#I'm more interested in a person's growth or change

[randomfoggytiger]

What a difference in the two interviews - Duchovny's in 1997 and Anderson's in 1998.

Duchovny was super arrogant and pretentious, thinking he was the King of Cocada Preta, trying to pass himself off as an intellectual, bored with fame. Winona Ryder never came out to David because she was much more famous at the time.. Thankfully, in the years that followed, he had to tone it down. Less Duchovny, much less…

Anderson, on the other hand, looked like a working mother, working non-stop to support her daughter, zero glamor, a bit depressed, like a middle-aged woman broken by life.

And in none of the interviews did the geniuses who interviewed them talk about Mulder and Scully, who were the soul of the show.

I'm slowly working on a progress-through-Season-8-based-on-the-burnt-out-interviews post, so this was timely. :DD

To be fair, David was suffering. Both of them were. The X-Files was simply a job to DD and GA; and they coped with its insane hours and insane stresses differently. For Gillian, she internally imploded: eating disorders, panic attacks, anxiety so bad she wouldn't wish it on her worst enemy. She was afraid to put a foot wrong because she'd gotten pregnant so early on and could have threatened the longevity of the show; but she kept putting a foot wrong due to a shoot-from-the-hip personality. Then she was a divorced co-parent trying to do everything herself. David, meanwhile, didn't have that stress; but instead of marrying quick to escape the unbearable loneliness (like Gillian did), he tried to escape by getting outward attention... or through porn, joking in Playboy that his favorite pornstar had gotten him through some very, very lonely days. He also outsourced constantly, making connections with other entertainers and etc. to try to establish himself in Hollywood away from the show. Part of that persona-- that he had everything together and was living the dream-- was part and parcel of selling himself to the business for, in turn, more work.

Secondly, DD WAS arrogant. It wasn't until AA that he learned gratitude, per his own words. Until that time, he'd overachieved into such heights of success that he, naturally, developed an ego. But that wasn't enough-- it never is-- and he kept devising other ways to get attention. Per his old interviews, he described being 'shocking' or 'funny' or etc. as a way to keep others' eyes (and attention) on himself. He always feared they'd lose interest in him and walk away, otherwise (still does.)

That mindset, he's stated here and there, was a result of habits he'd formed in his childhood-- the middle child caught in a turbulent divorce: father suddenly gone, mother heartbroken, and older brother and younger sister taking sides. He had to become intermediary for his siblings and shoulder-to-lean-on for his mother. He became his mother's pride and joy: a shy kid who thought he wasn't a looker when he was younger, who transferred to a better school on a scholarship, who was "captain of the basketball team and the baseball team and a straight-A student, and I was in my last year of high school, and I'd applied to four schools–Harvard, Yale, Princeton and Brown–and I got into all of them." Who was, in short, an over-achiever; and became arrogant because he achieved everything through his own efforts. But he was also a kid who fainted in senior year, breaking his front teeth, because the stress was too much.

And he was also a man who spent long hours overworked on a show he wasn't particularly passionate about. One who spent long, isolated hours alone (in the bathtub) in Vancouver when not working. And one who always had to be "on" when he was out with his friends or spotted by people on the street. Further, no one wanted (wants) to hear the rich and successful complain about the hardships of their success. So, he turned on the charm for attention, instead; and resented having to "sell himself" for people to care about his work. And his performance, on and off screen, earned him fifteen years of public backpatting and"Fox Mulder"ing everywhere he went.

He didn't deal with the stress perfectly, and created his own problems that had to be worked through later on. But Gillian did, as well (per her own words); and they've both owned up to their mistakes and have, seemingly, moved on from the past.

Lastly, there are other interviews where his truer self comes through: those are sadder, pre-marriage; or more stable and happy, post-marriage. Gillian had happy interviews, too; but her life was much more accelerated than his (marriage, pregnancy, divorce on close heels), and thus sounded more burnt out than he was.

I don't like to pit or compare faults because I'm sure they both handled global fame and nonstop work better than a lot of people would have (David was rock-bottom depressed and Gillian was afraid she'd quite literally go insane; but they made it.) And there are always interviews where he looks like a cherub and she a hag, or he an arrogant scumbag and she a hard-done-by saint. Neither were either.

About the Winona Ryder speculation:

Even in interviews from the early days, DD kept personal details close to the chest, not referring to romantic partners as "my girlfriend" unless his significant other had an established public persona (or an upcoming project.) The person he spoke the most about was Tea-- and that was after their marriage, and only during interviews to promote their next tv series or movie. Tea was a talker, and she didn't mind when he talked about her; so, she rubbed off on David for a good chunk of their relationship-- even after the rehab stint-- until their divorce. (Now, she's taken a vow of silence and enforces it strictly with Tim Daly, as stated by both.)

I'm not up-to-date on Winona, but I'm sure the relationship wasn't serious enough for either to really acknowledge it. She looked happy in their picture together; and I don't think she's the type to deny a relationship because it might not be advantageous to her "brand." But what do I know? XDD

Those are my thoughts, anyway~ :DDD

[sskk-manifesto]

Bungou Stray Dogs: Dead Apple and how “ability users” (opposite to “normal people”) learning to accept themselves through the acceptance of their own abilities is a queer metaphor of acceptance of own's sexual orientation and gender: an essay by me

[thatscarletflycatcher]

Tumblr isn't letting me find again @fictionadventurer's and my own posts on epistolary novels, but I have been thinking about it again, because I fell down a Goodreads review rabbit hall and I have thoughts again.

So many people dislike the style, and honestly, I don't blame them, because it's so often done... not well. It is in some aspects, a deceptively easy one, and in others, deceptively hard. And because I'm trying to write a novel with this format myself, I have been thinking about what makes or breaks an epistolary novel.

I talked yesterday about TGLPPS, because it is an interesting case to analyze. I have thought many times about it, and cannot think of a single non-merely-aesthetic reason for it to be told in an epistolary style. A lot of it depends on -British- people who have survived some terrible war conditions willingly opening up to a stranger about their experiences, and that's made... even more difficult if the medium is letters? typically writers will appeal to tropes like making the reserved character drunk, or have them share an extreme experience in isolation with the stranger to create sudden intimacy. None of this is possible in writing; if anything, one is much more self-conscious about the things one writes than the things one says; verba volant, scripta manent.

It seems to me the story would have flowed much more naturally if Juliet had been stranded on Guernsey for some reason -like the first author herself!- suddenly Dawsey commenting that he got a book from her library makes so much more sense! Yes, certainly, if you met a stranger out there, and they introduce themselves and you realize you have a book that once belonged to them, you would tell them so! And it is in this way that the epistolary format does violence to a story that would otherwise sound much less contrived.

Another problem is the large cast of characters and multiple settings. For all I complain about Dracula, Stoker manages this pretty well (of course he has the model of The Woman in White, but TWiW has fewer povs), at least on the first half, because structurally the storylines of the characters are converging, and that does a lot to guide the reader in the understanding of the character's relationships. TGLPPS's relationship structure is more of a multidirectional flow chart, and that becomes confusing really fast.

Another novel I read reviews for recently is one set in WWI, composed of back and forth letters between two lovers torn apart by war, and one common complaint was... that the climactic scenes, the times they meet, etc all happen... off-camera. It is a fair complaint, but also one I cannot really blame the author for, because that's what usually happens with real life compilations of letters of that kind. Sure, usually the editor/compiler will fill in the blanks sometimes and add an epilogue of sorts explaining what happened afterwards, and that is possible if you are writing it fictionally too, but some may think it spoils the effect of immediacy and whatnot, which, fair too.

But it makes me think of how aware Jean Webster was of these difficulties, and how deftly she managed them in both Daddy Long-Legs and Dear Enemy. Both novels have aged badly in terms of content and message, but they are very interesting stylistically.

DLL is a bildungsroman with a dash of romance; through Judy's letters to daddy long-legs we can see how she grows as a person, gaining independence intellectually and economically, and as a writer, as her grammar and vocabulary change and grow. Between making Judy an orphan who hates the orphanage where she has lived her whole life, and one where she lived past the usual age of being thrown into the world, Webster does away with the need for letters between Judy and her friends and family: all her friends and family are her college roommates and her benefactor, who is the person she writes to. The benefactor scheme also makes it so that she doesn't have to write dll's replies, which in turns makes it much more natural and acceptable for the reader when Judy writes him the ending's love letter describing the feelings and impressions of their finally meeting in person and in truth; Judy has become a writer, and she is so used to write to him as another person all the time, that it just makes sense for her to write to him one more letter at the point where her benefactor and her lover become one and the same person. She has written a novel where the core is the correspondence between lovers AND managed to include as well all the moments of their meetings that we would otherwise miss.

Dear Enemy is a similar, but longer and more ambitious story. Instead of one relationship-connection (Judy and Daddy's), we have Sallie as a nod of connections: she's Judy's friend, Jarvis' "employee", the boss of several characters, has a tense colleague-boss relationship with the visiting doctor, a boyfriend of sorts in Washington, and a family we have met before. It is, in that way, a similar setup to TGLPPS: a urban girl of means becomes a fish out of water in a different setting till she ends up assimilating to it, and settling definitely through marriage. But Webster does a few things differently to make it click.

For starters, it is clear to her that this is the story of Sallie's maturation -I have sometimes talked of Dear Enemy as a novel where a Mary Crawford-like character undergoes a transformation arc. The happenings and stories she meets and tells Judy about along the way serve this arc, besides standing on their own as case studies to illustrate the problems, ideology and solutions proposed to the secondary themes of the story (education and social reform). I feel like TGLPPS is much more interested in Guernsey's survival through the war, in which case Juliet's story is already a frame, which, again, makes the epistolary format cumbersome rather than complementary.

Dear Enemy adds more correspondents, but it is very austere/economical with them, and narrows the letters we see to only those Sallie sends. YMMV regarding if it was too much cutting or not, but the undeniable effect is structural soundness; you are never confused by what is happening or who is writing to whom. We can guess the Honorable Cyrus Wykoff probably wrote some indignant letters to Jervis, and those would be funny to read, but... would they be worth the break in the flow of the narrative? I don't think so. To this effect, just having Sallie write a line to the effect of "I expect at this point you have at hand an irate letter from the Hon. Cyrus" is enough to paint a picture for the reader. Perhaps a letter or two from Dr. MacRae would have helped develop his character more -definitely a first read of the story obscures how much misdirection there is in Sallie's narration to Judy, which in turns tends to create an impression of suddenness to the closing letter that doesn't come across well to the reader.

The choice of Sallie mainly writing to Judy is, IMO, a really good one too. It not only establishes a connection with DLL, but it also allows for the intimacy that makes disclosure believable (something TGLPPS struggles with, as I mentioned above). When you add a few letters to the doctor and Gordon and Jervis, you also get a better perspective of Sallie's personality, how she deals not only with a friend, but with acquaintances, romantic partners and coworkers.

From all this it is pretty evident that for Webster the main function of epistolarity as format is aiding in showing psychological and moral development. But that's not the only thing the format can be really good for: perspective is another, and Austen uses it to great effect in both Lady Susan and Lesley Castle.

Both stories deal with mainly static characters, but who have very strong perspectives of the same situation, and it is this singularity of setting and story that anchors the narrative to avoid confusion, while the variety of perspective brings interest. In Lady Susan, we are dealing mainly with the marrying off of Frederica and seduction of Mrs. Vernon's brother, Reginald. There where Lady Susan paints Frederica as an undisciplined, irrational and ungrateful daughter, her sister in law, Mrs. Vernon, paints her as a sweet girl and a victim of her mother's ruthlessness and lack of love. Both agree that Reginald is being seduced, but, of course, with opposite goals: Lady Susan wants him to succumb, Mrs. Vernon, to escape, and this is a delicious struggle for the reader to follow!*

Lesley Castle being an earlier effort, and unfinished, does show some of the defects I have mentioned before (mainly, the relative confusion of having several correspondents in separate storylines), but illustrates well this same perspective effect: Margaret writes to Charlotte about the new Lady Lesley, and the new Lady Lesley writes to Charlotte about about Margaret and her sister... and in these contrasts lies the main interest of the narrative.

Some conclusions to these musings, then:

Not every story is suited to the epistolary format.

The epistolary format seems to work the best when it is used for either A) showcase psychological and moral development B) to play with perspective on people and/or events.

One of the main difficulties of the format is finding a narrative element to anchor and structure the letters around.

It must have a core couple of correspondents, or at most, two. More than that will make it confusing (unless, perhaps, the story is very short and about a single event or two).

A delicate balance must be found so that the secondary correspondence doesn't cut the flow of the main one, and if possible it must feed into it.

*It is interesting how Love and Friendship, being such a delightful -and I sustain one of the best ever- Austen adaptation, is by force of the perspective switch towards a more impersonal third person, more about a love story between Frederica and Reginald than a struggle between Lady Susan and Mrs. Vernon. Which isn't dissimilar to how adaptations of DLL end up being more about the romance between the leads than Judy's coming of age in college; tropes aside, I feel like if the epistolary format is well embedded in the story, it's going to be nearly impossible to reproduce the effect in adaptation.

[naamahdarling]

.

[slippery-minghus]

okay also... not that it's a bad thing about him as a person at all... but if i'm gonna be in a relationship with someone... fuck if i wanna be able to have an intelligent conversation with them. even if there's only a few topics we line up on in that manner. just please, anything other than usually-one-sided conversations about fandom.... 😮‍💨

[inhonoredglory]

Aziraphale’s Choice, the Job Connection, and Michael Sheen’s Morality

Update: Michael Sheen liked this post on Twitter, so I'm fairly certain there is a lot of validity to it.

I’ve had time to process Aziraphale’s choice at the end of Season 2. And I think only blaming the religious trauma misses something important in Aziraphale’s character. I think what happened was also Aziraphale’s own conscious choice––as a growth from his trauma, in fact. Hear me out.

Since November 2022 I’ve been haunted by something Michael Sheen said at the MCM London Comic Con. At the Q&A, someone asked him about which fantasy creature he enjoyed playing most and Michael (bless him, truly) veered on a tangent about angels and goodness and how, specifically,

We as a society tend to sort of undervalue goodness. It’s sort of seen as sort of somehow weak and a bit nimby and “oh it’s nice.” And I think to be good takes enormous reserves of courage and stamina. I mean, you have to look the dark in the face to be truly good and to be truly of the light…. The idea that goodness is somehow lesser and less interesting and not as kind of muscular and as passionate and as fierce as evil somehow and darkness, I think is nonsense. The idea of being able to portray an angel, a being of love. I love seeing the things people have put online about angels being ferocious creatures, and I love that. I think that’s a really good representation of what goodness can be, what it should be, I suppose.

I was looking forward to BAMF!Aziraphale all season long, and I think that’s what we got in the end. Remember Neil said that the Job minisode was important for Aziraphale’s story. Remember how Aziraphale sat on that rock and reconciled to himself that he MUST go to Hell, because he lied and thwarted the will of God. He believed that––truly, honestly, with the faith of a child, but the bravery of a soldier.

Aziraphale, a being of love with more goodness than all of Heaven combined, believed he needed to walk through the Gates of Hell because it was the Right Thing to do. (Like Job, he didn’t understand his sin but believed he needed to sacrifice his happiness to do the Right Thing.)

That’s why we saw Aziraphale as a soldier this season: the bookshop battle, the halo. But yes, the ending as well.

Because Aziraphale never wanted to go to Heaven, and he never wanted to go there without Crowley.

But it was Crowley who taught him that he could, even SHOULD, act when his moral heart told him something was wrong. While Crowley was willing to run away and let the world burn, it was Aziraphale (in that bandstand at the end of the world) who stood his ground and said No. We can make a difference. We can save everyone.

And Aziraphale knew he could not give up the ace up his sleeve (his position as an angel) to talk to God and make them see the truth in his heart.

I was messed up by Ineffable Bureaucracy (Boxfly) getting their happy ending when our Ineffable Husbands didn’t, but I see now that them running away served to prove something to Aziraphale. (And I am fully convinced that Gabriel and Beelzebub saw the example of the Ineffables at the Not-pocalypse and took inspiration from them for choosing to ditch their respective sides)

But my point is that Aziraphale saw them, and in some ways, they looked like him and Crowley. And he saw how Gabriel, the biggest bully in Heaven, was also like him in a way (a being capable of love) and also just a child when he wasn’t influenced by the poison of Heaven. Muriel, too, wasn’t a bad person. The Metatron also seemed to have grown more flexible with his morality (from Aziraphale's perspective). Like Earth, Heaven was shades of (light?) gray.

Aziraphale is too good an angel not to believe in hope. Or forgiveness (something he’s very good at it).

Aziraphale has been scarred by Heaven all his life. But with the cracks in Heaven’s armor (cracks he and Crowley helped create), Aziraphale is seeing something else. A chance to change them. They did terrible things to him, but he is better than them, and because of Crowley, he feels ready to face them.

(Will it work? Can Heaven change, institutionally? Probably not, but I can't blame Aziraphale for trying.)

At the cafe, the Metatron said something big was coming in the Great Plan. Aziraphale knows how trapped he had felt when he didn’t have God’s ear the first time something huge happened in the Big Plan. He can’t take a chance again to risk the world by not having a foot in the door of Heaven. That’s why we saw individual human deaths (or the threat of death) so much more this season: Elspeth, Wee Morag, Job’s children, the 1940s magician. Aziraphale almost killed a child when he couldn’t get through to God, and he’s not going through that again.

“We could make a difference.” We could save everyone.

Remember what Michael Sheen said about courage and doing good––and having to “look the dark in the face to be truly good.” That’s what happened when Aziraphale was willing to go to Hell for his actions. That’s what happened when he decided he had to go to Heaven, where he had been abused and belittled and made to feel small. He decided to willingly go into the Lion’s Den, to face his abusers and his anxiety, to make them better so that they would not try to destroy the world again.

Him, just one angel. He needed Crowley to be there with him, to help him be brave, to ask the questions that Heaven needed to hear, to tell them God was wrong. Crowley is the inspiration that drives Aziraphale’s change, Crowley is the engine that fuels Aziraphale’s courage.

But then Crowley tells him that going to Heaven is stupid. That they don’t need Heaven. And he’s right. Aziraphale knows he’s right.

Aziraphale doesn’t need Heaven; Heaven needs him. They just don’t know how much they need him, or how much humanity needs him there, too. (If everyone who ran for office was corrupt, how can the system change?)

Terry Pratchett (in the Discworld book, Small Gods) is scathing of God, organized religion, and the corrupt people religion empowers, but he is sympathetic to the individual who has real, pure faith and a good heart. In fact, the everyman protagonist of Small Gods is a better person than the god he serves, and in the end, he ends up changing the church to be better, more open-minded, and more humanist than god could ever do alone.

Aziraphale is willing to go to the darkest places to do the Right Thing, and Heaven is no exception. When Crowley says that Heaven is toxic, that’s exactly why Aziraphale knows he needs to go there. “You’re exactly is different from my exactly.”

____

In the aftermath of Trump's election in the US, Brexit happened in 2018. Michael Sheen felt compelled to figure out what was going on in his country after this shock. But he was living in Los Angeles with Sarah Silverman at the time, and she also wanted to become more politically active in the US.

Sheen: “I felt a responsibility to do something, but it [meant] coming back [to Britain] – which was difficult for us, because we were very important to each other. But we both acknowledge that each of us had to do what we needed to do.” In the end, they split up and Michael moved back to the UK.

Sometimes doing the Right Thing means sacrificing your own happiness. Sometimes it means going to Hell. Sometimes it means going to Heaven. Sometimes it means losing a relationship.

And that’s why what happened in the end was so difficult for Aziraphale. Because he loves Crowley desperately. He wants to be together. He wanted that kiss for thousands of years. He knows that taking command of Heaven means they would never again have to bow to the demands of a God they couldn’t understand, or run from a Hell who still came after them. They could change the rules of the game.

And he’s still going to do that. But it hurts him that he has to do that alone.

[girlbossagenda]

HOW TO HAVE YOUR SUMMER REVENGE GLOW UP

Summer break it's here! A lot of us have grown out of shape due to all the stress caused from school, and the lack or time to exercise or live a more healthy lifestyle, are you scared to go to the beach because you feel like you don't have that beach body? Are you heart broken and just want to live your hot girl summer or perhaps you want to finally be confident your body and change your entire life? If so this is the maxi guide for you.

౨ৎHow to get started౨ৎ

I made this google doc where I explain things more in depth here you can find, how to glow up: physically, mentally and socially(friends, summer filings, popularity etc...) if you want to know how to archive your results, you can find my explanation in depth(also winter friendly)

Here -> THE SUMMER I TURNED PRETTY: HOW TO REVENGE GLOW UP

Do you remember those girl on YouTube, IG and tumblr?The pretty ones that were living their best summer? Wanna be like them? Then think and plan a summer in the same way a girl with your dream summer would do!

୨୧Make a pre-summer status୨୧

We will use this to track what changed about out life during this summer, I know it might be stressful or embarassing at first, but you're going to be grateful knowing all the progress that you made

୨୧Work on your mindset୨୧

This is so important, read again point n°1, and then put yourself in the shows of the person that you want to become, for example:

-> you want to be a pretty popular girl? "Would the pretty popular girl say that her Summer is ruined and that she has no one to hangout with"? I don't think so.

౨ৎHOW TO GLOW UP PHYSICALLY౨ৎ

if you're interested just in the physical stuff this is the section for you(more in depth in the Google doc)

You need to understand that most of the time a summer glow up last up until the first week of school then it's gone, but you want it to last, right? Here's how:

୨୧Find a low effort beauty routine୨୧

During summer you have all the time to maintain a beauty regiment, but you also need to make it practical, for example you might keep your hair natural during summer, you need to simplify them -> extensions, braids, sew in, silk presses or clip in...

୨୧Change hair color୨୧

During summer you need to grab attention change hair color to blonde, red, or more funky colors like blue, pink etc...

୨୧Diet୨୧

I know, it's hard, with all the ice cream around, but you can also try by drinking healthy smoothies(especially the green ones), opt also for a salad as a snack.

୨୧Skincare୨୧

You have to wear sunscreen and if you want to get a tan you NEED to put that after sun lotion and be consistent with your skincare

୨୧Grow your lashes + eyebrows୨୧

Always, this is a must, you finally have enough time, then start now, be consistent and in 3 months you're going to have the best result, I advise you to use castor oil in the night and in the day a lash growth serum.

୨୧Learn to do your make up୨୧

Optional but very useful, in those days that you're at home you can learn how to do your make up so you're going to comeback to school and slay even in your worst days, plus it's a cute hobby.

౨ৎHOW TO GET POPULAR DURING SUMMER౨ৎ

If you don't have friends at school it would be nice to have them outside, plus having friends out makes you so much cooler! Are you ready to expand your social life?

୨୧Summer school/camp୨୧

A classic, you can meet so many people here, works best if you are between 11-16 yo, If you're 16+ you can try joing a camp and be an animator

୨୧Beach୨୧

Have you even heard of "the beach friend"? Where I'm from they are very common and popular, it usually starts early in childhood, but you can also make them at your age! You just need to approach the people that look like share the same interests as you, better if they are alone too!

୨୧Online୨୧

You can go on a forum site and actually ask in the chat if someone wants to make friends and exchange ig, snaps,discord etc...you might make long distance but strong friendships

୨୧Work୨୧

Now coworkers are not actually your friends, but you might get close to some, better if it's not a competitive environment, try to network between your coworkers, maybe some of them actually know people of your interest, if you can start working with friends!

୨୧Neighborhood events୨୧

Churches usually during summer do some activities for the youths you can try and enjoy them! Or go to a popular place or even host in your neighborhood!

౨ৎHOW TO HAVE A SUMMER FLING౨ৎ

I'm not really into romance, but it might be different from some of y'all! If you want to flirt, get. In a relationship or just have some fun experimenting then keep reading!

Follow the beauty steps written before!

୨୧Go to parties or events(better if on the beach)୨୧

What a better place to find love if not on the beach? All you'll need to do it's to wear a cute bikini and have fun with your friends!

୨୧Work on your gaze୨୧

You know the phrase "love at first sight"? Let's turn it into "love at first gaze" you need to exercise on your facial expressions and your seductive gaze, grab a mirror and flirt with yourself!

୨୧Make time to hangout୨୧

You're not going to find love by staying at home! You need to get out and wander around the city! Go to all the places where people of your age go! Bring your friends along(if you can or be brave and go alone!)

Phew, this guide was quite long! And there's so much more! Thank you for sticking with me and supporting my blog! Ilysm and I'm so grateful for all the people that read my posts, let's glow up together this summer!

xoxo gorgeous

-𝓐

[atzual]

what your ateez bias says about you

if you take this seriously, that's on you. i'm just doing this for fun.

tw: heavy topics, language, roasting

*****

hongjoong: right. how's the desire to impress people and overworking yourself doing? i feel like what draws you in is his resilience, and that he is very dependable. you probably had a lot of moments where you were left to your own devices to work on something major, and are no stranger to burnout. you might be the kind of person to talk about your achievements and your work and everything you do a lot, maybe to seek validation (and maybe to cement that you have something others don't). on a softer note, you probably have a wide range of skills in a field you are interested in, and experiment a lot. generally are not afraid to go outside of norms to figure something out. so to see the qualities of a leader and innovator in joong is both comforting and inspiring to you. (bonus: you probably have a thing for clips of joong in the studio, don't you?)

seonghwa: you feel like you don't have anyone who you can actually trust with your thoughts and feelings, huh? people talk at you, not to you. you are a natural care-giver, are quick to give advice (also to bottle up someone else's negativity), often ignoring yourself. you might have lost the feeling of 'home' or of 'small but certain happiness', and might have some unhealthy coping mechanisms. on a brighter note, you are someone who can process emotions a lot more deeply than others and if there is anyone who can actually put themselves in another's shoes, it's you. i think hwa is a safe space to you, precisely because it is not all sunshine and rainbows. you connect with his battles, growth, and how he is accepting change and trying to find balance. (bonus: him getting excited about something is legit your therapy isn't it)

yunho: many acquaintances, few friends? i think you legitimately stopped believing in love. at least the mushy 'at first sight' and 'meet cute' and 'soulmates' kind of love. might be because of family-related things, or because of romantic relationships, but trust is a problem for you. you probably think negatively about yourself quite a bit and/or have/had a more pessimistic mindset. on the positive, i think you're really loyal when you find your people, and want to see them happy. you connect with people beyond love, you make connections that are made on living life together and going through things together. i think this is also what drew you to yunho - his perseverance, resilience, ability to smile in the face of hardship, but also his ability to navigate a lot of emotions as they come and deal with them in a healthy way. (bonus: his small expressions of affection/acts of kindness make you melt, right?)

yeosang: you've been through quite a lot, haven't you? i think you try to laugh a lot of it off or treat it lightly, but the demons eat away at you sometimes. you might be someone who burned out in/after high school, and generally does not have a good experience with school. might feel lonely even when you are not alone, sometimes just choosing to float in your imagination for comfort. often act tough or not quite like yourself to appear more like the you you have in your head. i think in part you kind of want to learn how to love the world like yeosang, and are really touched by his sweetness and his humor. you are a fighter and despite it all, do stay true to yourself and your values, and this is something that you find and adore in yeosang. you are drawn in by his ability to follow his dream, and his heart of gold. maybe your scars will turn golden too. (bonus: you probably have a mild obsession with his one-liners)

san: how are your boundaries, broken like the wall? you probably have some trouble with setting and/or maintaining boundaries, and so sometimes have people treading over you. you might feel like a side character in your own life, and so turn bitter and internalize a lot of negative energy. honestly on a brighter note i think you really do try hard for others, and go out of your way to try and make dreams happen for others, because it makes them and you happy. you cheer, you support and you truly show that you are on a loved one's team. I feel that what draws you to san is how he transformed himself in a healthy manner, and how he maintains a very clear circle of those he trusts, and is no stranger to kindly setting rules in place while still remaining sweet and respectful. he is a safe space for you both because he makes you smile with his stories and jokes, but also because he is adamant on keeping things in order. (bonus: his reaction to the merch donation story lives rent free in your mind)

mingi: got some problems with regulating emotions, maybe? be it hiding them until you burst or not knowing how to express them, i think this might be a challenge for you. you might have been exposed to something that made you believe that it is a sign of weakness or a risk. at the same time, you are logical, damn good at what you do, and when you face hard times you bounce back, even if it takes some time. i think you and mingi share the introspectiveness, and you like how thoughtful he is. you probably find comfort in how he shares happiness with others, and how he seeks closeness with loved ones. at the same time, there is something about how he transforms on stages that resonates with you - the power and confidence is something you want to work on and find more of in yourself. (bonus: your will never stop thinking about mingi's creative process monologues + freestyle mingi)

wooyoung: do people tell you you have a big personality, or that you are 'a lot' sometimes? i feel like you have your way of working, your way of thinking, but might have a hard time actually communicating that or adapting to different social environments. it might be because you're headstrong, or because you are in constant fight or flight mode and so are more rigid. at the same time i think you are diligent and very detailed with what you do, and are in fact attentive to others and might notice things others don't. i feel like what you admire in wooyoung is his ability to connect with others, while not losing himself or his values. you feel for his hardships, and he helps you learn how to be more loving and more open with expressing and accepting love. he is very much your candle. (bonus: you cried because of his interview + dance in that one show, didn't you?)

jongho: how many thoughts are spinning in your head? you might be an overthinker, slightly misanthropic, and on bad days might sink to having a victim mindset and ask the universe 'why me?'. you might have had to grow up too fast, or were controlled a lot as a kid - either way, your understanding and experience of freedom and maturity might be warped. at the same time you are reliable and are able to call things out for what they are. you might have also put a positive spin on the negatives and either used them as inspiration, grew from them, or taken a skill from them that you then generalized. i think jongho's humor and innate warmth is your haven, and his continuous self-development grounds you and motivates you to also try your best and think of ways to find the good in situations. i feel you might also resonate with his occasional shyness. (bonus: you often think about his emotional strength even when he talks about his concerns, don't you?)

[nerdyramennoodle]

Finished TMA, I know I rarely post but here's a WIP </3

Also here's my ratings and some thoughts I had...

💥SPOILERS💥

S1 8/10

Some of the best statements, slow start and wish we had more time with Sasha and Tim bc of how much we get later on, amazing finale episodes and the second half really picks up by the end I was captivated.

S2 9/10

Amazing starting to learn more lore, loved paranoid Jon and all the Martin stuff we get, the tunnel stuff was actually terrifying and this season really had a great motif with the supplementals idk wether to call this season one of the scariest or funniest. Also Daisy Basira and Melanie slowly becoming more relevant is amazing I love them so much! Also the pay off with Not!Sasha attacking Jon and the Elias reveal is amazing!

S3 10/10

Probably my favorite because of how many gems you get, Episode 100 being hilarious, Michael's backstory, learning Martin and Tim's reasons for getting the job, Tim's connection to the Stranger who has been built up as one of my favorite villians and being personified through Nikola AAHAHH I love this season sm. MY GIRL MELANIE getting so much more time, OMG and the trips Jon goes on to discover more about his connection to the Eye and all the different avatars! Ugh I could gush about this season for hours. The perfect mix of spooky and lore and funny with a tragic ending.

S4 9/10

Still amazing but is docked a point because of how much less Martin and Melanie time you get, also I've never been a fan of the coma trope and was getting skeptical at the beginning but it pays off alot, I love how much Daisy and Basira get here and how much Jon really changes, loosing Tim and essentially loosing Martin is really interesting for his charcter growth and this is the season you can really feel it and SEE it and it also sets up his hero complex he gets for next season, loosing Sasha and Tim really has an important effect on his character. Also they make it so believable how Jon starts to realize he has feelings for Martin and how much he misses him and all the moments you get of him mourning the friendship they had gotten in s3. It's a lot to explore and as much as I was skeptical at first the pay off with Jon changing sm and THE FINALE!! is really worth it. This season also has my personal favorite Finale of all the seasons.

S5 9.5/10

I won't write too much about s5 because I'm still digesting it bc it's alot, but I loved it! The way Jon and Martin's interactions are so realistic and fun to hear, and the impending doom, that you realize half way though, that one or both of them may die is crushing but great. This season also has more scary statments that didnt affect me as much in s4 more like s2 and 3 again. Also love all the stuff the girlies get, and along with s3 hurting my soul so much this season managed to bring me to tears twice, with Daisy, Jon and Martin RIP </3

Overall I love this series so much and I loved listening to it I might listen to protocol now but I need a small break ugh...

📼👁🦷🦴🫀🕸🐈‍⬛☁️

[mecachrome]

not sure whether excerpts from oscar's book have alr been posted here but i found some of the quotes from the author's exclusive interviews with j.sera & rené quite interesting and thought i'd gather them in one place ❓__❓

i always love hearing insights on his karting days and how his unique rc bg & transition from australian to european karting shaped his racecraft... also notable that Every Single person who ever speaks about oscar is just like "well more than anything... he was SMART" 😭 obsessed with baby oscar already learning to dispense his energy in understated / calculative / strategic ways... more below the cut:

another thing i find quite interesting is how because oscar started karting in a relatively smaller scene that wasn't quite as competitive or talent-heavy as in europe, he was always too young/small for the classes he competed in (as with rc racing). of course he was never quite as egregiously undersized as lando but it's kind of fun that they have very similar karting lore in that aspect. not from the book but self-provided visuals:

also love how much the seras talk about his style, from his smooth inputs and clean driving to how much open-wheel potential he exhibited from the very beginning T__T

as for rené's insights on oscar's time at prema, i also find them interesting because while they corroborate a lot of surface level details about his junior campaigns that we're alr familiar with it's cool to be reminded of his growth from f3 (zero front row starts, winning more off consistency and competitor error than any personal dominant performance) to putting it all together in the second half of f2 (consecutive run of poles/fr wins to end the season).

also interesting to hear that THE most angry rené ever saw him was after his f3 monza penalty, because oscar's demeanor & reactions to adversity get discussed a lot and while he's always been very level-headed and i'd argue his core personality has not changed much if at all over the past 5 years, you can still see how he was just that touch less filtered and more defensive during his junior days. oscar is definitely still someone who refuses to take blame if he knows he wasn't at fault and who will never give credit to others when the work was mostly done by him ("i was the one driving" re: mweb helping him) but there has been a fairly noticeable growth curve from the guy who said he felt Physically Weak at the fr finale because of how nervous he was, who said he was grateful to be in school because it distracted him from his "habit of overthinking" that he was trying to get rid of, who complained extensively at monza about the novalak / beckmann incidents and then said "seems to be quite a common theme with liam if i'm honest 😐" re: continued contact in the press conf, to the guy today who reacts to deleted laps with a dry 👍 and stealthily downplays racing incidents to the point of not even calling them "incidents" at all.

there's also a bit from rené about how close he is to chris piastri and how he traveled to melbourne from italy Solely to attend his 50th birthday party, and basically how the piastris are just Good People and that oscar's demeanor is what sets him apart. which i thought was sweet :')

also bonus interesting media quote from laurent rossi, which i've seen before but don't remember in its entirety — specifically the part saying that the other academy drivers "weren't as curious" and basically calling oscar the only smart one of the bunch.... 😭😭😭 this freaking guy

[vaguely-concerned]

the things it adds to both of the characters involved that lucanis used to have a thing for viago could not have been more tailor made to be for me. literally the ideal thing to come out of this game for me personally and specifically and spiritually. I mean I'm teia x viago trash until the day I die and nothing will ever change this (and with the best will in the world and even the power of lucanis' big beautiful soulful eyes, that would never have worked out even if viago DID somehow understand he was being propositioned. which I'm not convinced he did. the mutual 'so. snakes are pretty cool huh. and. knives. also' awkward energy without someone of teia's charisma and people skills involved to mitigate it... it would have been dire), but on so many levels I find it so incredibly charming for what it says about them both that the (one-sided) attraction was there once.

what's more, it means the man about whom this legendary paragraph was written:

Viago was not a typical Antivan. He liked facts—checklists, numbers, precise measurements. Heart palpitations, clammy hands, tight pants—Viago did not like these things. In fact, he would go so far as to say he hated them. Mild curiosity was his favorite mood.

has got some of the hottest coolest deadliest people in thedas down so catastrophically bad it's got them acting unwise. teia had to wait a UST-drenched decade for him to be ready to take his fucking gloves off for her. and she did!! the tetchiest most neurotic least approachable little vetinari knockoff of a man you ever saw has game for days and days and lives rent free in heads for years. in eight little talons viago consistently feels so inadequate up against dante and it's like. man I'm shaking you by the lapels you have what he'll never have. the ability to bewitch body and soul with your terrible personality and long thin legs. do not waste the gift you've been given go get her she's waiting!!!

(lucanis is really good at reading people, so I wonder if maybe he saw through all of that to some of the steadiness and incredible capacity for warmth and tenderness in specific interpersonal relationships you see viago have with teia when he finally opens up enough, and maybe that was part of it. either way it's so perfect that both he and teia have regarded viago with this affectionate intrigued amusement. lucanis still seems pretty fond of him in a 'viago continues to be exactly himself no matter what else happens or goes wrong. comforting universal constant' sort of way, he brings him up quite a lot in party banter.)

you've seen lucanis' game in this day and age, arguably or at least hopefully older and wiser -- can you imagine how catastrophically bad it must have been back when he presumably handed viago, most paranoid man in thedas all years running, a knife like this expressed everything it needed to. people give him so much shit for the cake moment being his big romantic lock-in, but considering where we started that is GROWTH and I for one am so proud of him fhsdkjaf.

also I wonder at what point vis-a-vis that whole Situation teia and viago met for the first time, leading us to ask... just how much was it a matter of lucanis simply being ignored out of a lack of interest on viago's part (tbf, not entirely unlikely). how much was it lucanis truly not managing to make himself understood. (all but certainly. literally how would one understand that. I think it says some sweet things about rook and lucanis' dynamic that they -- somehow -- DO pick up what he's putting down in a similar scenario presumably b/c they know him pretty well by then haha.) how much was it viago interpreting the romantic move as a death threat from one of the most dangerous people alive and freaking out. (1000% and indubitably.) and how much was it andarateia steal-your-girl cantori turning up and thus setting off whatever spectacular, volatile, awesome-in-the-original-sense chemical reaction between the substances of her and viago's souls that goes on to this day and makes everything else kind of a side note at best. a gentle mix of several of these things, perhaps. ...god I love all these characters so much

[directdogman]

Hi, I hope you're having a decent day! I'm sorry if this is an invasive set of questions - feel free not to answer - but do you still actively like DSaF as your own creation, or is it more of a "it was fun while it lasted but i outgrew it and it's for the best to leave it behind" kind of project? Do you ever regret making the games? If you knew they would get so popular, is there anything you would have changed about them? Is there anywhere I could read more of your writing.

It fluctuates a bit. These last couple of years, I've really just been sorta nostalgic for it. I've seen a lot of people discuss those games being a source of comfort during bad times in their lives, people talking about how much the characters mean to them and it's hard not to smile when you see that.

It's a funny thing for close friends of yours to see people WITH fanmade DSaF merch out in the wild, or to watch a random youtube video and being hit with a DSaF reference outta nowhere. It happens from time to time, even today. On a few occasions, I've even had a person reference my work to me in real life and not realize who they were talking to, believe it or not. It's really fun to play dumb and get someone to explain your work to you like you don't know what it is.

I certainly didn't think any of that would happen when I first made the series, or even during development. I think the normal assumption would be to look at DSaF as it exists now and assume its release was a peak for it, but believe it or not, the official discord only had 30 people in it shortly before 3 dropped! The archive listing of the series (reposted to a single page after the series ended) is now sitting at over 1.1 MILLION downloads.

People kinda assume the true heyday of something is when it's new, when it's fresh and novel. For instance, some people look back at when FNaF itself was new and see that time as its peak because it had a lot of internet cultural relevance as big new indie thing on the block. But, raw numbers don't lie. The series has been continually growing since its conception and that growth has similarly bled over to its fan projects. This explains why DSaF, despite not having a new series release in almost 6 years, seems to be inexplicably growing.

Just recently, I saw someone post footage of a scene from DSaF 2 on Twitter, which got over 16k likes. People praised its writing and largely celebrated the scene. The ironic thing about that particular scene is that I remembered being unsure if it was good or not, so I showed it off in one of the FNaF community hubs. The response was broadly lukewarm to negative. Now, it's held up as one of the best scenes in those games. That's kind of the point I'm trying to make, my thoughts on the series have certainly changed with everyone's else with years of hindsight.

Heh. I'm not sure if I've talked about this in a long time, but y'know, the very first scene I implemented in-game was actually the very first Phone Guy scene in DSaF 1, more or less exactly how it appears in-game today. This was before I'd even written the bulk of the game. I was pretty unfamiliar with visual novels as a whole, pretty unsure if something like this would be palatable to a fandom that was really just used to sit 'n' survive stuff that were far more gameplay than text. I mean, there wasn't any FNaF fangames really LIKE DSaF before that point. Closest was FNaFb, a jokey turn based RPG made in the same engine.

The engine I made the game in is also not exactly fit for VNs out of the box either, and I wasn't 100% sure the idea would actually work. But, the very first time I added the image of the prize corner, Phone Guy, the audio of that iconic cheesy stock track and booted up a test screen, I had a little moment where I said "Oh. I think I'm onto something interesting here." I kinda remembering instantly realizing in that single moment how much potential the idea had. Over 8 years later, I still remember that moment like it was yesterday.

I think lately, that's the sort of stuff I think of when I see people coming to me and asking about the series. Yes, it's really rough around the edges, yes, there's jokes that've aged poorly. But, it is a source of comfort for people and entertains tens of thousands of people each month. And that's gotta count for something, right?

[togglesbloggle]

Why do you think tumblr will die in only a few years?

Answer with jargon: a strong correlation between recent economic shifts and chaotic choices by major tech companies is most easily explained if the 'traditional' social media platforms of 2005-2020 are mostly a zero-interest rate phenomenon.

Longer answer, with less jargon: Even though Musk's takeover is making all the headlines recently, the last year has in fact seen major shakeups at many social media platforms, so Twitter is actually part of a trend. Almost inevitably, these are cases of social media companies trying to find a way to squeeze more money out of their userbase (Reddit), cut costs dramatically (Twitter), or both. This marks a sudden departure from a much more relaxed attitude towards revenue in the Pictures Of Cats industry, where the focus was historically more on expanding the userbase to a global scale and then counting on world domination to sort of <????> and then the company would become profitable eventually.

We joke, correctly, that Tumblr has never been profitable. But the entire structure of ad-supported content curation between human users is deeply suspect as a business model; IIRC Twitter was never profitable either, and Facebook has been juicing its numbers in very shenanigany ways. Discord was actually making money on net last I checked, at least a bit, so they're not all completely in the hole. But even if you take the accounting figures at face value, none of these companies has anything like the amount of money that their cultural prominence would suggest. Instead, they're heavily fueled by investment dollars, money given by super-rich people and institutions in the expectation that fueling the growth of the company now will pay off with interest later.

So what changed?

I'm not an expert here, but I'll do my best to muddle through. The American Federal Reserve has one mandate that dominates all others (sometimes called the 'dual mandate'), and one primary tool that it uses to enforce that mandate. The goal is to maintain low (but nonzero) rates of inflation and unemployment, which in their models are deeply interlinked phenomena. The tool is 'rate hikes', or more specifically, tweaking the mandatory rate of interest that banks charge one another when making loans.

As a particular consequence of this, hiking the rate also means that bonds start paying out much better. When the rate hike goes through, that affects people who let the government borrow their personal cash- that is, people who buy bonds- as well as institutions like banks that lend to one another. A rate hike means that you, personally, can make a little extra money by letting the government borrow it for a while. The federal government of the US is a rock-solid low-risk choice for this kind of moneymaking scheme, so the federal interest rate sort of defines the 'number to beat'; to attract investors, a company has to give those investors money at a better percentage than whatever the feds are offering. Particularly since a company is a lot more likely to go out of business than the state!

To wrap this back around to the Pictures Of Cats industry: the higher the rate hike, the better your company needs to be doing (or the less risky it needs to be as an option) to attract big investment dollars. Very high rates make it very hard to convince people to invest in business activity rather than the government itself, and very low rates put moonshots and big dreams on the table, investment-wise, in a way that wouldn't otherwise be possible. Social media companies were one of these big dreams.

In the great financial crisis of 2008, the Fed took the dramatic step of reducing their rate to zero, trying to juice the economy back to life. And ever since then, they've kept it there. This has produced an unprecedented amount of funding for very crazy stuff; it's part of what has allowed so many weird new tech companies (Uber, streaming services, etc.) to get so much money, so quickly, and use that to grow to massive size without a clear model of how they're ever going to make money. This state of affairs kept going for quite a while, with no clear stopping point; that zero-interest environment has been one of the shadowy forces in the background that shaped fundamental contours and limits in how our Very Online World has grown and developed. Until COVID.

Or rather, the bounce back from COVID: we suddenly saw a massive spike in inflation and an incredibly strong labor market, as employees quit in record numbers, negotiated higher salaries, and found better work, and at the same time supply chain issues and other economy stuff caused prices to climb dramatically. Recall the Fed's 'dual mandate', to control the employment rate and inflation. This was, basically, kicking them right in the jooblies. They responded in kind, finally finally raising their rates for the first time in 15 years. For some of the people reading this, it'll be the first significant shift in their entire adult lives.

The goal, as I understand it, is to fight inflation by reducing the amount of outside investment into private companies, forcing them to hire fewer people and pay smaller salaries, ultimately drawing money out of the working economy and driving prices back down by lowering demand for everything. You get paid less, so you eat out less, and buy at cheaper restaurants when you do, so restaurants have to compete harder by lowering their prices; seems pretty dodgy to me as a theory, but it's the theory. And the first part will almost certainly work- companies are going to see less investment.

For social media companies that are still paying most of their salaries with investor dollars instead of revenues, this is especially catastrophic. Without outside investment, they're just a massive pile of expenses waiting to happen, huge yearly costs in developer salaries and server fees. This is why, all of a sudden, every social media company is suddenly making bonkers decisions. They're noticing that nobody wants to give them any more money! So they're trying to figure out how to live a lot more cheaply, to actually somehow for reals turn their giant userbases in to some kind of actual revenue stream, or both.

Tumblr is kind of the ur-example of this kind of thing, supporting a very large userbase with no coherent plan whatsoever to start paying its staff with our dollars instead of investors' dollars. When interest rates were low and Scrooge McDuck had nowhere else to hide his pile of gold coins, a crazy kid with a dream was the best alternative available to him. But now, unless something changes, he's going to notice he can just buy bonds instead, and that crazy kid can go take a hike.

That's why I think Tumblr is living on borrowed time, though I don't know how much. Like all cartoons, the economy doesn't really fall off a cliff until somebody looks down and notices they've been standing on thin air this whole time. But they always fall eventually; that's the gag.

[bluecollarmcandtf]

Used Meat-Suit For sale!

Sup Internet! Like the title says, I'm selling this old thing, so hmu if you're interested in him.

I've been wearing this guy for years now, so I don't really remember where I got him. I think he was a lineman on some football team; and with his 6'-7", 280lb body, he was probably really good at it! He might've been called Paul or Pete maybe, but I've just been wearing him to do yard work around my house, so I haven't used his name. My neighbors all assume he's my personal landscaper or something. I usually pull some XL khaki coveralls over him when I take him outside, but I figured any buyer's gonna want to see as much of him as this website allows.

Also, please ignore his boner! I may have had a final jerk in that thing before hopping out. I just wanted one more, for old time's sake! If you've ever had a meat-suit before, then you know it sort of pauses where you leave it. His limbs don't stiffen or anything; he's like a limp ragdoll when no one's inside, but all the background changes that occur over time like hair growth, muscle loss, and yes-boner deflation just stay the same as you left it.

I'm looking to get around $500 for him, but I'm open to haggle if you want. There's nothing wrong with him! I take great care of all my suits, but he is still a little dirty from the last time I used him to mow the lawn.

That's it! Can't think of much else to say that'll convince you to buy him. I mean he's a great thing to throw on when you have some heavy lifting to do! Or maybe you wanna get into football with him! I'm sure there's still some memory of the game in those muscles. You might have to hit the gym first; he's strong, but I definitely did not keep up whatever insane workouts he was doing before I took over. He was a fucking muscle-ox back then!

Reach out if you're interested! I'm not even going to try to ship him though. He's way too heavy. You'll have to stop by and pick him up. Shouldn't be hard though because you can just wear him out the door!

Disclaimer: If you haven't owned a genuine human bodysuit before, it is a responsibility! You have to put them on every so often to shower, shave, brush their teeth, and everything. These things are real bodies that still sweat, grow, and get fat if you just leave them lying around. Take care of your shit!

[mypoisonedvine]

you could do a drabble about Jonathan Crane...a continuation about a drabble that he helps his patient with his sexual health problems, but now instead of observing he participates 👀 and Reader doesn't want to but does want to 🫠 I love your content, I'm so happy you're back.💜

seems like a perfect continuation to this c: HOW did it turn out so long lmaoooo 18+ ONLY OF COURSE

length: nearly 2k

warnings: noncon/heavy dubcon, abuse of power/manipulation, medical kink, praise kink, pain kink (at least on his part lol)

"How will I know when I'm ready?" you asked hesitantly. "For... sex?"

He smiled, very very slightly, and did that annoying therapist thing where he answered your question with a question. "What do you think are signs that you're ready for that step?"

You sighed, noticing how he'd flipped it back on you (he explained before why he did that-- because his job was to guide you to personal growth rather than just tell you what to do-- but you still wished sometimes it could be more simple) and tried to think about how to answer his question. "I guess... desire, would be a good sign."

"It would certainly help," he laughed lightly. "It's hard to feel much pleasure during something that feels like a chore. Have you?"

"Hm?"

"Have you experienced any desire for or interest in sex lately?" he asked.

Suddenly feeling a bit flushed, you looked away from him and rubbed the back of your neck. "O-oh, uh... I-- I guess that depends on what you consider--"

"So you have," he interrupted, smirking a bit, and you glanced at him before looking down at the floor with a nervous laugh. "I suspected as much."

"Because I brought it up today?" you assumed.

"No, for quite some time," he responded. "Weeks ago."

You blinked quickly, wondering how he could've noticed something like that. "Oh, did I... say something?"

"It's what you don't say," he explained, looking at you with a bit more darkness in his eyes. "It's what goes without saying."

You knew that he knew, but you weren't strong enough to admit it yet. "Wh-what do you mean, Dr. Crane?" you asked, playing dumb and hoping helplessly that it would work.

He sighed and shut his notebook, setting it aside and tilting his head a bit as he looked at you. "What do you think I'm referring to?" he asked.

You scoffed, seeing an opportunity to change the subject. "You know I can't stand it when you do that... you should just answer my questions," you decided.

"Yes, I bet you'd like that, wouldn't you?" he smirked. "Simply being told what to do."

You shuddered at the way his voice changed... and his stare, too, it seemed to rake over you. Even though you weren't sure if he was really asking, you found yourself nodding.

"Say it, out loud," he insisted.

"I want you to... to tell me what to do..." you mumbled nervously, "Dr. Crane..."

He smiled, wider than probably you'd ever seen on him and your gaze followed him as he stood up. "I'm glad you've finally admitted it," he said softly, stepping closer to you until his form towered over you as you sat on the couch-- your heart beat faster as you arched your neck to look up at him, swallowing thickly. "Dilated eyes, elevated heartrate, tightly crossed legs-- yes, I noticed all the signs of desire in you. You want me to help you with your aversion, yes?"

"Well, of course, but--"

He leaned down and held your chin softly in his hand, making your words fail into a whimper. "I think you'll experience much faster progress this way," he explained. "You'll do as you're told?"

You hesitated, your heart pounding in your ears, but you nodded slightly; you couldn't exactly say 'no' now, could you?

And he wasn't wrong-- you'd thought about this, with him. But not literally this. You just thought he was attractive, and though he was the one who told you to touch yourself daily at home to desensitize your mind and increase your libido, you never admitted in your self-reports that you were usually thinking about him.

But you weren't thinking about him as your doctor. You were thinking about him as some other person, who just happened to look like that. And though, in your mind, he always took charge... this felt strange in all the wrong ways.

He didn't quite force you down, he just guided you-- but it wasn't gentle, either. It ended up with you laying back on his couch, the decorative throw pillows supporting your back and keeping you half-upright as Dr. Crane slotted himself between your legs, running his hands over your body through your clothes.

He hummed a little, staring down at you in this greedy, voracious way that was totally unfamiliar. You whimpered a little when his hands groped your breasts through your shirt. "Don't worry," he offered, as if it were that simple. "I told you to stimulate yourself like this each night... did you?"

"Yes," you breathed, "but, um... not so... not exactly like that."

"Show me, then."

Your hands were shaking as they took the place of his, and you thoughtlessly bit your lip as you squeezed yourself a little slower, a little gentler-- you both sighed when your fingers pinched your nipples slightly through your clothes.

He reached down to your waist, sliding his hands up under your shirt. His touch on your bare skin was... unexpected, to say the least. His hands were warm, which was a relief, but you still felt shivers run all over you as his fingers delicately moved up your sides. Under your shirt and bra, he cupped your breasts as your own hands fell away. "Like this?" he mimicked your touches, only without the barriers; and even though it made your stomach flip, you couldn't deny that what he was doing felt better than it ever had when you did it to yourself.

Not wanting to admit that to him, though, you just bit your lip harder and nodded.

Just when you started to get somewhat comfortable with-- or at least used to-- what he was doing, he pushed up your clothes to your collarbones, exposing your chest to his lascivious gaze.

"O-oh," you blurted out at the rush of cool air, at the way he stared down at you with an open, hungry mouth-- which he then suddenly latched onto one of your hardened nipples. "Oh!" you whimpered, hips rocking up against him unintentionally when he suckled hard at the sensitive bud.

He wasn't subtle about it, or all that gentle, but it wasn't too much. Thought it was certainly much more intense than you expected.

He hummed against your skin, and you continued to shake uncontrollably beneath him; it was a raw and aggressive sort of pleasure, his tongue and teeth constantly stimulating you, each movement making your pussy clench inside. He'd always told you to be slow and careful with yourself, to even tease and edge yourself if you could... apparently he didn't practice what he preached.

Apparently he didn't need to. You could tell that you were soaking your panties already. Your head was spinning; how the fuck was this actually happening?!

His mouth moved to your other nipple, his fingers tweaking the one still slick from his thorough treatment. He tilted his head, and you regretted glancing down to look at him latched into you like that. This was your doctor, your psychiatrist... you knew it was wrong, you weren't that naive. But you were apparently too stupid to figure out how to stop this.

When he broke away, he grinned up at you. "You're so sensitive here," he purred, "what other places have you found, hm? Those little spots that make your toes curl?"

It must have been a rhetorical question, because he was already pushing your skirt up to your waist. You shivered, feeling that familiar anxiety swell in your chest, but you tried to keep it down. Even if this wasn't at all how you imagined it, you did want to be done with this, to finally say you were able to move past your fear. Maybe this was just as good as any other way-- to just get it over with.

But you had to take a deep, shaky breath when his fingers hooked into your panties... gently pulling them down your thighs-- or in this case, up your thighs, since your legs were forced up and apart by his body between them.

He purred at the sight of you-- or maybe just when he saw how wet you were, but he got the feeling he already knew.

"Very good," he praised, and you sucked in a sharp breath. "You look ready."

Your eyes went wide as he sat himself back a bit, his hands hastily working on his belt and fly; you didn't want to watch him do this, but you couldn't seem to look away.

If your eyes were already wide, then they must have nearly popped out when he opened his trousers and pulled his cock out.

"I-it's too--" you blurted out instantly, scooting back on the couch a bit, recoiling away. "Dr. Crane, you're too--"

"What?" he asked innocently, though it was terribly unconvincing.

"It's too big," you whispered, and he laughed lowly.

"Don't worry about that," he sighed as he leaned down over you again, sliding himself between your slick lips with a groan. "You-- fuck-- you won't have any trouble. My god, you're soaking me already..."

He seemed pretty distracted, and wholly unbothered with your hesitance. You took a deep breath, trying to calm yourself, but you couldn't seem to soothe-- especially not when he guided his head right up to your entrance. "W-wait," you stammered suddenly, moving your hips back, "I'm not-- I'm not ready."

"I think it's time for me to make that decision for you," he said firmly. "If you never challenge yourself, you'll never overcome this."

"But I'm not--!" you began, cut off by his hand covering your mouth. There was a ferocity in his glare as he watched your face, studying the changes in your expression carefully as he penetrated you.

As you had feared, his size was an issue. Even dripping wet, you had to stretch to accommodate him... it had been years since you took anything bigger than your own two fingers. He'd had you buy a relatively thin, 'ergonomic' (as the packaging stated) vibrator to insert in yourself at home, but you'd gotten too nervous and couldn't get it in past the first inch. He told you it was all in the mind, and you thought he was right at the time, but this felt physically impossible. And it just kept going.

You whined, nearly screamed, behind his hand, and he groaned in your ear with hot and heavy breaths.

"You can take it," he assured, sliding in deeper, "you can take my cock. It's going to fit... one way or another."

You sighed with relief when his hips were flush with yours; you were shaking, a thin layer of cold sweat all over you like you'd gone through some awful thing. But it wasn't over-- it had only just begun.

"Fuck," he grunted, starting to pull back and push into you all over again. "I know it hurts now... but you'll get used to it."

At first, you thought he meant just now-- that your body would relax and adjust, which it did eventually. But that wasn't what he meant, exactly. He meant something much more long-term, if not permanent; he meant that soon enough, you would be all too comfortable being his to use.

[clairedaring]

if you're hoping for joe 2.0 to get his 'revenge' in the second half of the series...

warning: mild novel spoilers (but also not really because i'm just discussing things that have been shown in the trailer)

i really think you should either drop the series or give up the hopes of a satisfying makjang revenge storyline in my stand-in instead of setting yourself up for disappointment. because that simply isn't the story that my stand-in is trying to tell.

so what is my stand-in about really?

well, for me i think its a romance tragicomedy drama about an idiotic scum male lead losing the person he loves most because of his own arrogance and refusal to listen to his heart and the series of unfortunate events that happened consequently for our protagonist who was living a peaceful and quiet life as a stunt actor before the scum male lead entered his life.

joe 2.0 and his approach to life

i've mentioned it twice now that one of my favorite traits of joe/zhou xiang is that kindness in his strength where even if he can be choose to be mean or cruel, he simply doesn't because he has such a soft heart and he's weak to see others in pain (joe is my fellow enfp people pleaser okay) (⁠っ⁠˘̩⁠╭⁠╮⁠˘̩⁠)⁠っ which is why even in his 2.0 life, you won't get to see joe turning 180 degree and going around to hurt everyone who's ever hurt him like it's some makjang kdrama.

and while that seems like it could be fun, i think the reason why i loved professional body double (my stand-in novel) so much in the first place is because that very distinction between joe and other rebirth/second chance at life protagonists that you often see in revenge kdramas/cdramas/thai lakorns.

logically, if my stand-in was a 24-episode one31 lakorn/thai soap opera, joe would be full of hatred and burning rage after his rebirth and started his intricated revenge plot while still falling in love with ming whom he should hate the most.

and yet he isn't (or at least it seems to me so far).

if you read the lyrics 'Die For You' - the opening ost of my stand-in, i think you can have a good guess of what the second half of the story will be like.

Even running away to death can't help. If my heart had chosen to stop at you I'll have to surrender with the confusion I feel. To come back to the same old place. Even if I have to die, disappear and then be reborn But the love is still buried deep inside, even if it's been shattered into pieces Even if my life ends, I can't stop my heart from calling out to you Because this whole body, life, spirit It is yours only, for all eternity.

and even from the trailer of my stand-in, you can tell that joe 2.0 has a lot of internal conflicting feelings about whether he could trust ming again after the betrayal he faced in his 1.0 life. and i feel like essentially the journey of ming proving to joe 2.0 that he really does love joe is very much the central plot in the second half part of the story.

so i'd like to take this part to note how well the series has done to adapt the novel so far. i think a good adapted change they've made is this early realization of feelings for ming in the joe 1.0 timeline. i do think the novel made him realized his feelings a little bit later but my stand-in did well to show within ep.3 what happiness could have looked like for joe 1.0 and ming and i think it rationalizes a bit more more for why joe 2.0 would still have feelings for ming 'buried deep inside' even when he's been badly hurt the first time around. and reading the story i've always found it interesting that they took this route to focus on the re-entangled complex relationship between mingjoe rather than going for a joe-centric revenge makjang plot (i swear if this was your typical thai lakorn, joe would seduce ming while planning to take down his whole family or something).

of course, that's not to dismiss that there's a lot of character growth for joe in the second half of the story, especially in his building of self-confidence, self-worth, the ability to put himself first and the fight for his own happiness above all. but like i've mentioned above, his growth journey is not at the expense of a drastic personality change in regards to the kind hearted joe we saw in his 1.0 life. instead, we get kind hearted joe 2.0 who quickly adapts to his new life and attempts to start anew while conflicted feelings resurface for him as he is pulled back into the relationships he once had.

all in all, my stand-in is still at the heart of it, a love story. perhaps, a dark romance as my friend @dragonsandphoenix would call it, but a romance nonetheless. i think that is what also makes professional body double such a compelling read too, because the progression in the feelings and complex emotions of these characters are so tightly written that it's convincing enough for me (maybe not for others though) to believe that yan ming xiu has/will always love zhou xiang (to the point ymx would probably eliminate anyone else who dared to steal zx from him). obsessive love? yes. do they both need therapy? probably. yet i still believe in their happy ending? of course.

final note/disclaimer: then again, this is just my PERSONAL opinions based on the novel and up til 3 episodes of my stand-in (which seems to be very faithful to the novel so far), who knows maybe they can anger novel fans and adapt it completely differently later on (something i sure hope they don't but we'll seeeee) ƪ(˘⌣˘)ʃ