#It makes the reveals even more surprising because while I have a basic layout of what's going to happen it can change on a dime. | Explore Tumblr posts and blogs

kimnjss · 4 years ago

Text

how sticky | kth

⇢ pairing: ot7 x reader // taehyung focus. ⇢ genre: smut. // pwp. ⇢ word count: 7.6K ⇢ theme: established relationships. ⇢ rating: explicit. ⇢ warnings: cursing, dirty talk, poly relationship, handjobs, fingering, oral sex (f. receiving), public sex, outdoor sex, unprotected sex (wrap it up lovelies), all the boys wanna kiss yn, cum inside/stuffing, slight over stimulation if you squint. ⇢ A/N: literally this idea came to me while watching the first episode and seeing tae washes the dishes sooo, here you goo!! lmao x also if it seems messy or all over the place, that’s bc i wrote this while streaming dynamite and obvi got distracted .

Namjoon is the first to spot you, just as you're tugging your suitcase from the trunk of your car. The large grin that takes over his features as he makes his way over to you, brown hair flopping in the wind with each step he takes. A silver pot held in his hands that he must've forgotten the purpose of upon setting sights on you.

“You're here.” He says with a large smile, dimples showing while he leaning down to press a soft kiss to your waiting lips. “Did you eat?”

Just with one look around the backyard, you can tell that they just finished eating. Had hoped to arrive a bit earlier so you'd be able to eat with them. “Not yet,” He looked good, as usual, but oddly more attractive in this outdoor environment.

The blue two-piece outfit, which you had quickly realized was a favorite of his, hung loosely around his body. The muscles in his arms flexed as he kept his grip on the pot in his hand. Eyes turn to half-moons with the way he was smiling at you.

It had been a few weeks since you saw them last. What with their jam packed schedule and you keeping up with the things going on in your own life, there wasn't really time to be together the way you wanted. A constant long-distance relationship with the seven of them, even if they were only a few miles away.

Which was the biggest reason you were jumping on the chance to spend this week with them. Secluded with nothing to do but be together. It had been Jin who had suggested it, finding out that you had the same week free. What better way to spend it then with your boyfriends? Agreement coming from his younger members instantly and to your surprise, the staff was quick to agree as well.

Most times riddled a distraction, but it seemed that you being here sort of fit the relaxation, recharging theme of this entire trip. Zero complaints from you, of course, you were packing your bags the moment you got the green light.

“I'll make you a plate, wait.”

All of a sudden remembering he had been in the middle of doing something before seeing you. Quick steps are taken into the house with the pot in hand and you're right behind him, marveling at the huge land they had rented out for this. All of the greens of the mountains and grass was a pretty contrast to the bright blue sky, the sparkling lake that you couldn't wait to try out.

And there was so much stuff! Placed all over the place from where you can see, each item matching a different member's personality so well that you could guess who asked for what.

Joon is coming back, hands-free, but only to grab your suitcase, wheeling it into the house. He's gone talking to whoever is in the kitchen before he's returning, arm easily wrapping around your waist as he leads you down the hill.

“You came here looking refreshed,” He notes, finally saying out loud what he had been thinking since you were pulling the suitcase from the car.

Out of all of them, Namjoon seemed to pay a lot of attention to the way you looked. And no, not just the clothes you wore and how they fit – but like deeper. He paid a lot of attention to your facial expressions more than anything, reading your demeanor as if it was his latest page-turner.

A blessing and a curse, because although he knew when something was bothering you and tried his best to fix it without you saying a word. It was also really, extremely hard to hide things for him. Not that you tried to often.

“It was a nice drive and I'm excited to spend time with you guys,” The smile that takes over your features is causing a flutter in his heart, his large hand landing on your arm that you've wrapped around his torso – walking the rest of the way like that.

Jimin is whipping around at the sound of footsteps approaching, and you're eyes are widening at the sight of him. Unwrapping yourself from Joon's body, you're rushing the rest of your steps hands outstretched to touch the edge of the gat hanging from his neck.

“You actually wore it?” Speaking through a slight giggle and he's grinning, hands finding home on your torso as he playfully rolls his eyes. “Of course I wore it, so you better deliver,”

The result of a drunk game of Truth or Dare between the two of you. He spent the entire night choosing truth, but as soon as he was picking dare you were telling him to wear his new hanbok for the first day of shooting. He was agreeing with a roll of his eyes, boasting about how easy it was.

Then on your turn, he was hitting you with that sly grin of his. 'If I wear my hanbok for shooting, then you need to let me...' Words trailing off as he suggestively wiggled his eyebrows in your direction. You were quick to put two and two together of what he wanted. And you were agreeing because of course, you wanted it too.

With a distracted nod, your eyes are shifting to the moving figure behind him. “Of course, baby. Whatever you want.” Breaking from his grasp just as Namjoon is extending the full bowl in your direction.

You thank him with a wide smile, which he acknowledges with a short nod – going back to cleaning up while you take a seat at the table. Sat eating the food that you can tell was made by Jungkook as you watch your two men move around the yard until Joon is disappearing into the house again. Someone else exiting at the same time.

“I thought I heard your voice!” There's a smile in his voice that you can detect without having to listen very hard. And you're proven right as you lift your head, being met with Hoseok's bright smile. “When'd you get here?” He wonders once he's closer, taking the empty spot beside you.

“Not too long ago,” You speak through the mouthful of food in your mouth, the words you're speaking coming out a murmured mess.

The smile on Hoseok's face only grows, his hand lifting to push his hair back on his forehead. “I missed you.” A random confession that has heat rising in your cheeks. He always did this. Knew what a few simple words did to your mind and took pleasure in making you flustered whenever possible.

This time was no different. Just three words and you were forced to put extra focus on your noodles. He missed you. Obviously, you missed him – that's a given. But the fact that he, Jung Hoseok actually missed you and was just telling you about it casually. With that smile on his face. Yeah, he knew exactly what he was doing.

“I missed you too.” A delayed reply, but he's not faltering. Doesn't even think twice about what you could have been thinking about in the time it took you to answer. Instead, he's reaching his arm to wrap around your shoulders, pulling your body into his so he's able to press a dozen chaste kisses to the top of your head.

And then just like that, he's releasing you. Not even giving you a moment to react before he's standing from his spot beside you and moving to help Jimin clean up the outside area.

After the third time, you're asked to scoot over, you're standing feeling as though you're in the way of the cleaning. So, you go to find the others that you haven't seen yet. Thanks to a FaceTime call from Jungkook while they were going through the tour, you had a pretty good understanding of the layout of this place.

Heading over the hill to the Upper House, bowl in hand. And you're grinning when you spot Jin standing out front, staring at the line of delivered groceries in front of him. “Jinnie!” You're calling with a wave of your hand, and he's turning around.

“Yn!” He calls, just as loud – waving you over with one frantic hand.

Easily speeding up your footsteps, it's not long before you're standing in front of him. Arms wrapped around his torso in a tight hug. “What are you doing?” He's out of your hold now, bending to lift the bags off the ground.

“Putting groceries away.”

Following behind him, you shovel mouthfuls of noodles into your mouth while sinking down at the island. For a little while, you're able to enjoy your meal and engage in broken chatter was Jin moves in and out of the house.

He's filling you in on all the plans he has for this trip and the things he's excited about and you listen with a smile on your face. Loving the way he looks when he's completely in his element, eyes sparkling as he talks about being able to fish with Yoongi.

Speaking of Yoongi. Sauntering out from God knows where, white tee hanging loose – revealing a bit of his chest, baggy black jeans that you've now decided is the only thing you ever want to see him in. His hair is unkempt, laying messily over his forehead and only slightly covering his eyes.

There's a smirk on his face when he notices the blatant way you're gawking at him, sinking into the seat beside you – his cold hand not hesitating to reach for your thigh. “You're here?” He speaks in the bored uninterested drawl that you've become used to. Use to read too much into it before you were realizing that just the way he talked.

Now it had the ability to have heat rushing through your veins, especially if he was using that voice when telling you just exactly he wanted to do to you. Never failed to have you basically salivating, putty for him.

“I just came...” The patterns he draws on your inner thigh stills as he lifts his eyes to look at you, a chuckle falling from his lips. “Did you?” He asks teasingly and you're too dazed to pick up on the double meaning of your words.

His hand inches further up your thigh until the tips of his fingers are just inches from reaching the hem of your mesh shorts. Without a thought, your legs are opening for him – giving him as much room as he needs to do whatever he wants.

Yoongi's grinning at your compliance, his lips are just inches for yours. He takes a moment to study your features. Lips shiny with grease, cheeks slightly flushed, eyes staring unfocused. A slow grin lifts the corners of his lips moments before he's leaning in closer.

Yoongi kisses you once as if he's testing the waters before diving in. Grip tightening on your thigh, pulling your body closer to his while he slowly moves his mouth over yours. Soft tongue slowly tracing over your lower lip and you're instantly opening up for him.

The groan that leaves his lips from the feeling of your wet muscles meeting as arousal rushing through your veins and pooling between your legs, fingers reaching to grasp the rough material of his pants for some type of grounding.

And he grins, teeth gently tugging at your lower lip as his hand slides up your thigh toward your waist. So sure he's fingers are about to sneak underneath your shirt, so you giddily wait for the contact.

But it never comes. "Would you let the girl breathe, she just got here." Is what you hear.

Jimin, into the Upper House to change into something comfortable. And all too ready to scold his Hyung for trying something with you when it hasn't even been an hour. With a roll of those dark eyes of his, Yoongi is leaning down to press a soft kiss to your lips – much different from what he had initially planned.

Moment ruined, he's standing from his spot beside you. “I'm gonna go help Jin,” He announces to no one in particular, cheeks darkened with pink from having been caught. Yoongi talked a big game, but he was the most private out of the boys. Wasn't one for an unwarranted audience and preferred to have you to himself rather than sharing you.

“Tae's washing dishes if you're done with that.” He's jutting his chin out to point at your empty bowl on the island. As he speaks, he undoes the tie of his top letting it sag at his shoulders before he's shrugging it off. And you watch his fingers carefully, allowing your mind to wander to just how skilled he was with those fingers.

Playing the same notes for the past eight years on the piano wasn't the only thing he was good at. It's a moment before you register his words enough to stand to your feet, plucking your plate up and exiting the Upper House to find Taehyung.

Back to you as he scrubs the inside of the bowl, you watch as his hips sway to whatever song he's got going in his head. No idea that you're entering the kitchen or that you've arrived – just in his own world.

Taehyung looks handsome even from the back.

His broad shoulders were still visible underneath the brown top that was just so him. He wore a pair of olive green shorts, giving you a perfect view of his strong legs and the way they flexed with the movement of his feet. Thoroughly riled up from Yoongi's interrupted touches from before, you're struck with a very mischievous thought.

Light steps are taken in Taehyung's direction, quickly setting your bowl in the sink before reaching your arms to wrap around his waist. Palms sneaking underneath the fabric of his shirt so you're able to touch his soft belly. You feel him still against you, taking a moment to put together that it's you back hugging him like this.

He's turning just enough so he can look down at you, a large smile spread across his lips as his eyes take in your face that looks brighter for some reason. “How long have you been there?” Tae tries to hug you back but gives up because of the awkward position.

“Not long,” You answer, nose pressed in the dip of his back after he's turned. Your lips place soft kisses against his covered back, the tips of his fingers brushing over the skin of his stomach. “I missed you.”

And you had. There was just something about Taehyung that drove you crazy with little to no effort. Had to be his aura. The way he carried himself. The unreadable expression that always decorated his features. How he was able to smile with his entire face, pulling large smiles on the lips of the people around him.

All of that and the simple fact of how well the boy could fuck. Of course, all of the guys knew how you make you feel good. All in their own ways, different and unique and still good. But Taehyung. Fuck, Kim Taehyung. A living Sex God, with a thick long cock that he knew how to use. Long fingers that could bring you to climax over and over again with very little time in between. And that mouth. God, that mouth.

Porn stars would blush at the dirty things that came out of that boy's mouth.

Taehyung's eyebrow is lifting at the mindless way your fingers are dipping lower down his body, flinching just slightly when the tips of your fingers are grazing his quickly hardening cock. “That type of missed me, huh?” He's grinning, you can tell without having to see his face.

Head nodding slightly, you continue placing gentle kisses against his back – fingers drawing teasing lines over his cock through the fabric of his shorts. “Don't be a tease,” He hisses.

His wet, glove covered hand is wrapping around your wrist – forcing more of his cock underneath your palm. A soft moan falls from your lips at the feeling of it twitching with the new friction. Tae's hips rock slowly with the movement of your hand, half of his attention still on the dishes he washes.

And you pout. Want to turn his mind to mush like he's done to you many times before. Until the only thing he can think about is you and how you're making him feel. Fuck the dishes.

Even on your tiptoes, you're only able to reach the nape of his neck. But it's the first bit of bare skin you're able to press your lips against so you settle for it. Leaving open mouth kisses on it while your fingers slowly make their way underneath the waistband of his shorts.

Pleased to find he had decided to forego underwear, you're instantly met with the warmth of his shaft. A low cruse falling from his lips when your cool palm is wrapping around him. And you hold it there. Waiting to hear the scoff that falls from his lips as he starts to rock his hips again – his cock sliding through your grip easily.

The sound of his breathy groans fills the kitchen, egging you on. You can feel him growing harder in your hand and the slow drag of his hips is quickly driving you crazy until you're giving in to the tiny game you were playing and moving your hand.

“Oh, fuck.” Tae hisses, the dish he had been holding crashing into the sink as his fists reach to grip the edge of the sink. Voice gruff and it's usual deep, it has a wash of arousal flooding your body and fueling your movements. Free hand lifting to grasp his hipbone, holding him steady as you bring your hand up toward his tip.

A simple swipe of your thumb over his bulbous has a shiver running down his spine and a grin pulling on your lips. Strokes on his shaft speeding up as the sound of his breathy groans tickled your ears. Hips stuttering underneath your grasp in an attempt to take more than what you were willing to give him.

Always so greedy.

“Does it feel good?” Voice hushed where he can just barely hear.

Taehyung is quick to nod his head, though. “Your hand feels so good on me, Yn. Faster,” He whines, something that you're not quite used to hearing from him. Especially over a simple handjob.

He must've missed you a lot more than he was willing to admit.

And because your soul purpose is to give Taehyung any and everything he asks for, you're rubbing down on him quicker, squeezing him a bit harder. His cock twitches and jumps in your hold and you're fastened by the effect you have on him that your grip on his hip is loosening – allowing him to freely roll his hips upward.

A strong arm is reaching back while his body twists, large glove covered hand tangled in your hair to hold your head steady. For the first time, you're getting a good look at his face. Eyes blown and unfocused, his cheeks flushed and lips bitten. He looks so sexy staring at you as if it's taking all his restraint not to devour you.

The way he leans in, crashing his lips into yours for a sloppy hungry kiss only validates your thoughts. Grip tightening in your hair to hold your head still while his tongue tickles the roof of your mouth.

You try, desperately, to keep your focus on the movement of your hand. Letting him lick into your mouth and kissing him just as much as you can without completely losing your mind. Taehyung, like his six other teammates, worked really well with his mouth. In all ways.

He's nibbling on your lower lip, harsh breaths exiting his nostrils as your thumb runs over the underside of his cock. So close and you can tell from the now frantic roll of his hips. And you're more than ready to bring him there, loved watching him fall apart for you, because of you.

More than ready to have him explode in your palm so you can like it up when the sharp knock on the glass behind you is stilling your movements. Head turning to peak behind you, but Taehyung does stop his head tilting so he's able to suck wet hickeys into your warm skin.

Hoseok stands on the other side of the door, looking extremely impatient. You move to pull your hand from his pants, but Taehyung is quick to grasp your wrist. “Yn, I swear to God.” He speaks through gritted teeth and you're flashing a bright smile up at him.

“It's Hobi,” There's another knock on the glass, “He can't just stand out there,” Laughing, you manage to wiggle yourself out of Taehyung's grasp. He watches you with squinted eyes as you pull the door open for his Hyung.

Cued in on what had been keeping you, a teasing smirk plays on his lips. “What? You're just in here giving Taehyungie all the attention?” Both hands knit into your hair from underneath, slowly closing the space between you two.

“He's working hard in here,” You defend with a slight pout. Upon realizing he wasn't going to be getting off any time soon, Tae turns his attention back to the dishes. Scrubbing the gunk off with much for strength than needed, quiet grumbles leaving his lips.

“I worked hard too, cleaned up outside all by myself. What do I get?” Lips a mere inches from yours, all you'd have to do was lift up onto your tiptoes to feel their softness. “I saw Jiminie helping you.”

Hoseok is rolling his eyes at the slight detail. You're teasing him, he can tell from the way you're gripping his shirt in your fists. Like you're desperate to feel him but at the same time seeing how much you can hold back.

What you failed to realize was, he was much better at teasing than you. Without a second thought, he's leaning down to press his lips against yours. Kiss much different from Taehyung's. More controlled. More intense. Strong hands reach for your thighs, easily lifting your body off of the floor and setting you to sit on the countertop.

He's taking up space between your legs, large hands set on your thighs while he sucks your lower lip into his mouth. You can feel the smirk that plays on his lips from the sound of your moan.

Hoseok responds by reaching back to give your ass a firm squeeze, pulling your body toward his. He's hard. You can feel it through the fabric of his neon shorts, but the moment you're angling your hips to feel more of him – he's pulling back.

“Jimin should finish up, hm?” Recalling your earlier comment with a teasing glint in his eye. Planting a soft kiss to your lips, he backs away attention now on Namjoon who had entered with a bag of groceries. As if nothing had happened.

Body buzzing and senses fogged, you're left to wonder just how many times you'd be denied the release you craved.

The two men chatted amongst each other mindlessly, surveying the contents of the fully stalked fridge in front of them. Joon is pulling a bottle of coffee from the bunch, handing it over to you with a soft smile before twisting the cap on his own. You watch as he wraps his plump lips around the edge, Adam's apple bobbing as he swallows the liquid down.

Plopping down on the soft red cushion, you watch as Joon moves to offer Tae a sip of his drink. Which he's denying with a pout of his lips. From where you're sitting, you can see that his bulge has gone down a bit – but the foggy need for sexual release stays. You know the feeling. Had half the mind to get on your knees for him right then and there, not like either of them would complain.

They did share you, at times. And those were the times that you secretly hoped for each time you were being interrupted with one of them. But, all of them were so different from their interests and really liked the idea of being alone with you – it didn't happen as often as you'd like.

You could simply suggest it and no doubt they'd agree to the idea. Ready to do whatever you asked to fill your desire. But you liked the surprise of not knowing just when you'd be taking two cocks, or three, or maybe even four. All seven if the weather was right. The suspense had a great effect on you.

Jimin is entering the main house just as halfway through drinking your chilled coffee. Fully changed out of his hanbok, standing in a pair of loose-fitting black shorts and a white SAINT LAURENT tee. Dark hair floppy messily at the top of his head, evident that he's been running his fingers through it.

He looked good enough to eat and if he kept looking at you with those bedroom eyes, you were about to do just that. Beeline made in your direction, settling in the spot beside you. An innocent hand lands on your thigh and your brain short circuits, registering it as anything but.

Without a word, he's reaching for your bottle, taking a long sip from it before licking the drip from his lips. “Where's Kookie?” You ask, forcing your thoughts not to wander too much. And realizing you had yet to see that bunny smile of his, hear the cute way he say's 'Noona' as he wobbles in your direction.

The same age as Namjoon which made you older than Jimin, Taehyung, and Jungkook – yet Jungkook was the only one out of the three that actually referred to you as Noona. No matter how many times you'd tell him to speak comfortably with you, he'd refuse with blushed and a shake of his head.

The others believed he got off on it, the subtle reminder that you were older than him but he was still able to turn you to make you fall apart with the simple flex of his thigh. “You haven't seen him?” Hoseok speaks with his head inches deep in the fridge and you shake your head despite the fact he cannot see you.

“He’ll come running the moment he hears you're here,” Deciding that your drink is his now, Jimin stands from his spot beside you heading further into the house. Steps cut off by Jungkook turning the corner, as if on cue.

“What!?” A large grin on his lips as his sparkling eyes land on you. Soft hair bouncing as he skips over to you, leaning over the counter so you're face to face. Tattooed hand reaching forward to enclose the back of your neck, gently pulling you forward until your foreheads are touching. “You didn't tell me you were here, Noona.” Eyebrow arched and head tilted to the side.

You can barely see his face with how close you are to it, but there's no doubt that he looks attractive as hell right now in his attempt to be intimidating. Lower lip poking out in a slight plea, “I'm sorry, baby. I was asking about you, though.”

Jungkook only half listens to your words. Some space put between you and he takes advantage of that by allowing his eyes to take in your appearance greedily. Aware of the warmer temperature, you had decided a simple v-neck crop top would suffice. From this angle, he could see straight down your top. And he was doing very little to hide the fact that he was looking, respectfully.

“I'm sure you can think of some ways to make it up to me. Right, Noona?” Hand slipping from the back of your neck, the tips of his fingers brushing over the collar of your shirt. Lips suddenly dry, your tongue is jutting out to wet them. Thighs squeeze together instinctively at the promise his words held.

A contrast to his demeanor, Jungkook is placing a sweet kiss on your lips. One that lingers for a second shorter than you want, but the small smile on his lips upon pulling away is enough to make your heart melt.

All at once, he's releasing you and moving on to follow Jimin out of the kitchen. Taehyung is finishing up he dishes at the same moment, shaking his hands of the water droplets before wiping the excess onto his shorts.

Alone in the room with him again and you feel the atmosphere shift as soon as his eyes settle on you. Finally able to get a good look at you and taking in just how short your shorts are and how thin the material of your top is. But Taehyung is a gentleman when he wants to be.

His hand rests on your back, the tips of his fingers brushing against the bare skin your shirt leaves exposed. “Want to go for a walk?” Teeth biting into his plump lower lip. Instantly, you're sliding from your seat head nodding at his words.

Taehyung's arms wrap around your waist, pulling your body into his chest and you just faintly see the grin on his face before you're being enveloped in his sweet scent. Guided steps are taken into the game room where Namjoon sits, a laugh leaving his lips at the weird way the two of you are walking.

“What are you making?”

“A boat,” Joon says with a wide smile, lifting the plastic boat to show you. Cutie. Impatient, Taehyung is pushing his hips forward into yours. Even through the layers and with the small fact that he's not exactly hard at the moment – you can still feel his bulge against your ass cheek.

But he doesn't stop there, slowly dragging his hips up so you can feel his entire length. A strangled gasp is leaving your lips that has Taehyung smirking, Namjoon too focused on whether or not he just broke his model, doesn't notice.

Arms tightening around your waist, Taehyung takes a step forward – urging you to do the same.

When Tae said he wanted to take you on a walk, he wasn't speaking in sexual innuendos. You had actually gone for a walk around the land. Hand in hand making comfortable chatter as you soaked in the nice weather.

Somehow, you managed to convince yourself that he hadn't been itching to get you alone to fuck you – but really just wanted to spend some time alone with you. It's sweet when you think about it. The gentle way he's talking to you about the nervousness that surrounds working on his new mixtape. His soft thumb brushing over your knuckles as you assure him that everything will turn out alright.

It's not until you're reaching the picnic table just a few feet from the water, is he wrapping his arm around your hips. Lifting you from the ground as if you weighed nothing and setting you down on the table.

Blunt nails lightly dragging over the back of your knees as he gently spreads your legs so he's able to stand in the middle of them. He's easily hooking your legs around his waist, ankles instantly locking to pull him closer to you. “You know what I want to do right now?”

“What?” You humor him, even though you could probably guess. Arms lifting to wrap around his neck, head tilting to the side as a slight smirk plays on your lips. His mouth hovers over your ear, wet brushing over the shell of it as he speaks.

“Wanna taste that sweet little cunt. Bet you're already soaked from all the attention you've been getting.” To prove his point, Tae's fingers trail up between your thighs. Your body shudders as he drags a single digit over your slit through the fabric.

He wasn't wrong, had started to feel the heat pool between your legs when Yoongi first kissed you. Mind driving you insane with being able to be with them for this entire week. All of them. It was safe to say it had gotten to you in a very obvious way.

Not one to tease, Taehyung is using his long fingers to push both your shorts and panties to the side so his fingers can press against your bare skin. A surprised gasp leaving your lips with the nudge on your clit, hips bowing toward him. He grins.

“Gonna be a good girl for me?” He's a little breathless, but his fingers never falter. A single digit slipping past your folds and pushing through your walls. “Shit.” He chuckles at the enthusiastic way you nod your hand, tongue rolling over his lips before biting down. “Yeah? Gonna cum all sloppy on my tongue, baby? Let me hear you.”

At the end of his words, his thumb is pressing into your clit, rolling it around lazily as his finger moves slowly inside of you. “Y-yes-” Words breaking on a loud whine, he slows his fingers – waiting. “Wanna cum on your tongue, Tae... p-please.” Hips lifting to rock into his hand but he's pulling back, leaving you feeling empty.

It doesn't last long because he's quick with lifting your leg. Fingers wet with your arousal and wrapped around your thigh, bringing it up to his shoulder. Tae lowers himself to his knees in front of you, at the same time pushing the useless material aside before diving in.

Taehyung watches you through his long eyelashes while dragging his tongue along your folds. Always loved the way you looked when he was between your legs. The way you tried to keep your eyes open to watch him, biting your lip in an attempt to keep quiet, fingers tangling in his hair – holding him close. Hot.

Tongue dragging up to flick against your clit, Taehyung reaches for your other ankle. Lifting your leg over his shoulder so he's completely enclosed by your legs. Plush lips wrap around your bundle of nerves, sucking gently while he's pushing two fingers past your walls.

“Oh! Tae, fuck...” Panting at this point, grip in his hair used to pull him tighter against you. His free hand reaching around to sneak underneath the hem of your shorts, palming your ass while pulling you closer. Fingers angled to brush against the sweet spot inside of you, loving the way you squirm underneath him.

Just faintly, you can see the outline of his hard cock through his shorts. Straining against the fabric begging for some attention. Having you spread out for him, hearing those pretty moans fall from your lips is enough to drive anyone mad. And it doesn't help that Tae's been waiting for this for weeks.

Sharp teeth nip at your clit just as he's pushing another finger inside of you. “Taehyung!” You're crying out, in half pleasure – but also a warning. If he continued like this you'd be cumming before even getting to feel him inside of you.

“Close, baby?” His words are delivered into your throbbing cunt, sending vibrations through your body that has your back arching. Fingers tightening in his hair as you grind your hips desperately into him.

So close you can practically taste it, no longer able to worry about not being able to feel him. Just chasing your release. A breathy chant of 'keep going' falling from your lips as you hold his head in place.

Heat spreads throughout your body, a dull ache starting in your core and spreading throughout your body. Walls clenched so tight around his fingers that it's almost hard for him to pull back, so he doesn't, instead pushes deeper – pressing all three fingers against your sweet spot. In that exact moment, his lips are wrapping around your clit, sucking harshly and you feel the band snap.

Body tightening and legs shaking as incoherent curses fall from your lips. Taehyung watches your pretty eyes roll back, head tipping too. And once he's sure you're at the peak of your climax, he's pulling his fingers from inside of you and standing to his feet. Quick with fishing his cock from inside his shorts, you just barely notice the absence before you're being filled again.

A drawn-out whine falls from your lips at the new stretch, a thick groan from his from the tight squeeze. The wetness from your release makes it easy for him to move, though and he's thankful – too eager to wait longer than a few seconds to have you.

Your fingers struggle to find something to grasp as he ruts against you in an almost brutal pace. Each snap of his hips pushing your body further up on the table, only for him to drag you back down toward him. Loud cries and incoherent sentences fall from your lips that you're sure anyone in a 50-mile radius could put together what the two of you are doing.

Taehyung loves it, though. It's like fuel to his ever-growing ego. Chants of his name falling from your pretty lips, nails clutching at the fabric of his shirt as you beg for him. Just the knowledge he's able to make someone like you, like this. Yeah, he loves it.

“Fuck. This greedy little cunt,” He nearly grunts, eyes flashing up to take in your fucked out expression. His thumb is easily finding your clit through the wet mess between your legs, rubbing it slowly. “You wanna cum again? All over my cock this time?”

A frantic bob of your head and a whiny 'please' is prompting him to reach for your hips. Easily, he's lifting your body from the table, securing your legs around his waist. His hips rut against yours with much more fervor in this standing position. And you attempt to meet his thrusts but you're so delirious that all you can manage is a lazy bounce.

Arms wrapped around his neck and face buried in the crook of his neck, your walls squeeze around him as you feel the pressure build in your stomach again. Sloppy, wet kisses sucked into his skin. Teeth scraping against the tanned flesh before you're crying out your orgasm, body shaking in his arms.

You're positive if it weren't for the rough grip he has on your ass, you'd be sprawled out on the floor from the power of it. Taehyung fucks you through the entire thing, not slowing down until he feels his own release approaching, just second after yours. Thighs tightening and thrust becoming sloppy while he pulls your body down tighter against his.

The feeling of his thick ropes of cum coating your insides has your senses waking up, that paired with the slow drag of his cock inside of you has your legs stiffening again. Hips rocking slowly against his as another tiny orgasm washes over you. So small Taehyung wouldn't have noticed it if he hadn't been paying attention – but of course, he was.

“Did you just cum again?” He says with a laugh, chest heaving as he tried to catch his breath. Lips sucked into your mouth to hide the sheepish grin that fought to take over your features. “It felt good... you cumming, inside.”

A triumphant grin takes over his features and he's leaning down to press a lingering kiss to your lips. “Let's keep it in then,” He's mumbling against your mouth and you're not sure what he means until he's pulling out – fingers quick to meet your entrance, pushing his cum back inside of you.

Body twitching with overstimulation, but you let him stuff you with his cum, not able to deny how hot it was. Especially the look of concentration on his face, careful not to miss a drop. Once he's satisfied, he's secured your shorts back in place patting his hand over your crotch playfully.

“You better keep it in there, too. Gonna fuck it out of you later,” He promises with a large grin, head tilting up to nibble at your jaw. He's got one hand resting on the curve of your ass, the other gripping your thigh. Zero plans to put you down any time soon, loving the way you're wrapped around him.

He'd stay like this with you forever if he wasn't for the distance shout he's hearing from the main house. Trying to ignore it and praying that you don't hear it, but as it grows louder your ears are perking up.

“Taehyung-ah!” It's Namjoon's voice and you're immediately pulling back when you register it. “Think Joon is looking for us,” You say through a giggle, the kisses he's leaving on your skin starting to tickle.

“He'll give up.” Tae murmurs, trailing a wet line of kisses down the length of your neck. And you almost agree with him, but you hear Namjoon call again and figure it would be best to just go see what he wants. So, despite Taehyung's reluctance, you're unwrapping your legs from around him.

“Or we can go see what's up.” Taehyung's changing his tune once he's realizing you weren't going to change yours.

His arm is easily sliding around your waist, pulling your body into his as the two of you make your way back into the main house. It's a little weird walking with his cum stuffed inside of you. Like a subtle heaviness between your legs that you just barely go without noticing. And if you moved too fast you could feel a bit of it start to trickle out, forcing you to pay much more attention to your movements than usual.

When the two of you are reaching the sliding door, it's locked. Your other six men are sat in the room, snickers falling from their lips with one look at your frazzled state and the fact that you're locked out.

“Ooh, what were you guys doing out there?” You can hear Hoseok's teasing tone through the glass. As if it weren't obvious. As if they didn't hear what you guys were doing out there.

Taehyung doesn't miss a beat, hand dropping down to grasp your ass. “Stuffed her full of my cum.” He says with a wide grin that has hollers of amusement falling from their lips. “Tae!” You're gasping, face heating up as you lift your arm to punch at his shoulder.

“What it's true?” Sparkling eyes turned to you, lips shaped in a soft pout that you'd lean up and kiss if you weren't sure it'd have a glob of his cum rolling down your leg.

Namjoon, your perfect little angel, is the one to pull the door open. And you're thanking him as you walk past, carefully taking the vacant spot beside Jungkook. “Do you really have cum in you, Noona?” He wonders. Eyes dark while a curious hand reaches to brush over the waistband of your shorts.

“Only a little bit,” Fingers lifting to just barely pinch your fingers together to show him. “Prove it,” He says with a tad bit of playfulness in his tone, tugging at your shorts just slightly.

You have half the mind to do just that. The thought lingering in your mind long enough for both Hoseok and Yoongi to notice. Intrigued, Hobi waits to see if you'll actually do it – but Yoongi speaks up before the tension can grow any thicker.

“We're choosing rooms,” Changing the subject completely acting as if an eight-way orgy wasn't just on the table. “Oh, right!” Joon, who had been subtly watching to see if you take Kook's dare is all of a sudden the reason he had gathered everyone.

A few moments are granted for conversation to bounce around the room, choosing where they'll sleep for the next seven days. And once they've settled their arrangements, attention is back on you – but for an entirely different reason now.

“Noona can share the floating house with me,” Jungkook is saying with a wide grin, keying you in on the fact that this conversation had been going on a bit longer than you had been paying attention.

With a quick nod of your head, you're assuring the young boy that you'll share the room with him. “I figured I'd just bounce around? If you guys don't care.” Much easier that way, whoever wanted you to spend the night in the room – you would. But to keep things tidy, you'd keep your stuff in the floating house with Jungkook.

“Of course we don't care-” Jin starts, but his words are being cut off by Taehyung's haste. “My room first!” Hand raised in a cute schoolboy raised, the look that he pins you with washes all remnants of the word cute out of your mind, though.

With a thick roll of his eyes, Namjoon's standing. “If she wants to. You choose, baby.” His attention now on you and the pet name has shivers running down your spine. There was just something about the way Joon called you 'baby' that had you keening.

He doesn't act on it, though. Not right now. And neither do you. One by one, they each break off to do their own thing until dinner time. You find yourself following Jin out to the dock after hearing he was going to fish for a little bit. You had gone on quite a few fishing trips with him, never did it but liked to keep him company when he went.

It's hard to ignore how at ease you feel here, with them. Not a single worry in mind in this secluded spot with your favorite guys. Where they're able to be themselves and be with you and be happy. Thankful that you were able to join them. And so ready to be apart of the memories this next week holds.

No matter how sticky.

- seven days in the forest spent with your seven boyfriends while they film their upcoming reality tv show. there’s no telling what the eight of you will get into when the cameras are off.

masterlist ⤐

⇝ taglist: @randomkoalablog @smoljams @dee-ehn @jaiuneamesolitaiire @hehehehahahohohuhu @sw33tnight @butterflylion @withlovestudyblr @soulstaes @bangtansonyeondayyyum @samros95 @korkanswers @houseofarmanto @marifujioka @tae165 @uxwi @jinhitwhore @preciouschimine @yeontanie21 @aa-ronpa @taefect94 @lee-karliah @codeinebelle @mochibabycakes @diminieshoe @fuddyize @soloikeadates @0xmysticx0 @bbyjoonies @amoreguk @tricethecharm @diminieshoe @jayyayyy17 @softlyjins @bangtan-noona @fan-ati--c @fuck-expectations-people @paradisetaemin @nyamjinnie @lilacdreams-00 @vsugakookie0104 @koostime @la-evforia @betysotelo18 @chocobetterknot @simplysanha @delicategukkie @kookieswithtaeq @jeon-ggukkie @angjeon @bangtansbun @flamboyant-louie @elliemeetsevil @angiexyoung @stonyiscanon @strawberryforever25 @mipetronella @rageyoudamnednerd @hellotherehoneybee @joonies-babyy @mypurplelamp @jikooksgirl19 @sushi-date-ghost @bigimpression @kookiesjoonies @amour-quinn @diamonddia-mond @alterlovess @gemad08 @daydreambrliever @acc3ssdenied @silentlyimpractical @bella-victoria002 @ashleyjoyx @yoooonie @diamonddia-mond @btsbed @sungieshines @thia-aep @taeshuworld @hopiebabie @trynavibewhileicry @illwritetomorrow @kookoo-kachoo @prettxyliies @triviasjms @ratking101 @elephantdoors @feel-like-gold @kelitt @itsponybeaches @alpaca1612 @jeonkookiebangtan @rather-not-sayy @kimsouthjoon @beeeb05 @dreamcatcherjiah @yoongiverse

9K notes · View notes

redeemed-wren · 4 years ago

Text

What up lads new Philza Lore dropped

Been thinking about this since it's been revealed that c!Phil is immortal, or at least centuries old. I like analysing things, and my brain has been chugging away analysing c!Phil since this new revelation and I finally found time to sit down and get my thoughts out.

Unless specified, I'll be talking about the character Philza from now on! Let's get into it. Putting a cut in because it gets long. Also most of this is gonna be from memory because it's getting late and I'm not digging through 4+ months of vods!

remind me to never use the new Beta posting layout it gave me a word limit and then yeeted like 800 words i hate it here lets see if i can remember what I wrote

I’ve moved a lot in my life. I think on average about one new city every four years. This has meant a lot of goodbyes, a lot of meeting new people and breaking into new circles. When this new information was revealed, I instantly felt things click - I could relate to Phil suddenly.

Being centuries-old would create similar emotions, I think. Constantly being around people you know you will outlive, constantly finding yourself in new circles and groups. It takes a toll.

Being centuries old effects how Phil views relationships, people and countries.

Because I’ve moved a lot, I’ve noticed that I’m starting to get the attitude of ‘I can’t be bothered.’ I can’t be bothered going out of my way to meet new people, to make new friends I’m likely to move away from in a few years.

I’d imagine Phil would feel much the same way. Making close connections to people is impossible for him, really. He knows he’s going to outlive those around him and so the effort to put into growing relationships seems pointless.

I think this is most seen in his and Wilbur’s relationship. Wilbur clearly wants his attention - his pride - and clearly hasn’t gotten it to the extent he wants. (“I wonder if Phil would be proud of me�� comes to mind. Plus I’m sure there’s something there with his relationship with Fundy and that cycle of bad parenting. And yes, it likely contributed to his spiral into madness, but this post is about Phil, not Wilbur.) But from Phil’s perspective, he knows Wilbur isn’t going to live as long as he is.

It explains why he’s so quick to kill Wilbur as well. Wilbur is too far gone, and Phil makes the decision to kill him before he does more harm. He’s long ago accepted the fact that his son will die before him, and so he is able to kill him.

Likewise, his relationship with Tommy reflects this. He doesn’t reach out to Tommy because there’s no point in making a new bond with someone who he will outlive. (especially with Wilbur’s death so fresh). However, he does make it clear that if Tommy reached out to him, he would have answered - more on that later.

His age also means he’s always looking at the big picture. He’s likely seen countless countries and empires and kingdoms rise and fall and he knows that they’re all temporary. He doesn’t see the importance in them like those who live and die within the lifespan of a nation.

He doesn’t see the small details. He doesn’t understand why Ghostbur is so upset about a simple sheep’s death - one with unlimited lives as well. In his mind, it’s just an animal. In Ghostbur’s mind, Friend is a friend, an important small thing. Phil is so used to moving on from things, he doesn’t understand the importance of pets and nations and a home.

This is all temporary in his mind, and lives are more important to him than a country. L’manberg was corrupting people (Tubbo, quite possible Wilbur in his mind) and thus it didn’t serve its purpose and needed to go before it hurt more people. (plus I wonder if there were some underlying anger and frustration towards L’manberg for the loss of his wings. It’s basically canon now (everyone say thank you Sadist!) that Phil’s wings were damaged during the explosion, and I would imagine for someone so old, losing limbs like wings and being grounded would be a shock and some of that may have been projected onto L’manberg)

(I also want to talk briefly about his and Techno’s relationship. While we haven’t had any canon confirmation, I don’t think Techno is fully mortal and it makes sense for Phil to gravitate towards other ancient beings. Plus my friend pointed out another theory in that Phil could be a patron of some kind for Techno, something Blood God related, I don’t know we need more information Techno please give us character lore I beg of you)

OKAY! I rewrote what I already had sometimes I hate Tumblr anyway onward let’s write this out before I pass out I’m tired.

Phil is willing to create relationships - but on his terms.

I said Phil is distant and hesitate to create bonds with people but this isn’t necessarily true. I want to point out Fundy and Ranboo and talk about his interactions with them and then talk about Tommy.

At the start of season two, Fundy, Ghostbur and Phil were really driving the lore. Phil seemed to be trying to bond with Fundy, and I think a lot of that likely had to do with guilt from what happened to Wilbur but there’s something deeper to it. He makes an effort to be there for Fundy and to help him.

Likewise, he went out of his way to save Ranboo from lava (though the overlap for in character and ooc is large there, I think it still applies), and brought him home after Doomsday, saving him from his own mind.

Phil seems himself as a benevolent being. He sees himself as right, and part of that is being there for his grandson, or helping out a hybrid in trouble.

However, it’s important to note - this is on his terms. He’s lived so long, he doesn’t want to put energy into relationships that won’t give him back something. For Fundy, I think a lot of it was making up for what happened with Wilbur and family responsibility, but he enjoyed spending time with Fundy (it’s been a while I need to rewatch some of those vods I think).

With Ranboo, again I feel like there’s a small part in fulfilling some need of Phil’s to feel like he’s being ‘good’ and plucking this kid out of a warzone makes him feel good. But at the same time, Ranboo is polite, quiet, generous - the perfect kind of person to put energy into building a relationship with. Plus, I would not be surprised if Ranboo reminds him of Techno.

If a relationship takes too much, or isn’t worth it - Phil drops it and doesn’t bother trying to fix what is broken. Why would he? He’s just going to outlive whatever the problem is. He lived in L’manberg, but he was never a part of it. He dismissed Tubbo so quickly when he saw Tubbo was being corrupted by his power and position. He didn’t follow up on Fundy or check that he was okay or make any effort to reach out to him when things started to go down.

And that brings us to Tommy. We’re all upset at how Phil reacted to Tommy’s exile and the following, but I think it makes so much sense. Like I said before, he doesn’t put the effort into reaching out to Tommy, but he would have gone to the Beach Party if Tommy had reached out to him. He was happy to see Tommy at Techno’s place, he was willing to create that relationship and bond.

But from Phil’s pov, Tommy was thrown aside by his home, found shelter with Techno, and then betrayed Techno by siding with the people who threw him aside. (and Techno is loyal to the few he trusts, so a betrayal like that will hit hard and Phil can see that). It makes sense that Phil decides that isn’t a relationship he wants to put energy into fixing.

(Also to clarify, I’m not saying Tommy was wrong to side with L’manberg and Tubbo, or that Techno was right in lashing out like he did. I’m just saying it’s a complex issue, and seeing all sides of it is important - they were both betrayed that day).

Living so long means Phil only cares to put effort and energy into relationships that benefit him, in whatever way. If someone is too difficult or needs too much effort, then in Phil’s mind there’s no reason to pursue that relationship.

Being so old makes Phil overly confident in himself.

Philza is always in the right. Full stop. End of story.

He’s lived so long and has so much more experience than anyone else that he thinks he is in the right all the time. His fatal flaw is his pride and - much like Techno - he refuses to see anything from anyone else’s point of view.

He saw L’manberg’s corruption, saw that it as a nation was hurting people and made the decision that it was doing more hurt than good so of course he joined Techno and Dream in destroying it.

He sees the big picture and so of course Friend’s death doesn’t matter, Friend was just an animal. Ghostbur is too naive and foolish to understand that now.

Unless he learns to listen and see someone else’s point of view - which will be very hard, because he’s so old and connecting with people is hard for him - he’s going to continue to think he’s always in the right.

Conclusion

There’s a few things I want to see/think might happen with Phil’s character, one more likely than the other.

First off - Karl.

If anyone knows how to look at the big picture, if anyone knows how insignificant the simple things are and how pointless it can be sometimes it’s the server’s resident time traveller. But where Karl differs from Phil is that he cares.

Karl goes out of his way to help, risks his memory and sanity to make things better for his friends. Pours time and effort and energy into relationships that may be onesided or temporary - heck, have you seen how much effort he goes to to be liked by everyone? Sometimes too much.

I’d love to see some Karl and Phil interaction. Maybe in a Tales episode (young Phil? Backstory? Maybe?) or even in regular canon. It’s unlikely probably, but I think it could be an interesting discussion. Someone write a fic.

Secondly - death.

CC!Phil has made it no secret that his character is probably going to die at some point (if only for ghost WINGSSSS). Honestly? I think it could be a great direction to take the character.

If Phil could find something worth dying for, could find the joys in the small things, could focus on the little details enough to realize - ‘oh. This does matter’ I honestly think that would be cool. A sacrificial death, maybe even for something as ‘insignificant’ as a pet (although pets can be important on this server). I’m not sure, but I think making peace with death would be a great way to take an immortal character’s arc.

There’s more I could talk about - for instance, I haven’t even mentioned the ‘not as painful as what I inflicted on their enemies’ comment and Phil’s whole ‘angel of death’ vibe, or the fact that he’s always only had one life. But it’s getting late and I’ve been writing this for like an hour and a half and I’m really tired. Feel free to add on!

#dream smp #dsmp #mcyt #philza #philza minecraft #this was fun #please reblog i put a lot of effort into this and i'd love people to see it!#let me know what you think ^-^#i'm going to have to find some songs and write something at some point probably #anyway sleep time #this is nearly 2000 words guys #im putting my highschool english essay skills to very good use

47 notes · View notes

stranger-who-writes-fiction · 3 years ago

Text

Aaaanyways, I wanna put on my comic-art-nerd hat and talk about panel-to-panel action in that Supergirl: Woman of Tomorrow preview because yes, I have been staring at it for days, and yes, I will continue to do so until it is released next month! XD

LET’S GO:

I apologize in advance for the funky formatting, there’s an art to tumblr text posts and I...have not mastered it. XD

It’ll go image, then analysis.

Also, just to be clear: I’m not doing this so much to be like, ‘WOW THIS IS GROUNDBREAKING, STUNNING, NEVER-BEEN-DONE!’ In fact, many comics do the things I’m gonna highlight/geek out over! Rather, it’s more about, like. Appreciating the construction of the pages, panels, etc.

Okay, so! Page 1, the SPLASH PAGE

Okay, so, admittedly, I don’t have a ton to say about this opening image, largely because it is one single illustration as opposed to a series of panels. But even then! It quickly establishes that we’re not on earth--the foliage, rock formations, and GIANT WOOLY FRIEND(?) give that away. Also! Said rock formations and wooly friend’s horns frame our new character RIGHT IN THE MIDDLE OF THE PAGE, letting you know that even though she is tiny, she is important. And, I will just say, I love the dust effects on the ground. The repeated semi-circle shapes evoke the feeling of rhythmic, galloping hoof beats, even without actual movement or sound. Lovely.

And now, PAGE 2!

So, I’ve highlighted panel 3, but before I get there! Panels 1 & 2 do such a nice job of giving us an idea as to the actual, physical size of these two characters, as well as the power dynamic at play. This random dude takes up the WHOLE DANG PANEL with his bulging muscles and is framed in an up-shot; in panel 2, Ruthye is not only shown from above--we’re literally looking down at her--she is also relegated to the bottom half of the panel. Additionally, it’s a great way to show the action of her turning to pull the sword from her belt, obscuring it from both our view and his, to bring out the ‘big reveal’ in the next panel.

Speaking of! Panel 3! Our establishing shot! We’re introduced to the full interior of this tavern. We see where everything is placed--walls, furniture, and perhaps most importantly, the various patrons!

Establishing shots are so important to have in visual media because they help us, the reader/viewer, to orient all of the various components within a sequence or scene.

It’s also helpful for the artists because then they can better maintain things like screen direction and continuity.

If we don’t have a shot like this, then subsequent action can become confusing to the point of distraction.

YOU WOULD BE SURPRISED how often this is neglected or forgotten in comics! Scenes will change abruptly and it’s like, ‘wait, wait, where are we?’

ADDITIONALLY, the establishing shot not only gives us basic spatial information, it ~sets the mood~ XD Setting! Atmosphere! Genre! It’s all here.

I mentioned this in my prior post, that the art gives off some intense fantasy vibes, what with the organic shapes, rough textures, and color palette.

Folks who’ve read advanced copies have described the book as a fantasy/western; that extends even to the series title design! The designer revealed that the western look of the text is deliberate.

So A+ to the art team for NAILING IT!

Okay, on to page 3!

Not a ton of notes on this one, but that’s only because the prior page has done such a solid job of laying out the space, as well as the relationship between these two characters WITH JUST WITH THE ART. (Okay, okay, the words help too. XD) Once more, we see this big brute tower over Ruthye, panel- to-panel; he’s always ‘large and in charge’ regardless of the angle. Even in that final panel! Ruthye is the largest element because she’s closer to us, but the guy is still positioned ‘above’ her, literally talking down to Ruthye from over his shoulder.

(And HMMMM. That unassuming stranger in the back there, underneath the lanterns that seem to act as an arrow pointing right at her...could she be...important?)

(Her tiny size would seem to imply that she isn’t...AND YET...)

PAGE 4!

MMMM them FRAMES within FRAMES!

Okay, but before I get into that, I do wanna briefly mention panel size and shape.

All of these pages (save for 1 and 7, which are full-page illustrations) pretty much stick to a very traditional panel structure. Each panel is completely enclosed, and there is zero variety in terms of shape. It’s all rectangles.

BUT. The size and orientation change--take, for instance, that ‘skinny’ horizontal panel up top, the way it perfectly suits the ‘shape’ of the elements/action being shown. It’s a close on Kara’s wrist/hand, reaching out for the sword in the guy’s belt.

I mention this because often, writers don’t dictate stuff like panel layout in a script. They will give the artist the number of panels, and what needs to be included in each one, but the actual, overall organization of the page? Totally up to the artist.

So! Really knowing what you want to highlight and convey is key, because you can use the panels’ size/shape/relation to other panels to ENHANCE those images, like that sword grabbing up top!

AND! Another thing I love about that panel in particular is the way that Kara’s hand and the sword make a tiny frame for Ruthye! Who is, again, VERY TINY!

I keep mentioning the size thing because it’s a nice bit of economical visual storytelling; the child character is going to be smaller than the adult characters anyway, but by calling attention to it repeatedly, we as the viewer are constantly reminded that this kid is small! She needs help! She needs to be protected! Which is like, the whole premise of the inciting incident. XD Good stuff!

(Also more dot eyes in comics that aren’t humor comics, please.)

There’s another frame down in panel 3 as well! Evely uses this device several times throughout this sequence; it’s such a great use of the multiple swords in the scene, AND shows that she can really pack all of the characters in there without cutting any of them off/obscuring them behind various objects.

And like, NO TANGENTS, which takes some serious skillz.

ESPECIALLY when you consider all that beautiful linework. LOOK AT THEM INKS.

...In particular, look at them inks in panel 5! The shading on the booth is done in such a manner that the ‘grain’ of the ink defines the perspective. We’re looking down at Kara, from above. This is a helpful little bit of orientation, as there’s not a ton of room around Kara to have any other perspective lines to help sell the angle.

ALSO, NOTE THE POSITION OF MR. BRUTE IN PANEL 4, AND THEN KARA’S EYELINE IN PANEL 5. It will be important in...

PAGE 5!

Allow me to explain:

In panel four on page 4, we see the guy reach for his sword, his body language revealing that he’s intent on moving towards Kara.

In panel 5 on the same page, we get that lovely down shot of Kara looking right up at us, the viewer. But also, the implication is that she’s ACTUALLY looking at Tough Guy, because in the next page, we see that he’s positioned himself right above her to swing that sword down!

(My apologies for the poor attempts at drawn annotations.)

There’s no action lines cluttering up the beautiful art; Not-Conan’s hair, rather, acts as the action line/guiding ‘arc’ so that we can better follow the movement.

Kara, likewise, doesn’t have any action lines on her, but her posture and hair act as visual cues to tell us that she slides over in the booth, out of the way of the sword.

In particular, the way her right shoulder/arm draws closer to her body, and the way her left hand comes up to offset the way she’s now positioned, really sells the ‘slide’.

More beautiful indicators of movement in panel 2; the hair, the action line on the sword, the torn fabric of Kara’s shirt.

Panel 3 brings more FRAMES WITHIN FRAMES! And, actually, as I’m looking at it? I think it could be argued that we actually have a FRAME within a FRAME within a FRAME!

First frame: Panel border, natch.

Second frame: Goofus’ sword, arm, and face frame Kara.

Third frame: Kara’s arm and sword work with Goofus’ head again to frame tiny Krypto.

LAYERS.

And now, a note about colors!

I said before that I love the palette at play. The earthy tones give the entire setting an organic feel--this is not a high-tech locale! We’re dealing with natural materials here.

BUT THEN THOSE BLUES!

Not only do we get that nice split complementary thing happening with the yellow, but it also signals the blue of Kara’s costume, a little hint of which is revealed in the final page.

And, like. It’s night time. XD

(I just gotta say, love the cold blue outside the window next to Kara’s table, contrasted with the warm yellow of the interior. Even though this is a bar, there’s still that element of like. Coziness.)

Also! Even though the overall palette is heavy on the yellows, Kara’s hair is more saturated and leans towards a warmer yellow, while the rest of the yellows in the scene are cooler. Thus! We have CONTRAST! Our eyes are drawn right to her.

And I know--I KNOW--that SG comics twitter already hates King because Kara’s DRINKING and personally I want more of the story/context before I pass any judgement but I must admit, the shapes? In panel 5? With Kara drinking in the foreground?

I kinda love it.

Also mmmm-MMMM, more of them SOFT BLUES.

Okay. PAGE 6!

Now THIS PAGE is what inspired this whole endeavor.

Because, okay. If I’ve not made it clear by now: I read a lot of comics.

And I generally enjoy all of the comics I read!

But, what I’ve found lately, is that if I don’t enjoy a comic, it’s because I, as a reader, find myself confused by the art.

Confused as in, the art is hard to follow.

That can be because the color design/ink work doesn’t have enough contrast, or the composition is muddled, but most frequently?

It’s poor panel-to-panel action.

When there’s no flow/connection between what’s happening in one panel vs. another, suddenly it’s on you, as the reader, to do a lot more of the work as you go through the scene. And sometimes! We don’t even have enough visual information to DO that work!

So when I read this, I was like, ‘ah, thank you, an easy flow of action for my brain to appreciate.’ XD

AND SO. Panel 1! Same stuff we’ve been seeing! The ink work, hair, clothing details, etc. all work to show us which direction each character is moving. Kara’s arm and jacket all point to her slamming that mug in the dude’s face; dude’s sword serves as a GIANT ARROW illustrating the path of his stab.

Not much to say on panels 2 and 3 other than: FACIAL EXPRESSIONS! And also, HAIR!!!

PANEL FOOOOUR!!!!

Love. This. Panel.

Again, I really love that there are no action lines slapped on top of this gorgeous art, all of the movement is conveyed in the inks, body language, clothes, and so on.

Like. There’s a conscious decision, here, to not have Kara’s hair obscuring the dude’s torso, and that’s good! Because his belt/uhh...kilt? Skirt? Is showing us the speed and direction of his jab; if Kara’s hair were in the way, it would break up the flow.

BUT THEN HOW TO SHOW THAT KARA’S DIPPING FORWARD???

Note the ties on her cuff, and the inks on her jacket!

There’s nothing special happening with Krypto, BTW. I just circled him because he’s a Good Boy who deserves to be noticed.

Panel 5, more of the same, the inks telling us how these characters are moving through space. ALSO, the length of the lines conveys speed without needing to add something distracting/obscure the art with a ‘blur’ effect.

Final panel! I. LOVE. THIS.

Particularly the movement in Kara’s hair, just. Beautiful shape language.

But in addition! You’ve got that LOVELY line of action in Kara’s spine as she flips him over, the sword likewise curved in the direction of the throw.

And of course, the dude is crumpling in the appropriate direction, bent in the middle as he collides with the table to--quite literally--complete the circle.

Also, just. The characterization here, is PHENOMENAL.

People (read: irate fans on twitter) have expressed concern (read: complained) about Kara having a sword. Some have even gone so far as to suggest that Kara’s basically a murderer now, because she’s using a weapon.

Never mind the fact that in an episode of JLU, Supergirl used both a sword AND a gun to defend herself while in Skartaris because she had no powers.

Except we see here that Kara DOESN’T USE THE SWORD to take the guy out, she uses his own force against him. She only uses the swords in the FINAL PAGE in a type of ‘yield’ fashion.

(This particular ‘fight’ sequence reminded me of Brainy’s fighting style in the show so of course that added to my overall enjoyment.)

Like, Kara’s got no powers here, she very well could have used the sword to defend herself, and would...kinda be justified.

But she didn’t!

Like. Even drunk and therefore out of it, Kara 1.) Steps in to help that kid and 2.) doesn’t use superpowered lethal force on the guy. (I mean, she can’t use her super powers anyway, what with the red sun, but you get the idea.)

And like, the flourish there, of the arms, the way the jacket swirls around her, like a gymnast sticking the landing, GAAAAAHHHH I just love it. It’s great.

Okay, FINAL PAGE, #7:

I mean. What more can I say? EVELY AND LOPES, MAN.

Just some top notch art.

(Also get it guys, it’s a LITERAL shirt rip! XD)

(And look! There’s that tiny bit of blue!)

But anyways, if you’ve made it this far, I applaud you, and thank you for indulging my desire to just. Geek out over one of my favorite comic artists drawing one of my favorite comic characters.

And just to like, reiterate, I’m not suggesting that this comic is THE BEST EVER or that it’s going to redefine the medium, or anything. XD Everything I’ve mentioned here is...pretty basic storytelling mechanics. Watch any movie, and you’ll see all this same stuff at work.

RATHER, this whole post is more about...admiring two artists who clearly know what they’re doing.

And they’re doing it so well! :D

TL;DR: I’m so excited that the Supergirl book has Evely and Lopes, guys. So. Excited.

#stranger speaks #long post #supergirl: woman of tomorrow #art analysis #comic art analysis #edit: whoops forgot content warning tags #cw: alcohol #cw: blood

10 notes · View notes

zhuilingyizhen · 4 years ago

Text

agents of shield x mdzs au

This is the qUaLitY content y’all get from this blog. Also see me spamming friend about this AU. It’s junior-centered, with a dash of wangxian. This is basically a more in-depth version of what I gave my friend lol

After getting kicked out of SHIELD for questionable experiments involving Kree blood, Wei Wuxian was spying on Hydra (lead by Wen Ruohan) by infiltrating them as a scientist. However, being Wei Wuxian, he neglected to tell anyone since he got kicked out, so everyone thought he betrayed them.

So he’s at Hydra, befriending Wen Qing & Ning, and realizes that they’re good people.

But he got caught giving info to Director LXC, so Wei Wuxian makes his grand escape. He may have accidentally knocked over a terrigenesis crystal while trying to escape the Nightless City.

The terrigenesis crystal may have turned a little boy into an Inhuman (the first time anyone went through terrigenesis) and that little boy (Wen Yuan) may have accidentally burnt down the entire Nightless City.

At least, that’s how WWX explains it to Lan Wangji when he gives LWJ a child to take care of.

So, with Wen Yuan in SHIELD custody, Lan Wangji adopts him & renames him Lan Sizhui. He’s still a child (I don’t know why I keep referring to him as a little boy?? He’s like 12-ish??).

So Wei Wuxian goes off to re-join the remnants of HYDRA because they let him experiment in peace & he gets to keep an eye on them for SHIELD (even though he’s an ex-agent).

But before that, he vouches for WQ & WN to join SHIELD. And though many people there are suspicious, they do have a vacant spot for a doctor now that Dr. Wei is gone & WQ is quite good. They bring WN along too.

Meanwhile: Lan Jingyi is getting abused my his mother & his dad is working across the country so life is quite sucky for him.

Thankfully, his family has connections to one Lan Xichen (who learns about the abuse eventually) and Jingyi gets into SHIELD Academy. What he doesn’t know is that he comes from a line of people with Inhumans genes.

Which may or may not how been why Xichen was visiting.

Anyways, Sizhui & Jingyi meet at SHIELD Academy (both around 13-14?) and Lan Qiren is about to get more headaches.

Eventually, he (now 16) gets told why he was accepted on the first place & asked if he’d like to go through terrigenesis. He’s like “ok” and boom vocal mind control.

That’s actually inaccurate; he has the power to manipulate people with his voice. He has to learn how to control it though.

Wei Wuxian rejoins SHIELD! Lan Sizhui meets the person who saved him all those years ago. yay.

Little did they know, Wei Wuxian was expieriemnting with terrigenesis while he was gone but shhhhhhh-

Now onto Jin Ling’s backstory, cause his is a doozy.

Jiang Yanli got Inhuman genes from her mother. So did jc, but his powers & stuff come into play later. Wwx is their adopted bro, but due to circumstances that will be explained later, Wwx & jc are estranged.

Jyl and jzx raise jl for most of his younger childhood (until he’s about 7-8) when evil HYDRA people come in & kill jzx and kidnap jyl for Inhuman experimentation. Note, she has the genes but isn’t an Inhuman (yet).

Ling is very sad and Jiang Cheng swoops in to take him in. Jc actually worked at as a SHEILD agent back from before lxc was Director (coughxichengcough) but left when his sister was kidnapped so he could try to track her down & save her. Instead he gets his nephew.

Jc also takes over his parents’ buisness to get a source of income.

And jc goes through the woes of being a parent up until he also gets kidnapped by HYDRA. Jl also gets nabbed, but HYDRA separates them

Wwx may have been expierimenting but he tries to do it without hurting any of them, and he validates it because he prevented many people from getting cut open by explaining to the HYDRA heads that they’re most useful alive. It somehow works.

In fact, wwx is assigned to jl. The HYDRA people know wwx’s relation to jc & jyl, so they don’t tell wwx that they kidnapped jc & jyl or that they’re literally in the same facility.

Since wwx was assigned to jl, he basically helps him undergo terrigenesis and tries to determine his power.

Wwx also doesn’t know that jl is kinda his nephew. But he pities him, so he maybe helps jl escape, but in a way so that no one realizes it because he still has his cover to maintain.

(also, I forgot to mention: jyl’s kidnapping caused jc & wwx to become estranged).

So wwx may have had a very loud conversation near jl’s cell about some of the exits and also teaches jl the basics on his Inhuman ability. maybe the device he uses to control jl’s powers happened to malfunction in the middle of the night.

Ling, not knowing that wwx is helping him, uses his power (energy manipulation) to break out and makes a run for it.

He manages to escape (wwx had a very detailed convo about the building’s layout) and gets the hell out of there.

Jl’s smart enough to realize that since HYDRA knows where he lives, that he probably shouldn’t go back home.

He really wants to get his uncle back (and maybe his mom, but he’s not sure she’s still alive) but has like no idea how to use his power to do anything except bomb stuff. & that only works like half the time.

Jin Ling is about to kill a bitch but then he remembers that his uncle gave him an address to go to if anything ever happened (remember, jc is an ex-SHIELD agent so bad things happen quite a lot).

Meanwhile, despite his carefulness, wwx got caught and HYDRA is deciding whether or not he will die. Wwx, being the genius he is, takes all his stuff and gets the fuck outta there.

He decides to go visit his kinda-boyfriend (that he may or may not have been ignoring for like 13 years), lwj back at SHIELD. He also wants to see how the Wen siblings are doing.

So WWX goes back to SHIELD, only about an hour before Ling arrives. In jl’s defense, he had no idea that the entrance to a secret government organization was a quaint little music shop.

He just kinda... walks in, and everyone is freaking bc they have been breached but sees him and thinks “huh he kinda looks like jc” and then lxc thinks “oh no what happened this time”

Lxc introduces himself and jl (being the second best matchmaker here, second to only lxc) accidentally reveals that jc talked about him before.

Lxc is pleasantly surprised (gay) and asks jl to come with him into his office so that they can... chat.

On their way, they pass by the science lab. Wei Wuxian, who just came back to base, is happily walking along with Lan Sizhui, when all hell breaks loose.

Remember when I said that wwx was quite secretive about helping? And that jl is still upset bc he never got his uncle back and he can’t lose another family member, not to them?

So obviously jl does what anyone would if you saw the guy who forced you to undergo a life-changing event and was involved in the organization that kidnapped two of his family members and killed his dad: he attaccs.

If you also remember, I mentioned that jl has no fucking clue what he’s doing. All he knows is energy and boom boom.

And the mini-explosions only work in close range, from what he’s seen. So in his anger, he unlocks a new skill: energy shots.

Wei Wuxian took cover like the second he realized who was attempting to kill him and screaming at the others not to kill his assailant no matter how annoying he was.

Lan Wangji sadly wasn’t at base, but Sizhui was, and he can certainly hold his own against Ling, especially since Sizhui has had more time to train with his power.

Luckily, Jingyi swoops in & uses his voice to force jl to stop. They handcuff him and lxc drags him away into his office.

It’s safe to say that the science lab corridor is fried.

That’s basically how jl got introduced to SHIELD (he eventually joins and learns the truth about wwx, which makes all their past interactions quite awkward).

Now we have Zizhen, who comes into the story after the two Lans have become agents but before the whole Jin Ling fiasco occurs.

Sizhui & Jingyi were sent to see if Agent Ouyang Xingyun (@yoitsamy’s oc older sis of oyzz)‘a family knew where she was because she was on a undercover mission & didn’t check in with her contact last week. + she didn’t contact SHIELD so Director LXC was worried.

They look through the window and everything is a mess, so they kick down the door and try to find anyone. The whole place is torn apart, like people were fighting there.

In the upstairs bedroom, they find Ouyang Zizhen & four of his younger siblings huddled together in a corner, protected by a forcefield-like shield. Once they realize the Lans aren’t a threat, the go back to SHIELD HQ and put in a room there until they can figure out wtf was going on.

Apparently, Zizhen unlocked his powers w/o terrigenesis when they got attacked by someone who was looking for his sister and used it to protect his siblings. They hadn’t seen their big sister in weeks.

So the Lans have a new case to solve, SHIELD has two new Inhumans with off circumstances, and Lan Wangji is one Xichen away from killing Jin Ling.

73 notes · View notes

danieyells · 3 years ago

Note

Thanks for answering my questions! I know it was a lot lmao but I Am Have Questions and very few people informed enough to discuss them with xD

I suppose it is possible they Oniwaka and Co. were being rent from their exceptions and not to Tokyo itself, but I thought the way it worked was that MC rent their connection to Tokyo itself and overwrote it with their own! I hadn't considered your angle before; something to think about haha

If I remember right though, Sitri's wings, and with them his powers, only grew in recently right? Like, a little while before the first Valentine's Event? That's why he had so much trouble controlling them if I recall correctly! But sustaining himself on that energy is one thing that can be explained (though! It's possible that part of Sitri's deep desire for chocolate in general, but valentine's chocolate especially, is the love that gets put into them? Not to say he sustains himself solely on it or anything, but it might explain the strength of his desires ahaha)

Wait. Do those character quests mean that collisions can literally send people into the pasts of other worlds?? Like fr?? And also, does that mean collisions are like, direct overlaps with other worlds and not just illusory versions?

Part of why I'm trying to sort this all out is because I want to write a TAS fic, but I needed a better understanding of how, exactly, the system works, and was basically about to throw my hands in the air and say that actually nobody goes home at all until they've fulfilled their contracts ever and that's that xD I've finished all the story content btw! Including chapter 11 and most of the translated events, except for the Canaan one (gotta get on that, pray I get myself a Dagon 5★)

Does that mean that we contracts are *unfulfillable*? Like MC's connection with Agyo was basically like "I want friend lmao" and then they got their friend, but does that mean that Agyo is trapped in Tokyo until MC decides that they don't want to be friends with him anymore?

Also, do you think that if a Stray Transient does eventually run out of energy to sustain themselves in Tokyo, they get booted back to their world permanently, or do you think they just recover their strength in their home world and then get pulled back over?

Thanks again for answering my questions! I hope that this is proving as interesting to explore to you as it is to me hahaha

I don't mind that it's a lot at all! Lol it was just a surprise. I'm honored to be approached about this kind of thing, and I find it very interesting, yeah! 'u' I love worldbuilding and characterization so thinking about/sharing my thoughts on it for things I like is always a pleasure.

I mean it's possible they're rending their connection to Tokyo, but I feel like that wouldn't take the exception away? Because it came from an interaction they had, not Tokyo itself. I figured they were torn from the exception and the exception and fighting robbed them of all their energy in the proccess of making them a. . .screaming, mindless fighting machine lmao. Like rending a familiar from someone? But that familiar is inside them? If that makes sense? I don't remember if this was explained to begin with let alone how lol I should reread it lol

Sitri's wings did come in pretty recently, and they're implied to be a puberty thing. The problem is that he says they came in "the other day"--which doesn't necessarily mean "two days ago" as convenient as that'd be. The Japanese is even more vague, just saying "When I was taking a bath" without giving a timeframe. But I kinda figured that, until the wings popped in, love from his family was enough to sustain him. Because Bathym doesn't have a family here, really, he has his fans and the guild. But also since his family knew about the wings, saying they were a sign he was growing up, maybe they have a similar power that pops in during puberty and thus were able to feed him others' feelings. But yeah they were new which is why he couldn't control them.

As for the pasts in other worlds. . .time doesn't flow in other worlds the same as it does in Tokyo necessarily. El Dorado isn't even around anymore, time in Shangri-La flows slower than in Tokyo, etc--but these places still participate in the Game despite that. So worlds and timelines aren't entirely stable--after all time's been reset over and over. Also, we have time travelers from Utopia(which is the future???) so if they were forced to conform to a single space-time path that'd be kind of difficult? So, yeah, time and space and memories aren't necessarily stable in collisions. I mean, if a world collided based on memories, who's to say those places are still exactly as remembered? It works for the jungle in Shangri-La because it's a jungle and how much will that change--but the collided oceans are connected to towns in other worlds? Dagon connected islands from various worlds into one, too--those can't all be his own memories or from the same timeframe. Collisions are pretty unstable by definition so it doesn't surprise me that time can get screwed up along the way.

But yeah collisions seem to be actual overlaps of some sort--since Macan remembered that he heard MC's voice that happened in the collision, Xolotl met and saw himself in the collision, etc. And those things had effects that brought them to Tokyo to begin with.

Oh, there's also Nomad's character story where MC was invisible to everyone but Nomad--Nomad could feel them too--because the worlds were unstable under Ikebukuro Coliseum and they reminded Nomad of the prison he was in, causing the Collision.

MC could travel the collision/memory without Nomad around and get accurate information about its layout to help him escape.

If the collision doesn't alter the actual past then there's no way they'd know without Nomad physically with them. . .and there's no way Nomad would know where to go to escape the prison if MC weren't able to get actual information.

Then MC breaks the lights--only Nomad can see them, but they can affect reality/the past in a way that influenced everyone in it. And they're able to escape thanks to information MC gathered about and influence MC had on the world that Nomad would have no means whatsoever of getting/doing on his own.

Then they saw present Nomad who said MC was his, MC tried to reassure past!Nomad that it was okay, they were the same person, and past!Nomad felt betrayed.

Past Nomad sees MC through the transient light and chases after them, bringing him to Tokyo in continued pursuit of revenge.

. . .and present Nomad, now home with Mc and having had resolved the collision, remembered that he'd been chasing MC through the transient light but had travelled to Tokyo to find them--but had not travelled to them. He'd likely forgotten who he was looking for because he was kind of out of his mind at the time and thought he was chasing after his own hallucination to begin with.

Now that he remembers he wanted to kill MC for leaving him but also knows that he's the one who MC left him for, he deems them half a traitor for only betraying the him of the past not the him of the present and lets them off the hook for now.

(nice kabedon--DAMN THE TEN IMAGE LIMIT.)

MC was the one he wanted venegence against when he left Utopia, although he still has to get revenge against the people who turned him into a tiger. But he went to Tokyo to get revenege against MC and made a contract with them without remembering they were the target. He says he won't kill them for now but someday, when his other revenge is done, he'll come after them for betraying him. Until then they're his assistant and they'll be helping him get revenge. If they betray him again--betray him "one and a half times"--they'll become the new priority and he'll kill them first.

But even he said that he thinks that he's crazed for revenge is stupid so MC figured out that he wants them to keep him in check. (He calls them 'traitor' fondly(? He smiles while doing it, I think it's pretty fond) and I wish he kept doing that but it'd probably reveal more to people than Nomad is comfortable revealing lol so he calls you by name instead.)

Also, canonness note, he declares them his detective assistant when he declares them his accomplice--and in the Beach House Andvari he reiterates that's your relationship too. Which means that his character quest is canon across events. And if events are canon--whether through your choices or not(at one point in the story you know Gyobu but you only met him in events until that point???) that means Mc making pacts with everyone could be canon too.

. . .but yeah collisions are just time and space freaking out. Maybe they're past resets of sorts.

And oooh fanfics are exciting 'u' I'll give it a read if you link it! And congrats on reading everything! *U* I've gotta do that myself lol and good luck getting 5★Dagon!! I wanted 5★Tangaroa(someone I have added has him and. . .holy shit he heals himself, he heals allies around him, he's practically invincible) but I ran out of transient stones and I'm poor irl 8'D The Canaan event is fun and also chaotic and will probably give you even MORE questions about how the fuck timelines and collisions work. Because it kinda introduces a new mechanic into the mix. So uh brace yourself?

The problem with "nobody goes home until they've fulfilled their contracts" is that some people just don't have contracts. And their own desires only seem to cause gates to open and take them, not actually bind them--someone from Tokyo(or in Tokyo in MC's case) needs to be their binding agent if they're not like. A World Rep or someone similarly powerful enough to stay on their own(this is a guess--they're probably sustained by being the System and thus stand on the faith of all their people from their world. Alternatively they're bound to Tokyo via MC as the trophy.) Otherwise they wouldn't note that transients disappear eventually if unbound by a contract.

Gullinbursti isn't attached to MC by contract anymore not because MC said "I don't want us to be friends" or anything but because MC refused to make a proper contract with him because he'd misinterpret it. But he's still hanging out, so. It's not immediate. But, yeah, there are probably unfulfillable contracts that can only be broken by death or declaration. Agyo is stuck with MC until MC says he can go lol--I mean they're friends now but it'd defeat the purpose of the pact if they went away as soon as that happened. Because MC wants more and more companions they'll never truly have their desire to have friends fulfilled probably. So anyone summoned that way gets to stay in Tokyo until MC is no longer in it or maybe until MC decides "I don't want people around me anymore/I don't want to see anyone ever again" and truly means it--which will declare their contracts fulfilled and send them home, if they have a home/life to return to.

As for if Stray Transients go back permanently, yes and no. I think they go back and recuperate their energy and they stay home if they don't have an outstanding pact(whether they're aware or not)--however if they were just there because they went into the light and had nothing binding them to the land but that energy/will that brought them, they'd go home without bwing sent back unless they really wanted it again. Thus they can be resummoned, intentionally or otherwise. If MC one day dismisses everyone, regrets it, and says they want their friends back, everyone would come back. But if they didn't ask for everyone to return they'd stay home(disregarding that they'd probably all go NO WE WANNA GO BACK TAKE US TO MC and the transient light would bring them back to Tokyo again lmao.)

So. Yeah, they'll stay home until summoned again, even after they get their energy back, I think. If they don't have a home to go back to maybe they float in the void for a while, kinda like how MC just kinda existed as the Exiles without a home or like how Robinson says they can't stay anywhere forever because they're Wanderers.

(Somewhat related, Shiro mentions in the Apprentice Santa event that it must be hard to import turkey to Tokyo. . .import it from where? Tokyo is closed off on all sides INCLUDING THE OCEAN. That means someone's bringing turkey from other worlds into Tokyo--a business-like summoning contract lol. "Come to Tokyo, bring goods from other worlds, and you can go back until I need more" basically. Using another world like a manufacturing plant lol. . .little things like that make me consider that you can go and come back at the will of a summoner, assuming you donct have an artifact or ability that allows you to traverse worlds as you please.)

Another thing for you to consider if you wanna be a bit more puzzled: remember how much belief plays a part in how things work in Tokyo. Consider. . .if someone claims they're not a stray transient when they actually are and everyone around them believes that they have a contract or guild or something keeping them there even though it's not true. . .are they bound to Tokyo by that belief as long as they're around more people who think they're bound to somebody? Will they disappear if people stop believing them or they're around people who believe they're a stray? Consiquentially if people believe a stray will disappear sooner than later does their timer run out faster? If Ose somehow ran around telling people that transients won't disappear with his ability to make people believe everything he says, do they stop disappearing because no one thinks they will? I suppose he can't lie to nature, but can those beliefs sustain people? I mean belief can cause Oni to be hurt by beans, can cause Behemoth to regain his sense of taste, can cause people from worlds that've been destroyed to become demons because the Angels invading will it to be so. So where does belief's power end and the power of the System kick in? Does the game end if MC puts on Ose's crown and tells the Representaives it's over and they all lost? Or would the alternation of belief on a mass scale cause an Exception by clashing with something more powerful than it? What, since they so value Systems and the Faith that sustains them, to the point that losing Faith in your System causes a full on collapse of the world it holds together(see:Canaan), is more powerful in this game than the power of belief?

#danie yells with anons #danie yells answers #danie yells at tokyo afterschool summoners #long post #tokyo afterschool summoners

1 note · View note

tigerkirby215 · 4 years ago

Text

5e Teemo, the Swift Scout build (League of Legends)

(Artwork by Riot Games)

So funny story: Teemo was originally going to be a Death Cleric and I had this massive joke about how “Illaoi was a Cleric with no Cleric levels and Lux should’ve been a Cleric but wasn’t and then the Devil himself ends up being a Cleric” but midway through writing this build I realized that another class made a lot more sense and I had to scrap like half my work.

Even on Tumblr Teemo annoys me.

GOALS

Swiftly - Teemo is literally called “the Swift Scout.” You’ll never guess what subclass we’re going to pick.

That's gotta sting - We’re going to need to fight dirty with poisons and blinds to overpower our foes.

Got a little surprise for 'em - Your enemies should never feel safe walking into your territory, knowing that a trap could be there just waiting for them.

RACE

One may think that to be a small Swift Scout one would want to be a halfling, but there are plenty of small races in 5e to choose from. This may come as a surprise but I’m actually going to suggest playing a Deep Gnome. Your Intelligence increases by 2 and you have Gnome Cunning for advantage on Intelligence, Wisdom, and Charisma saving throws against magic.

As a Deep Gnome your Dexterity increases by 1. You have Superior Darkvision of 120 feet, and advantage on Stealth checks to hide in rocky terrain thanks to Stone Camouflage. I mean, it’s not a bush but you could probably stealth in the jungle.

ABILITY SCORES

15; DEXTERITY - You don’t get the title of “The Swift Scout” by being slow on your feet. (Excluding the fact that you have 25 movement speed.)

14; INTELLIGENCE - Knowledge of guerilla warfare would be more intelligence-based.

13; WISDOM - Teemo is a survivalist, having to spend months in the jungle with nothing but mushrooms to keep him company.

12; CONSTITUTION - Even if Teemo is squishy in-game it’s still nice to have a bit of extra bulk.

10; STRENGTH - Teemo needs to be able to carry all his equipment, which is where Strength comes in.

8; CHARISMA - FUCKING TEEMOOOOOOOOOOOO. (Memes aside feel free to make your Strength lower I’m mostly just dumping Charisma for the meme.)

BACKGROUND

As a Survivalist the Outlander background is pretty good to take. You get proficiency in Athletics, but I’m actually going to suggest swapping your Survival proficiency with Medicine for reasons that are going to be clear later. Why Medicine? I think Teemo would remember to bring some health pots. Regardless you also get proficiency in a musical instrument of your choice (Spirit Blossom Teemo has a Flute so take that) and a language of your choice. (Which of course has to be Infernal kekw. But really pick whatever you think will be useful.)

As an Outlander your Wanderer feature will help you remember the layout of the map you’ve been on for 10 years, and you can find food and water for yourself and 5 other people due to your adept survival skills. Captain Teemo on duty!

(Artwork by Riot Games)

THE BUILD

LEVEL 1 - ROGUE 1

Starting off as a Rogue for the extra proficiencies. Take Acrobatics to swiftly run away, Stealth to... well, stealth, Deception to trick foes into walking onto your mushrooms, and Perception to gain vision with your traps. You also get Expertise in two skills: Acrobatics and Stealth will make you the master of hit-and-run.

Speaking of hit-and-run Rogues get Sneak Attack, allowing them to do an extra d6 of damage if they attack with Advantage, or if an ally is within 5 feet of the target they’re attacking. The attack has to be with a ranged weapon which is a good segway to talk about Teemo’s weapon. Blowguns do exist in 5e but they’re trash, so unless your DM is willing to give you a seriously strong blowgun I’d personally suggest just using a Light Crossbow... for now.

But if you meet any other Bandle Scouts out in the wild you can communicate with them using Thieves’ Cant, a secret code only taught to scouts and other Rogues.

LEVEL 2 - ROGUE 2

Hey it’s everyone’s favorite ability: Cunning Action! As a Bonus Action you can now Move Quick to Dash or Disengage, or use your passive to Hide. Of course Hiding with Expertise in Stealth and then popping out to shoot a poisoned “dart” (crossbow bolt) at an enemy is a good way to get a sneak attack off.

LEVEL 3 - ROGUE 3

Third level Rogues can choose their Roguish Archetype, and hey isn’t it funny that Rogues have a subclass called “Scout?” Scout Rogues are Skirmishers, allowing them to move up to half their movement speed away from an enemy if they end their turn within 5 feet of you as a reaction.

And remember how I told you to drop Survival proficiency? Scout Rogues gain free Expertise in both Survival and Nature thanks to the Survivalist skill! Now would be a good time to point out that D&D Beyond will let you change the proficiency in your background if you get it past level 1. Also your Sneak Attack increases to 2d6.

LEVEL 4 - ROGUE 4

4th level is our first Ability Score Improvement: for some Guerrilla Warfare take the Skulker feat to hide more easily in bushes, not reveal yourself when you attack, and see better while hiding in the brush.

(Artwork by Riot Games)

LEVEL 5 - WIZARD 1

Hey look everyone it’s my favorite class, because Teemo perpetually frustrates me! If you can’t tell this was going to be Cleric levels and I’m writing this immediately after scrapping like half my build so... a little annoyed. Yay.

Anyways Wizards at level one get Spellcasting: you get a Spellbook where you can write down 3 cantrips and four 1st level spells. Your cantrips are always ready but you can prepare a number of spells equal to your Wizard level plus your Intelligence modifier. Seeing as your INT mod is 3 that means you can prepare all the spells I list! (At least for level 1)

CANTRIPS

For a ranged source of poison damage take Infestation to both poison and confuse your foes to make it harder for them to approach you.

For a melee source of poison damage take Poison Spray for a lot of damage! What do you mean Poison damage is commonly resisted? I don’t know what you’re talking about.

To strategize with your team Message will let you keep quiet while preparing to ambush!

SPELLS

Snare is a trap spell that will let set up a trap. Not a mushroom trap, but a snare trap.

If you want to use your traps for information however Alarm will let you ward an area so you know if someone passes through it. Or you can make the alarm loud so everyone knows!

For some poisoned darts Ray of Sickness lets you do... exactly that. Shoot posioned darts to poison your foes.

Finally to Move Quick take Longstrider, which increases your movement speed by 10.

You also get access to Arcane Recovery, allowing you to recover Spell Slots on a Short Rest equal to half your Wizard level rounded up (with some finer details please read the description of the ability that I’m too lazy to describe.) Teemo has a lot of supplies to survive in the wilderness, so it’s not surprising he packed more darts.

LEVEL 6 - WIZARD 2

Second level Wizards can choose their Arcane Tradition and I’m actually going to suggest a bit of a wild card here: go for the Bladesinging subclass. Yes it’s meant for Elves only but I have never met a single DM who enforced that rule.

Regardless as a Bladesinger you have Training in War and Song for Performance proficiency, Light Armor proficiency (which you already have), and proficiency in one type of one-handed melee weapon. (Scimitars are the only Finesse weapon you don’t have proficiency in as a Rogue so that’s basically your only option.)

But the main feature of the Bladesinger is of course their Bladesong. You can activate your Bladesong as a bonus action for 1 minute. During Bladesong your AC increases equal to your Intelligence modifier, your walking speed increases by 10 feet, you have advantage on Acrobatics checks, and you get a bonus to Concentration checks equal to your Intelligence modifier.

“But Teemo doesn’t use a sword!” I hear you say. Well Bladesong ends if you use two hands to make an attack but you know what doesn’t take two hands to shoot? Well for one Blowguns, but since Blowguns in 5e suck: Hand crossbows! Get a Hand Crossbow to supplement a blowgun, and boom you’re still a ranged character! Yeah much to my surprise Bladesinger doesn’t have any restriction on using ranged weapons: you just can’t use two hands to make an attack. Regardless you have two uses of Bladesong per short or long rest.

You can also add two more first level spells to your spellbook like Detect Magic and Identify to help you know what you find in the wild.

LEVEL 7 - WIZARD 3

Third level Wizards can learn second level spells like Blindness / Deafness for a blinding dart, and Invisibility for more Guerrilla Warfare.

LEVEL 8 - WIZARD 4

4th level Wizards get another Ability Score Improvement but you know what we don’t have enough of? Feats! Take the Crossbow Expert feat to ignore the loading property on crossbows, ignore melee range disadvantage with crossbows, and attack with a hand crossbow with your bonus action after making the attack action. Stinger attack speed’s gotta sting!

Additionally you can learn another two spells at this level along with a new cantrip! For your leveled spells grab Misty Step for Flash and Enlarge / Reduce, because size doesn’t mean everything. For your cantrip Mending will help you keep your scout equipment in check.

LEVEL 9 - WIZARD 5

At level 5 you can learn 3rd level spells. You know what we haven’t gotten yet? Mushrooms. For a very expensive trap Glyph of Warding will let you put down a near-invisible glyph in an area for a mere 200 gold and 1 hour of set-up time. You decide what triggers the glyph, be it something complicated or something simple like an enemy walking near it.

When the spell activates you can choose one of two effects: the simple solution is just to make it explode for 5d8 acid, cold, fire, lightning, or thunder damage. Alternatively you could store a spell of third level or lower into it, and have it target whoever activates the glyph or the area around them. I’d highly suggest reading Glyph of Warding over in full before using the spell. It’s a powerful spell but it’s costly and requires a lot of set up time.

But you know what’s a simple spell? Fireball. Weaponize your shrooms for a big explosion of damage.

LEVEL 10 - WIZARD 6

6th level Bladesingers get an Extra Attack! Yup: that’s it! Because you’re a fake Fighter. But yeah this is primarily why we took Crossbow Expert, so you can still attack twice with a crossbow.

Well, you can also add another two spells to your spellbook. To move incredibly Swiftly take Haste. Other than that you can truly grab whatever spell you want as there isn’t much else that’s truly “in character” for such a simple character as Teemo. My out-of-character suggestion is to take Mirror Image from second level for a great boost to survivability. The only thing more annoying than one Teemo is three Teemos.

(Artwork by Riot Games)

LEVEL 11 - ROGUE 5

Back to our swift scouting ways 5th level Rogues get Uncanny Dodge, letting them use their reaction to reduce the damage of an attack by half. Your Sneak Attack damage also increases to 3d6.

LEVEL 12 - ROGUE 6

6th level Rogues get Expertise in two more skills: Perception will let you make good use of your wards, and Deception will let you make good use of your mushrooms.

LEVEL 13 - ROGUE 7

Isn’t Teemo really annoying and hard to kill? Well with Evasion he’ll be even harder to kill since he’ll take no damage on a successful Dexterity saving throw and only half damage if he fails. And your Sneak Attack increases to 4d6 too?!

LEVEL 14 - ROGUE 8

8th level Rogues get another Ability Score Improvement and you know: I don’t think we have enough Feats. Fade Away is a Gnome-specific feat that will let you get use out of your passive by turning invisible when you get hit as a reaction. You remain invisible until the end of your next turn or until you attack, deal damage, or force someone to make a saving throw. You can use this reaction once per short or long rest and it uses the same reaction as Uncanny Dodge, so use it wisely!

(Artwork by Riot Games)

LEVEL 15 - ROGUE 9

At 9th level your Scout training gives you Superior Mobility for 10 extra feet of movement speed. "Hut, two, three, four!" Your Sneak Attack damage also increases to 5d6.

LEVEL 16 - ROGUE 10

10th level Rogues get another Ability Score Improvement to help compensate for all the feats. Increase your Dexterity and Wisdom by 1 for even Ability Scores.

LEVEL 17 - ROGUE 11

11th level Rogues get Reliable Talent so any roll with a skill you’re proficient in can’t be below a 10. If you roll a 9 or lower it counts as a 10. Whenever I get this ability I like to do a tally of all the skills you have and what the lowest potential roll is, so...

26 in Acrobatics (with Advantage if in Bladesong)

26 in Stealth (with Advantage to hide in rocky areas)

25 in Nature

24 in Perception or Survival

22 in Deception

18 in Medicine

16 in Athletics

15 in Performance

And to top it off your Sneak Attack damage increases to 6d6.

(Artwork by Riot Games)

LEVEL 18 - ROGUE 12

12th level Rogues get another Ability Score Improvement and as much as I want to take more Feats (believe me I do) let’s finally cap off that Dexterity score for the deadliest darts.

If you aren’t playing with Standard Array and want some more Feats here’s a few I could suggest:

Poisoner (Yeah duh)

Svirfneblin Magic (More blinds, among other things)

Alert (To always be ready for a fight)

Observant (A half feat to spot any incoming danger)

Tough (Just because you aren’t a tank doesn’t mean that Grasp of the Undying is a bad rune)

LEVEL 19 - ROGUE 13

With 13 levels in Scout you are an Ambush Master. You have advantage on initiative checks, and in addition the first creature you hit during the first round of a combat becomes easier to hit. Attack rolls against that target have advantage until the start of your next turn, because it’s pretty hard to defend yourself when blinded. "Smell that? That's fear." Your Sneak Attack also increases to 7d6.

LEVEL 20 - ROGUE 14

Your final level is the 14th level of Rogue for a 10 foot Blindsense, allowing you to sense any hidden or invisible creature near you. Clearly they only have camouflage.

FINAL BUILD

PROS

Turns out I got a proficiency in killing - Up to three attacks per turn with a +11 to hit means it’s more than likely you’ll hit your 7d6 Sneak Attack. Not to mention the strength of Wizard spells, notably Fireball.

Wars are won with men, not machines - Rogues are skill monkies and it turns out you’re quite the asset outside of combat. Expertise in 6 skills, notably the ones to keep alive in the wilderness. And of course the ability to cast Ritual spells like Detect Magic and Identitfy.

Never underestimate the power of the Scout's code - So Teemo’s pretty annoying right? Well I didn’t realize he’d be so damn elusive! +11 to Dexterity saves with Evasion, 35 feet of movement, Advantage on all mental saves, insanely good stealth skills, reactions to get away from danger... And this isn’t even mentioning the benefits from being a Wizard! Bladesong lets you increase your AC by 3 (up to 20 if you’re wearing Studded Leather!) and increase your movement speed to 45... Oh and you can just turn invisible! As well as blind the enemy and speed yourself up.

CONS

Size is a liability - A few feats too many means not enough ability scores, yet somehow we don’t have enough feats for things like Poisoner. Perhaps reserve this build for when you can use Point Buy. Or at least ditch Skulker because you really don’t need it when you can, ya know... turn invisible?

You'd be surprised how quick fur ignites - Of course the lack of Ability Scores means that your Wizard DC isn’t fantastic. Granted most of your spells are utility but a lot of them require saves, and a lot more of them are rather weak. Poison damage is one of the worst damage types in the game and both your cantrips are poison, not to mention Ray of Sickness. Feel free to grab other spells as you see fit.

Lots to do before I punch out - Teemo is squishy in League and Wizard levels don’t help in D&D. Even with the +1 to CON you’ll likely have a little over 100 health by level 20, which easily puts you in Power Word Kill range. You’re elusive yes but a bit of bad luck and you’ll be six feet under.

But you’re not meant to be the strongest: you’re meant to be annoying. Hit-and-run, hide in the shadows, and whittle the enemy down before you win the war of attrition. You’re in it for the long-con, and not just the end game. You’re engaging in psychological warfare: tearing at your opponent’s mental state until nothing remains. You are a master of anger and temptation. You are a demon; a devil... Or you might just be a hamster with a blow gun.

(Artwork by Riot Games)

#DnD 5e #dnd #dnd build #dnd guide #League of Legends #League of Legends Teemo #dnd rogue #dnd wizard #satan

9 notes · View notes

santalsaburablog · 4 years ago

Text

Adventures of Santal. Chapter 9: Landa's Secret

Revealing the secret builds trust.

Quarrel! After meeting near the Jedi Temple, Santal and her aunt's paths diverge in opposite directions. In an attempt to resolve the conflict, the girl manages to help the oncoming woman Rana Martez, and then return to continue her studies at the Jedi Temple. The story continues.

Over the past week since that day, Santal got to know all the members of the clan better. Dasha, as an inborn empath, was able to feel emotions from childhood, at least basic ones. Nick is cheerful, constantly smiling and can amuse those who are sad. Grace loves to laugh. Landa is strict, obedient and obedient to her elders. Just like me, Santal thought.

Almost nothing can be said about the rest, because I rarely had contact. From conversations it became clear that many really do not remember practically anything. Because of this, the girl even felt sorry for her peers. Because they weren't as lucky as she was. She knows a lot about her parents now. Exactly! She can look for information about them in the library, or, as she managed to christen her, "The Main Branch of Paradise." Of course, she had many favorite places in the Temple, but the library is definitely in the first place.

Santal studied the schedule thoroughly. I also asked the curator about the youngling's life. Some facts she already knew, and some frightened.

So, Santal already knew that the morning began with a study of the Force, then the children went to classrooms for a lesson in politics, as well as the history of many worlds and cultures. After lunch, the clans began physical education, acquiring the necessary skills and reflexes. In addition to theory, the Younglings had to find time for five daily meditations. Each clan began their training with the study of the Jedi Code and three important disciplines: Strength, Knowledge, and Self-Control. It was these foundations that became the foundation for further development. In addition to the required course materials, each youngling received a copy of The Jedi Path: A Manual for Students of the Force. Students had to know the layout of the Temple by heart, as well as the names and history of the Jedi who had memorials in the Temple, so as not to forget their history and become better acquainted with the traditions and philosophy of the Order.

The children studied and practiced together, which made them very close and learned to trust. Younglings often helped each other and followed an example from a comrade. While comprehending the Force and its capabilities, they simultaneously learned self-control, which was an important step on the path to mastery. Before starting to comprehend the art of lightsaber fencing, children had to prove themselves in other areas, otherwise they will not progress in the possession of weapons. In the third discipline (self-control), younglings were taught for the first time more sophisticated meditation techniques that helped keep their minds under control during battle. After mastering the six levels of lightsaber combat, they were challenged. Refusal was not accepted. If the child did not pass the tests, then he could repeat them. Youngling was either making progress or abandoning the path of the Jedi.

The tests were scheduled when the younglings were undergoing initial training at the academy. They consisted of three main tests: demonstration of knowledge of the Code, meditation, mastery of the lightsaber, and control of the Force. All junior Jedi were required to pass the exam, but not all passed the test. If in the future the younglings were not taken as Padawans, then the Council assigned the child to one of the Service Corps, where he would perform the tasks of the Order, which did not require skills in using a lightsaber and the Force. There was a third option for the Younglings, which the High Council deemed unsuitable for the Jedi path. Such children could leave the Order and use their skills to find a good place in the galaxy.

The last girl, to put it mildly, scared. And it gave rise to many questions and thoughts. What if it doesn't work? No, though. There is an answer to this question. But it doesn't make it any easier. It turns out that if Santal fails, then Corpus or a return to her aunt is waiting for her. Neither the first nor the second perspective seduced her. The girl more or less imagined her fate in case of returning to Ryloth. But my aunt wanted to be away from her. Or maybe she was joking? Or maybe not? If not, what should she do? Become like the Evil Hat? Could she do that? Santal did not know the answer to the question, because she considered what he was doing, impossible for her, beyond understanding. Santal just didn't understand how one could be so cruel. And if you imagine that she was expelled from the Order, would she be able to find him? Ask to take to yourself? Make friends? Although the girl did not understand the meaning of the word "friendship" well. But maybe he will teach her something. Although no, I have already taught.

Then a strange thought occurred to the girl. And if this uncle is an inanimate creature? A droid who pulled on someone else's skin so as not to frighten others? Maybe. So Santal decided to find this blue. Anyway. Either for training or revenge. All the same, there is nowhere else to go.

Стоит отметить, что, despite good relations with the Younglings, Santal did not become very close to anyone. She politely communicated with everyone, if someone asked for help, tried to help, and the classmates themselves helped her out more than once and invited her to play. But Santal kept the other children at a distance. Adults, strangers, were still afraid like the plague. But with the Jedi it was just the opposite. Santal was always looking for the company of her elders and enjoyed communicating with them. So she once met the Twi'lek Jedi Anun Bondara. In principle, Santal liked to communicate more with Twi'leks, even more than with people. Because when she spoke to them, she felt at home.

Bondara was also happy and at the same time surprised to meet a human girl who was raised by representatives of his race. You don't see that every day. Therefore, two Jedi from the same home planet quickly found common topics of conversation. Santal talked about her past and learned a lot about a stranger. Her new acquaintance was born into the Dara clan, was admitted to the Order at a young age, and eventually attained the rank of Master, following the path of a Jedi Guardian. Most importantly, Santal was amazed when she learned that he was a sentinel in the Ryloth system! It turns out that he could find her! Wow!

- I really want to travel the world. I have already visited some of the planets, namely Tatooine, Corellia, Devarone, Naboo, ”Santal admitted with childish ease. And casually added: - Although my aunt told me: "Do not go to Tatooine, or the giant slugs will eat you."

The elder Jedi's face turned sad.

- Did I say something wrong? - Santal was frightened.

Twi'lek hurried to smile and answered:

- No, baby, it's okay. You just know, I also like to travel the Galaxy, I visit Hutt space with a feeling of awkwardness, seeing how many Twi'leks were slaves or servants of the Hutts. It upsets me that my clan members have become either poor or criminals, but as a Jedi, I must remain cool and impartial, even when negotiating with the Hutts.

- It turns out that we need to talk politely with everyone, even with those who we don't like and who don't like us?

- Yes. Unfortunately, yes, - answered Bondara honestly and directly.

- I understand you perfectly. My aunt was once a Hutt thing. She would have been her to this day if one Jedi had not saved her. Maybe I'll save someone. The man nodded approvingly. And then Santal plucked up courage and voiced her concerns:

- We will soon begin to master the sword. I'm afraid I can't do it. I heard that it is difficult. I will be among the laggards, and then they will expel me or ...

Bondara made a gesture so familiar to the girl, meaning that he would not tolerate such thoughts.

- But the majority, on the contrary, are looking forward to such a moment. They can wave their arms, imagining themselves to be great warriors. And I think we need to let the Force guide the sword, throw away all possible fears about the outcome of the fight. Get rid of your thoughts. Don't expect victory. Don't expect defeat. Don't expect anything. The lightsaber is not meant to defeat enemies or rivals. We must use it to destroy our own greed, anger and stupidity. The one who created the lightsaber and walks with it through life must live in such a way that he himself can be a weapon against everything that is directed against peace and justice. And most importantly, be honest in your feelings, this is the surest road to knowing yourself and the Force.

These words gave Santal a tiny bit of hope.

As the days passed, training became more difficult. Santal was in trouble. The first is acrobatics. The girl was afraid to perform various techniques. Everything seemed to her that she would fall or be crippled. Somersaults were especially difficult. More precisely, they were not given at all.

Second, the senior Jedi sounded the alarm because a month had passed since enrollment in the Order, and Santal had still not become close to anyone. Yoda even approached her and talked about this topic. Santal answered the truth. That she communicates normally with everyone, but does not feel the need for friendship. Then the master replied that if she did not try to open up, then she would never have friends.

Other children also tried to make friends with the girl, talked to her and invited her to play even more often than before.

- Well, how can you sit and read all the time? - Max was sincerely surprised, unlike Landa, who treated this daily routine with much more approval.

Although it was not true. Santal not only sat, but also walked wherever possible. I studied the new house, where everything is. She enjoyed the conversation, but she was in no hurry to sign up as friends. She considered her fellow clansmen to be exceptionally good friends with whom she could communicate. And friends, real friends in the full sense of the word, she simply did not need. She was used to being alone, she was so comfortable. When you sit alone, you don't have to give in to anyone, everything is only according to your own rules. Or you sit in the library, not bothering anyone. Nobody distracts. No, Santal loved to help, but sometimes she just needed to be alone and reflect. Think. And she began to think almost every second after the story with her uncle.

And then, after some time, unexpectedly for everyone, including herself, Santal found herself a friend, more precisely, a girlfriend. She was a girl only a year older than her and the Mrialan race. Her name was Barriss.

They met in the library. Then Santal wanted to know more about her parents and went there. At this time, Barriss was sitting at a long table and reading something. It was she who became interested in Santal, drawing attention to a girl with olive skin, black hair, very beautiful blue eyes (Santal admired, she could not even take her eyes off) and with a strange pattern on her face, like freckles.

First Santal sat on the opposite corner of the table, then a little closer. And then she took courage and sat down very close. Left.

“Hi,” the reader replied quietly. Santal was surprised, she thought she would have to take the first step. Well, okay. So even better.

- Hi.

- What is your name?

- I am Youngling Santal Sabura. And you?

- Barriss Offee. Also youngling. Mirialanka.

- Nice to meet you. Santal paused and added, “You don’t… don’t… mind if I sit with you?” Do you read?

- Yes. One text.

- So you like to read? So do I.

- Yeah. Barriss answered calmly, monotonously and reluctantly, as if the lesson was answering. Only at the last word she smiled.

- I'm also looking for information. About two Jedi.

Then Santal went to Jocasta, who had become her favorite librarian, and asked for a CD with information about Bastian and Adir Shan. And she provided what was needed without question. The girl returned to her seat, feeling her bursting with curiosity. Finally, she will make her dream come true. She finally finds out what her mother and father looked like. Suddenly she wanted to question Barriss.

“Barriss, were you, like everyone, found and taken to the Temple?

- Yes.

- And you don’t remember your parents either?”

- No. The girl shook her head. - I was born on board an unknown passenger liner and never knew my parents. However, my connection to the Force was quickly discovered and I was taken away.

Santal's pupils were dilated.

- Wow! - she exclaimed. - I was also born on a ship. - And mentally added: “But, unlike the others, I was lucky. I know who my parents are. And I can look at them right now. "

And now the long-awaited moment has come. Santal looked at the photo, and warmth spread throughout her body. As if wrapped in a soft blanket. How she looks like them! For everyone. Dad got the eyes. From mom - hair.

So the girl sat there, unable to tear herself away from the faces of her parents.

“What eyes they have! There is so much power in them! And smiles! Probably, when they were taking pictures, none of them suspected that they would have a girl, and something would happen to them. Well, I don't believe such talented Jedi would die. Surely they just got lost. Either they went on an expedition, wishing to discover or have already discovered many new plants, or animals, or even a new planet, system. Galaxy! But something went wrong and they got stuck. Or maybe this is what happened: my parents crashed on an unknown planet, saved its inhabitants, and they made them their rulers. King and queen Or the chancellor and the chancellor's wife. "

Dreaming, the girl did not notice how an hour had passed, although it seemed to her that it was less. And from the next day they began to take acrobatics. This is where the problems began. Santal was scared. Because in the classroom they had to do somersaults, jump, get up in different poses. The algorithm most often was this: you jump and move your arms and legs in the air. Left, right or something else. There was also such an exercise: you need to run up to the wall, push off from it with your feet and roll back, landing on your feet. This exercise in the Temple was considered one of the easiest. But Santal was afraid to do it. What if she falls, breaks her leg and ends up in the infirmary? No, she had a good relationship with Vokara, she just didn't like being sick.

For many of the clan members, most of the exercises worked. Yes, and the daughter of the Jedi herself, in principle, tried, it just did not work out most often because of fear. But in other subjects, things were much better. Just fine. On history, politics, she regularly crammed the material and answered questions more than once during the lesson. So her teachers were praised and considered the best in the clan in this matter.

Barriss and Santal became inseparable. Often they could be seen in the library communicating with each other, studying texts, discussing material. One explains one, and vice versa. Soul mates found each other.

And so a month passed. And soon Santal and her clan prepared a surprise. On that day, instead of the usual classes, they were expected to show Yoda's training duel with one of the masters. Of course, everyone was waiting for her with eagerly. Especially Max. Three days before the upcoming event, he was worn during the break. It will jump to the left to Adrian, then to the right to Dasha. When he jumped up to Landa, she scolded him:

- Behave yourself! A future Jedi after all! I hope you will sit still during the duel.

- Do not swear, teacher, - as always the boy answered with a joke. - But the rest, at least someone, tell me, are you burning with impatience? Adrian? Nick? Santal?

“A little, yes,” Santal replied, hoping that he would calm down a little.

Her words had little effect. At least he stopped jumping. But Landa did not surprise her at all. Santal was also not happy with Max's behavior, but, unlike the twilight, she was calmer about it. And if such active and sociable children as Grace or Max said that she and Landa studied longer together, but still did not understand what was wrong with her (she was like that almost from the first day), then Santal was not at all worried , because she herself is the same. But there was a difference. Sabura was never hard on others. And Landa sometimes loved to educate. Of course, Santal understood that this was not just that, but others from the beginning of their acquaintance almost immediately gave up. That's why they joked at times.

And Santal suddenly remembered that when Dasha began to talk about the twilight, she abruptly stopped the attempt. And the girl might just have forgotten about it, but it didn't work. Curiosity burned like acid. And for obvious reasons, Santal did not dare to ask, and she considered it tactless to climb into someone else's soul without asking. When Landa herself wants to share with someone, then she will find out. And if he doesn't want with anyone, nothing. Santal will not be offended. She herself has secrets. One is scarier than the other. Here's another reason not to intrude. You yourself will ask a secret, you will have to tell yours. And Santal with anyone, even peers, was afraid to share secrets. You never know what. Enough time passed, and I was still afraid of strangers like fire, only less. I was not afraid of children at all, but all the same. Suddenly they are someone's spies, sent by adults to find out more about her than she said. Oh Sila, she seems to have begun to understand that uncle. Maybe that's why he didn't believe? Thought Santal was a secret agent sent to spy on him or even kill him. Although ... it cannot, and it is so! He said something like that. Maybe he has secrets himself. And he was afraid that she would find out? But Strength, she's honest. And besides, a Jedi. And the Jedi try to keep their word.

The girl learned an important lesson. When speaking, try to understand what the other person is thinking. You should not easily trust those whom you see for the first time or whom you know little. When you meet someone, you have no idea if this is your future enemy or your friend. Anything can be. Therefore, you need to be on your guard.

But, despite this, Santal remained unconvinced. No, she was beginning to understand her uncle's fears, to guess what he was thinking. But his guilt in her eyes did not diminish. She's just a girl! Doesn't she deserve mercy? Why is it obligatory to take it somewhere? Or maybe he guessed she was Force sensitive? But this is not an argument. Is it her fault that she was born this way? And he could check that she was really a child? In a word, the uncle is inadequate. From whatever angle you look.

- Santal. - The voice pulled the girl out of prostration.

Santal stopped looking at the floor and raised her head. Landa was standing near the wall.

- Hi. Something happened?

- Nothing. I just want to talk, ”the twilight said mysteriously. “But not here. - Shall we go to me or to you?

- Let me think. Come on to me. It's somehow easier for me on my territory. Santal grew more and more terrifying with every word spoken. So what happened that Landa wants to talk in private? And this word is "easier." It smacks of something serious. It is now clear that a serious conversation awaits her, and not some girlish gossip.

Entering the room, Landa sank onto the bed. Legs together, eyes on hands. Santal pricked up her ears, prepared to listen.

- Everything, I'm ready. Santal sat down beside her. Not too close, not too far.

At first Landa could not get herself together, she looked at her fingers, flexing them. At first, the daughter of the Jedi waited patiently, but when several minutes had passed, she braced herself and said:

- If you don't know where to start, start from afar.

Landa thought for two more minutes and began:

- You know, I thought for a long time whether to say or not. Initially, even before you came here, I generally planned to keep to myself. I think you can understand why.

- Well, I understand. Each of us has secrets ...

- Right. Landa smiled without showing her teeth. Santal also smiled with emotion. - It's good that you understand that. So I made the right choice.

- About what?

- About what I will tell later. What you just said is good. It's true. But, unfortunately, not all are like that. For example, Daria and Maxim. They, if you noticed, often annoy me. One of the reasons is they are not like that. They love to share everything. Therefore, when I first came to this clan, I was "attacked by them." In the sense that they started asking personal questions. Well, you understand. How did I get to the Temple, who brought it. And Max in general climbed into the jungle, - the clan member complained.

- Well, I haven't been "attacked". As far as I remember.

- This experience of communicating with me taught them something. Lucky you. But I do not. I still remember that Max pestered the most with questions. - It's curiosity. - Santal tried to stand in the place of the boy. Try to understand what he would say.

“You know, you can die of curiosity,” the twilight replied sharply and very seriously, her eyes flashing.

Santal froze immediately. Landa said to the point. How you guessed!

- Hey, what are you? Santal, Santal, where are you? Did I say something wrong?

- Well no. Your last phrase ... right to the point. Should I not know about this.

- Come on! - Landa was shocked. From the next grimace, it became clear that she also wanted to know what had happened, but almost immediately faded away. - Although it’s me ... If you don’t want to talk, don’t. I understand perfectly well, I myself have never told anyone anything.

- So we are here only for this? - Santal was surprised.

- Yes. What? You thought ...

- No no no. I didn't think about anything. It's just that when you started, I thought there was some terrible secret awaiting me. But I also liked this frank conversation. That you generally agreed to this. You know me worse than the rest. And I understand you. I myself do not like those who cannot, without a large circle of friends, not share information, who constantly ask questions such as “what happened?”, “Please, can I help?”, And just harassment. For example, "where are you going?" Why do some people get involved in their own business? You know, before the Order, I enjoyed being alone. Fair. Communicated only with my uncle and aunt. Played most often in the backyard. That's why I want to spend time alone. True, a friend appeared recently. And that's enough for me. Everyone was perplexed that I often sit alone. And I'm so comfortable. Peers are not needed. Only if there are a lot of them. I don't know how else to explain.

- In my opinion, you explained clearly enough.

- OK, bye.

Santal turned around and was about to leave when she heard a soft whisper:

- I don't remember my parents at all. More precisely, I would like to forget them. If they loved me, they wouldn't sell me to some syndicate. Not rations, if you've thought about them. They made me serve. At first glance, nothing complicated. Bring trays of food and drinks. But in reality, everything is much worse. When you are pulled, pushed, kicked, spanked a hundred times a day. I could not stand it and wanted to run away. But it's hard to escape when a chip is put in you that explodes when you try to leave the territory. But I tried. At first I wore a collar with an electric leash. Hardly found a way to turn it off. But I was caught and this chip was planted. Then I was resold. I ran away on the way, transferring to another ship. But he was captured by pirates. So I changed five masters, until a Jedi accidentally found me and brought me here. - Landa spoke with difficulty. And it was clear from the intonation that the story was not complete. But even without that, it was terrifying.

Santal was shocked. For a short time I stopped hearing altogether. A veil covered his eyes. This is what she did not expect to hear. No, she had thoughts that there was something unpleasant in Selmura's life. But she didn't even think about it.

“Now it's clear why you ... I wouldn't tell anyone either. And yet you shared with me. It is with me. Why? The girl asked just as quietly.

- It is not that simple. See, you told me to start from afar. I started. Through the conversation, I realized that you and I are kindred spirits. This is how I learned that you can be trusted. And I entrusted you with the main terrible secret, without fear of what you will reveal. I know. No offense.

And Santal was not at all offended. Moreover, she was going to take this technique into service in the future. Thank you, Landa. What a fine fellow she is! Despite everything, she continued to live on! Probably Santal could not do that. Previously, she considered herself a sufferer, but now she learned that, it turns out, there are people who are unhappy than she.

- You know, I also want to tell the main terrible secret.

Santal told how she got to the Temple. About everything. To which Landa replied:

- Oh, you're still lucky. In general, I noticed long ago that you are very lucky. Was born in a shirt. And you know what else?

- What?

“I also chose you because you are from Ryloth.

- Yes. And there is. I was raised by Twi'leks. It's strange that I understand why I have no processes. I know that I am human. But I consider myself a semi-tweelek. It is clear why.

For the first time in the evening, and for the entire acquaintance, Landa laughed. But this laugh was light, quick, but memorable.

- And I still wondered why you try to hold on��representatives of my race, not my own. I noticed that you feel more confident with twi'leks. Not every day you come across such a phenomenon.

- Yes, that is right. Probably. Okay, if you don't mind, I'll go now. If we've discussed everything.

- Of course. I don't hold you anymore. Until.

- Until.

Reaching her room, Santal fell on the bed, digesting the whole evening, after which she felt different. New. As if she was older. She had never before had such a serious conversation. Santal also felt that she was close to another girl. And it's great! Brought together on similar secrets and problems. Indeed, soul mates. The girl sincerely believed that Landa would not tell anyone her secret. As well as today's conversation.

The world for Santal Sabura began to lose its pink color. And she will carry the secret of Landa to the grave!

#Cad Bane #cad bane x oc

3 notes · View notes

let-me-make-you-proud · 5 years ago

Text

Tangled: The Series Q&A with Kait.

This is a recapitulation from today’s (September 14, 2019) Questions and Answers session with Kait on the Tangled Discord Server.

Q: Which Disney princesses outside of Tangled the series can you see Varian being friends with? Nonfranchise ones included.

A: I think Belle is the first one who comes to mind!! She’s super studious and goes against the grain…not to mention her father is an inventor who’s a little off-base! 🙂 I think he’d be super comfortable experimenting with Belle and her dad and reading awesome stories! (Maybe even sharing the Tales of Flynn Rider with her! …Assuming she hasn’t read it! Haha. ) He could also eat ham sandwiches with Anna. Sorry. Second thought. Lol!!

Q: So Kait, as a storyboard artist on the show what kind of little details, quirks or creative touches did you or any other artists put into Varian scenes you or others storyboarded?

A: Ha!! Any acting scene with Varian I had…I pretty much based off of Anna Lencioni (my best friend/ another board artist on the show.) Anna makes these very specific expressions and she gestures to herself a lot and closes her eyes and creases her brows and says things like “A-huh! Actually…” or “Um!!” Before making a point and it’s always reminded me of him.

She kept a “flynnolium” prop from Halloween with green goo in a vial in her cubicle at work so long it grew mold. She said she was studying it. She found scrap metal in her boot one day. She has a basement lab for her experiments and crafts. She befriended two raccoons at her last apartment. She is the most accident-prone person with freckles I’ve ever met…she’s pretty much him.

Jeremy Jordan’s reads give you so much to work with…and I love that character so much I feel a natural sort of understanding of how he might say something or do something…but Anna would always do these specifically Anna things that I had to use for Varian.

Q: Do you have any specific advice for aspiring storyboard artists or people who aspire to work in animation?

A: Gestural drawings help you learn to draw fast…which is a very important part of storyboarding. I would say storyboarding‘ s biggest requirements are clarity and speed. Lots of productions have different requirements in terms of what they look for from story artists. Tangled‘s leadership cared a lot about drawing skill, animation, layout, etc. because it more strongly informed the animation studio to have those things. The show I’m working on now (Monsters at Work) is a 3D show…so for our production, the emphasis is more on story and speed. We pitch ideas more than we pitch drawings…so clarity is important and acting is too, but we’re far less precious about tying down drawings and animating since we shift into the 3D production pipeline after story. The boards are still very important…but the more technical aspects are a *little* less so. The focus is just more on story and character and what the board artists can bring to their scenes.

So I’d say just practice drawing…maybe try and give someone a prompt or ask a friend for one. Choose a theme! Maybe vampires? What’s the worst thing that could happen to a vampire? What’s the best thing? What’s the funniest thing? What if they were also an alien? Or fused with a werewolf? Or chained to one? What would happen? Giving yourself a starting point for an idea will inspire you to explore all the possibilities for humor, drama, etc. in that idea. If you’re struggling to give yourself a prompt, try looking online…or maybe choosing a song you like or a passage from a book for inspiration.

There’s also this really fun thing you can do to study cinematography and shot composition called a “three tone” exercise. Basically…put on your favorite (live action) film, grab a sketchbook, grab a black and grey marker, and use the white of the page for your third tone. What you wanna do is (as you’re watching or while pausing) sketch a small thumbnail using only three grey tones of what you see on the screen. Draw the shot- where the characters are, try and duplicate the lighting…it teaches you a lot! 🙂 (Phew!)

Q: Do you have any fun non-spoiler head canons about Varian?

A: I think his favorite dessert is apple pie and I think he bakes recreationally very often! He’s probably a good cook. (Though he may have one or two minor accidents……a burnt thing here and there. Minor oil splatters….haha!!)

Q: What’ve been your favorite episodes, both to storyboard and in general? Of course, no specifics if it’s S3

A: Haha! Well…What The Hair and Queen for A Day have special places in my heart because they were such big moments for my favorite character…(Varian, haha.) But I’d say the episodes I had the most fun boarding are all in season 3!!! Which is exciting! I have to start compiling some work to post! 🙂 I think the episode I had the most fun with is one you guys will really enjoy.

Q: Will we get some interesting surprises (In Season 3)?

A: Without any spoilers- absolutely!! The show is always full of those.

Q: So We’ve heard many fans express why they love Varian as a charcter before, I’d love to know what drew you and Anna to Varian as well and why you guys personally found him to be a great character.

A: When Shane Prigmore originally pitched the character to me, he was much younger. He was like 11 or so, I think? Maybe 12? He’s still pretty young…but what Shane said was that he wanted him to go from this wide-eyed kid to this dark, angry person whose bangs fell over those wide, bright eyes…just full of rage. That idea was super interesting to me…it just hit on something in character development that I felt like I’d never exactly seen before? He was so young and it was such an interesting idea to me to make a child the villain and to give that child a strong reason to be angry? It felt like it was taking this child very seriously, which I appreciate. It felt very real and very dark.

The thing that threw me through a loop but also evolved my fascination with the character was Jeremy Jordan’s casting. I listened to a lot of the auditions they had for various actors and I had seen a ton of Shane’s concept art of the character…a lot of them were VERY different than what we have now. One version Ricky Roxburgh (writer) contributed to had Varian cast as an adult in the story. But when I heard Jeremy I felt like I totally understood who Varian really was.

He was a well-intentioned disaster with unchecked emotions. That. Is me! Haha!! I see myself in his imperfections, his emotionality in spite of his creative and often intellectual thinking. He wants to ascend to these levels he may not be ready to ascend to…he feels this need to prove himself and seek validation. I don’t know, I guess I relate to that! And I’m just a sucker for good guys gone bad. The other half of this, of course, is that he’s very charming and cute and super reminds me of my best friend, Anna Lencioni.

Q: Which character do you most like seeing interacting with Varian?

A: It’s a little spoilery for me to reveal that……..but I think you guys are gonna know when it happens! Haha!

I can’t wait to post THOSE boards

That’s actually right out of the episode I think I liked boarding the most, haha.

Q: If there was one prop (furniture, object, the like) from the Tangled series that could be made real and you could keep, what would it be..?

A: I think it’d have to be those little alchemy orbs that Varian throws? They just suddenly clean the whole castle hallway somehow and like…could use me some of that. He also has the one that removes stains from tablecloths, so. I’m sloppy. That’d be a big help. Haha!

Also his staff is pretty cool 😉, I boarded/created that staff…David Lee (prop designer) did its final design…haha

Q: I have a question about a scene in season 1. When Varian got back the first part of the scroll he mentioned that it took him a while to translate it. Has he really been able to read it or has it been a bluff?

A: Varian can indeed translate what’s on the scroll. 😉

Q: Do you have any networking advice for those trying to get into the animation industry?

A: Post your work!! Make it easily accessible, tag it well, just show what you’ve got online! Upload boards, animatics, drawings, etc. Creating an online presence can really help put your name out there. Apply for internships, jobs. I know it’s hard to network because a lot of industry professionals don’t have time to answer specific questions or give portfolio reviews…so it’s sort of important to take some initiative on that and be self-motivated.

For me, I studied the portfolios of Disney feature story artists, CalArts students, etc. and tried to structure the presentation of my work based on that. Also, it helped me get a sense of what pieces of work would best showcase where I was trying to go and what I was trying to do. I’d ask yourself those questions as you develop a portfolio and artistic voice online! 🙂

My first feature job after a trainee program in New York at Blue Sky happened because Doug Sweetland (Pixar animator, feature director, awesome dude) found my work online and liked it. He just reached out based on that!

Shane Prigmore actually reached out to me for Tangled similarly.

Q: Besides Varian, do you have a favorite character that you’ve boarded?

A: I always love Eugene. He’s the second character I think I’m most like. His acting was really fun to play with and I felt like I could push his expressions a lot because he’s so funny. I loved boarding Lance too (I boarded a lot of Lance in S3!!) but MAN was he hard to draw, haha! His face shape is just really hard to draw at certain angles.

Q: With Varian cosplay that is going on, what Disney character would you like to see Varian dress up as next?

A: Jack Skellington! Halloween is afoot. Jack is another well-intentioned disaster. Guess I have a type!

Q: What’s Varian’s opinion on raccoons, are they his favourite animal?

A: I imagine it’s because Ruddiger is always finding interesting things in the trash and giving them to Varian to use in his experiments. Also, they’re fat and cute.

Q: There’s a bit of an argument going on over how many freckles Varian has. Can you confirm how many he has?

A: Ha!!! Yes…one second… 14!!

Q: How big do you think Corona is? Like Vatican City small or Arendelle big?

A: You know, with the wall and all, it actually feels a little on the smaller side to me? I’m sure there’s a little bit of discrepancy between the movie’s version of Corona and our version…but based on where we went within Corona on the show, I’d say it feels on the smaller side.

Q: Are there any non-spoiler Varian scenes or moments that didn’t make the cut that you can share?

A: MAN. Yes. There is one scene that changed after I rolled off the episode and I’m very sad about it. I’ll post it after the episode airs! There was also a line of Varian’s that I boarded to a specific read from Jeremy Jordan and that read was not chosen in editorial later so…I’ll post that one too, haha!

Q: What is your favourite song from the first two seasons so far?

A: All my favorite songs are in season threeeeee…hahahaha!! I think Let Me Make You Proud or the Buddy Song are my favorites. Buddy Song still gets stuck in my head now and then.

Q: What do you think Varian would order at a drive-thru? Specifically at chipotle 😂

A: Chipotle isn’t a drive thru!! Hahaha He’d get the kid’s quesadilla from chipotle. I think Varian is a fries/chips kind of person…something to snack on while he works! He probably also likes milkshakes.

Q: (Continuation from the question above) Chocolate or vanilla?

A: He’d revolutionize by combining them both. FOR SCIENCE!

Q: What is, in your opinion, the most challenging part of varian’s design to draw?

A: His goggles, hahaha. Or just his…hair in general.

Well it’s funny too because when you board these guys, you get used to doing a shorthand for them and then when you go to draw them FOR REAL you realize how complicated that actually is and how wrong your shorthand actually was? Hahahaha

Q: is Varian ticklish at all?

A: I feel like Varian, Eugene, and Lance are all equally ticklish. To the point of absurdity. Cass would fight it as long as she could…but when it finally got to her, she’d laugh uncontrollably. Rapunzel, she’s the TICKLER.

Q: What do you think Varian opinion and belief on magic is now that he’s seen it with his own eyes?

A: I imagine that he certainly believes in it now and no longer underestimates its powers…but I imagine he’s ultimately more comfortable staying in his own lane and working with worldly properties!

Q: If Varian would have been able to meet Demanitus…how would their conversation had looked like?

A: I feel like Varian would have had a TON of questions about his legendary device and whether or not he truly traveled dimensions.

Q: Did Varian have any other friends in old Corona before he met rapunzel?

A: Probably not many…he’s a bit of a hermit. I think Ruddiger is his best friend……. It’s sad but I also think that’s kind of why it hurt so bad when Rapunzel wasn’t able to help him. Also why he was SO excited to have Rapunzel, Cass, and Eugene come visit.

I think the village looked at Varian as a little unstable or worrisome. I’m sure everyone knew he was very nice…but they were likely very unnerved by his inventions.

Q: Do you think Varian ever tried to synthesise gold or the elixir of life like a real alchemist?

A: I’ve wondered that myself!! I think his alchemy has proven to be more about other people…helping others, making people proud. Maybe if someone he cared about was in need.

Q: If you were to meet Varian in real life, what would you say to him?

A: What elixir did you make to get THAT kind of volume? His hair’s so POOFY! Honestly, I’d probably just give him a hug.

Q: How much does Varian know or remember about his mom?

A: I’d say about as much as the photo of her on the wall.

Q: Is there spoiler about his hair streak? Or is it just by design?

A: It’s totally by design. I think it’s safe to assume it’s probably the result of some lab accident!

Q: In what ways is Jeremy Jordan like Varian?

A: I don’t know Jeremy Jordan personally, haha! But I think a lot of these inflections he adds to Varian sort of off the cuff probably come very naturally to him. I know he often wants to do his own pass at the musical arrangement Alan Menken writes…like he’ll want to do something a little different, in his own way, and it will change the song completely!! In an awesome way. That’s a little Varian-esque. In the “Let Me Make You Proud” reprise…Alan Menken had sung that “they are going to pay…they…will…pay” all in a low, downward tone. Jeremy wanted to scream it and make it powerful and angry and loud when he said “PAY” and you could just hear the spite in his voice for the “they will pay.” Genius!

Q: What was the most shocking moment/revelation of the series to you (minus anything season 3)?

A: It’s hard to say because I knew most of what was going to happen long, long ago. I think one of the things that made me go “oh dang!” was something Tom Canfield boarded. It’s that part in Destinies Collide where Lance slices the entire statue down the middle with a sword. What a BAMF!

Q: What were your thoughts on the early concept of Varian having an apple orchard and being a farm kid instead of a young alchemist?

A: He still kinda has those things! Quirin is a farmer as well as the village leader and there are apples on their little farm estate! 🙂 I think that makes Varian very unassuming as a mad little scientist. I’m sure that’s how (Ruddiger and Varian) met! Remember, he used his purple tacky goo stuff to catch raccoons so they wouldn’t eat the crops! And Ruddiger’s favorite snack is apples. 😉

Q: What is his official height and weight?

A: Smol.

Q: How did you guys come up with Varian’s name? And was there any other name suggestions for him before the name ‘Varian’ was chosen?

A: I’m not sure who came up with that name, actually! I’m sure it has something to do with the meaning of the word “variant” which means something that varies, changes in form.

Q: What’s his last name?

A: His last name!! I have NO idea and it bothers me!!! A Disney magazine referred to Varian, Ruddiger, and Quirin as “The Ruddiger Family” and I still haven’t stopped laughing about that.

Q: What sad Disney movie moments would make him cry?

A: Oof. Lion King.

Q: What musicals do think Varian would enjoy?

A: Little Shop of Horrors! I think he’d see himself in Seymour! Or Wicked…you know, that villain arc.

Q: How did Arianna and Fred meet?

A: I actually don’t know off the top of my head!

Q: Would Varian enjoy rollercoasters?

A: I think he’d enjoy how they’re MADE and then scream his head off while riding one, throw up his cotton candy and corndog, and go play carnival games instead. Then get mad that they’re rigged.

Q: So what comes next for you now that the series is almost over? Any big plans?

A: Well the series wrapped for production a while ago! I’ve been on another show for almost a year now! 🙂 I’m working on the new Disney+ show Monsters at Work as a director! It’s an awesome, awesome show…totally next-level…I’m shocked that I’m getting to be apart of something like this. It’s a direct sequel to the movie that serves as an office comedy (a la The Office, Parks and Rec) and has so many characters that fit immediately into the Monsters Inc world. Monsters Inc is my favorite Pixar movie…so I literally come to work and leave work on the same high! It’s an awesome, awesome show with a great crew! 🙂 It’s also just really exciting to be apart of the first original animated property for D+!

Q: How would you compare working as a director to working as a storyboard artist?

A: It’s hard work, just as hard, but in a different way! For me personally, I’m a little easily fatigued by drawing? I get a little creatively frustrated because my thoughts move quicker than my hand. Or because I don’t always feel like I can execute in a drawing what I’m thinking in the way that I want? Part of that is just being an artist…and it’s not ALL the time that I feel that way…but I think I have a certain stamina for drawing that I found challenging to increase.

Directing is just different! It has a lot more to do with managing a team, communication, coordinating, listening, speaking up, problem-solving, being very aware of story as it applies to ALL parts of a production. I don’t draw as often anymore. You have to consider a lot more…more people, more constraints, more difficulties, more opinions, more solutions…it’s just MORE. And you also still have to draw! 🙂 It’s very busy work, but it’s AMAZING and I love it. I feel like I’m contributing to animated storytelling a lot more in this role, actually. I love working with people, I love workshopping, and I love helping! I’m also just spoiled to be working with some great people right now. It’s a blast.

Q: Are any Tangled: The Series crew joining you on that show?

A: Yes!! Tom Caufield and Wendy Sullivan were on it for a minute, but they’ve both moved on to Dreamworks recently! James Suhr (board artist), Isabelle Gedigk (season 3 board artist), Naomi Hicks and Casey Coffey (revisionists), David Lee (props), Ricky Roxburgh (writer), and I are all working together again! It’s awesome.

Q: Does Varian, deep down, blame himself for the amber?

A: I believe he does.

Q: How do you deal with artist’s block?

A: I try to think about the intention behind what I’m doing. Why is the scene I’m working on very important to the story? If it feels unimportant or boring, how can I make it interesting? What can I do on my end to make it more inspiring or fun without going too far off the rails and still serving the scene’s purpose?

If it’s not work-related, I try and start with some fan art or something familiar for me to draw. I have a lot of scribbly Varians in the margins of a lot of my sketch documents. I use him as a warm-up a lot. It helps build my confidence to draw something familiar/ that I think I can draw pretty well.

Q: What’s the hardest scene you’ve ever had to board?

A: Oh God. ANYTHING with action. I’m not an action gal. Lots of stuff in S3. I was board partners with Wendy Sullivan and ended up getting a lot of action to board even though she’s WAY better at it than me!! It was an interesting challenge…but it was very, very challenging. Ben (Co-EP) was a great mentor to me in the scene I did for the mid season. He was very patient with me, despite my shortcomings as an action board artist, haha. I enjoy boarding for comedy much more.

Kait: Anyways, I should probably head off now! Thank you guys so much for all the questions!!!! You’re awesome! I hope you’re all super excited for S3! It’s a great one.

#tangled #tangled the series #rapunzel's tangled adventure #varian #Q&A #Tangled crew #Question & Answers #Kait #ruddiger #Rapunzel #Eugene #Lance #Cassandra

244 notes · View notes

eve-mega-theory · 5 years ago

Text

My theory on Eve’s MVs, from Sister to Raison D’etre

People have asked, and since no one else has yet (and since I’ve always wanted to do it), I’ve went and put together a theory that connects all of Eve’s MVs into a single large narrative about the cycle of depression. Since I go over every song in-depth, and each song is filled with detail and complexity, it’s long. I actually had to skip over a lot of little details making this, because if I did the length would just get out of hand. Also keep in mind that I’m not assuming my theory to be the “one true meaning.” I just took a lot of personal meaning from this series, and its portrayal of depression and how to overcome it has helped me immensely. I want to do these videos, which are clearly labors of love, some justice.

*I’m going to put time stamps for the other songs to make things easier to follow. It's not required, but I recommend that you rewatch the previous songs as you read.

**Each of the early videos have a dominant color to them, which is often used in later MVs to subtly reference them, which I’ve listed next to the title.

Sister (Red):

The first Eve MV released was Demon Dance Tokyo, but I believe the 1st, and arguably most important video in the timeline is Sister. The MC suffers from severe depression throughout the series, and this is where it originated from. His sister died in an accident while he was young, and he was overcome with guilt that he was so distant from her while she was alive. He felt like this happened because he was rotten to the core, with him declaring that even if he went back in time, he still would've made the same mistakes, because that's just the kind of person he is. He ends up repressing those memories to deal with the guilt, and he becomes distant from people. The video's expressed entirely through notebook paper and paper mache because as a child, the MC was fond of drawing and sketching, and used this to cope with these difficult times and express himself.

Chocolate Town (Brown):

This song’s pretty easy to miss, as it’s under the account of the artist “Sou,” who did many collaborations with Eve in the past. It’s sung by Sou, but written by Eve, and it shares too many similarities with his city-scape series to be ignored. It fits perfectly in between “Sister” and “Demon Dance Tokyo.” There’s a large time skip between the two songs, in which the MC goes from grief-stricken child to selfish teenager, and this song fills in that gap, making for a more seamless transition. His appearance here is more similar to that of “Sister” (0:15), as he tries to live the way he used to. The world is no longer a rose-tinted explosion of color, but a uniform chocolate brown, more sickening and suffocating than sweet (0:51). He doesn’t experience new things anymore, he just stays in his comfort zone and drowns himself in the things he knows, as he’s locked in place by a vague apprehension that eats away at him (0:21). He’s suppressed the memory of his sister, but the guilt remains. That guilt leaves him unable to connect with people the way he used to, out of fear of hurting or being hurt. The ‘book of spells’ from Nonsense Literature is referenced, as the MC keeps the deeper parts of his heart locked away (1:30). As he grows distant, his friends do the same (“Mason does seem quite superstitious,” which you could take to mean the MC’s real name is Mason) [0:32]. He tries to just ignore it and go with the flow (0:36), but it’s not enough. The tries to drown himself in desire to ignore the pain he’s feeling (1:10). Deep down he knows it’s wrong, but the guilt he feels keeps him trapped (1:15).

In the second half of the song, it’s revealed that after Ano Ko Secret, the MC successfully worked up the courage to talk to the blue haired girl, and a friendship formed (2:00). As shown in later MVs, the two would play on the playground together, and we see here that even during this difficult time, the MC felt complete when he was with her. Even so, here she’s obscured in chocolate, showing that the MC is unable to see outside his own problems. Because of his selfishness, he’s unable to connect and they grow apart (2:08). Losing her hurts him, as he lost the only real friend he had left, so all that’s left to him is his suffocating city of chocolate (2:30). He tries to just keep enjoying his little comforts and joys (2:45), but it’s not enough as his “heart is destitute” (3:08). His pain and guilt continues to eat away at him from the inside. Being alone isn’t enough for him, and he won’t let himself truly connect with other people. Combine that with his focus on simple pleasures, and it’s no surprise that he turns to being on top of the ‘social heirarchy’ as a teenager in “Demon Dance Tokyo.”

Demon Dance Tokyo (Green):

This song depicts 3 people touring around Tokyo, dressed in the finest clothes and dining on the finest food. In actuality, this city is in the MC's head, and is a metaphorical manifestation of his psyche. That's the style and layout of this series, they all take place in the MC's head, and almost all are in a city that changes from song to song to reflect his mental state. In this case, he sees this touristy, trendy world because he's like a desperate tourist, trying to run away from his problems by flying off somewhere else and drowning in the superficial; food, parties, clothes, women, etc. Since he repressed his guilt over his sister's death, this is how he chases happiness; by running away from that guilt and chasing materialistic fulfillment. Relationships to him are the same way. He just chases after people who look trendy and beautiful to him, and puts on a fake mask to appear cool. That greed is personified by his crocodile form dining on the women and the massive Godzilla towering over the city. He wants to be above everyone. At 2:40 of that song, his undercurrent of loneliness takes over, as it often does, because those kinds of relationships never last. At 2:57, that loneliness overcomes him, making him desperate. He's still selfish and bad at relationships, but he swears to one girl that he'll be her everything on matter what. This leads into the next song....

Nonsense Literature (Black):

This is where things really get bad for the MC. Out of desperate loneliness, he tries to get into a serious relationship with this girl (maybe one of the girls from the last song), but he doesn’t really know how to connect with people anymore, putting thick mental walls between them. Despite regularly meeting with the girl, he doesn't really know her at all,which is why she has a cone on her head throughout the video. As a result, their relationship is no more than "becoming idiots, dancing on air," so it doesn't take long for them to start fighting and disagreeing, at 1:16. Since he refuses to open up to her, he starts to feel trapped and bitter around her, becoming paranoid at 1:29, and eventually believing she's taking advantage of him and lying to him, that she doesn't understand him at all, that he doesn't even understand himself, that he might be going a bit crazy, but they keep hanging out, during 1:42. At 2:00, he can't take it anymore. "I lost my composure when you laughed at me in scorn;" either he was genuinely betrayed by her or he just misunderstood. Either way, that betrayal severely damages him, and depression takes over hard. While you see many tiny dancing demons throughout these MVs, the main face of his depression is the mysterious cloaked One-Eyed Man. He essentially acts as the devil on his shoulder, feeding him all the worst ideas, telling him to protect only himself, morality be damned, and believing that he's doing it for his sake, that he's protecting him. In this case, he uses this moment of weakness after his betrayal to take control of the MC. He rips his guts out, opens up his head, and stuffs it with books. It’s the same as whispering into his ear "you don't need people, they'll only hurt you. You don’t need this world, it will only hurt you. I’m all you need. Use this sharpened blade of words to ensure no one will ever do this to you again." The MC, smiling, gratefully accepts. He cuts ties with that girl, as well as the rest of the world. He's become a monster: safe, but empty.

Dramaturgy (Light Blue):

This one is basically "depression the song." This time the world is like a stage play, with the MC being an actor. After shutting himself out from the world, he's lonelier than ever before, his self esteem skyrocketed down, and his life has come to a screeching halt. He no longer even feels human. Every day is a struggle just to keep on living. By making the whole world into the enemy, he's incapable of revealing any of himself to them, disassociating to the point that he might as well be just an actor wearing a mask. He's trapped even within the safety of his own mind. If you act only how everyone wants you to act all the time, eventually you feel like there are actual physical walls all around you. It's exhausting to keep up, and you start to forget who you are. He’s also developed an inferiority complex, and a fear of other people. He just doesn’t want to be betrayed again. At 2:13, he wants to reach a climax where he breaks out of these walls around him, but he can't do it, because he NEEDS them, they’re there to protect him. The One-Eyed Man makes sure he never forgets this. At 3:28, we get a kaleidoscope zoom-in to the MC's psyche, which stops at a floating white cube. These cubes contain him at his deepest level, his fundamental perception of himself. His hopelessness, and the One-Eyed Man's words have reached to his very core and torn him apart at the deepest level. At 3:48, he's lost himself. He likely becomes a shut-in at this point as well, only doing the most basic necessities and heading straight to his room when he gets the chance.

As You Like It (Yellow):

You might’ve noticed that although yellow’s the most prevalent, this MV has plenty more color to offer. It's probably the most colorful so far even. Not only that, the pacing's way faster, the music more upbeat. Why would this come immediately after the most depressing and hopeless song yet? That's because this song is in the MC's imagination, like a daydream. While he's lost almost all hope, trapped in his own head and unable to move forward, he's still able to cling to hope by escaping reality into this fantasy. In this escapist world, he's cooler, a popular musical artist, singing his heart out to a big crowd. And he's able to conquer his fears, deal with his stresses, and connect with a girl the way he wishes he could. After all, while he doesn’t let himself connect with others out of fear, whether he realizes it or not,he just wants to be loved and understood. So he makes up this ideal fantasy girl with perfect fashion taste (0:03), who can do that for him. In the song, he represses his true self in the form of the Glove-Mask Man so that he can deal with life’s stresses (which hit him one after the other at 0:35, and are symbolized by the rocket taking off at 0:22), and he disassociates, literally splitting into two people. He starts to struggle against him (1:33) so that his honest self can reach her, and he finally pulls it off at the end, her responding with a wholehearted smile (3:26). A perfect conclusion. Thing is, his ideal girl is a reflection of reality as well. The playground at 0:28, where he wishes he could go back to his childhood memories, partly shows that he’s letting his past drag him down, but he also describes talking with this girl in memories of old, because he had a real-life friend when he was young that he would talk with at a similar playground. She is his goal in these dreams, because he never forgot those times they had together, and he has subconsciously idealized her as a result. On a sadder note, this fantasy also confirms that he’s become a shut-in in reality, as we see him lock himself away in his room (1:02). That’s what he wishes he could escape from. Regardless of the truth behind the scenes, this dream of his gives him hope that he’ll get through this difficult time.

Outsider:

Now we leave the escapism and return to the MC’s mind he’s trapped in. All the past colors come into play here, as we see that the only color in his world comes from these past scars and experiences. He can’t see anything else, he’s painted by them. The test tubes everywhere (0:59) show that he's genuinely trying to deal with his pain by organizing and compartmentalizing it, and by grasping onto hope with his fantasy, he's able to get by. But he's not at all perfect at it, with his little demon-monsters knocking over test-tubes and purposely painting each other. The pipes everywhere all lead to his brain, with each of them pumping these experiences and memories into him. It’s like they’re in his blood stream, a part of him. These pipes also nourish past monsters, like the Godzilla monster depicting his narcissism. He’s come to hate these less desirable parts of himself, so at 1:30 he tries to just break the tubes to sever that part of him, but that just breaks the overall flow, flooding his brain with black, bringing him back to square one. You can’t just get angry at yourself and remove all your flaws. It takes immense time and dedication. This accidental overflow causes some of the monsters to transform into even worse forms. At 3:02 he's sitting next to an especially nasty-looking demon, shaded black and red. This demon is a reminder that his refusal to confront his guilt toward his sister is at the heart of all of this. He keeps struggling with himself, hating himself, and he won’t tackle the fundamental problems. But at least he’s fighting. The last lyric "because this tiny bit of courage will ignite the fire in my heart," shows that just by being aware of the struggle, he's trying to change and improve, he's not giving up.

Tokyo Ghetto:

This song takes place after a lot of time has passed. His cityscape is more dilapidated and volatile. Now, instead of the One-Eyed Man, the prime demon in control is the blue robot with the teeth mask. The robot symbolizes anxiety, a primal, damn near uncontrollable feeling which desires to keep him here by any means. He’s always watching, and he’s not afraid to get physical against the MC when push comes to shove. The shady-looking people in the town are extensions of that anxiety, individual worries and fears. This is why the town is more colorful, yet somehow more harsh and uninviting. All this time has allowed the anxiety to get in his head, to drive his imagination wild and fill his heart with more and more worries. He wants to believe these worries are on his side, but they just want the easiest path(1:41), they don’t give a damn about his wishes. The MC makes meager attempts to escape from the hell of his own mind, always being swiftly pulled back into a never-ending cycle (0:40). After a long while of this, he meets a girl who he sees much of himself in, and he reaches out to someone for the first time in a long while, in the hopes of maybe being saved by her (1:02). Problem is, she acts the same way he used to back in Tokyo Dance, and he winds up getting a taste of his own medicine. Every time he tries to get close to her, she just pushes him away. Like him, she’s actually hiding pain from the past too; she just refuses to show it (2:01, “it was sentimental, though it wasn’t like you at all) . At 2:40, we get a full glimpse into her mind. Many pairs of her shoes are bound together all around her, symbolizing that day after day she ties herself down, and the holy statue behind her symbolizes her holier-than-thou attitude. At 2:55, she happily bites into one of those shoes, drawing her own blood. She hasn’t yet learned that her self-destructive lifestyle isn’t the right way to go. At 2:59, we see their two psyches summed up perfectly. The girl, shrouded in darkness, putting up a cool front and slowly losing herself, standing confidently all the while. The MC, aware that he’s in a bad place, but desperately groveling, searching for any kind of escape at all. Without being able to find solace in the girl, shadows grow, the town floods, monsters come out of the sewers, the Blue Robot gathers his power (2:55). The MC’s anxiety is bubbling up as his desperation to find an escape increases. He’s pinned down by the water (symbolizing stress and struggle to change), and with the girl out of his reach, merely electing to watch him crumble, the Blue Robot is free to strike with all his might, revealing his true, monstrous form (3:48). The MC, in his weakened state, is torn to bits, reduced to trash (4:01). He’s back to square one, and the cycle begins again. He remains trapped in the Tokyo Ghetto.

Ambivalent:

After being trapped in that cycle for so long, the MC decides that he needs to do some serious soul searching. He looks deep into his subconscious, deeper than any song that’s come before. He peers all the way into his basic, fundamental outlook on life, to try to get to the heart of the problem. Keep in mind that he’s not trying to commit to any real action; he’s just introspecting, trying to take a look at his core values. This world is split in two sectors: the safe pink room, where his heart and memories lie, and the planet, which symbolizes change and reality, or rather his perception of it. He’s been resting in the pink room, stagnant, for so long that everything is overgrown, and his heart is weak, without motivation. Even resting is exhausting for him, something he’s only able to do thanks to his yellow wheelchair representing his hopes (As You Like It). The MC wants to understand why he can’t venture out onto that planet. Every time he tries, it’s a labyrinth of endless signs all telling him to stop and turn back. The plants themselves attack and hurt him. It’s a volatile world full of unknowns and hostiles. The source of this hostility is the disagreement between him and the cat, who's with him at all times here (1:26). Believe it or not, this cat is the One-Eyed Man’s true form. He doesn’t appear mysterious or “all-seeing” because the MC is self-aware of the One-Eyed Man’s influence, and he’s just thinking in the safety of his room; the One-Eyed Man has no power without perceived danger. He’s a cat because he represents the primal part of us from long before humanity developed complicated cognitive ability and intelligence. He only cares about the MC's safety and desires, and doesn’t give a damn about anything or anyone else. He was always watching, acting as the hidden voice behind every decision. When the MC wanted to run away from the pain of his sister's death (Sister), he helped him. When the MC desired safety from the world above all else (Nonsense Literature), he granted it to him. When he struggled with depression (Dramaturgy), deep down that desire never actually left. When that desire became the core of his being, the cat even created the Blue Robot as a sort of "hired muscle" to keep the MC in check for his own good. Despite the awfulness of the One-Eyed Man's actions, he’s just granting the MC's wishes. He genuinely cares about the MC and wants what’s best for him; that’s why he’s so cute and small. But the MC has been blaming him for all of his problems, without understanding his own responsibility in the matter, leaving them at an impasse (1:26). They both come to understand their disagreement with the words: “when I was a kid, I picture myself as a main protagonist in this world. I started to get embarrassed so I turned my eyes away.” (1:36). He's finally come to accept and understand his share of the blame, rather than just blaming the cat. His hair being green here could also show that he never truly grew past his selfishness after all this time. He begins to recall all the things he’s taken for granted and ignored in his life, and he realizes he wants to protect them (1:48). He doesn’t want to just be selfish, he wants to live for their sakes and be useful to them. Now that they’re talking on even terms, the cat can understand his desire for selflessness and gives him a match. They've agreed to stop letting memories of fear and pain that have long since passed guide their every move, so they burn them away (2:00). Those times won’t disappear, but it doesn’t mean they can’t move beyond them. The cat now realizes he was being overprotective, and that the MC can make his own decisions, so he decides to try and get out of his way (2:15). The MC's world is no longer centered around his own desire; he can see the 'bigger picture' (2:24). But while the cat is taking a more reserved role in his life, he didn't completely disappear (2:55). After all, desire is what gives our lives meaning. The difference is that the two are now a pair bringing out the best in one another, a balanced mix of selflessness and desire. Now that they’re in agreement, a world of possibilities is open to them, and the MC is ready to reach out and grab them, and begin his life again (3:01).

Last Dance:

The MC has now returned to the outer layers of his mind, and he wants to turn his newfound paradigm shift into action. Due to this shift, the city’s layout has gotten more realistic, lively, elegant, and inviting, far closer to the real world. He and his demons are hiding from it all at the center of his mind, a small, comfy room resting above a black center (2:32). This is to show that the MC is aware that the real world wasn't the problem; his own outlook was. His nails are being painted red by a demon to show how long he’s been letting these memories paint him without fighting back (0:22). He doesn’t blame them though, he understands himself and how this all came to be, so he gives one of his demons a hug (0:25). The room is more organized and homey to reflect his understanding. But he sees how small his world has been, and he wants to try and get out. He’s decided what he wants to do, but still easily comes apart when trying to move (0:37). He's put back together, revived by the support of the One-Eyed Man, who's lost his overbearing, omnipresent appearance, and learned to keep his dark side more under control (0:41). It's possible he's even taken on 3 different forms simultaneously, to reflect how both he and the MC now understand his multifaceted nature (0:47, 1:00, and 1:03). So the MC is spiritually strong, but he still unravels in the face of anxiety. At 0:33, he says “with different values, that guy who I hate put on a ridiculous sneer," referring to the Blue Robot, his main enemy. Even though the One-Eyed Man created the Blue Robot, it was never in his control. Anxiety doesn't think for itself; it's a raw, unfiltered emotion that carries out its objective long after its needed. The MC can't beat it alone, even with the One-Eyed Man's help. He realizes he absolutely needs the support of others if he’s going to move forward, and he needs a goal to get him moving in the short-term. He recalls the thing that’s given him hope for all this time, the person who was at the center of all his hopes for tomorrow, and the person he wants to protect most (1:52). It was a girl who spent time with him back when his sister first died. He was in a dark place and full of guilt, and that girl’s kindness gave him hope. But he drifted apart from her due to feeling guilty that he didn’t deserve to be around someone like her, that he would only get in her way. But he always idealized her, and those memories kept him going long after they stopped meeting. The elegant woman dancing is his perception of that memory (1:52). She’s also the girl from As You Like It, but that version of her was only a fantasy he himself didn’t even realize was based on her. She’s here because he only now consciously realized this, and he wants to reach out to her again and start over, without being selfish or afraid. Now fully motivated, he vows to be like “the melancholic patients who chose tomorrow,” and venture out into the world in spite of fear (2:12). He’s taking a leap of faith, venturing on a thin balance beam along with all his demons (3:02-3:32). Obviously they won’t really leave, since they’re a part of his psyche now. He has to understand and accept them, thereby rendering them harmless, or at least manageable. He reaches the girl (3:36), but before this point, he realized something about her. Notice that her hair is painted a light blue, the color of Dramaturgy? This means that throughout the song, upon examining his memories of her more closely, he realizes that she wasn’t as perfect as he was choosing to remember her. In reality, she was suffering too, and the reason they drifted apart so easily was because they both felt undeserving of each other. Deep down a part of him always knew, but when he gets a taste of the blue paint, (2:14) it's the first time he consciously considers the idea. When she tears off her hair and he gently caresses it, he accepts that her pain was real (3:15). He's finally taken the physical journey out of his mind, and he gives her a gentle, honest smile; a far cry from his actions in Demon Dance Tokyo (3:35). At 3:58, the One-Eyed Man gives the MC a book from Nonsense Literature, this time as an honest offering. The One-Eyed Man will help him through this new chapter as a partner, rather than a controlling force.

We’re Still Underground (Orange):

Now it’s time for the grand finale, We’re Still Underground, in which everything finally comes together in the most stunning video so far. This video marks the first time the MC has ever accepted the real physical world in the entire series. After Last Dance, he’s finally venturing outside of his room and moving forward again. As a result, this video is the real world mixed together with his mind. It’s almost like a fantasy world, filled with weird and unknown things. After all, in Last Dance he said “I will not understand everything right now,” but he’s still going to move forward. The camera shows reality, then pans down to the MC’s perception of things. His mind is now jaw-droppingly beautiful and full of color and life. The crows from Tokyo Ghetto are now beautiful pink birds, and big flying ‘monsters’ personify his newfound hope and optimism (0:14). The world is filled with vegetation and vines, similar to the blue planet from Ambivalent. Again, this is all new and uncertain to him, so it’s covered with the same vegetation. At 0:20, we see that much of the city is flooded, calling back to the water from Tokyo Ghetto. He’s moving forward, but much of the world is closed off to him due to that stress and worry. At 0:28, cloth being hung like laundry symbolizes how the MC is more collected and calm than before. We zoom into the house he’s spent so much time in, and it’s dark, overcrowded, and filled with masks symbolizing his mental journey (0:35). As an added bonus, his hair is orange, which is the color we’d often see in Outsider when all the colors were mixed together. He finally ventures out to fulfill a basic task, buying from a gas station, but even that proves to be a little too much. The people around him are shifty looking like in Tokyo Ghetto, and eventually a big octopus busts in and forces him to leave and settle for a vending machine (0:40). Both in the gas station and vending machine, you see the eye from the One-Eyed Man marking various items and signs, symbolizing that he’s using desire for the end goal and new things drive him forward (0:41, 0:43, and 0:46). The lyrics here are him wondering if he’s good enough for the girl he’s going to try and meet again, and deciding that if she’s hurting so much, then he needs to help her through it. Meanwhile, we finally learn who this girl he looks up to actually is. She looks very different from any version the MC had in his mind, dressing quite plain and modest, and having both blue hair and blue eyes, perhaps to symbolize her Dramaturgy-type depression. We learn that that song sums her up pretty well, but her depression still takes a somewhat different form from the MC. She’s not afraid to go out, but the life she’s living is completely dictated by other people. She’s afraid to do anything for herself. This is why she receives texts from the One-Eyed Man, and her world looks so realistic, dark, and rainy. She believes this is the only possible road for her, that THIS is reality. She’s like the opposite of the MC; she’s TOO selfless, and her One-Eyed Man, her desires, have taken on the form of everyone around her, as it believes that’s the safest route for her. She herself is empty. At 0:53, the playground is fenced off; no playtime allowed, your childhood doesn’t matter, your memories don’t matter, those times you played with the MC as kids (As You Like It) don’t matter. At 0:54, she sits in her house, dejected, the zombie poster behind her a good description for her mental state, and there’s a constant hue of water all around her. She always feels like she’s drowning, anxious that something about this isn’t right, that she’s about to lose herself. Meanwhile, MC is biking over to meet her (0:59), but they both end up falling into water (1:06), drowning in anxiety right at the moment before they both meet. Once they meet, they each see an answer in each other, a person to rely on in this difficult stage of their life. The two of them are then seen running toward a sort of junkyard of gold (1:26). Now that they see hope in one another, they are able to catch a glimpse of all the good things in life that they had taken for granted, ignored, treated as trash. Upon seeing it, they decide they want to move forward, and bite into an apple, symbolizing rebirth like Adam and Eve. They’re accepting this new chapter, and all the sin and desire and change that comes with it. For a moment, at 1:40, the girl sees the world the way MC does, with the beautiful monsters and rising bubbles everywhere. She’s inspired by his hope, and realizes she’s “still underground;” something needs to change.

At 1:44, the camera pans underground to show us a web of complex piping and overgrowth. It’s meant to call back to Outsider, and I think to show that while he’s moving on and changing, he still has an undercurrent of guilt with him. At 1:49, we see the girl surrounded by posters of people. They all have one eye; she doesn’t just feel oppressed and subservient to her loved ones, she also feels like she must be obedient to society’s whims as well. The lyrics here are calling back to everything that the MC went through in the past, especially Tokyo Ghetto at 1:55, where he remembers that giving up made him feel at ease, and that he feels helpless because of it. But his hopes and dreams (2:06) kept him believing in tomorrow. We see more shots of the duality between the two of them. At 2:15 we see the girl skateboarding on a bright green skateboard, rather out of place and spontaneous, hinting that she’s playing at embracing her individuality and optimism again. (Also, at 2:20 we see a poster of an apple with the One-Eye on it. This could further imply that rebirth and upheaval are what she truly desires deep down). The line at 2:22 “I’m not saying this as a joke, but everyone mocked me,” could imply that either his selfish, fake self of old would never be listened to by others, or that the demon residents of his mind aren’t going to help him (again calling back to Tokyo Ghetto). At 2:21, both characters’ strong desires for change finally manifest in a Matrix-style “red pill, blue pill” choice. They now have to take a true leap of faith, and accept that their lives are going to change irreversibly from this point on. We don’t see them choose, but the line “It’s goodbye to this town,” speaks for itself. At 2:26, we get a badass shot of the pair as two halves of the same whole, perfectly in agreement on what must be done. They’ll support each other through what happens next. At 2:28 we see a massive protest from the less agreeable parts of his mind, likely people from Tokyo Ghetto and on the far left the glove man from As You Like It. The billboards say “No,” and “Give Up,” and some have the One-Eye on them, perhaps a plea for the One-Eyed Man to return to their side. At 2:31, the MC and girl are seen spraying graffiti in direct rebellion to everyone, perhaps a last burst of courage before making the big choice. At 2:35 we see the MC abandon his bike in a carnival, perhaps a last goodbye to his naive childhood and an acceptance of adulthood. At 2:36 we see the girl with an umbrella in the rain, which is meant to further connect her to As You Like It. At 2:45, the pair has made their choice, and the town begins its massive upheaval. At 2:51, the two are back in the playground they used to play at, swinging way up in a leap of faith, looking toward the skies. At 3:00, “there will be no rerun,” this is the moment. At 3:08, he vows not to avert his eyes anymore, to accept whatever life throws at him without running away. At 3:13, the pair move up toward the future, toward the skies. The line at 3:18 is extremely important, as the MC directly calls back to when the two were young at the playground. He remembers how the guilt they both felt kept them from relying on one another, and while he treasures the friendship they had, he wants to make sure they never grow apart like that again. 3:23 is them coming to fully understand where they went wrong at that playground, and where they went wrong after they drifted apart. The MC’s mind is filled with symbolism; books from Nonsense Literature, birds for his greed and overactive mind, board game pieces for his attempts to distract himself and shun other people, every-day appliances for his focus on basic survival rather than true living, the list goes on. The girl, however, is completely empty, just an empty husk with no will of her own. They vow that while they’ll always be imperfect, they never want to return to this state of being. They cast aside these fake, improper forms they’ve made for themselves. At 3:36, we get to see VCR tape footage, a clear sign that this is in the past, showing sketches the two shared at that playground as kids. This calls directly back to Sister’s paper notebook style. Sketching was how the MC expressed himself as a kid, so it was deeply personal for him, and it looks like for the girl too. The images of a monster boy and a magical girl with horns come across as cries for help and a desire to escape, but neither of them realized the other’s suffering. This was where it all began, at a time where neither of them really understood what was happening to them; they were just kids. The VCR tape then shuts off, we see flashes of the town, and a messy drawing of the MC saying “goodbye.” He’s finally made peace with himself, he accepts the mistakes he made, he’s saying goodbye to that naive child that was behind every decision of his, and moving on. At 3:51, the two are played in reverse, undoing the damage they’ve been causing to themselves. This is a goodbye to their self-destructive tendencies. The line “wait for the 1, 2 signal,” directly calls back to As You Like It, and how once they get the ball rolling, things are going to happen really damn fast, and they need to be ready for it. 4:03 is the epic climax, where the Blue Robot, anxiety, once again appears in a last-ditch effort to stop the two. He’s not in control anymore, and he knows this, so he reveals his true form: a massive, feral, insane, uncontrolled mess of fear that wrecks havoc all across the city, almost like it’s willing to destroy the whole thing if it has to. The two are prepared, and together they run with everything they’ve got. At 4:14, we see masses of planes dropping hellfire on the beast in an attempt to quell it. Perhaps this is the One-Eyed Man, dropping in one last bit of support for the two. Maybe it’s a show that the pair now has more control over their minds, and are finally able to fight back against the entities that used to control them. Whichever it is, it’s enough to save them, and at 4:21 the sun rises, the two safe and sound overlooking the now destroyed city. At 4:23, the cube from Dramaturgy, their core, is perfectly fine, showing that they’ll get through this massive upheaval intact. At 4:25, we see that amidst the destruction, a massive tree has sprouted up, symbolizing rebirth. Perhaps this tree was able to sprout up from the piping underneath, meaning that the two making peace with themselves allowed their pasts to finally stop clogging up their brains. Finally, the video rewinds to before their upheaval, and we see the MC’s room, this time in the real world, no strings attached. We’ve finally been shown the real life setting for the vast majority of the MVs. Not long after, the MC pukes up darkness, which is a little nod to the fact that while the world itself wasn’t technically real, the pain and struggle he was going through certainly was.

This World To You:

This song is like the epilogue of the MC’s journey. He’s overcome his inner cycle which has kept him trapped for all this time, learned to empathize and think things through (2:07), and he’s now able to confront the feelings that were at the core of this struggle all along: his guilt toward his sister. During a beautiful purple sunset, he’s bicycling through the vivid new world open to him, grieving for her and accepting that “her tomorrow’s never coming” (0:48). This acceptance hurts him (0:31), and at first it even feels like he’d rather things just remain the way they are, (0:37) but it’s the only way he can learn from his mistakes and become someone she’d be proud of. He thinks from the newly found perspective he has, and seeing things more objectively, more selflessly, he wonders how similar her life was to his (1:11). He’s seeing his sister not as a vague, hazy image built up in his head made up of his worries, anxieties, and guilt, but as a normal person, with their own worries, feelings, problems, and dreams. By empathizing with his sister, coming to terms with the improper image of her he built up in his head, he’s able to move on, and empathize with other people in a similar way. By doing this, he no longer has reason to be afraid of the world out there, and he can start to reach other people’s hearts, learning from the mistakes he made in the past. Instead of wallowing in remorse over his sister, he can be someone she’d be proud of, and help other people who are hurting in the way he couldn’t with her. This spurs him on, and although the fact that she died so early is a fact he’ll always carry with him (1:52), he’s found a hope for tomorrow he’s needed all his life (2:14). However, he also accepts that death and pain is always a possibility (2:20), and that things won’t always go his way. But instead of fall into despair, he’s able to believe that things will get better, and that he has the power to make them better, reflected in the beautiful vista filled with sea creatures swimming in the sky (2:38). The creature at 2:39 is elegant, beautiful, a sight to behold, vividly painted by all sorts of colors, a callback to Underground. Its face also looks similar to the girl he’s managed to reach, symbolizing that reaching her is one of the cores of his hope. Throughout the video, we see the city to change to reflect the MC’s stream of consciousness. At (0:02), the MC is recovering from the wreckage after the mental battle in Underground, and he’s dealing with the grief of his sister, and as he comes to terms with it, the buildings gradually get cleaner and more structured, eventually colored with lights of his empathy and understanding. At (1:51), he continues to change toward hope and acceptance, and he moves toward an industrial zone, reflecting how the city is moving forward, springing back from this change stronger than ever, rebuilding and even adding new zones and structure. At (2:12), we see the sign “think it through,” as a reminder that the one-eyed man, once a force he saw as evil, is now a friend, working with him to overcome his anxieties and fears. The signs throughout the city spatter negativity like “arrogant” and “pathetic” and “regret,” but are now mixed in with “hope” and “future” and “I would put a flag here.” Then at (2:37), his hope is stronger than ever. Then finally, the MC’s empathy and selflessness is made manifest in a way it never has been before. At (3:01), the MC’s city seamlessly transitions into the perspective of the girl, and at (3:20) it beautifully changes into the girl’s more realistic view of the city. By empathizing with and reaching her, part of her perspective has now become his, as he’s able to learn from her and see things more objectively. He’s come to terms with his guilt, and allowed himself to truly connect with someone. By doing this, the world has opened up to him, and he’s finally able to become a part of society. He has made it.

Baumkuchen End:

At this point the MC has managed to enter society and step into the real world without running away (0:09 and 0:16). Rather than monsters of anxiety and fear, everyone he sees are normal people just like him. However, things aren’t going quite how he thought they would. He’s not afraid anymore (0:46), but he feels surprisingly empty. The world is a little less vivid than Underground, and the MC’s hair has been colored white, blank and aimless. He’s realized that things are more complicated than he expected. He went through so much to overcome his mental hangups, and now that he’s succeeded, life is still going forward. He’s struggled with that mental cycle (symbolized by the orange and blue swirl at 0:57) for so long, that he’s having a hard time seeing past it, and he feels unsure what to do with himself now that the cycle which defined him for so long is gone (0:45, “there’s nothing left to do”). In Tokyo Ghetto, the reason he couldn’t escape from himself was that deep down, he didn’t really want to leave. Part of him wants to go back to that time where things made sense, and he could comfortably wallow in hopelessness and self-pity (0:30). It’s like he hoped that once he reached this point, the credits would roll and everyone would live happily ever after (0:34, “there seems to be no ‘critical hit,’” and 0:37, “I was expecting an answer,” and we see the MC’s many paths disappear in front of him, leaving a blank wall of vague white). Not only that, but the MC is having a harder time with empathy than he expected. He wants to see beyond himself, but his own limitations are getting in the way of that. His ego has swelled somewhat after his victory (0:41), against his better judgment. Whether he likes it or not, he’s not an omniscient being that can just teleport into other people’s perspectives and points of view; he’s a human being, with their own emotions and biases and egos, and he can only see other people through the cage of his own skin. At 0:24, he vents over this struggle, lamenting “it’s all about me,” feeling both “disgusted and separated.” He hates these limitations and how he’s growing apart from the girl he reached out to. He’s afraid of getting trapped in a never-changing rut in which he can’t reach anyone, never changes, and slowly loses himself again (symbolized by the optical illusion triangle surrounded by orange inside the MC. It’s a cycle, always moving further inward, never changing.) However, things are far from hopeless. The MC isn’t the kind to give up anymore. He’s grown, and he’s more self-aware of his predicament. Throughout the video he’s introspecting, thinking to himself (0:48) and refusing to look away from the problem (0:43, 0:29, 0:38, 0:46, all throughout the video). To deal with these newfound problems, rather than get complacent and give up, he’s decided to ‘go back to school’ (0:41 and 0:58) and accept that he still has a lot to learn, that he needs to keep improving. And this time he has plenty of help. All the sides of his mind that were once his enemies: the one-eyed man’s multiple sides, the black blob of terror, the anxiety bot, and the bull-faced man (which is a japanese symbol of young people’s perspective of society); now that he’s managed to reign them in and keep them in check, he understands that they’re a part of him and they’re not going away. So instead of shunning and hating them, he’s decided to teach them how to work together (0:58). And since they’ve always wanted to help him, they eagerly accept. Through this teacher-student relationship, he’s realizing that there’s a lot he can learn from them, and they can actually help him in positive ways, like a paradigm shift. They actually have more sides and depth to them than he realized, and by shunning and fighting them, he was suppressing important parts of himself needed to improve. For example, the MC let desire aimlessly control him for so long (1:10, a strong callback to the brown of Chocolate Town), that for the longest time he ran from and shunned it (1:12). However, that desire is actually needed to motivate oneself to learn and change. That’s why the MC’s other sides are now wearing brown (0:47), because they’re all painted by the MC’s personal desire to improve. Understanding this, at 1:15 the anxiety bot makes a “no” motion, to tell him that he shouldn’t run from it. Speaking of the anxiety bot, his appearance has changed; he looks more inviting and friendly, and isn’t defined by the blue of depression anymore. “Anxiety bot” isn’t really the right name anymore, now he should be called “Motivation bot” instead. Because of the MC’s paradigm shift, the bot isn’t focused on instilling fear anymore. It’s instead focused on giving the MC a desire to improve. Because he needs a little fear to put things into perspective and keep from getting caught in a rut. He needs that reminder that time is limited, and that if he doesn’t do something, he may very well end up lost and alone. They both believe in him and know he’s strong enough to manage, so they use that fear as drive to move forward. Anxiety’s been symbolized by water throughout these MVs, and we need water to survive, so the MC keeps it under control and make sure he only takes it in in small doses (symbolized by the water bottle at 0:44).

Now that all of this is in place, the MC can start to really confront and understand the problem. He decides that the main thing he wants motivating him is the fear that the girl is suffering, with him unable to reach her or help, basically a repeat of what happened all those years ago (1:16). He’s not going to let that happen, and we see him twirling a yellow key (1:23). This is a callback to the fantasy he dreamed up in As You Like It, and how he realizes the fight isn’t over, he still needs to make that dream real. He defiantly declares “I don’t care if it’s a lie” (1:24). He’s going to make it real. At 1:25 his other sides all proudly take the stage. This calls back to Dramaturgy, but now he’s not afraid of the stage, he embraces it confidently. Now, after deciding his next move (1:30), he takes action. His first step is to hear the girl’s perspective for himself, to ensure he doesn’t create a convenient image of her in his head like he did with his sister. At 1:33 he talks to her with the support of his other sides. He opens up to her, sharing his worries and fears (“when he gets annoyed with his daily routine, he wants to break it down”). He talks in the third person because he’s starting to look at himself without being as clouded by emotion. In response, she confides in him. She tells him that she’s still having a hard time, she’s not sure if she can manage through the day-to-day, desperately gripping the rails (1:42). At 1:45 we see a shot of stairs, symbolizing that she’s suffering an uphill battle, unable to see her destination. Not too different from the MC’s situation. The girl is in a hospital gown connected to an IV, calling back to the hospital theme of Last Dance. Whereas before she was an elegant light as he struggled sick in bed, now she’s the one who needs his help. He processes what she said (1:48), and realizes that of course just reaching out to her isn’t enough. She needs to be helped through her predicament. If anyone here’s played Persona, think social links. Just wanting to help isn’t enough. He needs to regularly make time for her, teach himself how to properly talk to her, and gain life experiences. Basically, before he can tell her how to improve her life, he needs to work to improve his OWN life, turn himself into someone she can look up to, instead of just wallowing in his uselessness. This snaps him back to reality, gets him out of his doldrum (1:52 “I was attacked by this helpless dizzy night”), and we even see him reading a self-help book. A little bonus detail, in the background of the train as the MC is fighting to improve himself, we see the girl from Tokyo Ghetto, wallowing in self-pity. Turns out letting herself be consumed by her bad habits didn’t work out so well, and now she’s all alone. It could also be the MC’s old self from Tokyo Ghetto, as a visual reminder of how far he’s come. Back on track, we see the MC visiting a bakery, and ordering a strange ring cake, a Baumkuchen (1:55). This cake appears throughout the MV, and is a visual metaphor for the MC’s current actions, and how his perspective has changed. The cake is visually similar to a tree trunk, and a tree is a symbol of strength. It lives for up to entire centuries, and almost nothing can bring it down. This is possible because of its incredibly sturdy trunk and roots dug deep into the ground. A tree has rings in its trunk as a marking of its age, and the more rings it has, the longer it’s lived. This means that the stronger and wiser a tree is, the more rings it will have. Quoting a Japanese chef who specializes in Baumkuchen, “The appeal of the cake is in its many layers. The layers represent the accumulation of happiness, making it a strong icon of luck.” Sound similar? So by purchasing this cake, he’s moved beyond the As You Like It fantasy in which he does one big thing and the credits roll. Now he understands that the story’s never really over. To keep himself from falling back into his old ways, he has to create a sturdy trunk out of many small rings. This means taking on positive habits and responsibilities that he continues constantly throughout his life; working a job, going to school, scheduling his time, learning to cook, reading books to learn. He seeks to keep getting more rings, making more roots, and never getting too set in his routine. He now understands that the battle is never truly over, and he can always improve more. That’s why he’s willing to jump off the building for the cake at 2:05, because he comes to accept its importance. Once he does that, everything clicks, and he sees the light again. At 2:08, the girl’s IV is juxtaposed against the beauty of the sky. At 2:15, the Motivation Bot acts as a sort of gatekeeper. He hears the MC’s newfound purpose, and allows him to move beyond his little apartment from 0:25. At 2:18, he becomes more self-aware. He sees the enormity of the world, and how much he has to learn, and he realizes that if he keeps assuming he’s done all he can then he won’t be able to keep up. At the same time, it’s beautiful, and full of opportunity. At 2:28, the other selves watch him with pride, and once things have sunk in, they’re there to calm him down and snap him back into reality. Now the MC’s learning from them. They listen intently, (2:33) and once he’s ready to fight to get his life together and reach the girl, the Motivation Bot gives him a big hearty throw to get him started (2:42). At 2:47 we see the chairs the MC had been resting on, painted orange and blue to symbolize his previous cycle of guilt and self-destruction. They’re now empty, as proof that the MC is finally setting himself up to move beyond that cycle. At 2:45 the girl’s anxiety and hopelessness coalesces into a teddy bear, a callback to Ano Ko Secret. This is a final challenge to the MC’s selfishness and childishness, something he must overcome to finally reach others. Since her pain is a reflection of his, he’s essentially fighting himself too, and the bear attacks him with a laser at 2:53, tearing down part of the red tower from Demon Dance Tokyo. If you remember, in that song the tower was a symbol of the MC’s memory of his sister. Now, it’s being damaged because if the MC can’t grow beyond his past mistakes, he won’t learn from the mistakes he made with his sister, and he won’t be doing her life justice. 2:54 calls back to the MC’s fall at the beginning of As You Like It, a symbol of his frustration and hopelessness toward his situation, but now when he hits the ground (2:59), he takes it in stride, grits his teeth, and keeps running. At 3:04, he uses everything to fight to reach the girl; the memory of his sister, the help of his other selves, his positive habits and drive to improve. At 3:14, for the first time, the girl’s eye is colored with orange, meaning the MC’s efforts have truly touched her. At 3:16, the MC successfully reaches the girl, with the help of all his other sides supporting him. He’s made it, and at 3:20 the glove man from As You Like It gives him a round of applause. He’s sitting in the orange-blue chair, he’s nothing more than a dream. The MC has accepted that the battle doesn’t just end, made his dream real, and the glove man is proud of him for that. At the beginning of the video, at 0:19, the explosion from As You Like It rocked the MC and girl’s world, but this time he was ready for it, looked straight ahead, and overcame that trial he feared so much. The MC’s journey will continue, and he’ll be ready for whatever comes.

Raison D'etre:

The MC reached the girl, and that's deeply affected her. The MC realized he could only help her after helping himself. By being a living example of what she wishes to be, she not only knows she isn't alone, she's also starting to understand what she needs to do. This video is the first time we see solely in the girl's mind rather than the MC. Her outlook's changed from the pure blue of sadness to a mix of the black of discontent and the yellow of hope. As she leaves her now messy room, going about her daily routine, she starts to get lost in introspective thought, likely something she hasn't done in a long time. Her falling into the underground of her mind, it looks similar to Ambivalent. That's because we're looking deep in her subconscious mind, seeing her fundamental outlook. It's like the mind of a child; pieces of an amusement park, a mess of toys and blocks. Our previous looks at her were almost barren of imagination; grey, lifeless, mundane. But here it's full of color and life. This shows all her deeper emotions and hopes were buried deep down inside her, and she kept from becoming totally empty by making sadness her purpose, her identity. Atop it all, we see the queen of this place, an alternate version of her with her old all-blue color scheme. An imposing crescent moon presides over the entire city, and the blue girl wears a similar crescent as a mask. A crescent moon is merely the first stage of the moon's cycle. It's perpetually a crescent moon here because the girl never moves forward, she's always waiting for something to change things for her, and this mentality blinds her. We even see that her leg is chained by blue as further proof. We can see by all the toys and such that she's being childish, she's emotionally immature. She's elected not to think and to just assume things will get better, letting her hopes come to her. If you look closely, her robot-arm things look like distorted, stylized power outlets. We see in her irl room that she's constantly plugged in, a little too exposed to technology. Nowadays our perception of the world is all too skewed by our biases via the internet. We believe what we want to believe, and there will always be a group of people online to confirm it. This girl is no different, the internet is keeping her that much more locked down. We see irl that as she walks around, the uniform grey people around her flicker like a computer glitch. She's not seeing people as they really are, the internet is skewing her perception. When we see her in the subconscious world, she's cloaked in black and red. The red is used to symbolize the girl looking to her past. For the male MC, red was almost always negative until Baumkuchen End, as guilt toward his sister was holding him back. But with the girl, the past is actually a source of hope, as she remembers the good times she had with the MC as a small child. She sees who he was, and who he's become through nothing more than his own strength. She also spins her past regret into something positive, as her failure to see outside herself and reach out to him more back then has turned into a vow to do better now. So her past frustrations and memories are coming at odds with her present blue self who expects others to come and fix things for her. At the 1:30 mark, she wakes up after this realization, horrified, having a bit of a quarter-life crisis. She finally sees things for what they really are, and she knows this can't continue. We then see the irl city surrounded by red, in the windows, street lights, cones. She had the opposite problem of the MC. While he looked to the past too much, she didn't do it enough. She needs to remember the past to remember who she is, to be able to make her own decisions. At 1:40 we see a sort of medical blockade, to show that she's put a much needed temporary stop to things so she can think about where her life's going. As she walks along, moving up stairs rather than down, she sees her black and red reflection. It scares her, because it can't be ignored at all anymore, it's pervading her real life as well. Essentially, there's no going back to her old way of life now that she's seen the truth. In her subconscious, the mental bedrock supporting the irl city fails, and her world turns upside down. Turns out her "realistic" view of the city wasn't any less a delusion than the MC's. She fights with her present self, doing markedly better, and forces her out of the subconscious and into the real world. She can't hide anymore. Now that her present self has been brought into reality, she really starts to see the truth of things. At 2:38, she sees her current path for the barren, ruined wasteland it is, and screams out in discontent. At 2:41, she realizes she'd been drowning in stress and fear the entire time, choosing not to notice. At 2:45, she's in the fetal position surrounded by a cocoon of introspection, a symbol of rebirth. At 2:48, she sees her present self in a beautiful field of reeds, as she comes to understand her. Finally, at 2:57, Her present self is flanked on both sides by red cones. She clearly sees who her enemy is, there's no doubt in her mind anymore. The two fight, her present self almost like that of an omnipresent goddess, what with her blue rays and power of flight. Yet the red girl is still able to reach her, breaking her mask of wait in the process. When she sees her face, she's almost dumbstruck, realizing her present self isn't just her enemy, she's a part of her. The two meet in the middle, coming to an understanding, similar to what the MC did in Ambivalent. The red of the past lifts away, reverting back to the yellow of the future, as the two are ready to move forward. The girl then wakes up with a smile. Like the MC, she's not going to wait on a miracle to come and rescue her anymore. From here on out, she's going to make her own choices, and decide for herself who she wants to be.

*If you’ve read this far, then thank you so much. I’ve really enjoyed making this, and these MVs have felt like looking into a mirror. Whenever I wouldn’t understand what a video means, I would just think in terms of my own struggles and experiences and everything would quickly come together. I doubt any of this was even what Eve and his animators intended, but that’s the beauty of art. Regardless of what an artist intends when making something, its messages can sometimes resonate with its viewers in ways even they didn’t expect. These MVs have impacted me so deeply that I had to get this out there, and if it reaches even one person and helps them a little, then posting this will be worth it.

Bonus Song:

Ano Ko Secret (EVERY color):

I was having a lot of trouble deciding where this song could fit, as it’s just so damn colorful and happy. In a tale about depression and guilt, why would the MC have such a fun romantic comedy amidst it all? He already has a daydream in the form of As You Like It, he doesn’t need another one. And then it seemed obvious. This song is at the beginning, before everything got out of control after the MC’s sister died. The MC and blue-haired girl have their true hair colors, because they’re both real (0:43). They’re both quite young, but because the MC is a standard happy-go-lucky kid (with an overactive mind and a touch of narcissism), he FEELS like a grown-up. When he sees the blue-haired girl, he’s infatuated with her at first sight, so she’s pretty and mysterious, also a grown-up (0:52). The MC is constantly experiencing new things, symbolized by the multi-colored bears popping out of the gacha machines en masse (0:11). He has no idea what the future might hold, but he’s eager to see it all. He even has a good friend in the form of the especially large orange bear (1:22). As orange is what we see when all colors are mixed together, this shows that the MC is able to confide in his friend and be totally honest around him. The fact that he’s a bear instead of a person could also symbolize how the MC literally sees himself as the ‘Main Character’ of his life, and others are background characters. Again, a little on the narcissistic side. But he’s so interested in the girl, that she looks different from everyone else. Because of that interest, he’s afraid to talk to her, so he enlists the help of his friend (1:03). Even together, he can’t gather up the courage, so his friend consoles him (1:19). When he finally does manage to talk to her, (albeit only through texts), all she seems to care about is his friend (1:37). He likely had a crush on her too, so with all her interest centered on the friend, asking her on a date is out of the question. He feels left out, betrayed by his best friend (1:54). But, angered, he refuses to give up, and he pushes past his fear to reach out to her anyway (2:05). Despite his best efforts, his anxiety wins out (symbolized by the black bears shooting down the white bears), and he stops just short of reaching her (2:18). However, he sees the girl reject his friend from the sidelines (2:47), and he rushes over, looking past his feelings of betrayal to console him (3:01). He doesn’t meet the girl, but when he saw her reject his friend, for a moment he saw a bit of himself in her, symbolized by them both exploring the same bear shop at 2:41. It’s a feeling he doesn’t fully understand, but he’s not afraid of her anymore, and he later works up the courage to talk to her off-screen, as proven by later songs. Neither of them truly realizes how similar they are to one another, and how their fates will be later intertwined, but their friendship will be a source of hope for them in the coming years.

#eve utaite #eve #vocaloid #theory #raison d'etre

335 notes · View notes

ravenaveira · 5 years ago

Text

Ok, time for my review of Kh3 Re:Mind Dlc

This is gonna be long, so be prepared, and yes there will be many spoilers so if you dont want spoilers of the game then you probably shouldnt read this, but if you dont care then stick around.

I will start off with my unbiased and critical opinion.

From the title menu alone you already know what this game is gonna be about. Kairi is gonna be center focus, or should say specifically Sokai, and Riku will be virtually non existent.

Now I know what your thinking, well duh its all about saving Kairi of course Riku wont have that big a role and she’ll be the main focus, and to that I say no shit sherlock I already knew that. My issue isnt that it was Kairi focused because I already knew that and still pre-ordered the DLC, but my issue is what this title screen represents and my fears were proven correct.

Let me elaborate

Riku is just as much of a friend to Sora as Kairi is, from the beginning of the series its always been Sora, Riku, and Kairi, thats the way its ALWASY been. But from this title screen I could tell Riku’s bond with them wasnt gonna be present at all and I was right.

I’ll elaborate further

I know Im jumping way ahead here but bare with me, at the end of the game after Sora rescues Kairi they travel the worlds together, Sora notices he is fading away which is why he goes to the many different worlds he has visited but now with Kairi, spending his final moments with her before he finally disapears.

See the problem? Sora doesnt involve Riku at all in his final moments being alive, he is just completely absent during his entire remaining life. Sora only spends time with Kairi during his final moments, Riku wasnt shown with them once.

I know some people say well we dont know how long Sora was alive before vanishing and he was probably the one who organized the party, but did we see that though? did we see any signs that Sora was alive for more than a day or two? did we see Sora talking to anyone like he was setting anything up? NO, it was all about Kairi and Riku was completely forgotten.

I can understand if Sora wasnt dying then it wouldnt matter how much time he spends with Kairi alone, but Sora was fading away ANY SECOND and he didnt spend any of his remaining time with Riku at all, even at the beach party who is Sora sitting next to alone with before he finally vanishes? Kairi. That is inexcusable and a huge insult to Riku and his bond with Sora, hes just completely excluded, that is unforgivable.

These new added scenes to the ending actually made it worse than the original version of it, before we didnt even know Sora was around for more than a day and just assumed they all had a beach party afterwards to celebrate getting everyone back and saving the world, but now we know Sora was actually around for an extended period of time and made no effort to spend time with anyone other than Kairi, not even his best friend Riku did he spend time with for his final hours, that is despicable.

Another major issue is how Sora keeps saying his journey started with losing Kairi in this game, as if Riku wasnt ALSO lost that day, as if Riku wasnt the reason Sora kept on his journey even after saving Kairi and sending her back to Destiny Islands, as if he didnt fall to his knees and bawl his eyes out finally reuniting with him, as if he wasnt content with spending the rest of his life trapped in the Realm of Darkness with Riku, as if for the entirety of the base game of kh3 Sora wasnt constantly and only thinking about Riku and how many things he wished he could show him.

Apparently in Remind none of that happened, none of that mattered, it was Kairi that was his main motivation, it was Kairi that started his journey, Riku wasnt involved in it at all.

That is a huge issue with this DLC, it treats Riku like a side character and of little importance to Sora, in the base game they handled them fine minus that on instance in the Keyblade Graveyard where Sora says ‘Alone, Im worthless’ even though Riku’s right there but other than that their relationship and bond was handled very well but in Remind? practically non existent.

Now onto the story aspect, if your not into time travel and have trouble understanding the many variations of it then your gonna have a bad time because it gets VERY confusing to follow, which is why you should never introduce time travel because it becomes way too complicated to keep track of and not only that you also have to worry about things like paradoxes, ripples in time, alternate timelines etc. Its a complete clusterfuck to keep up with and manage so time travel really shouldnt have been introduced in this series.

Chirithy tells Sora that no matter what he cant change the past again, yet there are times where Sora does just that so exactly what cant he change? for example, when Roxas appears he asks Sora to do him a favor which is essentially getting the X back from Xemnas in their names. Sora does several things to make this happen and even Kairi gets a couple swings at Xemnas this time but then the two of them are basically caught and restrained inside shadow balls [pause]

See the prob? this is a huge change to that fight, Kairi never took a single swing at Xemnas, she just stood there and got snatched up, Roxas never asked Sora for help getting the X’s back from Xemnas, and Sora and Kairi never got restrained by Xemnas and knocked out.

Chirithy explicitly said Sora cant change what happened and no matter what he has to accept it for what it is, yet here he is, changing what happened. Maybe you could argue well this is an alternate timeline, even if it is that makes all of this irrelevant and means it never happened because the true ending is the one where it didnt happen, making this semi useful Kairi moment really pointless because at the end of the day its not canon, her being useless is the true outcome, none of this matters.

That is extremely disappointing, so even if you alter the past for the better it doesnt matter because its an alternate timeline and that timeline isnt the real one making this whole redo pointless and time consuming for a short DLC that was an extra 30$ to play.

So the time travel is very confusing and even if you follow it, it ends up being very disappointing when you realize none of it matters.

Moving on to some of the tied loose ends, Im glad they explained why Aqua froze up after saying ‘We stand together’ and I like how we get to see how Young Xehanort came to have the beliefs that lead to what he did and also MOMs subtle influence on him succumbing to darkness.

He told Xehanort that he would outgrow the robe and no longer need it because if he was truly powerful then he’d be the one controling the darkness, this leads to Xehanort later begining to travel without the robe and being corrupted. So we know now that MOM also influenced that as well and is very sketchy, even more now than he was before since this action greatly influenced what Xehanort eventually does and all the pain he caused, all of which would have probably never happened if it wasnt for him.

But thats just my theory and what I got from it.

I liked that we got to see Namine for a brief moment where Sora basically brushes her off and completely forgets about thanking her, this is a plotline Im pretty sure at this point is just never going to get resolved. He just tells her to go to the Final World and walks off, which makes no sense because Sora was surprised to see her in the original playthrough.

Another change was Lingering Will dying to protect Sora, again this never happened because Sora was busy fighting alongside everyone in the maze while Lingering Will and Terranort were fighting away from them. After Lingering Will died for him then Sora is pretty much squeezed to death by Terranorts Stand, or atleast knocked unconscious.

So much about these are just so confusing as to how they are happening when Chirithy said the events couldnt be changed I just stopped questioning it.

But atleast this time its made clear that Namine is the one who sent Lingering Will to help everyone and how she did it, so now people can stop saying Kairi is the reason everyone survived because it wasnt, without Lingering Will they would have all died a second time.

Basically the first half of the DLC is just recap with some minor changes and additions to the cutscenes, you get to play as other characters like Riku [optional] Aqua [not optional] and Roxas [optional] but other than that its basically the same thing all over again for the first 3-4 hours of the DLC, that is ridiculous.

The new content finally starts when Kairi is shattered, funny how the game gets good after Kairi dies xD I’ll stop.

Anyway once Kairi dies is when we finally get explorable Scala, but not without having to endure an insane fight with tons of heartless and nobodies and yes its more complicated than you think. It doesnt matter how many heartless or nobodies you kill, they will keep coming until you kill this one red heartless with way more health than your average heartless has.

After that you can pretty much wander around Scala as you wish and this is the only time where you can buy items or food so make sure to do that if your low on items. If your low on money there are minor enemies there that you can kill to get some so take advantage of this opportunity because your not getting another one.

Your goal in Scala is to basically run around, solve a couple puzzles, and get 5 of Kairi’s heart shards, revealed to having to be 7 later on. Sound fun? besides being able to see more of Scala’s layout, not really. But its a good place to take a breather before getting back into the big battles ahead.

Unfortunately your actually forced to fight the armored organization again but thankfully you dont have to do the ENTIRE final battle over, just that one section which I appreciate but wish we didnt have to do any of it at all.

So after we’re done Scala we get in MY opinion the two best parts of the entire DLC. We get to see what was going on with the rest of the keyblade wielders back home and it was INSANE and extremely well done, everybody had a chance to shine.

When everyone was swept away and Mickey was down and out, it was amazing seeing Mickey push himself back up and slowly with what little strength he had take on all the armor organization BY HIMSELF severely weakened, yet still powerful enough to hold them off and stand his ground. He really showed us WHY he is the King, so THAT I really enjoyed. It was extremely well done and one of the most memorable parts of the DLC.

The next part was even more insane and well done, which is us getting to fight as all the keyblade wielders against the armored organization and even get some cool dialog and team attacks in between, it was just amazingly well done seeing everyone work together and switching between characters was just so epic and enjoyable.

Honestly I could play those two parts over and over again and enjoy it everytime, their just that good and the most memorable in the entire DLC.

Coming back with Kairi and killing Xehanort together with all the keyblade wielders including Kairi this time was satisfying to see but it excludes Xehanorts and Eraquses final words, I mean yea seeing Xehanort have a semi happy ending put off alot of people but at the same time, seeing Xehanort come to the realization that he was wrong about everything and giving the Wayfinder trio closure by seeing their master one last time and hearing his apology to them just held more weight to me.

Im not saying I think Xehanort should be redeemed as easily as he was, but I feel like excluding Eraqus and their final words made the ending feel hollow, just ok we beat the bad guy, happily ever after now. Thats pretty lackluster and unsatisfying In my opinion.

Finally the ending....

Heres where Im gonna be biased and give my personal thoughts. Warning if your a fan of Kairi skip to the very end of the review where I give my overall rating

I hate the ending, for the reasons I listed in the beginning but also many others. I get the main focus was gonna be Kairi since the DLC was about saving her, Im not mad about the obvious, Im mad about the execution.

The Sokai agenda was so forced and apparent its not even funny, they shove it in your face so hard yet when Sora is talking with Chirithy he still refers to Kairi as a friend, really? your shoving this pairing down our throats just to have Sora still friendzone her? Im not mad because I dont want them together anyway but I hate the games being played here, you either want them together or you dont, pick a friggin side Nomura.

And while we’re on the subject, I hate, HATE, how this game is so heavily romance focused when Kingdom Hearts was NEVER about romance to begin with, it was always about friendship and bonds. Not in this DLC though, no now its all about Kairi and being with her forever, traveling the world together, holding hands, all this lovey dovey nonsense nobody invested in the plot could give a rats behind about.

Sure people who are into Kingdom Hearts for the romance of course they dont mind, but Im pretty sure MOST people invested in this series are in it for the story, not some stupid pairing, and I HATE how much they shove it down your throat because it is just so forced and obvious what they were doing.

This was all damage control for Kairi, who has been a useless damsel in distress and dues ex machina in every single game shes been a part of. I repeat, EVERY SINGLE GAME SHES A PART OF.

Kh1 - Kidnapped, unconscious, Sora needs to die to save her.

Kh2 - Kidnapped, held hostage, Sora needs to find and save her.

Kh3 - Kidnapped, unconscious, is killed twice, Sora needs to die to save her.

Do you see what I fricken mean? Every fuckin game its the same danm thing over and over and quite frankly Im sick of it. You might as well say this is a Mario game because Kairi is princess Peach always gettin snatched up and Sora is Mario always going through insanely deadly trials to get her back, and then it happens all over again.

This DLC was damage control for that, instead of immediately getting snatched up by Xemnas she actually gets a few good swipes at him to no avail of course, and then she fights together with Sora against armored Xehanort, all of which is just damage control for her not doing anything in the entire franchise and pandering to her fanbase that are constantly screeching for playable Kairi and for her to do something.

It was also damage control for how non existent their relationship was and what a joke its been since Kh1. They arent fooling anybody because thats exactly what this was, otherwise why you have to try so hard to CONVINCE us how important she was to Sora? why did Riku have to get sidelined so much just to boost Kairi up? why’d Sora completely disregard Riku as a part of his journey? why did Sora not spend ANY time with ANYONE for his final moments alive? its so obvious why. The only way to convince anyone shes actually important and relevant is to play down everyone else or exclude them entirely.

Congratulations, you got your wish, good for you fandom, but at what cost?

The time they spent forcing so much Sokai could have been used to tie up way more loose ends than there were but nope, gotta squeeze in that Sokai, thats what yall really here for right? fuck off.

The two best moments of the game was so short lived its not even funny, this DLC was full of so much padding in the first half, forced romance and pandering for damage control they forgot to actually make this a decent DLC.

Since I recorded my gameplay from start to finish I can actually tell you the amount of old content vs the new

3-4 hours of mostly what we already seen with a few changes, I only died twice

1-2 hours of new content, probably less because I got lost and died alot

That is unacceptable, 30$ for only 10% new content? that is a robbery.

Not only that but the worst part is the Limitcut episode, databattles have always been optional for competative players who like the challenge. Now you are FORCED to fight these INSANELY hard bosses, all 13 in order to get the final bits of the aftermath of the story.

WE PAID FOR THIS, this wasnt free we PAID for it and yet we’re basically told ‘Hey if your a casual player and want the rest of the story? well you gotta fight 13 of these insanely hard databattles that used to be optional but now their madatory for you to get the rest of your moneys worth. Too difficult? cant do it? well too danm bad, get good or go home we got your money already so screw you guess you’ll never know’

That is a fucking robbery and a huge slap in the face to people who are invested in the story, not proving their the best by fighting insanely difficult battles no matter what difficulty your on. It wouldnt be an issue if this was always the case, but these battles were always OPTIONAL for competetive players to do if they WANTED to, but now its mandatory and if you cant do it then oh well middle finger to you.

I couldnt even beat Vanitas, I fought him first and then Luxord and I couldnt beat either of them so I just said fuck it and went on youtube to see what I paid to see for free. 30$ wasted on a game I cant even finish, your out of your fucking mind if you think thats fair and excusable.

Thats why at the end of the day I give it a 5/10, its not good but its not bad either, its just decent. But if you asked me if it is worth the time and money? fuck no, my advice? watch other youtubers play it and keep your 30$

If you want it just to play as some of the characters, experience the new content for yourself, and play the databattles then by all means get it.

But if you think thats not enough for you to spend 30$ for then dont get it.

Overall Re:mind gets a 5/10, useless padding for majority of the first half of things we’ve already seen and cant skip because theres new scenes mixed in, forced romance that nobody but shippers care to see, severely lacking new content, and unfair extremely hard mandatory databattles just to see the final aftermath of the story which is kind of important setup for the next game.

Fuck this DLC, this was my fist time EVER buying a DLC for ANYTHING and thanks to this its probably my last. So thank you Re:Mind, for ReMinding me why I never bought DLCs in the first place.

Ps - Im so glad playable Kairi was optional, thats one of the only things this DLC did right.

#kh3 remind spoilers #kh3 #kingdom hearts 3 #anti-sokai #anti-kairi

17 notes · View notes