#I'm not going to explain the lore

[son1c]

after months of agonizing over it, he's finally here: the sonic variant from my original shatterspace! syzygy, or "ziggy," has a bad attitude, and no powers at all. that's right! after creating a sonic variant that's basically a god in terms of his power level, i've decided this one doesn't have any superspeed.

instead, he uses extreme gear to get around.

as for why he doesn't have a wisp... well, he used to, but it met an unfortunate end when he was still very young. since then, he became prickly and closed off. at least, that's what most people think.

in truth, the twist to his character is that he's the embodiment of sonic's "power of friendship." he's rescued several kids from certain death situations, and has formed his own little gang of superpowered loyalists. among these kids are this universe's cream, ray, and kit. more about them will come later...

also, something to note about this shatterspace: since the world is fractured in two, i figured it would only make sense for space to be like how it is in "treasure planet". so, there's breathable air up there. syzygy and his little friends spend most of their time traversing the cosmos, searching for a way to fix the planet--a goal that most people on earth have all but forgotten about.

[ethowo-indeed]

etho was once again quite active in the chat of bdubs' latest stream, being the nr1 bdubs fan that he is, and i once again felt the need to compile as many chat messages that i could spot from him, being the ethogirl that i am.

context: etho finding out that bdubs gave away speedy supreme

context: etho being a scar apologist i guess. (in reality doc was flying over bdubs' base with a flying machine, holding a live-shulker. & doc was panicing about bdubs flying too close to the machine/shulker)

context: etho plugging his favourite piece of bdubs merch! go get yourself a pink hoodie that was specifically made for etho <3

context: etho's comeback to bdubs saying he's a horse whisperer, while he also just mentioned the mod he uses to see a horse's speed + that there was a vanilla way to measure the speed of a horse, used by etho, if u were willing to take the time to ride each horse through a million cobwebs.

context: horse rated trash/14 speed by etho xD

context: according to etho, bdubs' height is fake and does not exist. (i don't know how that would work, but etho is never wrong so)

context: bdubs put on the pink hoodie, which was a very exciting moment for etho.

context: bdubs saying that... he was tall where it mattered? in his heart? which resulted in this comeback from etho. (etho is referencing an old vlog bdubs did where he talked about putting lifts in his shoes)

context: bdubs said that part of the reason for the lifts was so that he wouldn't look small next to his wife when she wore high heels. etho did not relent.

context: hermits were telling jokes in the hermitcraft chat and etho wanted to participate.

BONUS:

context: bdubs' mods on their way to "take etho out back" as was requested by bdubs after the height jokes.

[ministarfruit]

bird fateswap as well

[genericpuff]

Omg hiiii, I absolutely love Rekindled! You're so talented, and the story you're making for Persephone is so intriguing! A lot more than whatever trashfire Lore Olympus has become.

That being said, what was the moment you stopped liking LO Persephone? Have you always disliked her, or was it gradual? Or just a specific moment that made you go "yeaaaaah.. she's not it ;-;"

(And bonus question if I can ask, but how do you draw hands?? I hate them with a passion, but unfortunately hands are pretty necessary T^T)

aahhh thank you so much!!!

honestly, I was a pretty big fan of LO up until the trial arc. Like, you've all seen me hate this comic with a fiery passion, but the only reason I'm able to do that is because before I hated this comic, I loooved this comic. I'd literally be counting down the hours until new updates, I loved the art, and I was too smitten by the appeal of the series to notice its writing problems, I just loved the romantic drama and the H x P ship, and yes, I loved Persephone, I loved her design, her personality, and I felt so 'seen' by her struggles, both with her trying to pave a path for herself and the SA plotline. I was even (regrettably) one of those people who would lurk in the antiLO tags and think "wow, these people are dumb, can't they see how brilliantly written this is ?? they're nitpicking!"

But then the trial arc happened which involved writing a plot that didn't put the romance front and center anymore - now that Rachel had to actually write something complex and logic-driven, the blinders started to fall off and I went wait... maybe Rachel doesn't know what she's doing. Persephone choosing her own lawyer? And it's Hades, one of the judges? Why are they suddenly establishing Thanatos as Hades' adoptive son? I'm not a lawyer, but I know that's not how any of this works and it really tipped me off that something was amiss, that Persephone was having all of her solutions conveniently handed to her on a platter and all of the other characters were suddenly being made to look like assholes just to make Hades and Persephone the heroes.

And then... Eris happened.

See, one of the things I loved most in the story was Persephone's character arc concerning the Act of Wrath. I write stories about characters with dark "personas" all of the time. So it was something I had frame of reference for, I really loved the premise of Persephone earning her name through this act of violence and while it was dashed with the opening of S2 revealing it was "all an accident", I was excited to see how the trial arc would bring about new information and confirm who was telling the truth about what "really happened" with the Act of Wrath. If the courtroom drama wasn't gonna be realistic, I could at least hope for some good 'OBJECTION!' reveal that would finally put to rest once and for all what really happened, and maybe Kore would finally embrace this 'dark side' she had.

So for the actual twist to suddenly reveal itself as... 'actually, this one goddess we've never mentioned before blessed you with wrath. why? idk she just did. anyways she's the reason you have wrath and that's what made you commit the act of wrath. problem solved.'

And that was where the twisting of 'faith' happened. When I went through the subconscious realization of , "Oh no, Rachel doesn't know what she's doing and it took me this long to notice. Oh no, maybe those antiLO freaks had a point-"

That said, there was a glimmer of hope in the midseason finale. Persephone was sentenced to remain in the Mortal Realm to carry out her mother's duties and I thought, "great! This will be Persephone's Rocky moment! She'll have to prove herself without the help of Demeter or Hades! This is gonna be awesome!!" During the hiatus, I was VERY excited to see where the story was going, I still had so much hope and I figured the mishandling of the trial arc was just a bump in the road. The series was still good, it was just going through a rough patch, these things happen.

And then it came back and it all went downhill from there. There was a 10 year time skip with very little insight as to what happened. Minthe and Daphne were just suddenly back to normal. They were referencing some food shortage or terrible event that happened during Persephone's reign that they never explained in explicit detail. And now, all of a sudden, Persephone was just returning to the Underworld, where Kronos had suddenly taken over. I had cautious optimism but throughout it, I was really seeing the cracks that were already forming opening wide. A lot of what I had to say wasn't positive anymore, I literally couldn't understand what the reasoning was behind these writing decisions and I couldn't find myself rooting for Persephone anymore, everything just seemed to convenient and easy for her to make her seem like the "strong and confident" character the comic claimed her to be.

The S2 finale was my breaking point and I think it was for a lot of other people too. That was pretty much where my 'transformation' from passionate stan to passionate critic happened, and it happened alongside the creation of the UnpopularLoreOlympus subreddit which would become my new 'home' within the community. After seeing how much the story had gone downhill, it made me realize in hindsight just how awful and one-note Persephone is, how she really never cared about anyone but herself and Hades, how her mother did, actually, have a point about her being practically groomed into a relationship with a billionaire slave driver, how she was very intentionally drawn to look like a child in ways I couldn't believe I had never noticed before, the list of "awakenings" goes on. And it sucked! It sucked to have that realization that the thing I loved wasn't just imperfect, but incredibly problematic in its writing and art choices. And just like when I loved the comic, I couldn't just let go of it, I had to understand to some degree why this happened.

It happened because Persephone was always being written as a one-note, easy to project onto self-insert character. A Wattpad protagonist. Not an actual representation of the Goddess of Spring, but a blank slate for the creator and the fans to imagine themselves as purely for the power fantasy of hooking up with a rich and abusive guy.

That was when I made my first piece of LO art intended to be an 'edit' - a redraw of Persephone's rebirth as the Dread Queen from the S2 finale, an ode to the Persephone I was hoping to see but never got. The rest from there is history.

I know I'm being SUPER dramatic about it but this was literally how it felt to go through the realization that this comic - and its characters - wasn't as good as I thought it was, and I think that's a sentiment that's shared by a lot of the 'haters' in this community. LO was a big part of my life and even some of my friendships with people, so when it went downhill, it felt like such a hit to the gut. It's still a big part of my life, albeit in the opposite direction, but I still wonder sometimes over the "what ifs", what if the series hadn't turned out this way? What if I had never realized its flaws? Rekindled is basically a love letter to those what ifs, satisfying the feelings I never got to keep with LO, and giving me a reason to count down the hours on Saturday nights again. I'm glad it's made that same impact for others, too <3

[pestilentbrood]

VERY long Ramble incoming

honestly now that I'm looking at the auraboa lore situation, I'm just disappointed. There was such POTENTIAL in the idea of the Loop and the horror of a new generation inexplicably being disconnected from it, forcing the newly hatched children into a world totally separate from that perceived by their parents (I mean, hell, they perceive TIME differently!).... but then the writer(s?) just fell ass backwards into Icky Tropes.

I feel like I can see what the idea was, especially with the recent alterations to the Encyclopedia entry... It seems like staff fundamentally understands the true Horror potential here, but... Instead, through the short story, they proposed it through the lens of a condescending outsider character, turning the fears of the older generation into something trivial. And also weirdly demeaning the Auroboa's situation by portraying them as overreacting.

Why... why would you do that? Like, from a storytelling perspective? What's gained from that? Why not embrace the true horror and even Emotional significance of that disruption? Why instead go for "ohh we NEED outsider help we NEED to be saved because we are so helpless and it is so Silly that we, creatures who have never experienced such things, do not know what sleep is"????

And if they WANTED to have a condescending outsider, I feel like they COULD have done that, but it would have to have that character realize the horror at some point. And make it obvious that their attitude towards distressed parents and children facing Eldritch Shit and the Sudden Deconstruction of it was not cool!

(or at the very least be a bit more...idk. Consistent with said outsider character? Juniper just goes from "omg I am so honored that the fascinating creatures of the behemoth have chosen me to speak to" to "oh their wasting my time because they don't know what sleep is. I'd rather be sleeping!! 🙄" like girl... c'mon now. Why are we trivializing it like this. Do you want me as the reader to be invested in their plight or not.)

I mean come on. They're beings connected through one networked hivemind-like system, yet each still maintains a silver of individuality that allows them to move freely throughout the Behemoth that they care for. And they've got an eldritch understanding of time that no other dragon could understand. They're seeing the future, past, and present unfold simultaneously. They're witnessing the birth and death of the world at the same time, and have no way to communicate it to other dragons. The best they can do is maintain their home, and even then, they see its roots spread and decay all at once.

And then the newest generation is suddenly disconnected. An inherent link between parent and child and all dragons in-between, that has existed since the creation of their species, is just suddenly GONE for the newest births. With NO explanation for it. The children have no easy way of communicating with their parents. The children are experiencing time in a way that was not meant for their species. They've forcefully been shoved into a circadian rhythm that they are Not! Built for!

The only way a parent could communicate properly with their child would be when the latter is sleeping, something that is also completely foreign to this species. It would be terrifying for all involved!!!

They are literally experiencing eldritch horror from the perspective of the eldritch being forced into the mortal.

Like why WOULDN'T there be panic!!! And why would that panic be trivialized! Why are we only shown the perspective of an outsider who looks at this situation and goes "Oh the silly tree beasts are being so silly over nothing, it's no big deal!"

That and the way the auraboas talk to outsiders. Like. There was such potential there. Real opportunity to explore how ancient, time-bending beings would communicate to someone who couldn't even BEGIN to understand the intricacies of it.

Instead we got what feels more like baby talk (even described as though they were hatchlings enunciating their first words, which... I dunno man, maybe we don't want to compare them to children like That) and less like... Beings that experience all of time at once. I mean, the hatchlings and the adults speak the exact same way, and that doesn't make any sense given the literal time barrier going on.

I totally get why people thought there was just a language barrier and that auraboas had their own language, thus causing the disjointed speak, and not that it was because They Do Not Experience Time Like We Do. And I feel it would've been far easier to get it across by just... I dunno. Do anything else?? I saw someone on here suggest they speak in the "wrong" tenses, or using multiple tenses in the same sentence, which I think would've been far more clear.

Like, as opposed to "saplings wilt! saplings silent!" just "the saplings will wilt in silence, they've wilted in silence, they are wilting silently." Said all at once like all things are true simultaneously. And if we're going for hivemind, have each auraboa speak in a different tense, all at the same time, and have them switch it up every time. Have our outsider get confused and be like "which is it? are they wilting now, or have they already wilted?" and the cluster of auraboas respond in a cacophony of yes's, no's, and maybe's all at once.

Would've probably gotten across the "alien" vibe they were supposedly going for far better than wide-eyed desperation for an outsider's guidance conveyed through disjointed, in-world described as baby speech.

And also maybe would've had less accidental connotations. Because as it stands, I completely see why people have made the connections to the real world where they have. This doesn't read like eldritch timey-wimey intrigue, or even a respectful look at how younger generations can become detached from their families' cultures over time and the struggles that come with it. It reads like a culture being perceived by an ignorant outsider who (despite supposedly respecting these dragons) scoffs and rolls their eyes because the tree beasts with their funny words are being silly again, and that Hey, isn't it actually a great thing that the children are fundamentally different in all manners now? Because now they can join the rest of us in the "real world."

Yknow. Ick.

(I Personally think it would've been better to have the perspective be one of the Auraboas themselves, especially one of the children, to really understand what was going on here. Give us the full brunt of the mind of a creature experiencing all of time interwoven as one shape. The waters fall and the oceans crash with waves. They've now fallen to drought. The ocean has yet to be born. Caves have been carved out through the waters' currents. And when I break from this timeline, I open my eyes to see a child, the child not yet born, the child born now, the child born yesterday. Why can't I hear it? Why couldn't I hear it? Why won't I ever hear it?)

I dunno. People more qualified than me to speak on this matter have already torn the lore apart, I'm just... dropping my own two cents. Potential got weirdly squandered and we ended up instead with unfortunate implications and tropes that could be connected a liiiittle too awkwardly to irl situations.

*Also, before anyone points out: Yes, I know the hatchlings aren't COMPLETELY detached from the Loop and can join it when they sleep. But the fact is, these thangs never had to sleep before. That wasn't in their species' nature. So that's still weird and foreign for them on both sides. And since the hatchlings now have a circadian rhythm, they can't stay connected to the loop permanently. And also Also, seeing as the previous generations aren't experiencing time linearly, who's to say they even recognize when their child joins the loop? They'll speak with an echo of their child when that child was last asleep ages ago, not knowing that it's not them presently, because there is no 'present' for the older generations.

[saline-coelacanth]

Me dealing with the fact that my oc doesn't fit nicely into canon anymore

[alkeneater]

E!2080 factbook (that's what i'll call it): brainwashing 😵

I wanna talk about brainwashing because it’s kinda important for my story and sometimes explains some clones’ behavior :) This topic deserves some attention :p 

In general, in my AU we have a cult atmosphere in the Shadow Tower, BUT it's not really a cult. The main goal of the Shadow Government is to grow clones into worthy leaders and soldiers, but at the same time loyal and stupid enough to make it easier to manipulate them. Various methods were used: working with corrupt psychologists, inciting hostility between clones, fake rumors, fake news on fake TV, fake books on the shelves next to the real ones, and of course the scare tactic.

Their favorite manipulation is obviously, “we're doing this for your own safety, the world outside is cruel,” and clones were sitting in the tower like princesses from fairy tales, yeah. You got me, right? Lots of manipulation. But despite the approximately equal attitude towards everyone, it still affected different clones in different ways. Perhaps some biological factors played a role, which I doubt, BUT Scudworth's influence on the clones also helped some to stay sane. I've said this a hundred times, but Scudworth LOVES his clones and he doesn't like the operation he was forced to participate in. Therefore, he did everything possible to prevent them from becoming puppets of the shadow government (he had his own methods, but I'm too lazy to describe them).

So, let's get to the point. I mentally divide all the clones into sane, deviant and ZOMBIES (or brainwashed). Sane people are those who have their own position, are less influenced by the Shadow Government, understand the danger of the situation and want to gain personal freedom. Zombies are people who are doomed to stay in the tower and be used by Shadow Figures for their personal purposes, because their perception of the world is completely turned inside out and will not be the same anymore. Between them, the deviant ones are usually clones who have some disorders due to trauma after living in the tower, but they are still aware of the whole situation and basically refuse to be someone's slaves. Now that we have a rough idea of the spectrum, I want to discuss with you which clone is where on this spectrum.

I was smart enough only to distribute the main characters (and a couple of secondary ones). Most of them are closer to sanity in the spectrum, but they tend to deviate due to psychological trauma, obviously. I want to mention Joan as an example, because although she is the “brains of the team”, she is prone to Stockholm syndrome and, as shown in the first part, sometimes remembers “home” and regrets what she did. That’s why she is not 100% sane.

But I definitely will have a team of complete zombies in the comic who will condemn the main characters for fighting, recruit other runaway clones and try to return them to the tower. Yes, there are clones who were initially against escape and were content to live in the tower, but now they survive on the streets and are extremely unhappy with the situation. But I don’t know who could it be.… But these are definitely clones from the extras, episodic or secondary! You can even suggest your own fan clones, just for fun! (Reminder: My AU is open to everyone and your fan clones can participate in the story, and they can be in any part of the spectrum!). 

That's it. I have nothing to add… ask me questions about my AU if you want, I’ll be very glad to answer! 

and read exclamation!2080 on globalcomix ofc!!! :p

[valzhangism]

i know i said i was happy about how mel's story went, but the more i think about it the less i'm sure about that. this is very much connected to how the themes of classism and wealth disappeared in s2, but mel in the beginning was the epitome of piltover. she wanted to advance piltover to prove herself to her mother. to "put piltover��" and by extension herself, "—on the map."

she wanted wealth just to have it. and i'm not blaming her for anything that happened, especially with hextech! she, just like jayce and viktor, could not have known what it would lead to. i mean yeah heimerdinger said so but who the hell listens to heimerdinger? but anyway i think mel changed throughout s1, much in thanks to jayce. by the end she's become more cognisant of the mistreatment of zaunites. she's the first to vote for their peace. she was a good person all along but now she knows how to act on it. it's also seen more in s2 act 1. when she covers her painting with gold, it's symbolic—she won't act according to what her mother might think. she won't let her desire for approval dictate her anymore.

so somehow i wish those themes were. continued, somehow? like again they were dropped not just with mel but the whole show and it makes her story a off to me. there's no meaningful commentary on war or classism or how her ideology stands opposite to her mother's. like some people have said, it feels like she doesn't have much agency, even if she is really cool. and that to me is a shame because agency felt like her thing. "to shape your own destiny" as she says to jayce in s1. i know her collaborating with the black rose (but not fully joining them) and learning magic is supposed to represent becoming independent from her mother, taking her own path, but some other aspects of her character were thrown away... the more i think about it the more i'm thinking they kind of #girlboss-ed her a little bit. maybe to sell another champion. i can't help but feel like even though i enjoyed seeing her on screen, the payoff didn't feel proportionally satisfying compared to her setup in s1.

[cat-downthestreet]

seriously why does no one mention this??? the information is so easy to find too like are y'all forgetting on purpose or was I not supposed to give a crap about the opinion of one of the main writers for the series 💀

[nattikay]

man just really not vibing with the fandom at large recently

[luc3ks]

thinking about my little meow meow

sol emeralds and sol energy fucking her up 😱

[luneemeritus]

The bad part about entering the Hellaverse fandom now is that I'm clueless about so many important things (specially when it comes to Helluva Boss)

Like for lucifer's sake WHO THE FUCK IS VASSAGO????

[scoliosisgoblin]

Do you still draw YB content? What do you think of day 4?

yeah I still draw yb, majority of my stuff is yb rn. I just mainly draw a human version of him

I'm not a patron to the creators (I don't fw them) so I can't play the game and have to go off of videos and spoilers, so here's my thoughts so far (SPOILERS OFC):

- love the point and click style they're going for, I enjoy those games a lot so I am biased

- I'm a fan of Peter letting yn walk around and explore things at their own pace. when I'm in a new home or a friend's place, I often need to be left alone to allow myself to settle in and tend to feel smothered if someone's always over my shoulder when exploring etc (it also reminds me of when I got my cats and left them to wonder around on their own)

- what the fuck are windows 🙏🙏🙏

- apparently you both sleep together if you do the kind route??? WHAT WHY. I HATE THAT. PETER IS REALLY OUT OF CHARACTER FOR THAT 💀💀💀 I always thought of him as the type of guy to want his first time to be special tf was that?? (I'm also asexual so obv I'm not exactly looking forward to that type of stuff)

- I find it cute when Peter's working, autism be damned my boy can type!!!

- it's also super cute he gave us the bigger room and kept the small room for himself. also are all the stuff in our room stolen from us or did he buy the same/similar stuff?

- I love Rat, hope she gets more love and attention going on in the game 🙏🙏🙏

- also apparently you get to vaguely see files of pictures he took of you and he refuses to show it to you for some reason? or maybe that's not day 4? idek I hate that, Peter would show it off if anything

- the end of day 4, abusive route, I kinda like that? it's very interesting to me, how he'd do all that. I hate that he make yn nude but what the fuck am I supposed to do about it 🗿

Conclusion: lot of things to love, the writing is still something I'm not a fan of though

[hanzajesthanza]

this looks like a long time but initially it said 1 MONTH 15 days

[tifa-simp]

Time for more parallel!

The framing of these 2 scenes are quite similar, aren't they?

Remake

Rebirth

They both focus on the condition of Sephiroth, while Remake frames Aerith like she knows that he's still alive, Rebirth lets Tifa questions Sephiroth mysterious 5 years gap absence. Which leads to quite an interesting situation:

Cloud, who used to have his suspicion, is now even more sure of his knowledge about Sephiroth at the end of Rebirth. So he's likely to not gonna change his mind about Seph, as in he firmly believes that he knows the truth. Which, as we all know, is gonna bite him in the ass one way or another.

Aerith definitely knew about Sephiroth more than she lets on. But throughout 2 games, either intentional or not, she refuses to tell people the whole picture and seems to follow her own plan. Seeing the end of Rebirth, let's assume that her plan works. So Aerith had reason to not reveal her full knowledge to the gang and also has no way to tell us anymore with the way she is now.

Which leave us with Tifa with her titbits and intuition against the big mystery. So far she has 3 important questions:

What is messing with Cloud's mind?

What is Aerith's secrets about the future?

What is Sephiroth up to?

And for now, she knows that Cloud believes his unstable mind is due to SOLDIER's cells degrade, that Aerith has her memory taken away by the Whispers, that Sephiroth is fighting with the Planet and losing (at Gongaga at least). But as the story goes, she becomes more lost.

Both Cloud and Aerith are out of question now, so the only one can give Tifa the all answers is Sephiroth. But obviously she won't get anything directly from the man himself. Bold guess, but I think Tifa will involve in some way in Vincent's arc in part 3 since his story is so tightly tied to Sephiroth. No matter how Vincent arc turns out, there's no way Tifa won't get something out of it. Either she knows how he messes with Cloud or what's he been doing in those 5 years.

If Vincent arc doesn't give her all the clues then the Weapons are next in line. She's already had some ideas about the Lifestream works, next is how the multi worlds work. I believe Tifa is smart enough to figure that out by herself. I mean, she comes up with this on her own

Making Tifa our lead will be the right choice since she's in the dark about everything as much as we do while not so blindly determined like Cloud or so omniscient like Aerith. How cool it'd be if we can see Tifa playing detective in part 3 and slowly piecing everything together to clear up all the mysteries, not just with Cloud's memory problem but also Sephiroth's plan and the principle of multi worlds.

Tifa has always been the one staying behind to observe and analyze the situation in 2 games, it's time she steps up and makes her move in part 3.

[little-de-vil]

Saying Your Stones

The concept of religion is nonexistent in Panem, so much so that when Katniss sees cherubs in the frescoed walls of District 11, she calls them “fat children with wings.” Religious Christian imagery that Katniss notices is seen as only decoration because religion of any sort is so against the norm. Only cultural, district related traditions.

"Designs of fruit and flowers are carved into the molding and small, fat children with wings look down at us from every angle." (CF, 64) 

The concept of prayer is reduced to hope or telepathic wishes of safety, like Finnick when Annie is in The Capitol. No gods of any kind, but not pure hopelessness. There is community without religion in Panem; with the struggle of survival and the knowledge of the district trade. The need to live for others betterment rather than individualistic whims. 

Enter an old tradition of the Cutters. As old as their district, and just as tangible as their older traditions. It’s not a prayer in the actual sense of asking some higher power to intervene in for the betterment of one or another’s life, but a symbolic journey of growth tied to their birthstones.

Each stone has some sort of symbolic significance tied to that persons birth month, and is believed to be how they act or who they will become. Say someone’s birthstone is travertine, a stone that signifies confidence, stability and durability. If that person is generally shy and unsure in their way of life, others around them will say that they will slowly become like their stone. 

Birthstones are defined as markers of character for the community, but not stereotypes because they know that stones have the propensity for change depending on the force given to it. Too little and nothing changes, much and they crumble to dust. But there’s always an opportunity for change, to become one’s true self.

The tradition itself is — in our eyes — like a late night prayer. Each night, the birthstone is taken in their hands and the symbolic meaning of the stone is murmured in continuum for however long the person wishes, with a certain meaning repeated more than the others as a wish for what they hope to become. 

This tradition has shifted from being done in private at one’s own time to a family evening ritual where the whole family gathers and says their words over and over, regardless of the other people and their “conflicting” stones. This change was made shortly after the war in an effort to not only continue the traditions, but to make it a ritual within the family and tie it to their community.

Every night, the oldest Sophro child takes his travertine stone that lives on his nightstand and murmurs “confidence” until his voice nearly gives out. The middle Sophro child has only recently returned to the tradition after her Games, realizing how much she has become like her own stone, carnelian. The youngest Sophro child has a faint idea of the tradition, but has very rarely done it herself since her family hasn’t openly practiced it in years. Nonetheless, she still takes her stone, a shinning topaz like her Home Name and wishes not for who she will become, but for what she would like to impart onto her family. 

Hawk Sophro has not practiced Saying his Stone since his daughter won her Games. He still keeps his marble stone on his nightstand, spinning it in his palm and asking for the strength of his stone. 

I also wanted to continue this idea of the culture becoming weaker with each new generation becoming more and more assimilated to Capitol Culture. Madon has continually been doing that tradition, Harlow has recently returned to it after a traumatic event like The Games (in a sort of “She found religion” kind of thing) & Topaz has had very little interaction with it, so much so that when she goes back to it, she misunderstands the purpose and asks for the best for others, not herself.