#Idk probably already clipped.

[zappedbyzabka]

Okay…

[just-another-obsessed-fangirl]

mainly incoherent thoughts from watching that clip of angela in that true crime show that was going around but one thought that i can structure is. you're telling me that grace chasity is not the first role where angela giarratana played a horny 18 year old girl who convinced her peers to lure a guy out to get revenge on him, the end result being that guy is killed

[mspainttaz]

official rip to my drawing tablet, goodbye my old friend you never really worked in the first place but illl miss u anyway lol

[her-canine-teeth]

bad astrology by flower face

[thedemonscrawler]

"the phenomenon whereby a person is reluctant to abandon a strategy or course of action because they have invested heavily in it, even when it is clear that abandonment would be more beneficial" Or– Eclipse has put too much effort into getting the star to give it up now. Even if it kills him.

Something with SAMS Eclipse, inspired by recent plot stuff (aka buddy that star is bad for your health, we're staging an intervention) because hooboy i cannot resist a self destructive spiral with an inevitable crash at the bottom, especially for our resident disaster

[doedipus]

I wonder if I could justify doing those fliers on commission for other people's stuff

[danidoesathing]

am i the only one who feels like alex(the world ender guy) was kind of a missed oportunity in vide noir? like, he was set up by johnnie to be a badass gang leader just for him to never even appear in the end, we just got a close up to his face scar

i feel like buck's encounter with the psychic would've been way more powerful if it was alex instead. its implied that johnnie and moonbeam had a relationship ig, but its barely even hinted at, and he never even mentions her. but with johnnie and alex, johnnie actually mentions him and speaks highly of his brother, and says alex will help buck if he sees the red cloth that belonged to johnnie

the fact that all that build up led to buck not even TALKING to alex kinda irks me. imagine how much better the payoff would be if alex had received the cloth instead of moonbeam? if we had seen his reaction to johnnie's death? if he would've helped buck like johnnie said he would? if we saw what johnnie implied alex would do to the guys who black brained his brother? idk man i think we were robbed

im new to the fanbase, so im gonna be very embarassed if this is a topic that already came up here LOLL but i still wanted to get it off my chest💀sry if this ask is messy, i suck at writing down my thoughts lmao

No I gotta agree on that. Like I LOVED seeing Moonbeam and getting know her as her and having all this new information about her (her being part of the World Enders is still wild to me and I love it) and it’s a good scene and all, but I’m still confused as to why they built up Alex so much, especially since this is the first time we’re hearing about him, and he never even got the chance to speak. If it were Dale I’d be a bit more understanding as we know him already (tho not by much cause I would have loved to see more of Dale). But it’s Alex, whose not only the leader of the World Enders but also Johnnie’s (and Dale’s) brother. I would’ve have loved to, you know, actually meet the guy. Especially with how much build up he got. And I GET IT Lord Huron’s lore is meant to be weird and vague and hard to pin down but like. Didn’t need to tease me like that come on

The only reason I could think of was maybe they needed to get Buck on his own again? Like having this the beginning of a war between the World Enders and Z’Oieasu shown or having Buck work with them consistently might have thrown off the tone. It is supposed to be Buck’s story and his own descent into madness. The whole album has this isolated vibe to me, like being alone in a city of people Hard to get that when there’s other people around, especially a group as lively as the world enders. Or maybe they just wanted to include Moonbeam back into the story again lol

GOD I would have loved to see Moonbeam’s scene with Buck done with Alex. I can only imagine how that scene would’ve played out and his reaction to Johnnie’s death. Contrasting Buck’s scene with Johnnie with Alex’s own personality, the possible dynamics, the anger and grief that could arise…..ough

[nicoscheer]

When he’s lying there with his dog in his arms 🥹

[sampilled]

😒😒😒😒 i understand all of the bitter samgirls...

[sonknuxadow]

what is it with tga and not allowing sonic fans to have a good time at their show for more than one year in a row. if this pattern continues maybe there will be a big sonic 3 related announcement at the 2023 or 2024 game awards

[unproduciblesmackdown]

i think i've only seen a soma playthrough twice and the first time i didn't absorb it great lol but upon just some light brushing up (incl a short article that was one of the few results that cropped up when i was like "show me the images for 'soma's save feature featured fisting, right' (yeah basically)") it's like, it's always fun when you're just left with a lot of room to Interpret Themes and unsurprisingly at this juncture i'm lasering in on just, like, the matter of [the self vs the other] via this premise that basically people can just make a copy of their Psyche at any point (but needing to find a new & different Soma in which to upload it but like, largely setting that aside when In This Scenario the new bodies don't affect their minds / sense of self at all....except for when they sometimes do? or maybe not. the like glitchy monsters are just kind of WAU automatons, right. and the people are all able to act / communicate themselves as people, though they might be affected by like, existential crises over the goings on) wherein like....the protagonist can Split In Two* at a few points via the psyche copying/uploading, and then the game Follows the copy that will be continuing to advance the plot, and the version of the protagonist we Were following is now An Other even though it's like, that was The Self (at least insofar as that was our first person pov player character) up till just now. and the protagonist can Know like, yeah that's You right over there also. and yet iirc from like, yesterday's light research, in the first instance he at least gets the Option to kill that Other/Self who was, up till just then, the Self to us too, if that makes him feel better abt the existential crisis, or at least discomfort, enough to like, keep moving right along lol (speaking of. just the other day i was like "adagioly onomatopoeiaing the opening banjo strums of rainbow connection from the muppet movie soundtrack does so much for me" and then i learned it was the anniversary of its theatrical release. hell yes. also memorably once when like marinating for hours in a general malaise & failing to find the wherewital to get up i was like "haha oh wait. i'm playing the song 'movin right along' from the muppet movie in my head. okay" up & at em)

anyways the fisting article (which, i was wondering what thoughts it would have on that truly interesting facet of the game. mostly it posited that the uhh sphincteresque penetration of it all would be Typically considered to make cishet men anxious / threatened / vulnerable, and notes the protagonist (hypothetically a cishet man) is indeed trepidatious about it, while also arguing he markedly Doesn't really hesitate in shit that hurts or endangers others in the course of his shit (though ig that can also depend on the player? haven't really rewatched it recently enough to know how much his dialogue adds to [as a character though he's making it clearer he just wants to cut a swath through your shit asap]) and also questions whether the game thinks of (or, from their argument, knows of) the protag as pretty sphincteresque himself. and like yeah probably imo lol like thee ending being what it is, and as far as i know no like Multiple Endings like in amnesia series* stories usually, and thus more room to have a protagonist who talks to characters in the present and i think like, without the ability to choose what he says

anyways that the protagonist can Understand like, hey see that guy over there, that's literally also you rn, and yet he can [Not accept that] in one case such that he'll kill that Self for "his own" Self's comfort really, as the fisting article expressed, to continue believing he is Unique and the One True Self, the only Real [himself]. when, to be sure, the game Could have kept the first person pov on that version of him we'd Been up till then, and had that pov of the one killed. or maybe left behind in another instance, i don't remember all the "transfers"....catherine Explicitly explaining that only the copy/upload format is possible, Not Transfers, making sense what with like. her magic brain scans that can can wholly parse & store your Psyche data, whatever that'd be like, definitely not being meant to, say, Extract the person's Psyche from their living human body upon doing so. while the ending's drama comes from the game Now staying with the version of the protag who'd been our first person pov character prior to that "transfer," who is Again like "why am i still here" despite having the "it's not actually a transfer" explained, b/c This version Just So Happens to be the copy of the copy of the copy like simon(4) or (5) or whatever and ofc can't have been the one(s) already just left behind somewhere back there in the complex or he wouldn't have been able to be at that point in the first place. and then "killing" catherine b/c he's so pissed, i remember it as him hitting whatever device was her effective Soma, but the article i think suggested she just got too stressed in turn and that Output fried the device. while, of course, post credits shows us their "transferred" selves just fine chilling in the ark like whew glad all that's done with

anyways just getting around to the fact of how it's easy to land on catherine as the center of the game....and of course she's the one really Not having crises over [my god, copies of my Self] or others' selves or what all, having even less of a usual Soma than simon but rolling with it, and evidently having already fully absorbed her Self as a distinct version from her original Self, despite having the same links to her that make simon or anyone else who's been copied into whatever other Soma feel like he's continuously been Himself(tm), the one true Real Self he's always been....and like, naturally catherine being the one behind the entire project of [what if we copy/paste people's psyches into a big ol mmorpg server & shoot it into space so that Maybe something can happen with them / in a way they can continue to exist] so she's Been thinking of, you know, being separate from these Selves turned Others who you'll jettison into space beyond even the body of the earth. unless it's supposed to stay in orbit lol i do not remember the details....and ofc like plenty of other people are like wow that's Fucked Up or it's Not Us and like, the latter sure is true with with the [copying, not transferring] element, but also the former is more choose your own adventure (interpretation) when the game isn't about like, and the simulation Is fucked up, or there's any element of distress or dissonance to existing on the ark, though you can't really know that until the post credits scene confirms you're just hanging out for real....which, that article was also going in on the character who's on this quest to kill the WAU as like "the versions of us it makes isn't Real it's Corrupting" and like, arguably the WAU as just kind of, naturally, something capable of growing, and doing so, and the real problem seeming to come in with the [doing whatever for supposed safety but superceding/supplanting/displacing autonomy in doing so] like, people who did not agree to whatever was done re: their Somas or they would've remembered & been like yeah i'm hanging out as a robot now, or a goop guy, gunk [YES], etc. but separate from that obvious issue it's like, my guy, You're a copy made by the WAU now lol, you're your whole person that you are, with the thoughts & feelings to decide you wanna go on a quest to destroy it, and whatever capacity to pursue it....either way i think the game makes it clear enough the WAU is a Neutral force exercising no conscious discernment, it Is a body, or it's some body (once told me) anyways lol, though i guess i did just go "those Monsters that can chase you are just wau manifestations right" so that's getting kind of complex lol, but even that can be taken as, like, it Mimicking human's shapes & bipedality & other external characteristics, i guess, and just the way an overall theme can be [hmm where's that division between the soma and psyche, machine and ghost] the WAU has been expanding and making various forms of itself, and of humans, and that's also an element of the fisting that starts out as a fingering and can end with having to leave part of yourself in WAU's core if you have completed the choice to corrupt & destroy it, that Connection and Interfacing is required, with increasing [get it in there] required as well though there's no given clear in universe reason why (w/my theory here being: just the Themes of the increasing interaction / reducing Boundary)

where was i going with this. idk naturally there's people like "well you don't have to see the wau as evil or at least required to be destroyed" like yeah one can imagine the case for that, wherein again this one guy's hypothetically mad abt like oh it can't be Us it's making, like, brother in christ You are here as You are b/c of what wau did, if you don't think You're legitimate enough, how can you be dead set on pursuing any decision you make. but also the lack of autonomy wherein wau has (probably? again would have to rewatch) killed people to transfer them to a less fragile soma, but a) also maybe it's just acted when people were already dying / killed from other causes, and naturally there's the Everyone There Doomed To Die Fairly Imminently factor and b) that [wau's neutral / purely soma no psyche (or is it. etc)] aspect that is that classic mixup of wau just acting on its programming in a way unintended by its programmers re protecting life and c) i think WAU can sure be interpreted as a parallel counterpart to the ark project, where people agreed to the latter, & get to chill with simulated bodies in a simulated world, versus the WAU being that [body, world, realm of physical existence] which is funky & Not like a cool nice recreation of the usual world & is also at the bottom of the ocean, but it's sure trying to extend the existence of ppl's psyches by shoving them into whatever robots or slapping together parts or propping up their original body or what all, i don't remember that many of the characters encountered

Anyways Back To Catherine For Real. i'd forgotten this element completely, but that when catherine finds out her original self had been killed by crewmates (lol. amongst) for being set on carrying out the plan for the ark, Her Project, (i.e. launching it into space (risking that launch going incorrectly) vs keeping it on site at the bottom of the ocean here (theoretically less risky, according to at least the crewmate who killed her about her insisting on launching it anyways)) and catherine's copy / now alternate self comments on being like, a bit disappointed And surprised b/c like she says "i knew they didn't like me, but," like not thinking that dislike would lead to a semi accidental killing her (where apparently the guy who killed her may have been wearing the like powered diving suit w/the extra Strength to operate in the water pressure, like oh didn't mean to hit her That hard. in a different soma already) and seeing other ppl (not in universe) commenting on how it sure did seem to be culmination of like "the way others treated her" and how catherine always mentioned like, never having really had friends including as a crewmate here, being an Introvert....in fact, now i'm remembering that catherine doesn't even say "i knew they didn't like me, but" but rather something very close to "i know i'm not easy to like, but" like, aaaugh....like, as ever, a character or a Real Life Person sharing any particular info like "i'm [xyz]" Isn't Required for just trying to always not be ableist and to always treat other people as people even if they don't "just be normal" correctly enough, supposedly. rather than [what is "just being normal" is Correct & Good and you do Not need to undergo a continuous lifelong journey of in fact questioning this & navigating & learning how to communicate & interact & relate, you just need to fleetingly muster some superficial unhelpful Bonus efforts sometimes when you encounter the rare "exception" like someone who hands you their License To Autiste and you can let them keep their fidget cube and continue treating everyone you encounter ever organic aba style]....like, naturally in the game there's no twist where catherine turns out to be Evil or even antagonistic. she's like, patient, encouraging, friendly, helpful all throughout. she's also, ofc, simon's only guide (adding to the suspense of that [my god. my only guide was evil, and/or just my antagonist now anyways]) so he doesn't really get to pick someone he'd Like more. but that like, lifelong matter of why catherine doesn't Get to have had friends. that even as this professional associate she's treated differently, and worse, b/c you have to personally like someone & find them charming & je ne sais quoissy to Not be worse to them? it's fine to be shitty until catherine can, say, say "i've noticed you're being kind of shitty. it's probably b/c i'm autistic, officially, which i'm choosing to share with you & am now presenting my license about it, so maybe be cool about it" and then and only then go "oh ok" and Make The Exception rather than shifting your entire shitty Rule (they also would not actually really make the exception. "shoutout" too to the concept that, of course, it's actually Disrespectful to stop hating autistic ppl b/c you should treat them The Same as anyone else, and you're bringing that organic ABA all the time as part of your "just be normal" ethos life, so be sure to keep being an asshole to them & double empathy probleming putting all the depletion, extraction, punishment, losses, harms on them and all the rewards on yourself)

and like, catherine being killed b/c she was this Body who was going to take away the ark (her project / creation, which she was also just insisting on following what'd always been the plan for) wherein like, even if this guy didn't mean to kill her, he sure did after lashing out at her, same as happens w/simon in the end....and catherine also failing to be thee most "normal/default" version of a person as well by being a Woman, and probably not white either, and, of course, a nonwhite woman, also making her that much more vulnerable to being Out Of Line(tm) by just like, existing as a person & trying to do her shit, though misogyny, racism, orientalism or the like isn't explicitly invoked or especially implicitly hinted at that hard either, but it's like, how does this [scifi magical realism set in the not That distant future but material made in the way less distant past, i.e. all intents & purposes modern / current day of: in the 2010s] have Relevance beyond "would that be fucked up or what" type Invention that doesn't map on to our experiences at all....you don't Have to read into catherine twice being killed by a man who's lashing out b/c she's not delivering what he wants, but you sure don't Have to Not and be like "this is definitely No Misogyny world" like they're still being implicitly ableist b/c she's just not deemed Winsomely Likable enough, she's internalized that with that "i'm not easy to like" framing, why assume a premise of [misogyny is over] [racism is over] etc. whilest soma doesn't really proffer any scenario of like "oh if it weren't for our being able to perceive our designated Physical Differences in our human bodies, all that oppression would be over," that's not being explored even in the specific situation of its plot in the first place; people on the ark seem to have the simulation of the same bodies they originally did, ppl Can retain like, how they'd move, their voices, their sense of their bodies: elements of their physicality. and, you know, whether one even supposes there Is any meaningful body/mind division, though in soma it Is this premise like oh yeah we can digitize your psyche perfectly okay, such that your copy would experience no disruption in that Sense Of Selfness, which is what makes everything particularly like, whoah, and [wow this is just like soma] whenever something kind of invokes similar enough What Ifs but probably less engagingly lol....while also soma is flexible and spacious in letting you interpret shit, you Can defer from fisting wau to death, you don't have to be like "it's so true. thee horrors" abt the Copies Of Selves, who really just become Others to whatever now-other versions of that person, i.e. how catherine, who, as the person who wanted to scan copies of ppl's psyches & put them in a just chilling simulation server launched into space for the Chance of being copy/pasted elsewhere eventually and the chance for the participants to Exist in some form Now, and who did so, is never like, shocked or freaked out by the notion / reality of these copies' existence even though she didn't set out figuring any scans' uploads would end up on the ocean floor stations, she's not aghast & distressed in the end when after having uploaded her latest Self data to the ark & launched it, she's also Not on the ark and Still in the eventually / doomed ocean floor station, even if it's a bummer, b/c she has already just accepted That's How It Works....this [her] was not going to experience being Transferred, like she's Been saying, like she again tells simon while he's blowing up abt [why wasn't i transferred]....just clearly being an example of like, not everyone is like horrified and freaked out and like "that's fake &/or wrong" and you don't have to decide she's incorrect for being Like That, i.e. like, yep, this is the situation, i know there's the me who was killed and the me on the ark and the me here, and i know also we're also for intents and purposes separate people

all that is to say, like, yeah the Scifi What If specific [you can copy/paste your consciousness into a different soma] is there, but also you can be looking at it as just this like, pushing to thee limit of the Self(tm) and the Other(tm) insofar as imagining yourself, as the only Internality / Mind / Selfhood you have access to, as The One True Real Self and all Others as mere somas/bodies, whether you take that to as dehumanizing an extreme as you can or you just put some double standards on Others / treat them as lesser/less Real, or oh but just Sometimes, in Some Cases, which is fine and relevant to anything, rather than what's fine and relevant being to always be aware that everyone's Otherness is a matter of perspective, you're the Other to everyone else, everyone is just as The Self as everyone else, You Could Be That Other, that other Is [you] to themself, you are the "that could be you" to them....with soma, it can just be elevated to "that Other WAS you from 0.5 mmsec ago, and continues to be them, b/c they didn't experience any disruption in their existence, though now you're both in different situations of: different locations, different bodies, the awareness there's that Other Self over there now, possibly the difference of killing that self you were just copied from so you can go on feeling like the One Real Self"....but wherein like, that's just like, [What If: you Were able to wholly & accurately Know the self inside an Other? b/c it's you from 5 min ago] of like, scenarios like [what if you time traveled 5 min into the past] except wherein that case there's usually the efforts to Resolve(tm) the timeline of that One True Self one way or another, ultimately. or is there. obviously who's positing that soma is the only material to be About the "whoa lol. me as an other" concept made scifily literal or anything

anyways that like, it creates that situation wherein one Can point & go "literally literally me" but also simultaneously one Can go "that's Not literally me arrrgh" or "that's also Not literally me, matter of factly"....simon's wrangling with the Othering of his One True Self, but he can also Know, should he choose to shift to that perspective, that all the Others who aren't alternate copies of him are all Another True Selves, An Other True Self even, though ofc as per the nature of not having a collective consciousness, he Doesn't Know the accurate whole of their psyches b/c he was not ever [literally them], but he doesn't need to to know they're just as [a whole psyche in there] as his own have been. original catherine with her fellow original crewmates being othered enough by them for the dehumanization of treating her worse, her being isolated, that indeed her being killed doesn't feel separate from all that by her or by anyone else, just an escalated extreme final fatal manifestation of it, b/c nobody ever liked her in the first place and then she became a (psyche Piloting a) body getting in the way of what one guy with amplified strength at that moment wanted from the project she made to let others' psyches keep existing in some way, which was deemed valuable enough by that guy to want to commandeer it and keep it at the bottom of the ocean versus risk a launch, regardless of how you the player think of the idea

and thinking of the way you can like, effectively befriend that boxy underwater little propellered Regular Simple Robot Helper that follows you around at some point, that is, of course it can't talk to you, it's definitely Just(tm) this not-ever-a-version of a human robot for practical tasks (dyspeptical tasks, clerical tasks, hysterical tasks) and like, imagine Its interiority, get invested, try to protect it, humanize it regardless....whereas with actual humans, and their psyches in a microchip, you can kill them for not perfectly delivering whatever you wanted even when that's not what other humans ever exist to do. then simon loses the Company he still could've Gotten From catherine, [guy who killed original catherine] didn't succeed in keeping the ark unlaunched, b/c that's what you go and do....but really just thinking of that Thread that feels so extremely relevant of like, catherine copy being simon's only option sure and working With him on this mission until we stay with the edition of him who realizes it didn't lead to his escape onto the ark, i.e. always being in relation to him in a manner of a direct practical teamup & a [take it or leave it] sole option for that anyways....but that in her original, human-bodied life, she was always "oh only a little bit" dehumanized by everyone such that she is very much aware of the way that's defined & limited her life, never had friends, i know i'm difficult to like; until that dehumanization escalated to the extreme of trying to hit her to stop her from seeing her project through, and just happening to kill her, and the fact that this seems to no one just a coincidental whoopsie of a fate just entirely disconnected from the way others always saw her and treated her as this Other among others, while other [psyche/soma]s of others who are clearly not Your Self get to have friends and not be isolated and feel hard to like forever and end up killed by coworkers

tl;dr like love a text just inviting plenty of interpretations and lenses and perspectives, ofc gonna look at it like whoa it's anarchy in there (political cats sense) where are the borders where you are thee self above thee other....soma providing that thinnest boundary of like, yeah that mf over there? there but for the [being in a different body, in a different place, with 7 seconds of negligibly different life experience] go ye. but also the usual boundary of "that person is in a different body in a different place with a different whole life but you're [that] to them and they're just as much a person and a self and an other as you are" like catherine center of the game to me

(* just remembered i had these asterisks: sure enjoying how the premise of amnesia games effectively creates Alternate Selves b/w the protagonist's present self, with however much missing time, and past selves whose goings on are completely relevant to the in media res situation you're also tackling while obtaining pieces of that past to priovide further context/info, and how this premise manifests for different stories each time; you've even got oswald like physically divided into Two Selves in a:amfp, though iirc it's not like, psychically equivalent, kinda "regular oswald & nefarious destroy the world duplicitous oswald" lmao, classic....uhh and shoutout to penumbra being similar ish in that the protagonist's story isn't want's relevant, he's trying to find out what happened to his dad and more broadly the like underground pocket world he enters for those answers? iirc....but that soma shares that amnemonic premise of [intro] [suddenly like ???] [having to navigate your present mission & figure out the past & your Missing time] but like, thee respective Lores don't overlap really, soma obviously starts present day and takes an even more obvious leap into a future / completely different location, rather than amnesia games being set in the past with missing time of like, idk months? to even just days, uhh supposedly like [forever] in justine but that's like, i dunno sure lol, the peak mysterious / withheld protagonist really, on purpose. while naturally there's also the fact that, technically, this simon we are following at the start of the game did not actually forget anything, and that's a fun distinction despite that it otherwise initially seems like the same [amnesia] premise....and that he did kind of ""forget"" things in that original simon lived however much longer before dying, that his scan then ofc didn't retroactively include. so once again it's like, well, in amnesia ppl have likewise kind of rewound to a Past Self before the missing [crucial context to your in media res misadventure] time, w/daniel (and justine) even doing this On Purpose, though as is the nature of the amnesia series, everyone regains enough of that missing info about their goings on anyways, though you the player are Not in a story of like "wow they did Exactly the same thing again and ended up in the same place anyways" and Do get to kinda choose who they are / indeed end up with some Alternate Self, potentially, despite there being plenty of room wherein like, it's not precisely, granularly laid out Exactly Who They Are at any point anyways. only just now getting extra amnemonic lore that yes daniel got all fucked up on vitae rituals b/c that's just what happens! and people are fairly horny for it! always a possible interpretation that he was high on vitae (okay one proffered pronunciation of "curriculum vitae" (which i was like lord i feel like i've gone "what tf is that" about before but what tf is that. turns out it's what CV stands for as your specifically educational resumé) does say "vitae" would, in that case, rhyme with "nigh." other sources are listing like a million different combinations of a million different ways to pronounce each syllable. also they gotta say it a way in the game but i forget. daniel's VA apparently being some chemistry teacher? just like alchemy. not what the pope said to do, weird science, it's my creation....) anyways! the psyches diverge, the bodies don't, unless they do (oswald....uhh the guy in the bunker. lambert :( ) like catching up with The Self again, encountering extreme examples of Othering and Dehumanizing and [you are just like only a soma to me] with various means and ends of acting thusly to get xyz results

[fideidefenswhore]

Do you think BSR will be an entry point for people to get into Tudor history?

Oh, for sure.

And— for AB, anyways— certainly a better entry point than politics, not my thing...

[fuckin-sick-bih]

i hate the days when i desperately want to write but nothing i like comes out of my attempts at writing :( (side note i do make the "just bex talkin" tag so you guys can block it and ignore my rambling in tags if you want my writing but not my bitching lmao)

[thewispsings]

A female f1 driver who was featured in the barbie movie as the f1 driver. You could write about her scene and working with the Margot and Ryan lol, and how the grid reacts to it. Lanpd could be her bf or not if you don't want.

You don't have to absolutely write if it doesn't strike any inspiration and you obviously can write whatever you want you xoxo

barbie girl | redbull!reader

pairing: f1 grid x reader

summary: redbull!reader does a cameo in the barbie movie

part of my ‘redbull!reader’ series

liked by alex_albon, landonorris, and 816,027 others!

yourusername: this barbie is a f1 driver! 🎀 barbie is out now in theaters near you <33 (or not near you? idk where you lot live)

view comments below!

user1: yn is just hitting all these side quests because what?

user1: happy for her tho!

user2: is this what it’s like to be so rich that you can literally do whatever you want?

user3: YN CAMEO!!!!

user4: WE CHEERED

user5: omw to see barbie now

landonorris: i know where you live

user6: can someone tell me her part in the movie? my parents won’t let me see it 😓

user7: she’s a f1 driver barbie, and she’s gets into a relationship with f1 driver ken (played by glen powell) throughout the movie you could see like snippets of them going from friends to bf and gf!! you could probably find some clips on youtube or something :)

user6: thank you <33

user7: GLEN POWELL????

user8: THE CAPYBARA GUY???

charles_leclerc: i can be your ken 😊

yourusername: no thank you i already have my glen ken!

charles_leclerc: but he can’t drive a REAL f1 car

yourusername: i can teach him

charles_leclerc: FINE

charles_leclerc: BE LIKE THAT THEN

charles_leclerc: I DONT CARE

charles_leclerc: GOSH

glenpowell: i would like to make it very clear that i have no interest in learning how to drive a f1 car!

charles_leclerc: NO ONE CARES GLEN

user9: i love when yn posts because i just know the comments are going to be filled with the drivers acting like they have no decorum

landonorris: i know where you live

alex_albon: movie night?

maxverstappen1: i already watched it

georgerussell63: we know…we all saw the picture of you decked out in pink at the movie theater

user10: LMAO

user11: it makes so much sense that the first time we see max in pink is when he’s supporting yn

lewishamilton: so excited to see it! 🩷

yourusername: love you 💚

charles_leclerc: I LOVE YOU TOO YN

maxverstappen1: i want love

alex_albon: can’t remember the last time you said that to me…sigh…

georgerussell63: love me next?

oscarpiastri: playing favorites i see 🤨

landonorris: i love you too 🥰

user12: bring back shame

user13: their desperation makes me sick

oscarpiastri: i guess ill watch barbie now

yourusername: why are you pretending like you weren’t the first to ask me for spoilers?

oscarpiastri: no clue what you’re talking about???

yourusername: mhm sure osc sure

user14: osc 🥹

landonorris: i know where you live

yourusername: what is wrong with you?

landonorris: i’m outside your door

user15: it’s official, lando is killing yn so he can win more races

. . .

notes: thank you for requesting!! hope you don’t mind i used this for my redbull!reader au :)

[coddda]

Everyone knows that Light and L matched each other's freak but I think their dynamic in the musical (the Japanese ver specifically) is underrated. Like it's not super different from canon but they just had this extra edge of Violence that we never quite saw from the more methodical and careful mindgames in canon death note and I think it's great. Like, yes, they did declare in canon that they will bring each other to justice, yes L says he wants to send Kira to his execution, but in the lyrics of the musical they both outright say multiple times that they just want to straight up Kill each other. It's direct the whole way through. There's more mutual contempt. This game is about nothing more than simply being the first one to Kill the Other (they actually use the word "殺し合い" (koroshiau) or "to kill each other" to describe their game (translated as "murderous ... game")).

(Sidenote but all those references about wanting to send each other to Hell?? Beautiful)

Yeah this is a battle of justice and ideals, yes that clash is a key part of their final confrontation at the end of the musical, but throughout their duets (or even songs like The Game Begins where they're singing by themselves) there's this near singleminded desire to just fucking End each other. It's fucking Raw and it's great.

Also THIS FUCKING SCENE?? THIS SCENE FROM SECRETS AND LIES. Iconic. Actually Insane. My jaw dropped. Light looks like a crazy bitch it's beautiful.

Um. Also. Obligatory Playing His Game (yknow the gay sex song) lines dump. It basically says everything I just said above in like 9 lines. You see what I mean right.

In canon they're playing a game of mental chess, trying to use everyone around them to finally catch the other as their end goal, but in the musical you really do feel like all they see is each other. They would probably beat each other to death with their fists if it came down to that. Idk they're just so excited and fired up about their little game in the musical and it's so unhinged and fun and special and I love it. It's like the writers for the musical decided to kick their murderous intent up a couple notches and the result is absolutely Beautiful.

I also think that the intensity of their rivalry in the beginning just makes the wind-down of The Way It Ends soo much better. It's such a good contrast to their previous duets where they try to sing over each other (Secrets and Lies & Stalemate) or with each other but basically at the top of their lungs (Playing His Game). It feels like there's both a quiet mutual understanding but also an underlying disappointment that the game is finally over. In canon, L's death Is instead the peak of their game, the moment he gets confirmation that Light is Kira is the exact same moment that he dies. In the jdrama it's almost sudden, how L dies, after the quiet moment has already passed. But in the musical L's death, ironically, Is the one quieter moment in their game. Their peak was the game itself. It was Secrets and Lies and Playing His Game. But the end of the game in the musical is not a victory, it's just (as L says) the end of everything they'd been wanting up until this point.

Uh. Fuck it. Clip from the Kenji Urai version because I just love his delivery here. His tone just goes so well with the silence and the sound of the clock ticking. You see what I mean right.

Their rivalry in the musical may have been more shortlived but like Damn they were really enjoying every second of it. They were truly insane about each other until the very end. (Like despite everything I just said about the ending it was still unhinged as fuck. Light Making L Shoot Him and then Making L Shoot Himself with L's Own Hand?? Holy shit man. What the fuck /pos)

Musical Light and L your game might've been shorter but you'll always be famous <33 Please never inflict what you had on anyone else ever please stay in hell forever thank you

[sstargirln]

❞ ᝰ .ᐟ cowboy!art donaldson x reader

based on this request :

Anonymous asked:

art donaldson cowboy au where he works as a ranch hand for your dad.... and then he fucks u in ur daddy's grand farm mansion when he isn't home. hello im hard! ~ 🌸

TW : use of y/n ( 1 ) , smut MDNI - oral ( f receiving ) , swearing , not proofread

word count : 2264 (THIS IS SO LONG WHAT THE FUCK)

¡! ❞ a/n : uh im bricked anon! also basically dodge mason and panic reference ! and this is kinda shit im sowwy . REPOST BC LAST TIME IT FLOPPED AND IDK WHY .

choose ur own adventure type c.ai bot based on this here 

there was something about your pretty little accent that got art's damn mind spinning. clear, sort of clipped and lilting, the typa accent one could only get from living in the big old city of new york. you were his boss's daughter, which made it all the more sinful when he imagined that accent in... other (less proper) situations he shouldn't've been. unlike the other ranch-hands, he kept a polite distance. he didn't leer or ogle at you as you walked by — his momma taught him better than that — but he sure as hell wanted to as you bent down to pick up something from the front seat of your convertible. tiny little white skirt rising higher and higher and higher and higher and art was hooked. oh how he would love to ruin you, daddy's dear little girl visiting carp for the summer. oh how he would love to grab you by those meaty thighs, defile you 'till you were crying his name. oh how he would love.

he trudges through the mud up to the ranch house, all done for the day and ready to wash up in the worker's quarters in the back. his legs feel like lead after hours of wrangling the cattle and fixing fences in the blistering sun. the thin flannel he wore today clung to his skin, soaked through with sweat. before he even gets to look in mirror, he knows his face is all ruddy-like and burnt, even though his hat supposed to be protecting the damn sunburn that made his cheeks string.

he splashed cold water on his face. he grabbed an old rag to wipe his face, just about ready to head to the showers, when he heard it—that damn voice, right behind him.

he turned, and there you were. standing in the doorway, looking a little out of place in your crisp, white summer dress. your eyes scanned the tiny room like you weren’t sure if you should be there or not, and art figured you probably didn’t have much reason to be back here.

you gave a sheepish smile. "hi… i, uh, think i got a little lost. do you know where the main house is?"

he’d dreamed 'bout this moment before, though maybe not quite like this. you, standing there all pretty, looking gorgeous in your spotless attire, while he was still dripping in sweat and grime. the polite distance he’d vowed to keep suddenly felt a lot tougher to maintain now that you were looking at him, lips slightly parted as you waited for an answer.

he rubbed a hand over the back of his neck, trying to focus on your face. "main house is back that way," he drawled, pointing out the direction you missed. his voice came out rougher than he meant it to. "reckon you took a wrong turn."

you smiled wider, stepping a bit closer. damn near makes him swallow his own tongue. "thanks," you reply, your tone light, conversational. "still trying to figure out my way around."

art nodded, eyes flicking up to meet yours, though his heart was beating faster than it should’ve been. he shifted on his feet, gaze shifting from your eyes down to your lips down to your chest down to your thighs down to — back to your eyes.

"i can walk you back if you want," he offered, tipping his hat back slightly, trying to stay cool about it, but hell, you already had him wrapped around your finger and didn’t even know it.

you gave him a slow nod, tongue flitting out to lick at your lips. "i'd appreciate that, thank you."

as the two of you made your way back to the main house, art tried his best not to tip over sideways at the sheer thought of you being this close to him. he feels like a pathetic little dog, all worked up over you just walking in line with him, brushing your arm against his every once in awhile. he's so focused on keeping his cheeks from flushing that he doesn't hear you the first time.

"hello?"

art blinked, shaking himself out of his daze. "huh? oh, sorry, darlin' —didn’t catch that."

you tilted your head slightly, a playful smile on your lips as you repeated your question. "what's your name? i'm y/n."

"art," he cursed himself for his curt response, but you didn't seem to notice, bright smile still holding as you nodded.

"nice to meet you, art." your gaze held his with a sort of lingering intensity that unfortunately made art's pants tighten even further than before. "so, what do else do you do here in carp when you're not showing lost city people around?"

art shrugs, hands stuffed in his pockets. "dunno. i work, i guess."

you roll your eyes slightly and nudge at him with your elbow. "okay. what about for fun?"

art shifted awkwardly, feeling your elbow nudge him gently, sending a spark down his spine. he cleared his throat, "fun?" he repeated, glancing at you out of the corner of his eye. "ain’t much time for that out here, if I’m bein’ honest. mostly work, and maybe a beer with the boys now and then."

you let out a soft laugh, the sound teasing him in all the right ways. "that’s all? no girls? no beautiful maiden waiting around for you to finish all this hard work?"

art swallowed hard. he glanced down at his boots for a second, trying to collect himself, then back at you. "no, ma’am. no one special like that," he muttered. "guess I ain’t much for courtin’ these days."

your lips curved into a lazy smirk. "hmm. that’s a shame. a guy like you? figured the girls would be lined up." your eyes glint with a darkness that art knew all too well. it was the same hungry look he felt in his own gaze, pupils dilated and eyes half-lidded with desire.

art rubbed the back of his neck, trying not to flush under the heat of your stare. he bit at the inside of his cheek, his self-restraint fraying as he fought the urge to just jump at you right then and there.

as you neared the main house, art's mind shifted to your father. the last thing he wanted was for the boss to catch wind of any unprofessional behavior. with a deep breath, art managed a strained smile, trying to redirect the rising heat in his chest. "well, here we are. better get you inside before your dad starts wonderin' where you’ve been."

you glanced at him with a smirk, seemingly unfazed as you adjusted your skirt. "funny thing, art," you said, your voice low and sultry, "i think daddy's still out of town. he won't be back 'till tomorrow." you took a step closer, hands reaching out to dust off art's collar.

he swallows hard at the feeling of your finger brushing against his neck. "we got the place to ourselves then, huh?" art drawls, voice rough and husky with barely contained desire.

"looks like it." your arms wrapped around his neck, finger curling around a stray blond locked as you watched art's face contort. deciding, deciding, decided. his hands found your hips, and with a light tap to your thigh, you jumped into his arms, kissing him hard.

your lips were warm and soft, and they parted slightly as art slipped his tongue inside, his one hand scrabbling for the front door handle. it clicked open and he stumbled inside, heading straight for the living room. your fingertips brush softly against his back as he sits down on a couch, letting you straddle him at the hips. he's still sweaty, but you seem to like it, burrowing your head in his neck as he nips at yours, breathing in the sharp, musky smell of him.

the both of you pant heavily as you scrambled to take of his shirt, and then him your dress. art presses slobbery kisses down your chest and torso, salivating at the sight of your little blue panties, pressed down against his crotch. little sighs and moans left your lips as he trailed his fingers along with his mouth, to the very top of your underwear, kissing along the seam. before you can object, he's shifted you over and laid down. "hop on, darlin'," he mumbles, referring to his mouth as you pull off your panties. hesitantly, you crawl up his chest. apparently not quick enough for art, he hooks an arm around your waist and places you on his face himself, moaning at the pure scent of you.

he starts by kissing the inside of your right thigh, then suckling the inside of your left. he revels in your scent for a few more seconds before burying his face inside you, lapping you up with long, thick licks against your folds. you squeal when you first feel his (clearly) expert tongue against you, flexing and swirling as he find your sweet spots immediately. it hasn't even been 5 seconds when he stops with a pop! - peeking out from under your thighs with a wild expression on his face. his hat is tipped over under him, the rim sticking out from behind his unruly blond locks. "you're hoverin'. " he was right, you were, too scared to put your full weight on this poor man you had met not half an hour ago. "sit on my face, baby, please," he practically whimpers.

and how could you say no? eyes wide, face slick with your juices, looking so goddamn angelic — you couldn't. and even though you were scared to crush him, craving the feeling of his tongue inside you again, you sit — nice and proper this time.

he starts up again with a kind of feverish intensity you could only expect from a starved man. you moan and whimper on his face, scratching against his scalp as you looked for something to grip onto. art groans in pleasure against your folds when you tug at his hair, his grip that of iron as he holds you down by the hips hard enough to bruise. his other hand is groping at your tits, pinching and swirling at the nipples as he watches you shake on his tongue.

his own dick is being completely ignored, even though it's brick-hard and leaking enough pre-cum you can see it through his pants. the only pleasure he needs is your sweet little whines and needy moans as he laps up your juices like your pussy is the holy grail. before you even know it, he's driven you through orgasm after orgasm, happily sucking away at your cunt as you squirm and scream on top of him. "ohmygod, art. oh my fucking god!" your yells are loud enough that your little boyfriends from new york could probably hear you.

and after he's been there for so long your head's rolling, and your clit is swollen and overstimulated, he's finally done, pulling back to rest his face on your thighs. his cheeks leave your own slick against your legs, nose shiny at the tip but with a big old stupid grin on his face. you're panting, pussy throbbing and puffy as you rake your fingers though his hair, looking down at him with your mouth agape. "holy shit, art."

his grin grows even wider as he watches you, fingers rubbing lazy circles on your hips as you struggle to compose yourself. "am i good?" he asks, already certain of the answer, but eager to boost his ego even more.

you nod, eyes dazed and glossy as you ran your hands over his cheeks. "so good, art. holy fucking hell." you could already hear him boasting to all the other ranch hands in his stupidly attractive little southern accent — i made that city girl cum 5 times on my tongue!

he nods slowly in response, pretty eyes looking up at you all proud. "that's what i like to hear, darlin'."

the next thing he heard made his heart sink all the way from where it was, up in the clouds all dazed, to his stomach. the front door click open, and the booming voice of your father, "baby, i'm home!"

you'd heard it before him, and you jumped off of his chest and pulled your dress back on before poor art even had time to register what was happening. you sat straight up next to him, looking perfect — albeit a little red, as your terrifyingly massive father stomped into the room. his expression changed from exhaustion to pure anger as he took in art, sprawled half-way up on the couch, shirt off and hair a mess. "what the hell do you think you're doing?" he roared from across the room.

"get out of my damn house!" your father bellowed. art scrambled off of the couch, grabbing his hat from under his head. clumsy and hurried as he fumbled with his shirt. you were too stunned to move, thighs still throbbing, as he sprinted out of the back door before your father could make it to him. the barrel of a man slammed the door behind him, making you wince.

as art scurried down the backyard and past the worker's quarters, shirt still off and hat placed haphazardly on his head, the first thoughts in his head was — 'i am so fucking sacked.' the next ones placed a lazy smile on his face. 'goddamn, that was worth it.'

¡! ❞ © niya-writesshit 2024