#I'm not going to try to summarize either of these because I think that would do them a grave injustice | Explore Tumblr posts and blogs

cheapshrimpysheep · 11 days ago

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Dating in a Dream - Jamil Viper

SUMMARY: What would his dream be like, exactly the same as in the original story, but with the small detail that he is dreaming that you two are dating?

CHARACTERS: Jamil Viper x Reader 🐍🦐

TAGS: Fluff; a little angst; GN Reader; In a Relationship (kinda); Kiss

WARNING: Spoilers from Book 7 and Jamil’s dream (Eng Server)

WORD COUNT: 6.220 words

COMMENTS: This was written as a companion piece to the original dream story, so the parts that are the same as the game are just summarized.

I would also like to say: I kept the endings "sama" and "bocchan" because I thought they would make more sense, and since "sama", from what I researched, is gender neutral it could be used with Yuu. I don't know if Jamil's shawl has a specific name. And I'm not good with color names.

Anyways, I hope you enjoy 🐍

Dating in a Dream: Idia / Epel / Rook / Vil / Kalim / (Jamil) / ...

“Aether signal tracking successful.” Ortho announces. “We have arrived at the designated coordinates.”

Kalim seemed to have enjoyed the dream-to-dream journey, and even compared it to his carpet rides. But Vil didn't look or feel very well. It seemed like some kind of motion sickness specific to those dream travels. Everyone agrees that Vil should rest. Silver and Ortho stayed with him in the shade, while you, Grim, Sebek, Kalim and Idia, or rather his tablet, went for a walk to analyze the world of that dream a little more.

After walking around for a while, Sebek comments that it is as hot as in Kalim's dream. Which is explained by the fact that both dreams take place in Scalding Sands. Kalim recognizes the Camel Bazaar and suggests that you all should buy Vil some coconut juice, it's cold and refreshing and might help him feel better. Grim agrees, but Idia and Sebek fear that this could cause problems because they don't have the local currency. However, Kalim assures that everything will be fine.

Kalim orders, to everyone's surprise (or almost everyone's), TEN coconut juices. The vendor gives him a heap of whole coconuts with an opening at the top and a straw each. Kalim encourages you all to try a sip and you do so. It really felt good in that heat. Kalim prepares to leave with the coconuts when the vendor calls his attention.

“Excuse me, sir! You need to pay.”

“Pay? Sorry, I don't have any cash on me.” Kalim responds too naturally and tells the vendor that he can just bill his house like usual.

But the vendor didn't know what Kalim was talking about. When Kalim told him his name the vendor recognized the name, however...

“Al-Asim, huh? If that's true, that's even less reason to put anything on a tab. You think you can dine and dash at MY stall? You've got some nerve, kiddo!”

“This is going south fast...” You say. “There's no returning the juice now that we've drunk it...” You approach Kalim to talk to him about that situation and that's when the vendor finally sees you well.

“OH! (Y/N)-sama!” The vendor practically stutters your name and completely changes his attitude. “I-I didn't see you were in this group. Are they your friends? I am so deeply sorry for my bad manners. If you don't have money with you either, I can just bill the Viper's house if you'd like.”

“The Viper's house?” Kalim wonders. “Why Jamil's house?”

“Hey! (Y/N)!” Grim whispers loudly at your feet. “Just say yes and get us out of this!”

You accept the vendor's offer and he lets you go with all those coconuts and a smile on his face. But a slightly scared smile. Returning to Vil, Silver and Ortho, you all discuss what happened.

“So, (Y/N) seems to have more power here than Kalim.” Ortho observes. “And apparently they are also somehow connected to Jamil Viper's house.”

“But how?” Sebek wonders. “And why?”

“Well, by the way the vendor reacted when he saw (Y/N)...” Idia says. “I have an idea... but let's analyze this place better first.”

Vil and Ortho exchange glances with each other, probably thinking the same thing as Idia.

“We can start by checking my place.” Kalim suggests. “Jamil's place is on our grounds.”

Arriving at the place where Kalim's house would be, it was deserted... Literally.

“Wh... This can't be right... MY HOUSE IS GONE! The main building, the annexes, Jamil's home, they're all gone! Where'd everybody go?!”

A local resident who was passing by asked if you were tourists and told you that the Asim Palace had a change in ownership years back. The new owner had it relocated to high ground on the outskirts of town. He didn't know who the new owners were, but he know that the Asims had to give up their house after their business failed.

You go look for the palace.

You all go to where the palace was now and Kalim is shocked to discover that it was true that his house really did get relocated to higher ground. And not only that, but it looked like the exterior's been repainted too. The roofs have gone from teal to red, and the walls from white to black.

“Hey!” A Guard suddenly approaches. “What are you kids doing here? This is a private－ ah! (Y/N)-sama! It's you, and Kalim. My apologies, I hadn't recognized you from afar. Jamil-bocchan has been looking for you to go to school together.”

“Jamil?” Kalim steps forward. “Jamil is here?!”

“What kind of question is that? This is where Jamil-bocchan lives... Viper Palace!”

You discover that the one who bought up Kalim's home was Jamil's father, the head of the Viper family. He bought that manor from the Asims when they were in sore need of money, and know the Vipers were the richest family in Silk City.

After the guard's explanation, you hear music coming from somewhere and an elephant emerging through the front gates at the head of a whole parade. You see that the guy riding the elephant was none other than Jamil, wearing a uniform just like the one the fake Jamil wore in Kalim's dream, but this one was red and black instead of turquoise and white.You also see the dreamer's silver bird around his head.

“Make way! Coming through!” Another guard announced. “Make way for Jamil-sama!”

You all step aside.

“Why are YOU making way, Kalim?” The guard who was with you questioned him. “Take this parasol and join the procession!”

Since you were distracted looking at that guard and Kalim, you got startled when you suddenly felt something grabbing you by the waist and lifting you into the air. When that thing finally lets go of you, you are in Jamil's arms and you realize that that thing was the elephant's trunk.

“Where were you, my desert bloom? You are quite late.” Jamil asks you and then looks at your clothes. “Have you been shopping? Hm... no offense, but I've seen you in better clothes.” He smirks.

Jamil lands you on the elephant's back, but you can't stand on your own and cling to Jamil. He laughs.

“You haven't gotten used to it yet, have you? But let me just change those clothes real quick. You can't go to school without a uniform.” He uses his magic pen to turn your NRC uniform into a uniform similar to the black and red clothes with gold jewelry he was wearing. “Much better~” he says in a lower, slightly seductive tone. “Black already looks good on you, but red looks even better.” He grabs you firmly by the waist to hold you, before turning to the people in the procession behind you. “Get marching, and don't break formation!”

“Jamil looks like he's having a ton of fun!” You hear Kalim say right behind the elephant.

“You there, quiet down! Less talking, more walking!” Jamil orders him.

You look back and see two lines, in front of one of them is Sebek, followed by Vil and lastly Silver, in front of the other is Kalim, followed by Ortho and lastly Grim, who you imagine would be complaining.

“So...” You try to chat with Jamil. “How long is the path to school again?”

“Is it just me, or are you more spacey than usual?” He looks at you slightly suspicious. “Unless... Oh, you're asking because you're tired from shopping, aren't you? Well, Jahar Sahir College is on the other side of the city, but the path is straight so you'll see we'll get there in no time. Enjoy the parade.” His watchful gaze returns to the people behind the elephant. “You there － your parasol is drooping. Hold it properly!”

“Whoops, sorry! I'll fix that right away.” You hear Kalim apologize.

Jamil is very suspicious and attentive. If you take too many risks, he might realize that you are not one of the NPCs from his dream. And it’s not a good idea to take that risk more than 2.5 meters above the ground.

Suddenly, in the midst of the euphoria of the moment, Jamil pulls you to lie on his other arm, making you lose your balance and scaring you. Even if you shouted in fright, it was just another scream in the middle of the cheers. Jamil laughs before pulling you back to your feet and grabbing you to hold you steady. If you hug him or cling to him, he will like it even more.

“What was that?!” You ask, it really looked like you were going to fall off the elephant.

“Ha ha ha!” He laughs in a way you don't remember ever seeing. “I just felt like surprising you.” He smirks. “Or maybe it was a little punishment for disappearing on me and arriving so late to the parade.”

And as another surprise he kisses your lips quite lovingly, but only for a couple of seconds. When he breaks the kiss, he laughs at your surprised face.

“I know, I don't usually do this with so much attention on us. But no one will dare tell us anything.” his smile had a hint of menace.

“All right, we're here.” Jamil finally announces. “Parasols closed, elephants to the stables!”

Jamil leads your elephant to a special platform for you to get off, and he helps you, giving you his hand to support you. You look around and see a school just like the school in Kalim's dream, but once again red and black instead of teal and white. And the statue in the fountain was also different. It wasn't the Ruler of the Oasis's, but you recognized this one, it was a statue of the Sorcerer of the Sands, the same man from the Scarabia Dorm.

“We should go look for Kalim.” Jamil bends his arm to invite you to intertwine yours with his. You do so and he starts walking towards the fountain. “Kalim! Where are you?!” He shouts displeased.

“Oh, I'm right here!” Kalim waves with a big smile. “Hello!”

“Don't give me that!” Jamil retorts. “How can you loaf around without looking after your boss...? Wait. What's with that outfit? Did you botch your color-changing magic again?”

It was as if all that joy of his had disappeared as soon as he approached Kalim. It was a little sad to see, both from Kalim and Jamil's side.

“Huh? I didn't botch this.” Kalim explains. “It's supposed to look like the Ruler of the Oasis. Cool, right?”

“The Jahar Sahir College uniform uses traditional red and black colors like what the illustrious Sorcerer of the Sands wore. What were you thinking, bleaching them to your whims? The nerve.” Jamil takes his magic pen and changes the colors of Kalim's clothes to the same as his.

“Ooh, the colors changed! These are pretty nice too, actually. Thanks, Jamil!”

“I think you mean to say, 'Thank you very much, Jamil-sama, sir.’” Jamil corrects with an offended expression. “Honestly... You'll never let go of that pampered rich boy demeanor, will you? Look. The Asim family owes the Viper family more money than you could pay off with a lifetime's worth of work. So you should try to make yourself at least a LITTLE useful to me.”

“Jamil!” You say, as if asking him to moderate his words.

“I know, you don't like it when I'm like this to Kalim, but he needs to know his place.” He looks at you strangely, almost sulking. “You always had a soft spot for him that I never understood.” he addresses the group again. “By the way, who are you people? Jahar Sahir College isn't open for the general public to just waltz in.”

Silver explains that they are from Night Raven College and Vil says that the reason they came to Scalding Sands was a Film Research Club project, but that they had heard so much about Jahar Sahir College that they had to visit it. He said they were looking for the reception and it was shortly after that Kalim spotted them and approached them. Jamil seems suspicious at first, but after thinking about it for a while he supposes there is nothing strange about it.

“Considering their shabby attire and vapid expressions, I'm sure they're simply students.” Jamil murmurs.

“Hey, I heard that!” Grim informs.

“Oh dear, I beg your pardon.” Jamil says smugly. “I let my inner voice slip out there...”

“Wait a minute...” Grim notices the way Jamil talks to him. “You don't recognize me?”

“Recognize you?” Jamil repeats, confused. “My apologies, but I don't remember ever meeting a little beast like you.”

“WHAT?! You know (Y/N) but you don't know me?!”

“What does one thing have to do with the other?” Jamil turns to you. “Do you know this strange cat?”

As Grim complains that he's not a cat, you think about what to say. But what should you say? That you don't know him? That you met him once? But when? And how? The more time you let pass, the more suspicious Jamil would become.

“We crossed paths with (Y/N) before the parade.” Vil saves you. “I think Grim developed a special liking for them after meeting them.”

You see Grim look surprised at that excuse and then lower his ears a little sad, reluctantly accepting his new role in Jamil's dream.

“I can see why.” Jamil smirks. “I've never met anyone who wasn't enchanted by (Y/N). Which is ironic coming from someone who is not a mage. Allegedly.” He looks at you with that mischievous smile and raised eyebrow.

“Forgive my indiscretion if so.” Ortho says. “But would I be correct in concluding that you two are a couple?”

“Yes, you would.” Jamil answers casually.

“However, you said that they are not mages, but they are students of Jahar Sahir College?”

“An exception was made due to personal circumstances.” Jamil said defensively. “Nothing you need to... worry about.” He finished in a slightly threatening tone despite the smile. “Returning to the subject of your visit. As the student council president, I would be a far more fitting person to show you around campus than Kalim.”

“Oh, truly?” Vil smiles. “How fortunate for us to receive hospitality straight from the student council president himself.”

“I wouldn't want Kalim giving them the impression that our students are subpar.” He mutters.

Jamil says that, personally, he is interested in hearing about Night Raven College. He knows about the Dark Mirror and says that Scalding Sands also has long been a flourishing producer of magical artifacts.

“There's the Magic Flying Carpet, the Great Serpent Staff, the Hourglass of Clairvoyance...” He looks at you for a split second with a smile on the corner of his mouth, when talking about the hourglass. “And the Magic Lamp.”

Jamil says that the Sorcerer of the Sands himself employed such artifacts in his great deeds, and that to this day many people in Scalding Sands, including students from Jahar Sahir College and Jamil himself, are interested in them. He also brags about his family's treasure being bursting with artifacts collected from all over the world.

“I'd love to hear more about the ones housed at your school.”

“Ooh, wow! You liked (Y/N)? I had no idea!” Kalim says. “I'm so happy for you two. And you're the student council president? That's great, Jamil!”

“Why are you acting like this is the first you've heard of it? Not only do you GO to this school, but you and (Y/N) are friends. Now stop standing around and prepare a proper reception for our guests”

“Whoops! Right, I'm supposed to work for Jamil. Okay, a proper reception means a party, right? I got this!”

Kalim starts by asking someone to prepare a party, until Jamil reminds him that this was HIS job. Then Kalim says that a party needs drinks, but instead of going to the kitchen to get some, he uses his signature spell, Oasis Maker, to make it rain.

“You fool!” Jamil says to Kalim as he uses his own shawl to cover you and try to keep you from getting too wet. “Who goes around spraying water without any warning?!”

“We'll need food, too.” Kalim continues, oblivious to what Jamil was saying. “I'll go grab some food from the kitchen! Be right back!” The rain dissipates as he runs away towards the interior of the main building.

“What's gotten into him?” Jamil mutters again. “He's never been the sharpest tool in the shed, but he's usually not THIS bad.”

“Maybe he's just too excited that we have guests from so far away?” You suggest.

“Trying to alleviate his incompetence as always.” he mutters to you, slightly disapprovingly, before turning back to the others. “Ahem... I'm sorry you all had to see that.”

“Please, don't worry about it at all.” Silves tells him.

“Here you are, Jamil - uh, I mean, Jamil-sama!” Kalim comes back. “I brought a bunch of your favorite foods. Look! I've got a whole pot of curry, some dates... Oh, and lots of silky melons! Where should I put them?”

“I had a bad feeling, but seriously... Who brings the food out before they even set out rugs and tables?! This is beyond bad. You're utterly useless!”

“Ah hah hah! Sorry about that! I've never done this sort of things before.” Kalim apologizes, good-humored as always. “Jamil-sama, could you hold the pot of curry? (Y/N), Grim, you hold the dates and melons.”

“Mrah! Don't plop a whole pile of melons on my head!” Grim appeals unsuccessfully. “Geez, this is heavy!”

“Okay, I'll get some rugs next!” Kalim announces excitedly and runs away again.

“Hey, wait! What kind of staff makes their bosses and guests do the work?!”

“I thought you hated dates.” You say, looking at the large basket full of them that Kalim passed into your hands.

“And I do.” Jamil confirms. “At least someone remembers. Ahem... I'm so sorry about this.” he apologizes to Grim too. “I'll keep the dishes levitated with magic. You don't have to hold them.”

“Ooh, it's all floatin' now.” Grim says relieved. “That's much better!”

“Ugh, that dimwit gets on my last nerve. Mom and Dad are far too lenient. And so are you.” Jamil tells you.

“I see you don't like that about me.” You concluded as the others spoke amongst themselves.

“It's not that I don't like that side of you and you know it. But there are people who don't deserve it.”

“Well, I think Kalim deserves it.” You defend him.

“How stubborn.” Jamil sighs. “But I'd be lying if I said I disliked it. Depending on the situation, it's quite attractive.” he smirks.

You didn't know, but while the two of you were talking about Kalim, the others were also talking among themselves about Jamil and you.

Grim wondered if Malleus's spell wasn't supposed to be giving people happy dreams, but Jamil was in a snit, he didn't seem all that happy to him. The Shroud brothers concluded that this dream followed the same pattern as Vil's dream. Kalim was a source of stress for him, just like Neige was to Vil. But Kalim exerts an outsized influence over Jamil's personality and capabilities in reality. Removing a figure that influential would make the dream more prone to major paradoxes. Unlike Grim, and maybe that's why Jamil didn't remember him.

“Nonetheless...” Ortho sees Jamil smiling at you, even after that silly little argument. “He seems pretty happy with (Y/N).”

“True, he seems more relaxed with them.” Silver agrees.

“We must not deviate from the main point!” Sebek reminds them. “We need to make Jamil realize this is a dream as quickly as possible!”

“Right.” Silver agrees. “Between this place and the bazaar, Jamil's definitely got a strong imagination. I don't think a simple shock would do the job. How do we approach this...?”

Kalim returns, saying he went to Zahab Market and got some nice pieces from the rug merchant. Vil comments that those "nice pieces" look like they'd cost an arm and a leg. Jamil finally seems satisfied with Kalim's work, taking the opportunity to boast again about his family being the richest and most influential in the city.

“Anyway, check this out! Doesn't this carpet take you back?” Kalim shows him a carpet almost identical to the flying carpet of his that you knew, but instead of red, this one was purple.

“Take me back? Why would it?”

It was a regular, unenchanted replica of the flying carpet. Kalim talks about a time when the two of them and his father went to a rug merchant, Kalim thought it was a real flying carpet, spread it out on the ground and walked right onto it. That got him a scolding.

“How could I forget? The look on that merchant's face when you stepped on a vintage silk carpet with your muddy shoes－HRK!” The dream world begins to distort. “Wait... I would never take someone as overeager as Kalim to a high-end store. Rgh... What's going on?! I suddenly feel dizzy...”

Seeing Jamil wavering, the others encourage Kalim to keep talking. Kalim remembers a time when they snuck out of the manor to visit the Camel Bazaar and drank coconut juice together, but Jamil says that Kalim was the one sneak out on his own and Jamil had to scramble after him. Then he remembers a time, just before they enrolled in Night Raven College, when Jamil used his signature spell to make the bad guys fight each other to get him and Kalim out of trouble. But this time Jamil insisted that he didn't know what he was talking about.

Kalim says that he was always the best and most dependable friend he could have, and that he trusted everything would work out just fine as long as he left it in Jamil's hands. But he was the only one of them who felt that way and now he know that Jamil hated it all along.

“That's why you used (Y/N), Grim, and the students in Scarabia to try and get me kicked out and sent home, right? Winter break sure threw me for a loop. I was super crushed when you betrayed me and told me you hated me.”

“Used (Y/N)?! How dare you... I would never... I... I did... What I did... That Winter break...? Betrayed? Augh! My... My head!”

The world distorts a little more.

Kalim says he doesn't know what Jamil is thinking, but he knows that the person he is right now isn't the person he really wanted do be. He wanted to be the best version of himself, but that isn't this.

“Remember who you truly are!” Kalim transforms his clothes into his Scarabia Housewarden uniform, which makes Jamil start to remember.

“What was that scene just now? It shouldn't be familiar to me, but... it is. The... The real me is...”

“JAMIL-SAMA!” You hear someone shout, and a second Kalim, wearing a Jahar Sahir College uniform, appears running.

“There are two Kalims!” Silver says. “That means...”

“Yes, it must be the darkness.” Vil completes.

“Jamil-sama, when I heard you went to school earlier than usual. I scrambled to catch up...” Fake Kalim says, worried. “Oh no, how could this be?! Please, hold on! I'll get you to a doctor! Guards! GUARDS!”

The ground was painted black and Jamil began to sink rapidly into darkness, surrounded by a dark fog that prevented him from seeing you all well. And guards of black goop formed to prevent you from approaching them.

“Kalim...?” Jamil says with some difficulty.

“Yes, that's right. I'm the real Kalim, your loyal retainer.”

“Huh? Jamil, look again! That's not me!” the real kalim tries to warn him.

“He's an assassin sent to end you.” the fake Kalim tries to convince him “Don't listen to a word he says.”

“Wait...” Jamil looks directly at you with heavy eyelids struggling to stay open. “(Y/N)... they...”

Black goop rises from the ground and forms a figure, a perfect copy of you, also wearing Jahar Sahir College's uniform.

“I'm right here, my love.” your copy tells him. “They had the nerve to impersonate your beloved as well. But I'm here now. The real me. The real (Y/N). Look in my eyes. As long as you stay here, you can be a ruler forever. Money, land, freedom, love... Everything is yours!”

“Yes... That's the truth...” Jamil gives in. “You're absolutely right, both of you...”

“Wait! Trust us, not them!” Kalim shouts again. “JAMIIIL!”

But none of that stopped the darkness from swallowing Jamil.

“Stop disturbing Jamil-sama's sweet dreams, you street rats!” The false Kalim commands you.

“As if we'd listen to you!” Sebek retorts. “Let's do this!”

You all change your clothes and fight the darkness. And after defeating it, Kalim jumps into the pool of black goop without hesitation behind Jamil, followed by all of you.

When you open your eyes again, you see that you’re in the Hallway of Scarabia Dorm. By the red light that dimly illuminated the place and the dark fog, you realized that it was the same scenario as when Jamil overbloated. Suddenly, you hear a creepy laugh you've heard before and you all go to the lounge.

“I did it... I finally got Kalim ousted from school and claimed the position of housewarden for myself!” Jamil is the center of attention in the room, wearing his drom uniform, and had that psychopathic smile on his face. “Bring on the food and drinks! This calls for a celebration. The foolish king is gone, and the true power behind the throne has risen in his place!”

While the Scarabia students follow his orders, you see Azul next to Jamil with that red glow in his eyes.

“Wait a minute, those eyes...”

“Hey, (Y/N). You put it together too, right?” Grim tells you in a whisper. “Looks like Azul ain't fakin' it like he did during winter break. He's really under Jamil's control.”

Most of the dorm's students, who were all actually the darkness in disguise, were gathered in the lounge. You were decidedly outnumbered. Idia says that the best thing would be to get into a more advantageous position and make a surprise attack, so you will quietly make your way behind the students and then launch a coordinated strike on cue. Silver says that Idia should give the signal and the others would carry out the attack.

“Ahh, I feel on top of the world. So this is freedom! How sweet it is.” Jamil keeps chattering. “The biggest thorn in my side, Kalim, is gone. Azul has fallen into my hands.” he looks to his right side to see Azul standing right there. “And (Y/N)...” He looks to his left side, but finds no one. “...is trying to escape again? *sigh* Bring them back to me!” he orders the Scarabia students.

Silver pulls you behind a pillar and you all hide.

“Mrah! What do we do now?!”

“Hand (Y/N) over.” Idia says to everyone's surprise.

“What?! Have you gone insane as well?” Sebek protests as quietly as he can. “What about the surprise attack?”

“Listen, if Jamil really likes (Y/N) he won't hurt them.” Idia explains. “And (Y/N) can help distract him and provide a more effective surprise attack.”

Sebek, Silver and Grim are reticent, but you are the one who takes the initiative and gives yourself to the Scarabia students while the others remain hidden. Two students hold you by the arms and take you to Jamil. And to your surprise, as soon as they let go of you the darkness forms shackles around both of your wrists.

“It pains me to see you reduce to this, (Y/N).” Jamil tells you and pulls you by the chains of the shackles to bring you closer to him. “But you insist on resisting me. Oh, and those clothes... Let's give you more suitable ones, shall we?” He uses his magic pen to turn your NRC uniform into a Scarabia Dorm uniform. He laughs with satisfaction. “A beautiful desert bloom such as yourself should be on the arm of the most powerful housewarden in Night Raven College. What do you say, my dear? Why refuse to be my new Vice Housewarden, and partner?”

“To be honest... I also have a crush on you, Jamil.” you admit and he smiles, too pleased. “But not this version of you. The real you. Or rather, the best version of you, that I know exists behind this senior psychopath.”

“The... real... Hrk!” his head hurts and the world distorts a little, but Jamil pushes you, making you stumble and fall to the ground.

“I'll teach you some respect... but until then...” he orders that the Scarabia students grab you by each arm and lift you up. “Let's just calm that rebelliousness of yours for a while.”

As the students hold you by the arms, he holds your chin to make you look at him. You knew what he wanted to do to you and struggled to keep him from using Snake Wisper on you. You are saved by Kalim, who attacked Jamil before the signal with a solid blow.

“Wh... Kalim?! What are you doing here?!”

Silver and Sebek attack the students who were holding you and free you from the shackles by breaking them.

“(Y/N), are you okay?” Silver asks you, holding you in his arms in case you need a little comfort.

“Huh? I don't understand...” Sebek says. “The students aren't attacking us...”

“YOU BIG DUMMY!” You hear Kalim say.

“D... Dummy?!” Jamil responds in disbelief.

“The biggest one there is!” Kalim punches him again. “How can you treat (Y/N) like that?! I may not have realized you liked them, but I know you would never do these things to them. You don't want to force them to like you. You want them to like you for who you are. That's why you started getting nervous whenever we met with (Y/N), right?

“Nervous? ... Hrk!”

The dream world begins to distort as he remembers the first time he felt good around you and then begins to worry if you secretly hated him for what he did to you and Grim on Winter break.

“You don't want to use them, you don't want to deceive them.” Kalim continues. “And the same applies to competing with others. What you wanted wasn't a prize earned through dirty trickery! And you know it! Wake up right this instant, Jamil!”

“What I wanted? ...Hrk!”

The world distorts again with another memory: Jamil telling Kalim to shut up! Telling him not to give him orders! That he was through following other's orders! That he was going to BE FREE!

“Argh, you keep trying to tell me my business...” Jamil says, annoyed. “What would someone as oblivious as you even know about me?!” he punches Kalim.

And the two of them begin to fight while insulting each other. Until the insults are reduced to one adjective at a time between punches. Cynic, Imbecile, Jerk, Airhead, Blockhead...

“Such childish bickering...” Sebek comments. “The other students and Azul are all pawns made from darkness, but they're just standing there staring.”

He suggests that you aid Kalim, but Silver stops him.

“Let them get it all out of their systems.” Silver says. “Sometimes a fist fueled by emotion is more effective than any words. ...It definitely was for me.” He gives a small smile.

After some time of fighting, Kalim starts laughing.

“Huh? What could you possibly have to laugh about right now?” Jamil questions.

“Y'know, Jamil... I think this is the first time in our 17 years together that we've ever fought like this!”

“What?! Well, obviously! If I beat you up in reality, it would spell disaster for... Ah?!” The world distorts again. “Gaaah! Augh! It hurts... My head! In reality...? Why did I say that? Rgh, augh...!”

“That's right. This is all just a dream! Please, Jamil, remember! Remember the real you!”

“Right... That day... What I did to you... What I did to... Ah, aaagh...” Jamil remembers what happened on winter break, the dream shatters and he wakes up. “Heh. Haha... Ahahaha... That's right. I failed to oust you that day.”

Kalim celebrates that you all managed to wake up Jamil, but after a little chit-chat the ground starts to shake and fissures began opening all over the place. The dream was starting to break down because Kalim wasn't supposed to exist in it.

Idia warns everyone to get out of the dream as quickly as possible, but then the floor started giving out beneath Kalim. Jamil dove in to save him and the darkness began to dragging him in. Kalim grabbed Jamil to try to get him out of there, but Jamil told him to leave him and punched him when Kalim refused to do so. If you had also tried to help Jamil, he would have just push you too. And Jamil was swallowed by darkness.

When you returned to the dream after the Shroud brothers informed you that it was safe, you landed in Jahar Sahir College. And when you see Jamil he is wearing his Scarabia uniform. Kalim ran to hug him but Jamil dodged successfully.

You and Silver say you're glad he made it back, and Jamil says that he owe all of you a great deal before asking if someone could please fill him in on what was going on.

After the Shrouds show him the explanatory video he says he gets the general gist, and admits that he wasn't entirely sure the rest of you weren't more illusions he subconsciously conjured up, but he never would have thought of the cheat tools idea that Idia came up with. And continued talking about the possibility that it was part of Malleus' spell but it didn't make sense to bring it up to him at all, if that were the case.

“So it's probably safe to accept that all of you aren't illusions created by me or Malleus.” Jamil finally concludes.

“Dude, you were questioning our whole premise...” Idia comments.

“Why wouldn't I, after having my mind, my memories, and my whole world rewritten? But... if you're all real that means...” Jamil looks at you and starts to get worried. “W-when exactly did you get here?”

“Some time before you appeared riding an elephant at the start of the parade.” Ortho answers.

“Yes, we were even part of it!” Kalim adds smilingly. “It was super fun!”

“S-s-so... those people at the parade...” Jamil stutters as the panic grows. “T-the person w-who was with m-me on top of the elephant...”

“Aaaall that until we lost you to that black goop after our fight.” Kalim adds, oblivious to the main point.

“So... that means... that (Y/N)... that whole time...”

“Jamil Viper, please breathe.” Ortho asks him. “I am detecting worrying imbalances in your aetheric structure.”

“Jamil looks like he's going to explode with embarrassment.” Idia says. “I don't even know if that's possible in a dream, but I'd rather not find out.”

You realize the best thing to do is to calm him down, he was unable to say a single word anymore. You take his hands, tell him everything is okay and ask him to breathe.

“I-I-I'm really sorry...!” He says still in panic and almost petrified. “I-I don't know why I did that... I-I didn't want to... I didn't...”

You hug him and feel how tense all the muscles in his body are.

“It's okay. I don't blame you.” You say in a whisper close to his ear. “We don't control our dreams. If you remember what happened, do you remember what I told you?”

“W-what did you tell me?”

You confess that you like him too and that you knew that wasn't the real him. Maybe you even say that you’re willing to forget all that and start over as it should be when you return to the real world.

You then feel Jamil’s muscles begin to slowly relax. Until he reciprocates your hug, is as gentle as it is strong.

“I'm sorry...” He apologizes in a whisper, probably the most sincere you have ever heard or will ever hear from him.

“Aww, GROUP HUG!” Kalim says excitedly.

“NOOO!” Everyone else grabs him and stops him from joining you.

“My goodness, Kalim!” Vil scolds him. “You really need to learn how to interpret social insights.”

When you break the hug, he still tries to look you in the eyes, but can't. You chuckle and cup his face to make him look at you.

“Ironic.” You say with a reassuring smile. “You being the one who doesn't want to look into another person's eyes.”

A small smile begins to form on his lips and he brings a hand to one of the ones you have on his face. He looks at your lips for a second and when he sees you smiling connivingly, he kisses you.

A kiss that lasts until Grim loudly clears his throat. As soon as Jamil breaks the kiss and looks at the others, remembering that they exist, he... isn't embarrassed. He smiles smugly at them, still holding you.

“Hey, last time I checked, it was still my dream.”

If you would like to read more from me, you can find it in my pinned post: INDEX

#Twisted Wonderland #twst #twisted wonderland x reader #twst x reader #twst imagines #twst fluff #Twisted Wonderland Fluff #Jamil Viper #Jamil Viper x Reader #Dating in a Dream #jamil x reader

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tammyu-2 · 1 month ago

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hiiii. can you write hc for the turtles (if you do) for femreader with large breasts, like larger than normal, and has neck, shoulder, back pains, etc. with either rise or 2012 pleaseeee?? feel free to ignore, loves ya<33

Oookey however I won't do Mikey. I hope that's okay with you

2012 TMNT WITH A S/O THAT HAS BIG BOOBS

Some vulgar innuendos, sorta perverted on raphs side, trying to make this kinda pg but not that much, swearing, feminine pronouns

Let's hop right into it!

LEO

When Leonardo first caught had his eye on you he didn't really think much of it. He wasn't really the type to go for those physical attributes and more or less your smile would catch him before your tatas.

I think if he gets to a point where his crush is so bad then he will probably fantasize you with your boobies. Like full on dreaming about holding you as he used your built in pillows while you cuddle watching his favorite action show.

When you two stated dating it's a bit more..noticed. Especially since you often jump around whenever you see him because your excited to see your boyfriend. And since you've grown to ignore your jugs bouncing you barely take note... Leo however prays for forgiveness at even the slightest peak that happens to last longer than 10 minutes.

"Leo my eyes are up here."

Leo calmly looks up at you as if he hadn't felt like he was sinning hard as hell right now

"That is exactly what I'm looking at starlight.."

Whenever you wear boob windowed tops of revealing cleavage outfits it doesn't go unnoticed. He tends to be more clingy with you without trying to. It's just a natural response for him!

However, as much as you were blessed- it also had its flaws. Like the endless amount of back pain, you felt like you were a camel in the dessert carrying a heavy ass man. You tend to complain about it alot and Leo does small things like leaving extra pillows on the couch before you arrive and asking you to lie on your back alot when cuddling him. He makes sure there's heating pads at your disposal and little things like that.

"We all set for movie night?"

"...can I have another pillow-"

Not even waiting for the words to finish falling from your mouth. Leo tucks a fluffy pillow under you.

"Better?"

"Much."

He avoids touching them out of showing respect for you. Even if you say it's fine- this baby boy is NOT doing that. His papa raised a gentleman.

DONNIE

When Donnie first had his eye on you ofcourse he took in everything about you. That includes your girls. I feel like he would be the type to draw overly dramatic anime styled sketches of him saving you with you tatas doubled. When you jump? Honey listen to me.. when you feet touches the ground so does the back of his head...

They jumpscare him. Like he could be not paying attention and you appear out of nowhere and he visibly jumps at the sight of them suddenly entering his peripheral vision.

When you two start dating he is still the way he is. Just toned down. Like he is still overly flustered when they jiggle alot and he is still blushes madly at the mere MENTION of them. But he is controlled a little to a different degree.

If you wear cleavage revealing outfits then you best believe his nose be bleeding every single time. Even if it's the same outfit you wore 3 times in a row. He is GONE. If he ever gets the chance he will sit down and praise then for an hour and a half- summarized.

If you complain about your pain of having constant melons to carry around like a pregnant lady but longer than 9 months. Then our little genius will get to work. He will create gadget and gizmos. He will also leave around body pain medication and heating pads for you. He will also give you snacks thinking that sometimes it might be your menstrual cycle.

"Vuala! I present to you this magnetic gift for you darling!"

"Donnie this is a corset?"

"Not just any corset but the world's first ever comfortable corset. It is embroidered with built in cushioning along with a flat like table to rest your....assests on to. Gently gving you stylish fashion AND giving you comfort that a bra could do but better!"

".... WHERE THE HELL WERE YOU IN THE VICTORIAN ERA-"

Please let him sleep on them... he litrally is on cloud 9- like it's marshmallows but better. He would 100% Hint at it because he's too shy to ask upfront ot he will go full on 2018 Y/N on you.

"C-c-c-c-a-a-"

"Just lie down Donnie.. "

RAPH

We all know where this is going right? It's bright as day. The first that caught him about you were your little friends, thing 1 and thing 2, and he is SHAMELESS. You guys aren't even dating and he is relentless with it.

"I have a secret talent."

"Oh yeah what's that?"

"I can guess any girls bra size all you have to do is just jump"

"I'd rather jump off a bridge."

"Can I record it atleast? We can do it like a topless-"

"RAPH SHUT UP!"

Your taste is questionable. And you two end up dating. Now it gets worse because before it was sorta empty promises. Now there's nothing TO promise cause he knows he can anyway.

He will wrap his arm around you wast and just grab them like stress balls. He will put his face in it after a long day of being a ninja. He will just grab one to feel the warmth of it.

He cat calls you whenever you wear revealing clothing that show of the powerpuffgirls. Like full on construction worker type cat calling. He will get you attention and just stare. Your eyes are up where? No silly they are down here.

Whenever you have pain her doesn't know what to do cause he normally isn't good with being sympathetic. So he asks april bluntly which leaves him with a slap to the face and a scolding on manners. He will get you heating pads and pain meds but that's all. Other than ofcourse-

"Ugh my back is sore.."

"You want me to hold them for you?"

I don't feel comfortable doing Mikey sorry...

Hope you guys enjoyed that I'm going to try post 2 more but here is some food for yall. Once I finish Monkie Kid I will add that onto my masterlist and you guys will now have the option of request cookierun kingdom!

Okay baiiiii

~Tammy<3

Not proofread

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just-a-creep-babe · 6 months ago

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What Makes You Tick - Prologue

(Ticci Toby x Reader)

Cheers to the new longer fic series starring Toby! Hope you enjoy this brief little intro to get a taste of what's to come~

Commissions are open!

Masterlist: x

Divider by @plum98

Work.

That’s what Toby’s life revolves around. Day in, day out. He doesn’t have hobbies, doesn’t have friends to hang out with—and he certainly doesn’t have a family to go back home to, either. He has work.

It consumes him.

He’s thankful for it, though. It’s pathetic to say, but at least he has something. At least he’s still good for one thing. At least he’s not completely fucking useless.

So it doesn’t bother him when Slender sends him out on a mission not even a full 24 hours after the last one. It's just another distraction, another way to kill some time and keep his darker thoughts at bay. It's another way to feel useful, to feel needed.

He notices, as he's preparing his things, that his partners in crime aren't the happiest about getting thrown into another job. But then again, when are they ever happy?

Toby sits on the couch in their dingy cabin when he finishes prepping. Hoodie joins him not too long after, leaning against the side of the couch with his arms folded over his chest, and both wait in silence for the following orders.

When Masky has most of his things ready, he stands in front of them and addresses them for a debrief. It's a fairly standard mission, as far as jobs go. Something about someone with the Sickness who's trying to find the cure and needs to be intercepted—same old, same old. There's a strange kind of comfort in the regularity of the work.

Ever since the incident, Toby's life stopped making sense. But at least there's still some semblance of routine within the insanity of it all. At least he could still cling to these fleeting threads of normalcy.

"Toby."

Snap.

Masky snaps his fingers in front of Toby's face.

"You're zoning out. I need you focused."

"I am focused," Toby retorts.

"No, you're not. You're not taking this seriously."

With a roll of his eyes, Toby looks up at the ceiling.

"That's because we've done this exact same job hundreds of-of times by now. I don't need to listen to the same fu-fucking debriefing every s-single time."

Masky pinches the bridge of his nose, furrows his brows, and exhales deeply through his tired frustration.

"It's not the same every time. I'm giving you important information that you need to know and you need to remember. I don't do this shit for fun, Toby; it's not a fucking game."

"I'm not saying it's a fucking game," Toby stands abruptly as a jolt of anger snaps through his body. It takes everything in his power to stop himself from grabbing Masky's collar and shaking him. "I'm saying I'm sick of hearing you spew out the same crap time and time again when you—when you could just s-summarize it or something!"

"I am summarizing it—you fucking dipshit. You'd know that if you fucking listened for once in your life."

Toby's about to lose whatever meager ounce of self-control he has, when Hoodie steps in between them and separates them.

"Alright, that's enough. No injuries before we're on site. I don't wanna have to work more to compensate for dead weight."

"Just—focus, alright?" Masky insists, and all Toby can think about is how satisfying it would be to throw his fist into his dumb fucking face.

"I am focused," the youngest of the three seethes the words out.

"Alright, can you repeat the plan to me, then?"

"We're finding our target, going in, seeing what edge we can find. They have some—some notebook or wh-whatever and Slender wants it back. We kill if we need to."

Masky groans, as if the recap isn't good enough, but Hoodie shakes his head, as if to dissuade his partner from arguing any further.

"It'll do," Hoodie states, "C'mon, it shouldn't be a long one. The sooner we're in, the sooner we're out."

And just like that, the three separate to start loading up the car and heading out.

Masky drives, as usual, and Hoodie takes shotgun, leaving Toby in the back, as usual. He doesn't mind it too much, though; anything is better than sitting next to Masky for an extended amount of time. Plus, not having to worry about the road gives him plenty of time to look out the window and daydream. It's one of the few times he can escape, and his mind won't take him anywhere unpleasant.

Well, most of the time it won't, anyway. Which is about as good as it can get.

They sleep at a hotel after driving non-stop for the rest of the day, and they're on the road for the following two days after that. It's only on the fourth day that they finally crash at a hotel that Masky announces will be their "home, sweet home" until the end of the job.

He recaps the mission, again, but Toby, admittedly, only really pays attention to their target's description. He hears Masky explain that they’ll start working at dusk, but Toby’s already too busy testing out the mattresses and pillows to bother listening.

Thankfully, Masky ignores him instead of bitching at him, and the two other proxies talk about more shit Toby doesn't care about.

At least this won't be a long one, Toby thinks, his eyes already growing heavy as the comfort of the cheap hotel bed encourages him to relax. The last coherent thought he has is the feeling of relief that at least this mission’s bound to be over before he knows it.

And then his thoughts are lost to his dreams.

#creepypasta #what makes you tick #creepypasta x reader #ticci toby #Ticci Toby X reader

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mudelebentru · 1 month ago

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I liked this article, although I don't agree with "patriarchy good" and the casual misogyny. But I agree with the author and "his" solution -already shared it on this blog.

If you go by how we use the word colloquially which is all that matters, basically 99% of men are pedophiles. It is true that if you're going by the dictionary definition “a psychiatric disorder in which an adult has sexual fantasies about or engages in sexual acts with a prepubescent child” only about 1 to 4 percent of men experience pedophilic attraction. However, 9 times out of 10 when someone's calling a person a pedophile online that's not what they mean.

So what about their revealed preferences? Instead of asking men, what if you showed them a series of images of naked underaged girls and naked adult women and then measured their reactions (don't ask me how this study was legal)? Well, then the percentage of men who are attracted to sub-18-year-old girls is by no means a minority.

In the first study, there was very little difference between the amount of arousal men experience from seeing nude 12 to 16-year-old girls and nude 17 to 37-year-old women. In the second study, men expressed a preference for adolescent girls ages 11 to 15. So from these two studies, the results indicate that men are either more attracted to adolescent girls than adult women or almost as attracted to adolescent girls as they are to adult women. Either way, it's not looking good bros.

They legitimately have convinced themselves they could never find a teenage girl attractive because such attraction is legally, morally, and socially prohibited. None of this changes the fact that if you show them images of 15-year-old girls in bikinis their penis becomes erect.

Oh, one last thing before I move on. If you are a woman reading this, I want to give you a very helpful piece of advice. If you have a guy friend who regularly says things like "I'm 27, I could never find a girl who's 19 attractive that's freaking weird and gross" that's the type of guy who is knowingly lying and he is a dangerous sociopath. Run.

(this part lmao)

In reality, if you remove all extrinsic social factors and place men back in the state of nature for a couple of generations they become way more violent and rapey.

In pre-civilization times something like 1/4 of all males died due to having their skull caved in with a rock by another dude. About 1/10 of the Skulls from prehistoric women have also been found with rock-shaped holes in their heads. Given that most female homicide victims throughout recorded history have been killed by men I think it's reasonable to assume that was probably the case back then too. I can't find good stats on prehistoric rape because unlike getting hit with a rock it often doesn't result in skeletal trauma that anthropologists can later identify. That said, the idea of sexual consent being important is a relatively modern phenomenon. Let's be real if a fella is willing to bash your head in with a rock I don't think rape is far-fetched.

Our patriarchal society makes men behave far better than they otherwise would. That said, the previous studies showing the ages of girls men find attractive demonstrates the limits of socialization. We can change men's actions and stated preferences but their underlying drives, urges, and desires will always remain the same. To summarize, the essentialist radfem who believes that all men are born violent rapist pedophiles is a lot closer to being correct than her moderate counterpart, since she doesn't try to shift the blame from men onto some nebulous social structure.

The author responded to a thoughtful comment saying:

"Thank you for reading my piece. I'm glad you had a chance to read it as you were one of the authors who inspired me to write it. I'm going to compartmentalize your response that way it'll be easier for me to respond to each point.

> and possible start advocating for major male-specific eugenics

This is unironically my ultimate solution to the issue. In the past eugenics was actually performed somewhat unintentionally in Western Europe with around 1% of the most violent elements of the male population( rapists murderers etc) being executed each generation before they could create offspring for about a thousand years. I think Ryan Faulk ( the alternative hypothesis) did a study on this. It had a massive effect on the Western European gene pool both raising its IQ and domesticating it somewhat. In pre Medieval Times northern European men had rates of homicide exceeding some African societies. I think more feminists should take a serious look at Eugenics as a solution to the issues they have with men since “ teaching men not to rape” is probably not going to eradicate the issue entirely. Plus many of the four foremothers of the feminist and Reproductive Rights movement like Margaret Sanger were ardent eugenicists."

Men are telling you again who they are, how they think, and what the solution is.

#blackpill feminism #blackpill feminist #male bullshit stories #kam #Kill all moids

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lovelybee666 · 1 year ago

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FLUFF ALPHABET DOGDAY

A ctivities - What do they like to do with their s/o? How do they spend their free time with them?

I already published it in one of my first writings but so that they don't bother to see it, they both play hide and seek, tag, maybe truth or dare, etc.

B eauty - What do they admire about their s/o? What do they think is beautiful about them?

He thinks everything about you is beautiful, from your eyes to your your toes (if you even have toes or feet).

C omfort - How would they help their s/o when they feel down/have a panic attack etc.?

If you are sad he tries to cheer you up either by giving you physical or verbal affection, drawing, talking, watching something, whatever cheers you up.

D reams - How do they picture their future with their s/o?

It sounds strange but he would like to have a family (he knows he can't 😞) he would like to see you and him with his little children but since he can't, he use his stuffed version as one and depending on how you are, you will play along or try (don't even think about telling him that it's stupid of him or I swear I will come to your house with a gun 👹 /j)

E qual - Are they the dominant one in the relationship, or rather passive?

He's in the middle 👍 there's not much to say honestly

F ight - Would they be easy to forgive their s/o? How are they fighting?

Look, I don't know what happened but it was probably your fault😒(just joking) their arguments probably don't go beyond a few raised voices, the second the discussion ends there are two options, the first is that he run to you and apologize or that he is lecturing himself with his tail down.

G ratitude - How grateful are they in general? Are they aware of what their s/o is doing for them?

He is VERY grateful and even thanks for things he shouldn't(I'm sorry this is short, I couldn't think of anything)

H onesty - Do they have secrets they hide from their s/o? Or do they share everything?

Imagine there is a door, that door symbolizes honesty now look at Dogday's door that door is so open that the door flew away and the frame too.

I nspiration - Did their s/o change them somehow, or the other way around? Like trying out new things or helped them overcome personal problems?

J ealousy - Do they get jealous easily? How do they deal with it?

I'm already doing a hc of him jealous so this will be more summarized and shorter, It's difficult for him to get jealous since he trusts you TOO much but if he is jealous he will try to get your attention hugging you and saying your name over and over again.

K iss - Are they a good kisser? What was the first kiss like?

The first kiss was okay although he had never kissed so at first it was a little awkward, as time went on his kissing skills improved(he definitely didn't ask Bubba, Cickin and Bobby for advice☺️ DEFINITELY)

L ove Confession - How would they confess to their s/o?

He was nervous, he asked Catnap if he could come and support him, he complied as a good friend and he was a little far away but behind you with a sign that said "YOU CAN DO IT, DOGDAY!" or said what Dogday was supposed to say because he probably forgot(I promise to make a more detailed version soon in the not too distant future).

M arriage - Do they want to get married? How do they propose? What would the marriage be like?

He wants to marry you but since you and him are toys you can't but still in some creative way you got married, they used a fabric that they found with the help of Crafty and they got married, it was actually something funny and adorable to see (YOU DEFINITELY WORE THE SUIT AND DOGDAY THE WEDDING DRESS‼️‼️) by the way, the ring was some donut-shaped gummies.

N icknames - What do they call their s/o?

I already made a post about it but I wanted to make a little update here by adding "angel" and "star"

O n Cloud Nine - What are they like when they are in love? Is it obvious for others? How do they express their feelings?

It's VERY obvious, just watch him for a few seconds and you'll see how when you're close he moves his tail and seems happier, he stops what he's doing and comes to greet you giving you a hug while his tail moves at a thousand miles an hour, he's not sure if he's in love, he confuses his feelings and thinks maybe he just loves you as a close friend (spoiler, it wasn't)

P DA - Are they upfront about their relationship? Do they brag with their s/o in front of others? Or are they rather shy to kiss etc. when others are watching?

He's a big fan of PDA and even once probably shouted from somewhere quite long how much he loved you(a worker or Miss Delight scolded him because the children were supposed to be sleeping at that time), He loves to hold your hand and kiss your nose, he probably emphasizes 24/7 that you're dating him, he is very proud to know that you are dating him, If you are not a fan of PDA, he respects it and when you are alone he gives you a lot of kisses on the cheeks and hugs you.

Q uirk - Some random ability they have that’s beneficial in a relationship.

There's not much to say but technically you're second in command for dating the guy who's the leader👍 IDK MAN

R omance - How romantic are they? What would they do to make their s/o happy? Cliché or rather creative?

He is cliche AND creative, He likes to do very cliché but very creative things at the same time, They are going to have a date with red petals and candles, yes, but instead of candles they will be candles with fun shapes, the petals will be daisies (clearly I don't get them from a destroyed Daisy) and the chairs are chairs of frogs, he likes to do the same things that are romantically cliché but at the same time add things that have nothing to do with it or make it chaotic.

S upport - Are they helping their s/o achieve their goals? Do they believe in them?

ABSOLUTELY YES, it will help you in anything, believe 100% that you can achieve any goal you have.

T hrill - Do they need to try out new things to spice out your relationship? Or do they prefer a certain routine?

Every day he do something new with you, one day you are looking some ants working and the next you are creating a base to protect yourself from a non-existent deadly virus that he created with you.

U nderstanding - How good do they know their partner? Are they empathetic?

Depending on who you are, he probably knows a lot about you and is quite empathetic (I couldn't think of anything here, I'm sorry)

V alue - How important is the relationship to them? What is it’s worth in comparison to other things in their life?

For him you are the most important thing in his life, his top is probably

3. Humans

2. His friends

1. You

W ild Card - A random Fluff Headcanon.

When you give him the cold shoulder after an argument he goes to Catnap and Catnap has to deal with his best friend crying because you don't listen to him

X OXO - Are they very affectionate? Do they love to kiss and cuddle?

Y E S He is very affectionate although obviously there are days when he is less affectionate.

Y earning - How will they cope when they’re missing their partner?

He will be looking for things that remind him of you and hugs them while waiting for you to appear.

Z eal - Are they willing to go to great lenghts for the relationship? If so, what kind of?

He is willing to do almost anything for the relationship, his only limits are attacking or killing someone for obvious reasons.

I FINALLY FINISHED THIS, now I will have to do other pending things

#poppy playtime #poppy playtime x reader #smiling critters #smiling critters x reader #dogday #dogday x reader #fluff alphabet

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squeakyleftsneaker · 28 days ago

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Some Style, Shit Substance: A Very Voltron Postmortem

A tale of squandered potential, and the necessity of multiple drafts.

For the past 3 weeks and change, I have been consumed by watching and taking copious notes on the 2016-18 reboot of Voltron, Voltron: Legendary Defender. This has been a truly baffling journey for me, I won't lie. Having some familiarity with older incarnations of Voltron I went in with a few expectations. That said, fairly immediately upon seeing the first episode, I realized it wouldn't be appropriate to view this show through that lens. Instead, I decided to take it for what it is.

In retrospect I kind of wish I hadn't. Because maybe I would have some residual fondness still for the original shenanigans. But still.

In the spirit of fairness, of experiencing a reboot through new eyes, and because I do not have the time to do an exhaustive and detailed rewatch of all other incarnations of Voltron for this purpose, I will, however, still be taking this show in isolation. I think that's only fair, and I won't be summarizing the show in any detail here either because, well, I'm worried about the length of this as is already. I will be going into this show from the granular to the very broadest of strokes, so obviously spoiler warning for all of this goes without saying.

The myriad issues with this reboot have somewhat ruined my life. I have been consumed by What If thanks to this show. I am haunted by this show. I wish I could tell you it was bad in a boring way. And it is at times. But it is also bad in several very interesting ways to me and so I cannot let this go. I am a dog with a bone. Or just boo boo the fool. I took all those notes and I want to do something with them. Dear reader, I have written so many words about this show without any order and the lack of order and cohesion rocks me to my core. So enough preamble, let's get into it.

It is very important to me to note that some of these characters lack last names.

Something like this seems a rather small quibble to open on. After all, the fandom assigned them some last names anyway, why should we be bothered by Hunk, Lance, and Keith never getting last names? And I think you'd be right to question the methods to my madness, this is a very small place to start, but I think it's a very illustrative place to open this show up.

Three out of the five characters from Earth that are at least nominally the protagonists of this show lack something so biographically simple as a last name. To me, in another context, an oversight I could forgive, I suppose. But you have to wonder, when Hunk and Lance's families are shown, when Lance's sister becomes a named and somewhat central character later in the show, why wouldn't you slip it in?

This is such a no brainer. When you're giving side characters who will only briefly appear, such as the MFE pilots Ryan Kinkade, Ina Leifsdottir, Nadia Rizavi, and James Griffin, full names, to not do so for your protagonists is just an odd oversight.

There's character details that simply don't make sense from moment to moment to moment. But the main thing that bugs me is that the characters, simply put, don't speak to each other. Whenever we see them during downtime, they're apart from each other. We're not watching a plucky group of upstart humans whisked into space with an alien princess to become friends and save the universe. We're watching a main cast with a level of civility comparable to coworkers in different divisions of a big corporation. These guys do not know each other.

Think I'm joking? Try to think of them hanging out. Just hanging out in the background of a shot, spending time together, chatting, anything, really. Or even better, when one character is missing, what happens?

Well you get your first real taste of the utter lack of bonding just two seasons and a bit of change in. Shiro dies, and not one character has a real moment that we saw on-screen to reminisce about with him. Not one. Keith goes away to the Blade of Marmalade and no one really says they miss him, nothing really changes in the team dynamic. Allura dies at the end of the show and we see the characters reminiscing and, well, you guessed it! It's not personal!

These people are not even friends, let alone a found family.

These people are strangers to each other, and to us! We don't know what they like to do, beyond Hunk being of course made to Love Food to the point where the show almost forgets that he's supposed to be a mechanic until they need someone to argue with Pidge.

I couldn't tell you what Shiro likes to do. I couldn't tell you much about Lance's background beyond "He has a big family. He's future-Cuban." I can't tell you anything about Hunk beyond "He's scared, he likes food, and he's a cheap tool for mean-spirited physical comedy for the writers." Pidge is Smart and Always Right. We know about Keith's backstory because he and Shiro share that much as a central focal point for the show until the show forgets about it (and put a pin in that, dear reader, we'll get there).

And lest I be accused of being a relentless hater, I'm being hard on it here because the show itself has a really great example of an interpersonal relationship done right. At least for most of it. From the outset of the first episode we know Keith and Shiro are friends from before all of this. We see them interacting in the background, we see how they interact with each other is different to how they interact with the other characters!

Moreover, the way their relationship evolves throughout the show has bearing on the actual story being told! Shiro's willingness to blow through an alliance with the Blade of Marmora for Keith, Keith's no-holds-barred determination to save Shiro, the way the story has them evolve from a more imbalanced relationship to ultimately becoming equals when they fall together at the cloning facility. It matters for the story that these two are the way they are, and the plot changes their relationship to each other.

And then the show threw all the goodwill from that away in the final two seasons where they effectively do not speak. So we don't even get to see any ultimate culmination of what that all meant for six seasons. And even worse, there's no other paladins that interact with each other. So here we are, by the time we reach season seven, none of the paladins talk to each other anymore.

It's why the romances in the show feel so cheap. There's no consistent characterization, there's just a bullet point or two for what each character Does. In terms of character, we have no character.

This makes a plausible romance for any of these characters really fucking difficult to write. They just don't talk to each other! We see them in meetings, I guess, where we as viewers are getting valuable exposition about the plot that has happened offscreen (and I will get to that, but we're starting on a foundational level), but nothing really outside of it.

The romances in this show are, frankly, messy. Lance will do a total 180 in scenes whenever they need him to, going from a bit goofy to wildly insecure to someone speaking like he's been pulled out of a fourth-rate self published poetry collection, just so they can have Allura seem attracted to him.

Unfortunately it also just makes him deeply, deeply boring.

Allura is flattened down for the plot. She simply must fall for Lotor, and instead of doing so in a believable fashion, her rougher edges are softened away off-screen. Her trust is not earned, it is instead simply placed in Lotor by the writers. Lotor, a character who we simply never have reason to trust because there is no effort to make him trustworthy. They'll show us his childhood, and yes, this could make him sympathetic, but at no point could a viewer truly believe he wouldn't betray the paladins.

As much as he used Allura in the narrative, the writers used her more. Flattened out, shrunk down, and ultimately, I think the worst part is that she wasn't the only one.

A collection of odd and counterproductive choices are made here.

There's any number of decisions made in this plot that are, overall, baffling. For me the most obvious choice would be having Allura pilot the red one once Shiro dies. They establish Allura to being a more instinctive pilot than the others, they establish that she and Keith have a lot in common– and they're both emotionally driven. They establish that it was her father's lion.

And then they have her pilot the blue lion. The blue lion which was kept on earth and is being piloted by the everyman character. The blue lion which is supposed to be an emotional foundation. But Allura doesn't necessarily fill that role in the team! She pushes back against Keith's leadership, rightfully, she fulfills a narrative role that is to push the team, she's impulsive, she's taking actions that are more aligned with how the show itself describes the red lion and Lance is, within the limited degree to which they remember to keep him consistent, in a much more supportive role to the team still.

We're splitting the most human (to us) character from the most human lion! The one with the connection to Earth! Our point of entry into space in the exact same way Lance is our point of entry into this world! We're putting Allura in a role that's not aligned with what she actually does! Why?

It could be an interesting subversion of the trope if they did something with it but they just don't. At no point is that interrogated. You'll see this keep coming up over and over again. And I remain firmly convinced that had this show had more time in development, someone would've come up with this very solution. Time and time again, you see moments that could've been more impactful had she been in the red lion due to her personal connection to it.

There's other odd instances where characters are put at odds with what we know of them. One interesting one for me was making Keith a massive hypocrite and doing nothing with it. Keith who screws everything over to go get Shiro tells Pidge off for going scorched earth for her loved ones. Why? Will they address this tension? Nope!

At the same time they position him as the one who needs to open up and stop fighting with Lance in spite of the fact that to him, Lance is effectively a stranger and Lance is the one who instigates every time. The show also seemingly forgets about this antagonism when convenient but will bring it back every now and then for cheap comedy.

It's fine to have shifting dynamics! But we don't see them shift at all! One moment it's one thing the next it's the other and we still don't feel like these characters are anything other than strangers to each other.

Shiro tells the paladins to spend time with their loved ones before the Atlas launches in season 8. Keith is completely alone. Shiro is completely alone. Lance and Allura go on a date to meet his family where Lance speaks to her in a way that is entirely unlike anything you could reasonably believe. Allura is softened down to an insecure and uncomfortable girl in need of comfort. They took the dynamic between them of Allura being confident and Lance being flirtatious but ultimately insecure and made it so that Lance is a generic romance man and Allura is just so unsure and meek that she needs him.

With all due disrespect, I'm rolling my eyes.

Speaking of eyerolls we simply need to address the Curtis in the room. Who is he? I don't know! You don't either! We know nothing about this cardboard cutout Shiro marries. I wonder what the divorce rates are in this universe.

I'm sorry, I know this is mean, but I feel rather insulted by the show. They spend a rather considerable amount of time getting Shiro to a point where he seems to be an equal to the paladins rather than forced to be their leader, and then he just doesn't speak to them for the final two seasons.

We spend all this time altering the power dynamic for nothing. We introduce the idea that Shiro had difficulties with a relationship, he felt grounded, he felt the need to push past his limits because others were imposing them on him. I'm not asking for Adam to get back together with him in the end, I think that sort of thing would've been unrealistic– it ended messily and before extremely traumatic events for both of them. That's a soup of bad idea right there. But closure for the two of them wouldn't have been a bad idea.

Well. It wouldn't have been a bad idea for Adam to live full stop. If only they hadn't killed him then maybe they wouldn't feel the need to rush a Happy Gay Wedding for the end credits. Shiro's character arc isn't fulfilled by romance! The show tells us he wanted to be free of expectations placed on him, the show strips him of all meaningful connections he might have, and as he finally gets to a place where both of those things can be fulfilled they shunt him off to the side.

But I guess we get two men kissing on screen? I really don't think I have anything kind to say about the show thinking that that's a substitute for a meaningful queer relationship. But with how they wrote seasons 7 and 8, there was simply nothing else they could have done without major changes.

I really think this show could've used several major changes.

It's just not shaped right, I'm afraid.

In the very first season of the show we get multiple multi-episode story arcs. This is a lot. They're very plot heavy episodes. This means the bulk of the first season is not spent establishing the characters, making them interact and setting the tone and overarching themes of the story through episodic plots.

I cannot overstate how difficult this makes setting up the remainder of the show. We enter season two with fuzzily defined characters, with a plot that is already in motion but not well established, and an utter lack of conventions set by the world.

No wonder there's a slew of exposition in the show. There's so much exposition I complained about it nearly every episode. This is bad for our immersion a lot of the time! Very early in the show we're told about the Balmeras and every detail about them. I cannot even begin to express how impactful that information would've been had it come from interaction.

The show spends a lot of time telling. Which, I thought the point of a show is, well, to show.

This bleeds over from the characters, where we're told they're friends but I struggle to see how they could possibly be when we never see them together. We spend so much time in the Castle of Lions, and I frankly couldn't tell you a personal thing about it! They have to give up the damn castle and we as viewers feel almost nothing because it's just not something we interact with beyond being on the bridge for an exposition dump briefing before an episode. It just robs us of the opportunity to connect.

We spend so much time with side characters in the final seasons of the show the main characters get lost. Because they have the exact same degree of development and depth as the side characters. We fundamentally do not know anything here.

There is a world where this show is shaped right– the first season is getting to know characters. Spend that time on episodic and self-contained adventures! Then give us the big tonal swing for the season 1 finale. Season 2 can stay somewhat similar, I think it really hit a good note there, just cut down on the exposition and definitely let us come to the realization of how Zarkon is tracking them rather than just telling us. Build it up like a horror movie. Give us the big sense of loss when they lose Shiro because we've spent time seeing him interact with other paladins! Then they can relate to Keith.

GIVE ALLURA THE RED LION for fucks sake it's an easy fix! Have Lance work through his feelings of insecurity with reference to Keith without having to step into his shoes! Have Keith come to the realization on his own that once they find Shiro, he'd need to step down.

For fucks sake the clone needs to feel insidious. Don't TELL us he's a clone from the start! Have him interact in ways that are slightly off. Have the characters actually notice, have them miss Keith or even just think about him every now and then when he runs off. Start building trust between Allura and Lance, make us trust Lotor before showing us what he's up to (and maybe explore the idea that Voltron is allying with the heir to the Galra throne). Address the character moments.

Seasons 7 and 8 are beyond rushed. I am fully on board for them doing a hero's cycle return to Earth, but my god they lack structure in both of these seasons. Focus. Focus on your main characters, focus on both the ways in which the Earth has changed but they have too. Let us see more of Lance's family and the ways they relate to him have changed! Let Hunk not be a cheap joke please! Maybe let Keith NoLastName and James Griffin work it out on the remix.

Give Shiro something to do please. Shiro and Keith in the final two seasons are friendless and Shiro gets to do fuckall. Keith is pretty damn useless in the show's finale too. Give them something to do! And please, please, please, remember your ensemble cast needs to interact.

What are we doing here, Bob?

The overarching plot of this show is a bit muddled. Ultimately you can, if you try your best, piece together the semblance of a plot as needed– there is a universal threat from the corruption brought in by the cosmic rift, and it must be fixed.

But that's kind of weird, isn't it? It negates the damages done by Zarkon's empire. It even negates Lotor's colonial impulses. It takes away from the Earth, it takes away from Sendak.

And it takes away from all of that not because it exists, but because it removes the source of their wrongs from their own choices. It removes agency. It cuts down our antagonists! Our antagonists are no longer persons, instead our principal antagonist is. A magical blob of evil from the space between dimensions. A primordial evil. One that robs everything that's come before it of intention.

The pacing is all over the place, not aided by the extensive amounts of exposition in every episode. It's not an unfixable show, but in the ways that the season structures are all off, so too is the thematic undertone of the show.

The show's ultimate conclusion brings us to leave one of the main characters behind, because what does Shiro even do right now. Keith is ultimately pretty useless, and really all of the paladins lack agency, even Allura, because they're following the whims of a magical evil space blob. Great. That's a great way to conclude.

And the show looks at Allura, at the first incarnation where she's not represented as white, at this woman who has lost everything and come out fighting on the other end, at this woman who they made fall for a colonizer, and decides that the best thing she could possibly do for the universe is die.

This Black woman must die to fix the sins of her people, that corrupted the villains. You see, it's really the woman's fault. It was Eve that brought Adam the apple. The show at no point questions that. The show concludes, ultimately, that it is a good thing for a woman to die for this. That's a great note to end your story on, I guess.

The assortment of errors tells a story I cannot endorse

To do something worthy, in Voltron, is to sacrifice yourself. Lance does it. Keith does it. Shiro succeeds at it. The show's conclusion is that Allura can only save the universe through her death. Fatalistic, and I can only hope that theming was unintentional.

But there's another undercurrent that unsettles me in the show, with the status quo of the universe. It's the unquestioning belief that Lotor was doing something right at all. It's the unquestioned reality of hereditary monarchy. It's the unquestioning position of superweapons as a moral necessity.

Voltron is a weapon, made of smaller weapons. Voltron used to be the collection of the powerful. Though the show gestures at Zarkon considering there to be inferiors and superiors, it sure as hell does a fantastic job at reinforcing the notion. The Earth is governed by military authority. The Altean castle is weaponized. There is no Eden for Voltron, there is no peaceful before time. We learn the Alteans are supposedly diplomats and not warriors and yet there is a need for diplomacy as organized by a hereditary monarchy, and a desire to make a superweapon from an unknown material.

I keep emphasizing that Voltron is a superweapon because when Lotor ascends the throne and uses Voltron to his political aims, that should matter! There is an inherent tension with a superweapon being considered a symbol of peace. A tension exacerbated when it aligns itself with the heir to a colonial empire.

A colonial history that the show itself never questions. When the paladins help to fix a shield on a "labor planet" at no point do we think about what the phrase labor planet implies. In episodes where they're trying to rescue the aliens, very little time is spent actually getting to know the aliens. We have little time for sympathy for the colonized.

We see the Voltron show, pure pageantry at the service of ego, juxtaposed with real loss of life, from the Blades, from the rebels memorialized with the phrase "The path to freedom is won through sacrifice." And then there is nothing to indicate those two things are in tension.

We see Honerva corrupt her husband in something that could almost be a parody of Adam and Eve. He is, of course, narratively redeemed in the end in spite of killing countless people, in spite of effectively committing a genocide of the Alteans. Honerva must be fixed by another woman, a woman who can only do the greatest good for the universe by dying.

I am not inclined to be charitable about these decisions.

Does the show realize it's in tension? Does the show realize it is telling us as viewers that the powerful are sympathetic, that we normal people are to be sacrificed, that the military and weapons are an ultimate good, that good and bad are intrinsic to a person and not

I'm not going to shy away from the fact that it leaves a foul taste in my mouth.

Ultimately I don't think any of the more insidious parts were deliberate. We fall back on tropes, on the stereotype, on the language of a genre that has been largely determined by the society that formed it (psst just a hint for this kind of science fiction, that's a lot of white dudes), when we don't watch ourselves. And how can you keep a wary eye on plot, on structure, on the nuances of the politics of the world you're writing, when you're taking three years to put out eight seasons of this show. That's not enough time for a PhD in my field of study! Let alone a long-term science fiction show with a writing team, animation team, etc.

When you rush, you say things you don't intend to. We all are guilty of this. If you think you're not you're probably lying to yourself. This show was so rushed I'm not at all surprised it turned out the way it did.

I'm just disappointed.

For all its flaws this show displays technical proficiency in a lot of areas. The animation is beautiful, they consistently write and animate great fight scenes that make wonderful use of vivid and unique environments. I think that Keith and Shiro as an interpersonal dynamic for the first six seasons of the show is terrifically done in places. I think the fight between them at the cloning facility is probably the peak of the show in writing and animation. Spectacular, heart-wrenching, and serves to bring them to an equal playing field.

Some moments of the show are genuinely funny. The writers have a good grasp on humor when they're not doing mean-spirited physical comedy with Hunk. There's a lot to like about the potential of Voltron. The voice acting and performances are great! I think they got a really lovely cast together and they play off of each other well!

It's just impossible to write something of this scale in three years and have it work out. It's impossible because we need time and space away from our writing to think about what it needs changed. We need to take the time to explore other ideas.

I love science fiction. I will always love science fiction. And this show was made by people who are good at what they do. They just didn't have time.

El flojo trabaja doble. By not drafting over and over again, they made it almost impossible to salvage this show. Take more time, the work in the later seasons to bring about a fulfilling ending would've been achievable.

As it stands the show is a colossal wreck. A tale of a lot potential, a sea of good ideas, and a road to hell paved with good intentions.

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familyagrestefanblog · 2 months ago

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Daddycop analysis: How Marinette viewed Adrinette when it came to FATE

I don't get around to make a better structured post, but the one thing that actually intrigues me in it's 'bothersomeness' about Marinette's drama in "Daddycop" (and one for which I'm very curious if it'll be the same in the French original cause it might just be a case of English Dub dialogue changes) is the way the episode just leaves it pretty much unresolved that Marinette, while sobbing about how her happiness is forever ruined, was out here blaming all of that on Adrien not changing his mind on having the date TOMORROW (so its not like she was denied anything, the point literally was that she gets both her date and her girls night fully instead of half-assing both at the same time. So Adrien rescheduled the date to the next day. This happened for HER benefit) while acting like SHE had nothing to do with the date not having happened.

"You all agreed to it [Adrien coming, though they didn't actually know cause she tiptoed around saying anything useful cause she didn't wanted to be told "no"], but it looks like it didn't change his mind, and now everything is ruined [puts her head on the table]"

Like, girl, that's a crazy victim-complex on display right here. Omfg.

In a situation where Marinette thinks having the 100th kiss this evening is the only way that'll cosmically seal their happiness, and not having it will cosmically doom everything and she'll apparently never know happiness again,

Girl sure showed NO self-awareness that the reason why Adrien explicitly said "no" several times was because SHE forgot the plans she already made with her friends, as well as not realizing that she nuked any normal chance for him to change his mind by keeping on insisting on him attending without listening to what he's saying (which she continued doing):

But for Marinette, that didn't matter. In her eyes, there was nothing SHE could have possibly done that could result in her being anything but innocent in their relationship ending up being cosmically doomed. Only ADRIEN can be wrong in the case of this specific evening deciding their fate as couple. Not her. Not even for a single SECOND, her.

And on a VERY important note:

She also doesn't think that withholding the knowledge of this cosmic event from Adrien is unfair or a factor in itself that could POSSIBLY be what's upsetting fate. Only SHE deserves information and is unquestionably MEANT to have it, while ADRIEN has to unrealistically bend over backwards and submit to her will to prove that he will bring her eternal happiness and without getting to know the context either.

Funny how that is perfectly in line with the constant conflict now going on even after the season 5 finale. ADRIEN (or everyone else) has to prove that Marinette will be given eternal happiness, care, consideration, and will be catered to almost no matter what because that's still pretty much all her anxiety is canonically about, like in s4 and 5.

And that's the thing that gets me in this. That Marinette, until the akuma battle, fully blamed everyone else BUT herself for everything, with the sobbing on the table scene summarizing it:

If Marinette's anxiety and trauma actually were manifesting the way her fans/ stans make it out to be, then Marinette's instinctive reaction here would have been crying about and damning her own forgetfulness and lack of focus for ruining her chance of happiness.

But that's not what's happening in Daddycop. Marinette only ever blames ADRIEN and SHE is only the victim. In her eyes, this cosmic event was at its core about HER and no one else.

She doesn't desperately try to let Adrien know that there is an important cosmic event going on - that she's aware of and he isn't -and that it could doom their future if they don't save their love TOGETHER.

And she doesn't try any plan like calling him during girls night because she "forgot" to buy something important, but knows HE has it at home, too, so could he please come over at a certain time and bring it along? Where she then could kiss him at the right time.

Still questionable in method, but I'd get the vision due to her acknowledging that SHE is the reason the date didn't happen in the first place. There would be something here to hold onto.

But Marinette in the actual episode does NON of that.

Marinette is sobbing on the table about how ADRIEN not changing his mind, for no reason in his eyes, ruined everything and SHE is nothing but the blameless and broken victim due to HIS actions.

She fully judged Adrien in his worth as her true love and their whole relationship and future on whether she's getting everything she wants without having to communicate what's important, what's going on, and WHY. And, again, it says so much about her in this that she only judges HIM for not magically making up for HER lack of focus, inflexibility, and forgetfulness getting in between fate's plans for them. She's never once judging herself, ONLY HIM.

And I need you to not write that off for a second because PLEASE put into perspective how Marinette would have treated Adrien the next day in school if it hadn't been for the akuma battle having cleared her mind.

I don't care if you don't wanna hear it, but Marinette wrote off their entire relationship and Adrien as the right partner for her because "he didn't prove it by changing his mind to magically only exist in the perfect way to validate her spiraling that she never communicates".

If it hadn't been for the akuma battle and the other girls going after Sabrina, Marinette not only would have mentally already broken up with Adrien, but she (based on her more than consistent characterization) also would have at first kept her distance from Adrien in silence the next day, only to eventually reveal that she's blaming him for breaking her heart by neglecting and dismissing her efforts to spend time with him and how that showed her that they are not meant to be and there is no hope for them.

Which, btw, sure would have put Adrien seeing THIS face, after not letting her have her way ONE TIME, in an even nastier context because it was already a red flag he handled with alot of patience and consideration for her anxiety and "squirks" (which makes it even worse that she proceeds to blame him for everything):

Worst case scenario, Adrien would have had every single friend turned against him. But even in the best case scenario, Adrien would need to practically beg on his knees for Marinette to PLEASE believe him that telling her "no, we'll date tomorrow" doesn't mean she isn't the love of his life and he will do ANYTHING to prove to her that he will make up for the pain she experienced because he didn't "consider her anxiety enough".

Quite realistically speaking, Marinette would have not been fully convinced by that and Alya and the girls might have even have to eventually figure out that Marinette's bs is rooted in some cosmic fate thing her mother told her about, so they would need to involve Sabine who would then need to hold her daughter's hand, explain to her that fate isnt real, and beg Marinette to let her abused and orphaned boyfriend take care of her and worship her again.

Like, THAT was the set-up situation we fortunately dodged like a bullet. But for way too long, THAT was where the situation was leading to as the full narrative scale of Marinette blaming Adrien and only viewing herself as the victim.

But the worst thing about this is that her blaming Adrien is the one thing the message of the episode kinda sweeps under the rug again and gives no satisfying ending to. For the whole girls squad plot, the episode at least has her properly acknowledge that she sidelined her friends for her boyfriend and didn't pay attention to anything or anyone else in front of her again:

"[...] and I, too, want to apologize. Ive been focusing so much on my relationship with Adrien that... I forgot to give my attention to the ones that really need it (Sabrina). I promise, I'll be more attentive from now on *hugs Sabrina*"

(Let's ignore for a sec that the show had Marinette say that her freshly orphaned and abused boyfriend apparently DOESN'T actually need more of her special attention. What a 'charming' lesson after Illustrhater and Sublimation that only came to be now because Marinette was told "no" one time. As if Adrien not wanting to date ONE EVENING, when he didnt wanted to because he knew she would ignore her friends for it so he wants to date tomorrow, somehow means he doesn't need special consideration anymore the way she gets because thats normal in a relationship. No wonder she almost killed him one episode later lol Trying not to do that would have required more special attention and consideration than the whole custody situation already asked of her. I guess that's the lesson here, huh? lol)

But the lesson in the end also explicitly states that Marinette learned that her focusing so much on Adrien was the thing she did wrong. Meaning, what was "wrong" is still entirely Adrien-associated in Marinette's head.

"I forgot something! *kisses Adrien* 100! I wanted to save it for our special evening, but.. in the end.. I realized that we don't need a conjunction or fireworks to love each other"

And towards Adrien she says that she learned that they don't need these special things she planned to love each other (side note: would he even know what she randomly means by conjunction? WE and Marinette know what this refers to, but Adrien has no context for it)

Only that all of that doesn't acknowledge how Marinette unfairly put all blame on Adrien when she thought fate was real and you just have to hope in good faith that Marinette truly got her mind out of the gutter somewhere off-screen since yesterday.

Cause her just saying "but.. in the end.. I realized that we don't need a conjunction or fireworks to love each other"" isn't actually clarifying that, when contextually all she may as well be saying here is "I'm so glad I realized that you aren't the bad guy who's all alone to blame for ruining our relationship and my happiness forever🥹"

Like, you get what I'm saying, right?

She stopped blaming Adrien in the end and didn't act like him saying "no, please wait one day", one time, equaled him breaking her heart and breaking up with her, because she cleared her head during an akuma fight and a friend crisis which made her realized that the whole cosmic thing wasn't happening in the first place.

And not because she realized that even IF the cosmic fate event had been real, then ADRIEN wouldn't have been the one in the wrong anyway because SHE was the whole reason, in numerous ways, for why he said "no".

There is a difference here that the episode was not willing to actually clarify because the end scene would play out exactly the same even if it were only "Marinette letting Adrien 'off the hook' because she realized that the cosmic event not being real now makes HER the guilty one. Hence why she looks sheepish and apologetic".

But that tells us nothing about how this would have ended if she still were convinced fate was real. The episode, seemingly, just suddenly had her drop that belief during or after the akuma battle. Definitely nowhere near on-screen and explained. So the end scene, contextually, does not correspond to all the Adrinette set up we saw. Those are two very different circumstances.

During the set up, she thought fate is real. During the end scene, she already let go of that belief since yesterday. And that's a pretty significant thing to sweep under the rug again regarding Marinette's consistent characterizations. Cause this IS fully in character for her to do and it's only made worse by Miraculous often implying, or sometimes even outright SAYING, that fate, destiny and even LUCK are real cosmic forces that run their universe. You know, for example the way Tikki herself made a lucky charm specifically for a renounced MARIBUG in the second half of "Kwamis Choice" and the universe fucking maneuvered that Lucky Charm right into Marinette's arms all by itself? Yeah. That counts. And its only one of countless of times they do stuff like this and it's always consistent writing wise.

So what does it say about our main character that they just dropped this point without clarifying whether she actually got her head out of the gutter? Cause that's all they did: they dropped it in favor of making it all about the girls squad message. The end scene doesn't prove shit and the writing went out of its way to leave it like that.

I dont wanna say that I'm having faith in the long-term writing, but I am saying that I'm sick of not treating this show like the well-planned product the writers demand it to be. Not my fault or problem when the product doesnt hold up what we're being told. In that case, I just have more proof that they COULD be telling a cohesive and interesting story, they just refuse to.

#ml spoilers #ml analysis #Marinette analysis #what do I even tag this without Marinette stans going insane?#This is her canon characterization im discussing so I aint tagging this salt #I guess i'll tag it #marinette critical #to be save?#even that feels wrong though cause shes literally doing it in the episode #but fine #ml daddycop #ml season 6 #ml theory

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is-the-fire-real · 7 months ago

Note

Hello! I've recently realized (through blogs like yours) that I've been casually absorbing a lot of antisemitism, and I've been trying to learn more so as to counteract it, at least in my own head. I've seen the horseshoe theory mentioned a few times, but never explained what it actually is. Would you be able to link me to some reading on the subject? Regardless of whether you answer, I'd like to say thank you for your time, and I'm glad you exist!

Hello there! Thank you for stopping by and for asking important questions like this. It's very difficult to admit to, and confront, the bad messages we've absorbed from society. The cool thing is that you'll have some difficult work at first, but it gets way easier with time. You are going to be fine so long as you persevere.

I will let you know that I'm not an expert in anything--I only ever graduated high school in the US! So I can tell you what horseshoe theory is thanks to a lot of auto-didactic reading on the subject, but I don't have sources in front of me. I invite anybody in Jumblr to tweak or correct anything I'm about to say.

"Horseshoe theory" isn't just about antisemitism, but about extremism--but we'll come back to antisemitism. It is summarized by the image of the horseshoe: the two ends of the horseshoe should, by all rights, be far away from each other--they're the opposite ends! But when you look at a horseshoe, the two end points are very close to each other. Closer to each other than either one, on its own, is to the middle.

When one maps out political or social beliefs, it is common to place them on an X/Y axis, or a straight line. One extremist position takes up the X, the opposite takes up the Y, and the moderate position marks the center. This gives the impression that both forms of extremism are naturally opposed to each other, and are farther from each other than they are the middle.

Horseshoe theory suggests that this X/Y axis is inadequate. What we see in actual human behavior is that extremists have more in common with other extremists than they do with moderates, even if their beliefs appear to contradict.

So, take an X/Y axis about leftism. One end is marked "anarchism", one end is marked "authoritarian communism", and the middle is marked "liberalism". One would think that anarchists would be the polar opposite of authoritarian communists, and that anarchists and ACs would fight to get liberals on their respective sides--since liberals are closer to them than they are to each other. But we don't see that. We see anarchists and ACs spatting online about who is the Real Leftist, but in real life, regarding real-world action, both groups agree that their real enemies are not each other, but liberals.

This is because, while both groups have very different ideas about how leftism should be implemented, they agree on the most immediate "problem" of overthrowing liberal democracy.

The meme on the left is that liberals will invariably ally with fascists, so don't trust liberals. The reality, over and over again, is that leftists ally with fascists and try to undermine liberals. They do this because they all agree that modern democracy, the greatest achievement of liberalism, must be destroyed in order for their preferred replacement utopia to arise.

I saw this, among many, many other examples, when leftists voted for Trump, or voted for Stein or Sanders knowing it would lead to Trump's election. Leftists joined right-wingers in going to liberal blogs and laughing at them on election night 2016; both groups openly salivating at the suffering they saw, both groups opining on the future collapse of democracy, both agreeing with each other. I saw it also during the 2004 election, when I ran a couple of LiveJournals that talked about politics--I had both leftists and right-wingers mocking my pain at that electoral loss, both blaming me for being gay and asking for rights at The Wrong Time, both agreeing with each other.

This is obvious in a variety of extremist belief systems, which is why I didn't even restrain it to politics. Flat Earthers largely do not agree with one another on a flat-earth map or model; they don't agree on whether or not they are Christians; they don't agree on what it would take to prove or disprove their ideas. They constantly infight over these details. But these are all window-dressing. It's tiny details they battle it out over, because the point of Flat Earth is to create a massive conspiracy among politicians, scientists, militaries, and religions to Suppress The Truth and Dupe The Masses. In that, all the extremists are closer to each other than they are to those who accept the globe earth as fact.

The phrase folks throw around on Jumblr, which I agree with, is that "the forge that bends the horseshoe is antisemitism". In less illustrative language, the thing on which all extremists agree is that the Jews are responsible for their pet conspiracy.

Leftists often misattribute a saying to Marx: "antisemitism is the socialism of fools". In this view, socialism teaches the exact structure of most baseline antisemitic beliefs. A semi-secret group of bloodsuckers hoarding all the wealth, puppeting and manipulating world events from behind the scenes, sneaking and sliming their way into Real Power--the power no one ever sees? Yeah, those are all antisemitic canards. But leftists thought they could avoid falling for antisemitism by simply putting words like "the wealthy" or "landlords" and "the bourgeois" in place of "the Jews", and that they'd be fine.

I would argue the last year (and many other years, but that's beside the point) has proven that they are not fine. It turns out that when you have an entire belief system based on Jew Hating Without Jews, it's extremely easy to start hating Jews! All you have to do is redefine your terms so that "the wealthy", "landlords", or "the bourgeois" are the Jews.

A specific example, and one I've discussed recently: the term "Zionist". Not what it means, but how it is used and what it is understood to mean.

Far-right extremist antisemites have used "Zionist" to mean "Jew" for decades. And they have tried, for decades, to make alliances. They have done this by saying things that sound good to leftists, but which give the right-wingers plausible deniability regarding their antisemitism (what we call "dogwhistling"). This bait did not work on liberals. It did work on leftists. And now, we see that liberals generally use "Jewish" to mean "Jewish" and "Zionist" to mean "Zionist", but that leftists use "Jewish" to mean "Jew I like" and "Zionist" to mean "Jew I want to kill".

Once again, leftists agree with Nazis and the extreme right. Once again, leftists make it clear by word and deed that they care more about the socialism of fools than they do about socialism. Once again, they validate that Hating Jews Without Jews only lasts until there's any reason whatsoever to plug Jews back into the system of hate, and then...

This is the hypothesis of horseshoe theory as I understand it. Again, if anyone has corrections or scholarly sources they'd like to share, please do so! I like to learn and I am often inside my own head, so I admit that I could be wrong in some details or missing nuance.

#ask box #asked and answered #horseshoe theory #antisemitism #leftist antisemitism #right wing antisemitism #politics as fandom #is-the-fire-real original

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iwtv-az-hours · 2 months ago

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So I've been to Matěj Metoděj Štrunc’s show on 21. March 2025 and I ended up having a nice lenghty chat with him backstage!

We've been discussing his music, but also his other work and iwtv.

I'll pick some tidbits y'all might find relevant (such as Merde'em's backstory, his s2 filming impressions, some info on his projects with Assad, etc.) ⬇️

Gotta start by saying his music is amazing (you should check him out!), really a musician's musician. I had such a blast at the concert! All the musicians are ridiculously talented, and they were also all darlings off stage. Much respect for Matěj's work + he's really sweet and lovely to talk to

On work with Assad

Okay, if you're only here for this, here's separate posts about the New music video, news on The Fox and the Grapes, and some extra bits about Assad and his work.

Read further for more general vampire shananigans!

Season 2 filming

Matěj laughed that The One resounding memory about the shoot were the contact lenses and what a pain they were.

4 days a week they‘d arrive at 5, at 7 the contacts would go in and they stayed in for a 10+ hour shoot.

A few hours in, they had to have a lady running around dripping artificial tears into everyone’s eyes!

And because the contacts were coloured, he often found it difficult to see anything at all through them.

He actually intended to read the IWTV book on set, but found out he can’t – he couldn’t see the pages properly!

Merde’em ’s backstory

I hope I recalled it correctly 😭

He’s the youngest of the musician vampires - oldest Basilic (from og coven) was tasked with recruiting a band for the Théâtre. 1st to be turned was Planche, then Merde’em.

He used to be an army musician. The vampires heard him play and liked it, so they caught him one night drunk on his way from a pub. They gave him a choice to join the Théâtre as a vamp and he agreed.

They also had roles – Basilic would be the band leader, Merde’em wrote all the music, and Planche... Planche played drums.

Matěj said he couldn't properly recall the backstories of other TdV vamps - each actor received an email with their short backstory, but only their own!

He enthusiastically said how „really all the actors on the set were so great, and they were all friendly and got along very well.“

I basically told him I’d be excited to hear anything about the characters that didn’t get a chance to shine through – cause they spent months living with these roles and what ends up on the show is a few glances. He immediatelly agreed that that’s what it’s like from their perspective as actors too, they put a lot of work into it, but never know which little bits the audience actually end up seeing.

He looked very happy and willing to talk about the filming and the character, but struggled to think of what more he could tell me, that there isn‘t much 😁

Small disclaimer

This conversation took place in Czech, I'm translating it to EN. Band was dismanteling instruments nearby, so here-and-there it was hard to hear one another. Trying my best here to summarize what I heard, but there might be little details I got slightly wrong. Also, obvsly I'm leaving some bits out, either cause they're not really iwtv related, or I'm trying to be respectful with what was shared with me.

To sum up

Three separate band members approached me to compliment my boots, 10/10 stellar evening, would do again!

And honestly, I can't wait for more Lidověk shows and the new album!

(post also on X, bsky)

#iwtv #interview with the vampire #Matěj Metoděj Štrunc #Assad Zaman #Théâtre des Vampires #The Fox and the Grapes #az-other #behind the scene #design #s2 #my-post #text #for more info get back to me (def don't go bothering Matěj or Assad okayay?)

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liarvibe · 2 months ago

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Hi, to start out your new blog, what do you think about Kokichi Ouma from Danganronpa v3?

Anon I can't tell if you're being a little shit RN or what--

But I am nothing if not a nerd, so!

Welcome welcome everyone to Rye's insane brain, where I have over 11k words of meta for you to read over on Ao3!

(Edit: I'm SORRY, 17k of Meta?!)

But aside from that meta, I love Kokichi honestly! Fun fact--I was predispositioned to actually hate Kokichi due to how I interact with the DR franchise.

So a little story for you all: When I was a wee bab and Dr1 came out, I went in blind and got attacked to Leon almost immediately. So not only did I get attached to a character who died early, but I got attached to a character with one of the most brutal, realistic executions in all of DR's history. You see, this was very traumatizing for a wee bab Rye! So I started looking up the victims and executions of characters from that point forward to know who's gonna die so I don't get so overly attached to them and get soul crushed by their deaths.

For V3 Specifically, I don't remember how I got onto doing it, but I went and looked up the Japanese version of the final argument as well--the comic minigame where you summarize the case? And I saw Kokichi doing a little fist bump when Miu died and went "Oh no you're like Nagito 2.0 aren't you?"

Needless to say, I was ready to hate him. Very ready.

And yet... I did not. Chapters 1-3, I noticed that he wasn't actively malicious or trying to cause trouble for the class at all--not in the same way Nagito did. I thought maybe his mischievous nature was portrayed a bit cruel at times, but more in a "that was a bit tack-less there buddy" than a "Wow yikes you're an asshole" kind of way.

So here I was, waiting for Kokichi to be the kind of character to get himself involved with a murder somehow, and be "happy" about it... and never really seeing that kind of character.

When we got to case 4, I knew that was the case where Kokichi would "show his real colors"--that maybe it was just a case of bad foreshadowing and writing, that Kokichi was going to do a face-heel turn... and he did, kind of, but in the most tragic of ways.

His behavioral changes, the way he went silent when Kaito punched him and called him out on his weird behavior, and the way Kokichi was manipulating Shuichi for the investigation away from Gonta, and then the comment where he said that the class losing might be okay because the Killing Game would end if they were all executed... and in my mind, I saw someone completely broken. Then he got so viciously angry at Gonta during the trial, in a way that read as intensely hurt and lashing out, and then the sheer utter carnage of his emotions at the end of the trial too, where he cried and begged to be executed with Gonta... I just didn't see what I expected to see. I didn't see a malicious evil little monster.

I saw a child with too much grief on his shoulders.

After I finished watching NicoB's LP of the game, I started rewatching V3's story to get a better feel for the characters and the plot, because I wasn't entirely sure how to feel about everything... and the more I looked, the more I saw Kokichi's nature as a kind-hearted, mischievous person who was just as broken by that terrible situation as anyone else.

I think he is a very complex character, a very human character--one that's smart but not the typical "insanely" smart DR fans are used to, one that teases people and gets a kick out of being chased, one who wants to be be remembered... and overall, someone who was driven to murder only via a mercy kill.

I think there's something special about a character like Kokichi that's hard to replicate--and who knows. Maybe if I hadn't been expecting Nagito Levels of Bad, I would have been more hurt and betrayed by Kokichi in chapter 4. Maybe I wouldn't have.

Either way--I love him now, and I think he deserves more credit than what was given to him.

#Kokichi Ouma #Kokichi Oma #Danganronpa V3 #DRV3 #new danganronpa v3 killing harmony #Danganronpa #Analysis #Meta

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system-of-a-feather · 1 year ago

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Alternative System Mind Mapping Method for Communication

[DISCLAIMER: This is not a professional or scientifically or anything really backed method, this is something coming solely from peer / personal experience.]

In regards to an anon ask earlier, I was thinking about it and one of the ways we've approached improving communication - particularly internal - in a way that is a lot less prone to flooding or dealing with trauma or anything too overwhelming - is by approaching it following the concept of Memory Webs

I haven't read up on them recently, but "Memory Webs" were a thing that our AP Psychology teacher in highschool made us do because the AP Psych test was term / jargon heavy. Memory in the human brain has been shown to be HEAVILY associative and the ability to remember and connect things tends to rely on following a "web" of connected topics, ideas, concepts etc from one idea to the next.

So in our AP Psych class, she gave us these GIANT books for Vocabulary Webs that we had to slowly work on, each of which required 6 other vocab words / related concepts, a summarized definition, and an image to represent it. By doing this, you added 6 cues to recall the word (increasing the chance you'd remember it), a visual cue, an episodic memory of working on it, and a definition - all in all improving how connected the word is to other concepts in your brain and making it easier to recall it.

I personally like to look at DID and our parts in a similar manner sometimes where the large issue is that a lot of the nodes in the web of associations are either disconnected or connected through a hard-to-find and/or small chain. In that sense, parts struggle to be held together because they are not associated concepts. It's hard to reach other parts because the dissociative walls (which in our unsubstantiated opinion is less a 'wall' and more so a lack of reinforced neural connections, so I would call them dissociative caverns) keep associations from forming

As a result, alternative to more traditional ways of mapping your system and parts, a method I've liked to internally visualize systems and navigating system dynamics is through a memory web manner. (I actually have never done it physically cause the Ray part of my brain - also the most prominent part writing this rn - rarely liked to front if he didn't have to and did a lot of stuff internally)

Here's a bit of a breakdown using six of our parts if any of you want to try it out.

We personally like it because it strips a lot of trauma and stress off of it and makes it a lot more of a positive and present engaging activity. For the purposes of this, I'll be using the free online app of Milanote cause we've used it before for OC associative webs and I think it'll do fine enough. (Honestly it actually might just be a good way to log alter information now that I'm looking at it if you are at a place in recovery where keeping track of that physically helpful)

So we can start by dropping down the parts we want to include in the form of boards

So from here, we have a bunch of disconnected parts. However, we find that a lot of these parts have things that mean a lot to them, that illicit a strong emotion or reaction from them.

Some parts may lack it more than others (often in our case trauma holders and/or trauma locked parts) and that's okay and to be expected. This is a visualization method and if there isn't much connecting a part that is 100% okay.

For demonstration sake, I will now add bubbles around each part of things that were pretty early apparent that each individual liked.

Also for the purposes of how I know our system works and how I plan to do this, I am actually moving Riku to the center and you will all see why Riku is such an S tier center point with this model

So you can see some connections forming.

Some key things you can take from this visual that also applied to earlier stags of how we connected

Lucille and Riku are and have always been pretty darn connected, they go back as one of the longest duos and were split almost as a pair to deal with academics

Chunn and Ray have a very shared interest of "I don't want to do anything leave me alone"

XIV literally was just a piece of shit early on and didn't have any immediate HARD connections with anyone largely because he never was interested in actually engaging in things he liked in a positive way as his "favorite emotion" at the time was "being pissed off"

Lin - an originally trauma stuck / loop - is very very poorly associated with anything that isn't overtly trauma related (and that is saying something cause Vocaloid is trauma related) and thus has very few connections to other parts

So looking at this though, there are a few things that have some similarities between parts. What you can do is make plans to try to foster the interests that you do have and try to generalize it a bit more to also encompass what interests other parts have. So lets engage in hobbies a little more - explore a few concepts that mean a lot to parts independently - and find some more generalized version of those hobbies

(forgot to add easy listening to Ray's and "only wearing monochrome*" to XIV's earlier) (*there are a lot of nuances and caveats)

Damn, look at that. It's messy and ugly to have in a 2D form. I absolutely hate it, this would be so impossible with our whole system. But HEY, it's very connected - and that's the goal.

Compared to the previous one, you can see how easily it can be for one part's interests to start to drift into another. Because they are largely and strongly associated features to each part, they are a lot more accessible when engaging in their shared / associated connections and interests which makes it easier for the them to stay together near the front, stay associated with one another, and work with and communicate with one another.

Of course anyone following this blog goes "Where tf is Birds" and that I left out because it would ruin the point of the web as it actually is one of our traditional "you are around the system a lot? okay pick a bird" which serves to 1) be a fun system culture thing 2) be a means of welcoming a part in and 3) helps establish a foundational connection; we do the same with music but with music its a lot more elaborate and I probably wont explain it for other reasons.

But overtime, by fostering interests that were already present and encouraging parts to broaden and generalize their specific interest a bit, you end up with a lot of overlapping associations that can greatly improve internal communication, co-fronting ability, and just general fluidity and easy of moving around the brain web.

It becomes a good way of trying to figure out what you can do to encourage and help build connections and associations between parts by seeing where things are similar / could have more overlap (combat and martial arts, different types of fashion, different types of music, different appreciation for arts, taking over the world, yada yada yada)

And you wanna know the coolest thing? When you step back from the whole web you can see certain things appear that stand out the most and have some of the most connections.

If you ever intend to go to Final Fusion, those are the things that will likely be the most prominent traits of your whole self

For us? [REDACTED BIRDS for the point of the demonstration], Music, Fashion, Taking over the World, Recovery and Healing, Buddhism, Martial Arts, Arts in general - they're all some of our largest traits that persist in almost all forms as individual parts, partially fused parts, and fully fused parts.

And the BEST part? Doing this didn't require us to touch trauma at all.

Of course in recovery that will come up cause PTSD doesn't ask permission, but its a very low stress way to help improve internal communication and engagement with one another.

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