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#I’m making this interesting
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IDK what William Afton expected to happen in FNAF..
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shepscapades · 2 months
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Your highness… I don’t feel so good
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angelcake10023 · 20 days
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One Monkey Fanatic and Another In The Making 📖
Someone requested Dad Tang and I couldn’t say no… their bond is so special to me
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Eat up lmaooo
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hobgoblinns · 10 months
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russell is truly doing whatever the fuck atp
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ghost-bxrd · 7 months
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Prompt:
It’s not that Jason forgot, per se.
But between smuggling a toddler out of the League of Assassins, trekking halfway across the world, and finding a suitable hiding place that’s also child friendly… well, it kind of slipped his mind that he’s supposed to be… dead.
Something that comes back to bite him in the ass when he takes Dami out for some ice cream and just so happens to run into non other than Brucie-fucking-Wayne
#look I’ve found a new fave trope and it’s Brucie Wayne having to keep up his act while internally LOSING HIS SHIT#Jason isn’t very into the whole revenge thing here#his mind is 85 parts ‘keep Dami safe’ 5 parts ‘kill joker asap’ and 10 parts ‘avoid bats at any cost’#Jason doesn’t know who Damian’s father is#dealer’s choice if Jason establishes himself as Dami’s dad or older brother#his build certainly makes him look old enough#if you don’t look at his baby face lol#Jason runs into Brucie and goes straight into survival mode#Damian who is very observant for a toddler immediately clocks Brucie as THREAT based on Jason’s reaction#Brucie blue screens and desperately tries not to lose Jason in the crowd#jason is absolutely trying to lose Brucie in the crowd#while clutching Damian like his life depends on it#for all he knows it does#the visceral terror that your pseudo dad will take away your little brother/baby#Bruce who just wants to know if he’s hallucinating again: W A I T#jason who is terrified of being put in Arkham for killing people: no FUCKING WAY#hm maybe Jason plays the ‘I’m not Jason’ game again#it’s not gonna hold for long#but Bruce absolutely thinks that Damian is Jason’s bio child for a while and he’s on the WARPATH#Jason was sixteen when he died and never showed any interest in dating so literally every red flag is waving in brucie’s mind simultaneousl#or maybe Jason manages to get away and all Brucie is left with is the memory of his supposedly dead son#running away from him#and clutching a tiny kid#prompts#jason todd#batfamily#Damian wayne#batdad#brucie wayne
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forever obsessed with dynamics between vampires, specifically that of a maker and fledgling, as a way to explore abuse. the creation of a vampire itself can so easily be a literalization of the lasting impacts of trauma and also much more simply the ways a perpetrator might shape their victim’s very identity. the extremes of isolation in the way that the new vampire, in most narratives, must cut all ties to their mortal life, or else go through an elaborate charade to maintain the facade of humanity, while forever still being removed from it. and the sheer dependence and vulnerability of being in an entirely new state of being, wholly uncertain of what it entails, and relying on another person to define… everything.
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calmlb · 12 days
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It’s been clear that the Tanizakis aren’t siblings from the very beginning
here’s some evidence now that it’s been confirmed canon…
everyone who’s read irl Tanizaki’s book knew that Junichiro & Naomi weren’t siblings as soon as they introduced themselves
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BUT just because the Tanizakis aren’t siblings doesn’t mean you can’t feel uncomfortable about them. if you feel uncomfortable, GOOD. that’s exactly what they want
the Tanizakis, Mori— they all use these disturbing ruses to disarm or distract people in order to protect themselves, or to accomplish their goals. this is a writing device that asagiri commonly employs as a way to parallel the irl literature (it’s actually ingenious)
there are 4 main indicators that have always made it clear to me that Junichiro & Naomi are not siblings:
1. most obviously— their character designs. Harukawa is extremely intentional with character designs, & she very intentionally made Naomi & Junichiro look nothing alike
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their eye shapes are purposely different
their color palettes are contrasting
even their differing styles of clothing have meaning
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this was all done so that the audience could PLAINLY see that they’re not related— so that WE know that they’re lying when they say they ARE related
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2. how the people around them respond to their act.
the general reaction is “don’t question it”— which is exactly what they want. “be distracted by how uncomfortable you feel so that you look away from what we’re hiding” (this is likely a protective measure)
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3. most importantly, this is meant to parallel irl Tanizaki’s book “Naomi,” where the main character Joji picks up Naomi to raise her into his ideal woman, but since she's so young (& a minor) they call each other cousins (Joji makes no sexual advances on young Naomi btw)
however, his plan backfires because when Naomi gets older & they get married, she flips the script on him & manipulates HIM so that he's under her thumb (which is why bsd Tanizaki is at a domineering Naomi's mercy). Joji let her have her way because of his masochistic tendencies
4. lastly is the emphasis that Asagiri and the Tanizakis themselves put on calling each other siblings.
over & over, it’s “my brother this” & “my sister that”
like they’re desperately trying to convince us that it’s true (“don’t let your lying eyes deceive you”)
here are just a few of many examples from the light novels…
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again, if you’ve read “Naomi” you knew that Junichiro & Naomi weren’t siblings as soon as they introduced themselves
just like if you’ve read irl Mori’s works, it’s clear that bsd Mori isn’t a pedophile
just like if you’ve read No Longer Human you know that Dazai’s an unreliable narrator. he makes you think he’s a bad person bc he believes he’s a bad person, but those around him see him differently (btw this doesn’t mean he’s never done anything “bad,” though bsd isn’t about morality— but that’s another discussion)
anyway, i’m so excited for the Tanizakis backstory to be revealed so that we can better understand why they use this defense!!
also let this be a reminder to READ THE LITERATURE if you’re able to!! even reading synopses & analyses of the coordinating books makes bsd make much more sense 🥹
reminder that this how you’re supposed to react while reading bsd:
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also, if you’re interested in a post explaining how Mori isn’t a pedo, i wrote this analysis on twt. OR you can read this document that one of my moots sent me (remember: analyzing a character does NOT mean you condone any actions they may or may not commit!)
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my-autism-adhd-blog · 1 month
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The Autistic Special Interest Cycle
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Neurodivergent_lou
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aria-greenhoodie · 14 days
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You see, @localcanadiancryptid22, I’m a motherfucker who LOVES drama, so I fw anything that can create that.
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I’m normal. Btw. In case you were wondering.
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carlsdraws · 7 months
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the last remnants of [REDACTED]
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tav-marcio-leles · 7 months
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Ohhh, I'm rereading Mystra's entry in the Sword Coast Adventurer's Guide... and this detail:
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This means Gale was punished for trying to restore and preserve what he thought was a lost piece of Mystra's magic. Gale being Mystra's ex-lover put aside. He as her follower, she his goddess, was punished for attempting to do the one foundational rule of her faith.
I'm seething and so sad at the same time.
Edit: I used the word punish loosely, as in, toxic/abusive people will take any small mistake or action and twist it into something they can take advantage of. This post was also largely from the stand point of a toxic deity rather than a toxic partner, but both takes are valid here. Especially with the, “you didn’t stay compliant so now I’m giving you the silent treatment” part of it—from a god and a partner perspective.
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HBEBEBEBEBEB UR WILLIAM DESIGN IS SO SILLYYYYY THAT SKRUNKLY OLD MAN IS GETTING THE CHAIR <3333
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The worst man ever 💜
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adastreia-12 · 9 months
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poseidon’s relationship with percy is something that is so personal to me. love so flawed and complicated, so wary and tentative. your father is here. he’s always been here. he’s not sure what to make of you but he is proud of you. you’re not sure what to make of him either. you’re sally jackson’s son, but you have your father’s eyes. you are the sea as much as he is. trust him. trust yourself. breathe. the sea does not like to be restrained.
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poyitjdr · 9 days
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Reminder that Sanji has willingly put his own damn fingers in Zoro’s ‘barbaric’ and ‘disgusting’ mouth
Also bonus Sanji giving the biggest shit eating grin I’ve ever seen:
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firehose118 · 1 month
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They go back to Miceli’s for their six month anniversary.
It’s stupid to celebrate something like that, Buck knows, but every day he’s spent with Tommy has felt like a gift. He wants to make up for that first date, when he threw their newly sprouting relationship away the moment he got spooked by someone else knowing about it. By someone knowing about him. He wants to show Tommy how far he’s come. He wants to show Tommy how committed he is.
Buck had made the reservation online two weeks ago. He’d called this morning, as soon as they opened, to see if he could reserve the same table they’d sat at last time.
“We don’t usually reserve specific tables,” the person on the other line had said.
But by the time Buck had finished explaining why, exactly, it was so important for them to sit at this table on this day at this time—sparing no agonizing detail about just how much of an idiot he’d made of himself, and how the first time Tommy kissed him it made Buck understand himself for the first time in his life, so please he really needs to do this for him—the person said they’d see what they could do; their words coming through the speaker with an audible smile.
Buck looks at himself in the mirror while he waits for Tommy to pick him up. He looks so different from the person who stared back at him all those months ago, in a moment just like this, waiting for Tommy to pick him up for their first date. His hair had been shorter, his sideburns longer, his clothes tighter.
He’d been nervous. He’d been so fucking nervous. He’d looked in the mirror and seen someone about to go on a date with a man. He’d seen someone who was struggling with the idea that he liked men, period, and apparently always had. He’d seen someone about to try something he didn’t think should feel as new as it did, and terrified of what it meant. Of how long he hadn’t known he’d wanted it. Of what it meant about himself if he wasn’t comfortable with wanting it. He’d looked in the mirror and seen someone who’d always been an outspoken ally, who was now terrified of someone else looking at him and seeing that he liked men.
But that was April. Now, it’s October. The winds have shifted and the air is cooler and Buck is bisexual. He knows who he is now. He’s not scared of what loving Tommy means anymore.
He takes a steadying breath and checks himself over one more time in the mirror. He’s cleanshaven almost to the top of his ear—just to the spot where Tommy rests his thumb and strokes back and forth when he cups Buck’s cheek while they kiss—and his curls are laying perfectly tonight. There’s a boyishness that’s come back to him with this haircut; a physical lightness that accompanies the joy that Tommy brings him. He looks happy. He looks good.
More than anything, he knows Tommy will think he looks good. Tommy likes his curls, likes him cleanshaven. He likes to pinch his smooth cheeks and pull his hair deliciously and tell him he loves him. Tommy thinks he’s adorable. Miceli’s is the first place he told him as much, even if the circumstances weren’t ideal. It still makes Buck’s heart flutter every time Tommy says it.
It’s kind of embarrassing, Buck thinks, how much better he feels about himself now that he’s with Tommy. It’s like a weight has been lifted off his chest. Part of it is understanding that he’s bi, sure. That’d been an itch he’d been scratching at until he bled for years without figuring out it was there. He’d simply registered it as a baseline discomfort with how he fit into the world. The source of that, once illuminated, felt so obvious and undeniable. The discomfort melted away once he understood the full truth of himself. Once Tommy showed him.
But it’s more than that. It’s not that Tommy is a man: it’s that he’s Tommy. It’s the way Tommy makes Buck feel. His whole life, Buck has felt like he was hard to love. He was too much. He wasn’t enough. He was wrong. He was a failure.
A lot of that was his parents. A lot of it was not understanding why Maddie wouldn’t run away with him. A lot of it was not knowing who he was or what he wanted—and so not knowing how to ask to be loved correctly. It was clinging onto Abby past the relationship’s obvious expiration date. It was Ali leaving him mid-recovery because dating a firefighter was too much. It was trying to start something real with Taylor when they were so much better off as friends-with-occasional-benefits. It was being so certain that Natalia saw him for who he was, and realizing she only saw a three-minute-seventeen-second moment of him. No one wanted to keep him long-term, or if they did they wanted a specific version of him that he couldn’t be.
But Tommy came into his life. He saw Buck at some of his worst moments almost right away, and he still wanted to get to know Buck better. He saw Buck injure Eddie in a fit of jealous rage, and rather than leaving the two of them to deal with whatever that was among themselves, Tommy kissed him. Tommy asked him out. Tommy took him to Miceli’s and opened up about his past. He tried to calm Buck’s nerves. He said it wasn’t Buck’s fault if Buck wasn’t ready for what Tommy wanted from him. He gave Buck a second chance. He saw Buck in full clipboard glory and didn’t bat an eye. He showed up to a hospital wedding in dirty turnouts, exhausted, just because Buck asked him to. He apologized for being late.
He made sure Buck knew he wasn’t too much. He made sure Buck knew he was enough. He looked at every one of Buck’s flaws and faults and told Buck in no uncertain terms that he loved him—not loved him anyway, not loved him in spite of those things, just loved him. Like it was that easy.
And Buck has blossomed with Tommy’s love and attention. It feels dumb to say that about himself, but he has to admit it’s true. Buck feels calmer, more sure of himself than he ever has—not in that cocky 1.0 way, but in a steady, relaxed, stable way. Buck knows who he is now. He doesn’t have anything to prove anymore. He feels settled. At ease.
And so, so grateful for Tommy.
Tommy knocks on the door to the loft before letting himself in. It’s a habit that Buck can’t break him of. He insists it’s polite, so that Buck gets some warning before suddenly there’s someone else in his apartment. Buck thinks that’s sweet, has told him a thousand times that he doesn’t mind when Eddie just appears so why would this be different, but Tommy still does it. It’s gentlemanly. Buck hopes after tonight Tommy will understand just how much Buck wants Tommy to just be in his space.
Buck emerges from the downstairs bathroom just as Tommy is closing the front door.
“Hey,” Tommy says in that sing-song way of his. If Buck were to spell it out, it would have three Ys at least. And a few music notes—just for accuracy.
“Hey,” Buck says back, breathless. “You look… wow.”
Tommy is wearing the same shirt he wore on their first date. The black button-up is a favorite of Buck’s, and Tommy knows it. It makes him look big and broad and soft at the same time. It makes Buck want to snuggle into his chest. It makes Buck want to cancel their reservations.
Other than the shirt, Tommy looks different now than he looked six months ago, too. He’s stopped using quite so much product in his hair—inspired by Buck to also let his curls have a fighting chance—and he just looks… softer. He looks more like he did when Buck asked him to be his date to Maddie’s wedding, or when he came over for dinner after Bobby woke up from his coma. He’s not sharp angles and a harsh haircut. He looks relaxed in the same way that Buck feels. He looks confident in himself not as someone who can get the guy—not as someone impressive—but as someone who has the guy he wants, and who trusts that the guy is happy with him just the way he is.
Buck is happy. He’s very happy.
“You’re not looking too bad yourself,” Tommy says, fitting his hands on the tops of Buck’s hips and rubbing his thumbs back and forth. He smiles as he leans in close. “You got a hot date tonight or something?”
Even six months in, Buck still has such a huge crush on Tommy that he goes a little stupid sometimes. He blushes like this is the first time Tommy has played with him like this.
“Yeah,” Buck says. He wraps his arms around Tommy and squeezes once, just to feel him.“The hottest.” It’s not his best line but it works.
Tommy makes a noise of intrigue and scrunches his nose. “Anyone I know?”
“Probably not. He’s just some guy my brother-in-law knew back in the day.”
Tommy laughs and finally closes the distance between their lips. He kisses Buck soundly, sweetly; letting his love flow from his body into Buck’s. Or at least that’s how it feels.
“You ready to go?” Tommy asks when he pulls back, a sparkle in his eye.
“Yeah, let’s go.”
The drive over is peaceful. There’s shockingly little traffic for a Friday night in a touristy part of town, and Tommy holds his hand over the center console the whole time. That’s not unusual: Tommy always does that. What’s unusual is getting a parking spot so quickly on a block so close to the Chinese Theater—it’s why they’d Ubered last time.
Buck won’t jinx it by saying it feels like a sign. So he doesn’t say it.
Miceli’s held their table. Buck won’t say that feels like a sign either.
They order the same veggie pizza and salad as last time, but instead of the same pitcher of light beer, they order wine. Unlike on their first date, Tommy isn’t afraid to come off as a beer snob anymore. Buck already knows he is.
“Can I be honest, Evan?” Tommy says when Buck suggests a full recreation of their first meal; beer pitchers and all. “The worst part of that date wasn’t you no-homoing me in front of Eddie. It was that beer.”
Their conversation over dinner is more normal than Buck expected for an anniversary. It’s nice, relaxing. It feels natural. Tommy tells him about the high rise rescue he did today—run of the mill stuff, really, he insists it’s not that cool—and Buck tells him about the history of winemaking in Sicily, and how the volcanic soil adds a different flavor to the grapes that grow in it, and Mt Etna smokes all the time but people still live near it, and millions of people also still live in the shadow of Mt Vesuvius, and how pizza was first created in Naples, and did you know that margherita pizza isn’t really called that because Queen Margherita liked it even though that’s what people say and that actually the story was made up like fifty years after she allegedly went to Naples and tried it, so it’s just a marketing ploy?
Tommy didn’t know that—any of that—but he looks so fond as Buck tells him that Buck finally works up the nerve to ask him the thing he brought Tommy here to ask.
“So,” Buck says, once they’ve had two slices each. “I wanted to talk to you about something, and I figured this would be the best place to do it.”
He wasn’t nervous before, but he’s nervous now. He thinks he knows what the answer will be, but he’s never done this for the right reasons before. He doesn’t want Tommy to think he’s moving too fast. They haven’t been dating long, but it’s been so transformative. Buck is sure he wants this.
Tommy looks at him with mild concern, so he must look as nervous as he feels. “Is everything okay?”
“Yes!” Buck says, eyes going wide. He reaches across the table to hold Tommy’s hand. “Yes, everything is- is great, sorry. That’s what I wanted to ask you about. These last six months have been amazing. You’ve been amazing. Sometimes I still can’t believe- like I wake up next to you in the morning and I can’t believe it’s real. I can’t believe I’m lucky enough to- to- for you to want me in your space like that. So I’ve been thinking, um, well, I-I’ve been wondering. What- what do you think about- I mean, I know it’s too soon, maybe, but it feels right and I- I’ve never really done this right in the past, and this is a-actually the longest I’ve taken to do this with someone, so maybe that’s a good sign? You don’t think it’s too soon, do you? It’s just that my lease is up soon and I- I have to make a decision and I just thought, well, it might be nice to officially- but if you’re worried about the- the commute for me, since you’re pretty far from the 118, I- I thought about that, and it’s not like I don’t do that a few times a week now anyway. I think it’s worth it.”
Tommy just looks at Buck with a small, patient, excited smile. “What are you asking me, Evan?” Tommy looks like he already knows, but he won’t do the work for Buck. He’s gonna make him ask.
“Right, uh, I guess I didn’t… W-what would you say- um, I mean, would you want to- can I- because obviously it would be me who would- fuck, sorry, let me just…”
This isn’t even The Big Question and Buck can’t get it out. There’s too much going on in his head, too much backstory and too many possible arguments against it that he’s trying to head off because he wants this so badly.
“Do I make you nervous or is it this place?” Tommy laughs. It’s not a mean laugh, he’s not laughing at Buck. He seems charmed by the spluttering. Adorable. “I haven’t seen you like this in months. It’s okay, baby. Ask me.”
Buck takes a breath. “Let me start over-“
“Evan.”
The music is back in Tommy’s voice. The way he says Buck’s given name makes it sound like a term of endearment; how he holds out the final syllable and doesn’t let it go until he has to. Most people go down on that last N sound, like a frown. Tommy goes up, like it makes him smile just to have the sounds in his mouth.
He’s looking at Buck like Buck is something worth looking at. He’s holding Buck’s hand like Buck is something worth holding onto. And he’s smiling at Buck like Buck is something that brings him joy.
It makes Buck smile in return. It gives him confidence. Tommy makes him nervous, but he also settles all the noise that buzzes around in Buck’s head. He helps Buck see the clear path forward, just by being there. Just by being steady.
“Tommy,” Buck starts. He squeezes Tommy’s hand in his, on top of the table for everyone to see. “Do you want to move in together?”
“Of course I do, sweetheart.” Tommy smiles so wide his eyes crinkle and, god, those eye crinkles are just barely below his cleft on the list of things Buck loves about Tommy’s face.
“Yeah?” Buck is beaming.
“Honestly, you beat me to the punch. I was gonna ask you to move in over dessert,” Tommy says. He squeezes Buck’s hand. “I love you. I’ve never been happier than I am when I’m with you. Of course I want to live with you.”
Tommy was going to ask Buck to move in. Tommy wants Buck to live with him. Tommy wants Buck. Tommy wants to keep him.
Buck is standing up and bumping the table before he realizes what he’s doing. Their wine spills, the last of their pizza falls from its elevated rack onto the table next to them, and Buck couldn’t care less about any of it. He’s kissing Tommy right there, both hands on Tommy’s handsome face, in the same restaurant where he pretended they weren’t on a date, at the same table where he said some of the most embarrassing things he’s ever said, and he’s never in his life been more thrilled to return to a place he made a fool of himself in.
“People are looking at us, Evan,” Tommy says, pulling back as far as Buck will let him.
“I don’t care. I love you.” Buck kisses him again.
But he’s still a person with a sense of decency, so once the rush of Tommy wants me Tommy loves me Tommy wants to keep me close wears off, Buck pulls back from Tommy’s mouth and apologizes to the table next to them—the unintended casualties of their toppled dinner. Still worth it.
They clean up as much of the mess as they can. Neither of them stop smiling.
A piece of tiramisu comes to their table not long after, with the word Congratulations! and a picture of two rings drawn on the plate in chocolate sauce.
“Oh,” Tommy says. “They must have thought we got engaged.”
“Yeah,” Buck laughs. “I guess most people would only have that kind of reaction to something that big.”
“Then they don’t know you very well,” Tommy smiles.
You do, though, Buck thinks. You know me better than I know myself. You saw me for who I am—not who I thought I was—and you brought that to the surface so gently, so easily. You let me finally get to know myself. After searching so hard and so desperately by myself all these years, all you had to do was kiss me, and I knew myself. I’ve never looked in the mirror and truly seen myself there, but now I do. Because of you.
Filled to the brim with love and joy and excitement for the next chapter of his life, Buck smiles back.
“Well,” he says, gesturing at the tiramisu. “Mistaken free dessert?”
And Tommy, in his patented cool, confident way, says, “Premature free dessert,” and takes a bite.
Six months later, when Tommy asks if he wants to go to Miceli’s, Buck pretends not to know what Tommy is going to ask him. He just smiles and says yes.
{now on ao3}
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turtleblogatlast · 8 months
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Been thinking about how Donnie and Leo’s insecurities juxtapose each other.
Donnie is insecure about his place in the family, but confident in who he is outside of it.
Leo is secure about being a part of the family, but thinks he’s nothing outside of it.
I think it’s a very interesting comparison that reflects their respective personalities, Donnie’s “Will all I have to offer be enough?” versus Leo’s “Do I even have anything else to offer?”
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