#I wasn't very “fandom” for a long time

[the-family-business-83]

Unexpected Calling – Part 2

Part 1 | Part 3 | Masterlist

Fandom: Marvel

Prompt: A world class contract killer finds an envelope at his dead drop. Inside are $23.42 in short change and a letter handwritten by a 9-year old girl.

Type: Series

Pairing: Bucky Barnes x F!Reader's daughter (platonic obviously), Bucky Barnes x F!Reader

Genre: fluff, action, slight angst, might get smutty but idk yet

Warnings: None for this chapter, it's really all fluff. Maybe a slight disclaimer about a lil kid interacting with a total stranger and some mom panic, but nothing bad happens!

Word count: 2.4k

Send me an ask to let me know if you wanna be added to/removed from the taglist!!

A/N: Trying to let myself just enjoy wirting and not overthink it all too much, so I hope you enjoy this chapter. It's a little bit of filler but I thought it was cute and it was fun to write. And yes, I know, it took forever to get posted. I had a lot going on, and I still may not be posting super frequently but to those of you who love this series so far, rest assured: I will still post, even if it's slow.

Any and all mistakes are my own as this chapter is unbeta'd, I did all my own editing/proofreading for this.

Text dividers made by @firefly-graphics <3

Transportation had really come a long way from what he'd been so used to when he was younger. There were planes that's the air of the skies with their quiet rumblings, helicopters that you could hear coming long before they appeared, and cars. Cars were so different these days, he'd gotten used to them but it just wasn't the same. Some part of him still couldn't wrap his mind around the concept of phones being able to connect to the car. And that was just one of many new upgrades.

But Bucky didn't take his trip by air, customs were a bitch to get through on a normal day let alone when he needed to bring weapons with him. He didn't take a train either, because–well. He'd had an uneasy feeling with them ever since 1944 when he fell down the mountainside. So, instead he went by cross-country bus, and kept to himself in his seat once he got on and found one near the back where it was mostly empty. Being perfectly on time, if not a little early, there were a fewhandfuls people that he watched enter in the time that he waited for the bus to start moving. His watchful eye kept them in sight here and there but for the most part, he simply pulled his dark red baseball cap down a little lower and looked out the window to help hide his face. He could only hope that when one passenger entered with not one, not two; but three small children, that they wouldn't be very loud.

Oh how very wrong he had been. Not even 20 minutes into the trip and two of the rugrats were already whining and fighting with each other. Bucky could only stare at them in distaste as he blinked at the sight, wondering how in the world such tiny things could make so much noise. Granted, he'd never really had to deal with children, not like this anyway. And they couldn't have been any older than 3 or 5, each of them. The oldest of the three seemed to be perfectly fine and well-occupied, thank heavens but that didn't make it any more desirable

Sucking a deep breath in, Bucky suppressed the urge to ask the clearly struggling mother to turn off the screeching, and pulled out a book from his day-pack, beginning to flip through it to find his spot. Maybe if he just pretended they weren't there, they would disappear from his mind.

Not likely, but the effort was still made as he focused on the pages of the small paperback copy of The Hobbit he'd brought with him. Glancing up when it once again wasn't working well, he was caught by surprise when suddenly the older child was standing right there by his seat row, and admittedly he tensed in reaction as a sort of mini-flinch. She hadn't said a word, he hadn't even heard her walking over. But there she was, standing with her stuffed bunny in her arms, simply staring at him while he did the same. Both were quiet for a long moment before Bucky glanced up the way towards where her mother sat with her brothers, clearing his throat. "Can I…help you?" He asked a bit awkwardly as he brought his furrowed-brow gaze back to the little girl. Once more, she didn't really say anything, instead just looking him over quietly. Then, she climbed herself up into the seat next to his since it was open, and Bucky was starting to wish he'd put one of his bags there. "Hey, look, kid- your mom- ….what are you doing?"

She shrugged as he stumbled his words out, and glanced down at her bunny fiddling with it a little as she got settled in the seat. "Too loud." Her answer came simply, and while it didn't answer his question completely, he definitely understood the feeling.

Sighing slightly, he glanced towards her troubled mother once more, and then back to bunny-girl. "...Alright, what's your name kid?"

"Mandy." She replied quietly, glancing up at him a moment later with big green eyes. "What's yours mister?"

"Bucky. My name's Bucky." The man paused for a moment then, almost as if debating whether he should send her back to her family yet or not, but she was calm and quiet, and wasn't harming anything. And it wasn't like he was going to let anything happen to a little kid, so he dismissed the idea for now and instead went back to his book.

It was a minute or so later that he felt the little girl–Mandy, he reminded himself silently–leaning over the arm rest between them slightly to see what he was reading. Brows knitting once again, Bucky glanced from the pages to the young girl, whose curly pigtails somewhat bounced in the way of his view of the words. His mouth parted a fraction, ready to let something slip off his tongue to tell her to sit back and let him read. But nothing came. He didn't know how to tell the girl to get out of his space without, well… being a dick. This was a *child* it would have been different had it been an adult. So instead he simply blinked at her in silence as he debated how to handle it.

Mandy seemed to sense he was looking at her though, because then she met his gaze and inched back into place in her seat, curling around her stuffed, yellow bunny, the apology clear in her demeanor. "I just wanted to see your story." She muttered out, albeit the words likely came out a tad muffled because her bunny's head was pressed against her mouth slightly.

Kids. There was something about them that just- got to him. Admittedly, maybe some part of him had a soft spot. One that he'd probably always had, an instinct he'd never been able to shake. And maybe there was something about that moment that reminded him of the slightly younger girl that he'd been on his way to help, that made him realize he was already traveling across the states to investigate the disappearance of some kid's mother. A small gesture really couldn't hurt him. He may not have said anything, but he did nod, and as he brought his crisp blue hues back to the book in his hands, he started reading the words out to her, quietly but still loud enough to be heard against her brothers' tantrums.

Whatever she'd been expecting, Mandy seemed delightfully surprised when he began reading to her, and her eyes lit up as she looked from him to the book, leaning over once again but this time while staying back more in her seat meaning her head rested against his arm lightly, so that he could still see but she couldn't help wanting to peek. There was something about how trusting she was, about how trusting kids often seemed to be, that just genuinely baffled him. Maybe it was because he'd been so jaded for so long that it was just a mind boggling concept to see such innocence. Or maybe it simply was a brilliant anomaly that children lacked the cynicism of their parents and the adults around them, that they saw things grown-ups didn't and thought of things that were unique to them.

Bucky didn't know when the crying and whining had stopped, but eventually the sun went down around them and it was dark in the bus, nothing but the glow-in-the-dark caution stickers and the light of the full moon to let him read the words on the pages. And just as he'd glanced over towards the little girl next to him, seeing that she was well on her way to passing out completely, he heard her mother patter over looking both exhausted and annoyed. "Mandy- for God's sake, you cannot-" only then did the woman seem to register that her daughter was half asleep, not really hearing her mother much and so all that Mandy gave in response was a tired hum as she nuzzled against Bucky's arm a little more.

Well, shit. He may not be experienced with children but he knew enough to know that if he moved she might wake up. And frankly he didn't even know if she'd let him move. Glancing up towards the mother, he offered an apologetic smile. "Didn't mean to scare you…she just kind of walked on over and climbed up. Seemed like you had your hands full so I hope it's okay I kept her busy for you?" He whispered to her, stopping her before she could rage at him–if that was what she'd been about to do, that is. She looked tired, and scared, understandably so. And most of all she looked ashamed that she hadn't even noticed her daughter leave.

"O-oh…thank you, I- I mean, I'm sorry if she caused you any trouble, I just- yeah…those boys…sorry they were so loud, they're in that phase…" she apologized sheepishly in hushed tones of her own, rubbing her palms against the fronts of her jeans as her gaze flicked between her daughter and the quiet stranger of a man. "I passed out and then I…I woke up and she was gone, I'm so sorry sir."

"Not a problem, honestly. She's pretty decent company, let me read in peace with her." Reading that nervousness on the woman’s features, he paused for a moment before shrugging his free shoulder up. "Don't sweat it, I shoulda sent her back…I was going to, believe me but uh. Well, at least now you get a break, right?" He tried to ease her nerves, but then glanced down towards Mandy. "I can carry her back to your seat if you'd like."

He was just so damned kind, she thought. A complete stranger and yet her daughter was clearly safe and well, asleep even and yes, now everything was quiet and she had some time to relax. It didn't stop her mom-dar from going off, but at the very least she'd be a fool to not appreciate his kindness. "No, no it's… it's okay, I don't want to wake her, she's a bit of a light sleeper…just uh, if she wakes up let me know. I'm Erin, by the way…in case that helps." This time it was her turn to offer a kind smile.

"Bucky. Nice to meet you…I'll keep it in mind, hopefully she lets you have a break though." He chuffed an amused breath out his nose.

Doing the same, she shook her head. "Yeah, if only. Thanks, again…I'll let you uh. Read in peace." She teased lightly, taking a hand back through her hair as she went back to her seat before the driver could reprimand her for standing up so long.

Smiling in amusement at that, he watched Erin go back to her sons, and in turn went back to his book after a moment. It was the small things, that made life easier. The small things were what really made things worth it. Sure, saving the world and saving people was big, and it was good. And it was worth it. But sometimes it was moments where he managed to do something more mundane, and helped someone else, that made all the other shit worth it. Because it meant he was still capable of being human.

———

By the time the sun was back up, Bucky rose with it, his eyes slowly opening to the light streaming through the window and he groaned quietly at the crick in his neck from how he'd slept. Running his flesh hand over his face groggily, as he glanced around he noticed that the warmth that had been leaned up against his arm the night day before was no longer there. He would have been concerned, thinking he'd now somehow lost some stranger's child, but he saw the pigtail-bearing girl peeking up over her seat at him a moment later, watching her smile appear once more as she gave him a little wave. Crisis averted. Not like there was anywhere she could really go on a bus, but still.

Despite still being a bit plagued by morning sleepiness, he smiled back and gave the girl a small wave of his own before watching her sink back into her seat properly. Probably at the urging of her mother. His sleepiness didn't last long, though, because soon those boys were back to making noise, but at least it wasn't as much of a headache as yesterday because it was merely them playing and babbling about random things. That was tolerable. And so he relaxed a bit more, rolling out his neck some before he picked up his book again and went on reading.

Somewhere along the way, the lone mother with her trio of children had reached their stop and were gathering their things to leave. It was Mandy who escaped her mother's sight once again to go see the kind man at the back of the bus who had read to her, bunny still in her arms but this time with a warm smile in place. "Hi Mr. Bucky! Mommy said I shouldn't bother you again… but I just wanted to say I liked your story and you're very nice." She didn't give him time to process all of that before she climbed up in the same seat as before, and kissed his cheek for a moment before hearing her mother call her name.

"You're welcome, Mandy. I think your mom needs you though, better get going." He encouraged even as he seemed surprised by her display of affectionate gratitude. The little girl wiggled back down from the seat then, but not without turning to wave at him, walking backwards to do so. "Bye Mr. Bucky!" She rushed the words out before running along to catch up to her mother. Watching her run along, he smiled at her little goodbye, and waved back at her as she went on her way. He wished that woman luck with her undoubtedly trouble-filled journey, honestly. Because he had his own coming up and somehow he felt like she was going to have it harder.

The rest of his ride went on rather uneventful, and when he arrived at his stop it was almost nighttime. But he was all the more closer to getting this job done, so saddling himself up with all his bags, he made his way into town and started heading for the address he'd gotten on the envelope.

Tags: @baw1066 @fluffydanger @vicmc624 @sjsmith56 @capswife @dispatchvampire @sofi1sstuff @sarbear94 @impeterporker @hhiggs @safiraish @kayden666 @saltedcoffeescotch @mcubuckyandsteve @thebuckybarnesvault @himikotoga

[letteredlettered]

Hello there! I recently read your thoughts about By the Grace, in which you mentioned that you've never been happy with how it turned out. (I am one of the readers who love BtG, btw, I found it transformative in the sense that i loved it so much that I felt changed afterwards. my comments trace my slow disintegration 😅). I wondered if you'd be willing to share which fics of yours you like the best - which fics came out as you wanted them to, which fics make you feel understood and known? (Totally understand if this is too personal an ask btw but just thought I'd see if it's something you'd like to share).

Well, hi. You sent this ask in August of 2022. I am apparently very very behind on a lot of things. I just had a lot to say to you and didn't have the energy to say it. I'm currently dealing with some health issues so fandom is actually now one of the only things I have energy for, so here I am.

The first thing I want to say is how glad I am that you liked By the Grace. It's hard not to love something I've written, but I think it shows so much about our humanity that something I find so deeply imperfect could be something that really worked for you. Thank you so, so much for all your kind words.

The second thing I want to say is that for me, the fics I like best are the one that came out as I wanted them to, but they are not necessarily the ones that make me feel seen and known. For instance, I wrote By the Grace because I felt upset about the world, and I also felt upset about some things in fandom that felt like an ugly reflection of the world in a place where I didn't want to have to think about such things. The fact that people love BtG, in spite of its flaws, makes me feel that people understood what I was trying to say, no matter how imperfectly I said it; they care about its message and its values, even if I couldn't deliver those messages and values in the way I hoped and worked for.

Another example is The Way Down. The Way Down is one of the first Harry/Draco fics I ever wrote. I started writing it in 2007, and I was in a very difficult place at the time. It was two years after I finished college; I still wasn't doing anything with my life; I felt like a failure. I started to want to stay inside, never leave the house, never see anyone I knew, never do anything but talk to people on the internet all day long. Incidentally I felt very lonely and left out of the fandom I wanted to be a part of, which was H/D. No one was interested in my writing and I couldn't make friends in that community. I couldn't finish the fic. I got myself out of that situation, moved across the country, got a job, made new friends, and also stopped caring as much about whether my fic was popular. I was able to finish the fic because I as a person changed, and that fic reflects both parts of that journey. I don't actually think it's a good fic; some of the characterizations are too fanon for my taste; some of the scenes are a bit too silly; a lot of the deeper parts don't go deep enough. But when someone loves that fic, when it really touches someone, it's like they're loving me as I was then, loving the fact that I got myself out of it, loving a person who can struggle in that way. And that means so much to me.

Meanwhile, Away Childish Things is a perfect fic to me. It came out exactly as I wanted and said so much about both Harry and Draco that I had been wanting to say, that I felt I hadn't been seeing in fic. I knew it was good when I was writing it. Frankly, I thought people would like it, and I was right. I'm not sure that people loving it makes me feel seen and understood. It's not like ACT isn't a personal story for me--it's terribly personal! But I don't think it's saying things that make me feel bad about myself, or that I think other people or the world are struggling with. It's a sharp story that I think many people can identify with from different directions.

In terms of fics that turned out exactly as I hoped, The Eighth Tale is another such fic. It always makes the list because I had this idea for so, so long--a fic in which the war didn't go as it was "supposed" to, but instead drags on and on and on, a fic in which the canonical ending is glimpsed, but other endings are glimpsed too, a fic in which universes collide into the idea that the ending is never set, it's always the choices we make that give us our own endings. But whenever I imagined such a fic it was half a million words long, and while such a fic sounds interesting, I am so glad that @tacktigerfic would come along so many years later to write that grand epic. Meanwhile, what I had in mind was just a little paradox timey-wimey business that should take only 15-20K to get out into the world. I just didn't know how to do it. But finally, I read a fic that really inspired me with its voice (in a completely different fandom; it's Crow on the Cradle by Refur in SPN fandom if anyone is interested) and it helped me to understand I would need a very particular narrative voice to make this fic happen. Then I sat down and wrote it in about two or three sittings. It's exactly what I meant to do.

Ginny Weasley: Dragon Slayer is a similar fic in that it did exactly what I wanted to, and I wasn't sure I would get there. I think both of these fics are things I often think of as perfect because I have a habit of having rather small ideas that quickly turn huge and unwieldy. It's why BtG is a problem, imo. I love that I was able to make these fics concisely what I wanted them to be, no more, no less.

There are fics in other fandoms that are exactly what I want them to be: Sincerely Your Pal, in Captain America fandom, Say More in The Untamed (CQL) fandom. The End Resting Only on Air is the perfect end to my series of fics in The Walking Dead fandom. I still think Or Even Rearrange You has the best Tony Stark voice I've read, and that's cool because I wrote it. The Chuck Writes Story for SPN fandom is one of the cleverest and most incisive things I've written, because it's about SPN fandom more than SPN--and I happened to write it before SPN even had the mythos that it does now. But in terms of fics that make me feel seen/understood and I'm perfectly happy with how they are written, Responsible Science in MCU is always my answer to which fic I've written is my favorite fic for a reason (although it's actually a series). That Lesson Alone in Schitt's Creek fandom is probably one of the most personal things I have ever written, and I wouldn't change a word of it.

But in H/D fandom, if you want a fic of mine that I'm happy with, that came out exactly as I envisioned, and makes me feel seen and understood, only one fits the bill: The Pure and Simple Truth. I actually don't think the writing is perfect--I would tighten it up a little, maybe. But it's exactly what I wanted to write, and it was so fun to write; I still think it's fun to read. But on top of that, this fic is also trying to say something about morality that I think is really fundamental to who I am. It's trying to say things about friendship and forgiveness that I believe with my whole soul. It's trying to say things about conversation, what that means for people, what that can build, what community is and what it isn't. I've gotten a few comments over the years from people saying they didn't really understand it. I've also gotten a lot of comments yelling at me about it because there isn't a kiss at the end. I've also seen people saying that the fic is suggesting that Neville's a bad person because he struggles to forgive folks who tortured him, which is the exact opposite of what the fic is about.

But when people do get this fic, when they comment or message me to tell me what it means to them to see folks who have hurt each other, some of whom have been actual torturers and part of hate groups, come together and grow from that, discuss that, and learn to love in spite all of that...wow, that makes me feel like the things I care about aren't just mine; other people feel that way, which is a wonderful feeling.

[bettinadoodles]

It still feels like a dream.

I've spent the past year drawing Caleb and my MC together to make up for all the moments we didn't get to spend together in the game. Writing fan fics, cooking up theories, watching chapter 4, over, and over, and over again because it was all we had. A year spent feeling a little delusional at times, insisting that he would return, when it seemed much of the fandom either didn't believe he was alive or straight up just didn't want him to be. Still, us Caleb girlies held onto hope that he would return, even though all we had to hold onto were tiny crumbs.

It's been a rough year, waiting while he wasn't acknowledged as an LI. Even though we pretty much knew he would be since the very beginning. Seeing him finally getting his own flair on the subreddit, his own channel on the official discord, seeing his face included on the banner.. Even these little things became so meaningful because of how long we had to wait for them.

I'm so glad more of the fandom has finally seen Caleb's potential. He deserves it. I hope people learn from this experience, to keep an open mind instead of loudly hating. To be supportive of other people in the fandom, even if their fave isn't your fave.

Our year of being Caleb's widows is almost over. Soon, he will greet us in the cafe, and we can finally start making new memories together.

If this is a dream, just let me sleep.

[azurefaire]

It's really weird to me too... the Tecna mistake. Like I know technology has a silent H, but why on earth would her name keep that silent h? Most of the other names have at least 5 letters too. I assume they grew up with the show on 4kids when people make that mistake- because if you consumed the show through the other dubs the intros have the characters name. If you had the print media or the show though you should know. I honestly think it reveals a lot about the fan if they make that mistake. With the Tinker Bell ones I'm not sure...

One of the reasons I blame for the Tinker Bell typo is Google autocorrect. I distinctly remember in the late 2000s that Google would autocorrect "Tinker Bell" to "Tinkerbell". A lot of people online spelled it that way too. Being a kid around 5-9 years old who learned to type on my own this would always make me angry because I went out of my way to spell it as Tinker Bell seeing it in print media, but eventually I succumbed to writing it as "Tinkerbell" just so Google wouldn't bother me. Luckily, Google will spell the name right now... Deep down I knew it was never spelled like that even when I have typed it like that. I also made the double r Terence mistake more than I like to admit, but that's because I had forgotten. The Disney Fairies books were the only ones where I had seen that name with one r as well. I also cared about the other characters more and I feel it is relevant to that.

Is it wrong to admit that I assume a lot about the person both typos? In a non judgemental way of course... we all make mistakes 😔

If someone misspells Tecna's name as "Techna" or I see the Disney Tinker Bell's name as "Tinkerbell, TinkerBell, or Tinkerbelle" my brain automatically makes a lot of assumptions as to why they made the mistake. I assume people who misspell Tecna's name may engage with Winx Club and it's community a bit differently, might be from a non English speaking country or an English speaking but aren't usually native Italian (maybe other romance language?) speakers because Tecna comes from the Italian word for technology that has no h. Or, that people who misspell Tinker Bell's name as "Tinkerbelle" are quite old, and may associate certain characters together like Belle and Tinker Bell. People who use the stylized combined version I imagine are very confused on how it is supposed to be spelled or assume a lot from the DVD cover which looks like it says "TinkerBell" when in reality it's Tinker Bell. But, I usually genuienly admire their commitment to be so correct and use what they believe to be the source material even when they aren't. I'm not naming any names though but I do notice that the I've talked people who use this spelling tend to be and 1. bilingual 2. dedicated fans which would make sense in this context. It's a little endearing seeing that dedication to getting it right even if they aren't. I've come to a different conclusion about Tecna. Tecna will never get that same fandom dedication from certain Winx Club fans. People just assume her name is spelled with an h with no further context and people who have been confused on Tink's name for a long time seem to care enough on how to spell her name. I'm sure there's people who would want to spell her name right but not that's not always the case with Tecna. Tecna's name could be on so many Winx things and somehow people reach the conclusion that there's an h. Google could tell them too. Google wasn't lying on how to spell Tecna's name for half a decade.

Maybe even some Winx fans keep that mispelling... from my understanding there are people who don't want to correct themselves on a proper spelling- or they come to the conclusion on their own that her name just sort of keeps the silent h. Which is just sort of wild to me as her name is so short...

I don't understand that there are people who don't correct "Techna" to Tecna when at some point giving how often they are in the community. If they have been they should know how it is spelled. Why don't they? Why go through the effort of extending her name by one letter when you know how it's spelled? Is it an instinctive thing? Community mistake? Autocorrect being annoying? "Tecna comes from technology so Techna would be the proper spelling and the creators themselves got it wrong" (Is this a comment that's been made before? Cause somewhere this was quoted and I've just been confused. I'm paraphrasing it a little.) Do they not read comments? Why is it so common to see people misspell Tecna? Has this common mistake happening for as long as Winx has been around? It's gotten to the point where I assume whether someone cares about her or not, not in a "fake fan" way though. Just that Tecna might not be a relevant character to them and they don't consume a lot of content with Tecna. Which, okay... maybe I do judge a little bit knowing Tecna is unpopular. Common one letter off/additional letter typos are now a new fandom small peeve of mine cause I don't get how people collectively misremember how a name is spelled to such an extent. It does get annoying. Sometimes a character's name can be spelled wrong so many times you can feel your self get slightly relieved when someone finally spells it right...

the fact that ppl still misspell tecna as techna should be studied

[muiromem]

Kathryn Janeway - "The Fates"

The Moirai of Greek myth. The youngest, Clotho - the spinner who controlled life, choosing when a person was born and weaving their thread of existence. The middle one, Lachesis - the allotter who measured out the length of this thread and decided a person's destiny. And the eldest, Atropos - she who was inevitable that ended a mortal's life, cutting the thread and choosing the manner of their death.

[boyharder]

just a reminder to the people that there's no way haymitch wasn't majorly affected by the injury he sustained in the arena at the hand of the d1 girlies’ axe. i did mention before that it hinders with his eating habits as obviously. abdominal and digestive trauma but i'd like to assume that he did have a stoma bag when recovering from said injury. shrug shrug. intestines = major major digestive organ. the capitol probably didn't have the same high tech as they did come the 74th, and so the healing was possibly way more grueling/longer. all this to say yes i believe he has a large scar from the initial injury. yes i also believe that he's got a stoma scar in the hypothetical idea of him needing one in the first place.

↑ girl who is not a medical professional nor has had a stoma bag before. i'm just considering the fact that he definitely had to deal with a lot of rebounds and this could be one of the resulting factors! i'm literally a teen who likes to look up medical conditions/treatments as part of my special interest. this might not be totally spot on but i wanted to apply my small parts of knowledge.

[ailurinae]

Usenet and/or random sites (geocites, webrings and such)

[leatherbookmark]

Huh... just connected the dots between my soul-crushing shame and inability to imagine myself "carelessly having fun" without feeling a Heavy Judging Gaze That Thinks I'm Such A Funny Stupid Little Baby on myself and like... my parents finding it the funniest thing in the world, worth bringing up over and over despite my discomfort, that I used to bob funnily to the music as a toddler

[seventh-district]

not even gonna tag this properly bc i don't wanna get Involved but i do have some Thoughts i need to get out into the void so here we go

(aaa quick edit: CW for mention/discussion of Boothill leaks)

[jackalmeat]

I am once again tormenting myself for fun and enrichment with the fact that, quite frankly, I simply do not believe in the least that Vander's violence toward Silco began with or was isolated to The River Incident.

[dimiclaudeblaigan]

I know you all know by default how much I love this conversation, but in RD at least, a lot of characters fall out of relevancy after a certain point (whereas in PoR you could argue that having full supports prevents this). Shinon is one of the only side characters who doesn't really do this, having three base conversations throughout part three (which is pretty fucking good considering several of the chapters aren't even with the Greil Mercenaries).

Back in PoR, Shinon asks for praise/gratitude. Expects it. By this point he doesn't want it anymore. He didn't want it when he was selling bows for emergency income (which Rolf took up as well) and he doesn't want it here either. His personality has chilled out so much from being a hothead and he's much more expressive of his actual feelings (even if you compare his standard death quotes in both games, he's much more emotionally expressive in RD).

A lot of characters - most honestly, including even the GMs (barring Boyd if he A supports Mist which gives him more content and expresses a whole lot of maturity compared to PoR Boyd) tend to drop off in development. They might stick around (ex. PoR puts all the major groups in the spotlight until the next group shows up and goes through all of them), but the development eventually stagnates outside of supports (including in base conversations, which this one is such).

Since RD doesn't get supports with full conversations, you only get snippets of development/characterization through them, while the base conversations may offer insight into the characters and show you how they've changed over the years but don't truly develop them. Shinon is a very lucky situation for his character because he keeps returning in both games, and it helps develop him across both games with a full timeline (similar to Naesala, who has a fully fleshed out story and personality development over both games and never stops dead at any point in the pair of games).

In PoR Shinon was distant and selectively a bit cold (Greil, Rolf and Gatrie excluded from that, and Mist to an extent as well). RD gives the impression that he just... doesn't care about all that anymore. He's fine where he is and has learned he can live with these people and not have to expect betrayal. He doesn't have to anticipate being on his own ever again. There's no real reason for him to keep up the walls and barriers to protect himself, and he's not living just to survive anymore.

Most times when I end up loving a character it's because of the content given to me and what have I to work with, rather than loving a character and searching for things to love. I fully expect that that's why I finally, after years of being unable to decide who my Tellius favorite was because I loved several of them too dearly to decide, found myself able to settle on Shinon.

When I got older and gave it more thought, considering all the development and traits of each of them and how responsive I was to them, one day I asked myself, well okay, what if someone asked you who your favorite was? What if you still did love the same ones as your number one, all of them, but could only give one name quick and simple? Who would you pick? The first name that instantly hit me was Shinon. That was enough for me to decide okay, there's a reason he's the first person who instantly came to me if I had to truly settle on one. I hadn't quite figured it out yet, but I knew there was a reason that if I had to pick a single standout, it would be him.

A lot of it harkens back to this conversation. It is development in and of itself, and also very expressive of who he is. The fact that he also doesn't fall off in conversations and is more recurring than not also gives me more to examine about him and more to think about. It puts him in a more likely position to think about him and who he is than I would for characters the writers didn't really bother developing (including other recurring characters like Marcia, who keep coming back in both games similar to Shinon, but see no development as a person - unfortunately in her case, in either game).

He has a very rich, detailed and unforgotten-by-the-writers character and one whose story ends on a very high note. I say "ends" in the sense of main story/base content, but it technically continues if he's taken to the Tower and gains the ability to A support various other characters who he otherwise could not support or could only reach a B support with, such as Sanaki, Tibarn, etc. This conversation is like an accumulation of his growth between both games, including the subtle things you can only pick up on through actions/other character lines.

Ike says he (everyone, which includes Shinon) chose to stay with them when he told everyone who their next employer was/what they'd be doing/etc, and Ike gave him and Soren an out if they weren't comfortable with it. They weren't all forced to go. That says by itself that Shinon made that choice on his own. He chose to stay with them when he was not yet totally comfortable with laguz and was still working on that part of himself (the fact that he uses the term "laguz" at all is already a huge step up from where he leaves off on his A support with Janaff, which did not leave off poorly at all).

Last time Shinon was uncomfortable with something in the Greil Mercenaries, he made the choice to leave. When he did come back, he was not exclusively surrounded by only the GMs and otherwise, purely laguz (which prior to meeting Janaff I would argue he was not ready for at all at the time). Here, he was, and he still made the choice to stay with them knowing exactly what his situation would look like.

Another thing worth considering is how much of a hothead Shinon was in PoR, but he still took Rolf on as a student. While I'm not sure exactly how accurate Mist's statement is about "forcing" Rhys to teach her (it's possible she was pushy about it because he didn't want to, such as because it might mean she might end up on the battlefield), we do know Rolf wanted to learn and was accepted.

We can easily infer through their conversations that Shinon would rather teach him to survive and have a safety net rather than worry about him being on a battlefield. Shinon saw that he was motivated to learn and, regardless of the fact that he was still in survival mode himself and not of the mind of "I'll be with these people forever and want to help them", taught him while apparently having told him "things like this happen" with mercenaries (i.e. different employers, separation, etc). If they ended up on opposite sides but Rolf could wield a weapon, that could endanger him, but he does it anyway. His priority is always survival, but it's also the survival of children and anyone he cares about. He also dies begrudgingly in his PoR death quote, which is completely opposite of his death quote against Rolf.

Another thing for me: he's also very confident and aware of his capabilities as a marksman. He knows what he's worth and at this point, he no longer brags about it (he used to all the time in PoR). He sees no reason to have to prop himself up. There's no insecurity in him that makes him feel the need to try to be open about being better than anyone else. He knows and accepts what he's worth without feeling the need to tell people about it.

If someone asked him what he thought of himself/his own worth, yeah, he'd admit his skill and capability without being too humble, but he also wouldn't go overboard with it or say it during instances that don't really warrant it (basically, if absolutely nobody asked, he'd say it anyway in PoR. In RD he doesn't really seem to give a shit anymore about letting the whole world know how good he is). He's lost the whole pick me, look at me sort of attitude. Imo it's also due to a higher amount of respect he has for himself now, and a much healthier one. He doesn't care about being the best anymore (he'd be perfectly happy if Rolf was instead) and is just satisfied knowing his skill on his own. He's satisfied not being alive just to survive, but to be with this mercenary group and actually able to live.

As a side note, we never actually see him having drunk or in the middle of drinking in RD, so... it's also likely he's worked on his possible PoR drinking issue too!

All in all, he's just one of the few non-main characters who came a whole long way with a full story. He feels very different in RD, but not so much that he feels like a different character entirely. For me, I can feel the growth in who he is, and that to me is an excellent handling of a character. When I can feel how different they are from beginning to end, I can feel the intent of character growth behind it. I can't tell you with certainty that the writers took a liking to him and so biasly kept sticking in dialogue for him (and singlehandedly made him one of the solidly best units in RD, for that matter...), but he's definitely repeatedly present and has hefty, story/backstory littered implications.

His dialogue feels meaningful to his own personal story in all his conversations. In other words, he doesn't have a conversation that feels devoid of meaning. It comes across more as all of his content exists for a reason/has meaning behind it. There's no wasted dialogue with him. When he's there, it means something for his character (comparatively to other side characters who may have lengthy conversations but you walk away having gotten nothing out of it, be that in PoR and/or RD).

He has fewer supports than most of the cast in PoR, but every single one had some kind of direction to it. Even if you look at his C support with Janaff and go "well that's just classic early PoR Shinon", the point of that is exactly that: that he starts out who we recognize and develops from there. That support alone goes from that to a lot of growth in three conversations, and beneficially so on both sides.

Simply put, he has more content the average Tellius character (including all of his boss quotes in chapter 18), and everything leads up to who he is by this conversation. It's a full story for a side character, later including personalized support dialogue for A supports, and he just happens to exhibit a lot of growth and traits that I already lean toward (hence why he was in my top spot all along, just tied with others. Now he's not tied with others and has the top spot to himself!).

I think it's likely it's the fact that as mentioned, none of his conversations are throwaway conversations. You never walk away from his conversations having gotten nothing (I mean, I'm sure people who refuse to see it don't notice precisely because they are willing themselves to refuse to see it to find excuses to keep hating him). Even in his first RD base conversation, the fact that he acts as you'd expect but drops a "laguz" in there is already a hint for his growth direction on top of being there at all. It's really just up from there, as is the case with all his content.

I tend to lean toward characters with a whole fountain of insightful conversations and depth, and in FE games you often don't find those characters outside of the mains. While I'd argue Tellius is a lot less tropey than modern FE (there were some tropey types like Makalov and Ilyana whose characters are basically nothing without their tropes), a lot of its side characters are still reduced to very surface level characterization with no real growth.

Shinon was very lucky to get as much as he did, and I'd say he has just as much if not more personal depth and lore than even some of the mains themselves. Imo he's a very lucky and rare find in FE games, when there are so many goddamn characters that the writers can't flesh them all out (reasonably of course, but it makes it even more special when it happens for non mains). Even with the Fodlan games and all its content, a lot if not most of its characters are full on tropes with little to nothing in the way of anything else. Engage suffers from it too, with a few diamonds in the rough and not much else.

That's not to say I hate the games or their characters, because obviously I would not still be playing new titles to the franchise if I hated it. I'm saying it makes the ones with as much depth as Shinon a gold mine to be found amidst a very large cast of characters that don't usually get that treatment.

anyway i will always talk abt shinon more when able so this is Not The End but i will end this post here lest it turns into another 20+ paragraphs.

[stellerssong]

Swan I promise I'll get caught up on your fanwork soon. Soon as I actually watch these overdue DVDs of The Watchman😉. In the meantime consider this an invitation to do a director's commentary from back when Will Graham was a bird?

please enjoy your viewing of the watchman! don't quote me on this, but i hear he (the eponymous watchman) was in a comic book once...really make u thimk.

oh god okay umm...how do i put this politely for the good people in the audience who have not been following me since 2013. so. ok. so i've long maintained that turning a character into a bird monster is one of the truest forms of love i am capable of expressing. "but swan!" you say, shocked and horrified, "surely you mean turning a character into a WEREWOLF is one of the truest forms of love you are capable of expressing! you have a whole thing about werewolves! it's an expanded universe with hinted crossovers! there's internal logic and now a magic system! you have spilled literally thousands of words that are No Plot Just Describing Midcycle Werewolves and you KEEP THREATENING TO DO THAT MORE." and like. you're not wrong strictly speaking. and i do inflict that aggressively upon my favorite characters. but there is something particularly monstery about the bird monster that a werewolf just doesn't get at.

it's the uncanny valley of it all, you dig? a werewolf is, when you get down to it, a wolf whose instincts are fettered to a human perception of the world—hence, functionally, a dog. a very large, gross, dangerous, infectious dog, in some cases—a dog with hands and fucked-up people teeth, frequently—but it's fundamentally the emotional tension of the dog that i'm working with here, right? the sit and stay and will i get a pat or a kick of things, the what is a pack and what are they owed of it, the animal caught in a little box with the human and the realization of how little space there is between those two things. which is all lovely delicious good food for me, personally, and of course i am capable of making something tangibly offputting out of those compelling pieces.

but the bird monster is a different game. that's a different part of the uncanny valley, and i hesitate to call it a more physical part, but the physicality IS part of it. a bird has warm blood, like you or like me (with apologies to any reptiles, amphibians, ectothermic fish, etc. reading this). it breathes air. it's often social and intelligent. it has a voice—more importantly, it makes music. we connect with these qualities, as fellow warm-blooded social tetrapods. we think, oh, this is a familiar creature, this is a creature i can easily empathize with (again, apologies to those reading this who, like me, are thrown into a tearful cute-aggression frenzy over the japanese giant salamander).

but a bird feels different from a human in a way that a dog doesn't. it's got feathers. it's got hollow bones. it's got an expressionless face and eyes that don't convey the same warmth as a dog's or a wolf's or even a cat's. there are tame birds and domesticated birds, yes, but in general there's not the same cultural sense of the bird as companion animal that smooths the way (or burdens) the dog or the wolf-as-dog.

and it flies. that's fuckin' different.

so it's a different tension there. where the werewolf's sense of alienation stems from the uneasy knowledge that there's gray area between wolf and dog and human, the bird monster's deal is a more classic disjoint. a human is not like a bird. these two things are (or feel) more diametrically opposed. and yet in the bird monster they exist within a single body anyway. the human in you is content to travel in two dimensions. the bird in you understands that there's a whole lot more world if you just look up. the human in you needs the solidity of earth underfoot and the comforting anchor of gravity. the bird in you knows those things for chains and cages in disguise. the human in you tastes blood and grimaces, gags, spits and screams and weeps. the bird in you swallows, expressionless, and sings.

ok so then imagine if it was will graham,,,

[ann7av]

There are two kinds of fantasy books that are introduced as being historical accounts of those worlds:

"Fire and Blood" and "Fourth Wing"

I don't feel like I have to elaborate on this one actually... and I'm not saying this in a derogatory way (I think)

Actually, when you think about this it gets funny

[cakemoney]

finding out that kaito and shinichi have been revealed to be cousins is like finding out there was a huge earthquake in the country you used to live in

[eggmeralda]

I wish there was a way you could put like. every song in the world on shuffle

[collar-shocked]

//Great time to remind everyone IF YOU ARE UNDER THE AGE OF 18, YOU SHOULD BE NOWHERE NEAR HERE. You're only a kid for so long, you get to be an adult forever. MAKE IT LAST. FRIGGIN' WAIT TO ENGAGE IN CONTENT LIKE THIS.

//No one can protect you if you refuse to let them. These games and this fandom and content have 18+ tags on them for a REASON, and it's to PROTECT YOU. You're not cool, you're not edgy, you're not special, you're not grown up for ignoring warning signs that are set there to KEEP YOU FROM HARM, you're just an idiot for exposing yourself to that ON PURPOSE.