness in characters than a lot of fans I know, so my gauge is broken. They admit a lot of the closedoffness is awkwardness, fear and Qunari cultural norms. (Unlike in other series entries, Veilguard's characters mostly tell you their whole deal, which is refreshingly mature but means the whole cast are being disgustingly honest with each other. Taash is the nearest we get to the "Care about things, me, nooo" of Zev, Morrigan, Isabela, sometimes-Dorian or DAA Anders, but that's still less intentional obfuscation than not knowing them as well. Even so, I approve of the fact they're an onion and it takes a bit to peel them.)

Yes, they're abrasive when you first meet them. They've been shipped off to join the Veilguard against their will, they're most likely fresh from a debate with their overbearing, arguably emotionally abusive mother, and you come and interrupt them in the middle of a tricky mission while they try not to get you both killed.

They're shit to Emmrich at first, but they do work on it and try to find common ground with him, and admit their grumpiness came from fear. Also, he did keep asking about their mum with admiration - no wonder that was a sore spot. (An older scholar lecturing them, chastising them for their impulsivity and lack of respect for tradition... I adore Emmrich and think he's unequivocally the kindest guy in the cast, but after Taash's difficult experiences with their mother, it's no wonder they found that horribly familiar.) They get pissed-off with Neve because she's "better at" femininity, but they're ashamed, they admit why and take the olive branch she offers. They worry about getting Harding a good gift. They feed birds and worry about a stranded poet. They may ask about Crow myths, but they clearly respect and admire Lucanis' skills and tell him so. They make their mum dinner and try to level, to share, with her even though they're pissed-off and terrified.

Later in their dialogue, it becomes especially obvious that they're working really hard on being kind - they intend to be, they just misstep as they learn. Shathaan was... distant. The Lords looked after them but couched a lot of it in brusqueness, stabbing and humour. They have no idea what to do with kindness and being told they're just fine as they are (one of my favourite character tropes: see also Alistair, Sera, Isabela, Dorian). They think they're doomed to ruin everything they touch and while they loved the Lords, you get the sense they've never had this many close friends (other than maybe Isabela's mentorship and the poet they bonded with) and they're really glad of it. As said: I like that they love with as much bluntness.

Much like with Krem, I think some of the dialogue in Taash's story was clumsy, but other bits felt very true to friends I've had and my own relationship with femininity, and as said, I was surprised to realise I had grown very fond of them by halfway through. (Well-intentioned awkward social issue inclusion is nothing new for BioWare, and it's never just about terminology - people seem to write off Taash's whole personality without giving them a chance. I don't think they're any harder to like than Morrigan, Sera, Vivienne, Solas, or Davrin, all of whom have fans.) Their excitement about dragons and their awe about Crows are genuine and sweet. Also they make me cackle more than any other companion save maybe Lucanis. That'll buy you a lot of points with me.

[hopefull-mindset]

A Much Needed Overview

I’ve been brought to a point of feeling the need to discuss the abuse depicted in Bungou Stray Dogs. This isn’t the brightest topic to speak about and I understand why people are reluctant to speak in detail about something as serious as this. It’s not easy, so I’ll be the brave face today because I feel disappointed about the lack of deep discussion beyond the popular topic of “The Abuse Cycle”.

I’m happy that it’s at least brought up amongst everyone as something that exists, I’m happy that people feel as though it’s something to talk about, but I don’t think most understand how to act about it. It’s never as cut and dry as how it’s depicted in most other pieces of media or how people speak about it in general. That is why I am thankful for its depiction here. Not saying that nobody speaks about it with clarity, but it’s not the majority, unfortunately.

I especially felt this was a good time to address this because of the reaction towards Asagiri’s thoughts on Dazai and Akutagawa’s relationship in the recent magazine interview. The outrage is not from nowhere, I was also taken aback at first, but to claim Asagiri “doesn’t even know his own story” is incredibly self-entitled considering the story isn’t done, nor are you the one writing this. If you read the story, no way is Asagiri justifying anything that happened. Please look at the question that is being asked, does it say “Do you think what Dazai did is morally right?” Of course, it isn’t.

Not to be rude but before you start questioning the writer himself if he’s read his own story, have you read it? Please keep in mind the fact this is only a magazine interview and doesn't reflect every nuance. Asagiri doesn't need to go “Oh yeah, this thing that’s bad is bad” every two seconds to explain himself. Asagiri’s writing decisions can be questionable and cannot be uncritiqued, but I’m going to have to defend him on this account.

I’m not sure if any warnings are needed concerning the subject matter considering most BSD fans know what I’m about to go over, but to be clear, please only read this when you’re in a well enough headspace for heavy matters such as this. I am not going to be talking lightly in any of this or dance around what’s happened between any of the characters, abuse is harder to talk about compared to other acts of violence that are objectively worse because it’s a more personal act that too many can find themselves in.

Finally, I do not want to speak about my own experiences online because I’ve only come to terms recently with it and they do not reflect everyone’s response to depictions of abuse in all media. Some things are very uncomfortable to admit about me that I haven’t told anyone, that no one would be able to take well even if they were my closest friend. This isn’t about me at all and there is no point in saying more about my reality, but I think my perspective might help people enlighten themselves on how truly complicated situations like this are.

What is Abuse?

Surprise, we need to go over this before any discussion about BSD happens because a lot misunderstand what abuse is. It's disheartening that the term has been so simplified that nobody knows what it means anymore. Don't substitute words for abuse or use abuse as a substitute for other terms. Abuse as a concept is quite hard to pin down with words and there are many ways to describe it, but by definition in the context that it’s directed to another person, abuse is:

To target and mistreat someone, causing them harm or distress in a repetitive manner

This by itself does not describe the grand scope of everything and probably might make you more confused, but it’s a great place to start and does describe what is directed to the victim. Many sources will use varied wording, but it’s the general knowledge that someone is being hurt to a fundamental level that makes it abuse.

Does the abuser need to intentionally hurt someone for it to be abused? Yes, but not in the way you think. Most abusers are not hurting their victims for the sake of just hurting them, that’s illogical, they’re doing it for something. Some examples include either for themselves in some way or what they think is for their victim’s “own benefit”. Even worse is when they genuinely believe it because they’ve also grown up in an environment that has that same mentality and reflects on themselves.

So yes, it’s intentional in that they’re doing it for a purpose. No matter their intention though, “selfless” or not, it’s still a selfish act in itself that they think that imposing their own will through harmful methods is what the victim needs. The abuse doesn’t need to be physically harming another for it to be abuse. As long as it’s harming you emotionally or otherwise and making you raise flags in your head, it’s abuse.

It sounds strange, but I'm saying it’s intentional because you’re still an intended target of their abuse whether they realize it themself or not. Abuse needs to repeat a form of distress in you to be abuse. For example, does one instance of physical violence against you count as abuse when it never happens again? Well, you need to think about the context. Usually, this would just be assault and that’s it, but is it left hanging in the air to happen again when you interact with them? Do you feel afraid for your well-being, even though it doesn’t happen again?

That’s still abuse, the psychological kind. Typically when abusers resort to physical means, it’s gonna happen again eventually. In this hypothetical instance, however, the point is that repeated distress does not mean repeated actions. It does not need to happen the same way for you to feel unsafe, it just needs to have power over you. Manipulation does not always equal abuse either. It’s a tactic used by abusers, but unless paired up with other actions, it doesn’t fit the criteria of abuse. Context matters when you examine what abuse is.

Here comes the tricky parts that are acknowledged less: When the abuser is someone you’ve relied on in your childhood, in a detrimental part of your life, or someone you care about that you put importance in, and it makes it hard to fully hate that person. What the abuser has done to the victim does not entirely reflect them as people, even if it’s still an important part of them that needs to be addressed.

Abusive people are not only defined by their awful actions, they’re not pure monsters like most love to pretend they are. It’s just easier to think that because accepting that they’re just a multifaceted human being hurts too much when you’re on the receiving end of their worse behavior. But what happens when you’re on the receiving end of both? You try to justify it the way the abuser is because you can’t accept that what’s happening is bad and not something everyone goes through. After all, they treat you decent enough sometimes.

Something so many people need to get into their heads already is that abusers can be victims and vice versa, but just because your abuser went through something themselves or is important to you, doesn’t mean you have to forgive them. Abuse is not forgivable just like that, you can rebuild a relationship beyond that if you’re able to, It’s not a “forgive-and-forget” thing.

Not everyone experiences and responds to abuse the same way, some hate their abusers fully, some can’t bring themselves to, and some don’t even know what to think, but there are so many who don’t feel one way that regarding all abusers as heartless monsters completely invalidates so many stories and their difficult experiences. I have a huge grudge against people like this who restrict abusive situations to just looking like one thing, this is why so many don’t even know that their situations are abusive.

Portrait of a Father

Chapter 39 reflects my points the most, and at the same time, it also turns out to be one of the most controversial chapters. It surprised me that it is, but maybe I shouldn’t be considering how most people on the internet act about abuse. It’s a lovely chapter to me personally and one of my favorites.

If you need a refresher, this is the chapter the Orphanage Director died in and leaves Atsushi in an emotional frenzy about what to think and believe. I know that the underlying message of this chapter is confusing to some, but it hit me in the face point blank on how this is about facing your abuser’s death without any personal conclusion with them.

Being sent on an investigation, Atsushi, after finding out the body was the Director, is stunned and scared because he knows nothing of the director other than his cruelty. He immediately assumes the worst and that he was coming after him again. Atsushi’s thoughts against him are entirely… on purpose in the director’s intentions because we find out that he has gone through so much violence and loss himself that he’s projecting his own will onto Atsushi and making sure he’d “survive in the real world”. So he became his first figure of hate and violence earlier in his life so he’d be “prepared for what comes next”.

I know so many take the backstory for the director as a way to justify what he did to Atsushi in the narrative, but it was just to put into context why he was so cruel. Abusers are never cruel for no reason, that never makes it right, but it’s reality. Atsushi was not the only one in the orphanage who was treated badly, he was singled out by the director most likely for an ability he couldn't control because the headmaster knew he’d get the most trouble for it, and unfortunately… he was right.

Akutagawa being his informant in this chapter makes perfect sense. He can see that what the director was for Atsushi is what Dazai is for him. No matter how terrible their actions were, it’s what kept them alive for so long. It’s not pleasant to confront, is it? Atsushi agrees because when he gets the information that the Director was going to congratulate him with the flowers he was going to buy by selling the gun he had on him, he freaks out. No way the guy he was raised so long to hate, the guy who put him through so much suffering, was going to congratulate him.

I know to some, Dazai’s talk with Atsushi sounded like he was justifying what happened because “it made him a good person in the end”, but that’s not what’s being said. This conclusion I’ve seen some people come to about this conversation confuses me. Dazai is just saying the obvious, you guys get all shocked and it weirds me out how easily it’s been glossed over that the reason Atsushi is so self-sacrificial and trying to do the good thing is because of the director. The reason he puts himself so much on the front lines is because he needs that worth in being good to live and prove the director wrong, he was raised to see that type of person is the most ideal person to live in this world.

After everything that’s been dumped onto him in such a short time, so much inner conflict of what to think of a dead man he no longer can have any personal closure with, he asks Dazai what face he should make, what he should think at this moment. Dazai tells him that they’re his emotions and he can think however he’d like, but commonly someone cries when their father dies. So he cries, because ultimately no matter his treatment, no matter the intent and its effects, it’s still the man who raised him. It’s flawed, but that’s what a father is stripped bare at its core definition and that won’t change no matter your feelings.

Now that I’m done summarizing this chapter and making sure you guys understood the point and how it spells out their relationship, I can finally talk freely about what was happening between them. When it comes to familial abuse, generational trauma is so prevalent it’s hard not to talk about. The director is quite reflective of so many parents who were raised to grow up too early in harsh environments, that they think they need to prepare their children for it too, even though it’s no longer needed.

You don’t need to like someone for them to be important to you, especially if it’s a parent in your life or someone close to that. That’s why Atsushi cries. He cries for the director, he cries for himself, he cries that it’s finally over, he cries for the kindness he could’ve gotten even if it wouldn’t have fixed anything, he cries for the father that never was, he cries because his father is dead. It’s perfectly normal to keep someone close in your heart that wasn’t perfect and to grieve their death.

Was the director successful in what he was aiming for? I want to say no, but he did. He succeeded in making Atsushi think of others in a good light and do good for them, making Atsushi resent him, and giving him the ability to keep going. Hell raised him right, but it was still hell. The problem is that his teachings were based on degrading Atsushi into being nothing but a life he should put aside in favor of others. Even if he continued hating the director like he wanted, he would still degrade himself for being a coward who didn’t hold himself to those standards. The result is not perfect because the director is not perfect, but in his position, this is a success.

The director for a while was his shadow of negative encouragement when he joined the agency, what kept him going in those moments, because he was what defined good, bad, and justice for him in his entire childhood. Even if he was dead, he’d still linger in his mind. I can’t parse out what to think about these hallucinations forming Akutagawa and Dazai to guide him later on, all it tells me is that he still can’t rely on or trust himself and he needs more development in his self-image issues.

I see why fans are confused, hell raising us right is a bizarre thing to say to a victim, so let me show you a perspective you're not seeing. Let's imagine you have an abusive mother who only wants you to be prepared for the things you're undoubtedly going to experience because of what you can't control. What she did does help you, but all that goes through your head is “Why couldn't she have done it differently without my own suffering?” The only thoughts that come rushing back when you think of those memories are the unnecessary pains. It takes a lot for a victim to acknowledge this on their own, they want to push back at the past so they don't have to see this plain reality.

Like anyone else that I’m going to bring up in this post, just because the abuse made them who they are or affected who they became, even when it keeps us going through life and benefits us in some way, does not make the abuse justified. Abuse is still abuse, I addressed this already and I hope not to address this again. I needed to detail an explanation because it’s quite easy to hate a man you know nothing about and has been painted in nothing but a bad light. The anger against the director is undebatable because abuse is not debatable, but to pretend the cruelty was nothing but for cruelty’s sake is mischaracterizing both him and Atsushi.

You can’t pick and choose what’s been told to you in the text just because you don’t like a character and lack the maturity for it. It gets quite hard to do that sort of thing when it’s a character you‘ve grown to care about, it’s no wonder Dazai is divided between so many. Speaking of Dazai, his involvement in this makes as much sense as Akutagawa’s. He’s currently in a mentor position for Atsushi, no matter what Akutagawa says, and shows interest in his development. So of course he’s going to purposely stick his head into something that would affect Atsushi greatly. Both Akutagawa and Dazai are viewing this through their lenses as people who grew up in the darkness of society, and it’s not that Dazai thinks what happened to him wasn’t terrible, you should have eyes to read the panels provided, but he’s generally unfazed and able to sound neutral because he’s used to that cruelty.

The Port Mafia’s Environment

(Aka: is it really “all Mori’s fault” or is it just the product of being literally in The Mafia™?)

I’ll go over the “Cycle of Abuse” in a second, but please keep in mind that you can’t just blame everything on Mori. Just like the Director, it’s so easy to pin the guy who’s just been the worst for every problem there, but it decimates the other characters involved as well and makes what they’ve gone through go flat because you’re restricting it to a misinformed presumption.

To make a bold statement, I need you to completely throw away your idea of what the abuse cycle is. The Mori to Kyouka pipeline being the singular “Abuse Cycle”? Garbage, needs to go away too. I've seen many fans use the term “Cycle of Abuse” too carelessly, and while from afar the way they're using it is not technically wrong, they have the wrong thought process behind it.

The Cycle of Abuse is simply the patterns of what keeps us in an abusive dynamic and negative mental state, either with an individual or environment, and makes it incredibly hard for anyone to leave. It’s not the actions you take that make it the Cycle of Abuse, and it's not just one straight line of people going through similar motions. You don’t have to be someone’s abuser to be the one who keeps them there, if you feed into it you’re still a problem. Even if you don't actively add to it yourself, just staying there as a bystander and not trying to do anything to change it or speak up for the victim when you clearly could also still make you responsible. Just with your presence, it validates what they've gone through as normal.

If you need more of an explanation, two opposite examples include Higuchi & Akutagawa and Beast Kyouka & Atsushi. Higuchi is a traditional example in that she stays in the mafia because of her relationship with Akutagawa, and stays by his side for reasons unknown. What we do know is that she’s incredibly indebted to him enough to care for him to an extreme extent, but their relationship is abusive all the same. Beast Atsushi and Kyouka sounds strange for me to bring up, but this is an example of a non-abusive person contributing to the Cycle of Abuse. Instead of taking her out of an abusive situation, he brings her back in.

Many characters are a part of this main narrative of abuse in BSD, so it's not inaccurate to say Mori, Dazai, Akutagawa, and Kyouka are a part of it as well using this definition as all of them are the reason or contributed to why someone was stuck in a negative, abusive situation or the victim themselves. I’m guessing none of you are genuinely referring to this though and are referring to intergenerational abuse, a repeating cycle of younger generations taking after their abusers when they're older, which is a completely different phenomenon. Both are referred to as cycles and have many commonalities, but it’s not the same. Not to sound like a total dick, but this barely even applies to them.

Not because the concept is based on familial relationships, it can happen with older figures in your life too, but because our oh-so-famous Abuse Cycle gang does not have that commonality to make that claim. They have narrative parallels, but that’s pretty much it. I will save what I have to say in their sections, but Mori and Akutagawa did not abuse Dazai and Kyouka respectively for this type of claim to have any legitimacy. Kyouka certainly broke a cycle, but not that kind since that would need her to continue it in the first place and then prevent her own experiences from even affecting the next child.

What do all Mori, Dazai, Akutagawa, and Kyouka actually have in common? They are/were in the mafia, using their natural talents of cruelty for the underworld.

The Port Mafia resembles something of an abusive household or community that sees so much of what’s done to others there as normal, and constantly compares it to how it was with their old boss and thinks, “At least it wasn’t as bad as that.” It’s quite like the Orphanage Director’s thinking but on a larger scale. Does that make everyone in the Port Mafia abused? Nope, unlike most abusive communities, the Port Mafia is quite literally the mafia. Everyone is there for different reasons, at different ages, and different experiences. Everyone is taken advantage of in these situations, no matter the circumstances, but it doesn’t make them abused automatically.

So it’s hard to have a stance on anything about them being abusive other than the mentor situations in the Port Mafia don’t see abuse as abuse and just another way to teach their subordinates to survive in their world if they deem it necessary. Was Chuuya abused, either by Mori or Kouyou then? I’m going to have to say I can’t tell you that. We don’t have enough information on either of his dynamics with them to say that they’ve directly had any repetitive behaviors of direct harm against him specifically, and there's no reason for them to do so either. I’m not going to use the argument that “Chuuya doesn’t hate or fear them, so that must mean he wasn’t” because again, that type of response does not reflect so many situations.

Chuuya was still harmed by being in the Port Mafia as a teenager because nobody should have been surrounded by this much cruelty at that age. It doesn’t matter if he shows visible distress or not about the Port Mafia, he was just desensitized to it since his sheep days. So was he an abuse victim under the idea that being a child in the Port Mafia is abuse? That depends on who we’re speaking of, but in Chuuya’s situation, I'm going to have to say no as he's already internalized their mindset from his own experiences separate from the mafia. Keep in mind that it also still holds true that you can find family in situations like this, it’s not mutually exclusive. Some just find more comfort in what they’re used to than what would be better for them. Kyouka is a better example of someone being a victim of an abusive community.

A false claim I've seen made many times are the ones where they have it as if Mori is the mafia itself or that he made the mafia what it was. It shouldn’t be too surprising, but it’s the opposite. Mori already held flawed, heartless, calculative methods when in situations he thought required them. We’ve seen him as a soldier and an underground doctor, but we know nothing else about him outside of his cruelty, just like the headmaster. What he does is never for what he thinks is for his benefit, but for the sake of something larger. Whether it’s for the city, the country, or eventually, the Port Mafia.

The mafia is the first time he’s been put into a position of absolute leadership and is not yet accustomed to that at the beginning of Dazai, Chuuya, Age Fifteen. He’s able to quickly fit the mold of a mafia boss, but there’s that bit of honesty that peaks through in this light novel in the first and last sections that’s ignored too quickly. First Mori complains about nothing going immediately right, questions himself about Dazai, and becomes genuinely stressed if it was the right decision to involve him, then confesses that he sees himself in Dazai to him (and him and Fukuzawa in Soukoku in private), and finally gives his honest take of leadership to Chuuya.

I already go over Mori as a character in one of my other posts and will speak more of him later on, so I don’t want to reiterate the same points, but here we have proof he has (albeit poor) humanity. He did not become the Port Mafia boss for his own selfish gain of power if you’ve forgotten, but because Natsume introduced him to becoming part of the Tripartite Framework to protect the city he loves, it’s where he’d excel best in this plan. The Port Mafia was already a shithole, Mori just made it livable again by becoming what an organized crime group needs.

It’s what makes the dynamic between Kouyou and him so intriguing because you have an abuse victim who has embraced the environment she was forced back into, but won’t let go of someone who’s proven to be more of a decent leader than her tormentor and can be relied on. For victims who couldn’t get help or realize they needed help, the easier path is to accept this is your life through some justification. While I said the Port Mafia resembles an abusive community, communities as such aren’t purely terrible and that’s what keeps them justifying it in their head. The family you have for yourself, whether it's a made one or the one you're born with, is what sticks for you.

Like it or not, Mori isn’t stupid. He takes risky gambles that backfire on him sometimes, but he’s good at his job. He’s brutal enough to prove his own against the people who didn’t think he should’ve been boss and outsiders who want to go against the Port Mafia, but he’s considerate enough towards his people and shows enough competency to be perfect for the job. He’s not a great human being, but what did you expect? He no longer had any room to express that humanity, he never had; there was no benefit from being a good person in his line of work.

The Heartless Cur

That looked like a great segue to talk about Dazai and Mori’s dynamic, but it’d benefit to go over Akutagawa first. For those who do acknowledge it as an abusive situation, Thank you for at least taking that step. Numerous don’t and it worries me at the state of what’s considered abuse vs. training. It may be both at times but don't excuse one for the other. Training needs formal consent and communication at some point during a session. Akutagawa is learning, but it’s the same as getting yelled at as a child for not doing your homework right, when again, you’re still just learning.

It might’ve been easier to see for those who do acknowledge it because of the visible physical abuse that happens, but let's not undermine the psychological abuse happening as well. Dazai has messed with his psyche on an abhorrent level through his degrading and threats, making him reliant to hear a single word of acknowledgment from his mouth. What happened to Akutagawa is beyond the mafia’s environment.

Akutagawa does not hate or want Dazai dead for what he’s done to him, but he does hold anger at the seeming abandonment he’s been put through… and at himself as well. Anger that he couldn't get to what Dazai wanted him to be before he suddenly left. So he proves himself by climbing the ranks and becoming someone feared. Spectacles of violence not because he enjoys the feeling of other’s suffering or the power over them, but to show Dazai that see? He's still worth looking at!

He stays in the mafia because he’s found a place there. Even if he could, there was no point in leaving the mafia after he disappeared because what would be left for him if he did? He will always be an unchangeable, horrific hound of the dark and there's no changing that in his mind. From an inference of his actions in the dungeon when they finally reunite one-on-one, he wanted to believe that he was above Dazai after all those years, but Dazai doesn't act impressed or scared or anything. After all that effort, he gets nothing but ridicule and mockery like he's back to being that little kid with an oversized coat too big for his body.

Worse is that he gets told that some new kid Dazai picked up, who didn't train to the extent he did to refine his abilities, is better than him somehow. He gets riled up and at first, takes out on Dazai, but all those threats about killing him and how he went against the mafia were empty. Even now he can't bring himself to hate Dazai, he needs his mentor to acknowledge him no matter what side he's on. He never let go of Dazai, his coat is proof enough of that. So he takes it out on the party that isn't responsible and is convinced he needs to overcome Atsushi to prove something to Dazai.

He doesn't hate Atsushi, not genuinely. He does the same when he’s told he’ll never compare to Odasaku, someone who objectively should’ve been the weakest member due to his status. He gets angry at Dazai’s words, gets angry at himself, then takes it out on the person mentioned, rinse and repeat. I’m not sure if I’m the only one to notice, but he genuinely believed that the meaningful life Dazai gave him laid in the mafia and being useful to its cause. He has no reason to be as loyal to the mafia if he didn't think this.

Dazai’s acknowledgment means more than just appreciation for his skills and strength, it means his life meant something by striving for being the strongest. It’s not about the acknowledgment at all. Whenever he critiques and shames Atsushi for how he lives his life, it just feels like he’s unknowingly shaming himself through him without having to acknowledge his wrongs. It makes me curious about how much the acknowledgment itself even matters to him and the validation it gives him to strive for this is an excuse to keep living so what he’s doing in the mafia even matters in the end. What counts as acknowledgment to him?

He's convinced his faults are what made Dazai turn away, he just doesn’t know how to do anything to fix it and can't fix it this late into the game. What does Dazai want from him other than being stronger? When Dazai directly asks him to do something important involving Atsushi, he’s confused. He has no reason to trust him to do these missions. He’ll take the chance to prove himself once and for all, but to be included means he's being acknowledged, so what gives? The number of times he visibly self-reflects can be counted on one hand because as soon as it shows, he goes back to justify his violence and ignores his faults.

As someone whose favorite character is Akutagawa, I’m disgusted that all people can take away from him is “Akutagawa is an obsessive fanboy that deserves no sympathy because of what he did to Kyouka” or “Akutagawa is a poor, miserable man that didn’t deserve what Dazai made him into and should be absolved of responsibility because it’s all Dazai’s fault”. Both are very shallow and very harmful to perpetrate as they continue the idea that a person can only be the abused or abuser. He's both and it's okay to admit that.

Quickly let’s clear up this: He is not the way he is because of Dazai.

What Dazai IS responsible for:

Akutagawa’s need for his constant approval and recognition

Akutagawa learning to hone his ability

Akutagawa’s toxic views of being useful

The reason Akutagawa’s still alive

The reason Akutagawa is the Mafia’s dog

What Dazai is NOT responsible for:

Everything else

Akutagawa’s lean toward violence, his one-track stubborn mindset, and his lone-wolf attitude are not a product of Dazai’s treatment, he’s always been that way because of his time in the slums. He got beaten down by adults frightened of his empty gaze, had to learn to protect himself and find something to eat to survive, helped take care of his sister Gin and his friends by himself, and everyone constantly dying around him. That’s the real reason his personality is like that. He is a victim of his circumstances in a society that deemed him worthless, so he also thinks of his life as worthless. That’s why Dazai means so much to him.

Dazai did not trick him into joining the mafia, Dazai expressed what he was going to go through was worse than what happened in the slums and gave Akutagawa an out that he could live a normal life with enough money, but he knew Akutagawa would not refuse because he still needed meaning in living, just like him. Gaining enough money to get by so he and his sister could get out of the slums would do nothing for him, he already felt that his life was worthless. He has no problem throwing it away at any time, he was gonna die young regardless because of his lung disease. It has manipulative undertones, but that's how Dazai usually is with even the people he cares about.

Akutagawa knows too well that a person needs a sign, someone to tell them it’s okay to keep going, and so does Dazai. Part of Dazai’s goal is to save Akutagawa from dying and give him a reason to live like he promised that day because he sees the potential that could come from his development. I don't want to sound like a dick again, but you’d have to be dense to think Akutagawa would still be dead by the end of this arc. He isn’t sending him off to his death, Dazai doesn’t know everything.

Even if he knew Akutagawa might die there, it's better than both Atsushi and Akutagawa dying at that moment. If Akutagawa didn’t want to die for him, he wouldn’t have, he chose to save Atsushi’s life. This is why I have to defend Asagiri. Let’s reread the interview together, to make it get across already.

(Twt link)

Q: Just like how Akutagawa and Atsushi's relationship has changed, I could feel the relationship between Dazai and Akutagawa moving forward too. Is it like what Akutagawa has said in Episode 3 of Season 5, that every order he has received from Dazai so far has been "a trial", "a part of a meaningfull life"?

First, the question being asked. They’re asking Asagiri about their relationship in the present, and how it’s developed. Akutagawa is no longer thinking he was abandoned by Dazai for a new, better student like he was made him believe, that was just to rile him up and interact with Atsushi more. Instead, he realizes that he’s not supposed to work against Atsushi, he’s supposed to work with him. How he decides to go about that battle with Fukuchi and whether or not he works with Atsushi like a partner is his trial. If this was Akutagawa before he met Atsushi, he would’ve no doubt escaped or might’ve thought defeating Fukuchi would prove himself to Dazai. He's not an obstacle to his meaningful life, his quest for a meaningful life lies with Atsushi.

Asagiri responds with:

Asagiri: Needless to say, Dazai is the most qualified person in this world to help Akutagawa grow. Dazai has a vision for Akutagawa's development, and he completely understands what it takes to achieve it. We, as obsevers, can only see bits and pieces of that vision. But I can at least say that Dazai's training plan has never been wrong.

Many find this answer questionable, I was stunned reading it myself. Asagiri is not wrong at all here though, Dazai is objectively the only person in this series who can find a way to help him. Atsushi is the endpoint, but Dazai has been guiding him to this point. Dazai himself said that he was planning to team them up the moment he met Atsushi, he was still thinking of him even after all these years. There are much scarier implications than thinking that Asagiri was wrong. It's that Dazai was doing everything intentionally to get Akutagawa’s mindset where it was. He didn't mess up with Akutagawa, he just couldn't personally teach him the skills he needed and chose a different route until he found something that could.

Asagiri is not saying the abuse was morally justified, but the intention behind it was not wrong in an objective stance. Dazai would know what to do the most because of his understanding of wanting to find meaning in living. Teenage Dazai couldn’t have achieved much by himself, even if he could understand since he also could not find meaning in life. That’s why he made him hang on to his every breath of validation so he would keep his faith in Dazai long enough for him to find a solution to this dilemma. The moment in life when he found Akutagawa was not ideal and he still did what he thought he had to do for him to survive in the mafia. Without his ability, he's incredibly weak and needs to be able to defend himself. A violent person could not have made another violent person unlearn their violence.

You could say he just wanted a weapon, but that’s not it, not even close. Many of you are stuck on the part that it was a suicidal teenager that picked Akutagawa up from the slums and that no way someone like that could teach another suicidal teenager anything, so it’s “comical that Asagiri thinks as though he’s the most qualified”. You’re not wrong in some sense, but this is still incredibly intelligent, “Black Wrath of the Port Mafia”, Osamu Dazai, and not just some suicidal teenager.

He’s also no longer a teenager. Right now we’re talking of Dazai in the present who’s grown and no longer needs to be how he was in the mafia, he has Atsushi now, someone who can help Akutagawa see what’s wrong in his outlook. The only thing he could’ve done back then was to shelter Akutagawa so he wouldn’t kill himself. It's horrible, but Dazai validating where he is now would do no good for either of them and fix nothing.

Q: What kind of person is Dazai to Akutagawa?

Asagiri: Actually, at the time of "The Dark Era", Dazai already spoke very highly of Akutagawa, as someone who would "become the Mafia's strongest skill user in the not-so-distant future". He just doesn't say that in front of Akutagawa himself. The reason he doesn't say it is that Dazai has to be "the presence that continues to give meaning to life" to Akutagawa. So far, that trial has been completely successful.

None of what Asagiri brings up is new information. He doesn’t say it in front of Akutagawa not to spite him, but if he gives these praises out too freely, he loses his distant, almost god-like presence in Akutagawa and will go back to being just a lone wolf with no exceptions that will carelessly get himself killed. Without any goal, he’s lost. Just like Atsushi and the headmaster and how Atsushi hinges on proving he can do a good thing to motivate his life, Akutagawa similarly hinges on the fact that if he fails, he won’t get Dazai’s approval.

However, his death was not fully about Dazai’s approval in the way he's been preaching. In chapter 87, he mentions Dazai’s approval like always, and when they fail the first time even after trusting and working with each other as Shin Soukoku should, It hits him. What came into his head I cannot parse out at the moment, but his actions speak so much louder than any explanation we could've gotten. Of course, he's helping Atsushi escape, but what does he do for that? He used his ability on his shirt, and not just on the coat like he typically does.

It doesn't seem like a big deal at first, he could've always done that, but when was the last time he used it on something that wasn't the coat Dazai gave him? The coat means many things. His new beginning, his path in being Dazai’s student and successor (as that was also Mori’s coat), but it also conveys Dazai’s will that keeps him alive and that he's only strong with his coat. Without it, he's defenseless, so he clings to this coat the exact way he clings to those orders. It's his encouragement to keep going when Dazai isn't there. This overwhelming, suffocating responsibility, an oversized coat, is a lot to give to a kid but it's comfortable and he’ll grow into it eventually.

It was already a huge step in his development that he gave Atsushi his coat, but to use his ability not on his coat means he's making an effort to overcome his fixation and do an action unrelated to Dazai for the sake of Atsushi’s life. His whole life after the slums, everything he's ever done was with Dazai in mind. Him saving Atsushi’s life was not because he was doing what Dazai wanted him to do, that he'd finally get approval for doing It, and in turn give his life meaning before he died. When he saved Atsushi, it would give his life meaning in just that. He shouldn't let himself be defined by the past the way he criticizes Atsushi for, so he’s going to choose his meaning. I wouldn't say he's moved past Dazai yet, but he's getting there.

Dazai and Akutagawa’s relationship is not healthy in the slightest, and Dazai’s crueler actions and words against him are not right, but they’re still growing and not stagnant characters. Atsushi and Akutagawa learn from each other and that's what's pushing them to change. Nobody will pretend those past means weren’t just abuse, they were, but there's so much more to it. Like I asked with the director, was he successful? Well from what I’ve said, yes it so far has gone the way Dazai hoped for in the best-case scenario.

In the main universe at least, this is one of the better ways it could’ve gone. Beast is a different story. Teenage Dazai of the main universe was unsure of Akutagawa’s future and did only what he could’ve done at that time, but Beast Dazai does have that knowledge and he decided that it would be best for Akutagawa to not be in the mafia, instead bringing in Atsushi. It wouldn’t have been good to let him pursue his violent tendencies more than necessary in the mafia in this universe when he knew there was a better option, especially with someone like Oda, who would take the time to care for him properly.

Even if he didn’t bring him in, he still gave him the motivation to keep living for something. The prologue of Beast is a mirror to The Heartless Cur, with instead it’s a distant relationship of hate Akutagawa has for him for taking his sister. For those who argue that since Beast exists, that means Asagiri was somehow “wrong about Dazai”, but it’s still Dazai from the beginning that’s the source of this motivation. Dazai, who's still guiding him. If we’re gonna be honest, Dazai was putting their development/capabilities in speed run mode with the logic and future information he had access to prepare them for a timeline he won’t be alive for. There are many factors for what he did in Besst, but that’s not the conversation.

What does he get from helping him? Who knows, Asagiri wasn’t being cheeky when he said we only see bits and pieces of his vision. We barely have any clue what’s going through that man’s head, so don’t act like you do. He wasn’t always planning for the next Soukoku. Maybe it was a thought that came up sometimes, but he’s only met Atsushi recently. What about Akutagawa was so different from any other powerful ability-wielding orphan? Well, we’re not gonna know any time soon.

The point is that Dazai is thinking about their future, even if the abuse or manipulation makes that hard to see. Please do remember that abuse is still selfish no matter the intention, but non-selfish intentions make it all the more complicated to process. Their relationship is not misunderstood by Asagiri himself, it’s just clear to me most don’t want to face the unpleasant truth that there is more to their dynamic. When I first realized what was going on, I couldn’t help but get unnerved and awkward when someone would ask me about these two. These are both characters in the spotlight that you’re supposed to care about, but what happened between them is rotten.

You’re not supposed to pretend it didn’t happen because Dazai still contributed to who he is and it shows whenever it’s on screen. Abuse doesn’t make us stronger, don’t make it as if that’s a message that Asagiri is spreading. What happened to him motivated his development, but with Atsushi, that’s the opposite. Their circumstances are different and victims process what's happened to them in various ways. Depicting it in a form less common than usual doesn't mean the author thinks in the same way the victim does, it's just nuance at work.

I did not add Akutagawa’s attitude towards his subordinates and newer members as Dazai’s responsibility because Dazai is not the one controlling his hands when he hits Higuchi. Dazai’s mentoring contributed to his toxic views of being useful, but it’s only Akutagawa’s responsibility once he raises his hand. Instead of thinking of this in the context of the most typical abusive situation you can think of, how about this:

Your parent was raised in an abusive household, but they think they came out of it just fine and that there was nothing wrong with how they were treated. They treat you almost the same way, and all you can take away from that when you find out is, “At least it’s not as bad as it could’ve been”. You still hold anger at the standards they’re forcing you to reach, but if that’s what it takes to get that approval, then you’ll keep going anyway. Even if you get yelled at and you know you shouldn’t be treated like this, it’ll feel nice when you finally get on their good graces, right?

Then you get a new sibling, and all of that comes crumbling down. They don’t treat your sibling anywhere near the same when you were that age. Years go by and you get angrier and angrier. Why is it only you that was put to that standard? Even worse is that they treat you differently now too. You finally got to those standards, but now what is it worth? They’re so much nicer now and you want to curse them out for only changing now. Why couldn’t have had that parent from the beginning? It’s so unfair, but you can’t take it out on them because you still need them, they mean so much to you. As angry as you were, they were doing it because they cared about you in their way, you think. It was what your grandparents did to them at least. So you start treating your sibling similarly to how you were treated because you can’t take it that they didn’t experience that hardship without destroying yourself first.

Question: Are you right in what you did? Was the parent responsible for what you did to your sibling?

Nobody in their right mind would say yes to that first question. It makes sense why it happened, but continuing abuse will never be the correct answer. You’re doing the same thing your parent did. The second question needs more exposition to answer, however. How responsible is responsible?

In the end, even if it was the parent who influenced it, you’re only responsible for what you’ve done on your own accord. The parent did not tell you to take it out on your sibling, you decided that yourself. The parent is still responsible for what they’ve done to you, never get that wrong, but if you say that your guilt is absolved because it’s all their fault, you sound no different from any other abuser in denial. Are you saying now that the parent is also absolved from guilt because it’s all their parent’s fault too? Listen to yourself, You hurt someone but it’s not your fault, but the person who hurt you is also somehow not at fault? If someone came up to you and said that, you’d be fed up.

For those who do the same thing with Mori, rethink what you’re saying. Is it that painful to admit your favorite characters are at fault and that they’re changing? This comparison isn’t perfect and ignores some key factors: Dazai isn’t Akutagawa’s or Atsushi’s father and is not much older than them, the Port Mafia is a violent workplace environment and requires you to be able to navigate it a certain way, and all three of them at adults in present time. I used this comparison to be more real to earth and something a larger audience could process themselves to truly get that the emotions here are not straightforward even in a realistic situation.

Re: Portrait of a Father

Just like the prologue, in chapter 3 of the Beast light novel, Portrait of a Father is mirrored and retold in brutal upset that does not hold the hopeful bittersweetness at the end of it unlike its original. Before the present day, against all orders Dazai gave him, Atsushi attacked the orphanage on the day of his birthday. On his birthday, he would be reborn from the ashes of his past being burnt away, and kill the director inside to release himself from the fear of those memories.

It’s what he says at least.

Playing out, the director was expecting him. There might have only been one person in his mind who would’ve attacked a rundown orphanage on this scale. It frightens Atsushi after all that planning and fear of losing to the director, he could still see through him, but confusion takes hold when he’s told that he was late for his graduation.

Graduation? Atsushi is in fight or flight mode, why is he approaching him with this box? He can’t imagine it being anything other than a weapon, nothing else would make sense for this cruel monster. The director won’t give him any straight answer, just repeating words he’s heard over and over growing up here. He uses his tiger hearing to glean what could be inside.

Tick. Tock. Tick. Tock.

There’s the proof, it had to be a bomb. He needs to protect himself before anything happens or he’ll die. He’s scared, he can’t move, but he has to fight. The director opens his arms for the embrace of his child… and death, plummeted into a bloody mess on the floor. Only out of the corner of his eye, only when Atsushi stopped, he saw what was in the box. It was a watch, brand new and high-end. Happy Birthday was what was written on a sheet of paper next to it.

His last words, whispered into his ear, were words of encouragement: “Yes… just like that.”

I was not kidding when I said this was brutal. Just like in the main universe, Atsushi learns why he did what he did and can’t place any of his feelings, but overwhelmingly guilt crushes him to keep protecting people with his life rather than just fear because he killed him. He finds out much earlier about what happened with Shibusawa, and how the director protected his identity as the tiger.

The director’s intentions are draining when you let your mind wander. As we’ve established, the headmaster as a figure of hate for Atsushi is intentional on his part. He doesn’t explain anything on purpose here to probe him into killing him. He bought that watch for Atsushi as a congratulations for growing up and becoming a new independent individual.

In the split minute before Atsushi took the first swing, he said his usual, “Those who fail to protect others do not deserve to live.” I have to question now if he was so willing to die there, even encouraging him to kill him, then has it been this whole time he still can’t live with himself for what happened to his friends… or is it because he couldn’t protect Atsushi anymore? Maybe I’m overthinking it and it was just that the headmaster thought Atsushi needed to kill him to remove an obstacle in his growth as an individual, to be a necessary sacrifice for his benefit.

It's too flawed though. The director will never leave him, not after all that he's engraved into Atsushi. The watch has become not a symbol of a person who's found himself, but a child that's latched himself onto his father's cold corpse that won't ever respond, but that child would do anything to have him wake up and say "Good job, Atsushi". The director also has a clock, but can he call himself a strong individual when he hasn't let go of the past either?

Time stopped for Beast Atsushi when he picked up that watch. If he had just followed orders, none of this would’ve happened. If he isn’t his father’s child, if he doesn’t uphold his last wish, then who is he? When he’s no longer in the mafia and has time for himself to think, he wanders.

He failed in becoming someone he could be proud of, he deserved to die for that but doesn't want to be dead… because It wasn't truly about the Director, just like how it wasn't truly about Dazai’s acknowledgment or saving his sister for Akutagawa. At first, that was the motivation, it's the reasoning they keep going with, but in the end, it was to save their own life and give it purpose to validate why they're still around. If they can die like this, then it's all the same. If they have their own life in someone else’s hands, then they no longer have to be responsible for their own heavy-hearted weight.

Beast Atsushi is given neither and is taken of his reasoning, but he keeps going. Aimlessly.

Luckily, it’s not where his story ends.

He wakes up in his old orphanage, and it’s no longer the dreary place it was when he was younger. Kids laughing outside, no chains on the walls or bars blocking off the windows, and the new Orphanage Director greets him. He tells him that he will go back to being a student of the orphanage until he can become independent again, under one of Dazai’s last requests before he died.

Still, there’s one thing he needs to do. The new director takes out the watch and tells him to break it. Atsushi is distraught by this notion, but he won’t let Atsushi leave if he doesn’t. The new director has good reason, there is no point in becoming someone the past director was proud of and this is what’s holding him back. Atsushi, eventually, tells him he will not break the watch. He can’t move on just yet and this watch is still proof he’s himself, yet…

He’ll keep going and move forward, just like Akutagawa told him after he spared his life. The new director finds those words to be enough, saying he can’t leave until he finds something else to define himself with, but he can keep living here as his son. He went there to burn away his past and came out of it not able to let go of the past, but now he can redo and process it healthily with someone willing to hold him like a father should.

The Man Who Raised Dazai

Everyone who’s read Beast has questioned it: Why did Dazai in his right mind have Mori take care of an orphanage? Why did he save his life? Better yet, why is he so nice?! I have come up with some speculation on why Dazai would.

“Beast Dazai recognized this potential of change either from the multitude of universes he was able to witness or recognized it in his own considering canonverse Dazai never does anything against Mori (even if he visibly dislikes him).”

“Possibility is one thing, the why is another. It was either that he saw potential and good that could come out of this in the long run, Mori’s intelligence and expertise still proves usefulness, less dangerous for Oda in the long run if he let Mori stay there instead of the Mafia, or all three.”

(Didn’t feel like rephrase them)

We can’t know anything for sure about his decision, but I do know Mori is the type of character to sacrifice his feelings for what he thinks would logically benefit the sum, and there’s no better way to release yourself from that too-calculative responsibility than to remove yourself from it and to be in a place where you’re allowed to care for others and express yourself when there is no greater purpose than to just grow.

What happened with Yosano is undoubtedly wrong, but Mori had put away any sympathy in those situations because he needed her to do what he brought her in for. I was confused by his declaration that violence should never be used to educate children when I read it, especially out of his mouth, but now I understand. He would know with certainty that it’s not the right way to educate children, particularly because this is a Mori that hasn’t been in the dark for these past years and has grown to care for these children at the orphanage without any greater intention for them.

He’s not like the Old Director because he has no reason to think these kids would end up the way he did. They’re just kids that need someone to raise them with kindness, kindness will be what gets them through life as functional adults. Abuse has too many drawbacks to be called an optimal solution here. Is it surprising that all it took to change Mori was the kindness and salvation Dazai offered to him when he took over? Can you believe it was that simple to treat someone like a human being instead of a figure of hate?

What sticks out to me like a sore thumb is that when he’s introduced in Beast, he’s referred to as the man who raised Dazai. He is, regardless of what you think, the closest thing Dazai has to a father figure. In regards to how the fanbase speaks of their relationship, it’s hard to think that he cared about Dazai, but he did and the extent of how bad it got between them is grossly exaggerated.

As many comparisons Dazai gets with Yosano, their relationship with Mori is very different. Unlike Yosano, he did not need to be forced to do anything with psychological abuse and he did not need to be torn down to do what Mori asked him to. We don’t know what happened to him to become like this, but it wasn’t because of Mori. Yosano had light in her and a motivation to do the right thing, but Dazai didn’t. Dazai is no stranger to any violence or using violence himself even before Mori if he's this desensitized.

It’s useful that Dazai is like that when he meets him, up until it isn’t. He’s moody and actively looking to die. Mori can’t predict him that easily and Dazai can see right through him. There’s another huge difference between them though: Mori sees himself in Dazai. We don’t have enough insight in his head to make conclusive statements, but I think this is why he cared for Dazai. It’s not because he saw a child struggling that he cared, but grew some fondness because he saw a little mini-him. When he drove Dazai out of the Port Mafia, he expected him to come back and take back his vacant seat.

Eventually, Dazai will come back and realize that petty anger about someone dying is illogical in somewhere like the mafia. But because of him not being able to see through Dazai and seeing himself in him, he also expected him to eventually usurp his seat if he stayed any longer. That is why he had invited Mimic at the time he did and manipulated the situation so Oda, someone he knew Dazai cared for, would go and take care of the situation flawlessly. He’d be sacrificed and Mori could get something out of it, a Skilled Business Permit. A perfect plan… in theory, but Mori was wrong and miscalculated on many levels because of how many assumptions he made about Dazai.

First, he wouldn’t have known that it was Oda who held the words that would convince him to leave the mafia and go into the world of light. Dazai will never come back to his own volition. Second, as those panels quite literally tell you, Dazai was never planning on killing him. He saw his place in the mafia and saw that he was needed there. When Mori finally realizes his mistake with Dazai 4 years later during the Guild Arc, he can’t go back. His plan was still perfectly sound and he still got what he wanted out of it. He shouldn’t regret it, but…

Now that’s been paved out, where does wanting to save Dazai fit into this? If I had to assume, it’s the same reason he didn’t shoot Dazai for leaving his office during Dark Era. He cared about that boy, for 4 whole years he left him and his seat alone when the logical thing he should be doing was replacing him, but as much as he might’ve cared, he needed to put the mafia first. He didn’t let him die because of his use, but also because of their so-called “common destiny” in his eyes, a diamond in a rough he might’ve disposed of otherwise if he didn’t see his potential. There’s not much he could’ve done for Dazai here except keep him healthy and alive. Mori gets tons of flack for not trying to help him, but there's nothing he could've done, not in their position.

He can't cultivate his potential if there is abuse involved because there is no logical reason for him to do anything to Dazai. You guys have to stop assuming the worst when it comes to Mori, you’re missing huge character details that are right in front of you. The difference between Mori, the Boss of the Port Mafia, and Mori, the Orphanage Director is that he had time to rekindle his humanity so he’s able to care about him like a normal human being, feel guilt, and admit regret after Beast Dazai has died. Mori at most was responsible for ingraining tactical strategies and theories and molding him into the perfect Mafioso and right-hand man.

Not to say any of those aren’t a bad thing. He’s still a child and having him use his desensitized, intelligent mind to build the potential in what he could do for the mafia, it’s just that he’s responsible for very little in Dazai’s personality. The only answer I could give about Dazai being abused by Mori or being abused under the credentials that he’s a child in a violent, unsafe place is the same answer given earlier for Chuuya: in his case, not really.

Regarding this, I retract my statement about anything I’ve said about Beast Atsushi not being a victim in his time in the mafia, but I still hold my stance that he’s not the victim of the port mafia. I want to say the same thing about Beast Dazai and Atsushi that I do here, but considering he picked him up and trained him like how he trained Akutagawa, there’s a great chance Dazai emotionally abused him when you read their interactions. Not physically as that would make him too much like the headmaster, but just enough emotional distress in bringing up traumatic moments to manipulate him into doing what he needs of him.

It’s not a good relationship, but Mori wasn’t targeting Dazai in any real way like the Director and Atsushi or Dazai and Akutagawa. Unlike every other section, I have to conclude that he didn’t do anything to Dazai in that regard other than treating him like another adult when he shouldn't have. I don’t have much to say negatively about their dynamic otherwise. Just a weird, terrible son with his weird, terrible father. It’s more like someone who's taking after their mentor’s teaching and methods rather than an abuse victim echoing their abuser. This is why I don't accept the “Cycle of Abuse” as how the fandom understands it. It tells me a lot that people resort to the blame game.

I wonder what Dazai and Mori’s relationship would've looked like without any of this in the middle. Maybe something in cadence with Ranpo and Fukuzawa, but I can't help thinking that accepting Atsushi as his son in Beast instead of a student wasn't just for Atsushi’s sake. He was about to call him his student too, but immediately changed his mind. He already admitted he was helping him because of what happened to Dazai, so it can’t be a huge jump to think that in the same way this is Atsushi’s redo in building a relationship with a father figure, this is Mori’s redo to give him some atonement for the boy he failed.

A Mother’s Love

Kyouka, when we first meet her, appears as a force to be reckoned with. With skills a young girl shouldn’t have, and a demon shadowing behind, she’s a terrifying opponent. Quickly though, that appearance falls short in tragedy when the bomb Atsushi’s after is found on her own body and when he asks if she truly wants to kill... She has no answer, but her actions speak clearly. She gives him the defuser because she doesn’t want any more people to die, but the man behind the phone will not let it defuse.

So Kyouka does the next best thing to save more from dying: falling off the train with the bomb that’s about to go off. As long as she dies with it, nobody can use her and her abilities to massacre the people on the train when the bomb eventually fails to do what is necessary. Because that’s when Atsushi realizes that she cannot control her ability herself. No matter what she genuinely wants, she will never have the ability to obtain it because of this one fact. She can only be what people tell her she is.

We all know this story well, she gets saved by Atsushi and the man behind the phone is Akutagawa. Atsushi offers her the same kindness Dazai extended to him regardless of his reputation and destruction because it’d only be the right thing to do. He knows her incoming fate of eventual death for her crimes, he can’t do much, but she should at least experience normalcy this one time.

When she’s about to turn herself in, Akutagawa stops her and tells her she did her job well as a decoy for him to capture Atsushi. I don’t know if you’ve noticed, but there’s a peculiar oddness about Akutagawa here in his attitude towards Kyouka. In all logic, even though she is a strong tool to the mafia, she’s a low-level member, a disobedient one at that, and should’ve been killed on sight for her betrayal considering how quick he is to violence, but he talks as if nothing even happened. He brushes off any thought of her dying as she’s spouting nonsense and that she’s going to go back to the mafia as normal.

But then he spouts off about how she’s better off dead on the ship if she stops killing. What’s up with that? It’s not completely obvious at first, but he’s projecting his own experiences in the slums and beliefs formed from Dazai’s mentoring onto her. From his time when he wasn’t in the mafia, he tells her there’s nothing left out there for people like them, there’s only rock bottom. He can confidently say that there is nowhere that would accept her for her ability, demon snow, because it’s the same for him.

The only way her life can have value is to kill to be useful, just like any good mafia member. It’s exactly why that flashback with Dazai happens here. He’s the one who fed him these thoughts he’s lived with for these past 6 years, and what she’s been believing for 6 months. He doesn’t loathe her, he sees it as doing a favor for her. What else can a little girl who can kill be use of except to kill in her circumstances?

Contrary to popular belief, he is not her abuser and is not the same thing Dazai was to him. He neither trained her nor did we have information on their relationship to come to that conclusion. The only thing we know is that he was the one sent to pick her up by the Port Mafia. We can prove she is not the way she is because Akutagawa since Beast, well, exists. She is one of the few characters I can confidently say was a victim of the Port Mafia itself and not just a person of the Port Mafia specifically.

Akutagawa was trying to be what Dazai was to him, but he is selling a bastardized version of it to her. The person who was her Dazai was Atsushi, the same person who was given Dazai’s act of kindness. Someone who has experienced the same things Akutagawa has and is living proof that she can hope for something better.

He could see that the same revenge and lack of regard for her life in her eye was the same kind he met Dazai with. Despite that, these lessons he’s internalized have helped no one, not even himself. She can’t find meaning in something that is the root cause of her suicidal ideation. This life is unfulfilling for people like them who need meaning in life. Akutagawa doesn't realize this because he still has Dazai to be his motivational goal. That’s why he failed to help Kyouka, Dazai’s efforts would’ve been considered an utmost failure too if he wasn’t actively trying to fix that misunderstanding. Kindness is what actively saves us and helps us grow, the harm in abusive environments will only stunt us. But what happens when kindness is offered to us, but nothing comes out of it except proving us right that we’re unsavable? Then you have Kouyou.

Kouyou is the second person I could say was a victim of the Port Mafia. She has the same belief Akutagawa had about people like them being unable to be saved, so the only thing they can do is embrace it. I can’t claim she was Kyouka’s abuser either as we again don’t know enough, but that doesn’t change that her behavior is emotionally abusive, and is a much better contender than he is.

She’s doing the same thing Akutagawa was doing himself. Seeing themselves in this child and doing what she “needs” instead of what she wants. Just like him, she views this as saving her from the hands of light that will never make room for them and will ignore everything else she says. When Akutagawa is faced with her “disillusionment”, he… accepts it when she refuses his will and chooses another path, but almost kills her to spare her from that decision that would “doom” her.

Kouyou is much less accepting, opting to kill the root source of this hope itself, Atsushi, because her fondness for Kyouka prevents her from leaving her for dead. In contrast to Akutagawa’s attempt at being what gives her life meaning, Kouyou wants to stop Atsushi from being like the same man who also gave her hope that they could escape to the world of light. She can’t bear to see Kyouka go through the same realization she did far too late.

I can see what you're thinking, why am I reluctant to call either of them Kyouka’s abuser? Even if Akutagawa doesn't count, shouldn't Kouyou count because she seems to have an actual relationship with her and her effects are prevalent in Beast, the same points I mentioned to debunk accusations against him? Sure actually, but think about it like this. What the Port Mafia does have in common with real situations is that this is a community that is full of victims who refuse to process their traumatic experiences for any reason, and bring down others to their level when they don’t fit in their narrative to justify what’s happened to them.

There isn’t just one abuser weighing over you, there's this collective pressure from so many who aren't your abuser but they still contribute to your abuse with their presence itself. If Dazai wasn’t there in the mafia, would Akutagawa's situation have changed? Yes. Now if Akutagawa or Kouyou weren’t in the mafia, would Kyouka's situation have changed? Not at all. She’d have fewer examples to refer to, but she’d still be abused. If it’s easier to imagine, think of it similarly to cult mentality and how they keep you in cults. That is the reason I emphasized being a victim of the Port Mafia instead of an individual. Kouyou, Q, and Kyouka, while you can pin their main perpetrators on certain people, their overall situation doesn't change.

Now why doesn’t she just use the phone herself instead of letting people call Demon Snow for her? Wouldn’t she have more agency that way? Atsushi proposes this, but she rejects it instantly. It’s a very simple answer, it’s the same reason she can’t bear to look at it outside of when she’s forced to use it in combat. It’s her ability that killed her parents and why she was forced into this position.

It’s not hard for a little girl to believe she’s nothing more than a killing machine when she sees that night her ability would mercilessly kill her parents. She eventually caves when Kouyou points out how quick she is to vindicate violence to protect that hope she desperately wants a part of, and how she will never change. Her first mission with the Armed Detective Agency is proof in itself. Was Atsushi going to keep extending his kindness after hearing what she could only blame herself for?

Kouyou is a character I’ve seen that gets a lot of double standards compared to all of the other characters I’ve mentioned with abusive tendencies and is almost purely liked. She’s not seen as an absolute monster (The director, Mori) or controversial with one side containing pure dislike and another pure love (Akutagawa, Dazai), it’s only that she’s a well-written, sympathetic badass girl boss. It’s either because she’s a woman, that she doesn’t use an overt intimidation style, that her motives are more obvious in their emotional influences, or all of the above that she’s not treated the same.

Kouyou’s motivations are not special, as I’ve said. The only thing that differentiates them from the others is that they’re not covered by a mask of indifference. As fond as she is for her, she’s not much different from anyone else who holds the mafia up in high regard. She weaponizes her words in where they’d hurt the most so Kyouka would come with her. The entire last section of their battle sums up with her saying, “Kyouka come with me, they’ll only use you for your Ability when they get a hold of it. Even if the mafia did the same thing, at least they’ll accept you for who you truly are: a natural-born killer. You don’t have to fight anymore, I’ll protect you.”

When Atsushi finds Kyouka once again subsequently in her disappearance, she chooses to embrace her violence to help the Armed Detective Agency in this fight with the Guild. After her walk in where she used to reside, she comes the the conclusion she no longer belongs there. Against Kouyou’s wishes, she will brandish her blade for a home. That blows up in her face the moment she starts. Atsushi gets taken, and it’s just as Kouyou said would happen. If even her violence doesn’t get her wish, then what can she do besides leave herself to her fate?

As someone who’s seen another with a talent for killing walk the path of good and is on that same path himself, Dazai talks to her. He tells her about how she hasn’t gone through her entrance exam yet, how she isn’t an official member because she hasn’t proven her will or life on the line to help people she doesn’t necessarily know. Kyouka doesn’t believe she could’ve passed if that’s what it takes, but Dazai doesn’t agree with the points she’s brought up. So what if she’s killed or considered dangerous? That doesn’t make her less qualified to be a part of the Detective Agency, everyone there is from different backgrounds.

She can’t know everything, not even about herself. Nobody does, but it takes others to see more of yourself. Excelling in one area doesn’t prevent you from nurturing your potential in another. What would that make someone like Atsushi, a person who’s been her guiding figure throughout—but was never seen as anything more than a threat or a beast because of his ability before he joined them? The truth is, our lives aren’t defined by one purpose the moment we’re born, it’s only something you can make for yourself. We’re not the places we’ve been raised in, not the ideas people apply to us, and we’re especially not defined by the traumatic experiences we had no control over.

All of it accumulates the person we are today, and we can’t change that no matter how much we resent parts of our image that don’t hold up to what society deems as right, but it shouldn’t take control over what we want for ourselves. It isn’t fair for the victims who were forced into a life where they had to fend for themselves, the children who had to navigate an adult’s messed up world that didn’t have room for them to grow as kids should. Forced into a box where they stay unaware that they’ve ever left their mother’s womb, break out in fury with eyes that grew up too early—only to become lost and thrown away, or rot in that box without a single person knowing they were a breathing, living human being.

I deem abuse selfish for this very reason. Kouyou is wrong for this very reason. If she finds comfort in her reasoning, then I can’t critique her for her own choices and will have to respect her for choosing to stay in the mafia even when the old boss is dead, every abuse victim is different, but not a single person is born evil or good, in the dark or light. Not a soul has to stay in one place because they started there. It’s going to be a hard journey to truly achieve what you long for, results aren’t immediate and not everyone gets there no matter their effort, but still try. Try because it’s still worth trying, because you’re still worth more than you think.

In parallel, you can only get there as long as you’re seeking it. Too many see the Armed Detective Agency as something that will automatically save characters just by working there, but the only way it can help them is if they seek out their help themselves. The ADA is not the right place for every character, but Kyouka does want a place there. After her conversation with Dazai, she knows what she wants to do now. She will smash the drone she’s in into Moby Dick so nobody will have to die, but sacrifice her own life in the process. She’s chained to this place, but her choices aren’t.

She doesn’t have to die with regret, with this she can pass the entrance exam and become an agency member like she wanted. She made a difference for herself just by this act. It’d be a pretty melancholy arc if it ended like that, thank god we know it doesn’t end like this. When you become a full agency member, you gain more control over your ability, meaning—

She’s fine.

The exposition is over, let’s talk about Kyouka. Her arc is beautiful and the neglect to talk about her when it comes to her abuse story besides saying, “She’s the one who stopped the abuse cycle” and then nothing else is heartbreakingly superficial. She didn’t stop it, it’s impossible to, but she did break out of it. Kyouka’s section has more exposition than the others but I expected that. I wanted to save her for last because she’s the only one whose arc has come to a peaceful conclusion and not unfinished, and the lighter message felt nice to leave off on.

I shouldn’t berate Kouyou too much, the only reason she stayed in that room after being captured by the ADA is because she did want Kyouka to experience what she never had, and speaking with Dazai helped reassure her that Kyouka would be able to achieve her dreams. It’s no longer the age of the old boss. As well as her shedding the truth about her parent’s death so she wouldn’t have to resent her ability as not an avatar of massacre, but a product of her parents’ love that will always stay with her. She didn’t let go of the phone she’s had this entire time because her mother told her not to let it go.

Me going over Kouyou in this fashion is not me saying you shouldn’t love her character, I like her too. It’s just that it’s passed over so fast what she did, but somehow Akutagawa is more at fault here is mind-boggling. I’d get it a little more if this is because she redeemed herself by wanting the best for Kyouka over what was best for the mafia, but I doubt that’s the case when that moment is talked about so little as well.

I genuinely need you all to understand that not every character is going to have a satisfying, clean conclusion like this. Akutagawa’s story is most likely not going to have a conclusion that satisfies everyone and you should respect it when it comes. There’s no perfect way of writing abuse, but there’s no correct way of doing it either. I don’t think Dazai is going to have the repercussions you want him to have any time soon. If you got the message from Beast, getting revenge on an abuser doesn’t make us feel better or let us process what happened to us. Total resentment keeps us stuck.

The only thing that will heal us is the kindness so many offer in this series. You in no way need to extend that kindness to an abuser, you don’t need to forgive them or let them into your life again, but be kind to yourself and don’t let resentment prevent you from focusing on yourself. Forgiveness and reconnection are not the same thing. Don’t be angry when a victim does want those things. Unless it’s character inconsistent, that’s not something we shouldn’t have any opinion on as the right or wrong way to go about their lives. What if later they do change their mind and want something different from what they originally planned? That’s fine too. Everyone is different. Don’t give unsolicited advice to people who do not want it, let them decide for themselves. It is the best thing you can do.

The worst abusers are the ones who refuse to change and see wrong in what they’re doing, but what about the ones who do want that? Then also let them heal. They did something awful, why isn’t it a good thing they want to stop it now? You don’t have to let them in just because they changed though. Apologies don’t fix the damage already done, but to some victims, it feels nice to feel that what’s been done to them is acknowledged. You don’t want them to hurt others the way they’ve done to you, and neither do they. It hurts to let them forgive themselves when you haven’t and never will, you want to see them suffer, but that’s the only way things can change.

Dazai has changed, is he a good person even after what he’s done? I despise this question for any character of this series. He’s grown so much, and if you don’t think so, reread his conversation with Kyouka I beg of you. It is a far cry from his mindset in the mafia. A better person for sure, but a good person is hard to define for anyone in this series. The mafia is still the mafia, do any of them qualify as good people? The government, even if it’s the position of the right in society, is still an unjust system.

What a good person is cannot be an objective answer, people think there is but it’s not. A good person is how much we know about them and where our position in life affects our viewpoint. Prejudice values don’t make you correct in what you think a good person is, being convicted of a crime, one you might not even have committed, doesn’t automatically make you a bad person, being associated with a group doesn’t mean anything about who you are, etc. It’s all subjective in the end.

Meaning someone like Odasaku is essential in a story like this. He still has a presence in this narrative, even if he died in a light novel, because his existence pushes the boundaries of a “good person” in the fact his contradictory existence establishes itself. He failed in walking the path he wanted, but he doesn’t regret it even in his dying moments trying to.

Afterthoughts

The themes of morality and humanity go hand in hand with the abuse present in Bungou Stray Dogs, so it was hard avoiding talking about this when it was necessary. I don’t think it’s right of us to judge a character’s path that isn’t finished, in a story that’s nowhere near done. Ultimately, I’m only talking in a place of experience but never will it make me exempt from any personal bias. I tried to be as objective and nuanced as I could about this, and I hope it shows.

Abuse isn’t one of those things that I can analyze from any logical stand point or take resources to back my statements up about abuse. Of course everything I say can be backed up, but abuse is a personal, human matter and we’re just human being trying to figure out more than we can handle. I just couldn’t be comfortable with how people are now choosing to talk about Asagiri and needed to shed some light in what you’re missing.

Now I could’ve gone over Higuchi or Lucy because their stories also involve abuse, but I don’t think I could say anything new about them without repeating points I’ve already said. We know very little about Higuchi and what made her so devoted to Akutagawa, and Lucy is pretty quick to summarize considering her story is just like Atsushi’s. Q is also a character to be brought up but I don’t have enough information on them to say much about any abuse itself that happened.

Yosano was also an option but I don’t think anyone had any trouble understanding her backstory. Well I was only really aiming to speak about what’s not been spoken enough. Thank you for reading haha, god this thing is monstrous. Already got to 14k words by the time I was officially done…. I didn’t know if I wanted to lean into character analysis or just exposition, I hope it’s a good enough mix of both. This took way longer than the 4 days I was planning to write this in.

I was later reminded that I could do a post on how their abilities functioned and reflect on their abuse/traumatic events, but I didn’t think I’d have enough room for that here. It could be a bonus post eventually? I don’t think I did Kyouka enough justice in that aspect, but i’d just be beating myself up again about not making this perfect.

I hope I don’t come off scary or a very serious person? I’m very open to requests or discussions people want to engage in. Oh jeez, I’ll just embarrass myself if I keep talking. Writing this was a bit much, never really liked writing stuff myself. Sorry if glossed over anything, I wanted to stay on topic and not detail into something unnecessary.

The message BSD has is a pretty normal one, but there’s something very special about how it’s written here and I’m happy it exists. Maybe I shouldn’t have made this so long? But there’s so much to express sigh……

[thelaurenshippen]

How much of an impact has writing and consuming fanfiction had in your writing career?

I ask about fanfiction specifically because it's such an open communication sort of media, it's so easy for author and reader to interact. Do you think you'd write differently if you'd never been in the Fanfiction community? What do you think has carried over from those works and interactions into your current works?

ooh, such a fun question! I've never really thought about this before!

so I will admit, while I have been reading fanfiction since 2006, I never actually wrote fanfiction until 2018 (and then didn't share any of it until 2021). so I think those specific relationships affected my writing in very specific ways.

from a reading perspective, I think fanfic really showed me that a story can be anything, told in a million different kinds of ways. the two fandoms that I was deeply entrenched in/reading fic in were sherlock (lol) and the winter soldier (I stand by it). both of those fandoms - TWS especially - did a lot of very interesting stuff when it came to story structure, multimedia storytelling, etc. while of course there's great published fiction that does the same (I've been a huge David Mitchell stan since I was 20, I read House of Leaves for the first time a few years ago, A Series of Unfortunate Events is such a great example of this tbh), I think there's a lot of freewheeling experimentation in fanfiction that encouraged me to do things like write Some Faraway Place as a mix of journal entries, reddit posts, letters, and tumblr posts.

it's also interesting to me that you bring up the author/reader interaction, because you're right, it is such a huge part of fanfic and a part I rarely thought about for a looooong time. I'm a socially anxious lurker by nature, so I would leave comments (show your local fanfic writer some love!) and I would follow a lot of those writers, but I'd never, like, interact with them directly. and my comments were usually along the lines of "I'M FLINGING MYSELF DIRECTLY INTO THE SUN" rather than openings to conversations lol.

but that changed significantly when I started writing fic. the first fandom I wrote for was SO small and the ship I was writing for even smaller (I'm responsible for over half the fics in that tag), so there wasn't really any interaction there. but then I started writing in a different fandom - still small but much more active - and joined a discord and everything. I'm not really active anymore, but I met someone who now has become one of my best friends and who is a huge reason why Desperate Hollow, my queer outlaw novel, finally got fucking finished.

so being in fanfic really affected my writing in the sense that I found a writer friend who - like a lot of other writing friends - has had a profound affect on me as an artist. but more broadly, writing fic for that fandom - about 200k words of it in eight months - taught me some very important things:

how to write a lot of words very, very quickly

how to let go of something being perfect - no one knows who I am on ao3 and people are just happy to have fic for a small fandom, so it doesn't have to be GOOD

how to write physicality - this is very hard for me, even now. I'm an audio first person, I rarely think about what people look like, how they move their bodies, etc. writing fic is so helpful, because if you're using canon scenes, you don't have to come up with the blocking, you just have to figure out how to describe it.

dialogue/character voice - learning how to mimic a writer's style is good from two perspectives: one, you learn more about style and voice by having to unpack someone else's. two, as a writer working in a scripted medium, you often are trying to write to an established style, because you might be in a writer's room for a world that you didn't create.

this is a less tangible effect, but writing mature works for a fandom that has mostly morally gray characters helped me get more comfortable with being bolder in my own work. Desperate Hollow is about two men in the wild west, one of whom has killed a lot of people, and both of whom are career criminals. the show I'm working on currently has the messiest found family dynamic and it will only get messier. I think in the course of writing TBS, I sometimes got scared of doing the wrong thing, or of leaning too hard into the darker parts of the story, and I'm trying to let my characters and stories be deeply imperfect now.

I hope that answers your questions!

[wenellyb]

Random thoughts on Bucktommy and Buddie

Please bare in mind that I'm only sharing my personal opinion and that I'm always open to discuss.

The discussions I've had over the past couples of weeks have been very interesting and I wanted to add my 2 cents.

Before season 7 episode:

I'm a causal viewer of 911 and I'm also on Tumblr so of course, I know Buddie, but I've never really shipped it... I can understand the appeal and I think the ship has potential but I never felt like the writers ever intended to go there. And I'm not a big fan of non-canon ships.

If they had gotten together, however, I think that I would have enjoyed it.

What has always bothered me was the behavior of some Buddie shippers who would complain about queerbaiting on the show, when there were already several Queers characters in it and one character (Hen), who's part of the main cast. I always got a weird feeling that those shippers didn't care about Queer characters if they weren't White. There is also a spinoff of the show, 911 Lone star with Queer characters who are also part of the main cast.

To me, the fact that Buck and Eddie never got together was a writing decision, not queerbaiting or anything like that... the writers had decided this wasn't the way to go for Buck and Eddie's chatacters, because if they had wanted to write a storyline between them, they could have.

I've seen a lot of people being happy about Buck being confirmed as Bi, and I get it. But to me, it was confirmed he was bi in the 911/911 Lone Star crossover when TK told Buck he had a boyfriend after Buck asked him out. I was just waiting for a storyline to confirm it. Obviously, I always thought the storyline would involve Eddie, but I was wrong.

After Season 7 Episode 4:

I follow some 911 accounts so I knew something was happening before the episode aired and I saw a preview of Buck seemingly being jealous of Eddie leaving with Tommy and I thought... this is it, this is where the writers are going to confirm Buddie. Buck will realize his jealous and realize he has feeling for Eddie or something like that.

I was very curious so I tuned in for that episode and imagine my surprise when I realized at the end, that the jealousy wasn't about who we thought and all this time the writers had been planning a storyline with Tommy.

So to me, it doesn't look like the writers are planning a Buddie storyline. Otherwise they would have prepared it gradually after the Buck and TK's discussion.

That doesn't mean it won't change in the future, writers and showrunners can change but I have never noticed them introducing a storyline that could lead to a Buddie relationship.

Everytime I see a post "proving" Buddie, it's always showing something friends or best friends do (hugging, being affectionnate), even Eddie making Buck Chris' legal guardian is something a best friend could do.

I'm not saying that they couldn't be romantic in another context, but there hasn't been any indication that the writers are planning a romantic plot for Buck and Eddie.

The writers decided to go there with Buck and Tommy. They're treating their story like a romcom, with the kiss, the hearteyes and everything. Buck is obviously into Tommy and being ready to tell the world about him.

That's the storyline the writers have decided to give us and it's a very nice one.

I know a lot of people are expecting Tommy and Buck to be temporary but to me that's wishful thinking. It wouldn't make sense to have Buck invite Tommy to his sister's wedding just for them to break up a few episodes later. If a breakup is what the writers had in mind, they would just set up another normal date.

Shipping goggles are ok, I have other ships for which I have shipping goggles on and for which I'm not very objective.

What's not ok is trying to ruin the fun of Bucktommy shippers who are trying to enjoy this beautiful storyline but can't go in the tags without seeing a post about the ship's impeding break up.

[the-french-laundry]

The Problem with Claire Bear (and how to fix it in S4 without making Clairmy endgame)

This critic is focusing on the writing and is not meant to be an attack against the actress in any way! Also this is my personal opinion.

I must confess, that i am relatively new to the fandom, but 'the Bear' has a chokehold on me for a couple of weeks now. The way it has so many different characters and tries to explore their personalities, their shortcomings, their problems and anxiety, hooked me from the start and i loved to see how they developed over the three Seasons, we have now. But then there's Claire. And she just doesn't work at all.

The number thing and Claire accepting anything

When she first appeared in the supermarket and had that talk with Carmen Berzatto, i couldn't shake off the feeling that this whole scene was very awkward and almost non-human. Of course, we know that Carmen can be socially awkward and seeing his old childhood friend, which he ghosted, is a weird situation for a lot of people. Given his own difficulties to deal with situations like that, it makes sense why he gave her a fake number. I know, she asked multiple times if it is okay, but the whole number thing is a clear sign that he is either avoiding contact, because he doesn't feel ready enough to deal with a past relationship or that, deep down, he doesn't actually want it and uses it as an excuse so that he doesn't have to say it out loud.

Seriously, if i would've been Claire, that would be a RED FLAG for me and i'd stop trying to force any contact. But the script wanted a romance, so it literally made Claire an all forgiving person. She just takes Carmen's bullshit and never truly questions it or tries to make him question those things. She always reassures him, that he's doing good and all, which is supportive and cute, but it doesn't help Carmy's broken personality in any way. It never questions, it never tackles his character to move past this. And in the end, it doesn't help Claire too because this relationship feels very one-sided. She's always there for him, tries to keep the contact, supports him, confesses her love first (even though if it was via voicemail), but Carmy isn't able to give it back to Claire in any form.

Claire got no personality

This is very obvious, but it needs to be said. The script gave Claire nothing to create an interesting or engaging personality. After i finished Season 3 i did a small recap in my head and all i could say about her is: She was Carmy's girlfriend and she is working as a doctor. That's all. And it made me bonkers somehow, because 'The Bear' has so many well-written female characters - Sydney, Tina, Natalie, Donna, Chef Terry. Even Jessica and Tiff, without having much screentime, had more developed character traits that made them stand out. But the script is not able to give Claire something that would make her more than just Carmy's forced relationship!? We rarely see, why she even has this crush on him - maybe due to their childhood friendship, any special moments they'd shared in the past before they met again at the supermarket? No, nothing and i think this is sad. Because with all that, Claire becomes a character, that can be easily written out of the script, without leaving a hole in the story.

Carmen would still have his New York David Fields trauma, mixed with the death of his brother Michael, he would still pressure himself. The rest could be easily explained through the dynamic he has with Sydney and the team - the fear of letting them down, of being not good enough, of not deserving happiness at all etc.

An environment of forcing it

Now it gets a little bit personal. When i was younger, i had a best friend, whom i really liked - but just as a friend. At one point however he started to have feelings for me and asked, if we shouldn't just try and see where it gets, which i didn't want out of fear that it might ruin our friendship. A lot of friends we both known at that time, told me multiple times that we would be such a great match, that he really cares for me and we would be cute together. It gaslighted me into the believe that, well... maybe i should just try. Also because i didn't want to disappoint my best friend. In the end, it was a mess and it ruined our friendship. But why am i telling this story? Because Carmy's and Claire's relationship kind of reminds me of that.

The people around Carmy are constantly talking about Claire, about her being a saint and that she is good for him, that they totally match and that he has a crush on her (e.g. in the conversation with Richie and Michael during the Christmas episode). Yet it never really feels like Carmen loves her deeply enough to make a long-term relationship work. He cares for her and likes her, that much is clear, but i feels forced, whenever they share moments together - not from Claire's side, but from Carmy's side. As if he always has to reassure himself, that he indeed loves Claire. And my theory about his flashbacks of their time together, is that it is more because of his own guilt. He never wanted to hurt Claire and he understands that what he said was deeply painful to her. Confessing that to himself is hard and an apology is needed. But i don't think it would be good if they straight up reset their whole relationship.

What can S4 do to save this mess?

The apology is a big thing that is in fact needed. To jump over his own shadow and to find piece for himself and for Claire, Carmen needs to apologize to her. By talking about what happen and recognizing how bad he'd treated her during the walk-in freezer incident, he also gives her the chance to close that case for herself, so that she doesn't think it was her own fault and therefore she can move on with her life. But it would also make sense that Carmen reflects if he really loves her as deep as he thought he would. In my opinion, the script didn't give us enough to undermine the argument that he does. So looking at that, it would be great to see how he confesses to her, how he'd always thought they were meant to be, but in the end his feelings were not enough for that to happen, that he got carried away by the expectations of those around him and his own anxiety. And maybe we learn, that Claire experienced something similar to that, realizing that they could've been great friends but weren't meant to be more.

Even though i don't like the character of Claire, given the fact that she is in the series now, it would only be fair to close her character arc with an apology and a wholesome conclusion for both her and Carmy before they part ways.

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Thanks for coming to my short TED Talk. Feel free to tell me your thoughts or add the things i might've missed.