#Just the season villain who was trying to kill her first!

[andreal831]

In your opinion, what was each character’s best season? (Both TO and TVD characters)

This is so hard but I tried to do everyone I could think of:

Elijah Mikaelson - Season 2 of TVD and Season 2 of TO

It is a truth universally acknowledged, Elijah will own a Season 2. His entrance in TVD Season 2 was fantastic. I loved his mysterious vibe and was honestly more scared of his entry than Klaus. It's also when we learned about The Originals lore. It was just a great season, in large art due to Elijah. But TO Season 2 was also great. I loved seeing Elijah seem to have a life outside of Klaus. He bonded with Marcel, helped build a community with the vampires. His relationship with Gia was so great. We get some of his backstory through the red door. And he just looked great all season. Although I adore Season 1 TO Elijah and the softness we see in him, really for the first time, I needed him to stop obsessing over Klaus. He should have left with Rebekah.

Hayley Marshall - Season 3 TO

To me, Season 3 TO is really where Hayley finds herself. I love Season 1 Hayley because she was less jaded, but I had issues with some of her "girl boss" moments. Much like is Season 2, where she is still trying to find her place in the supernatural world. But Season 3, she really discovers who she is and what she wants to fight for. We see her start to set boundaries and stand up for herself. She becomes the leader that she was trying to be in the previous seasons. I also love moments we get in Season 4 and 5, but it was so rushed her development got lost in the chaos.

Stefan Salvatore - Season 3 TVD

I'm such a sucker for this storylines. The lengths Stefan goes to try and betray Klaus and fight the compulsion. We get to see a completely different version of Stefan with his humanity off. We get his backstory with Klaus. We watch him claw his way back to his humanity. This season really focused on Stefan and his struggles.

Damon Salvator - Season 1 or 6 TVD

Damon was a better character when he was just evil. We got his lore. We felt slightly bad for him. But at the end of the day, he was the evil vampire killing, SAing, destroying Mystic Falls. And he was good at it. But if we want to say best season, as in when he was at his best, it has to be Season 6 when he's stuck in the prison world with Bonnie. I've said it before, Damon was only ever able to be good when he was removed from any complications. He improved slightly with Bonnie's influence.

Klaus Mikaelson - Season 3 TVD or Season 3 TO

Unpopular opinion, but Klaus stayed on TVD far too long. Season 3 was great. He entered the show, terrorizing the town in Season 2, but we really got to see him thrive as the villain in Season 3 TVD. But then after that, it just felt odd for a incredibly powerful, thousand year old vampire to be hanging out with high schoolers in a small town. But Season 3, he had purpose and was comical achieving it. Season 3 of TO was the first time we really saw character development for Klaus. He realizes that he has caused a lot of problems for his family and seeks to change his ways. He sets his pride aside and is willing to sacrifice himself multiple times for family.

Rebekah Mikaelson - TO Season 1

I never minded the character shift between TVD and TO with Rebekah. I thought she was amusing in TVD, but ultimately wasn't a favorite of mine. But in TO Season 1, I loved that she was ready to fight for herself. Instead of just being the insecure, codependent sister, Rebekah is allowed to be devious and intelligent all in her own right. I think a later season would have topped this if Rebekah had been in the show more. I wanted to see this character growth continue, but we only got bits and pieces through TO.

Elena Gilbert - TVD Season 2

Elena for most of Season 1 was playing catch up, learning what everything was and who all the players were. But in Season 2, she is more settled and ready to fight back. I love the strength we see in her, but most of all, I love how she held onto her compassion. She was willing to sacrifice herself for her friends and family, but she did so wisely, making deals with the enemies to keep them safe. It was peek Elena, which we don't really get to see again after Season 2.

Bonnie Bennett - TVD Season 4

I love Season 2 Bonnie coming into her powers and going up against Katherine and The Originals, but she still very much felt like she was just acting in Elena's story. Season 4, to me, felt like she had her own storylines that were just as vital to the plot. We get to see more of her family dynamic. Bonnie is allowed to struggle and grow as a witch. They had to bring in Qetsiyah and Silas because she was growing so powerful. I also adore the early seasons of Bonnie, watching her learn her magic.

Cami O'Connell - TO Season 3

Season 3 was peak Cami. She was learning how to fill her uncle's foot steps by protecting the humans from the supernatural with Vincent's help. I even loved Cami's vampire era and wished it had lasted longer. Cami was constantly fighting for those around her, but Season 3 really gave her the ability to do it. She didn't let her fear hold her back until it literally killed her. And even after that, she clawed her way back to her humanity and died just as compassionate as she ever was.

Katherine Pierce - TVD Season 2

This should go without saying. TVD Season 2 was Katherine's best season. And like Klaus, she should have left the show earlier than she did. Her hanging around high schoolers, trying to make a man love her, really lessened her intimidation factor. Although I did enjoy her human era later on. But Season 2 was great. Her entrance was iconic (although I think that was technically the end of season 1). She had a goal and it made sense for her character based on survival.

Caroline Forbes - TVD Season 3

Season 3 for Caroline is where she finds herself. I love her in Season 2 when she is finding her strength, but her insecurities often get in her way. While in Season 3, we get to see her intelligence on top of it all. I also think Forwood was such a good character shift for Caroline. She had matured enough to help him through his own journey of the supernatural world. I wasn't a fan of them maturing her so much in the later seasons.

Marcel Gerard - TO Season 2

Season 1 Marcel was a little too much like Klaus for me. But Season 2, really found their mark with him. He didn't just want the city for power, but truly to build community. We got to see him as a leader and he was great at it. I liked him in the later seasons as well, but I liked in Season 2 that he wasn't a Mikaelson. He was better than them. It was his best season.

Davina Claire - Season 2

I liked Davina in Season 1, but Season 2 she was able to be more than just a Harvest Girl. She had her own motivations and goals outside of Marcel. And she was determined when it came to destroying the Mikaelsons. It really showed how powerful she was. I feel like a lot of her character gets a little lost in the later seasons as it tended to center around Kol and she lost her own identity a bit in that.

Enzo St. John - Season 8

Bonenzo is how I survived Season 8. His love for Bonnie was so great that he was able to fight against Sybil's mind control. I also love how we see his character growth really emphasized here. We see him grow a lot as a character in Season 6 and 7, but season 8 is where it all comes together. He is no longer anchored by his revenge or hatred, but his love. He is the best version of himself in season 8 and I loved it.

This is clearly not everyone, so let me know if there is anyone in particular you want me to talk about!

[amtrak12]

*runs back to Tumblr dash and slips it over my mouth like an oxygen mask*

*gasping*

You don't even know what they're doing out there, you guys. Those fans… okay, those fans, eeeeee :S ….. They want to punish Eve for kind-of-definitely instigating a demon mutiny after her boyfriend broke up with her -- WHEN WE ALL KNOW SHE'S VALID FOR THAT! Even if it wasn't her very first break up in the history of humanity, she's a woman with really pretty brown eyes! That's an automatic get-out-of-jail free card in TV land, we all know that. Don't we all know that!??

(Breathe, breathe)

*slips mask back on*

*rips it back off*

Oh, but then -- BUT THEN YOU SEE! -- these same people also want to woobify Michael and make him a misunderstood twin instead of the shittiest angel to ever shit. HE FUCKING KILLED CHLOE!!! Stabbed her right in the gut with a super blunt object so it probably hurt like a bitch on top of the dying! So how is him being played by the same actor as Lucifer make him redeemable? Huh? HUH?? RIDDLE ME THIS BATMAN!! Why is it oh so fucking sad that MICHAEL, the evil scum, was treated appropriately as scum in the show, but MY FUCKING BEAUTIFUL EVE WHO NEVER DID ANYTHING WRONG IN HER LIFE is the true criminal who should have obviously been punished after S4 if the writers knew anything?

THE FUCK IS WRONG WITH THE OUTSIDE WORLD?! 😱😫😭

[mrmeepsmadmind]

his horns (finials) (idk)(ears)(whatever) shaking... the jumping ??? the struggling 😭 the off center twitching ..he is PISSED. AWF !!!!!!

[lowkeyrobin]

Miguel x reader but reader is just absolutely in love with Miguel but Miguel has eyes for sam and reader tries to be supportive be can't so they distance themself away from Miguel😁

- ♠️

dude I swear we're gonna brawl and I'm gonna make the guy ur talking too watch as I win. I'm so srs rn I'm gonna tell meemaw (I lit don't even know them all that well but idc) ; anyways thanks I guess 😒 /sarc ; but I went a little off the rails w this one cause why not

MIGUEL DIAZ ; casual

summary ; you have eyes for miguel while he slowly distances himself to be with sam, and you accept your fate

warnings ; language, physical fighting / a punch thrown

disclaimers ; miguel is a whole fucking villain, kinda off to canon timeline cause I'm rewatching atm and it's hard to keep 5 seasons straight in the brain, fun hawk tory and demetri content cause they'd be so cool together

track ; casual, chappell roan

word count ; 1.4k

masterlist

You thought that maybe after all these months being with Miguel meant that you were together. Apparently not.

After two weeks of dating, his mom invited you over for dinner.

You gave him everything.

You did everything for him, you owed him everything, you could only thank him for being alive now.

After all the passionate making out, the special dates, the first time experiences, after everything, he said that. He said that there were no attachments. Every time you kissed, you gained anger issues, knowing his lips were probably on another's at some point between the last and now.

He made out with you after pressing you against the wall while his family sat at the dinner table down the hall.

But no, it was just casual.

You knew he just told his friends that it was just casual.

You loved being dumb about it for a while, at least while you thought it was real. After graduation, you'd have an apartment, and he'd show you off to his friends at the pier.

You noticed his unfocused gaze upon you. You noticed how he looked more interested in Sam LaRusso, again, for that matter.

You were just a rebound, apparently.

But apparently, it was just casual when he made out with you in the locker room just before the All Valley tournament. Yeah, it was just casual when you were on the phone trying to convince him not to run away to go find his dad, yet he went anyways.

You made out with him when you went to dinner, his mom and Johnny at the table.

Yet once he knew that you knew that he was into Sam again, he wondered why you were bitter. He bragged to his friends about how much he loved your lips, how much he wanted you and how amazing you were.

You hated how you allowed it to drag on, how you let it break you as much as it possibly could before you just gave the fuck up.

You hated yourself.

You hated yourself for allowing it to happen. You hated yourself for letting him think it was just casual. You hated yourself for not fucking killing him once you caught him in the act.

But no, you had to be the chill person who would just shrug it off.

At least some of your mutual friends were on your side after you texted them about it. Demetri, Tory, and Hawk the most, slightly surprisingly on Hawk's part.

The trio immediately rushed to your house, knowing you needed someone to lean on. For fuck's sake, you just saw your supposed boyfriend making out with his ex in a rollerrink.

The (kind of unlikely) trio, during a grace period between Eagle Fang slash Cobra Kai and Miyagi-Do, had to team up just this once for their favorite, non-Miguel friend. They were all shocked and disgusted by Miguel's actions, though kind of expecting it.

He was infamous for his love triangles, apparently.

Tory holds you in her arms, allowing your vulnerability to show through while Demetri talks, hoping his rambles would ease your pain. Hawk is downstairs, making you some mac and cheese since you hadn't eaten dinner.

"Fuck him," Tory smiles, cutting of Demetri's nonsense ramble. "You're better than him, in many ways, actually. But, he lost you, that's his problem. You're free, Y/n. It wasn't just casual, I don't know why he's lying to himself, but he and Sam can go suck it. He clearly doesn't deserve you. You're way out of his league anyway"

You look up at her, a smile painting your face before you hug her. "Thanks, Tory"

Demetri awkwardly sits on the foot of your bed, unknowing of what to say or do. Tory gives him a look, considering you'd need feedback from both male and female friends of yours slash Miguel's. Her current state of mind was just showing you that there were apparently sides and they were on yours.

Demetri nods, quickly getting the message. "Yeah, he doesn't deserve you. You should like, get him back or something. Or at least yell at him, or something. I mean, getting back with your ex while trying to tell your current partner it's just casual? He fumbled"

You giggle, wiping your tears away. "Thanks, dude."

A light knock is heard at the door before it's opened, revealing Hawk with a tray carrying four bowls of mac and cheese, forks stuck in each of them. In his pockets are water bottles, two shoved in each one. The purple haired boy lightly sets the food down on your dresser, handing a bowl to each of you, then tossing you a bottle of water.

You all eat in silence, you trying to gather your thoughts while the others attempt to even wrap their minds around what you were going through after what Miguel did. In the background, on Demetri's phone, The Umbrella Academy plays, his phone perched against a few pillows on the bed where you were all huddled together.

Hawk and Tory share a look before turning back to the screen, enjoying the calm quiet that basked over them.

"what do you mean, why am i bitter???"

"youre being weird about this, we were never anything. you were basically a rebound. get over it omfg"

The three look up from your phone then at you, astonished looks painting their expressions. Their eyebrows are furrowed, their eyes widened.

"What the fuck?" Tory asks, "You weren't lying about that, were you?"

You shake your head. "Literally, what does he want from me? Of course I'm mad, he basically lead me on and won't explain why he was making out with his ex, then bragging to his friends about "oh we're casual"

Demetri bites his lower lip, trying not to laugh, considering it was a nervous tic of his. He shares an eyebrow jump with Hawk before listening in again. Hawk quickly grabs your phone from your hands unexpectedly.

"Dude-"

"What're you doing?"

"Calling him"

"What?!"

"Why?"

"I'm not talking to him-"

The dial tone makes your skin crawl as you hear it.

"Just let it out," Hawk shrugs, handing you the phone.

"Feel like I'd rather do this in real life, Moskowitz."

You feel an absolute weight fall from your shoulders as it moves to the voicemail, seeing as Miguel declined the call himself. You sigh out of relief, quickly shutting your phone off.

You glare at Hawk.

"Would you rather do it face to face? I can tell him to meet me somewhere and we'll jump him or something" He shrugs.

"Violence isn't gonna help anything," Tory declines. "We'll get him to go somewhere quiet yet busy. That way, you can expose him or something. Mental violence is better than physical"

"Says the champion of the All Valley girl's team"

"I'm tempted to paralyze him again."

The three friends share half fearful looks, knowing you didn't joke lightly in times like this. They lay their eyes upon Sam and Miguel again, holding hands as they walk through the hallway.

You bite your tongue, trying to hold back yelling profanities as they walk past you. You lean against the red lockers where Demetri fishes out a few textbooks from his. Tory stands by you while Hawk leans against them as well, arms crossed.

"What if we tell people there's a fight, you expose him, since you got receipts, and you beat him up?" Hawk suggests, throwing his idea out there.

You shrug. "I think he could beat my ass. That'd be embarrassing"

He shrugs in return. "Eh. He hasn't been practicing recently. He's probably a little rusty. Like, he hasn't been showing up to class for days"

Tory and Demetri nod to confirm Hawk's statement. You shrug again.

"M'kay"

"You wanna get suspended over this?" Demetri asks, closing his locker.

"First offense," you reply with an informative tone.

"Oh, I'm crazy because I thought you gave a shit about me? Please, inform me what casual is to you"

"Something not serious."

"But that's why we went out on dates, and why I did everything you asked of me?"

"You didn't have too"

"So?"

"So what?"

"So you're a bitch"

You quickly pull your clenched fist back, then push forward to hit Miguel straight in the face. He quickly gasps, along with the bystanders, holding a hand to his now bleeding nose.

"What the hell?"

Tory and Hawk goofily grin while Demetri lightly smiles, proud of you for sticking to your word.

"Too-da-loo, mister casual." You spin on your heel, walking back to your three friends.

They wrap you into side hugs, pulling you away from the shocked boy who'd essentially played you. Bystanders laugh at him and gawk at you, snapping pictures, sending videos across the school.

A happy little smile remains on your face as you're sent home for the rest of the week.

[burntoutdaydreamer]

To Write Better Antagonists, Have Them Embody the Protagonist's Struggles

(Spoilers for The Devil Wears Prada, Avatar the Last Airbender, Kung Fu Panda 2, and The Hunger Games triology).

Writing antagonists and villains can be hard, especially if you don't know how to do so.

I think a lot of writers' first impulse is to start off with a placeholder antagonist, only to find that this character ends up falling flat. They finish their story only for readers to find the antagonist is not scary or threatening at all.

Often the default reaction to this is to focus on making the antagonist meaner, badder, or scarier in whatever way they can- or alternatively they introduce a Tragic Backstory to make them seem broken and sympathetic. Often, this ends up having the exact opposite effect. Instead of a compelling and genuinely terrifying villain, the writer ends up with a Big Bad Edge Lord who the reader just straight up does not care about, or actively rolls their eyes at (I'm looking at you, Marvel).

What makes an antagonist or villain intimidating is not the sheer power they hold, but the personal or existential threat they pose to the protagonist. Meaning, their strength as a character comes from how they tie into the themes of the story.

To show what I mean, here's four examples of the thematic roles an antagonist can serve:

1. A Dark Reflection of the Protagonist

The Devil Wears Prada

Miranda Priestly is initially presented as a terrible boss- which she is- but as the movie goes on, we get to see her in a new light. We see her as an bonafide expert in her field, and a professional woman who’s incredible at what she does. We even begin to see her personal struggles behind the scenes, where it’s clear her success has come at a huge personal cost. Her marriages fall apart, she spends every waking moment working, and because she’s a woman in the corporate world, people are constantly trying to tear her down.

The climax of the movie, and the moment that leaves the viewer most disturbed, does not feature Miranda abusing Andy worse than ever before, but praising her. Specifically, she praises her by saying “I see a great deal of myself in you.” Here, we realize that, like Miranda, Andy has put her job and her career before everything else that she cares about, and has been slowly sacrificing everything about herself just to keep it. While Andy's actions are still a far cry from Miranda's sadistic and abusive managerial style, it's similar enough to recognize that if she continues down her path, she will likely end up turning into Miranda.

In the movie's resolution, Andy does not defeat Miranda by impressing her or proving her wrong (she already did that around the half way mark). Instead, she rejects the values and ideals that her toxic workplace has been forcing on her, and chooses to leave it all behind.

2. An Obstacle to the Protagonist's Ideals

Avatar: The Last Airbender

Fire Lord Ozai is a Big Bad Baddie without much depth or redemptive qualities. Normally this makes for a bad antagonist (and it's probably the reason Ozai has very little screen time compared to his children), but in Avatar: The Last Airbender, it works.

Why?

Because his very existence is a threat to Aang's values of nonviolence and forgiveness.

Fire Lord Ozai cannot be reasoned with. He plans to conquer and burn down the world, and for most of the story, it seems that the only way to stop him is to kill him, which goes against everything Aang stands for. Whether or not Aang could beat the Fire Lord was never really in question, at least for any adults watching the show. The real tension of the final season came from whether Aang could defeat the Fire Lord without sacrificing the ideals he inherited from the nomads; i.e. whether he could fulfill the role of the Avatar while remaining true to himself and his culture.

In the end, he manages to find a way: he defeats the Fire Lord not by killing him, but by stripping him of his powers.

3. A Symbol of the Protagonist's Inner Struggle

Kung Fu Panda 2

Kung Fu Panda 2 is about Po's quest for inner peace, and the villain, Lord Shen, symbolizes everything that's standing in his way.

Po and Lord Shen have very different stories that share one thing in common: they both cannot let go of the past. Lord Shen is obsessed with proving his parents wrong and getting vengeance by conquering all of China. Po is struggling to come to terms with the fact that he is adopted and is desperate to figure out who he is and why he ended up left in a box of radishes as a baby.

Lord Shen symbolizes Po's inner struggle in two main ways: one, he was the source of the tragedy that separated him from his parents, and two, he reinforces Po's negative assumptions about himself. When Po realizes that Lord Shen knows about his past and confronts him, Lord Shen immediately tells Po exactly what he's afraid of hearing: that his parents abandoned him because they didn't love him. Po and the Furious Five struggle to beat Shen not because he's powerful, but because Po can't let go of the past, and this causes him to repeatedly freeze up in battle, which Shen uses to his advantage.

Po overcomes Shen when he does the one thing Shen is incapable of: he lets go of the past and finds inner peace. Po comes to terms with his tragic past and recognizes that it does not define him, while Shen holds on to his obsession of defying his fate, which ultimately leads to his downfall.

4. A Representative of a Harsh Reality or a Bigger System

The Hunger Games

We don't really see President Snow do all that much on his own. Most of the direct conflict that Katniss faces is not against him, but against his underlings and the larger Capitol government. The few interactions we see between her and President Snow are mainly the two of them talking, and this is where we see the kind of threat he poses.

President Snow never lies to Katniss, not even once, and this is the true genius behind his character. He doesn't have to lie to or deceive Katniss, because the truth is enough to keep her complicit.

Katniss knows that fighting Snow and the Capital will lead to total war and destruction- the kind where there are survivors, but no winners. Snow tells her to imagine thousands upon thousands of her people dead, and that's exactly what happens. The entirety of District 12 gets bombed to ashes, Peeta gets brainwashed and turned into a human weapon, and her sister Prim, the very person she set out to protect at the beginning of the story, dies just before the Capitol's surrender. The districts won, but at a devastating cost.

Even after President Snow is captured and put up for execution, he continues to hurt Katniss by telling her the truth. He tells her that the bombs that killed her sister Prim were not sent by him, but by the people on her side. He brings to her attention that the rebellion she's been fighting for might just implement a regime just as oppressive and brutal as the one they overthrew and he's right.

In the end, Katniss is not the one to kill President Snow. She passes up her one chance to kill him to take down President Coin instead.

[violettathepiratequeen]

How could the Shanshu Prophecy NOT have been about Spike in Chosen?

The Prophecy states that a vampire with a soul would play a pivotal role in the apocalypse, and would be rewarded with becoming human when that happened. This was introduced in S1 of AtS, where it was also explicitely stated that the vampire in question isn't named, just that it's one with a soul. And since Angel was unique in that way, naturally it's assumed that he's the one they're referring to (but then why not name him if he was the only one it could apply to hmmm?) Wolfram and Hart took the extra step of research to learn that it was unclear whether the vampire would play a pivotal role on the side of good, or the side of evil, so they tried their darndest to get Angel on the side of evil through all five seasons.

But, hello? Angel has had a soul for a hundred and something years. And he's been through an apocalypse or two, first with Buffy, then on his own show. What's he been doing all this time? Which apocalypse are we talking about here? Lindsey claims the apocalypse has been going on all around them in Season 5, but the Buffyverse has always had clearly marked events signalling the end of the world that had to be prevented. The world being a mess is NOT an apocalypse in and of itself.

And then another vampire gets himself a soul, that could only have been forseen in prophecy, because he decided on his own to go and fight for it. After getting said soul, the First Evil immediately latched onto Spike and started grooming him, manipulating him, and brainwashing him into killing people. Random bystanders at first, probably testing to see if it could work on Buffy and her friends.

So Spike could very well have been on the side of evil in S7, if he didn't work so hard to resist the First's influence, if he didn't ask Buffy to help him, if he didn't break through his trigger. Or hell, even if he'd left town.

And then Angel is handed a mystical amulet and some info meant to help with whatever is going on in Sunnydale. He hands it over to Buffy and offers to be the champion in question, but she says no, and chooses Spike instead.

I'm not gonna get into the whole Spuffy side of this, haha, but S7 was about Buffy choosing Spike, every single time, in every aspect of her life, in love, and in battle. And this universe did originate with her, so she ought to be the one to determine this, within the confines of the show, anyway.

Spike takes it willingly, they both know he's probably going to die, Buffy does try to get him out of there when she sees he IS dying, and he stays, giving his life so that she and everyone else can live. His soul powers the amulet, his love sets their hands aflame, and his heroic act bathes him in sunlight before he's destroyed.

In the battle against THE FIRST EVIL. If I was gonna pick which apocalypse the Shanshu was talking about, I would choose one that had a villain called THAT. Plus it's Spike's first apocalypse with a soul, so that would also make sense that it's the one the Prophecy is referring to. No resting on his laurels for THIS vampire.

Except, instead, he dies and shows up on Angel's show disoriented and alone and without Buffy and with a complete 180 personality, battling with Angel on who the Prophecy is about, and you'll notice the show never does answer that question. Because Spike objectively makes the most sense. But it's not like they could make Angel play second fiddle ON HIS OWN SHOW.

No, what they should have done, is let the finale of Buffy cross over with Angel properly. Not just a cameo, but bring the whole Angel crew in, so that anyone watching the show would be forced to watch that specific episode of Buffy just to keep up with the story.

And Spike should have Shanshued. And Angel would have been disappointed, sure, but hey, he's BEEN human before. And he didn't like it. He even got a ring that made him impervious to harm. And he didn't like it. He loved Cordy more deeply (and more recently) than he ever loved Buffy. So it's not like he's really waiting for her anymore. Plus Cordy is part demon now, so Angel doesn't have to worry about not being enough for her. (Oh yeah, they should have brought Cordy out of her coma for this ending, to make any kind of cohesive sense).

But Spike... Spike was always more human to begin with. He may not have ever thought becoming human was on his bucket list, but he didn't think that about a soul either, until the time came where he needed it. He would LOVE to take Buffy out in the sun, and grow old with her, and give her the family and white picket fence that she's always secretly wanted and didn't think she could ever have. He would have still died, the same way soulless Spike died the minute he got a soul, but without all the heartbreak the canon ending gave us.

I'm partial to the stories where the Shanshu means some vamp powers like extra strength and healing remain, but those are just semantics.

As a cherry on top it would prove to anyone who's ever called it into question, and I include Buffy and Spike themselves on this list, that it's not that Buffy wants normal, nor is it that she wants a demon. She loves Spike for who he is, demon or not, human or not, but the soul and humanity would have helped him be the best version of himself, a man worthy of loving her and living with her, and after all the battles they've fought in their relationship to get here, it feels like it would have been kind of a sign that someone out there gives their blessing on this pairing. And Buffy could have said she loved him and chosen him AGAIN, in front of everyone, including Angel, and that would have been our endgame ending. (Though... to be honest if the comics still happened after this and Spuffy broke up at any point I would have been betrayed in a whole different way.)

And that's how BtVS could have ended. Angel could have gone on to have another season more or less the same, without any Spike or Buffy or Shanshu to speak of. And it could have ended EXACTLY the same.

The writing was literally so perfect and set it up for Spike so beautifully and unexpectedly. It wouldn't have even had to be a slap in the face for Angel because a. neither show was afraid of disrespecting a character at any point, and b. if it had been done on Buffy's show, it would have been less of a blow and made more sense, that Angel went back to BtVS to watch this unfold, where he wasn't the main character anyway. The Prophecy introduced on his show was really intended to be in service to hers, as any spinoff show ought to be.

Plus the episode title Chosen is such a beautiful one that has so many double and triple and quadruple meanings that one more would have been awesome.

So yeah. Those are my thoughts on the Shanshu this fine evening. Obviously many, many Spuffy fics (including my own) have given it to Spike or Angel or neither, all with their own reasons. And of course there's lots and lots of opinions on whether we would even want that for Spike, or if Spike and Buffy would want it.

But I think it just needed to be spelled out that from a writing standpoint, this would have made the most sense, and why.

[aristaspark]

The reasons why I think Stella and Bloom's friendship is amazing and is not something we often see

Or why Fate is trash

One aspect of Winx club I always loved growing up was the friendship between the girls. They all love each other, despite their very different personnalities and having some rough times.

While I could write an essay about almost every duo in Winx club, I do think that Stella and Bloom are the most interesting to analyze.

Even though they are part of a friend group, the show doesn't try to hide the fact that Stella and Bloom are each other best friend, they even say so themselves.

This friendship is truly groundbreaking when we think about it, for one simple reason: Bloom and Stella's archetypes usually hates each other when depicted together in media.

Hear me out.

Stella is the girly girl, the mean girl, the popular girl with a big mouth who can appear shallow. Plus, she's blond. She bases a big portion of her self-worth in her apperance. Basically, she's the Regina George of Winx Club.

Bloom, she's not like the other girls. There's nothing wrong with her, she's attractive and a sweetheart, yet she attracts attention for being different (in the show there are a few reasons for this, first she's from Earth and she's also the keeper of the Dragon Flame, making her a god-like existence in the story). She has messy hair, dresses in jeans, doesn't really care about her apperance... She's a fish out of water type of character, the character everyone can and wants to relate to. She's the Cady of Winx Club.

These two were designed to hate each other.

Taking into account Stella's nature, we expect her to hate Bloom out of sheer jealousy. Bloom doesn't try and gets all the attention, she's the new girl who turns out to be the one girl more powerful than her, she's also a princess. We could say that everything Stella can do, Bloom can do better.

And yet...

Stella would kill a bitch for Bloom. Never in the show does she display any sort of ill feelings toward Bloom, on the contrary, she spends her time trying to get her to be more confident in herself and her abilities. She's sweet with her and does her best to uplift her. I can say with confidence that Stella is the one person in the show who loves Bloom the most (tied with Daphne), like Sky doesn't hold A CANDLE to her.

When Bloom leaves on missions by herself she's worried sick, she's always clinging to her, teasing her, looking out for her. She's always the one there for Bloom when things get hard (when the Trix steal her powers, when Sky gets engaged to Diaspro, when she thinks of her family...)

And Bloom, she just loves Stella. She's the reason her dream became reality (it was her meeting with her which caused her to learn her true nature), and Stella took her under her wing to make it easier for her to fit into this new world. She saw from the beggining that Stella was willing to lie for her, to fight for her and she couldn't help but love her, even if she had a big mouth and quite the personnality. Stella brought lightness and laughter into her world, she was her anchor.

For real, just look at her reaction when Stella throws herself from the cliff in season two. She spends the episodes after that obsessing over finding and saving Stella.

These two can't live without each other even though one is the 'your typical mean girl' and the other is 'not like the other girls'.

Heck, everytime the villains freaking spy on the Winx these two are all over each other.

I think the heart of their friendship is their first meeting. Stella was what Bloom had dreamed of all her life: she was a real fairy, the living personnification of her dreams. She's the one who made her dream a reality. As for Stella, she was saved by a human who risked her life and stood up for her even though she didn't stand any chance and didn't know her. Bloom was just lucky she turned out to be a fairy. Bloom then took her to her house and took care of her, without expecting anything in return, which caused them to bond instantly.

That relationship was freaking transgressive for the time, and Fate's writers deserve jail for what they did to their friendship. Bloom and Stella fighting over a boy and Stella turning into the typical insecure and jealous mean girl? Hell no.

Look at these queens 🥹

[superectojazzmage]

Among my mounting bad/unsure feelings about Arcane season two is a feeling of... I don't know, weirded outness over how Jinx is being handled. Just the way they seem to almost be trying to pretend like she wasn't depicted in season one as basically a sadistic, bloodthirsty, would-be school shooter who did shit like shooting animals for fun or blowing up buildings to try and impress her dad.

Like, the narrative of this season seems to be going out of it's way to handle her with kids gloves in a way that season one didn't, treating her as if she's just a "lol so quirky" kind of character or even a genuine revolutionary hero to be idolized as Zaun's leader compared to season one's "oh this lady is genuinely dangerously unstable and a threat to everyone around her". She's not treated as a villain - albeit a tragic one - she's treated like she's a flawed hero at worst.

Hell, I mean, you see it with the whole plot of Zaun following Jinx as a symbol of revolt. Because all throughout season one, Jinx's relationship with Zaun in even the most charitable light amounted to everyone except Silco being fucking TERRIFIED of her or outright hating her guts, and with good reason as she did nothing but make everyone's situations worse by being a mood-swinging killer who attacks anyone and anything around her at the slightest provocation and constantly goes into violent, hallucinatory fugue states at even the most mild of stresses. But than she blows up the council and suddenly everyone is literally equating her with a god worshiped in Zaun? Imagine if you saw people claiming the Unabomber was the Second Coming and you get an idea of how bizarre that is.

Everyone regarded Jinx as a walking bomb in season one. Even a lot of Silco's allies - from Sevika to Marcus - spent said first season saying Jinx was out-of-control and that killing her would be doing Silco a favor, and that was objectively true, especially considering Jinx ends up directly murdering Silco in yet another fit of blind rage and panic. Now we get season two and anyone who seriously opposes Jinx seems to be treated like either a jerk or a burgeoning extremist for not liking a terrorist who kills people because the voices in her head say to do it, and some people who despised Jinx in season like Sevika now act like they're just mildly annoyed by her childishness and weird behavior (something else that was played in a very creepy light in s1, but now seems treated like it's harmless).

Her crimes from season one and even this season are kinda brushed over; there's tepid acknowledgment that she killed Caitlyn's mom and two other councilors, but that's it and nobody really dwells on the fact that she basically did fantasy 9/11. And likewise, Caitlyn is treated as if she's becoming a violent zealot for shooting at Jinx while Isha is near, but nobody so much as comments on Jinx outright murdering numerous children through Grey-bombing Piltover or literally shooting a teenage Firelight in the back in season one just because she looked like Vi.

Speaking of Isha, I hate to say it, but she really does feel like she has no reason for existing beyond making Jinx look better. No themes of Jinx perpetuating the kind of abuse Silco inflicted on her by raising to be the monster she is, no acknowledgment of how dangerous somebody like Jinx would be as a mother, no questioning of the ethics of Jinx's actions, and Isha watching Jinx murder people is framed in a silly, comedic light compared to season one's blunt depiction of how Powder being exposed to violence from a young age warps her. Isha throws straight KILLS HERSELF via suicide bombing and it's framed as a heroic, beautiful act and not a horrific sight of a child being so radicalized by the terrorist that raised her that she thinks killing others and eve herself "for the cause" is good. The series dangles her and Jinx being friendly with each other in front of you like a parent jangling car keys at an infant. "Oooh look at Jinx and Isha dancing and dying their hair haha it's so cute don't think about bad things, Jinx is nice now!".

I just honestly am not a fan of this "Harley Quinnification" of Jinx after season one went out of it's way to tear down that kind of character. Such a big part of Jinx's portrayal there was ripping apart the idea of this manic pixie terrorist who is Totes Awesomes and only hurts bad guys as part of it's larger themes of the ugliness of violence and the dangers of valorizing it. And I really feel like we're losing that. Not even just with Jinx, but with Zaun as a whole, this season feels like it's going full "everything is Piltover's fault, Zaun didn't do nothing wrong, those Piltover babies should just shut up and let themselves be attacked for being big stupid oppressor doodoo heads!!!!" which feels very counterproductive to the series' messages and like frankly shit writing.

[imfromthemiddlekingdom]

I don’t understand the fandoms love for Daemon, by all rights he should be as hated as Joffrey was. Not only did he do almost everything Joffrey did, he also did worse. Even Tywin wouldn’t hold a candle to his cruelty. I understand liking a villainous character, I do too with Cersei and Tywin, but I’ve never went out of my way to whitewash their characters. I love them because they are villainous and practically irredeemable, if team black stans liked Daemon for his villainous actions before and during the Dance of Dragons I wouldn’t have any problems with it. But the fact that they go out of their way to defend him killing Rhea Royce because “he was forced into a marriage he didn’t like!!!!” As if she wasn’t too. And the fact that they defend him sending Blood and Cheese to psychologically torture Haelena and kill Jaehaerys due to “a son for a son it’s only right” when they despise Alicents moment of madness when her son was denied justice, makes me want to hurl.

It’s alright to like villainous characters, it doesn’t make you a bad person if you like them. But you know what makes you a moronic person? Whitewashing everything that makes a character compelling because you want to like them without seeming like a ‘bad person’. Your opinion on a character does not determine your own morality, it doesn’t make you better or worse than someone who hates them. But what it does, when you erase their entire identity as a rouge to make them more palatable to you, is make you seem moronic, stupid, and lacking any critical thinking and reading comprehension skills.

Rhaenyra is a compelling character because she is entitled and spoiled and lacks any political experience, she shows how badly Viserys fucked up when he tried to compensate for his guilt of murdering Aemma. Alicent is a compelling character because she is a mother who is trying her best to protect her children from the reality that if Daemon took the throne for Rhaenyra, he would kill all of them because they are a threat. She is even more of a compelling character in the books because of her ambition and cunning and want for her family to rise far above the ‘station’ of being a noble house in the Reach (as if house Hightower aren’t the oldest house in Westeros who could trace their lineage back to both the Garth Greenhand the high king of the first men and the Andal Kings that came afterwards). Daemon, for all that I dislike him as a character, is compelling for his ruthlessness and shortsightedness in his pursuit of the throne. He didn’t raise an army for Viserys because he thought he was a competent leader, he did it because it raised his own standing within Westeros, he groomed Rhaenyra not because he loved her, but because having him in her good graces means that he stood a better chance of being king after she was named heir. His ruthlessness is compelling. Taking it away to make him into a ‘malewife’ or a ‘loving father’ or a man who is lacking any ambition beyond wanting a valyrian wife is taking away his agency. It makes him seem like a Gary Sue who only wants the throne because his brother said Rhaenyra was heir. It makes it so that he is so completely white bread like that not even I, someone who loved the more morally bankrupt characters in ASOIAF can find him agreeable in any way shape or form.

Daemon is a fundamentally morally bankrupt character and he should stay that way. If you like him you should acknowledge and accept that he is one of the ‘bad guys’. Just as Cersei fans acknowledge and accept that she is fundamentally a morally bankrupt person who is selfish to the extreme. We like morally black characters because they are morally black. To make excuses for their actions is to take away their agency which makes them unlikable and very hate-able.

Daemons actions aren’t justifiable, blood and cheese would never be justified. A son for a son is akin to the visceral disgust the fandom had to Alicent when she asked for Lucerys’ eye, yet I bet when season two comes out and Blood and Cheese happens we’d see Daemon fans applauding and trying to justify it as ‘not that bad’ and ‘team green deserved it because of Aemond’s actions’ when little Jaehaerys, a boy of 6, was as far removed from the incident as can be. It would be akin to Team Green saying that due to Jaehaerys’ death, Aegon III or Viserys II deserved to have their head cut off in front of Rhaenyra.

Let morally bankrupt characters be morally bankrupt. You aren’t morally bankrupt because you like said character, it’s a fictional story loosely based on Empress Matilda. It’s not that deep. Like the characters you like without trying to justify their actions. They might be monstrous but you aren’t because you like them. It’s not a measure of your own character because you like said character. But it is a measure of your intelligence when you try to change said character’s entire personality to make it so that they are more digestible to you and everyone else.

[fantasywater]

Catradora and Stolitz: Same Toxic Ship just Different Genders

This series has always felt like the Catra Show, and so much so that even Hordak never felt like the main villain. And nothing drove that point home more than season five proving once and for all that this series' moral line(or lack thereof) is really about a Villain Protagonist when the character that increasingly became a monster for four seasons still got everything she wanted in the end.   

Catra is the poster child for the moral bankruptcy of this series. 

I can't buy her ''redemption,'' or her relationship with Adora, because she went too far. 

Therefore nor can I buy the mental gymnastics that arise when she is the topic of discussion in the fandom. 

For four seasons I watched this character willingly and gleefully jump rope with the moral event horizon. Then she finally broke it to the pieces when she genocides the planet, and everyone on it, because of her sick, evil, obsession with being better than Adora.

Loved all this time my behind.

Catra was a vile person from her introduction, and just got increasingly more poisonous as the show went on. 

Season Five wants us to treat Catra like she was just a bad friend.

She just said a few mean words here and there, and therefore all she has to do is sincerely apologize then friendship can begin again.  

Here's the thing Catra wasn't just a bad friend she was an abuser and a fascist. 

She had multiple opportunities to leave the horde, and had no reason to stay in the first place, gleefully attacks the resistance, is the reason Angela died, tried straight up multiple times to end Adora’s and her friends lives, and was just an abomination to even the ones on her side etc..   

On the flip side we have Adora who doesn’t give a damn about Catra for four seasons. She’s too busy enjoying life with her real friends.

Try and recall, was there ever a moment where Adora was...concerned for Catra’s safety? Pining for her in any way romantically? Ever? Even once during the first four seasons? Because I don’t.

Honestly, Catra wasn’t important to Adora until Catra showed up on screen. And then they both wanted to kill each other. Any moments of Adora thinking about Catra it was in the context of Catra being her enemy.

But I'm supposed to believe in their romance based on what? Catra's toxicity? Adora's nonexistent romantic feelings for pretty much the entire series?   

It seems in season 5 all Catra had to do was one act of atonement and out of nowhere, like Adora has been possessed by the ghost of Queer Rep, she suddenly can’t get Catra out of her head.

Also, note that Catra didn't save Glimmer because she realized her past actions were evil; no it was all for Adora's sake i.e. the person she is toxically obsessed with. 

Furthermore, the redemption in question is handled with the most condescending of kid gloves.

It seems like she was replaced by a clone for season five. She’s just accepted.

It's like seasons 1-4 didn't happen. The forgiveness was excessive and forced so we could be okay with this abuser/war criminal being chummy and romantic with her victims.

For example, Glimmer cries over her, kisses her cheek, etc... Yet Catra is responsible for her mother's death, the world ending, trying to kill her, war crimes against Bright Moon, etc. 

Then Entrapta also forgives Catra like it’s nothing even though she sent her to die, and apparently, she was in this hell space for a year.

But everything is supposed to be wonderful because an abuser ends the series romantically involved with her victim?   

When Adora said you made your choice and now live with it that should have been the end of any reconciliation either platonic or romantic. 

Even her flashbacks are of her being abusive.

You see her in one of them( in her so-called redemption season at that) scratching Adora's face to the point it left blood, and jumping on her stomach just because Adora dared to be friends with other people.

This was pretty much every childhood flashback they showed.

She would emotionally and physically abuse Adora, and then Adora would take her back.

This would continue even as young adults. It was a pattern(red flag) that Adora unfortunately didn't escape. 

But.....I always loved you,says Catra. 

For Adora's own mental health/closure, she could forgive, but only if she also makes it clear that she doesn't want her abuser/ex-friend back in her life.   

I could have tolerated that ending instead of Adora becoming a couple with her abuser. 

Basically, this Villain Sue ends the show getting everything she wants even after manipulation of several characters, genocide, war crimes against her own people, physical and mental abuse(especially toward Adora), repeated attempts at murder, and just being a complete psychopath to anyone within spitting distance of her toxicity. 

She gets to be pretty much abusive scum for four seasons, on top of actually doing the same thing Prime wanted to do, yet whiplash forgiveness and Lesbians 4 Evah is her ending.   

"So we're all just okay with this?", says Mermista incredulously of the war criminal Hordak. Good question, but then I remember you all seem to be okay with war criminal Catra sooo.....

Her mirror Hordak, according to the showrunner, is sentenced to Beast Island for his war crimes. However, my question then becomes where is Catra's sentence? Oh, that's right if you're Catra you get to be a war criminal in peace, and especially if you're dating the protagonist.   

It's also convenient that Mermista's was chipped, and therefore didn't get to say anything to the girl who helped bring down her kingdom with a smile on her face.

Funny how that worked out. 

It's even more convenient that her victims gave their lighting fast forgiveness.  

Can't have icky things like abuse and war crimes get in the way of that ending smooch you know.

I suppose we also just need to look at Angella as collateral damage while we smile as her daughter hugs and kisses her killer I guess.   

I also find it odd(since we're loving abusers) that Shadow Weaver point blank doesn't get forgiveness from Adora, and she even ends the series dead.

However, she defected to the hero's side in season two(regardless of any impure motivation), and stayed there and helped the protagonists until her season five death.

But Catra, who not only stayed with the conquering organization the Horde for almost the entire series while also eventually becoming their leader, was not only forgiven but also rewarded with a romance with her victim. Curious. 

The only way I can stomach her season five 'redemption', and lighting quick forgiveness, is if I forget the monster of four seasons didn't exist.

Problem is I can't do that. 

Why should I get any catharsis that the protagonists prevailed over Horde Prime when Catra is pretty much him with a sob story attached.

So it seems this show's message is no matter how much emotional and physical pain a person does to you it's okay to not only let them back in your life(damn your mental health I guess), but also enter a romantic relationship with them too.

It’s also hilarious that some of her fans say she’s Zuko.

No.

She’s what would happen if Azula and Kylo Ren were made into one character.

Titles the show should I have had:

She-Ra: The Story of a Villain Sue Antagonist That Gets a Happily Ever After With Her Victim

Another alternate: She-Ra: The Story of Lesbian Reylo or more current Lesbian Stolitz.

[le-fruit-de-la-passion]

Does a bad ending ruin a good story? A comprehensive guide to my feelings on the Arcane finale

*Spoilers for Arcane season 2*

So. You just finished the show, and you're staring at the screen in bewilderment. Perhaps you’re even with some friends, shouting words of confusion to the rolling credits. Try as you might, you can barely hear them, because a single thought echoes in your mind and pushes away any other:

“What the fuck just happened?”

If this happened to you, then boy oh boy, we're on the same boat. If it didn't, well, I'm glad for you friend! We might not have been looking for the same things from this story. But this is my post, meaning I will give my opinions (which are objectively correct because this is my blog and I'm the mayor here) on everything that Arcane broke and failed to deliver in its last 2 episodes.

Let's start with characters, and why none of it mattered.

Jinx symbolized the fear we all have of not belonging somewhere, of not having anything to call home or anyone to call a family. Her anger stemmed from wanting to carve a place in a society and a world that had so harshly rejected her (i.e., Vi leaving her). Her existence was a huge middle finger to all that refused to let her live, a fight to build herself something wholeheartedly hers (hence her being an inventor). It was proof that despite the world telling her she was better off dead, she would never stop fighting to prove it wrong.

… and she died.

She died, and that means all the suffering she went through to exist simply amounted to nothing. She left nothing behind either, no trace of a legacy, something that would have left her mark on that world. Isha, the child she raised as a daughter, died. Silco, who she taught love and care to, died. Vander, who she brought back from years of trauma and torture, died. Jinx fought so hard to live, and in the end, it was as if she hadn't lived at all.

Viktor is most certainly the character that made me the angriest, because of how attached I am to the person he is in season 1 (and even the first two acts of season 2 to an extent). Everything that made him so beautifully complex… gone, in about 10 minutes. There was NO reason to make him the surprise ultimate villain. Viktor had always, always been a pacificist. That's why he was so adamant Hextech not be used as a weapon. That's why every time there were chances to test hextech to hurt, he tried to learn how it could heal. Yes, his fusion with the hexcore had changed him; but NOT into a man who didn't care for human life. He wanted to help all the hurt done to his people. People like him, living day to day in the undercity, but who had never gotten a chance to crawl out of their hell. His community was about HEALING, not controlling. The very IDEA that he would accept killing innocents and ally with Noxus, the warmongers, is so ridiculous I could genuinely laugh if it didn't make me so angry. The show needed an easy, black-and-white showdown to conclude a story that would have needed so much more time to tell. And they chose Viktor. Because it was the easy way out. It was the perfect foil to the return of the Golden Boy. And that PISSES me off.

There is this really shitty concept in popular media that the handicapped/chronically ill character is always in the pursuit of being “cured” and that they need outside help to realize “that their imperfections make them perfect”. Fuck. You. As someone with chronic illness and who just finished beating blood cancer, fuck you. That realization, that you're you with every part of your being, even the ‘bad’ ones, cannot come from outside. It's YOU who needs to learn it. It's you who needs to discover how your body and your mind are so much stronger than you previously thought them to be. Not your lover, your family, your friends, or God forbid your able-bodied lab partner. You. Others may tell you as many times as they want your illness doesn't define you; it won't matter until you, yourself, have understood why and have accepted it. Having someone swoop in and “fix” Viktor with a “you don't have to change uwu” is just….. so reductive I can barely find the words for it. That was VIKTOR’S path to find, and not Jayce’s role to find it for him.

Also… Viktor wasn't trying to ‘fix’ his leg; he was trying to find a cure to a deadly illness ravaging his body and no doubt the bodies of many in Zaun. The HELL is the message here??? That he should have just rolled with it because the deadly illness was part of him??? Again, as a cancer survivor. Fuck right off.

Of course, I can't just ignore the hideous get-up they put him in at the end. The man who laughed at Jayce's narcissism….you want me to believe… he would put on that fucking edge lord costume and not DIE of embarrassment??? The design makes no sense from a narrative standpoint either: if his cane has become the sceptre, why is he still keeping it? He doesn't need it anymore to walk, and it's a reminder of his weaknesses as a human that he apparently hated so much. Why the hell does he keep it then? And the hexclaw. Where did that bad boy come out from?? Did you all see a secret extra bonus scene where he steals it from the lab, because I sure didn't. It doesn't add anything to his sets of powers either it’s… it's a fucking laser gun. WHY. And oh sweet god that mask… there would have been so many ways of designing a mask more meaningful than the one from LoL. This one is just. A piece of metal he spawned in embryo. Get it? Because he's made of metal now and also hiding his face means no more humanity? Get it?? Of fucking course you do, because this was the easiest and worst possible way they could have integrated the mask.

Viktor and Jayce had a fantastic dynamic in that Viktor had started out as the loner, the underdog scientist from the slums; while Jayce was the leader figure, living in comfort that made him attachingly naive, his face plastered on posters stroking his ego. The shift is delightfully slow, as Viktor gains in confidence and determination to see his invention through no matter what, while Jayce is confronted with harsher and harsher truths about the world he so blissfully ignored. By Act 2, they have fully switched roles: Viktor is now the leader figure, a symbol of the future for the people, while Jayce is desperately alone, both physically in the hexcore anomaly, and mentally in being the only one who has seen the devastating future. Excellent stuff. What would be a great way to push these parallels further and to show the complexity of these characters, and perhaps how they can balance each other out? Well, Fortiche sure didn't know, now Viktor is the bad bad guy and Jayce is mister hero. Zaun bad, Piltover good. All nuance, gone. Proving that indeed, the man from poverty and inequality turns out evil, while the one from comfort and wealth turns out to be the hero of the story. The whole “giving a warm speech to the bad villain about how you care for them, somehow immediately changing their ways, and dying together to save the world” can work well in shounen anime where friendship is magic, or in the Ben 10 live-action movie (yes, that's the plot, I thought that wasn't deep when I was like 7 years old so imagine now), but not in a show like Arcane. Not with the ethical and moral nuances they have accustomed us to.

And now, let's explore...

Plotholes and incomplete storylines galore.

Ekko’s tree and the contamination of Zaun from Piltover? Fuck that. The huge showdown between the two opposite yet sister cities, like Jinx and Vi, that has been built up for two seasons? Fuck that. And for what?

For the Noxus sequel teaser.

Mel’s plotline about finding her mage origins had NOTHING to do with the main plot. Absolutely nothing. It added 0 twists or intrigues to the story, and served no purpose except making her a deus ex machina for a broken ending. All it was there for was to lay the base for a following show on Noxus and the Black Rose. Time that could have been spent either giving Mel a proper arc related to the plot, or giving all the other rushed character arcs more development.

Finally, and I deeply regret having to say this, but… the end of Vi and Cait's relationship was majorly disappointing to me. As an LGBTQ+ person myself, who feels attraction to women, it was a delight to have such a realistically portrayed w/w relationship on screen. Popular media tends to portray m/m relationships as these doomed, sinful feelings between two repressed guys, while w/w relationships are shown to just be all sunshine and rainbows and teddy bears, because two women together are a cute little accessory to have on screen. It’s non-threatening. But not Cait and Vi; their bond was raw, and rocky, with violent lows and passionate highs in a world that seemed to want to keep them apart. Their separation and the introduction of Maddie showed the reality of a w/w relationship, where fights and cheating ARE things that happen, because they're two adult women with different beliefs, objectives, an trauma. Putting them back together, as if nothing had happened, without giving us anything about how their relationship would have evolved from the breakup? I'd never thought I'd say this, but it's too easy. How about Caitlyn's literal descent into fascism??? We’ll just ignore that? Vi will just ignore that?

As with everything else, this last part of Arcane destroys all the complex emotions that exist between these characters, the resentment, the anger, the frustration, built upon years of different social conditioning… gone. Because they had 2 episodes left to wrap it up, and there was no way to make a coherent and natural transition to them getting back together with that kind of time. And can I just say. The decision to have Vi, symbol of Zaun, go down on Caitlyn, symbol of Piltover and enforcers, in a prison cell that has held innocent Zaunites and represents their complete lack of freedom as individuals by a cop state that oppresses them….. yeah, bad. So bad.

And… the multiverse. Yup, they went the multiverse route. Now, that's not necessarily a bad thing: the concept of multiverses itself is interesting in a vacuum, and quite a few properties have managed to make it work coherently. But it has been terribly overused and bastardized in serialized content in the last few years, for the simple reason that it's extremely practical. Why make a new, original series when you already have worlds and characters that are developed, and come with built-in fans? It's a money-saving hack! Why dedicate yourself to an ending that is meaningful in its finality and wraps the story properly when you can just say “It's just one ending in the multiverse!”. It takes away any accountability to the fans, and leaves the door open to a potential other version of the story! The perfect combo!

…except in practice, it comes off as lazy in a medium where that trope is overly saturated (don't start me on Marvel), and like a cowardly way of escaping from the responsibility of really taking the time to craft a good, solid ending to end your story.

So, with all that said: does it ruin Arcane for me? No, absolutely not, and I don’t think it should be for you either. The intricate artistry and raw talent that went into making the first season (and I would say a majority of the two first acts of season 2) is undeniable, and will stay undeniable. Nothing can touch that story. It will forever be one of my favourite pieces of animated media, which is saying a lot because I'm currently getting my master's degree on that topic.

However, it does give Arcane, as a whole rather than two separate seasons/entities, a very bittersweet feeling that is hard to forget. Thinking of what could have been, just if a little more time had been given to the minds behind the masterpiece you so loved… it's its own form of heartbreak. Academics have even compared it to experiencing a form of death of a loved one, before they ever got to reach their fullest potential and live the life they deserved. It may sound dramatic, but the feelings you feel in this moment, watching the horrible end of a fiction you have so much love for, are real. No one can take those away from you. You're allowed to grieve the loss of something that meant a lot to you.

Tldr; No, Arcane is not a bad series because of its rushed and incomprehensible ending. As they say, it's all about the journey, not the destination, even if that's one of the parts we tend to remember the most. And I don't know about you, but this was one of the best journeys I've ever been on.

[wingedshadowfan]

⚠️arcane s2 spoilers⚠️

i just saw someone say "vi put on a uniform for caitlyn but caitlyn never took hers off", even going as far as saying that caitvi shouldn't have ended up together bcuz they have the dynamic of "oppressor and oppressed". tell me you've never paid attention to a single thing caitlyn's done or said in either season without telling me😭😭 (this is my nth post abt this bcuz it pisses me off when ppl mischaracterize her so when you see underlined text, it's linked to a more detailed post)

are we forgetting when she traded her weapon, her gun, her only protection away for a shimmer/medication/potion thing w/ that fucked up undercity dude with the glasses (the one who became the first of the glorious evolution) for vi and hugged him as thanks?

when she saw ekko's commune, his tree, and validated ekko's feelings about piltover and enforcers but also told him the cycle of violence needs to be broken because the undercity needs healing - something ekko could understand even in his anger and hurt.

when she confronted her own parents abt how the government doesn't care about zaun and the situation there, and then took it straight to the council. when jayce, her literal childhood best friend and basically a brother to her, now a councilor, ASKED HER IF SHE KNOWS WHO MADE ONE OF JINX'S BOMBS AND SHE WENT "no, well, uh-" because vi held her hand. she asked him, in front of everyone, "what happened to you" when he suggested using hextech to invade zaun.

even when vi got sick of trying to change things through the council, caitlyn kept telling her there must be another way and they just needed to make a new plan. oil and water, vi said, and that she was stupid to think it would work, but caitlyn's response was, what about us? what about the actual people, not their value as representatives of a group, a stereotype, one of many indistinguishable units? we aren't oil and water.

ppl say she used to view zaunites as just "creeps, crooks and villains" and after seeing more from them through vi, she changed it to "innocent helpless victims", which obv is dehumanizing since you don't recognize a person's capability for both good and evil and only see them as a stereotype. but she's always recognized both kinds of people exist in the undercity and that being "good" or "bad" isn't that simple. ppl seem to be mad she didn't try and dismantle piltover's entire police force like that would be possible or a solution to zaun's problems. she has a strong moral compass and a sense of justice - innocents should be protected and criminals prosecuted, zaunites or topsiders. if you steal, you should go to jail. but when you come from the dark alleys of zaun and poverty and deprivation is all you know, you're way more likely to steal, and when enforcers are prejudiced against you, you're more likely to face excessive violence and maybe serve a longer sentence. and this is why she tells the council that there are good people down there, that there is rampant poverty, famine, a drug problem, etc. her focus is on the daily humanitarian struggles of the average people.

you guys will twist yourselves in knots to make excuses for jinx, justify her actions and forgive her for what she's done (when she literally, aside from murdering a bunch of people and destroying a fuckton of stuff because she was insane, unstable and uncontrollable, literally directly prevented zaun from getting sovereignty by blowing up the council) but you don't recognize caitlyn's entire change in character started when jinx tried to blow her up multiple times, kidnapped her, tried to get vi to kill her, blew up the council killing her mother and then (this wasn't jinx but caitlyn doesn't know that) turned the councilor memorial statue reveal to a massacre. see: this very accurate post.

"caitlyn never took her uniform off" well maybe because she was scared of jinx, paranoid, angry, grieving her mother, seeking justice and buckling under the pressure of becoming head of house kiramman. perfectly normal reactions considering the circumstances. she even acknowledged to jayce how upsetting it was to realize this hate she harbored for jinx had started to undo a lot of the work she did towards understanding the undercity and zaunites better and seeking to help them. but i believe she thought jinx was a hazard to them too.

i have a whole other post diving into this, as well as why she wanted vi to "put on a uniform" (temporarily until they caught jinx, and not just bcuz she thought vi was "one of the good ones" but bcuz she wanted her close, under her protection and equipped w/ all resources and privileges available to piltover, not to mention ppl are seriously undermining the fact that vi played a role in that conflict too) and why she made the mistake of going too far in her pursuit of jinx - most notably becoming rougher and jailing people, poisoning the air as a battle tactic, endangering isha, hurting vi, assuming the commander position and pursuing jinx even harder. but this post isn't about that, it's about other ways in which she metaphorically took off her uniform, and even the way she wore it.

caitlyn wasn't happy as a commander, she wasn't going on a power trip, she didn't "become a dictator all too willingly" like ppl are saying. and yes, that doesn't mitigate the damage she did to zaun but she had clear goals she was pursuing, none of which involved harming innocents (but protecting them), and she even confronted ambessa when she thought her right hand was out of line, which caused tension between them. though blinded by a desire for revenge, she remained concerned with the undercity's state and realized ambessa was manipulating her, even saying something like "why is peace always a justification for violence?" to her. the cost of what she was doing was too much for her. all things considered, commander caitlyn wore her uniform in the best possible way.

and she took it off as soon as she saw what was on the line. vi's father turned monster would go berserk when injected by singed, innocents would be ripped to shreds, and he'd be captured and used as a weapon by ambessa (against the undercity or whomever). for all of these reasons, caitlyn betrayed ambessa. she double crossed her, and the way she acted it out matters, not just because vi, who she'd decked the last time she saw, called her "cupcake". but because it was the right fucking thing to do.

i have a separate post about caitlyn's implied guilt about the things she'd done, about her knowing she couldn't undo those mistakes. this is what made her so desparate to try to make up for them that she not only send the guards away so vi could free jinx (another brilliant analysis here), but it also resulted in the way she fought ambessa tooth and nail alongside mel - like she had a death wish. she, a sniper, sacrificed her eye so she could remove ambessa's talisman by cutting it free with the dagger she took out of her own side. and even in the very end, when she asks vi if she's still in this fight, it could be interpreted as the fight for zaun too since she gave sevika, a zaunite, an ally of jinx, her mother's councilor seat.

so don't fucking talk to me about how she "never took her uniform off" for vi, when she's done that so many times metaphorically (and their last scene is literally one of the very few in the entire show where she isn't wearing any insignia), and she's done it for zaun too. and maybe even more so than that - it's how she wore it that matters. what she did with her privilege and her power - her character and agency.

season two is at fault for mismanaging the piltover/zaun conflict and not focusing on it enough in its latter half, as well as also not showing any proper longer caitvi conversations that might've taken place, in favor of... glorious evolution alien robots??

[bloodyshadow1]

I get people being sympathetic to the Rat grinders, I really do, but the way people will out right lie about canon to make the Bad Kids the villains. The Rat Grinders are kids, they're being groomed by charismatic and dangerous teachers who they trusted, they're corrupted by rage so they're not thinking straight. At the end of the day, that makes them cultists, pitiable and sympathetic, but still villains who are perfectly willing to create a hell on earth for the plan.

I've seen posts condemning the bad kids for killing the rat grinders, I've seen posts calling the Bad Kids bullies this season, I've seen posts that blame the Bad Kids for the whole thing saying the rat grinders are just kids who are being tricked. It's all bullshit, whatever your headcanons, whatever your feelings on the Rat Grinders, they're not the good guys here and are very much the villains this season.

The bad kids killed the 3 of the rat grinders this fight, Ivy, Oisin, and Ruben. No, they didn't stop to try and reach out to them, to try and make them see the light. The Rat Grinders are trying to condemn a whole town to become the domain of a the new god of rage and murder a goddess to usurp her domain. They are high level with the capacity to cast 9th level spells regardless of their hp, with two epic level pc's with super abilities that normal class features don't cover. If the Bad Kids hesitated they would be dead, they knew that, the Rat grinders tried to murder them little over an hour ago. They've hated the bad kids for years and now decided to make their vendetta known, they fucked around and found out.

Which leads me to my second point, the Bad Kids are not bullying the Rat grinders. They're not pleasant to the rat grinders, but you don't have to be nice to the people who hate you. Other than Fig, who I will admit was messed up with how she treated Ruben this year, but also the Rat Grinders did something similar, they were just bad at it, the Bad Kids mostly ignored the Rat grinders. The worst thing the other bad Kids do to the Rat Grinders is make fun of Kipperlily's name, that's it. They don't even do it in front of other students, unless they legitimately forget her name, other than that it's only in front of each other or not other students like Alewyn or Jawbone. It's not great, but that is literally all they have done.

The Rat grinders however, have done all they could to make themselves enemies of the Bad Kids. Ivy was a mean racist bitch who helped steal the cloudrider engine and place pingpong balls all over seacaster manor for the plan. Ruben tried to get the bad kids to take drugs knowing it would get them in trouble. He intentionally had frosty fair held at Gorgug's home to corrupt it, putting not only Gorgug's family in danger but countless other people. Sure Jace had a hand in that, but at best Ruben was an accomplice. Buddy was a smug creep who vandalized Kristen's locker, threatened her brother, and demeaned her and her goddess, without being corrupted by rage. Mary Ann legitimately didn't do anything wrong this season she was just there and did her best on the field as she was supposed to (not even saying this as a joke, she has literally done nothing bad on screen so it's hard to judge her like the rest). But Oisin tried to honey pot Adaine the first week of school, stole the cloudrider engine and the pingpong ball trap, and sent a whole pack of dragons on them to murder them and hundreds of other kids. Kipperlily has been goading the bad kids since the first day of school, she has tried every dirty trick to try and win. She has murdered people, not even people affiliated with the bad kids, but people like Buddy who was on her side, she's tried to murder the bad kids or at least make sure it's harder for them to come back to life if they die, she's stolen from them, she's tried to kill them, she's done everything bad the fans have accused the bad kids of but worse.

And that's just the Rat Grinder's individually. Why are the Bad Kids monsters for killing dangerous people who have tried to kill them, but the Rat Grinders aren't? The Rat Grinders literally tried to commit mass murder of their school a little more than an hour. 500 students of the Aguefort adventuring academy were in Seacaster manor when it was brought into the sky and beset by dragons. 500 innocent bystanders, almost all children, half of them younger than both parties.

I'll get to the rage stars in another post, but I just want to finish this off with, the Rat Grinders are kids, kids who are being groomed by evil men and corrupted by magic. But the Bad Kids are just kids too. They're kids who have been specifically targeted by the rat grinders. The rat grinders started this feud, the Bad Kids retaliated and were better at it. If you're going to take a shot at the king you better not miss, and the rat grinders have been missing their shots this whole season. I don't get why people are blaming the bad kids for trying to save the world but it pisses me off. I apologize for the rant but the tag is for everyone

[maxdibert]

It shouldn’t surprise me that the Arcane fandom has a hefty dose of internalized misogyny, but honestly, it’s exhausting to constantly see how female characters are judged, condemned, and demonized for the simple "sin" of being complex, layered, and morally questionable, while the fandom favorite is a drug lord who used a populist, nationalist rhetoric to justify child exploitation and drug trafficking that poisoned the very people he claimed to defend. Yes, I’m talking about Silco. The same Silco who threw a little girl in prison and took her younger sister, making her believe her older sister didn’t care about her anymore. The same Silco who projected his traumas onto a kid and manipulated her into being his weapon. The same Silco who posed as the "people’s champion" while being one of the main reasons the people were dying in the first place.

And don’t get me wrong—I love Silco. He’s a fantastic villain, and his relationship with Jinx is as fascinating as it is deeply uncomfortable at times. But it feels incredibly cynical to see people excuse all the atrocities he committed, or at least try to understand them, while they spent all of season one attacking characters like Mel for being ambitious and power-hungry, doing morally questionable things. Sorry, but none of Mel’s actions in season one even come close to Silco’s level of ethical depravity with the whole shimmer situation, yet Mel got dragged.

Vi—perhaps the series’ ultimate punching bag of suffering—who lost her parents, stepped up to take care of her sister, carried the responsibility of being the eldest (as tasked by Vander to protect the group), lost her "siblings" and "father" in one night, got wrongfully imprisoned as a kid, spent years in jail for nothing, only to come out and see that her sister had turned into a monster and that the man responsible for their adoptive father’s death was now the kingpin of the Undercity—was treated like absolute crap by the fandom. Why? Because she didn’t understand or accept that her younger sister was suddenly cool with a man who was poisoning the city? The same man who killed their father figure? I remember people calling Silco the "Father of the Year" and Vi the "Worst Sister of the Decade," and I was genuinely floored. Like, as a meme, sure, it’s funny. But as an actual take? The level of cognitive dissonance is wild.

And now, in this season, of course, the hate is all directed at Caitlyn. Why? Because instead of being the idealistic nepo baby who dreams of coexistence like in season one, she’s dealing with severe PTSD after being kidnapped and witnessing a missile nearly obliterate her mother. And people just can’t seem to grasp that. They can understand a man going from revolutionary to drug lord, using the idea of freedom and the people’s anger to expand his shady business and exploit children, but they can’t understand a young woman becoming incredibly violent out of a thirst for revenge.

What these reactions tell me is that men can be the absolute worst scum narrative writing has ever birthed, and it’s fine because everyone will bend over backwards to understand their motivations or at least where they’re coming from. But if we’re talking about women who aren’t compliant, who overreact, who struggle to manage their emotions or trauma, or who don’t behave the way women are "supposed" to behave, there’s no room for understanding. No excuses, no empathy. They’re just bitches, villains, or—like people are now saying about Caitlyn—"fascists."

Look, the fact that people are calling Caitlyn a fascist while never using that term for Silco—who was literally a despot—isn’t just cognitive dissonance; it’s hypocrisy at its finest.

[constantfragmentation]

It's bugging me...

The inconsistencies and a lack of detail and continuity in S2. S1 was all about the tiniest details.

Don't get me wrong, the animation is gorgeous, BUT --

The underwater scene is where Jinx lets Silco go.

He was RIDDLED with bullets. Yet, not a mark on him?

Why is his damaged eye closed? I thought he didn't have an eyelid. Artistically, I think having his lifeless eyes glazed over would have been more dramatic, considering it's Silco. Nah, he just sinks like Jack to the depths of the Titanic.

How deep IS the Pilt River?? I'm assuming that's where she 'buried' him.

The whole first act is so damn rushed.

No one seems to wonder what happened to Silco? He was only the main person holding the Underground together by the strands of his pomade hair. His death is a BIG deal, yet it's glossed over. No one questioned any of it???

Sevika is just, okay, let's move on like it's another day (granted, Zaunites are probably predisposed to be like that, but that doesn't make for good storytelling if you're not letting the audience in on anything), and chatting it up with Jinx as if they just bonded. I didn't feel that happen. I like that they low-key ripped into him post mortem, because that feels natural but what got them in that room together DOESN'T.

I want to know how these characters FEEL. You got that in spades during S1. But S2 is just expecting you to assume or they would attempt to take the time to use what would be great writing and evolving these characters.

Caitlin is hurting, I get it. But she went full Commando Psycho mode. Girl, everyone has lost parents, siblings, etc... She doesn't even flinch when Vi tells her Enforcers killed BOTH her parents. She's lost a beloved sister... but Cait is affronted when Vi shirks from becoming an Enforcer. Let's just forget what PIltover did to Zaun for generations and to LOADS of people.

Vi? Oh girl. What happened to you?

Jinx is a bit better but not much. I don't buy Silco's death was a zap to the brain to chill her out a bit. She's still my Chaos Queen but unless there is something to explain some shit in the following episodes, I'm going to be really ticked at the lack of care in characterizations with who are the supposed leads in this story.

Jesus Viktor. That's it. That's all I got.

Well, I did LOL when he woke up and gave Jayce the "bye Felicia" in 2.2 seconds.

We don't get to know what Ekko is thinking since all this shit went down? As far as he knows, Jinx is dead and to learn to she bombed Piltover?

The music videos substituting for the plot are REALLY bugging me. It's lazy writing. The music was used well in S1 to ENHANCE the scene (well, except for giving Imagine Dragons an animated cameo). Here, it's used as exposition, but it's not nearly good enough.

Useless characters and side-characters. Poorly executed plot devices. Uninteresting plot devices and trying to use the S1 parallels for characterizations.

S1 took time to introduce and flesh out these characters, even the side-characters.

We only had Vander for 3 episodes but he was a HUGE character. Marcus, Mylo, Claggor, Benzo, Grayson, Finn.... all were interesting and played an important part.

Jayce continues to be blah. So I'm not bothered.

Ambessa looks to be the new villain but it's not hitting with me. Plus, there's zero foreshadowing on some stuff in her arc that would have been useful last season.

I like Mel but I'm waiting to see what happens with her.

Hermydingding going all Mission Impossible. Just stop. Does he not give two furry fucks about what happened to his fellow councilmembers and Piltover?

I feel like RIot is trying to shove way too much into one season and sacrificing good story-telling to do it.

I miss the details.

So far, I'm really underwhelmed with this season.

[lunarriviera]

What are your thoughts on the last ep of under the skin...that cant be shen yi right...im seeing a lot of twin theories but thats a weird plot twist honestly 😅

to answer this question i guess i have to get up off the floor first, where i have been lying facedown and motionless since uts2 ended over a week ago. two weeks ago? yesterday? today? i don't know anymore i've lost all track of time, who are you? where are we?

oh right—the s2 ending. you must mean this scene, right? what a great way to end things! du cheng, happy, walking to meet a group of friends at his birthday party! truly wrapped up the whole drama, and left us in such a heartwarming place with our favorite characters!

...oh you didn't mean that ending? you mean there's another one?

[mindless screaming behind the cut AS WELL AS SPOILERS]

[and this winds up being about all of s2 as well as the final tag, OOPS]

so okay listen before i can even address this without the mindless screaming, i have to level with y'all here: s2 was rough on me. there are only like three du cheng stans in all of anglophone cdrama fandom and i'm probably two of them ( @wannings-wontons is the other one, thank god for her). i've written eleventyleven fics from his pov so i am ferally protective of my big stupid hot cop son. this season put him through the goddamn wringer and for my taste there were just a few too many scenes of du cheng looking like he was about to burst into tears while shen yi was smiling winsomely, for all the world as if he were not the one personally causing his captain to experience devastating mortal agony. allow me to demonstrate.

in the driver's seat: unspeakable anguish. literally can't talk.

in the passenger seat: hey nice air conditioner! guess what i have a new friend! i spent the night at his place, talking about infinity and human potential! in a few more episodes he'll be a murder suspect!

(i'm getting to the cliffhanger, believe me i'm getting there, no really i am, we just have to spend a minute dealing with the divorce arc first)

because, while i absolutely adore angst bambi (as @whomst-art-thou-whomst-whomst has immortalized him), and thanks to @elenothar have firmly adopted him as a most beloved emotional support twink (not least because i suspect tan jianci is himself kind of a genius; no triple threat should be this good of an actor), i also honestly not infrequently this season wanted to drag shen yi into the men's room by his pretty hair and flush his pretty little head down the [redacted] until he came to his pretty little senses. because while later in the arc he clearly is, you know, attempting that deep-cover thing, and has to reject du cheng to his face, right in front of Evil Eugenicist Art Critic Weasel Man, in order to gain Weasel Moriarty's trust, etc.—

there are also a bunch of times when du cheng is visibly upset and miserable and in genuine pain, and shen yi just laughs. literally laughs at him. like tan jianci what are you doing, do you want the audience to dislike you? how are you trying to play this?? are we supposed to think, wow shen yi sure knows what he's doing? are we supposed to think he suddenly has the world's worst taste in men? because long before Weasel Man smashes a vase and snaps at his lab assistant and possibly kills someone and has assorted tantrums which start to tip off shen yi that maybe his new bestie is kind of a bag of dicks—long before that starts happening? shen yi just likes that guy. he LIKES him. enough to quote whitman to him (fang kaiyi you take his queer name out your mouth); enough to stay up all night painting the stars with him and we don't know what all else. enough to hang out in his lab for days on end, listening to junk science and pretending to understand the human genome and just what. shen yi. WHAT. he's literally a Bond villain styled like an asymmetric reptile—all this, just because he's tall? and he's gone to the symphony a few times? what, because he negged your painting, and that turned you on? i shouldn't have said any of that, but i did; and now i refuse to take it back. because inside me are two wolves, and they sound like this:

one wolf has been extremely online for many years, and thinks she's very hip and chill and jaded. this wolf talks in memes and laughs at herself, and she's like: “haha fun drama! Solving Crimes Through Art! lol i can't believe this turgid love song playing over a romantic montage, wow it's so stupid.” and also: “lmao divorce arc so hilarious, WELCOME HOME CHEATER lol get it, good joke right?” and: “oh my god why is there another pointless cliffhanger, they will NEVER GET a s3 what are they thinking. this scene is therefore not canon and can be safely ignored, just like the s1 tag turned out to be a ~~~dream."

but the other wolf is lying motionless in her barrow in the darkness flat on her stomach in mouldering leaves and mud head resting on crossed paws staring into the night with her old yellow eyes and she says they stabbed my son and left him alone in his blood and the last thing he saw was a cruel face worn by the boy he has come to love a boy standing at the end of the alley looking down at his phone who then moves past him and keeps on walking

and then, you know. then i lie on the floor for a week! which is fine, i'm an extremely psychologically healthy person who has certainly not at all outsourced her entire emotional well-being to an imaginary public safety bureau criminal investigator on the coast of southeast china.

so what do i think about the cliffhanger? here is what i think about it; and again, sorry for the hatchet job on shen yi but it was relevant:

1. i do think it's a dream, yes. they've already played that game with us—we waited two years to find out who was carving up shen yi's creepy murder-red self-portrait and whomst should it be but…nobody! just shen yi having nightmares about his future fling, apparently. (notice, too, how fang kaiyi GRABBED that craft knife, which shen yi had deliberately left on the easel, and didn't even ask why it was there. he might be tall and elegant and have good taste but he's nowhere near as smart as you are, shen yi. do better.)

2. whose nightmare is it, though: shen yi's, or du cheng's? remember that the first time du cheng meets fang kaiyi, he tells shen yi, "he reminds me of someone: the old you." (and shen yi laughs merrily, even though nothing about that is funny, either the observation or du cheng's immediate mistrust and jealousy. TAN JIANCI WHAT THE HELL ARE YOU DOING). then, later, on the precinct rooftop, after the case is all over, shen yi confesses yet again that there's something in him that's not altogether good, that he has quote "demons," and that if he hadn't met du cheng, he might have gone down some vague unspecified dark path. not quite sure how a portrait artist was gonna become a mass murderer or whatever, but okay i guess. there was something off about shen yi 1.0, and du cheng could see it even a decade ago and he didn't like it then any more than he does now.

given all that, then, the nightmare is probably shen yi's. he's prone to them anyway, and he knows now how badly he's hurt du cheng, and that he came dangerously close to, well, getting into bed with the enemy. i don't think it's even until fang kaiyi is so limpidly nonchalant about zhou shanshan's death that shen yi's inner moral compass comes shrieking back into play (and then it really does; shen yi who never raises his voice out there just shouting that man down).

there's one argument to be made for the case that it's du cheng's nightmare, though, which is the way that he looks up at the camera at the very end of the shot, and laughs. shen yi 1.0 is standing too far away for that to be his point-of-view. so who's standing over du cheng? and who would he laugh at, in recognition, like that? shen yi 2.0, presumably (or 3.5? not sure what version we're on anymore).

either way here's my final observation, and then i swear to god i'll shut up, before the shen yi stans come for me like maenads. i was chatting with @wannings-wontons and she said something that absolutely blindsided me, which is that the cliffhanger literalizes the arc of the series: shen yi did, in fact, metaphorically stab du cheng in s2. why else would either of them dream that? du cheng being badly, even fatally wounded by arrogant young artist shen yi is precisely what happened during the divorce arc. and their reconciliation was so heavily censored as to be, to some of us anyway, unpersuasive. (two cops, talking on a rooftop all night! five feet apart cause they're not gay!) as @wannings-wontons said: "the last scene just reflects how badly hurt he was. and we're left to decide whether he'll recover."

so which is worse, dreaming that your lover stabs you? or dreaming that something twisted inside you stabs the man you love?

tldr, shen yi doesn't need a soap opera evil twin: he's his own evil twin, and he knows this. and what is more, du cheng knows it now too. if there's ever a third season, which seems completely impossible to me, the writers have to know that they have NOT fixed this.

fortunately, we have something censored production companies don't have, and it's called fanfiction. so bring on the episode codas, my friends. bring on the long painful conversations and the shouted arguments (du cheng never even got to yell, except once in a parking lot because he was frantic). bring on the tender reconciliations that can only come after those blowout knock-down-drag-out fights, and are therefore real and grounded, not stilted, wooden, woefully inadequate mockeries of reunion. let people throw furniture and cry and try to explain and plead and confess and even, sure, why not, grab the other person and kiss him breathless, and say I don't want to do this without you, say don't put me through that ever again, say but this isn't enough and I need something different, say okay then let's figure that out together, say i'm sorry i hurt you, you're the most important person to me and that's the last thing i ever want to do.

it's up to us, not to leave them there in the alley like that. but the good news is if it's work, it's only work. and it's our work to do.