#was that part of their consideration at all?

[garuda4321]

Don’t worry, I’ve been told I’ll get advanced notice if the world is ending from my buddy in Poland. I’ll make sure to keep you all posted on that. Of course, he also had an interesting thing to tell me, which I will quote because I think a lot of folks need to hear this. However, saving that for a little bit later because I feel like folks could use a bit of a motivational speech (I gave my first one today focused on hope, and boy do we need it).

Here goes.

I want to start by reminding people that it’s ok to feel. Whether that’s anger, sadness, hope, happiness, or whatever else you’re feeling, it is ok to feel them. Emotions should not be suppressed. I work very hard to ensure that I am a part of a community that is not only safe, but somewhere I can call home. I am always willing to invite more people into my home, especially in times of need as feeling safe is something everyone deserves.

I know that when faced with outcomes such as these, it is considerably easier to live with a victory than a loss. This is why this I am speaking about hope, having hope. I understand that not everyone has hope right now. If you do have it, please try to share some of that hope with those that do not have it. If you do not have it, hopefully you can find some in this reblog.

I am fairly certain that everyone has had the experience when something doesn’t go their way. In the realm of Ninja (the obstacle course racing variety), this is rampant. Perhaps we fell on the first obstacle of a course, or perhaps we missed qualifying for finals by mere seconds. When this happens, we have two choices. We can either stay down and let the negativity eat away at us, or we can get back up and keep training and trying until we reach our goal.

Unfortunately, we can only do that during training. On a course, when we fail obstacle one, that’s it, we don’t get a second chance. We don’t have that choice to stay down or get back up as we can’t change the outcome. As depressing as that sounds, it’s true.

You can’t change what happened and you don’t get the choice to “get up and try it again”. But we don’t have to sit and cry, complain, or hide from it either. We don’t have to give up.

Right now, there are lots of us that are down. We have communities that we feel safe and welcome in to support us when we need them. Together, as we refuse to give up, we can do each and every thing to help better our communities. It may not be a large difference, but a difference is a difference, and a difference matters! We can leave a smile, a compliment, or even a positive message behind because if someone is having a rough day, those small actions can make a large difference for them.

I encourage you to try to bridge outside of your comfort zone and meet new people, join new communities and try to spread some positivity in the world. I did so earlier today by giving a very similar speech to this one and again now by posting an abbreviated version of it. Do your best to make a difference with all people, no matter who they are, what they look like, or what they stand for. Because we will overcome whatever is thrown our way together, and by helping those that are struggling to overcome their own obstacles. We will believe and we will have faith. We may not know who or what to believe in, but we all know that we can believe in each other.

To finish us off, that quote from my friend in Poland.

“Remember that life is a long distance race. In a few months, a lot will change. In a few years, whole world will look completely different. Don’t lose your energy and faith in being a good person. World will need good people.”

Choose to be kind, caring, compassionate, and empathetic.

I’m signing off for now, maybe I’ll return with the next one I end up giving.

[theuniverseisscreaming]

Eddie as an Unreliable Narrator

I want to expand a little on something I talked about over on twitter, which is the concept of Eddie as an unreliable narrator and how this has kept him from confronting his sexuality.

Before the inevitable “Eddie said he was heterosexual, he’s a straight man,” in the comments, I’ll just say that we already know gay Eddie has been a consideration from LFJR confirming it was originally going to be Tommy and Eddie together, never mind all the queer coding to date in Eddie’s general storyline. If you choose to take Eddie’s words at face value, that’s fine, you do you! This post will get into why I don’t. 

Eddie tells Father Brian that he doesn’t believe that he deserves to be forgiven, so when he sees him again, he recognizes Eddie’s decision to pick the healthier, less fun beverage for what it is: Eddie depriving himself of one of the small joys there are to be found in life. He confronts him on this, asking why he changed his mind, and Eddie looks genuinely perplexed. “…decided I wanted water?” 

“See, I think that you were punishing yourself. I think that you were denying yourself because you don’t feel worthy right now.” You can tell that Eddie thinks this is a crock of shit and that the priest doesn’t understand him at all - right up until he says Eddie doesn’t feel worthy of joy. 

Eddie tries to deflect by saying he doesn’t have a lot to feel joyful about, and in doing so he is denying the accusation by saying it’s not about what he feels he’s worthy of. There just isn’t a lot of joy in his life to be had right now. The priest challenges this perspective by putting a positive spin on all of the negative things Eddie lists, and in doing so, removes the excuse Eddie is using to avoid confronting that this is about him punishing himself. That he has been punishing himself, and it’s not clear yet how far back this behaviour actually goes. 

Because here’s the thing: Eddie thinks the water is just water. He doesn’t understand the subconscious compulsion behind it, because this is something he has been doing for so long it no longer feels abnormal. At some point, he started depriving himself of enjoying the little things in life as a way of punishing himself whenever he felt like he wasn’t living up to expectations, whenever he thought he was failing someone. The question is, when did it start, and what was the first thing he felt he deserved punishment for? 

When Father Brian identifies the mustache as a disguise he asks Eddie what he thinks he’ll see when he looks in the mirror without it, and Eddie says he thinks he’ll see a failure, a man who doesn’t deserve the joy he’s been depriving himself of. In a way, he is trying to become someone else to avoid confronting the person that he actually is, and the reason he feels he’s failed. 

This isn’t really something new: Shannon dies, and Eddie joins an illegal fight club where physical pain becomes an outlet for the anger and frustration he’s feeling. Chris is afraid of losing another parent, so Eddie deprives himself of the job that gives his life meaning outside of being Christopher’s dad rather than trying to find another solution. None of this is even taking into account the relationships he forces himself into because he feels he needs to find a replacement mother for Chris, and how forcing himself into that box he so clearly does not want for himself is just another way of depriving himself of joy. 

Father Brian tells Eddie that God has already forgiven him for his mistakes, but here’s the thing: Eddie doesn’t give a shit about God’s forgiveness, not really. The forgiveness Eddie is trying to earn isn’t even just Christopher’s - it’s his own, too. And he doesn’t know how to do that, because he doesn’t know how to love himself. The only part of himself he’s ever tried to love - being a father - has been irreparably damaged in his eyes. So how does he come back from that? How does he get back to a point where he feels deserving of being Christopher’s dad again? 

What’s interesting to me is that I do believe Christopher is the one bit of joy Eddie’s allowed himself up until now. His birth is the only time during Eddie’s entire marriage with Shannon that we see him actually happy, and this is one of the first examples of Eddie being an unreliable narrator that we have in the show because he acts like this wasn’t the case. 

Yet he was visibly unhappy for every part of his marriage we were shown, and by his own admission joining the army was just as much about running from it as it was about providing for his own family. He is unable to define what Shannon means to him, and he says he loved being married to her rather than saying he loved her. But in Shannon’s death, Eddie has romanticized her image so much that when Kim asks if she was the love of his life, he says he thinks she was. 

If Chris represents one of the sole joys Eddie has allowed himself in life, then Shannon is the reason he has received it, and the guilt he feels for letting her down - for not loving her the way he should, for not being able to be there for her, for not being able to save her despite that being his job - is so immense he can’t possibly imagine atoning for it. And to understand his guilt, we have to confront the reason he wasn’t able to be the husband he felt she deserved. 

See, we could maybe argue that Eddie didn’t initially try to reconcile with Shannon while she was alive because he felt guilty for pushing her away, except when he has a moment to get back together, he chokes. He can’t answer her when she asks what she means to him, and the fact that she even has to ask tells the audience that she isn’t sure of his feelings, even though they’ve been actively sleeping together again and spending time together as a family. He is only able to make an offer of commitment when she thinks she is pregnant again, a repeat of how they got married in the first place, and I think that’s what ultimately answers her question. She is the mother of his child, not the love of his life, but to Eddie, Chris is the real love and joy of his life, so the two kind of feel like the same thing. 

We have seen in Bobby’s storyline a widow with a tremendous amount of guilt move on and find his happily ever after. Bobby actually plays a role in the death of his wife and children, and he grapples with his guilt and suicidal tendencies because of it, but he is still able to heal as much as one can from such a trauma and fall in love with Athena. 

In contrast, Eddie shows no interest in finding another relationship until he is prompted by others. When he does try to date, he has to fake his way through two separate relationships where he just couldn’t love them the way he thought he should. He tried to - he wanted to. It would have been easier for him, and for Chris, if he could have. 

There’s nothing objectively wrong with either of the women, he seems to enjoy their company and he finds them to be pretty, but it just isn’t enough. On top of that, he admits dating has always felt like a performance, which you can especially see in his relationship with Ana where he just doesn’t seem entirely like himself. He’s the image of the man he thinks she wants him to be, because he doesn’t want another repeat of his relationship with Shannon where he always fell short of what she wanted and needed. He’s the “perfect boyfriend,” except for the part where he doesn’t feel the same about her at all. 

Marisol is a little different. While her development is limited, she’s got a more laid-back personality that is closer to Eddie’s own, and arguably she should be a good fit. Marisol feels a bit like what Eddie’s idealized relationship with Shannon was like, and that’s what makes it so very interesting when Eddie blows it all up by going out with Shannon’s doppelganger. Their relationship is an emotional affair, and Eddie admits it isn’t sex that he wants with her which is interesting because we know he and Marisol are no longer being intimate. The truth is, he doesn’t know what it is he wants from Kim, or frankly Marisol - just like he didn’t know with Shannon. 

Unfortunately, before figuring it out he pays for his sin of lying to everyone - to Chris, to Buck, and to Marisol - by getting caught in the worst possible way and traumatizing Chris in the process. We know this is how he feels from his actual confession to Father Brian, and I think to him it is the worst of all the sins he feels he’s committed because the only way he has been able to make up for everything else up until now is by being the best parent he possibly can. In a way, he has been trying to heal his own childhood trauma by breaking the cycle of toxic parenting, and giving Chris the life he never got to have.

So to Eddie, traumatizing Chris is his greatest failure, and he doesn’t know how to recover from it because he still doesn’t understand why he got involved with Kim in the first place. It’s not just that he missed Shannon, or he would be able to explain that. It goes back to what Eddie says to Kim moments before Chris walks in - that he feels broken, and like he can’t fix it. This feeling is only compounded by the fear that he has ruined his relationship with his son forever. 

The conversation with Father Brian tells us that Eddie is hiding from himself and that he is denying himself of his desires as some kind of penance. The priest recognizes this and he recognizes that Eddie doesn’t want the cop-out of being forgiven on behalf of God. He is someone who needs to feel they have actually earned it, and that’s okay - just as long as he remembers that in order to take care of others, he has to take care of himself, too. More than that, he’s directed to do something fun just for himself, and those Catholic rituals that are still part of him even if he doesn’t believe in them take over and allow him to do just that. 

There’s something really beautiful about the same institution that led to Eddie and Shannon getting married too young being what kick-starts his journey of self discovery. It was never about rediscovering religion - he was never religious to begin with. It was always about going back to that old wound and finally healing from everything that followed. It was about reclaiming the childhood he lost from growing up too fast. But mostly, it was about being told he is allowed to focus on his needs sometimes, too. 

[twisted-broth]

Any of the boys you want do a challenge where (they aren't dating yet) but they are at a fair and they win a bear or a prize and s/o gives them a kiss on the cheek for how many they win and s/o says if they win 10 or more they will give them a kiss on the lips and spend a week together with just them (maybe show like if some did get the kiss and how they would react?) I thought this was cute lol

This has been sitting in my drafts for like a year so I just figured I would post the parts of it that were done.

Leave it to Crowley and Grim to get you into this situation. “Every dorm has to have a booth at the fair, prefect! Maybe you’ll even earn enough money to make some renovations to that shoddy old place!”

Crowley failed to take into consideration how making a carnival attraction costs money to be any good. Any cafe service would need more money and supplies than you could afford, a show would need more than two people, and a game would need prizes.

Grim is not one for bright ideas, but it would seem there was no other solution that wouldn’t cost all your food money for the month. So this is what it came to.

“Knock down all the pins and win a kiss on the cheek from Ramshackle’s prefect! Hit all three targets and he’ll give you a kiss on the lips!!!!”

It was probably in your top five most embarrassing moments of your life as your cat basically prostituted you at the top of his lungs. Surely no one would actually be enticed by a prize like that, right?

Trey

"You always manage to find a way to keep things interesting, don't you? For once I'm glad to be at a school mandated event."

Feels bad. Plays anyway.

No hard feelings, right?

He tells you that you have nothing to worry about, he's really a lousy shot anyway (as if he's not the best spelldrive player on Heartslabyul)

He easily knocks down the first two stacks, but misses the third

Maybe he missed, maybe he found it in his heart to show you mercy

He not-so-subtly implies that he's sure he could find a different way to win the "grand prize"

Despite his big talk, he still has a noticeable blush when you give him a kiss on the cheek

He would also keep an eye on your booth for the rest of the day to make sure not too many people are winning

For your sake, of course

Jade

“It would seem you’ve found yourself in quite the situation there, prefect. Please find it in your heart to forgive me if I take advantage.”

This is the funniest shit Jade has ever seen

How stupid do you honestly have to be to get yourself into this predicament?

Of course he’s playing the game. The scowl on your face when he trades in his tickets to Grim for three baseballs fills him with unbridled delight

His aim is a little wonky and you sigh in relief when his first three balls miss the target

He feigns disappointment before handing over another few tickets to the cat and grabbing the balls again

Of course he was hustling you. He let you think that even for a second you would be safe from this menace. For shame

Each ball is thrown with such force that pins from the first stack fly into the other stacks, easily ensuring that Jade clears the game with ease

He calls it beginners luck. Asshole.

Has the biggest shit eating grin on his face as he leans down to your face to claim his prize

Rook

"Mon amour, what a dastardly situation you've been resigned to! Not to worry sweet dame, I shall save you from the beasts at your heels!"

You knew you were in trouble the minute Rook’s gaze happened to fall on your stall

His eyes narrow and he smirks as he makes his way over to the stall

He's visibly holding back his excitement as he trades his tickets in to Grim

His idea of "saving you" is to hog the game- and the prize- for himself

He hits every stack with effortless accuracy, game after game

The second all three stacks have been knocked down, he prances over to you and leans down for his kiss. You can practically see the flower emojis radiating off his satisfied smile

This will continue until Grim gets fed up with him scaring away customers, or Vil comes to drag him away

You got so used to kissing him that you almost do it again the next time he leans down to talk to you

[weltraum-vaquero]

Swan song

Professor Viktor x TA Reader

[PART 1]｡ ﾟ☾ ﾟ｡⋆[PART 2] ⋆｡ﾟ☁︎｡⋆[PART 3] (coming soon)

⋆｡ﾟ☁︎｡⋆[AO3 link] ⋆｡ ﾟ☾ ﾟ｡

Summary: You’re a bright phD student who won’t shy away from a challenge. Getting the most notorious professor at the University of Piltover to hire you as his assistant is one of them.

Tags: Modern AU, SFW (for now…), DILF professor Viktor, romanticizing and eroticizing borsht, lab shenanigans, reader being filled with equal parts shame and lust

Word count: 7.8k

Notice: This fic is written with a transmasculine reader in mind, but that won’t come into play at all until the final third chapter of this mini-series.

Notes: A little something something while we await season two ;] The draft for this post deleted itself twice now. If the formatting looks wonky (especially in the texting section), NO, it doesn't. Shut up.

He didn’t lie. 

Which is all the more shocking, considering you attend his 8AM lecture on the very same day, and he seems more bright and alight than you’ve ever seen him.

When did he find the time?

Though there isn’t a daunting amount to your thesis just yet, you still want to believe you’ve written something quite substantial over the past months. 

You toss one glance around yourself before you follow him into his office after his lecture, and you find the stack of papers you’d left on his desk last night looking positively devoured, in the most… academic way possible. Scribbles and notes litter the margins, the edges of the papers are already somehow lightly worn. 

He must have read it multiple times.

“Coffee?” He offers.

“Yes, please.”

As he gropes the machine in search of its switch again, he cocks his brow at you. “And what was that for?”

You frown. “What was what for?”

“That… glance, before you followed me into my office.” The switch clicks, the light comes on. “Looking around like you were being followed.”

“Oh,” caught in the embarrassing act, you shrug. “I don’t know. Being cautious, I guess. Students have been looking at me a little funny, lately.”

“Much too late for caution, I’m afraid.” 

Uh oh. 

As he retrieves two paper cups, you’re left wondering what exactly that should mean.

“Why’s that?”

“I thought you were well aware of the fact that rumors would start, um… circulating the moment I made it public that I had hired an assistant.” Coffee trickles into the cups, a soothing little melody. Viktor leans against the wall beside the machine as he watches the cups fill.  “I’ve always been adamant about not needing one. It is natural for people to have questions — and to come up with, eh, answers — when I suddenly do.”

The notion of the answers students might have come up with swirls around in your brain. 

You wish they were right.

You’re glad they’re not.

You look at Viktor.

“Do you mind it?”

The coffee stops pouring. Viktor does that thing again, spreading long fingers apart to grasp both cups. And he’s quiet — for a beat longer than he should be.

“No. There are more important things to worry about than… gossip.” He sets the cups on the table, then takes his seat. He hesitates for a brief second, craning his neck before he fixates on you, motionless. Waiting. “Do you?”

“Trying not to.”

The answer makes him… deflate, somehow. It’s barely visible, for just a fraction of a second his chest sinks, before his tone is back to his composed cadence.

“You will get used to it,” he assures. “Now, onto more interesting matters — your work.”

Thank god. You don’t know how much more of the awkward tiptoeing you could have handled.

“Yes.” Your heart leaps into your throat. Acting normal has never been so difficult. “What did you think?”

“Very impressive.” He slides the stack of papers towards you. “I have made some… suggestions here and there, should you wish to take them into consideration. But, I think you struck gold with your hypothesis. Should you need a conversation partner, guidance, anything at all — I would gladly be at your service.”

“Thank you, Viktor. I really appreciate this.”

At the sound of his own name coming from you, something in him shifts. Shifts with an unfamiliar near bashfulness, he stifles a little smile into the rim of his paper cup, the corners of his eyes crinkle, he settles into his seat a little further.

“But you never held up your end of the bargain,” you point out. That snaps him out of it.

“Ah, yes. I did not.” He continues to hide behind his cup, before he finally seems to decide to take a metaphorical leap, as he sets it down and stares down at it. “I fear the unfortunate truth may be that when it comes to research, I either work better with a partner, or that… Cecil is right and I need to slow down. Though I’d guess the former is more likely.”

“You used to work with, uh…” you’re not sure how to approach the topic, “Talis, didn’t you?”

“The five basic principles of applied arcanism are commonly referred to as Talis’ princies, you do not have to feign uncertainty to appease me.”

So you drop the attempt to tiptoe around the subject, and ask, plainly:

“Why wasn’t your name added on?”

Viktor scoffs. “Talis-Sidorov-Sviboda has a terrible ring to it. Or so he’d said. And admittedly… I was more of a conduit than the co-author of his idea. He said we would name the next big thing we would discover after me, but… well, you know how it is. I dedicated myself to teaching, he retired to lead a quiet life in his gaudy mansion with his sports cars and his purebred German shepherds after he married some businesswoman.”

Though his story does line up, those aren’t necessarily the rumors you’d heard. There’d been talk of more than just a mild dispute of names, and… well, there had been… something between Talis and Viktor. But that’s about all you know.

Under your gaze, Viktor grows suddenly uncomfortable — both with the subject and the fact that he might be able to tell you know more. He’s quick to redirect the conversation.

“As for my research: I have been studying the laminal hexoin cascade in stabilized hexgems in various matrices. And though bold, I have been attempting to figure out the ideal matrix — something that will allow for close to a hundred percent energy renewal and render all other sources of energy obsolete.”

”That is bold,” you say. Your other thought, you keep to yourself: it also sounds impossible. You suppose stabilizing hexgems 20 years ago was also something thought impossible — and yet, Viktor hadn’t shied away. If anyone is apt for the job, it is him. “Any luck so far?”

“Partially. They have been yielding favorable results, but not enough to be viable energetic alternatives as of now.” He takes his cup again, bringing it to his lips in a rushed movement, drinking a mouthful, rather than a sip. Once Viktor sets it down, his hand remains on the table, fingers tapping on the shiny surface once, twice— “I could use a theorist to assist me with a few things.”

The implication dizzies you. Is he…?

But then he slides another one of his drawers open, and retrieves a stack of papers. Slanted handwriting, barely legible — you’re by now intimately familiar with it: his cursive. It litters the pages, in different inks and in pencil, diagrams, sketches… just looking at it makes you hungry to read it.

He smiles as if he’s read your mind, again.

“I was thinking it could be you.”

—

You’re invited to his office for lunch break the very next day too. And though he assures you there is no pressure in having to read through his notes by then, you disregard it.

It takes you a reread to be able to make sense of all his scribbles, but… it’s brilliant. He’s brilliant. 

It should stop surprising you by now — his ideas, his drive, his curiosity, his mind — but with every single time Vikror impresses you anew, he becomes something more distant.

As you’re marveling at his intricate weaving of concepts, it strikes you, unpleasantly, that this is the same man you’d wanted to devour just days ago. The man who’s made you coffee, the man whose sharp eyes fold at the corners when he smiles. 

You’d have deified him, had he been your teacher. You still do, especially now, after you’ve seen more of what his mind is made of. The mere notion of him becomes terribly out of reach, and you’re plagued with guilt for that night. Guilt for having tainted such a man with your thoughts. 

And yet, you still can’t help but think of his neck, the soft pink of his chapped lips, the hollow of his cheeks. You wonder what his mouth tastes like, and you want to slap yourself on the wrist for it. You should have, because minutes later, you wonder about worse things too. The scent of his skin, the coarseness of his body hair, how far up under his navel it might reach.

And when you finish reading his notes a second time and bring the paper to your nose to sniff it — hoping for a trace of him — you realize you have a problem. A serious one.

It torments you for the rest of the night, through the hours you spend writing up some suggestions and ideas, all the way to when you switch off the light, and hug whatever pillow’s within reach close.

When you get the urge to tilt your hips against it, you decide to get up and splash your face with water.

And you wish you could do the same thing the very next day on your lunch break, when you’re standing in the doorway of his office and he’s eating borscht. The sweet-tangy smell of vegetables, beef and beets makes your stomach growl, but your physical hunger is long lost on your otherwise preoccupied brain.

The beet red of the soup has pigmented his lips. They look kissed raw, puffy, ripe. A lavish speck of colour on his otherwise pale face, it draws your gaze and does not let it stay somewhere more respectful.

You want to taste them.

He does it for you, raspberry pink tip of his tongue darting over the plush of his lips before he swallows and finally greets you.

“Sorry,” you say, and it comes out tense, near horrified. You’ve caught him eating soup, for chrissakes, not being bent over his table. Oh, god. Why did you have to think about that? ”I’ll come back later.”

“No,” Viktor gestures to the empty seat across from him. He screws his thermos shut, and puts it away. “Please, I’ve been waiting for you. Sit.”

And you do, like the dog you feel like you are right now.

“Did you manage to find the time to read my notes?”

Oh, did you.

“I… followed your example and made some suggestions of my own. But on separate pages. Here.”

His reaction is more than what you’d hoped for. It’s more than the impressed raise of thick brows that had kept you fueled last night, it’s more than the smile you’d been hoping for. 

“You are unbelievable,” he grins, and takes what you offer, pushing his glasses up his nose before he starts reading. You selfishly use the distraction to stare at his lips again. He mutters to himself as he reads, pink mouth molding around whispered jargon, nodding. “Yes, this… this is exactly what I’d hoped for, when I’d asked for your assistance. Your fresh set of eyes is invaluable. I hadn’t thought of approaching the modification from that angle.”

“I’m glad you think so.”

He doesn’t take his eyes off the page for even just a moment, flipping it surprisingly fast, and taking it with him as he leans back in his seat. 

And decides to torture you.

Viktor traces the pad of his own thumb over the curve of his bottom lip as he takes in your handwriting. The give of the flesh under his fingertip hypnotizes, the slight drag of rough skin on soft pink one, your mind is long gone.

You think of rough fingertips on his lips, on his chest, rough fingertips on the pasty white of his gaunt lower stomach, rough fingertips in coarse hair. Rough fingertips dipping between his milky thighs, rough fingertips on where he runs just as pink as he does on his lips, rough fingertips dipping, slipping on slick skin—

You need to stop.

And you most certainly need help.

“Is something the matter?”

It feels like you’ve swallowed your own brain whole when he speaks, because your skull rings hollow when you try to come up with a reply that isn’t incoherent babble.

“Wh— me? No. Why?”

And because embarrassment loves to stick around once it has made its presence known, the stars align for the next social disaster: your stomach growls. Loudly.

“Did you not have lunch?” Viktor asks.

“I… didn’t get around to it,” you admit.

“I won’t take up too much of your time, then,” he assures. If he knew just how much of your time he’s started taking up — and the fact that you wish you could give him what is left of it to him, too.  “I would like you to work alongside me on my research. But if you don’t feel like you can squeeze another project into your presumably busy schedule, I understand. I would be glad to have you merely as… a colleague to consult with, as well.”

Is that even a question? He’s offering you the opportunity of a lifetime. You would be an idiot not take it. 

And an even bigger idiot to turn down more time spent with him.

“You don’t even have to ask,” you joke. “Yes. I would be thrilled, Viktor.”

This is his first smile you witness when his pretty boyishness doesn’t shine through. It’s a gentle quirk of his lips, no teeth to be seen, just tenderness. It makes your heart leap to be the cause of it.

“Thank you,” he says.

“Thank you.”

Silence.

Just as you’re about to breach it — he does it first.

“Would you be free for lunch tomorrow as well?”

He watches you from below long, dark lashes as you give a breathless yes.

—

“I brought you something.”

It’s the last thing you expect as you step into his office at noon, upon exchanging hellos.

You’re alight. With curiosity, above all else. And with worry — why would he bring you something? What will you do to reciprocate? 

“Thank you,” you say, though you have no idea what for just yet. “What is it?”

“I saw you eyeing my borscht yesterday.” There’s a glint in his eye that suggests more, so much so you can’t decide between flirting or digging a hole for yourself in the hardwood floor of his office. 

The middle ground is standing in his office awkwardly as he unzips his backpack.

He retrieves two thermos bottles: the one you’re already familiar with, and another that looks older, more worn, and sorely lacks the sticker you’ve so come to love and fixate on and dream about. “I, eh, I made you some. In case you wouldn’t get the chance to eat before you came here.”

Your chest swells so much it hurts. 

He made you soup?

“You… Viktor, this is… thank you. You shouldn’t have.”

“I wanted to. Have a seat.”

You practically jump into the seat across the table from his — a seat you’ve come to associate as yours, in spite of being well aware of the oppisite.

As he screws the bottle open and pours some steaming soup out into a paper bowl — god, he’d brought paper bowls — his eyes flick to you.

“But if you don’t care for borscht, you don’t have to—“

“I do care.”

And that rings true not just for the borscht.

It rings true for the soup he brings you the next day too, it rings true for every word that passes his lips. And it rings true for the time you start to spend in the insane coffee shop queue to surprise him with his preferred order and a slice of cake (a different one each day, until you figure out his favorite: cinnamon coffee), it rings true for the dark blue roughed up thermos he lets you take home the day you don’t finish the soup he brings you because you’re just so busy talking.

It’s November before you know it.

As the days grow colder, it’s not rare to be finding warmth by lavishing in Viktor’s attention as you ramble on about ideas — either for his research, or your thesis. All while he intently follows your thoughts with a smile, stopping just to shave another mouth-half-full’s worth off his cake of the day with his plastic spoon.

And once he savors the last bite, Viktor almost always flips it hollow side down, sliding it down the swell of his tongue within his mouth, removing it from between puckered lips. His cheeks hollow, he holds eye contact all the same, and it’s a mental image that haunts you. A mental image you project in your mind, nestled between the apex of your thighs. The thick of his tongue. The cushiony seal of his lips, the suction of his cheeks. 

It never becomes any less distracting than the first time it happens. 

You startle when Viktor speaks as he sets down the plastic spoon into the now empty packaging. 

“I would like you to accompany me to the lab sometime soon. When would you be free?”

You’ve been before — but just a handful of times. Mainly for him to demonstrate or disprove certain guesses, or test conclusions you’d reached together. 

“I’m free right now,” you suggest.

Viktor shakes his head. “I have a lecture in an hour.”

Right. 

“I mean… I think we could make it in an hour.”

“I prefer to take my time.” Viktor leans back in his seat, stares thoughtfully at the clock on his wall for a moment. “Would seven PM work for you?”

“Uh…” you mentally go through your schedule for the day, “yes. It should. I might be a little late, though. How about… seven fifteen-ish?”

“Good.” The flow of the word is syrupy, yet his next sentence comes out surprisingly peppy with excitement: “See you then.”

—

Though you’re well into the final week of November, it never stops bothering you just how quickly the sun sets. By the time you get to the lab, the air’s gone cold, dry, and the darkness is heavy and thick.

Viktor waits for you just outside the university lab, under the halo of the street light — perhaps just a hint overdressed for the cold, in your opinion. It’s certainly trench coat season, though his is surprisingly long, reaching somewhere along the middle of his shins. The hand he hasn’t tucked in his pocket holds his cane and is clad in a leather glove. Around his lengthy neck, a red knitted scarf lays in chunky, impenetrable layers, reaching almost all the way to the swell of his top lip and his ears. You can hardly see his smile from underneath when he spots you — but his eyes give him away. 

“Right on time,” Viktor’s tone has just as much pep to it as a few hours ago, perhaps even moreso. He rolls his shoulders, before he subtly nuzzles further down into his scarf, shying away from the biting cold. “Let’s get inside.”

He leads the way into the building, its warmth embracing you the moment you step in. The tip of your nose and your fingertips feel like they’re beginning to thaw, tingling just a hint. As you go to take off your coat, you notice Viktor isn’t in a rush. He rests his cane against the wall before he unwraps the thick, wide scarf from around his neck, folding it. He sets it on a nearby table, shucking off his trench coat, slender shoulders under a wool sweater. You watch closely as he then takes his scarf and stuffs it into the sleeve of his coat before he hangs it up. 

There’s something stiff, painful, about how he moves. You wonder if it’s the cold.

“What?” He watches you with appeased amusement.

Caught red-handed, you jump, still halfway clad in your coat.

“Nothing,” you reply, scraping for a way to deflect from your obvious staring. “Not a big fan of the cold?”

“Never.” He says it like it’s a very serious matter. “I still don’t know how I made it through my first eighteen winters in St. Petersburg.”

“You grew up in Russia?”

He laughs through his nose like you’ve told him a half good joke. “What gave it away? The accent? The surname?”

“No, I just thought… Svoboda is a Czech surname.”

With how his smile turns knowing, self-satisfied, you’re suddenly back in his office again, uncertain and nervous and asking for a job as his assistant. He could taunt you with the knowledge that you’ve looked up his last name, embarrass you a little, play with you.

But he isn’t that man anymore — not to you. This time, he feeds your curiosity, albeit just with crumbs.

“My mother’s,” he clarifies. “Sidorov is Russian — my father’s.”

Oh.

“It’s nice that they used both their names. I’m assuming that wasn’t… common, back then, and back there.”

“It wasn’t, and they did not.” Viktor waits for you to hang up your coat, watchful gaze making your every movement feel loaded with static that’s about to snap. “I added hers when I changed my name.”

Changed his name?

The image of the sticker on his thermos turns up fresh in your mind, and you can’t help but wonder…

“Well? I was hoping we could discuss more in the lab, but if you prefer the coat hanger…”

Goddamn it. Focus. You need to focus.

“Sorry.”

You catch up, then slowly follow Viktor down the hallway, into the small lab he has been assigned. It’s one of the less grand ones, but it has all it needs — from a pretty new hexion accelerator to a humble whiteboard. It smells sanitized, sterile, ozonic.

You assume your usual seat by the whiteboard while he sets up. It still doesn’t feel… right to let him do all of that by himself, but he insists upon it, so, you stay out of his way. Viktor tidies up the space just a little, finding his goggles among the mess. He slips them onto his head, elastic pulling back his soft hair into a fluffy grey and brown mess. His cane thumps against the linoleum with every hurried step — though he doesn’t seem to be hurrying on account of you being there as much as excitement to show you.

Once he’s done, he sits in front of the accelerator, slipping his goggles on, and nods for you to come. Which you do — you’d be at his beck and call beyond just the academic context. For a moment, you pluck the inviting tilt of his head and the quirk of his lips out of their context, and you plant it atop your own bed, him in just a loose shirt, underwear, lax with freshly received pleasure. More comfortable than he’s ever been, all because of you. Beckoning for you. Come here. Smiling at you when your knee dips into the mattress, tucking his index under your chin as you crawl to him, reeling you in for a kiss.

“Come closer.”

God help you.

You comply with a wildly beating heart, stepping forward until you’re close behind his sitting form, watching the accelerator over his shoulder. 

He smells nice. Like an indistinct, aromatic cologne, covering up the natural, gentle musk of his skin. You have to resist the urge to dip your head down and trace the tip of your nose along his spine, from where the bones of his neck show to where the scruff at the back of his head goes thicker, fuller. You wonder if he’d shiver as you let the scent of him imbue you… you wonder if he’d lean into it, if he’d tilt his head for you, let you dip your face into the slope of his shoulder, where his scent’s more potent.

The mere thought of him, vivid in your nostrils and clinging to your palate and the floor of your brain, rattles you with a shiver.

“I thought I’d rather show you than tell you,” he explains, wrapping both pale, bony hands around the handles of the accelerator. Steam hisses from the exhaust, flooding the room with more ozone, and gently, but certainly, the gem starts to spin behind the glass panel, beginning to levitate out of its socket, illuminating the room. 

God, you should have put on goggles too, it’s making your eyes hurt. It’s a welcome reminder as to why you chose to spend most your days staring down a blackboard rather than the thing itself. The screen right above it is more of a familiar sight to you: numbers, reading the rotations per minute, as well as energetic output, steadily increasing. 

It whirrs, magic static whirling up around the blue orb, electricity crackles. 

You can see the appeal of this over a blackboard. But you’d still take the chalk. Especially considering the deafening noise. 

Nevermind the damn goggles. You need to remember to bring some ear plugs.

“Watch the panel.” Viktor raises his voice over the hum of the machine, and turns to you, watching you from behind foggy lenses with a smile. You wish you could see the way his crow’s feet deepen. It rumbles harder, so much so Viktor almost has to shout the next thing he says, which is a shame, because his usually playful lilt is lost in the noise of it. “Not to… spoil the outcome of this experiment for you, but I implemented the conclusions we came to last week, and, it is safe to say…”

With a well-timed click and tug on a lever, the machine disengages, and the gem drops back into its socket under the influence of gravity. Its violating light returns to a faint, blue glow, like an artificially lit aquarium; fluctuating and undulating gently in its intensity. The potential energy indicator’s numbers climb back up, steadily, but faster than what you’ve seen before. 

Much faster.

You can’t help but grin with excitement. “It’s regenerating fast.”

Viktor smirks at you over his shoulder like you’re sharing a sacred, intimate inside joke. 

“It is.“

You await the verdict with a bated breath.

“How much?”

Viktor’s smile only grows, like he’s about to give you a present. And, all things considered, this is going to be one, in months’ or maybe even years’ time.

“A thirty-seven percent recovery after usage within an hour.” Viktor spins in the lab stool to face you with the theatrical self-satisfaction of a magician who just sawed his assistant in half and is waiting for the applause. You nearly forget to step back to give him the space for it, so much so your knees knock together. But there is no chance for you to apologize, Viktor is unbothered, sliding the goggles up his forehead enthusiastically, his show of complacency ditched in favor of pure excitement. “That is more than I’ve ever achieved thus far. Thanks to y—” 

His voice sticks in his throat, turning into a pained hiss.

His hair’s tangled in his goggles.

“Oh, wonderful,” he grits out sarcastically. 

A frustrated half-sigh half-groan rumbles in his chest as he pulls again and only makes things worse.

“Could you get me a pair of scissors? I should have some in the third drawer over there.”

“Wait. At least let me try first,” you insist. Reluctantly, you step closer, and after a moment’s hesitation, Viktor lowers his head for better access like a feral animal letting itself be pet for the first time. He sits still, the sound of both your breaths suddenly loud in the tall, quiet room as you’re forced to step even closer. “Could you…”

You nudge his ankles apart with the tip of your shoe.

He listens.

After a stuttering, fragile exhale, Viktor spreads his thighs. 

You take the space offered. And you try not to think about kneeling, about making a home for yourself between his thighs.

“Do you think you can do it?”

You wish he’d asked you that about any number of things, except for the goggles tangled in his feathery, soft hair.

But yes. You think you do.

It would have been a terrible shame to cut it — though some shorter, bluntly cut hairs that sit a little further back near the top of his head tell you his suggestion was not the product of a new idea. Carefully, you pull whatever hairs are looser from between the lens and the bridge of the goggles, though a strand remains stubborn. 

You try to ignore the warmth of his breath on your shirt, the intoxicating, soapy, yet distinctively human smell of his scalp, and the mesmerizing ratio of grey to dark brown, the subtle heat on the sides of your palms and wrists, resting on his head for stability.

As you separate another few hairs from the stuck strand and accidentally tug at them, Viktor has no reaction. Beyond swallowing thickly, and sitting through it dutifully. 

You wonder if he’d act just the same, had you bunched his hair into the spaces between your fingers and tugged — simply biting his tongue and chewing through the pain — or if he’s leaned into the force, moaning with it, and god, you’ve hurt him, and you haven’t even apologized.

“Sorry.” You sound twice as genuine — mainly because you apologize for much worse than the inflicted pain. “Almost done.”

“The scissors would have been faster,” he half-jokes.

His voice sounds different. A hint more… strained. He shifts in the seat, wipes his hands on his slacks.

“Would have been a shame, though. You have pretty hair.” The last part of the sentence positively escapes you, and once you hear it, you freeze. Your brain scrambles itself trying to add something that will fix the inherent following awkwardness, the horrifying realization you just called your boss pretty, the fact that it’s true, the fact that—

Viktor flinches with another accidental tug of his hair, and so do his thighs — jumping with the surprise, clenching together until they squeeze around yours. But they’re gone just as fast, flinching away with horrified urgency. Before you get to savor the supple flesh pressing into your own in another new perverted way, before you get to imagine his ankles locking behind you, tilting and rubbing your hips into the hug of his thighs.

You need. To get. A grip.

“Sorry.”

You continue on in silence, and thank everything above he at the very least can’t see the way your hands shake, because he’s staring at the floor like he could drill a hole into it with just his eyes. 

You should have gotten the damn scissors. As if through divine intervention, the rest of his hair comes loose not soon after.

“Okay. All done.” You smooth the slightly crinkled, but now free strand back down into the rest of his soft hair. 

Viktor’s dainty features come into view from below his face framing pieces as he tilts his chin up. His lips quirk into a gentle smile, his eyes sparkle in the faint blue glow, soft shadows under the hollow of his cheeks and the swell of his lip and the tip of his nose and the bone of his brow. You wish you could immortalize him in whatever way he’d let you — a sculpture, a painting, a poem. He looks ripe for kissing, eyes half-lidded and twice as dreamy as he peers at you.

You’re going to see him like this in your mind’s eye later tonight.

Nestled between your thighs, or kissing down your stomach, molten gold under long, dark lashes, sitting atop carved marbled bone.

“Thank you.” He says it quietly — like it would break the sudden holiness of the moment to say it any other way.

He’s so warm. 

You could kiss him. See what the ozone of the room tastes like in the slick of his mouth. You wonder if he’d let you, if he’d suckle your tongue into his mouth in a show of submission, or if he’d bite your lip, licking your teeth, pressing, pushing, make you earn the privilege to taste him. 

You wonder if he’d hold you, or if his curious hands would roam, tracing the front of your stomach, or your spine, or press to the middle of your breastbone like he wants to see where you’d split open for him down the middle like a ripe peach. You wonder if he’d let you dip a hand down the front of his slacks, you wonder if he’d tilt his hips into it like he’d been aching for it, aching for you. Scorching your hand with want, materialized in slick or straining hardness. You wonder which it’d be.

From where you’re standing, the distance between the apex of his chin and the space where his slacks stretch between his thighs is small — and your gaze takes the leap, searching. But the material dips and curves in such a way that you’re left none the wiser, and with nothing but a disgusting realization.

You’re staring at your boss’ crotch.

You step back from the heat between his thighs, painfully awake, aware. It squeezes and wriggles in your chest like you have a parasite lodged in the chambers of your heart. 

You’re disgusting.

You need to put an end to this.

“You’re welcome, professor.”

With that, you’re practically bolting from between his thighs, to stash the scissors away again.

You’re neglecting your job, you’re putting it in jeopardy. Putting yourself in jeopardy, risking all the rumors circulating becoming a shameful truth, you’re risking the first man who ever kept up with you, followed you where you wanted to go and took you further — you’re risking it all because he makes you unbelievably fucking horny. 

And it’s absurd. Embarrassing. You need to get a hold of yourself. 

“I was… thinking, actually,” you begin, and want to punch yourself over how Viktor perks back up from where you’d left him. “About some things regarding my thesis that I’d like your thoughts on.”

“Oh. Of course.” You have got to be imagining the subtle disappointment in his tone. The second you let yourself believe it’s more than just a figment of your make-believe, is the second you will be doomed. 

Viktor, with all his years and experience, would and does know better than to fall for his assistant. You know he does.

“What’s on your mind?” He prompts after your prolonged silence.

If he knew the half of it.

—

You’re late.

And it’s a direct, shameful consequence of last night’s lusting, the time you’d spent frustratedly tossing and turning and thinking of his mouth and his eyes and his scent, before you’d given in past midnight, and humped your hand into completion.

Thinking about him under you, about pressing your face into his neck, about pressing him into the mattress and rutting into him until he gushes and his tired body sings for you and his voice cracks. Until he breaks for you, until pleasure itself oils and unscrews all the biological cogs of his body and he comes out unstrung, reborn.

Viktor’s in a wheelchair. 

And he looks worse for wear than you’ve ever encountered him before, slumping in the chair and massaging his eyelids with his thumb and index, seemingly gathering his thoughts. He’s dressed even warmer than usual, in a loose but thick, dark red sweater. There’s a colorful knitted blanket folded and set over the tops of his thighs. 

Viktor doesn’t acknowledge you when you come in and sit near the whiteboard, simply resumes his lecture as he regains his mental footing. And he goes on for a while, not sparing you a single glance, as he goes through powerpoint slides today, instead of his usual writing and hand drawn diagrams. 

He’s at it for a while, not as fast as his usual pace, but undeniably concise, certain. Until…

“The energy output increases proportionately to the spin, and, with powerful enough matrices, some hexgems can create force fields of their own. This is a particularly common phenomenon in unstabilized gems as well, though with the activation of their force field, those tend to also create… eh…”

Viktor stops, sighing, pinching the bridge of his nose. He frowns, mumbling something in another language, which, judging by the heavy consonants and squeezed vowel, you’d assume it’s Russian. The word must be slipping his mind, so you decide to help out.

“A shock wave.”

Viktor’s gaze cuts. He’s looked at you with disinterest before, sure, but this… 

He doesn’t even turn his head to look at you, just eyes you from the corner of his vision like something unworthy of acknowledgment. You wish you could swallow your words back up.

“Yes,” he says. “Thank you. A shock wave.”

You don’t say anything again for the rest of the lecture. 

Once the door falls shut behind the last few students who have left the room, Viktor turns to you. You wish you could shrink; and it feels like you do, when he finally speaks.

“I appreciate your intention to help — but do not interrupt me again. I know what I’m trying to say.” He sounds utterly unlike himself, both spent and angry. “I don’t need help. Especially not in the middle of a lecture.”

“Sorry.”

That alone softens him up a hint. He looks away, rubbing his thumbs against the wheels of his chair, before he speaks again. Calmer. 

“Just… do not let it happen again.”

As he slumps in his seat, massaging at his temples, you understand that his anger… might not have been as directed at you as you’d initially thought. He’d been snippy when his back hurt — having switched to a wheelchair must mean he’s in a lot more pain now.

And you understand his frustration. He’d just gotten himself an assistant a few months back, and started a new project — looking like he requires help in front of his students is certainly not doing his reputation right now any favors. 

“But if there’s other things I can do to make your day a little easier, I’d like to do them.”

“No, thank you.” He shakes his head, before he grabs both wheels and advances to where he’d left his bag. As he starts packing his things, he stops again, quietly groaning somewhere in the back of his throat. “Where did I put my pen…”

Viktor eventually finds it right behind his water bottle on the table, tossing the both of them into his bag, shutting it tightly. You expect him to wheel himself over to the ramp that leads to the exit, but he just hangs his head, massaging at his temples again, before he looks at you.

“Actually, I’d like it if you went to my office and got me a silver tin box in the… fourth drawer on the left side of my desk. Do you have the key with you, or should I give you mine?”

“I have it. I’ll be quick.”

“Thank you.”

And you deliver on your promise. You don’t run, but you power walk there, and you’re back with (hopefully the right) tin box in the same lecture hall before his break ends.

Viktor takes it from you gladly, popping it open. It contains two foils of painkillers, one already half empty, a small ziploc bag of… gummies, and at the very bottom, some dark chocolate. 

You must have pulled a bit of a face at the contents — particularly the gummies — because Viktor cocks a brow at you, before he faintly chuckles under his breath and pops three painkillers in one go.

After depositing the foil back in the box, he fishes out the dark chocolate bar. It looks to be the expensive kind, something Belgian — Viktor breaks off a piece, putting it in his mouth, before he holds it out to you.

“Peace offering,” he clarifies when you hesitate. 

You’d be a fool to turn him down. You take some — it’s rich, buttery, and melts on your tongue. It coats your mouth with its taste, dark and aromatic and unfortunately not as sweet as you thought Viktor preferred. He’d always favored the almost disgustingly sugary cakes.

“Didn’t think you’d like something so bitter,” you say.

“I do not. It sometimes helps with my migraines,” he tells you. “Sugar makes them worse. A very… devastating discovery to make, as I’m sure you can imagine.”

You wonder if right now is the right time to be curious — and you decide it might be.

“Do the migraines also affect your leg? Or the other way around?” 

“No.” Viktor shakes his head, popping off another piece of dark chocolate. “This,” he gestures at himself, the wheelchair, “was just a very unfortunate… overlapping.”

“Oh.” You grimace in sympathy. “Fun.”

“A punishment for it, more like.” 

What’s that supposed to mean?

“Let’s hope my migraine eases up on me throughout this lecture.” He smiles at you — and for the first time you’ve known him, he looks old doing it. Exhausted. The face of a man who’s seen enough hardship for a lifetime, but has yet to cave under it. 

You wish you could hold him. You wish you could melt it away, kiss it better, love it better. Whatever he’d let you.

You surprise both him and yourself when you lay a gentle hand on his shoulder and let your thumb rub a small circle over the wool. 

Though he flinches at the first contact, once something in his brilliant mind unfurls and settles, so does he. Through the cracks, tenderness shines under the fatigue. Viktor can be soft — in spite of everything im his body and his past that protests against it. “Thank you.”

You take your hand away sooner than you’d like — but at the ideal time to keep it from being anything more than a friendly touch.

“I’m glad I could help,” you say.

—

Viktor isn’t there at all next week. 

You come in on Monday to find his office empty during lunch break, and when you attend his lecture, it’s another professor from his department teaching it. The students don’t seem all too excited about the change either — and you leave before it even starts.

Heimerdinger is none the wiser about Viktor’s situation when you talk to him — in spite of their shared history. He simply tells you he’d taken the week off and had arranged for substitutes.

You consider messaging him… and ultimately end up doing so, after some internal debate. You simply text him to get well soon and that you hope he’s getting some well-deserved rest. He replies with just a plain thank you.

Tuesday is quiet. You receive a stack of midterms you need to get through from the substitute, and you do, by Thursday morning. Which is when Heimerdinger messages you.

Dr. Prof. Cecil B Heimerdinger

Good morning! I’m well aware this is on very short notice — but the substitute professor has unfortunately suffered a minor car accident. Not to worry; they only sustained small njury. However, I am finding myself forced to task you with Viktor’s lectures today. Do you think you could take care of that? Thank you.

-Cecil B. Heimerdinger

9:32

Just the thing you needed — teaching two full lectures, entirely unprepared.

Alright. You’ve got this. You’ve got this. You just need to find out what’s even on the agenda for today. You could text Viktor, right? If he answers on time, that is… he’s sick, he might as well be asleep right now. You could call, but… he said only to do that in the case of an emergency when he gave you his phone number. 

Would this count as an emergency?

Your phone beeps.

Dr. Prof. Viktor Sidorov-Svoboda

There should be a black flash drive in the third drawer on the left in my desk. It has all my lectures.

9:34

Today’s topic is LHC segments naturally occurring in unstabilized gems. Feel free to use my work laptop to familiarize yourself with the presentation before the lecture.

9:35

Me

Thank you so much! 

9:35

His answer comes a few minutes later, just as you fish the flash drive out of his drawer, and plug it into his laptop.

Dr. Prof. Viktor Sidorov-Svoboda

Good luck 👍 

9:42

It would be a lot easier to get caught up in the desire to snoop around on his laptop if you didn’t have less than 20 minutes left until the lecture. His background is disappointingly the default image, but some of his folders look undeniably tempting — not just the scientific ones, which take up most of the space. There’s some photo albums titled with the year and location: Germany 2011, Czech Republic 2009, among many others. There’s also a photo album titled Persichka. 

Who is that? 

You almost click it. But then you check your watch again and realize you only have 15 more minutes until the lecture, and decide against it.

—

For how utterly unprepared you are, it goes surprisingly well. You stumble, once or twice, but you’re glad to see that even by the end of the lecture, you still have most students’ attention.

After you dismiss the class, you don’t expect questions. But a good handful of them, a little under ten, approach your desk, whispering among themselves, before a hastily appointed representative emerges. 

“We were just wondering,” she awkwardly begins, “if professor Sidorov-Svoboda is alright. And when he’s coming back.”

“Oh.” You hope they’re asking because they understandably prefer him, and not because you did a particularly shabby job. “He texted me just today — he’s doing alright. But I can’t give you an exact estimate for when he’s coming back just yet.”

“Okay. Thank you.”

With that, all of them turn to go. After the last student has left the room, you reach for your phone, and pray you don’t see any other day-altering messages today. 

Dr. Prof. Viktor Sidorov-Svoboda

I did not mean for you to have to do this. 

10:11

You unlock your phone and jump straight into the chat.

Me

Don’t worry, it’s alright. I handled it :)

12:02

Dr. Prof. Viktor Sidorov-Svoboda

I knew you could.

12:02

Thank you.

12:02

Me

Focus on resting up and getting well soon! 

12:03

Dr. Prof. Viktor Sidorov-Svoboda

I have been. I actually feel well enough for company now. Coincidentally, I’ve gotten some ideas for your thesis and I would like it if we discussed them sometime. Would you be free this weekend?

12:05 

He wants to meet? Outside of the university? Undoubtedly for academic purposes still, but your heart squeezes and bounces and pops with the implications. 

No. You shouldn’t let yourself hope for more than just a few formal, at best friendly hours spent together.

Viktor doesn’t want you. He would never want you — he knows better. You know better.

Me

I’d like that! Saturday works for me. Where would you like to meet?

12:05

Dr. Prof. Viktor Sidorov-Svoboda

If you’d prefer somewhere on academy grounds like my office or the coffee shop, either would be fine.

12:06

My apartment is also an option.

12:06

The choice is obvious.

[massharp1971]

Oh look I found why I'm getting anon harassment in my inbox - back from the depths of one of my shittiest years - and also note my explanations have been edited out. How very intellectual of you all to prove I'm very very stupid via the medium of memes. I give a more lengthy explanation of where I was coming from here although I'm pretty sure I did so at the time.

But also, some context: At the time of writing I was a part-time academic researcher in HUGE study related to a marginalised group. There are reasons I can't specify. The tenured professors in charge of the project had no academic background in this very niche field nor lived experience (I did and so did other junior researchers). And through the duration of the project they failed to engage with the existing research on this marginalised group, which meant by the time we came to write up they were embarassingly ignorant about the field. They also did really poor work - writing stuff up on the fly that was academically weak, poorly analysed, and poorly cited. If an undergrad had turned in what they did, they'd likely have failed. But they were professors - in UK, that means the top echelons of academia, and they could get away with any old shit. The professors were also heavily politically influenced by existing powers within the clinical field to water down what could have been incendiary findings about existing practices. I.e. the people who did not have lived experience but studied our community like bugs under a microscope were the people who called the shots. And they were also a boys club who got where they got via recommendation rather than training or academic engagement. There was no real evidence or academia underpinning much of their practice, which was part of what our research showed, and they were trying to cover up. So when I wrote this (and the more that has been cropped) I was an exhausted, burnt out academic working ridiculous hours to catch the worst of what these truly incompetent and self-serving professors were trying to put out into the world, all the while knowing that the very clinicians who were being exposed for basically abusing marginalised patients had more influence over the project than the people of lived experience (and more considerable collective academic knowledge of this particular niche) being tokenised and exploited as workers in the research, but also being silenced and ignored when convenient in the interests of power.

And the thing was, that there is such a complete lack of engagement with this community's embedded knowledge and our academic output that piss-poor academia passes muster in the field IF it props up existing biases and oppressive practice.

So I was, and continue to be, very jaded about how marginalised folks fare in academia. I'm also terrified of the way money and power dictate what research tells us and which research findings get heard and which buried. As for peer review? The "peers" reviewing are rarely embedded or of lived experience themselves, so peer review is sometimes little more than a pale stale male back slapping exercise. It vastly depends on the field, of course. But go read about the replication crisis in psychology - all that shit was peer reviewed and a whole field was built on it. You don't need to be an academic or be able to read books to tell whether academic research on marginalised people is good or not, you just need to listen to a few sensible, moderately smart people from the marginalised group, and check that they are reasonably well thought of by the group at large. Whether or not they're academics - personally, I'd pick both, because there was A LOT of pressure on those of us who were marginalised in academia to eat our words and not challenge stuff for the sake of career progression, and I came rapidly to the conclusion you cannot be a marginalised person in academia without having to make choices that may well betray your principles and your community.

Which is why I'm no longer an academic. There are other sources of learning than influencers OR academia and sometimes the best way to learn is to listen to a bunch of people who have the right experience rather blinkeredly trusting letters after their name. I got into academia through an atypical route and had written very well thought of, well researched and well cited materials including a published book before I was (briefly) an academic.

So, don't you come at me telling me I can't read. I wonder which line of this people will cherrypick to "prove" that anyone who doesn't swallow whole every last thing academics say is stupid?

(including Andrew Wakefield, presumably, because he was very much peer reviewed, but when your research feeds a moral panic about a marginalised group, peer review isn't the all-powerful catch of bad research people think it is) Will you screenshot me again so I don't get a chance to explain myself or right of reply? So I don't know why I'm suddenly having to turn my inbox off anon asks?

signed an anti-intellectual, apparently. Or maybe someone who doesn't think it's safe to go round the internet saying "believe everything academics say, peer review means you can trust each and every word of it, always, and the neoliberal and political forces that blight influencer culture are repelled entirely by red brick" I fucking wish.

[neverthatsirius-jo]

1982, JAPAN'S QUIDDITCH WORLD CUP.

summary — in which james' biggest safety hazard on the quidditch field is not the bludgers but being in love with you.

content — james potter x fem!reader, fluff

word count — ~800

a/n — me posting five days after i said i would never write again and privated all my works: 🤡. thank you @foodiegoogie for reading this before i post <3 (go read her fics, i recommend). no pun in the title this time folks. terrible.

⋅˚₊‧ ୨୧ ‧₊˚ ⋅

“You’re so stupid.”

You drag the piece of cotton lathered in rubbing alcohol across the considerable gash that covered the length of his left cheek almost entirely. He winces and you have to bite your lip to try and not laugh.

“I think you mean romantic.” He grabs your hips, getting you closer to where he is, sitting on the counter of the hotel room’s bathroom you were in. It was the fifth hotel room you had been in the past month, while you were following him around Japan, where the Quidditch world cup was being hosted that year.

“No, I mean stupid.”

He sticks out his tongue in response.

The grand final, Japan vs. England—the team James had worked his arse off to get into for years—and he’d managed to get injured in the last couple of minutes of the game, rendering him useless for the rest of it and part of the celebrations. He’d had no time to sulk about it; they’d won anyways, and his performance across the several other matches had been nothing short of phenomenal. The media unanimously agreed on that end. The whole of England too, save for a few pretentious gits that desperately needed to set themselves apart from the rest.

“People are allowed to have an opinion, love,” he’d said when you’d finished your rant against them, red in the face.

“Well, not that one.”

The incident plays in your mind again, and now that you’re not worried about his safety you can laugh about it. You don’t, though, instead biting your lip to prevent it. Excited and proud of your boyfriend for scoring—for the who-knows-th time, you’d honestly lost count—, you had yelled his name and waved your arms to get his attention. And gotten his attention you had; he let go of his broom to form a heart with his hands, letting you know he had dedicated the play to you.

You tried warning him about the goalpost he was dangerously approaching but it had been too late and the crowds cheering drowned out your voice. Not that you were close enough for him to hear anyway. He crashed, hitting the side of his head, and fell off his broom. Merlin knows it could have been much worse if one of his teammates hadn’t grabbed him before he hit the ground.

You’d run to take care of a very disoriented James, who kept trying to joke with the mediwizards—keyword being trying; you are still pretty sure nothing that came out of his mouth made sense—, in one of the medical tents they had for such cases.

‘The culprits that make you end up here are usually bludgers, not pretty girls’ James told you, laying on a makeshift bed, slurring his words but seemingly in a moment of lucidity. You grabbed his hand that was poking around your face and caressed it with your thumb.

That was precisely why you now found yourself at five a.m. cleaning his wounds and changing the plasters on his face after the bar celebrations.

You felt guilty, no matter how much he assured you there was no reason for you to feel that way. You were glad he didn’t seem to care one bit that he had been totally out of it—product of whatever potion they gave him to keep him going for the time being and dispatch him quickly—the moment England raised the cup, celebrating their victory.

“You didn’t like my heart?” He pouts exaggeratedly, lowering his face to find your gaze, now completely focused on the placement of the plaster.

“I’m more fond of your head staying in one piece.” You get his face back to its previous position, acting annoyed. “And in place, please and thank you.”

Once finished with the plaster, you grab his head with both hands and plant a kiss on top of it.

“It’ll heal faster,” you mutter before placing another peck, this time on his lips.

“Oh, yeah?” He quirks an eyebrow, his smile widens. “You should be a mediwitch.”

You pretend to think about it for a second and nod in agreement. You stand there staring at the other for a few seconds—you mainly checking if you have missed any wounds—before he throws his head back and groans.

“What is it?”

“Sirius will never let me hear the end of it,” he lifts himself off the counter, and kneels to pick up the wrappers and pieces of cotton he’d dragged with him.

“He should try hitting his head every once in a while, maybe then he will break a scoring record like the ‘promising rising star James Potter’,” you quote the article he’d run to show you last week, the day after the first match.

He laughs as you get out of the bathroom, both of your arms around each other’s waist, and you leaning on him. England, fans and journalists alike, could try to claim him for themselves all they wanted but he was, at the end of the day, unequivocally and solely yours.

thank you for reading, reblogs and replies are always appreciated <3

back to masterlist

[gryffin-who-cannot-fly]

so I agree with the end result of most of what you're saying, which is that trans men shouldn't be treated as a punching bag and that some queer/feminist spaces need to get a handle on their misandry towards trans men.

but here's the thing. you said

cis men who are generally praised and celebrated in society should be able to take some mean jokes or criticisms and accept they're not always going to be lauded.

and I just don't follow that logic. criticism is one thing, but mean jokes?

I want to quickly say up top that I'm not trying to have a go at you; I see this sentiment from time to time in the (online, usually) spaces I'm in and it's something I want to push back on.

first of all, and this shouldn't matter but it will to some people: you don't know the full identity of every person you meet. you don't know who is stealth trans, or autistic, or invisibly disabled, or has a history of being bullied. in an online environment you don't even know who's a person of colour or visibly disabled.

so if you throw a blanket 'I can bully cis men who are generally lauded by society' net, you will catch men who are not lauded by society, and add to their marginalisation and likely their poor mental health. I know bully isn't a word you used, but repeatedly making jokes intended to bring someone down is going to wind up being bullying.

now I say I don't think that should matter because: what is the great harm to us, in queer/feminist spaces, if we treat everyone with respect and kindness? the usual caveats of course, if someone is being antagonistic or otherwise making a space unsafe then that should be managed as appropriate, but even then no part of that should involve stopping your respect. it certainly shouldn't involve treating them a bit 'nasty'.

part of this is recognising the difference between systemic issues and individual issues. yes, 'men', broadly speaking, are responsible for complex systems of oppression that lead to harm, abuse, marginalisation, gatekept opportunities, etc. but random Guy No 625 that shows up with his girlfriend to the bi visibility event is not personally responsible for that. maybe he's contributed to it or maybe he's spent his whole life campaigning for idk abortion rights and you have no idea. it doesn't matter. he's certainly benefited from the patriarchy; it still doesn't matter. what would bullying this man achieve? nothing.

you mention that privileged cis men need to understand that privilege isn't going to carry over to queer/feminist spaces and I do agree with that. they should be treated with the same amount of respect and consideration as everyone else, and if they're used to the world revolving around them that is going to feel like less, and their feelings shouldn't necessarily be coddled about that. but again, that's not being mean to someone, that's just treating them like a human being.

idk. we should try and live in the world we want to create. that isn't always possible, but you can definitely treat every person as an individual deserving of respect. if they turn out to be a mysoginist, just respectfully kick them out of the space and move on.

I notice sometimes in queer and feminist spaces the idea of "this group is generally given more leniency and privileges in wider society; it's okay for us to be critical or even a little nasty to them because anywhere else they'd be praised". and that's understandable, i think. when you have real issues with men and how men act, it's ok to express that and to mock mens behavior. cis men who are generally praised and celebrated in society should be able to take some mean jokes or criticisms and accept they're not always going to be lauded.

but since queer and feminist spaces are generally more accepting of trans people and the wider society is not, this is also projected on to trans men. "trans men are men" was an affirming statement to our validity, but that was interpreted as "since trans men are men, and men are celebrated by society, I get to be a little nasty to them because the rest of society worships men. they can take it."

but the rest of society doesn't have that same level of trans acceptance. they don't see trans men as men, they see trans men as mentally ill, broken, mutilated women. so it's absolutely aggravating when we turn to queer and feminist spaces for solidarity, we face the same reactive nastiness cis men get and are told "come on, trans men are men. you are celebrated in society. you can take it." and when we look at the rest of society there's no celebration. there's only more nastiness and cruelty. so how can we "take it" when we have no community that accepts us and treats us without mockery? we don't have the shelter of acceptance that cis men have in the status quo, and sometimes we can't find a small umbrella of acceptance in queer communities either.

to be honest, I think a lot of people view trans men as a safe punching bag to vent their frustrations with men. you can mistreat a trans man and he's probably not going to fight you back since he's already so beat down. you can feel like you put a man in his place, you can feel like you're resisting the patriarchy. but all you did was act cruel to a marginalized person. and you know if you treated a cis man like that you might be putting yourself in danger, cos he might not take it lying down and he might not care as much about your wellbeing!

trans men are men, but trans men are not cis men. cis men are lauded and celebrated in society as long as they conform to the gender roles that were placed on them at birth. and this privilege is extremely conditional and not equally spread between men of different sexualities, races, ethnicities, ability, age, etc; trans men and intersex men are thrown to the side completely. I understand needing to vent about men. trans men do it too. but a persistent attitude of resentment and cruelty towards all men, including trans men, is not activism. all you do is push marginalized men out of the only communities they belong

[mari-lair]

For Bonnie writing I think a lot of people get so hung up on them being a kid that they forget that Bonnie is decently smart and they do understand what's going on around them. I fully believe that Bonnie understands that they are looping and that understand Siffrin can't remember. i think they go through a lot more effort trying to 'fix' what they can control. Make people happy make sure everone eats, make sure everyone is standing in a fight with their items. But because Bonnie is so much younger I think they have much more fragile breaking points. They get overwhelmed a lot easier not because they don't understand the loops but because no matter what they'll always be the most helpless to do anything. Even if they get stronger they can't fight the king. Even if they make sure everyone eats and is healed they can't stop the loops. Cant save their sister, cant keep everyone's spirits up. I think Bonnie suffers most in the way that they're forced to be a bystander because they're 'the kid' they dont feel like their efforts are enough. Of course they're incredibly wrong but if isat had reliable narrators it wouldn't be isat

That's it, that's my biggest struggle, juggling what Bonnie would understand, what they won't, and what they know but don't want to talk/think about it. That's easily the hardest part of trying to write Bonnie T-T

Exemple: siffrin being crushed by a rock in the 'death corridor'? Even if the adults don't let them see the body they can connect the dots of exactly how 'hurt' siffrin was. But I personally think they wouldn't want to think about Sif being gone, even if temporarily. It would take a few deaths for them to explode "i am not an idiot i know what happen everytime sif 'get hurt,' and we loop!"

But Siffrin saying "sure I remember that very important moment we had, power of friendship is strong." like a liar, would make them go "you do?!" instead of going "you're not in the time loop, rationally I know that you don't, liar." cause they want siffrin to remember so bad, and siffrin is enough of a good actor to be able to fool a kid once (and accidentally make things way worse for bonnie) depending on what scenario plague my vision I can even see the first lie not being caught until hindsight so Sif gets to lie a solid two times about it.

I personally think Bonnie would understand they are in the timeloop (world restart, only the family beside Sif remembers. Consequences don't last. ) but it would take a considerable amount of loops for them to get the full extent/implications of how that affect things, especially since everyone acts at least a tad different each loop (perks of the family not going out of their way to repeating their lines/ acting very different all the times) and bonnie complicated relationship with siffrin.

Your ask gave me a lot of inspiration though. Bonnie trying to fix the loops makes so much sense, SO MUCH SENSE.

[alexanderwales]

I finished rewatching Death Note. I always forget how short anime is, with episodes that aren't much more than 20 minutes when you skip the intro/outro.

I hadn't remembered how much of a sniveling wreck LIght was at the end of the show. There's something about the ending that makes it feel like it was written and directed by a different person, not that Light wasn't always a little weird and pathetic, and not that the show didn't consistently go out of its way to let us know what a piece of shit he was (particularly his absolute lack of loyalty or empathy to anyone, even aside from the megalomania). But he takes the loss like a loser, snot dripping from his nose, voice cracking, begging, and it's so pathetic that I almost felt a little sorry for him.

I've always found the Death Note to be a very interesting prompt, one of those hooks that's so good I'd want to watch it even if it was bad. But in writing something like Death Note, the author has to make decisions about what to show and what not to show, and also make decisions about how they're going to portray the public at large.

There are two big things that stand out for me.

One is that we never get someone arguing against Kira. We get people who are actively trying to hunt him down, but they're mostly not stopping to say "this is why what he's doing is wrong" except a few lines about how he has a childish sense of justice, which is never expounded upon. Kira, on the other hand, we hear a lot from, not just the megalomaniac stuff, but the notion that criminals must be punished, that this is what people desire in their hearts. I get the strong sense that L does not actually care and just views this as an interesting puzzle for him to solve, but for everyone else it's largely left as an exercise to the viewer, and even then, there are moments when some of our task force members come dangerously close to endorsement.

To the extent the show has an answer, it's that (to quote Kanye West) no one man should have all that power, or that Kira has crossed a lot of lines, but no one argues in favor of rehabilitation or clemency or just fundamental humanity. Kira seems to largely be killing prisoners, who have already been sentenced, and are wards of the state, and he says "this is what people want deep down, they will give you the politically correct answer but they actually want the criminal class to be obliterate", which ... there's no character who actually voices any opposition to through the whole series. And I find that weird, because yes, the show has its own answers in terms of how it plays out, but in a show filled with people possessed of immense conviction, most of the people in opposition to Kira are just intellectuals who don't actually give a shit about the ideological question.

(The one big moment when it comes to a head, IMO, is when Soichiro Yagami refuses to write Mello's name entirely because of his principled objection to killing someone. I thought this was great, and I wish the show had more of it.)

The other big thing is that we don't really get a viewpoint of the criminals, with a few exceptions. One is the is Yotsuba group, who are killing people with the Death Note, and the second is the (somehow still functional) mafia that Mello hangs out with. There's also one other scene somewhere after L's death where we see a criminal begging with the police not to have his name written down, and that's about it.

The naive view here is that the show really does believe in Criminals as being a part The Other, a different sort of human being who walk among us. The criminal class are described as rotten and evil, they're shown as grotesque and with exaggerated features or bestial characteristics, and they're generally leering and impulsive. There is no consideration of their humanity.

There's a more nuanced take here, which is that we have a criminal as one of our main cast, Light Yagami, along with everyone else who takes on the Kira mantle. So what is the show saying about criminality through how it portrays them? And here ... I don't know. I kind of don't think that it views them as criminals in the same way? When we look at the ways that Light kills, I genuinely do think that the show thinks that this is different from the way that a capital-C Criminals kill. It's reactionary rather than criminal in and of itself, a response to the injustices of the world rather than being in the same class as those injustices. Light is narratively exempted, and Misa is to. Which isn't to say that I think the show thinks highly of Light, it clearly doesn't, especially in its ending, but I almost think that in the end it Others him too (and also has Teru Mikami drawn in particularly 'evil' style, like a creepy deviant gremlin).

So I enjoyed the rewatch, but there are things that sit a little oddly with me as far as the central themes go. There's probably some discourse I should read that's come out since I first watched it in ... 2010 or whenever, but I think I'll give that a skip.

[0w0tsuki]

My thing about the femboy discourse is that I don't think there's much value in trying to delineate whether femboys are "really TMA" because that's not my fucking problem with femboys. My problem is something even the other trans feminists who've talked about this have had to tip-toe around and I'm just going to outright say it.

A MAJORITY of self identified femboys/femboy attracted people (yeah because our problem is not with the identity in and of itself but how the attraction to the transfeminine body while denying the transfemininity is a core tenent to Femboy culture. This cis girl who's into femboys because she sees them as someone that she as a woman can have power over un the patriarchy is a part of this conversation too) in the WIDER online community (Tumblr is a bubble!) are OPEN transmisogynists. Open as in they loudly proclaim their view of transfems as men, their complete disrespect of transfems boundaries, and their fetishisation of all transfeminine bodies as their preferred male sex object. Open as in STEALING the identity of Transfem Sex workers for their sissy scam blogs. Open as in harassing anyone they can get their hands on about how transfemininity is shoved down their throats. Open as in they can get together and make entire social media sites unusable with their bitchfit crybaby tantrums about Transfem existence.

Everybody loves to come together and make fun of these cretins when they get together to rage about the newest Transfem confirmation as a way to virtue signal being to recognize obvious out and proud transmisogyny and then collectively snap their fingers to forget about them the instant they quite down. The instant they would have to recognize that people like this are ALWAYS this vocal about it in their personal lives they just aren't as organized. The instant they would have to recon that there is a large contingent of mspec transmisoginists who are obsessed with transfems and make it their life's goal to sexualize our existence as much as possible while denying us our femininity and humanity.

The instant that they would have to recon that perhaps femboy isn't a queer friendly catchall term for "feminine boy" and is actually a term with history. That in that history there is trauma, exploitation, and harrasment. That that history is happening daily. That there are transfems whose only history with the term IS THAT HISTORY. That there are transfems whose experience with femboys has been the most transmisogynistic hateful bile she's ever experienced.

The instance a transfem asserts that she might not be 100% comfortable being around self identified femboys. That she might not not take kindly to the assertion that they are essentially the same thing and that infact femboys are her closest ally in the queer community. She's told to put all that to the side because uwu soft bean tboys would self combust from sadness if they were forced to think for even a second that their new word for gender expression might not be the purest thing in the world and they would actually have to be considerate of how they interact with others.

Then she's an evil perisex bio essentialist who just hates men being feminine and gender nonconformity and is trying to pull the ladder up by denying eggs femboy culture. She's actually actually an anti-sex puritan whose having an autogynophilia based disgust reaction. She's a pickme trying to throw Transfem femboys under the bus.

If you want transfems to feel safe around femboys then stop attacking everyone who doesn't. Work on your own problems. Neither of you were responsible for burning this bridge but it's selfish of you to put it on her to fix it. Your going to have to put an effort into stopping those fires from being started. Do not blame her for being burned.

[quantomeno]

I have been trying to find the article or opinion piece or whatever I read that discussed this, but this appears to be a significant issue with all left-leaning governments. If you'll forgive the gendered language:

Political analysts have long considered these three fields – managing the finances, managing the economy, and defence – to represent the “daddy” aspects of national political persona, traditionally dominated by centre-right parties the world over. The centre-left parties have been seen to excel in the more “caring” fields of health and education: the “mummy” aspect.

(from here, an opinion piece in the Sydney Morning Herald, which I don't think was exactly the thing I was looking for, but it's the same idea more or less)

People in the tags have noted this occurs with the Tories/Labour in the UK, and it definitely occurs in Australia with the Liberals/Labor (the Liberals are conservatives by the way, it's confusing, we know).

The problem is that people often don't 'feel' the effects of economic improvement, or they fixate on things that are still bad and think when the government is talking about improvements they're lying or think the improvements are happening to other people, probably 'coastal elites' or what we in Australia might call 'inner city latte sippers'.

Then the right can capitalise on this resentment, and even if they don't achieve their claims of making life better, people have such short memories they don't realise things have worsened. Another issue is the fact left-wing policies tend to involved bigger government involvement or significant changes to the status quo, and the right can then run scare campaigns which the left can't combat because having nuanced debates over complicated policies doesn't make snappy headlines. And you also get, as @what-even-is-this said above, the left inheriting failing economies and the right inheriting improving economies. So things often get blurred about who was responsible for what benefit, and if things are good under one government, the other will claim it was because of their actions before it etc etc.

Celinda Lake (Biden's pollster in 2020) was interviewed on the Australian TV show Planet America this week and said something very similar (it starts at 28:23), that the Democrats need a better economic message, a better 'conversation' with the voters the Democrats traditionally worked to support but who now believe the Republicans will help them more.

It is quite sad to admit, but it seems people often care more about their economic wellbeing than any other consideration. Part of it is a sort of survivalism though, where they go, yes, I would like to help xyz, but I'm struggling too.

From my position, well at a distance, I got the vibe this election was just people annoyed at the current administration and going to literally the only viable alternative, as opposed to a population shifting dramatically in their political views. I expect a lot of people don't like the guy who'll be president and don't really even want him to be president, but still voted for him because of his party. It's an electorate who has long been made to believe left bad at economy, right good at economy. Plus you guys don't have a third parties that presents itself as a viable alternative.

Elections are often decided by the political issues that the right is seen to be better at, but a lot of it is just bluff and posturing. The right can talk tough and it makes people think they're getting things done. It's not until it all unravels that people will consider the left. I've got a long discussion about Aus politics below if you want to read about it, which provides some more concrete examples of these things.

Also there are obviously other issues at play, the electorate isn't one monolith, people have individual reasons for voting etc etc etc. This is just one thing that I think was a big factor generally. Harris seemed to be too much a part of an administration they were unhappy with and people weren't convinced she would bring anything new to fix things.

Australia has two major parties, the left-wing Australian Labor Party (yes, Australian English spells it labour, but the party is US-style, it's a long story) and the right-wing Liberal Party (they are conservatives but they're called Liberals. The reason is they believe in libertarian sort of values like the free market and small government). The Liberals govern in coalition with the National Party (ostensibly the party of the farmers and rural Australians, they're more right wing than the Liberals), and so we often call them the Coalition.

(Also, Labor is red and the Liberals are blue, so our colours are opposite of US but the same as the UK. This isn't important right now but I enjoy reminding americans that their colour-coding of politics is actually not the norm)

After 11 years of Coalition government under John Howard, we elected Kevin Rudd and the Labor Party in 2007. Then the GFC happened. Labor got us through very well, relatively speaking. But K-Rudd was losing popularity so members of the Labor party decided to vote for a new leader (this wasn't an election: for any Americans out there, the prime ministership isn't an elected position, it's just the leader of the party in power and they can choose that amongst themselves). And so we got Julia Gillard, our first female PM. She narrowly won the next election, and suffered through a number of things that lowered her standing in the polls (including misogyny, but also a few broken election promises the opposition pounced on) and so before the next election they backstabbed her and reinstated Kevin, hoping the change would improve their odds. It didn't work: Labor lost to (shudder) Tony Abbott and the Coalition. I really dislike Abbott. Raw-onion-with-the-skin-on-eating Abbott. 'Suppository of all wisdom' Abbott. 'Shit happens' Abbott. Wanting-to-knight Prince-Phillip Abbott. I mean, these are just his gaffes. The less said of his politics and personality the better.

The Liberals governed for a simultaneously stagnant and tumultuous nine years. Nine years with three prime ministers being overthrown by their own party and never actually getting all that much done. Abbott, rapidly losing favourability, was replaced with Malcolm Turnbull, an erudite, moderate Liberal who was under constant attack from his government's right wing and got murdered by them at the slightest whiff of a policy that might have the vaguest of emission reduction targets (these years are known as the climate wars and they're still not really over). Turnbull gave way to Scott Morrison. Scomo went to the election with really only one major economic policy which was some tax cuts. He won. Then the pandemic happened and yeah. We went massively into debt due to the huge spending required to keep everyone afloat. I am glad the Libs did that, but it points out their hypocrisy since they had banged on and on about Labor's 'debts and deficits' (I think particularly to do with spending during the GFC) and yet had not given a single budget surplus (i.e. they had been spending more than they gained in taxes etc) in that entire 9 years. And then, when it's their turn to spend big to save the economy, they're happy to ignore debts.

Labor was led during this time by Bill Shorten, a good guy but no one really liked him, nor his 'zingers', and his policies involved a lot of reforms and changes, leaving him open to scare campaigns from the right. Labor eventually decided to shed Bill and put in Anthony Albanese. Albo ran a very small target campaign to try to neutralise the differences between him and Scomo. It was... moderately successful. Labor got into government but really, it was the Liberals who lost because we all just disliked Scotty from Marketing (he mishandled the pandemic on a number of fronts, among other crises including, but not limited to, going to Hawaii during the 2019-20 bushfires and sexual misconduct allegations involving members of his party). The 2022 federal election is a story of its own though. The point is, Labor got into power.

They have given us our first budget surplus in 15 years. A budget surplus had been hyped up by successive Liberal governments who consistently failed to deliver one. Sure, Labor is still dealing with a housing crisis, but prices had been rising under the Coalition who just twiddled their thumbs and eventually suggested the policy of allowing people spend their superannuation (it's a bit like the US 401(k): here it's compulsory for money to go into a fund which you can't access until retirement) on a house (they're still suggesting this last I heard). And inflation has been high, but it seems to be going down, and the inflation was the result of (guess what) high levels of government spending during the pandemic (combined with supply issues caused by wars and the pandemic). Labor has done a decent job of bringing the economy back on track. They've been fiscally responsible. They even rejigged Scott's tax cuts to make them better for lower-income earners. Labor is clearly on par, if not better, at handling the economy and have shown this twice in my lifetime.

But do they get any credit for this? As if!

Labor has been absolute rubbish at explaining how they're helping people. Rubbish! It's why the Voice to Parliament referendum failed, because no one explained it clearly and succinctly. I don't think it failed because people were really racist, I think they just didn't get the point of it. I mean, some of it was underlying racism and a sense of 'why do they deserve this? don't they have enough?' but that stems again from a communication issue since people don't understand how big the gap still is. (for confused non-Australians, I'm talking about the referendum to enshrine in the constitution an advisory group of Indigenous Australians who would give advice to the government about matters pertaining to First Nations issues. The referendum failed abysmally)

Labor is currently heading towards a minority government (they will be the biggest party, but won't have a proper majority in parliament and will need to deal with a crossbench of minor parties and independents). They're expected to win partly because the Liberals are becoming increasingly right-wing (they lost a lot of their moderates at the last election to independents) and the current leader of the Libs looks like Mr Potato Head and has all the warmth of Darth Vader, so they might not win the centre very easily (we have compulsory voting, so you need to be at least relatively moderate to win big). But Labor will struggle (and could still lose) because Albanese is just terrible at getting any cut-through. It's pitiful. Personally, I'd kinda like Penny Wong as PM but she'd need to resign as a senator and be elected to the house of reps, so it's highly unlikely (plus I do like her in the Foreign Affairs portfolio). I think Jim Chalmers, our current treasurer, would be a good fit. He's got twice the charm of Albo and ten times that of Peter Dutton (Darth Potatohead, the current leader of the Liberals). He's also an effective communicator and can take a lot of credit for the economy since he's the guy making the budgets. I don't necessarily think he's an amazing treasurer (he's no Paul Keating), but he's done a good job. The thing is, Labor is highly unlikely to have another leadership spill for fear of appearing unstable (they made it much harder to have a spill after the Rudd-Gillard-Rudd debacle).

And sadly, Dutton has quite a bite, and loves to rip into Labor right where it hurts: the economy and immigration.

Don't get me started on immigration... I totally skipped over it but it's been a big issue here just like in the US.

Also I am not the biggest fan of Labor after they started to shift rightwards (the whole 'neutralise issues' thing). They're a bit like the Democrats in that sense, but the situation is a little different.

It seems like there’s this cycle of republicans making the economy bad and then people get tired of the republicans and elect a democrat and the democrat inherits a bad economy and then they sort of fix it somewhat and then people are like hey the economy is bad it was better during the Republican administration and then they elect a Republican who inherits a better economy from the democrat while he’s trashing it and then people are like hey he’s trashing the economy and then they elect a democrat who inherits a bad economy and fixes it somewhat and then people are like hey the economy was better when there was a Republican and then they elect a Republican who trashes the sort of better economy he inherited from the democrat and so on and so forth like forever I guess

[lillotte17]

The Music Room

SPOILERS SPOILERS SPOILERS‼- Do Not Read unless you have completed the Dread Wolf's Regrets quest!!!!

AN: I have not finished the game, so I don't know if this will actually be part of my canon yet, but the world is currently awful and I...needed to be making something. But as I said: I have NOT finished the game yet, so if you leave a comment (pls and thank) do NOT write anything with spoilers in it!!!

Okay, on with the show!

~

Rill finds Inquisitor Lavellan sitting at the harpsichord in the music room. All of the other rooms at the Lighthouse had seemed barren when they had first started using it as their base, and even this one had apparently been used as some sort of storage space -there was an alarming amount of cheese for some reason- but the quiet here feels different in a way that is hard to quantify. Peaceful, as opposed to desolate. The light pouring through the windows is always bright in here. Always warm. The murals on the walls were still vivid when they came. Colorful and new. The most prominent one bears the symbol of the Inquisition flanked by howling wolves.

The woman contemplating it does not look like the fearsome hero who closed a hole in the sky and stopped the southern half of the world from falling into chaos, though. She looks small. And tired. And sad.

Rill clears her throat, feeling awkward.

“So. Not trying to complain or anything, but when you asked to come here, you did say that you could help by giving us insight into Solas’ history and his way of thinking and… Well. You were pretty quiet in there while we watched those memories.”

“I know,” Aili sighs, pinching the bridge of her nose. “I’m sorry. I’m just… I knew some of it. Bits of things he told me himself. Things I figured out…afterwards. And I knew there would be more. More I didn’t know. He’s thousands of years old, so I knew that the story of his life would be more than what he had told me, but…”

“It’s a lot.” Rill hums in agreement.

“Bit of an understatement,” Aili snorts. Her gaze drifts down, and she runs her fingers over the instrument in front of her. “…I didn’t even know he played.”

“So, tell me what you do know,” Rill says, casually plopping down onto a nearby crate, “It’s probably more helpful than you think.”

“I know… I know that he hates tea.”

“Right. Noted. Probably shouldn’t offer him any of Lucanis’ coffee either, then.” Rill grins, folding her arms across her chest.

“Probably not,” Aili agrees, returning the smile faintly. “He has a sweet tooth, though. He loves books. Loves learning. And teaching, too. He was always happy to share stories about places he had been, or spirits he had talked to. He paints beautifully. And he sketches, too. He doesn’t laugh very often, but when he does, it’s…”

She trails off, her face creased with grief and faint traces of longing.

“I’m sorry.”  She says again.

Rill shakes her head at the apology but gives her a curious look afterwards.

“You said that Solas was important to you; I’m guessing you didn’t mean that you were just really good friends?”

Aili shrugs.

“I thought that we were…something.” She glances around the room again, eyes landing on the mural of the slain dragon and the mourning wolf above it. “Now I’m not sure if even that was true.”

“Is that something he would lie about?” Rill wonders, her eyebrows ticking upwards, “Because that would be some valuable insight. He doesn’t strike me as the sort to use seduction as a manipulation tactic, but he seems comfortable twisting the truth about everything else, so…”

Aili sits for a moment in silence, frowning in consideration before finally shaking her he in the negative.

“It’s… No.” She fumbles briefly. “I know that given…given everything we’ve seen, it might be hard to believe, but… He has a kind heart. Truly. He wants to do the right thing. He believes in justice, and he wants things to be fair. He wants to help people when he sees them suffering. And he blames himself when he can’t. He just…comes to the wrong conclusions, sometimes, and he struggles to ask for help when he needs it. He… There would be no reason to -no point- in lying about his feelings for me. I was already his friend, and I took his advice seriously. He had my ear and my protection. He wouldn’t get anything out of it unless his intention was to be needlessly cruel, and…he’s not like that. He isn’t.”

“Then why were you doubting that you had something?”

“It’s…complicated.” Aili sighs. “It’s about time, I think. Or at least, part of it is. He feels things deeply. Passionately. Even if you can’t tell which words he’s telling you are true, you can always tell when something matters to him. And this place… Mythal is everywhere. In every mural. In every room. Statues. Paintings. Symbols. Everything is about her. For her. Even now. Even after taking Flemeth’s power and essentially killing her himself. His love for her, whatever shape or form it might have had, has colored every aspect of his life since the beginning of the world. And compared to that…”

She taps a single key on the harpsichord, letting out a high clear note.

“Mythal is the All-Mother. The Protecter. The bright and beguiling moon. And I…I am barely a candle flame.”

“You’re the Inquisitor. The Savior of the South. People still call you the ‘Herald of Andraste.’ You disbanded the Inquisition, and still managed to bring enough people together to hold back the darkspawn hordes while I fight the gods up here in the North. I think you might be selling yourself a bit short.” Rill says with a curl of her lips, trying to be kind.

“There will always be heroes, just as there will always be despots. I’m hardly unique in that respect.” Aili replies, striking another key. “A puny mortal striking back at false gods probably reminded him of his own past. His own struggles. Maybe that was it. Maybe there’s even something about me that made him think of Mythal. I don’t know. I don’t know what he saw in me. Or thought he saw. But look around. There are a few Inquisition symbols in this room, but beyond that… There is no trace of me in this place. Nothing he held onto. Nothing he felt was worth keeping.” 

Rill frowns. Fidgeting with her hands. Itching to pull out a blade to play with, but uncertain if the move would been seen as a threat.

“Sorry.” She offers after a few moments of silence. “I try not to talk to him very often, for obvious reasons. It’s still a bit creepy, if I’m being honest. Even if I did, though, I don’t think his romantic life would be something he’d be keen to tell me about.”

“It’s not your fault,” Aili assures her with a smile that does not reach her eyes, “He wasn’t keen to tell me either.”

“The Fade’s a funny place, though,” Rill says, gesturing at their surroundings, “I’m not always sure which bits of the things we’ve found here are from Solas, and which things we brought along ourselves. Lucanis found a book he used to read as a kid. Harding says she can smell her mom’s cooking sometimes. Neve said she can hear the sea when she wakes up in the mornings. Things like that, you know?”

The Inquisitor nods.

“Not surprising, given the nature of this place and the person who built it.” Aili says. “This was a refuge. For spirits and slaves fleeing tyranny. And for Solas himself, too. It wants to be welcoming. It wants you to feel safe.”

“It was different when we got here, though.” Rill tells her. “Bit empty. Bit sad. Lonely, almost.”

“Sounds like Solas,” Aili sighs, something close to exasperated fondness.

“This room though…” Rill sits up straighter, turning her head to glance at the sunlight painting patterns on the already painted walls. “It was always like this. It may be small and tucked away, but it’s honestly one of my favorite places in the Lighthouse. It’s always a little warmer in here. The sun’s always shining through the windows. The quiet in here feels like…comfort. Like home.”

“I feel like you’re trying to lead me somewhere, but I’m not sure where it is,” Aili chuckles.

“Well, you said it yourself, didn’t you?” Rill grins back at her, “This is the only room with Inquisition symbols in it.”

Aili blinks. Makes a face.

“There are also murals of Mythal in here. Because she’s everywhere.”

It is Rill’s turn to sigh.

“Maybe she is. Maybe he couldn’t escape from her. Maybe he never will. What she did. What she made him do. What was done to her. But the library with all his memories of her is big and dark and gloomy. And the statues of her are stiff and aloof and cold. And the little room upstairs he shoved a cot into to sleep is…just depressing, really.”

 She catches the older woman’s gaze. Holds it.

“It’s called the Lighthouse, but the beacon at the top isn’t where the light is. It’s not in some huge memorial room dedicated to Mythal. It’s here. There’s a chair with your seal on it, almost waiting for you to sit and watch him play. There’s the paintings on the walls. There’s… Look, when did this become me telling you about the Dread Wolf’s heart?”

“I have no idea,” Aili laughs in earnest this time.

“Really though, this is a good room. I like to sit and read by the windows in here sometimes. The light in here always makes be think of summer afternoons. The air has a sweetness to it, too. Something flowery. Heather, maybe. Or Lavender.”

Aili starts, her eyes going wide.

“What’s wrong?” Rill asks.

“You said it smells like lavender in here?”

“Yeah. Why?”

“It’s…the soap I use. For my hair. I always have.”

“Well, there you have it!” Rill grins in triumph. “He kept your memory here. Away from his regrets. Somewhere bright and happy. Well…as happy as Solas gets, anyway. Not too bad for a candle flame, eh?”

Aili laughs again.

“Thank you, Rook.”

[ijustloveobeymeok]

but you should write about levi's strength

!!! Bless you for letting me talk about Leviathan with reason.

Let me do it in a list format so it doesn't feel like I'm rambling.

-Let's get the facts everyone knows out of the way first -As we all know the order of the brothers are also a determination of their strength. So Levi being the third brother indicates he is the third strongest demon amongst them. -Although he is one of the physically weaker ones, which makes him being ranked third even more impressive. -Which , I still believe it is justified. -To start off with, he is the Admiral of the navy. You definitely need to have a considerably impressive strength if you want to be an admiral and have a whole army under you. -His love (and talent) for games also suggest high levels of focus and strategic skills which plays into him being a good admiral. -This also plays into him having political strength, as he is able to maintain that position and control while being an absolute homebody. -He is also able to summon Lotan, which in itself says a lot about his overall abilities. -I mean you probably got to be real strong to have an ancient sea serpent as a familiar/summon. -It is a canon fact that each demon can overpower the demon(s) below them, so even though he is physically weak, this implies that he can easily bring down his brothers save for Luci and Mammon. -He is also someone that the other brothers have mentioned avoiding winding up, vaguely mentioning how disastrous things can be if he loses control (this was brought up in one of their devilgram posts, I'm sorry idr which one anymore) -Also it is basically canon that the ranking is based off magical power so let's talk about that a little too. -When it comes to abilities via magical powers I think Levi's abilities are one of the most talked about. -It's mostly to do with water (a.k.a controlling a whole element) -He can summon giant floods, breathe underwater (or hold his breath for a scarily long time I've forgotten), and can even communicate with sea life. -Sailor man you really turn me on- -Lastly, and what I believe is a valid theory; their assigned sin/emotion is a huge source of their magic power -The first three, Pride (Lucifer), Greed (Mammon), Envy (Leviathan), are pretty consistent emotions. They're feelings that more or less stays with you. A prideful person is always prideful, a greedy person is always greedy, etc. -The rest of the brothers, their sins are more commonly a feeling that comes and goes. A person will become angry and calm again, a person will become sleepy and will stop once they've slept (yk what I'm trying to say, sorry I'm doing my best to word this in English) -Which is why, I think Lucifer, Mammon and Levi are the stronger demons. -Similarly it may also be based on how their sins affect the world but that's harder to judge/rank.

Bonus: -I do think Levi's insecurities play a big part in locking up his potential strength. -He's never really interested in talking about or showing off his strength (he's more proud of his gaming prowess) -Overall he may be the most peaceful demon amongst his brothers, which makes him come across as weaker than he truly is. -But we should know by now, peacefulness is not the absence of strength.

So yeah, obviously Levi is not the strongest. And I'm sure he has a lot of people telling him he doesn't deserve to be higher than his other brothers. But I beg to differ.

Leviathan deserves his position as the third brother. And y'all should be glad God didn't give him an ego bc if he did you'd all be screwed.

[plutoenjoyer]

jooyeon — sleepyhead

𓈒⠀𓂃⠀⠀˖⠀𓇬⠀˖⠀⠀𓂃⠀𓈒

genre: fluff 𓇬 wc: 1.7k tags: female reader, established relationship, making out, napping, playful banter, not proofread as usual warnings: none

summary: you stay late with jooyeon at the studio, and you can't help that he's so fun to mess with (lovingly). notes: this was meant to be a part of the "jooyeon randomly biting you" wip but it ended up getting too long and becoming its own thing. now with 100x more reader being cheeky and him being an absolute sucker for it!

𓈒⠀𓂃⠀⠀˖⠀𓇬⠀˖⠀⠀𓂃⠀𓈒

jooyeon invites you to the studio with him if he plans to do some solo practice. it's nice to have some company while he strums away at his instrument for hours, and of course, you don't mind one bit. it's already hard enough to find time to meet with both of your busy schedules, so you'll take any moment of comfortable, quality alone time with him. not only that, it really is a treat to get to see him practice. you think his voice is beautiful, and the gentle lull of his instrument (today, he felt like acoustic guitar) almost always put you to sleep while you're sitting in the corner of the room with his jacket over you like a blanket. it's like being gently guided into a deep sleep, and by god you needed it considering how overworked you were almost all the time. it's warm and safe. you're out in no time.

jooyeon's just about to wrap up when he checks the time. 11 pm. he did not mean to go this late. the other members had waved a goodbye to him what feels like just a moment ago, but in reality it was about two hours. and then he remembers, oh yeah my girlfriend is here, and he's about to ask you if you're ready to head out when he sees your eyes shut, slumped peacefully against the wall.

he feels bad that he made you sit and wait so long. truthfully, he was just so into an idea for a potential song that he lost track of time. he very gently puts the guitar back into the case and gets up, approaching your sleeping figure. he tries his best, for once in his life, to be quiet so he doesn't disturb you. he crouches down onto his knees, resting his cheek against his arms as he looks at you. if anyone were to walk by and see his face they could tell just how in love he was with you.

god, you're pretty. too pretty, the thinks to himself as he watches the way your soft lips are slightly parted as you breathe. he never thought in his twenty two years of life he'd ever care about such a thing but here he was, head over heels for a girl who can't stop biting him.

(and he wonders how you're even able to sleep in such an uncomfortable position. doesn't that hurt your neck?)

gently he taps your arm, and when you don't wake up he grabs your wrist and shakes it a little harder. you were tired, but not tired enough to be able to sleep through that. soon enough you were trying to blink the moisture back into your eyes after having such a good nap.

you slur your words with a small groan of displeasure, "mmn ... joo, are you done ... ?"

he hums in agreement, "mhm, yeah. i'm sorry it took so long." he smiles a bit at how your hair is messed up on one side as you squint at him, trying to readjust to the light.

it would be pretty easy to just stand up right now and grab your things so you both could go home. your bag is right there. but instead, the menace that you are, decide to wrap yourself up tighter in jooyeon's jacket and rest your head back against the wall. you catch the faint smell of his cologne on the jacket as you snuggle into it again.

he looks at you with an unamused pout. "hey."

"just ... mmmfive more minutes ..."

"god, and i'm the sleepyhead?" he scoffs at you, "we gotta go, y'know."

bantering with him was starting to wake you up but you were weirdly comfortable in a way, and taking the fact that you also liked to cause problems for him into consideration, still didn't get up. "you're just mad i napped without you." you don't hide your languid smile.

he decides to convince you with a cheeky remark, "i'll give you a reward if you get up."

"like what?"

"hmm ... how about a kiss?" he slightly sticks out his tongue, trying to give you a playfully flirty expression. his eyebrow raises at you suggestively.

silence. you open your eyes solely to give him a look of disinterest and slight disapproval.

"you could at least go along with it," he whines. but truthfully, he knew that wouldn't work. he's already onto his next mode of convincing. what's the next key to your heart if not for him?

"we can make instant noodles if we get back in time before bed."

by now you're fully awake and shoot him a scrutinizing squint from your unmoving position against the wall. "the buldak or the shin ramyun? choose wisely."

"hmmm ... buldak."

this sparks your interest. "good choice," your tone reflects your immediate approval, "okay, just help me up first," you make grabby hands at him to signal for him to come closer and pull you up. he rolls his eyes at your enthusiasm for the food rather than his affection, yet even if you act silly and intentionally stubborn he still does everything you ask him to just to make you happy.

and happy you are, because he falls right into your trap. before he can lift you up, you grab him by the arms with unexpected force and he almost falls on top of you if not for his quick reflexes. he has both hands on the arm rests of the chair that you're in, hovering above you just inches away from your face. he looks at you in surprise as the adrenaline from the reflexes kicks in.

you grin. "i lied, i want the kiss." you squeeze your eyes shut and purse your lips into a comedic duck-lipped, kissy face. it doesn't last long because after you feel nothing, your eyes flutter open, already giggling at how dumb and annoying you're acting. he looks like he cannot fathom how you're acting right now.

you think he's not going to do it and begin to shift your body up and out of the seat, but you're stopped half way.

"you are so frustrating, you know that," he reprimands you with a slight growl before leaning down and pressing his lips against yours. it's clear he savors the feeling despite how he feigns annoyance. you can't ever let him know he caught you by surprise and how your stomach does a flip, because he would never let you live it down.

after a moment you regain your composure (the best you can mid kiss), exceedingly satisfied with how quickly he bends to your will. you wrap your arms around his neck and pull him further into you, indulging in the feeling of his slightly chapped lips against yours. he has to steady himself by pressing his knee into the seat, right between your legs and he makes a little noise into your mouth out of surprise. you just can't help yourself if he's going to be that cute. you know that he knows this, and how that aggravates him as someone who claims to be the epitome of manliness.

what was supposed to be a quick peck turns into something more—suddenly he is hungrier for your taste after being provoked so much, turning it into an open mouthed kiss and then a slow, heated make-out session on the well worn armchair of the studio. it's hot. his breath mingles with yours. despite your consistent teasing you are more than willing to melt into his touch. your heart races at the feeling of him searching, wanting more from the heat of your mouth at such a slow and sleepy pace. you quickly feel your face heating up, following his move and willing to give him whatever he wanted from your lips. your hands roam around the expanse of his back and it feels like this moment could last forever.

as soon as you part you look at his love-stricken expression, eyes half-lidded and giving you a crooked smile as he presses his forehead into yours, breathing heavy. his lips are little swollen and pink in the aftermath. you can't help yourself from smiling too, gently running your hands through his hair and twirling bits into your fingers with a satisfied hum. your first thought was that he was so beautiful, and so, so sweet. being with him was thrilling, even if you were doing something as silly as making out like teenagers skipping class.

you're looking at his face like this is the last day you'll ever see it, just admiring how gorgeous he is. he giggles and you feel the faint breath on your cheek. "what?" he gives you a toothy grin, his voice low and raspy and delirious as if he was drunk on your taste alone.

your voice comes out small yet so in love, "'ts nothing. i just like you." which is just scratching the surface of how much you really felt about him.

he looks deep into your eyes, roaming throughout the specks of light that swim through your irises, gives you one last quick peck. "i like you too."

you smile. you know that no matter how silly or stubborn you are he would always be by your side. even when you refuse to get up and he has to coerce you to, even when you spontaneously can't get your hands off each other. you realize the mushy feelings that are bubbling in your throat and threaten to come out as happy tears. in order to break the tension, you joke, "can we still make instant noodles?"

and he laughs, and you feel the warm vibrations against your body, "yes. we can still make the noodles. promise no veggies though."

finally, the two of you get up from the armchair and he's cheesy about it. he grabs your hand, pulls you up into him and spins you. you're always ready to be silly and sappy with him, so you make sure to make a show out of it, all while snickering about how gross it all is. and finally, you make your way home. you think about how good the ramen is going to be. you think about how good it feels, right now, to walk home with him, hand in hand in the cold air of night.

𓈒⠀𓂃⠀⠀˖⠀𓇬⠀˖⠀⠀𓂃⠀𓈒

masterlist | request rules | inbox

thank you for reading! <3

[thequeenofsastiel]

I've always found it rather strange that Spike is shown to be someone who doesn't spend a lot of time thinking complex thoughts or focusing on any self reflection, while Angel/us is, given who both of them were as human. Liam was a drunkard who spent a lot of time in taverns, not going to school or seeking out any kind of career. William was a romantic poet. And yet when they became vampires, Liam turned into Angelus, who took the time to learn lots of languages so he could psychologically torture his victims. Then, when he was ensouled, he spent a lot of time brooding and reflecting upon the things he'd done without a soul.

Whereas William turned into Spike, and lost interest in poetry and essentially became an almost mindless killing machine. Though he did retain his romantic inclinations. Then when he was ensouled, it initially drove him insane for a few weeks. But once he started to receive emotional support, he slowly regained sanity. Yet as soon as he did, he didn't seem to spend much time brooding, and even told Robin that he wasn't interested in self reflection. Even getting a soul wasn't much of an intellectual choice. It was an emotional choice. He hurt Buffy and figured that the only way he could make sure he never did that again was by getting a soul. Sure, that involved some thought, but it was mainly emotion that drove that decision. I don't think he gave a lot of consideration as to how it would really affect him past taking away his desire to hurt Buffy.

So why? Why did they both react that way to becoming vampires? I've discussed how people react to becoming vampires in the Buffyverse on this blog, and have come to the tentative conclusion that what happens isn't that a demon with its own mind simply possesses the human's body, because the vampire retains parts of the human's personality and emotions. Liam kills his entire family because as a human he didn't really care about them, at least not enough to counteract the instincts of the demon soul that possessed him. Whereas William turned his mother into a vampire because the love he felt for her as a human was so deep that he wanted to save her from her human suffering and be with her forever. He also didn't kill Cecily despite her cruel rejection, and I believe that's because of how much he cared for her as a human. So what I think happens is that the human soul, which holds a moral compass, goes away, and is replaced by a demon soul, a soul which has no mind of its own, simply gives the human vicious instincts. A desire to kill and torment. But the essence of who the human was is still there. It's why Spike was capable of falling in love with Buffy and wanting to protect her loved ones, while there's no chance in hell that Angelus, who was not shown to have been romantic at all as a human, would have been able to do that.

I also think that the vampire isn't different enough from the human to absolve the vampire of its responsibility for the actions they took while soulless. In s5 of Angel, Spike is shown to be destined to go to hell, despite the fact that he had a human soul. Then again, perhaps his human soul would be parted from his vampire soul and go to heaven while his vampire soul would go to hell. Who knows?

But again, why were Angelus and Angel so interested in deep thoughts? Why weren't soulless and ensouled Spike? You'd think it would be the exact opposite. Was this just a case of Whedon not putting enough thought into it? Or am I missing something?

Open question, I want thoughts.

[snownorites]

Some disjointed thoughts on Sua and her sister that I had yesterday cause I've seen some people on twt being really adamant that Sua was in the "loved before anakt" category and I don't think that's what the point of Heavenly Garden is personally

For one, I don’t think she's actually looking out for Sua here. (using WhataFruit's translation)

I think her intention was to make Sua feel bad about herself. The word choice is extremely deliberate: "you're so unkempt" "that is unseemly" "you're already dumb enough as it is". That last one is obvious but those first two I think are super important to understanding the kind of competitive environment "being" a doll must have fostered. She's trying to put Sua "in her place" here and make her feel like she doesn't actually deserve any of the favouritism Nigeh gives her because she's "stupid" and can't even play her part properly.

And Sua has every reason to believe what her sister tells her. Outside of her cruelty she's so nice, so gentle, she even plays with her and tickles her. Ofc Sua would assume that she has the best intentions and to me that's the point of why her sister acts that way. It's not about affection or love really, it's something closer to bullying. This way every insult, every instance of belittling however small stays with her and hurts her. Her pity of Sua may be "genuine" but it seems to be more mocking? Saying that she loved Sua to me feels a bit like buying into the performance.

The framing of the comic to me is also very interesting because the contrast between Mizi and Sua's sister is telling us that we need to consider their affects on Sua in relation with each other. Sua did not feel loved before she met Mizi.

Her saying this is supposed to show that her sister was all she ever knew in terms of human connection. "Back then" as in before meeting Mizi.

Sua thinks that her sister was actually the pitiful one all along but something really interesting is that it's not because she finally found self worth or because she knows that her sister was wrong about her being unkempt or "stupid", it goes right back to love. Her sister is pitiful because she didn't know love.

That heavenly garden, Mizi, loving and being loved. If Sua felt love before anakt I don't really see why it'd be framed like this.

And the thing is that love is a super big theme in Alien Stage. You could very well argue that this is just how her sister shows love and since we don't have her pov the way that we do Io's or Ivan's there's absolutely no way to refute that the same way there's no way to prove that. But to me including Sua in the same category as Mizi and now Till feels really disingenuous. Mizi and Till felt loved before anakt and carried forward that love in all their actions. Sua did not and her actions reflect that.

I think that Sua's feelings of self hatred are a pretty important thing to also consider when analysing anything to do with her (and I'll probably have to do a seperate post about that because this is already so fucking long lmao) People don't pay enough attention to this and how a lot of it comes from the bullying she experienced

Before Mizi, Sua was objectified by everyone around her, humans and segyein alike. And maybe her sister was different and we'll see that in another comic but to me heavenly garden's intention is to reinforce that this bullying wasn't just the very overt kind that's shown above. Like with the new Till comic, all the material we get builds onto each other, Heavenly Garden gives context to just how sinister the bullying was.

And I don't say all this to say that people are wrong about her sister potentially loving her, maybe she did, but Sua did not feel loved or experience that love. It's weird that I'm seeing more justification and rationalisation of her sister's behaviour than people actually taking Sua's narrative into consideration and trying to understand how her sister fits into it.