little off topic for my blog, but i started watching a new show since a friend mentioned it was good and i'd heard positive things about it, so i just wanted to talk about it a little bit (probably never again after this since this isn't a fandom blog, but it's the only one i have rn so idc it's going here)
the show is Jurassic World Camp Cretaceous, and just going on looks alone, despite my love for dinosaurs and the Jurassic Park franchise i never would have considered it. it appears to be very much for kids, and as i'm in my late twenties now i'm not particularly interested in especially kiddy media. however a friend my age enjoyed it and mentioned it has a canon lgbtq+ couple in it among the main characters, so of course i just had to watch it. i had already been hearing that despite its initial appearance and premise, it was surprisingly good for a kids' show, so i had already been curious, but i was even more keen after knowing there were queer characters, and not even the adults, the kids themselves (in a kid's show?!! what a time to be alive), so i finally sat down and watched it.
[spoiler warning, both minor and major, for the rest of this post btw, so continue reading at your own risk if you haven't seen it yet/are still watching]
the show overall
okay so firstly, i am coming at all of this from the perspective of a writer, so my observations are from a technical standpoint more so than just as a fan of the show. and honestly, it really is a well-written show as a whole. is it geared towards kids? definitely. there are plenty of jokes/gags in it that just don't appeal to me as an adult, but beyond that, there was plenty to appreciate as an adult.
the writing is actually phenomenal? there were several points in the series where i just sat back and mulled over the way a scene went, what the thought process behind writing it was like, how well it was executed, and how important it was to the characters and overall plot.
the suspense is spot on, nothing gets dragged out too long, and i will admit there have been a few scenes throughout that actually got me; i jumped! it's actually scarier than i expected a kid show to be, but i'm so glad they went where they did because it really elevated the experience.
the pacing overall is very good, adequately engaging for kids' short attention spans (and us adhd adults 🥲) but not too short either to a point where things felt abrupt or unfinished. plot arcs are well developed and tied up nicely. also, as a bit of a dinosaur nerd, the array of dinosaurs in the show is super broad and satisfying! very fun stuff.
character element
imo the real gem of this show is the character development. honestly it's just *chefs kiss*
the characters grow and change so much and so realistically over the course of the show, it's honestly so much better and more satisfying than the character growth in most adult fiction/media recently.
the growth in ben (who btw was def my favorite character by the end of s1) and kenji in particular were my favorites and, in my personal opinion, the most interesting. the way ben started out anxious, cowardly, and rule abiding to a fault, then grew into a brave, confident, adventurous little pyromaniac gremlin, then had that stint later in the series where he regressed a bit-questioning himself-until eventually ultimately striking a great balance and really coming into himself was just... peak character writing.
kenji started out overconfident, lazy, and overly concerned with money/status. but that arrogant overconfidence and laziness slowly turned into responsibility, and a desire to protect his found family, and the realization that it's the people in your life that really matter most.
honestly what i mentioned only scratches the surface in terms of those two characters, there's certainly more that can be said about them (as well as all the others) but i'm not really in the mood for a deep dive character analysis atm. just trust me tho when i say these characters are so well done and each one of them have arcs that are super satisfying to watch play out.
queer representation
and as for the queer couple? yasmina and sammy are PERFECT. it was so beautiful watching their relationship grow from one-sided to mutual friendship, to loyal devotion, then to love. they were set up incredibly well and incredibly naturally. i have like, no complaints when it comes to them. i don't even know if there's anything i can say that would add to things, they were just a really awesome couple to watch become canon, they're the beautiful and painfully needed representation we all beg for in tv and movies.
shipping, chemistry, and intent
but oh goodness... probably my only real complaint about the entire show would be how benji (ben x kenji) and kenji x brooklyn (kenlyn? brookji? idk and idrc) were handled. because for all that this show did SO much beautifully right, they really screwed the pooch here, sadly.
i'm gonna start by saying that the writing in this show, as with most, is deliberate. what i mean by this is that despite having no clue who it would be because my friend thankfully did not even spoil me as far as the genders of the queer couple, i clocked yas and sammy as the would-be queer couple as early as season one (actually it was between them and benji, but more on that later). i could already see the chemistry, because it was deliberately written in.
shipping is subjective. anyone can ship any character, and in most cases it's pretty easy to see how there could be (romantic) chemistry between fan pairings based on their personalities, their arcs, etc. and that's okay! ships don't even have to have any canon support to be valid, because shipping is for the fandom, and it's for fun (i have a few rarepairs and crack ships across different media that i just love).
but onscreen/written romantic chemistry is a lot less subjective (to clarify, it is subjective whether or not the chemistry is good, but it's not subjective about whether or not it exists). there are literally scenes written with the sole purpose of building the romantic tension and/or chemistry between planned couples (some of which even have absolutely zero plot relevance, which usually is not advised tbh, and most of which are the cliches/tropes you see in literally any romance ever written, some are just disguised a little better than others. but make no mistake, it's all the same set of cliches. there is nothing new under the sun), as well as intentional, key moments within scenes that have other purposes. they are essential to establish romantic pairings.
and typically, the foundations for these couples are laid VERY early on. always within the first or second season (well, at least they are when the writer actually knows what they're doing and has at least a rough plan/outline for the entire series & characters. this is usually a large part of what separates the good chemistry from the poor chemistry. an author who knows who the couples are going to be and has a plan from the beginning to build them up is going to be more successful in creating a believable relationship with good chemistry. one who does not plan, or makes last minute plans will almost certainly fail, and the couple is just going to suck). when the set of characters you're working with are going to stay the same for most or all of the story, you start immediately.
i don't mean to toot my own horn, because i think it's because i'm a writer so i just pick up on narrative patterns very easily, and pretty much always clock the planned couples within the first few episodes of any series, and by the end i am right like 9 times out of 10.
that being said, do you know whose deliberately written chemistry i also clocked in jwcc? ben and kenji's.
kenji and... brooklyn?
no offense to people who like/enjoy kenji and brooklyn, you are free to love them, but the way their romance was written is... quite possibly the weakest point of the show. it felt like they were just trying to appease the upsetto heteros in charge, because there was definitely another het pairing that had a lot more potential than kenji and brooklyn (hello darius x brooklyn aka darilyn, you would have actually made sense because your relationship had amazing buildup and multiple standout scenes from s1 on. dgmw, i love that we got a m/f strong, supportive, purely platonic friendship out of them, i live for those and we really need more of them. but we could have had that with kenji and brooklyn, or darius and sammy, or ben and yas, literally any other pair instead).
kenji and brooklyn as a couple came out of absolutely nowhere. i honestly think they decided to shove them together last minute, and had no actual plan for them until they were working on s4. because their development barely started at the VERY end of s3 (the abruptness of him caring about her being held hostage so much more than literally anyone else in their group despite them having like zero buildup to that point gave me whiplash), but honestly didn't really even become "meaningful" development until s4, over halfway through the series. the two spend the first 3 seasons basically not particularly gaf about each other individually, only as part of the whole group and on an equal level with everyone else. they otherwise have no deliberate narrative foundation. it just starts in s4 with no prior hinting. which makes their development rocky and difficult to believe. the funny thing is their characters literally have dialogue (in s4) trying to draw comparisons/parallels between them to say that they especially have a lot in common and like??? no? they really don't? not any more so than any other two kids in the group. their relationship just, really falls flat.
it was disappointing to see it take such a massive spotlight in the series for almost all of seasons 4 and 5, overshadowing the friendships that have been the focus of the show and should have remained so, to the point where at times it just felt like i was watching some stereotypical het highschool romance. genuinely, it made s4 & 5 more of a drag to get through. yasammy and ben and yas' growing bond (which by the way was so sweet, it had the strongest queer solidarity vibes good lord, i sure wonder why yas chose ben out of everyone to come out to first, hmmm) were some of the few things that kept me invested, otherwise i would have dropped it if it had leaned much farther into becoming the kenlyn show than it already was. especially when it was that pair so much of the focus was given to, even though we had so readily and perfectly available, the pair that could have, should have been: benji. which finally brings me to:
ben and kenji
benji's foundation was laid in s1. their interactions, the situations they found themselves in, were deliberate (on the writers' part). i'm even gonna go out on a limb here and say the pairings were fully established in s1e3, even with parallels between yasammy and benji (sammy clinging to yas and ben clinging to kenji throughout the episode), and darilyn gets the beginning of their development too.
even though they bicker a lot in the beginning, they clearly care about each other? kenji protects/helps ben multiple times, and there are definitely some looks ben gives kenji at times. at the end of s1, the one who seems the most deeply effected over ben's "death," other than darius (understandably since he's the one who failed to save him), was kenji! immediately after it happens, we get two close up shots, darius and brooklyn then yasmina and sammy. after which, we go back to the whole group with kenji in center frame, the focus is intentionally on him. it is only kenji who drops to his knees at the loss, and then we get a close up of just kenji. he was saved for last, and he was alone in frame (tbf bumpy was in frame too, but i'm talking humans here), which implies his feelings are especially important in this moment. that is the reason for solo close ups.
after ben's "death," kenji takes to always wearing ben's fanny pack, and up until bumpy--who ben cares VERY much about--got separated from them, kenji was the one who (however briefly) took over her care, ensuring she got off the monorail with them, and he's extremely distraught, more than pretty much all of them, when they can't find her, and he's last to leave when they decide to accept that ben's gone. even when they do leave, he's distant and distracted and his mind is clearly still on ben.
other than darius, kenji is the only one (if i'm remembering correctly) to mention ben/say his name after they lost him, upset because he was actually trying not to think about him. he has clearly thought about ben, probably a lot, because it's hard not to be reminded constantly when you wear something that belonged to a deceased loved one. and frankly, he appears to be the only one who dwells on him that much.
when ben reappears alive (which btw he found the group again because of kenji's butter knife, hello), the frames literally purposely focus on kenji's reaction. he's the one in the foreground every time they show him and brooklyn in that scene. he is the first one to say ben's name, the first one to go to him and hug him, and the scene takes special care to highlight kenji's strong emotions at ben's reappearance, lingering on his teary face as the focus for a bit even after brooklyn enters the frame to hug ben (because she is not at all an important element in the scene at that moment). just like when ben "died," the way this scene is written and shot HEAVILY suggests that ben holds significant importance to kenji, specifically. because again, the focus here is on kenji and ben almost exclusively, with brooklyn as only an afterthought lol. and quite frankly literally everyone else's reaction to him being alive was pretty lackluster compared to the special attention they gave to kenji on this.
and then in s3 we have the infamous hat scene, where darius and ben are in the limo and ben sees and mentions kenji's sailor hat, looking sad and sounding like... longing?? then directly after we switch to kenji realizing he forgot his hat?? the scene has no real significance tbh other than to draw a connection between ben and kenji. like, it acts as a transition to switch to the pov of the group on the boat, but it was entirely unnecessary? why not just have darius say something about the others and then show them on the boat? if there were no special relationship between ben and kenji, it would have made far more sense if they really wanted it to be ben to say something, that he sees the hat, and sadly says something along the lines of "i hope the others are okay/doing better than we are right now/etc" which implies that the hat made him think of everyone, their whole group. rather than what we got... which very much implies that he was mostly just thinking about kenji 💀 and then kenji thinking about the hat at the same time ben's looking at it and thinking of kenji. like, this is.... a very blatant connection being made by the writing/directing here.
all of that. so many deliberate connections made between ben and kenji, they had a very solid foundation laid for a romance to develop, and by all intents and purposes one already WAS developing according to the show's own subtext. which was why up until s4 obliterated the idea, i was positive the queer couple in the show was either going to be yasammy or benji. it was extremely obvious imo. but as soon we started getting the typical, loud, cliche "we are going to pair off these characters" scenes for kenji and brooklyn, i knew we were getting yasammy and not benji (to be clear, i'm not at all upset about yasammy, they're beautiful and i love how their relationship was done, i wouldn't have had it end any other way for them. but i do personally prefer benji, i just like their personalities and dynamic more. and i feel they had so much potential that got wasted to make way for a far less interesting pairing between kenji and brooklyn. why can't we have 2 queer couples, huh? and if we really needed a minimum of one hetero pairing to appease whoever needed appeasing, darilyn was right there).
but then??? their like entire bond just gets dropped (honestly ben himself gets pretty heavily sidelined for almost all of the last two seasons, which is criminal imo). mostly so that a rushed kenji x brooklyn can be established. like there are still a few small moments here and there in early s4, and one episode in s5 (ep 10), but from early s4 till pretty much the end of the series we hardly see them have any meaningful conversations or interactions, meanwhile literally every other combo in the group does.
it's so weird? why build up benji so deliberately over the course of multiple seasons just to like, fully discard it for a pairing with far less chemistry, even after the chemistry-building scenes they shared, some of which literally had no other purpose than to affirm their connection? even though they were very sparse, the moments benji had were just so blatant (kenji leaps into the rock crevice right onto the back of a saber tooth to save ben?!!?? like he literally was just willing to exchange his life for him like that?? he basically says that he wasn't really thinking, he just did it. so he moved out of what, emotional instinct, that's what we're meant to intuit from that series of events? implying that he specifically has strong emotion and doesn't think things through when it comes to ben? because he doesn't do that kinda stuff for any of the others in the group! even better, this parallels when sammy jumped on the nothosaurus to save yasmina. and then the way benji look at each other after it's over??? hello??? and then how kenji pulls both brooklyn and ben in for that hug a couple minutes later... side eyeing the writers for that choice. they knew what they were doing there and they were evil for it). i just can't see any reason to have dropped them like they were, after all the development they shared for 3 seasons. confounding. biggest disappointment of the series.
i know this probably reads to some as just "wahh, my ship didn't become canon" nonsense. but that's not why i'm bugged. this wasn't just a ship i liked and wanted canon despite no actual narrative support, as most ships tend to be. this ship did have narrative support. there was intent behind many of their scenes together, lingering looks and little things that matter narratively and are always used to signify a stronger/special connection. and it led nowhere, for no good reason. that bothers me. writing that implies and promises something, but never delivers on it. like a person who never finishes their sentences (think Dr McPhee from Night at the Museum). ultimately it's not a HUGE deal or anything, at the end of the day it's just a ship and just a kids' show. but as a writer, it's just irritating to see something like that be done. what can i say 🤷
conclusion
even despite the wasted potential between certain pairings, and even though i do think the first three seasons were superior to the last two, overall i really enjoyed the show, and for what it was, it was really well-made. the overarching focus was of course on found family and friendship before anything else, which i absolutely love, and it was masterfully done. out of 6 kids, all of them had at least one or two meaningful bonding moments one-on-one with another in the group, so every possible combination had their moment to build strong, believable friendships with each other. i'm just so surprised by how good it was as a whole honestly, good enough to binge over the course of a week. i will happily recommend jwcc to anyone willing to give it a watch regardless of age, because i definitely think there's no age limit for a good story, no matter the medium it's told in. :)
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Hermione As Teacher And Connections To Lily
An interesting narrative thread is how often Hermione's magic and teaching influences other characters' and how often it goes unrecognized, and particularly how it parallels a lot of Lily's own magic saving Harry from Voldemort. (Read on Ao3)
1. Triwizard Tournament
Summoning Charm
he did so badly at Summoning Charms in Professor Flitwick’s class that he was given extra homework — the only person to get any, apart from Neville.
“It’s really not that difficult, Harry,” Hermione tried to reassure him [...] — she had been making objects zoom across the room to her all lesson, as though she were some sort of weird magnet [...] “You just weren’t concentrating properly —” (Ch 18, GoF)
Harry still hadn’t mastered Summoning Charms, he seemed to have developed something of a block about them, and Hermione insisted that learning the theory would help. They consequently spent a lot of time poring over books during their lunchtimes (Ch 19, GoF)
“Hermione, I need to learn how to do a Summoning Charm properly by tomorrow afternoon.”
And so they practiced. They didn’t have lunch, but headed for a free classroom [...]
At two o’clock in the morning, Harry stood near the fireplace, surrounded by heaps of objects [...] Only in the last hour had Harry really got the hang of the Summoning Charm.
“That’s better, Harry, that’s loads better,” Hermione said, looking exhausted but very pleased. (Ch 20, GoF)
Flitwick then spends most of a lesson "talking to Harry about the perfect Summoning Charm Harry had used during the First Task".
1.2 Shield Charm
(Full analysis of the Shield Charm and how it's textually linked to Lily is in my meta When Lily Cast Her Life As A Shield)
He was still having trouble with the Shield Charm, though. This was supposed to cast a temporary, invisible wall around himself that deflected minor curses [...]
“You’re still doing really well, though,” Hermione said encouragingly, looking down her list and crossing off those spells they had already learned. “Some of these are bound to come in handy.”
[...] Come on, Harry,” she added briskly [...] “let’s try that Shield Charm again.” (Ch 31, GoF)
Which Harry then teaches the DA:
He was improving so fast it was quite unnerving and when Harry taught them the Shield Charm, [...] only Hermione mastered the charm faster than Neville. (Ch 25, OoTP)
Then, what Fred and George say makes the real money in the joke shop:
“We’ve just developed this more serious line,” said Fred. “Funny how it happened...”
“You wouldn’t believe how many people, even people who work at the Ministry, can’t do a decent Shield Charm,” said George. “’Course, they didn’t have you teaching them, Harry.”
“That’s right... Well, we thought Shield Hats were a bit of a laugh, you know, challenge your mate to jinx you while wearing it and watch his face when the jinx just bounces off. But the Ministry bought five hundred for all its support staff! And we’re still getting massive orders!”
“So we’ve expanded into a range of Shield Cloaks, Shield Gloves...”
“...I mean, they wouldn’t help much against the Unforgivable Curses, but for minor to moderate hexes or jinxes...” (Ch 6, HBP)
Although Snape did not know it, Harry had taught at least half the class (everyone who had been a member of the D.A.) how to perform a Shield Charm the previous year. None of them had ever cast the charm without speaking, however. A reasonable amount of cheating ensued [...] Typically, ten minutes into the lesson Hermione managed to repel Neville’s muttered Jelly-Legs Jinx without uttering a single word (Ch 9, HBP)
I love that Harry is then the one to teach Hermione the Patronus Charm - which Remus tells Harry is "a kind of anti-dementor - a guardian that acts as a shield between you and the dementor".
1.3 Four-Point Spell
and the Four-Point Spell, a useful discovery of Hermione’s that would make his wand point due north, therefore enabling him to check whether he was going in the right direction within the maze. (Ch 31, GoF)
“Point Me,” he whispered to his wand, holding it flat in his palm.
The wand spun around once and pointed toward his right, into solid hedge. (Ch 31, GoF)
It's reasonable to extrapolate that the spell is Hermione's invention, given that it's the only spell with an English incantation, and inventions are referred to as "discoveries" several times - Remus wrt the Wolfsbane Potion in PoA, Dumbledore's work ("the discovery of the twelve uses of dragon’s blood", "does Skeeter deny the brilliance that led to Dumbledore’s many magical discoveries?"), Harry has to "memorize the dates of magical discoveries and goblin rebellions" and mentions books titled "Important Modern Magical Discoveries and A Study of Recent Developments in Wizardry", Fred says they "spent six months developing" the Ton-Tongue Toffees, etc.
Hermione inventing this is particularly compelling given that it's similar to what Harry's wand does in DH (related to Lily's spellwork deflecting the Killing Curse), and Harry's conflict with her after she breaks his wand.
[...] his wand acted of its own accord. He felt it drag his hand around like some great magnet, saw a spurt of golden fire through his half-closed eyelids, heard a crack and a scream of fury. (Ch 4, DH)
He knew exactly what Hermione would say if he expressed any of this: The wand is only as good as the wizard. But she was wrong, his case was different. She had not felt the wand spin like the needle of a compass and shoot golden flames at his enemy. (Ch 18, DH)
Also notable is Hermione solving Snape's Potions riddle, and Harry echoing this with solving the Sphinx riddle during the Third Task (Harry thinking “it was Hermione who was good at this sort of thing, not him” and then “amazed at his own brilliance” when he solves it).
2. Other examples
2.1 Impervius Charm
“I’ve got no chance with these on,” Harry said exasperatedly, waving his glasses.
At that very moment, Hermione appeared at his shoulder; she was holding her cloak over her head and was, inexplicably, beaming.
“I’ve had an idea, Harry! Give me your glasses, quick!”
He handed them to her, and as the team watched in amazement, Hermione tapped them with her wand and said, “Impervius!”
“There!” she said [...] “They’ll repel water!”
Wood looked as though he could have kissed her.
“Brilliant!” he called hoarsely after her [...]
Hermione’s spell had done the trick. (Ch 9, PoA)
"Harry, didn’t you do something to your glasses to stop the rain fogging them up when we played Hufflepuff in that storm?”
“Hermione did it,” said Harry. He pulled out his wand, tapped his glasses and said, “Impervius!”
“I think we all ought to try that,” said Angelina. “[...] all together, come on — Impervius!" (Ch 18, OoTP)
Additionally, when Padfoot comes to watch during that PoA match and dementors swarm the field, making Harry hear Lily's murder for the first time, Harry falls from his broom, his Nimbus crashes into the Whomping Willow, others say they thought he was dead and "Lucky the ground was so soft" - of course, it wasn't luck, it was Dumbledore; Hermione then repeats these actions in DH - during the waterfall in the Thief's Downfall (evokes the drowning feeling from dementors; and Hermione additionally uses the Shield Charm there) and immediately after they escape LV in Godric’s Hollow and Harry finally gets the full memory of Lily's death (Hermione’s eyes being emphasized):
“Dumbledore was really angry,” Hermione said in a quaking voice. “I’ve never seen him like that before. He ran onto the field as you fell, waved his wand, and you sort of slowed down before you hit the ground. Then he whirled his wand at the dementors. Shot silver stuff at them. They left the stadium right away [...]"
“Then he magicked you onto a stretcher,” said Ron. “And walked up to school with you floating on it. Everyone thought you were...” (Ch 9, PoA)
“Yes,” said Hermione. “I had to use a Hover Charm to get you into your bunk, I couldn't lift you [...]"
There were purple shadows under her brown eyes and he noticed a small sponge in her hand: She had been wiping his face. (Ch 17, DH)
Water filled Harry’s eyes and mouth: He could not see or breathe: [...] Harry heard the cart smash into pieces against the passage wall, heard Hermione shriek something, and felt himself glide back toward the ground as though weightless, landing painlessly on the rocky passage floor.
“C-Cushioning Charm,” Hermione spluttered (Ch 26, DH)
2.2 Murtlap Essence
During that PoA practice, Fred and George were debating using Fever Fudge to get out of flying:
“— but you get these massive pus-filled boils too,” said George, “and we haven’t worked out how to get rid of them yet.”
“I can’t see any boils,” said Ron, staring at the twins.
“No, well, you wouldn’t,” said Fred darkly, “they’re not in a place we generally display to the public —”
“— but they make sitting on a broom a right pain in the —” (Ch 18, OoTP)
The knowledge Hermione uses to heal the I must not tell lies scar on Harry's hand helps the twins finish the Snackboxes:
“Here,” she said anxiously, pushing a small bowl of yellow liquid toward him, “soak your hand in that, it’s a solution of strained and pickled murtlap tentacles, it should help.”
Harry placed his bleeding, aching hand into the bowl and experienced a wonderful feeling of relief. (Ch 15, OoTP)
When Harry next saw Lee, the back of his hand was bleeding rather badly. Harry recommended essence of murtlap. (Ch 25, OoTP)
Hermione cast him a stern look.
“You’ve got exams coming!”
“Told you already, we’re not fussed about N.E.W.T.s,” said Fred. “The Snackboxes are ready to roll, we found out how to get rid of those boils, just a couple of drops of murtlap essence sorts them, Lee put us onto it...” (Ch 26, OoTP)
2.3 Magical Eavesdropping Methods
Harry frankly marveled at the fact that Hermione could research magical methods of eavesdropping as well as everything else they had to do. (Ch 28, GoF)
People have theorized that Hermione’s research while she was taking revenge against Rita Skeeter may have aided Fred and George develop the Extendable Ears, esp. since she was staying at 12GP that summer.
2.4 DA Galleons
Hermione's inspired by Voldemort's magic to invent the DA's communication method; Draco then gets the idea from that to carry out his Death Eater mission, enchanting his own coins to secretly communicate with Rosmerta, and also gets the idea to poison the mead from Hermione, having "heard her talking in the library about Filch not recognizing potions".
“You know what these remind me of?”
“No, what’s that?”
“The Death Eaters’ scars. Voldemort touches one of them, and all their scars burn, and they know they’ve got to join him.”
“Well... yes,” said Hermione quietly. “That is where I got the idea... but you’ll notice I decided to engrave the date on bits of metal rather than on our members’ skin...”
“Yeah... I prefer your way,” said Harry, grinning, as he slipped his Galleon into his pocket. (Ch 19, OoTP)
Notably, Lily's blood magic - unlike Hermione's and very like Voldemort's - does burn Voldemort's skin.
Similarly significant is Hermione's invention of the SNEAK curse - where the DA members all sign the binding contract in the Hog's Head, the same establishment where Trelawney gave the prophecy, and the binding contract incorporated in Lily's magic. Hermione enchants ~28 coins for the whole DA and creates the curse within the span of ~a month.
2.5 O.W.L. exam
Three rows to his right and four seats ahead, Hermione was already scribbling… He lowered his eyes to the first question: a) Give the incantation, and b) describe the wand movement required to make objects fly...
Harry had a fleeting memory of a club soaring high into the air and landing loudly on the thick skull of a troll... Smiling slightly, he bent over the paper and began to write
On the whole Harry thought it went rather well; his Levitation Charm was certainly much better than Malfoy’s had been, though he wished he had not mixed up the incantations for Color-Change and Growth Charms (Ch 31, OoTP)
the exam to which Harry was looking forward least and which he was sure would be the one that would be the downfall of his ambitions to become an Auror. Sure enough, he found the written exam difficult, though he thought he might have got full marks on the question about Polyjuice Potion: He could describe its effects extremely accurately, having taken it illegally in his second year. (Ch 31, OoTP)
Hermione is linked to Harry's Charms and Potions exams, the subjects most directly tied to Lily. Important to note that Professor Marchbanks praises Dumbledore for having “done things with a wand I’d never seen before” during his Charms and Transfiguration N.E.W.T.s - which Hermione didn't get to take 'cause of the war; and Harry and Neville are acknowledged as doing better in Potions without Snape's presence - clearly true of Hermione's potential too as her best accomplishment was brewing a N.E.W.T. level potion second year, outside Snape's supervision (which took a month, and then she spent 2 months in the hospital due to petrification/Polyjuice turning her into a cat).
2.6 Body Bind Curse
Harry turned to Hermione.
“Do something,” he said desperately.
[...] “Neville,” she said, “I’m really, really sorry about this.”
“Petrificus Totalus!” she cried [...]
Neville’s arms snapped to his sides. His legs sprang together. His whole body rigid, he swayed where he stood and then fell flat on his face, stiff as a board.
[...] “What’ve you done to him?” Harry whispered.
“It’s the full Body-Bind,” said Hermione miserably. (PS)
Interestingly, Harry instinctively copies what he saw of Sirius in SWM during the DoM sequence, using the full Body Bind for the first time (at least, that we see on screen). Hermione compliments Harry on it, calling back to her being the first one to show him first year - and her being cursed right after echoes the description of Sirius falling through the veil: "the second jet of light hit him squarely on the chest", his eyes widening in shock and the "look of mingled fear and surprise".
Sirius said, “Petrificus Totalus!” and Snape keeled over again at once, rigid as a board.
“LEAVE HIM ALONE!” Lily shouted. She had her own wand out now. James and Sirius eyed it warily. (Ch 28, OoTP)
“Petrificus Totalus!” shouted Harry, as the second Death Eater raised his wand [...]
“Well done, Ha —”
But the Death Eater Hermione had just struck dumb made a sudden slashing movement with his wand from which flew a streak of what looked like purple flame. It passed right across Hermione’s chest; she gave a tiny “oh!” as though of surprise and then crumpled onto the floor (Ch 35, OoTP)
Harry seized his chance: “PETRIFICUS TOTALUS!”
The spell hit Dolohov before he could block it, and he toppled forward across his comrade, both of them rigid as boards and unable to move an inch. (Ch 35, OoTP)
Springing up, Harry yelled, “Petrificus Totalus!” Once again, Dolohov’s arms and legs snapped together and he keeled over backward, landing with a crash on his back.
“Nice one!” shouted Sirius, forcing Harry’s head down [...] (Ch 35, OoTP)
2.7 Unbreakable Charm
Not something Hermione specifically taught, but also interesting is Hermione mirroring Barty Crouch Jr. during his Unforgivables lesson (and saying Harry gave her the idea when he mentioned "bugging").
Moody got heavily to his mismatched feet, opened his desk drawer, and took out a glass jar. Three large black spiders were scuttling around inside it. (Ch 14, GoF)
“Oh not electronic bugs [...] Rita Skeeter [...] is an unregistered Animagus. She can turn —”
Hermione pulled a small sealed glass jar out of her bag.
“— into a beetle.”
[...] Inside were a few twigs and leaves and one large, fat beetle [...] Hermione took the glass jar back from Ron and smiled at the beetle, which buzzed angrily against the glass.
[...] “I’ve put an Unbreakable Charm on the jar, you see, so she can’t transform. And I’ve told her she’s to keep her quill to herself for a whole year. See if she can’t break the habit of writing horrible lies about people.” (Ch 37, GoF)
Hermione imprisoning Rita Skeeter in a jar vaguely references Lily and Harry's actions in 1981 leading to an "imprisoned" LV in Albania; this also happens a few chapters after Priori Incantatem, and Harry and LV under the web of light evokes insects trapped underneath glass:
The golden thread connecting Harry and Voldemort splintered; though the wands remained connected, a thousand more beams arced high over Harry and Voldemort, crisscrossing all around them, until they were enclosed in a golden, dome-shaped web, a cage of light, beyond which the Death Eaters circled like jackals, their cries strangely muffled now...
“Do nothing!” Voldemort shrieked to the Death Eaters, and Harry saw his red eyes wide with astonishment at what was happening, saw him fighting to break the thread of light [...] and the golden thread remained unbroken. “Do nothing unless I command you!” (Ch 34, GoF)
Then the phoenix song comes from "every thread of the light-spun web vibrating around Harry and Voldemort", and a voice saying Don't break the connection (elaborated here).
3.0 Blasting Curse
All this comes full circle in the Godric's Hollow graveyard in DH (a deeper analysis also for another post), where Hermione mirrors what Harry did because of Lily as a baby (and also Harry's actions at the start of DH while flying during the Battle of the Seven Potters): blows up the house (“Confringo") and enrages Voldemort as she and Harry fly out the window - fly from death - together.
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this is the only social media website where I feel like I can talk about this without getting hated by teenagers with no media literacy, but I watched (pirated) Hazbin Hotel. And while I'm still very critical of Viv herself and the decisions she's made about her staff and her public statements and her past actions, some of which are very gross, for what it's worth, I think Hazbin is alright.
There are things I'd do differently sure, but it's like... aggressively average. The music is hit or miss, with mostly catchy tunes accompanied by lyrics that often made me cringe a little by how they already feel like outdated references to current slang. I also really don't enjoy when they have a big musical number come out of nowhere and have other characters acknowledge that they're singing. It really takes away from the musical numbers themselves. it's like musical writing 101 to NOT do that.
I know this is something people tend to criticize, but I'll be honest I like most of the character designs. They have fairly distinct silhouettes and it's kinda what drew me in enough to watch it in the first place. I'm particularly fond of Nifty. I do think some of them are a bit too complex, too busy to be super appealing, and must be hell to animate. I also think there's not really much cohesion in character designs of the world other than color, and even that's a stretch. I wish we'd at least been given some sort of reason in the show that some demons are furries and others aren't.
The animation is pretty nice, though the camera movement tends to make it a bit hard for my eyes to focus when there's a lot going on.
I've seen a lot of people complain about the pacing and while I agree that things are moving too fast, that we need time to get to know these characters and this world and earn these, what are supposed to be, hard hitting moments. I also acknowledge that I like fast pacing. I want it to slow down, but not astronomically, just a smidge.
I'd say the writing is also hit or miss. Sometimes it's got me fairly entertained, but other times it's making me uncomfortable and not on purpose. Again, slang that will quickly become or already is irrelevant is a major issue for me.
Contrary to what I've seen many people saying, I actually thought episode 4 was handled decently enough. Honestly the pacing is really the only thing holding it back for me. It doesn't feel like it's glorifying or romanticizing sexual abuse or domestic violence. It frames Valentino as the abuser he is when it's most important, even when he is a bumbling idiot in other scenes. Scenes of abuse between angel and Val are taken seriously enough. I wasn't a huge fan of the song Poison, but I also don't think it's romanticizing SA. I mean it literally ends with Angel sobbing on the floor so... I dunno how anyone came to that conclusion. There are times when the show jokes about sexual assault which I do think is distasteful and is one of my gripes with the writing overall, however when it comes to the topic of angel and val, it's handled well enough.
I'm interested in seeing where the plot goes with how episode 6 ended even with it's flaws. It's going in an interesting direction so far and I think the music of that episode was pretty good, calling back to the first episode's song with Adam in a clever way.
So overall I'd give Hazbin like a 6/10. It's fine, but it's got flaws. I'd like to see the kinks ironed out in season 2 and have Viv acknowledge some of her mistakes or at least take criticism well for once.
Anyway, stan Nifty, she's best girl.
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