#I’m used to protecting people so

[demisexual-eddie-diaz]

Lawyer, always have since I was in about sixth grade.

I’m going to study Criminal Justice with a criminalistics specialization next year, along with a psychology minor.

I’m not sure what exactly I’ll do after school.

If I did go down the lawyer path, I would be a criminal defense attorney.

Not sure though.

[suja-janee]

I love Lucy Maclean, she’s such a sweetheart

[pumpkinsouppe]

The funny thing about playing botw and Totk is I don’t hate or scorn the Yiga at all. I actually think they’re so well within their rights to be super bitter and angry bc of what the king of Hyrule did to the Sheikah over 10k years ago. I need Kohga to know I am also anti monarchy and we should talk to Zelda about establishing a democracy or at least not giving absolute rule to the Hylian monarch. We should also let the yiga be members of society again and not continue to outcast them when they were actually again SO RIGHT to oppose the crown and refuse to be subdued and have their culture and technology destroyed

Ocarina of Time made me such a Hylian Royal Family and Royal Knights of Hyrule hater hjdgnlsdjnfjlsd

[kurithedweeb]

I just learned why Shad hates Irene in canon and knowing what I do now about everyone’s favorite the Matron, I can say with my whole heart,

What the hell, Irene

[dreamofbecoming]

i love bisexual eddie munson, but specifically in like a shang from mulan kind of way, you know? like he knew he liked boys, that made sense. just another way he’s different from everyone else, just another reason he’s a freak. so why bother examining it? he’s gay, hawkins hates him, might as well lean into it. maybe chrissy was the first time a girl made him feel butterflies (or bats?) in his stomach, and it confused him so bad he didn’t know what the hell to do about it except make a fool of himself flirting with the queen. maybe he took one look at nancy wheeler with a sawed off and went “yeah ok holy shit i get it, i see why steve was willing to burn his life down for her and why robin keeps making moon eyes at her and why jonathan lost his mind and pointed his camera through steve’s window like an insane person.” like he’s still into steve, obviously. the man is swanning about shirtless and bloody in an apocalyptic wasteland like the embodiment of all of eddie’s weirdest fantasies, there’s no way he’s not into steve. but i just love the idea of eddie being the one going through an Upside Down sexuality crisis (TM) rather than steve. what is happening to him?? why does he suddenly want to kiss everyone??? get it together munson you are running from a goddamn mob!!!

[yuripira4e]

I want to preface this post by saying that I love the cat king as a character, especially one that has such a major impact on Edwin and his relationship with his queerness and learning to be okay with it; HOWEVER, I also believe that everyone that genuinely believes he should be a love interest for Edwin should read this. (Also if you just like the cat king as a character and want to understand his character better and why his and Edwin’s relationship is not something that would be healthy or “real” for either)

[s1utspeare]

like not to be a bitch about leftists but most of yall won’t even wear a mask in public so sorry but I don’t believe you’re actually capable of any major political action

[star--anon]

Gally hides a lot of his panic attacks and nightmares that he got after he went through the Changing in a desperate attempt to be liked again in the Glade

He was kind of universally hated in the books, apparently becoming extremely unlikeable after he got Stung

which is honestly so sad. What he saw drove him slightly insane and he couldn’t handle it and shut down.

[bitchapalooza]

I want Viva to yell at Peppy and make him feel soooo fucking BAD for abandoning her and the others, I want her to heal, I want her cry to get the pain out, I want Peppy to feel the pain she felt, I just want Viva to get closure.

[cantagirldrawinpeace]

Oda when I catch you Oda 🙂🔪

[official-lucifers-child]

THE FIRST AMENDMENT DOES NOT PROTECT YOU FROM PRIVATE COMPANIES OR INDIVIDUALS.

THE RIGHT TO FREE SPEECH AND PRESS PROTECTS YOU FROM THE GOVERNMENT. ONLY THE GOVERNMENT. IF AN INDIVIDUAL MUTES YOUR POST OR COMMENT OR TALKS OVER YOU, THAT IS NOT AN INFRINGEMENT ON YOUR RIGHT TO FREE SPEECH. THAT IS JUST AN INDIVIDUAL. IF A GOVERNMENT ENTITY MUTES YOUR POST OR COMMENT OR DOES NOT ALLOW YOU TO SPEAK, THAT IS AN INFRINGEMENT ON YOUR RIGHT TO FREE SPEECH UNLESS THEY HAVE DEEMED THAT YOUR WORDS WERE INCITING VIOLENCE, IN WHICH CASE THEIR DUTY TO PROTECT THE MASSES OVERRULES YOUR INDIVIDUAL RIGHT TO FREE SPEECH, BECAUSE VIOLENCE IS NOT A PROTECTED SPEECH.

stop crying wolf when twitter bans your account or your reddit post is taken down. that’s not infringing upon your right to free speech, that is a PRIVATE company exercising THEIR right to cultivate their platform as they see fit.

anyway.

[badolmen]

I can fix him*

*bad writing, underutilized gameplay mechanics, characters with unfulfilled potential, funded by bootlickers

[brightwoods]

Does anyone else feel like almost all of the conflicts that had to do with the various character dynamics in Chain of Thorns didn’t actually get resolved, they just unexplainably ceased to exist after two books of building them up because CC didn’t feel like writing them anymore and she didn’t know how to resolve it naturally after how she’d built the issues up so much?

Like how none of the characters but Cordelia and Thomas had any clue about the Alastair and Charles situation and then suddenly in CoT it was like who doesn’t know? Of course Matthew knew and didn’t say anything before and then randomly brought it up to Cordelia in Paris while assuming she knew too

Or how Alastair and Thomas went from how things were at the end of CoI with Alastair thinking it could never work because Thomas’s friends hate him to oh look everyone suddenly is friends with Alastair with no grudge with no development of that in this book at all, just an abrupt shift

Especially the Alastair and Matthew dynamic where Matthew hated Alastair and wanted him to have nothing to do with any of their friends and he spent CoI ranting about him to Cordelia. And then suddenly in CoT it’s like of course Matthew is supportive of Thomas and Alastair and oh look Matthew and Alastair are suddenly not just tolerating each other for Thomas’s sake but friends despite barely interacting and no development actually showing and never getting any mention of the other in their own POVs, just having Cordelia be like Alastair stop being dumb, you’re literally friends with him now

Or like everyone other than Christopher and Grace where it was like oh we don’t like her for how she’s treated us and her friends straight to anyway she’s one of us. Like yes Grace was useful and yes Tatiana manipulated her whole life, but none of that was why anyone changed their minds or opinions? It was just suddenly the flip of a switch when it was convenient for CC

Or Anna and Ariadne where it didn’t so much develop as Anna just acted mean to Ariadne on and off throughout the series and at the end of CoI she wanted nothing to do with a relationship and then in CoT she was just suddenly like sure I guess I do. Also, slightly different note, but I did not like that Anna barely interacted with anyone else for the entire book and she was just off in the corner being an irrelevant romantic subplot for almost all of the book except when she showed up to barely even be shown in the background being sad about her brother being dead

(Although Anna still got more of a reaction than everyone else and his death was poorly executed all around in the sense of how did you write this so predictably and poorly that no one even knows when he died and it’s so background and 99% of the characters don’t care at all and we don’t see his parents finding out or much of Thomas’s reaction or anything and it’s just as if he wasn’t a character anymore 2 seconds later which is a different genre of issue with CoT but similar problem in the sense that both issues made the book feel a lot more emotionless to read)

And how the issues of Thomas and Alastair being together as two men and Anna and Ariadne being together as two women in this time and the issues of what would happen if the fact that Charles and Alastair were gay got out to the entire Clave just disappeared and never got addressed at all. We know how the ClVe reacted to Alec Lightwood YEARS later. We know society was homophobic at the time TLH is set and that it seems like shadowhunter society was a lot less open-minded than mundanes a century later

I understand that Charles being blackmailed and making shitty decisions was annoying but it was like suddenly everyone finding out wouldn’t have consequences and all the other queer men characters were like how could you possibly be worried about this :/ as if they haven’t spent the whole series knowing they have to be careful about who they tell. And then suddenly it was just of course it’s totally fine and safe to have everyone find out and why wouldn’t you be fine with that. And it was really written in a way that had other queer characters like oh Charles is such a coward for not being ready to publicly tell a bunch of homophobic people his sexuality and it just wasn’t it??? And super weird after Thomas was terrified of telling even Anna and Matthew for years. And also, I did not care for the fact that when Charles did go risk getting outed to finally do the right thing, we didn’t even get to see it through any character’s perspective or how that important meeting went, we just got one line of dialogue from somebody else saying that it happened with no details at all. And I can’t think of other examples right now but there were quite a few moments like that where we got one line saying that something had happened that was important to the plot and to characters’ development that seemed like it would have been more interesting than some of what we did get to see where it was just totally breezed over and way too easy and totally background to less important stuff

And then there was the whole no one reacting to Ariadne and Anna dancing together publicly thing was like yeah that’s nice I guess but not realistic and it doesn’t go with the way things have been presented up to that point, it also just feels like a situation where CC was like well this would be easier for me so there just won’t be consequences and then they can easily end up happily together

And then there was the whole Thomas and Alastair thinking they couldn’t realistically be together thing and knowing they couldn’t get married or be known to be together by anyone they’re not close to and then at the end it’s still not really addressed how they’re going to be together? Like there was the laziest write off of the family tree being wrong and then we still are just left to assume that eventually they move in together and suddenly it’s not a problem and everyone’s fine with it? And then I also feel like we don’t actually know if everyone found out about Alastair and Charles’ sexualities after the blackmail or if people are going to assume about Thomas and Alastair or if that’ll cause issues or if no one knows outside of who they’ve told and they have to be careful or what. Which like wouldn’t necessarily need to be addressed if it wasn’t for the logistics of being together as two men in that time being part of the obstacle that they were struggling with being in their way and then it felt like it was totally forgotten to even be one at the end by CC

Idk like I’d love to think they just lived in a world where homophobia didn’t exist but it felt like homophobia was a plot point when CC wanted it to be an inconvenience and then suddenly disappeared just to make her writing easier the moment she didn’t want it there anymore instead of actually addressing the plots she raised with it if that makes sense?

And sorry, I really did not mean to go on a rant this long. And maybe everyone else had a very different reading experience than I did and other people don’t agree with some or all of this. I personally am just very confused about how the book was almost 800 pages long and it felt like so much of the development in it was us abruptly being told that development had happened rather than actually getting to see it and how so many of the issues were abruptly solved in an I don’t want to write this issue anymore kind of way rather than anything actually needing to be worked at outside of the Belial situation

Edit: You know what, I mentioned it in my tags but I feel like it’s annoying enough to put in the body of the post and make it even longer. What the fuck was with everyone outing or potentially outing everyone else just so that characters could openly talk about the queer characters and tell them to do what they want them to? Why did Matthew out his brother multiple times? Like yes, the people he said it to coincidentally already knew, but he didn’t know that. And why was Thomas outing Alastair? The straights got to keep their secrets as long as they wanted and fix their problems more naturally. Why did I have to sit through queer characters constantly having their sexualities and romantic histories to everyone else when they clearly had not okayed it? Why were the queer characters doing so much of the outing? Why were people who cared about them and knew what it felt like to be afraid of the wrong person finding out just broadcasting their sexualities to make it easier for CC to breeze past development to have their things get resolved fast? Why did no character have an issue with it at all?

[primussavethesemechs]

Alright, I think we’ve all seen the Leo and karai parallels which are definitely evident, but I don’t see enough, or any for that matter, Raph and Saki parallels.

A fierce protector of the Hamato clan, a leader and family member (or even father figure since so many people think Raph stepped up often to parent the others) who encounters the krang, is taken over by their power and twisted into a monster that harms their family? Specifically Karai? Karai who is a parallel to Leo??

I’ve seen so many people point out the way that Leo is held by Shredder is very similar to the way krangified Raph holds him when he tries to kill him but they never make the full connection. Interestingly they attempt to kill him the exact same way, claws and everything. Raph saves Leo both times, once from Shredder and then from himself.

(Not so) Fun fact! Shredder holds Karai the same way as he kills her.

How about the fact that even as Shredder kills her, Karai manages to reach out and find saki- even if just for a moment she pulls him out of his prison, just like Leo does for Raph.

The only difference is Leo succeeds in bringing Raph all the way back while Karai dies trying since both her and Saki have been weakened from their time in the twilight realm.

Both Raph and Saki were fully conscious under the krangs control and had to watch as they attempted to kill their family. Saki had to witness his daughter be killed by his own hands.

The Shredder is what Raph would’ve become if Leo hadn’t been able to reach him in time, or if Raph hadn’t found enough strength to break free.

Anyways have a nice day/night 😁👍

[corrodedcoughin]

court awarded a terf piece of shit 100k because she was seemingly fired for having ‘gender critical’ views and now everyone is congratulating her. so just to say if you are a terf get the fuck off of here. And anyone who doesn’t fall into the demands of ‘gender critics’ I fucking love you and I am so glad you are here

[aloeverawrites]

I know I shouldn’t be scrolling in public but people please flag your shit- it’s bad enough I’m getting traumatised on my own time, I don’t want to traumatise anyone hanging over my shoulder too lol.

Like Jeez Louise-