#I’m here now make room for me

[arliganzey]

Finding fanart of characters that kinda look like your rarepair is something that can be so personal

[rumlead]

what good is a mouth and ears if you only stare? // complicit witness // curly bro is the talk in the room with us?

had the idea for a piece that parallels pre- and post- crash Curly.. ideologically? Or at least to be representative of his body after the crash reflecting his prior actions. Curly pre-crash doesn’t truly listen to concerns about Jim or even have a proper conversation with him, but rather watches things happen (low interference, signing off on his psych-evaluation). Post-crash Curly can’t talk, assumedly has limited/no hearing (mfw ship blow up in my face), and no eyelids— call him the witness the way he be witnessing. He’s doing as much as he would prior to the crash, but now he doesn’t have a choice. There is definitely a more profound way to word it, but you get the point. Probably.

[cowardlybean]

woe, doodles be upon ye

[your-unfriendlyghost]

it feels so…… weird… seeing a cishet dude be so chill with queer themes lmao your soda-in-drag moment, the stevepop of it all, even guys with queers in their friend circles can’t bring themselves to partake sometimes lmao 😭 but it’s cool !! refreshing even sjksksndks this is a /pos statement I promise

Thanks lol! I think it’s cos I’m fairly secure. Sorta. (I’m still prone to compensating for things and being a stupid teen boy, but like, I’m aware of it, at least when I stop to think. Yk I’ll still join in on dick measuring contests, but deep down I’ll know it’s dumb and performative.)

I guess I feel a kinship to queerness. I go to art school where I’m sometimes the only guy in a class of girls, and I’ve been the token straight guy in every friend group I’ve been in since freshman year of high school. Beyond that, growing up I was frequently mistook for a girl- I had long-ish hair (post bowl-cut era 😭) and I’m part Asian, I was pretty androgynous lol. People irl have thought I’m gay, or a trans man on testosterone (I mean fine, I guess I am pretty short and hang with a lot of trans guys.) Hell, I did drag on a dare once, back when I was even more secure. (And I was hot asf in drag lemme tell ya. It felt lousy and it’s definitely not my thing, but man if I had a clone who was a girl-) All this to say, I say I’m straight, but honestly I don’t really know. I like girls a lot, but I have seen a buddy of mine in drag, and lemme tell ya I felt something but I’m not gonna examine that rn lol. Straight just feels comfortable, safe, and it’s good for interacting with folks who ain’t so progressive, so it’s what I’m sticking with…but I’ll admit there’s a gray area.

I relate a lot to the guys in the Outsiders, and irl I like to present myself as a tough, cool, Very Masculine guy. Hell, sometimes I play dumb about stuff because it’s “feminine” and a guy like me shouldn’t know about it. I act a lot like how I write Steve Randle, he’s my guy I like to project on lol. Honestly, I’ve got a fair amount of internalized toxic masculinity. But I think because I know how silly it all is deep down, I can interact with queer themes in art without feeling like I’m not “man enough”. Idk, I suppose it’s an outlet in some ways. Who knows maybe in 2027 I’ll come out as bi or something, but don’t wait up.

idk, I guess what I’m trying to say is that I like exploring queer themes, not because they’re queer necessarily, but because they’re human and I relate to them. And that’s hard not to partake in, y’know?

[charcubed]

and what if I told you that even here Art’s repressed bisexuality is blatantly haunting/informing the narrative and everything that’s happening throughout (which of course also means that the absence of Patrick is also haunting the both of them).

how the moment where he decides to tell Tashi that he wants to retire is shown with a slow pan down his body with the open closet in frame, and then focus on his wedding ring…. then Tashi looks large in frame while he looks very small… and there’s a closeup when he says “I’m tired,” and then right after that there’s this specific shot of him framed as being in the closet as he starts saying, “I don’t want to be one of those guys who doesn’t know when to walk away, okay, it’s embarrassing to still be doing this shit when you’re 40.”

which is a conversation that happens a few hours after…

“Well, I don’t miss playing with you, man. I’m too old for it.”

(“We’re not talking about tennis.”

“What the fuck else do i have to talk to you about?”)

((“Tell me it doesn’t matter if I win tomorrow.”))

(((“I don’t matter?”

“Not even to the most obsessive tennis fan in the world.”)))

[fisherrprince]

as a person who gets really really badly squicked out by incest I think that the fact that my brain chooses to interact with the fandoms where that’s always actively a debate being had is some kind of hate crime or funny joke played by the divine

[yakultii]

random but i'm so curious as to know how your eyes look, the way you described them in the past have me intrigued

weird girl eyeball compilation

[buddiesmutslut]

One thing I hate so much about 911 is the LACK OF APOLOGIES.

Bobby shoves Buck against the wall in s1 & it’s written off as acceptable bc Buck is being nosy, like being annoying is a good excuse to put your hands on an employee.

Buck apologized for the lawsuit & not being around in s3, but Bobby never apologized for holding him back (& lying about it) & Eddie never apologized for screaming at him in the grocery store.

Chim assaulted Buck in his apartment before going after Maddie, and it was never addressed. (Also, does anyone remember if Chim apologized for keeping the Daniel secret from Buck but not the bomber in that one episode? I genuinely can’t remember, I haven’t watched the first seasons in like, a year.)

Also, does Maddie ever apologize for telling their parents about Buck being in therapy? I know they fought about it, but it was also tied in with the Daniel secret (which was fucked but they talked about that) and I can’t remember, but that was kind of shitty, too.

Buck maybe purposefully gets rough with Eddie and definitely hurts his ankle during the game. Sure, we see him feeling bad about it & Maddie scolding him, but no actual apology to his best friend, not even a mention of one.

Those are just the ones I can think of off the top of my head, & idk man, people are flawed, and I know that these characters aren’t perfect, but part of that is apologizing & making amends when you’re wrong. So much stuff is just glanced over to keep the story moving, and I get it but I’m not a huge fan of it. They all have this great, family bond, but how sustainable is that when you’re not owning up to your mistakes and making it right when you hurt someone?

[yuurionviktor]

Wanted to see if there’s consistency in the way I draw them

[raddest-laddest]

thinking about this really funny interaction i had with my boss yesterday

[anonymolly]

.

[brightwoods]

Does anyone else feel like almost all of the conflicts that had to do with the various character dynamics in Chain of Thorns didn’t actually get resolved, they just unexplainably ceased to exist after two books of building them up because CC didn’t feel like writing them anymore and she didn’t know how to resolve it naturally after how she’d built the issues up so much?

Like how none of the characters but Cordelia and Thomas had any clue about the Alastair and Charles situation and then suddenly in CoT it was like who doesn’t know? Of course Matthew knew and didn’t say anything before and then randomly brought it up to Cordelia in Paris while assuming she knew too

Or how Alastair and Thomas went from how things were at the end of CoI with Alastair thinking it could never work because Thomas’s friends hate him to oh look everyone suddenly is friends with Alastair with no grudge with no development of that in this book at all, just an abrupt shift

Especially the Alastair and Matthew dynamic where Matthew hated Alastair and wanted him to have nothing to do with any of their friends and he spent CoI ranting about him to Cordelia. And then suddenly in CoT it’s like of course Matthew is supportive of Thomas and Alastair and oh look Matthew and Alastair are suddenly not just tolerating each other for Thomas’s sake but friends despite barely interacting and no development actually showing and never getting any mention of the other in their own POVs, just having Cordelia be like Alastair stop being dumb, you’re literally friends with him now

Or like everyone other than Christopher and Grace where it was like oh we don’t like her for how she’s treated us and her friends straight to anyway she’s one of us. Like yes Grace was useful and yes Tatiana manipulated her whole life, but none of that was why anyone changed their minds or opinions? It was just suddenly the flip of a switch when it was convenient for CC

Or Anna and Ariadne where it didn’t so much develop as Anna just acted mean to Ariadne on and off throughout the series and at the end of CoI she wanted nothing to do with a relationship and then in CoT she was just suddenly like sure I guess I do. Also, slightly different note, but I did not like that Anna barely interacted with anyone else for the entire book and she was just off in the corner being an irrelevant romantic subplot for almost all of the book except when she showed up to barely even be shown in the background being sad about her brother being dead

(Although Anna still got more of a reaction than everyone else and his death was poorly executed all around in the sense of how did you write this so predictably and poorly that no one even knows when he died and it’s so background and 99% of the characters don’t care at all and we don’t see his parents finding out or much of Thomas’s reaction or anything and it’s just as if he wasn’t a character anymore 2 seconds later which is a different genre of issue with CoT but similar problem in the sense that both issues made the book feel a lot more emotionless to read)

And how the issues of Thomas and Alastair being together as two men and Anna and Ariadne being together as two women in this time and the issues of what would happen if the fact that Charles and Alastair were gay got out to the entire Clave just disappeared and never got addressed at all. We know how the ClVe reacted to Alec Lightwood YEARS later. We know society was homophobic at the time TLH is set and that it seems like shadowhunter society was a lot less open-minded than mundanes a century later

I understand that Charles being blackmailed and making shitty decisions was annoying but it was like suddenly everyone finding out wouldn’t have consequences and all the other queer men characters were like how could you possibly be worried about this :/ as if they haven’t spent the whole series knowing they have to be careful about who they tell. And then suddenly it was just of course it’s totally fine and safe to have everyone find out and why wouldn’t you be fine with that. And it was really written in a way that had other queer characters like oh Charles is such a coward for not being ready to publicly tell a bunch of homophobic people his sexuality and it just wasn’t it??? And super weird after Thomas was terrified of telling even Anna and Matthew for years. And also, I did not care for the fact that when Charles did go risk getting outed to finally do the right thing, we didn’t even get to see it through any character’s perspective or how that important meeting went, we just got one line of dialogue from somebody else saying that it happened with no details at all. And I can’t think of other examples right now but there were quite a few moments like that where we got one line saying that something had happened that was important to the plot and to characters’ development that seemed like it would have been more interesting than some of what we did get to see where it was just totally breezed over and way too easy and totally background to less important stuff

And then there was the whole no one reacting to Ariadne and Anna dancing together publicly thing was like yeah that’s nice I guess but not realistic and it doesn’t go with the way things have been presented up to that point, it also just feels like a situation where CC was like well this would be easier for me so there just won’t be consequences and then they can easily end up happily together

And then there was the whole Thomas and Alastair thinking they couldn’t realistically be together thing and knowing they couldn’t get married or be known to be together by anyone they’re not close to and then at the end it’s still not really addressed how they’re going to be together? Like there was the laziest write off of the family tree being wrong and then we still are just left to assume that eventually they move in together and suddenly it’s not a problem and everyone’s fine with it? And then I also feel like we don’t actually know if everyone found out about Alastair and Charles’ sexualities after the blackmail or if people are going to assume about Thomas and Alastair or if that’ll cause issues or if no one knows outside of who they’ve told and they have to be careful or what. Which like wouldn’t necessarily need to be addressed if it wasn’t for the logistics of being together as two men in that time being part of the obstacle that they were struggling with being in their way and then it felt like it was totally forgotten to even be one at the end by CC

Idk like I’d love to think they just lived in a world where homophobia didn’t exist but it felt like homophobia was a plot point when CC wanted it to be an inconvenience and then suddenly disappeared just to make her writing easier the moment she didn’t want it there anymore instead of actually addressing the plots she raised with it if that makes sense?

And sorry, I really did not mean to go on a rant this long. And maybe everyone else had a very different reading experience than I did and other people don’t agree with some or all of this. I personally am just very confused about how the book was almost 800 pages long and it felt like so much of the development in it was us abruptly being told that development had happened rather than actually getting to see it and how so many of the issues were abruptly solved in an I don’t want to write this issue anymore kind of way rather than anything actually needing to be worked at outside of the Belial situation

Edit: You know what, I mentioned it in my tags but I feel like it’s annoying enough to put in the body of the post and make it even longer. What the fuck was with everyone outing or potentially outing everyone else just so that characters could openly talk about the queer characters and tell them to do what they want them to? Why did Matthew out his brother multiple times? Like yes, the people he said it to coincidentally already knew, but he didn’t know that. And why was Thomas outing Alastair? The straights got to keep their secrets as long as they wanted and fix their problems more naturally. Why did I have to sit through queer characters constantly having their sexualities and romantic histories to everyone else when they clearly had not okayed it? Why were the queer characters doing so much of the outing? Why were people who cared about them and knew what it felt like to be afraid of the wrong person finding out just broadcasting their sexualities to make it easier for CC to breeze past development to have their things get resolved fast? Why did no character have an issue with it at all?

[bibleofficial]

where is my fat husband

[mer-se]

lil hiatus away

[milo-is-rambling]

I can’t even imagine living without anxiety. Like. How. What?

[m4ggotm0ld]

I fucking hate my parents so much

I hate how dismissive they are of my mental health issues

I hate how they act like I’m not depressed even though they were there when I was diagnosed

I hate how when they find out I cut myself they yell at me and talk about how much it’s hurting them instead of thinking about me

I hate how they never think about how I feel about something when they make a big decision that affects MY life

I them so fucking much