#I think he’s trying to actually connect again
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HOT TUB SCENE WITH PERCY JACKSON????
Lwk like to all the boys I’ve loved before 😏 but do w that what u will
I know this has nothing to do with tatbilb but I haven’t watched the movie so when I saw the scene I didn’t understand anything happening so I’m sorry </3
——— ౨ৎ ⊹ ࣪ ˖
“c’mere, sweet girl. what’s with the social distancing?” percy pats the spot next to him, beckoning you over.
“you. you like to feel me up.”
percy rolls his eyes and grabs one of your arms dragging you over to him and instead beside him, placing you on his lap. his arms wrap around your hips, not before he places yours around his shoulders lazily.
either the warmth of the hot tub water, or the close proximity between you and your boyfriend has your cheeks flushing pink. though perhaps both.
you sigh and pretend anger. percy smirks at your antics.
“don’t frown, sweet girl.”
“your hands aren’t going lower than this.”
now it’s percy’s turn to frown. “don’t tell me you didn’t have fun the last time—”
“perseus.”
“okay.” he closes his mouth.
“thank you.” you kiss his nose.
his mouth reopens not to your surprise. “do I get a real kiss?”
“is that all you ever think about?” you kiss his cheek.
“well, actually I think about your—”
you cover his mouth with your finger. “rhetorical question. c’mere.”
with your arms looped around his neck, you connect your lips with his own before he can muster a word or protest. luckily, it works and he remains silent and allows you to kiss him.
you attempt to pull away after this one kiss but the millisecond your lips not nearly even have the chance to back away (like maybe he has some magic super power??) he chases your lips and places a hand on the back of your head to assure you don’t try to leave again.
and swiftly, his tongue runs over your bottom lip before slipping into your mouth. his hand, on the other hand, trails lower to loop around your bikini bottoms. the very ones you’re very aware aren’t soaked from only the tub water.
your tongue tangles with his own. you take a handful of his dark hair between your palms, tugging it and eliciting your favorite groans from percy into your mouth.
his fingers slowly slide your bottoms down your thighs, resulting to putting you back in the same position you were last time you ended up in the hot tub with him
#xoxochb#percy jackon and the olympians#percy jackson#pjo series#pjo fandom#pjo#percy series#percy jackson x reader#percy jackson x y/n#percy jackson x you#riordanverse#riordan universe#riordanverse x reader
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operation: no hate, just date | 심재윤
pairing. jake sim x idol!gf!reader
the objective is clear—make both of your fans believe that you and jake, in fact, don’t hate each other by convincing them that you’re actually in love. which you are. sadly, jake doesn’t get to shout it from the rooftops like he desperately wants to. instead he’s trapped in an elaborate plan that’s moving at a snail’s pace, but one night on weverse with the boys might speed things up.
genre. fluff & very very mildly suggestive
a/n. this is the second part to loverboy! you can read it by itself if u want but it might be more fun if u don’t lol enjoy! x
it’s been a week since jake and you were pulled aside and shoved into a meeting room where an unforeseen entourage informed him that he sucks at being your boyfriend but makes for a great arch nemesis. he had left that intervention feeling annoyed and his privacy violated, but at least they had a plan. whether that plan is a good one is still up for debate.
grey sweater guy from pr keeps responding to yuki’s plentiful emails with stupid roundabouts of how patience is a virtue and playing the long game always benefits the player. the problem is jake has no patience, and the only person who seems to get it is you.
which is likely why even after the fourth facetime call of the day, his darling-angel of a girlfriend has yet to tell him to piss off. he keeps peeking at his phone, which he has propped up against his pillow, only to begrudgingly return to his scattered lego set, positive he’ll crash out if he doesn’t hear your voice soon.
when the call finally connects and you appear on the screen, it’s like watching the sun rise. jake can feel the tension leaving his body and a lopsided smile curving over his lips. he’s hopeless, really.
you grin through the phone, hands in your hair as you tie it back, and say by way of greeting, ��yunjin showed me a tiktok earlier.”
abandoning whatever he was building, jake scoots closer to his phone. “what was it about?”
“us, of course,” you say cheerily, and jake swears his heart skips a beat. not because he’s anxious of what you’re about to say but because it happens every time you refer to him and you as an item. an entity. it’s embarrassing but he kind of likes it. he likes being an idiot for you.
“someone put together a bunch of clips of everything we’ve been doing this week and it blew up on twitter.” you gently rub your oil cleanser over your face.
jake perks up at your words. he didn’t think anyone would’ve noticed any of the stuff he was told to do as part of the stupid plan. an unsettling concoction of excitement and terror swirls in his stomach. “what did they say?” he asks, fiddling with a lego piece.
you take a moment to wipe off your eye makeup, scrunching your nose when jake calls you a panda. “apparently people have been noticing how close we stood on the encore stage and that we kept looking at each other. it’s funny—i didn’t realise in that moment, but when i watched it back it looked like you’re either creeping up on me or you’re extremely terrified.”
jake tilts his head. “terrified of what? you?” he furrows his brows. “i just looked at you a couple of times like they told us to.”
“i know you did.” you turn off the faucet and grab a towel to dry off your face, trying to keep the amusement in your voice at bay. “but, babe, you’re either staring me down—unblinking—or you’re casting glances at me like you’re scared i’ll turn around and jump you.” you can’t help but giggle. “someone commented, ‘i can’t tell if jake is contemplating if he should push y/n off the stage or if he should throw himself off it.’”
jake gawks at you with his mouth agape. “that’s what they’re saying?”
you nod. he falls backward with a groan and covers his faces with his arms. “i can’t believe it. that’s what it looked like to them? really?”
“i know.” you say, more amused than empathetic.
“that’s crazy,” he says, pushing himself upright again, hair sticking out even messier than it had before. “i’m actively trying to act like a lovesick fool—which i am! don’t even—and people still think i’m trying to break your neck? that’s insane.”
you hum supportively. “at least some people believe you were offering to break your own neck for me. that’s romantic, right? we might be on the right track here.” you keep your tone playful, but jake looks at you with his starry eyes and pouty lips, resembling nothing short of a kicked puppy.
“i’m sorry i keep messing this up,” he says and the thinness in his voice makes your heart break.
“jake, you’re not messing anything up.” he looks at his hands, avoiding your gaze. “you can’t control these things, people will interpret and perceive it however they like. it’s always been this way, and it’s always been out of our control. doesn’t mean it’s your fault.”
“i don’t know, y/n,” he says quietly, and the sight of him hanging his head has you nearly sneaking out of the dorms and going over to his. you’ve never seen him look this miserably at a lego set before. “if i wasn’t so awkward and knew what to do, we wouldn’t even be in this mess.”
“no one’s perfect and all-knowing.” you pick up your phone with a frown. “and why do you keep calling it a mess? is that what you think this is?” you enter your room and get into your bed. jake looks up at the sounds of your blanket and wishes desperately he was there with you.
instead, he loosens a breath and sweeps the lego pieces onto the manual, placing it on the floor and going under the blanket as well. “what else should i call it?” he says. “it’s not a blessing.”
you ponder his words. “a mess would be our sex tape getting leaked or people making up rumours that we’re drug dealers or cannibals.”
jake cocks his head. “like hannibal?”
“i meant more like in ‘bones and all’ but sure.”
“oh.” he scratches his face. “well, we’re neither of those things. we also don’t have a sex tape.” the corner of his mouth quirks up.
“no, we don’t.” you pout, forcing a mock sigh. “but we could always make one? ‘operation: no hate, no date,’ am i right?” you waggle your eyebrows at him, prompting a wry smile to flicker across his face.
“they’ll watch it and come to the conclusion that i hate you even more.”
you huff a laugh. “we will probably also get kicked out of hybe and have to start slinging fishcakes on the street. which sounds like fun, to be honest. oh! we could make our own jingle and sing it for our customers. maybe we won’t even have to make the fishcakes if we’re successful enough.”
this earns you a laugh. “that’s just busking, baby. what you want to do is busk.”
you gasp in fake surprise before settling for a rueful sigh. “i am but an artist.”
jake presses his lips together as if to say ‘good riddance, what tragic calling’ with a saddened face before the two of you dissolve into giggles.
“okay, i get it.” he turns to lie on his side, face squished against his pillow. “going from idol to man with leaked sex tape who sings on the street and runs an unsuccessful fishcake stand would be a mess. but this is not?”
“correct.”
“i’m so relieved then.” he grins toothily at you and, of course, you reciprocate it. an involuntarily yawn slips through your lips and jake coos at you.
“is my girl tired after working hard all day?”
“she’s exhausted,” you affirm with bleary eyes. “you seem chipper for someone who’s usually drooling on his pillow by midnight.”
jake shrugs. “i’m not sleepy yet.”
you hold back another yawn. “do you want me to stay awake until you are?”
he smiles at you fondly, relishing in the softness of your drowsy voice. “it’s all right. you should go to sleep, baby.” he glances at the clock on his phone. “i think i’ll go live for a bit. haven’t done one in a while.”
“aren’t we feeling chatty tonight,” you tease, eyes fully closed now. jake swears he actually dies at how cute you look and smashes that screenshot button repeatedly. “i’ll leave you to it then. greet engenes for me.”
he grimaces. “if i do that, you’ll get your jingle and fishcake dreams fulfilled by tomorrow morning because we’ll both be unemployed.”
“sounds lovely.” you rub your eyes.
“yeah,” jake merely whispers, attention span momentarily off the rails as his doting gaze traces your face. he takes another screenshot for good measure. “good night, pretty girl,” he says tenderly, raspy voice and all. “see you tomorrow for the dance challenge and the fishcakes.”
a giggle bubbles out of you, and you crack your eyes open to offer your best, dozy smile. “and the busking. don’t forget the busking.”
“i would never. i’ll even steal one of jay’s guitars.”
you nod, pleased. “we’ll be on the run like bonnie and clyde. except for all the atrocities, of course.”
jake helplessly swoons. “i love you.”
“i love you too. good night, baby.”
the intensity at which his pulse quickens and his stomach tumbles needs to be studied because it should not be humanly possible to be so goddamn whipped. he’s not ashamed to admit that he could write lines upon lines of poetry right now just to ode your every quality and marvel at the curve of your mouth.
again, hopeless. but he’s more than okay with it.
so what if he flips onto his stomach right after the call ends, smiling blissfully into his pillow and kicking his feet? he might not be a lover boy, but he is in love.
with that same crooked smile that is probably etched onto his face forever, he opens the weverse app on his phone and opts for a voice live. as the first few people pool in, he gets lost in mindless chatter. it’s always nice to do lives at night. mainly because they make him drowsy.
at some point, he gets up for the bottle on his desk, hoping that chugging some water will wake him up. but when he returns to his bed and glances at his phone, comments keep flooding in at a speed that make them very hard to read.
“what’s this?” he chuckles nervously. “what happened? i just went to get some water.”
enhaswife: jungwon is live!! go live with him plss
sim hitomi: jungwonnie is live~~
xo, liz: CAN U GO LIVE WITH JUNGWON ‼️
“jungwonnie is live?” jake raises a brow. “that’s actually pretty early for him. it’s not even one yet.” he settles back into his bed. “i was here first though, so you guys have to tell him to come. tell him to come send a request.”
he watches the number of viewers decline rapidly, all of them seemingly leaving to do his bidding. he wields too much power and it might actually go to his head, he thinks to himself in amusement. “i told him,” he reads out loud. “i told him, he’s coming, i told him. you guys are so cute.”
not long after, the request pops up and jake is quick to accept it. his screen splits in two before jungwon’s eager face appears before him.
“yooiii,” jake greets him with a wide smile.
“yoooiiii,” jungwon practically shouts into his phone with excitement that is more appropriate for daylight hours. “what’s this? why aren’t you showing your face, hyung? are you naked?”
“what?” jake guffaws, adjusting his phone. “no, my hair’s just all over the place. engenes don’t need to see me like this.”
“oh, okay.” jungwon nods understandably as his eyes flit over the computer screen before him. the song that’s currently playing in the background changes to a more calm melody, and jake sinks further into his blanket, nearly letting out a moan at how snug he feels. “he’s bald, by the way.”
jake jolts so hard he nearly tumbles out of his bed.
“jungwon!” he watches as the comments explode into chaos. “oh my god, what have you done.”
the younger boy ignores him. “ni-ki shaved his head after practice, you know. he got the clippers from hair and makeup and went right at it. they weren’t too happy about it, but it went well. thankfully, i am so happy to announce that our hyung does not have an egghead.”
jake burst out laughing, glimpsing how jungwon’s smile expands with delight when he hears it. “i nearly lost an ear, but yes. all’s good.”
“he gave his hair to jay,” jungwon continues for no apparent reason except to bring jay into this. “he put it in a nice ziplock bag and gave it to him. jay almost cried. he was really touched.”
jake is clutching his sides, trying to keep his laughter down. before he can speak, a highlighted message pops up in the comments.
JAY: Ya! Why are you ruining my image
JAY: When jake gave me his bag of hair I wept
JAY: I wept.
JAY: Get your facts straight punk
“hyung!” jungwon says delightfully. “you’re here too. what’s going on, why are we all awake? is this a party?”
“it’s just us three here,” jake remarks, still chuckling. “what party only has three guests?”
jungwon shrugs. “i’ve never been to one.”
JAY: Me neither
jake cups his neck, deciding to join them despite the fact that there are plenty of pictures of them at several afterparties. “me neither.”
JAY: Wow
“wooow,” jungwon echoes, lips tugging into a smirk. jake frowns. did he miss something? before he can address it, a comment stands out to him.
“yes, we are a sad bunch,” he says jokingly in response to it. “you’re breaking my heart, engenes. no need to rub it in.”
jungwon snickers. “these comments are so fun tonight. i usually only get song recommendations. seriously, what’s happening? where are all my engenes who ask me to play chamber 5 for the eighth time?”
JAY: It’s because I’m here
JAY: I bring the smart ones
JAY: Also can you play chamber 5
“it’s my live.” jake scoffs when he reads jay’s comments. “they were here before you two came, and we always have very stimulating discussions.”
that’s not true. earlier’s heated topic of conversation was whether a tiger or a tiger shark would win in a fight. but jungwon and jay don’t need to know that.
“oh, hey, we’re tripple j,” jake randomly observes while suppressing a yawn.
“we are!” jungwon says enthusiastically. “the moment jay came in, all the comments were saying tripple j. imagine if all of our names started with a j. septuple j!”
JAY: Junghoon
JAY: Jeeseung, junoo, ji-ki
JAY: Annyeonghasaeyo, jenhypen-imnida
jake snorts. he glances at the time and lets another yawn overtake him. “guys, i think i’ll go to sleep. i can barely hold my eyes open.”
“i was waiting for you to say that,” jungwon quips.
“oh?” jake pushes himself up to fluff his pillow. “why? do i sound tired?”
JAY: Ow hay weor wibble j
jake furrows his brows, nearly suffering a stroke trying to read that. “hah. you’re funny.”
JAY: yoar wonny
“ahjussi, please go to bed,” jake says fondly and pulls his blanket up to his ears, letting it almost swallow him. “you’re talking gibberish again.”
JAY: :(((
jungwon ignores them, typing away on his keyboard. “i think i’ll continue my live for a bit if engenes want to join me.”
“yes, keep him company, guys.” jake yawns once more and quickly skims the comments one last time. his mind has become delirious, not really making sense of any of the words on his screen. he’s no longer thinking straight. he’s not thinking, period. which might be why his focus zeroes in on your name as it passes by.
he scrolls back up, looking for it, and finds himself reading it out loud without a second thought.
“do you want me to fight y/n for you?”
he lets his arm fall over his eyes with a funny expression on his face that no one can see and that he’s not even aware of. a mental image of you occupies half of his mind while the other half has simply shut off.
chuckling, he replies, “nah, i can take her.”
it goes quiet in the room as jake’s breathing evens out and jungwon’s typing slows down.
“hyung,” he says with emphasis, a warning tone laced in his voice. jake blinks an eye open, way too tired to grasp the gravity of what he has done. jungwon, on the other hand, is close to breaking out in hives as the comments go ballistic.
jay is not of much help either. he has left the live to message the group chat, asking if they’re now in trouble and if they’re going to kidnap you and jake again. from what jungwon can gauge based on the rapid fire notifications he’s getting, jay’s coming in clutch with quotes and screenshots of the comments, and heeseung’s immediate reaction is to cackle away.
enhaswife2: wiat whaT DID HE JUST SAY
myseven: oh REALLY >:( y/n count ur days
sunoo’s gf: you sure about that? I can fight
xiiuu7: leave y/n to me, i can handle her for you
jake reads the comments through fluttering eyes, somehow finding it all very entertaining. “oh, i take her just fine, thanks.” he rolls onto his stomach, eyes closed, smiling like an idiot, and mutters into his pillow, “i’ve handled her in more ways you can—”
his door slams open.
not a second later, jungwon stands before him in his pyjamas and snatches his phone out of his hands, breathing heavily. it lands next to jake on his pillow with a thud. screen now black.
“hyung, have you gone mad?!” jungwon stares down at him in bewilderment, his own phone in his hand lightening up every microsecond. “are you actually insane? why would you say that into the microphone?”
jake blinks up at him. “what?”
another person joins them. “what’s going on?” sunoo’s socked feet pad over the floor as he pulls down his headphones, regarding the two of them carefully. “i heard doors slamming.”
wordlessly, jungwon passes him his unlocked phone. it’s opened to a twitter account transcribing and translating in real time what had just been said on their live, including jake’s slurred but still perfectly understandable words. in other words, stan twitter is going insane.
sunoo gasps, eyes widening with each tweet as he scrolls and scrolls and scrolls. he’s reading all kinds of things—engenes who are losing it and speaking of you, your group, and your fans as if there’ll be a sword fight at dawn.
your fans who are thoroughly disoriented and confused but ready to go for blood anyway because ‘what does he MEAN he can take her?? take her WHERE?????’
and people who don’t even listen to either group but are dying over the comedic timing of jake uttering those words, jungwon hurling himself out of his chair, his footsteps thumping in the hallway, the doors banging, and the live ending all under two minutes.
some people also seem to believe that jake is bald for some reason? sunoo shakes his head in disbelief. it’s like the internet has been bored for too long, and this has revived them.
an eternity must’ve passed now, and jungwon is still lecturing a very sleepy jake whose words and actions have finally caught up to him when sunoo suddenly yelps. he practically tosses the phone in the air, and both boys turn to their attention to him. with a gulp, sunoo flips the screen around and holds it at an arm’s length.
“yuki is calling.”
jungwon exchanges a look with jake before he grabs his phone. “hello?” he says, clearing his throat. sunoo leans in to try and listen. jake, on the other hand, stays frozen on his bed, not even daring to breathe.
a heavy sigh sounds on the other line. “jungwon?”
“…yes?”
“there’s a change of plans.”
#sim jaeyun#jake sim#jake sim x reader#sim jaeyun x reader#jake sim x y/n#sim jaeyun x y/n#sim jaeyun fluff#jake sim fluff#sim jaeyun imagines#jake sim imagines#jake sim fanfic#enhypen fics#enhypen imagines#enha imagines#enhypen#enha
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“Eohippus,” I say to the Doctor.
The Doctor is an ageless, genderless, timeless being: an unstoppable force. I have unlimited amounts of horsegirlness and am something of an immovable object. They look incredibly shifty.
“Eohippus,” I say again, menacingly.
“Merychippus?” They’re a man at the moment, and he tries this with a placating smile.
I know what he’s up to. He thinks there’s significantly more chance of human-related bullshit, and alien fuckery, and all the other bullshit he actually likes if we go see Merychippus, the first of the grazing horses. It’s basically just a horse, though. You can see those anywhere. And I know that the minute we step off the TARDIS it’s going to be a series of bullshit escalations leading up to the Doctor saving something in front of an adoring audience. I distinctly recall not fucking stuttering and I said I wanted Eohippus. I want the ancestral form. Strange, elusive, tiny; poised like a dancer on hard little many-toed paws.
You’ll never meet a unicorn in your life, but if you crack spacetime in just the right way, you could meet something better: the strange alien wild seed of something your species has chased for all of history. Before you were you and they were horses. Who’d want to waste spacetime on anything else?
“Do you only take people along with you just to convince yourself that you’re not selfish?” I ask, interested. “Or do you normally take children - no, not children, children would argue - but fuckable young people, I bet. Girls, mostly. In their twenties, I bet. Because they’ll just smile and agree and compromise.”
“That’s very rude,” the Doctor says, startled. “Like. Wow. Seriously?”
“Is it true? Eohippus.”
“Not true at all. Pliohippus.”
“Pliohippus comes just before Equus, you quack.”
“Why do you even care? They’re not like they’re real horses. Just a generic beetlin’-around, weird little spotty beastie paddin’ around like a long-legged boring badger. D’yiu want to see some real proper horses, alien ones? I know a race of them with blue shiny wing cases and six genders. Caste system based entirely on the production and rating of poetry - ”
“Oh, they’re spotted?” I cry happily. “Wait, you’ve seen them?”
“All they do is run about on the forest floor, eatin’… fruit.”
“Fruit?”
“I don’t know. Boring things. They don’t even neigh. Just trundle around like guinea pigs.”
“Doctor,” I say eventually, pondering this, “you like horses, don’t you.”
“Absolutely not,” the Doctor says. “I only humour you to keep the peace. And it isn’t bloody working.”
“You like horses. Let’s meet the first ones. Again. And do it properly. Look them in the eye and see the spark of the kinship - see if we can feel the deep emotional connection of the bond-”
“What bond is that?” The Doctor says, but - hahahaha. I’ve got him. The Doctor is such a horse girl.
“The deep emotional connection of the kinship between horses - well, horse-shaped things - and humans. Well. Human-shaped things. Is it still there? Did it start there? When you look in the eyes of Eohippus, will you feel it?”
“Feel what?”
“The thing you feel when you look at horses,” I say. “Excitement and adventure and potential and wonder, the desire to love and be loved by it, a thousand wishes, and the feeling of being there at the dawn of the world.”
“We could just go to the Big Bang -”
“I didn’t say the Big Bang. I said the dawn of the world. It’s different. Are they horses? Will you feel the same way with Eohippus? Is the feeling there?”
“Rubbish!” says the Doctor, looking hot and bothered, and setting the coordinates.
Of course it does escalate from there, with running and shouting and aliens (seeking to stripmine the earth’s resources before there were humans to defend it; quite a good plan honestly; genuinely can’t work out why they aren’t all trying that?) but I don’t care; I’m sitting on the forest floor with Eohippus in my arms, having decided that there’s nothing stopping me from doing so; at the dawn of the world.
“NOT the Big Bang,” I say again, as the Doctor squats down beside me. “The dawn of the world.”
And we are quiet for a while.
“Wow,” the Doctor says eventually.
“Yeah.”
“They really are all in there. All the horses that ever were and will be. In that little eye. It’s a kind eye,” he announces, as horse girls do when they mean to compliment a horse with few other notable positives. “And that’s where it all starts.”
“Yeah.”
“Bellerophon and Secretariat and Arthur - I had a horse called Arthur.”
“What happened to him?”
“Gave him back. Can’t keep a horse in the TARDIS.”
“Keep this one,” I say impulsively.
“You know we can’t.”
“… can we clone it?”
Something Doctor Who misses out on is how none of the companions are extremely interested with any one thing. All the companions are all ���idk, I have a few ideas of stuff that’d be cool to see, but I’m up for whatever! All of space and time, woohoo! :)”
And that’s great for them and I know it makes for a better show overall but I think it would be more realistic for someone to say “I want to see every historically significant moment for my special interest, and then I want to double back for mundane bits too.”
I, for example, would be an insufferable companion.
I’d be like, “okay now take me to the place and time where they first used stirrups for the whole ride instead of just using them as a foothold to mount the horse. Then I want to watch Ray Hunt put a first ride on a colt. After that we’ll take a nap, and then let’s sneak onto set of the Return of the King to be extras in the Ride of the Rohirrim”
The Doctor would be all “please. This is the twentieth horse-centric stop in a row. We have all of space available to us. Can we leave Earth this time I’m begging you”
And my annoying ass would go “not unless there’s horses in space” roll credits
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if you ever wanted to hear my every thought on fitzier you're in luck because here it is! this is extremely long so it's going under the cut and if you read it all, i love you
fitzier- shame, performance, and the freeing ordeal of being known
oh man okay here we go everyone, if this sucks or is too stupid or too anything feel free to kill me
essentially what i want to try to convey here is that the reason crozier and fitzjames go from enemies to friends to lovers is because they both see each other and see themselves in each other in a way that frightens and compels them, hence the early enmity with a tinge of familiarity and desperation to connect thrown in. with the inevitable evolution of their relationship i really think it becomes about learning to be vulnerable with one another, to give each other space to be who they need to be, both to each other and their subordinates, and finally coming to a point where fitzjames, the most performative insecure character in the story (to me), bares his entire soul to crozier, whose own character development allows him to give james the gift of acceptance and compassion in that moment. i’m not going to go episode by episode like i did with my joplittle post but this is more or less in chronological order with maybe a few exceptions idk i get possessed when i write this stuff
the first scene we’ve got to look at is of course the dinner scene. james is absolutely showboating like no other in this scene but in his body language you can see he isn’t confident at all- fidgeting, gesturing, exaggerating, the voice he tends to put on in early episodes prevalent. but when crozier interrupts him you can see for a split second that james was actually excited to get attention from him until he realizes what he’s saying. in the early episodes james craves crozier’s attention and approval so badly because he knows that crozier doesn’t bullshit and he sees things for what they are and isn’t afraid to voice that either and despite the fact that this sometimes makes james uncomfortable as it is not in line with victorian ideals of emotional expression and masculinity, i think james, given the kind of man he is at the start of the story, craves the recognition of a man who he knows would see everything in him. early early early foreshadowing and story weaving for the cairn scene where he realizes “he can tell this man anything. it is possible”
what i also find fascinating about early james and francis is that they still refer to one another in a very familiar way despite the fact that they openly dislike each other- it’s always first name basis even when they’re arguing. also interesting to note that crozier in the beginning will often call him “fitzjames” in front of others when he’s discussing him when he’s not in the room, but later on he makes sure to always use his proper title when he’s talking about him in front of the men- showing james respect even when he dislikes him. i think he doesn’t understand at the time that james’s familiarity with him is an attempt at respect as well (the whole ‘don’t ever call me francis again’ scene). it might be a stretch but i do get the sense that from the very beginning they both tried at being friendly, even just for the sake of maintaining order in command.
when francis says “here technology still bends the knee to luck james” in ep 1 he says it with almost a mentor-like cadence. like yeah they’re both being a little bitchy here but god knows franklin wasn’t giving fitzjames any real or pertinent advice about surviving and navigating the fucking arctic so i find it interesting that crozier almost gently reminds him that yeah they’re making decent progress but that it would be foolish to let their guard down
one of my favorite early fitzier scenes is after dinner when crozier, franklin, and fitzjames are all on deck and fitzjames like sidles up to crozier and looks him up and down and just goes “goodnight francis” with that smirk on his face- he was trying so hard to flirt with him while also being an insufferable bitch with “try to shake the brown study”. but also james lingers so long waiting for francis to say something to him and then shakes his head and walks away to go bitch to franklin about him- i think he is truly hurt in this instance along with being angry and annoyed. and i love that complication because on one hand, i do think that fitzjames thinks that crozier owes him friendship or at the very least recognition because of who james believes himself to be, or at least who he’s trying to be- like he DOES probably see crozier as being beneath him as an irishman but i do think he genuinely wants his friendship and approval as well, for self serving reasons but not entirely. it’s about fitzjames and his desire to be seen by everyone around him in a certain light but also about his desire to be seen specifically by crozier because of who crozier is and how he acts in contrast to everyone else around them
next on the agenda is “dramatic opening shot”... fitzjames girl you are the most dramatic man in the fucking room. the projection is crazy. what this scene reveals most importantly i think is that another thing about francis that james is secretly very envious of is his ability to openly disagree with franklin. there are so many moments later on where you can see that james doesn’t fully believe in what franklin is saying or commanding (the way he looks at him when they realize they are trapped in the pack, the ways he looks at him when he tells fitzjames to escort silna off of erebus right after her father has died) and i think that he envies francis’s ability to challenge franklin and not care what the consequences are. anyway the staredown during this scene is crazy, the tension??
moving on… beginning of ep 1 crozier says “not if fitzjames is with us” in reference to jop saying dinner will be over before he knows it, and at the beginning of ep 2 fitzjames says “do you think francis will honor us with his presence today”- for two people who allegedly hate each other they sure do think about each other and find reasons to bring each other up in conversation a lot!
ahh the scene with silna’s father- fitzjames is so interesting to me in this scene and really illustrates one of my favorite things about him in the earlier episodes which is that when he goes silent his face journeys are amazing and really convey his true feelings that he won’t say out loud for various reasons. he watches crozier so much in this scene and looks to him for understanding and guidance which is also interesting because i do think that in this scene he’s watching silna, a woman who he probably sees as subhuman and alien, reacting with such grief and tenderness to her father’s death and probably thinking of his relationship with his own father. i know a lot of people speculate that he was just feeling empathy for her there and i do think that’s part of it but i think that to show that in his mind would be to out himself as being “not fully english”. i think i make this point later on in the story too but fitzjames really does that classic white supremacist thing of distancing yourself from “otherness” in order to align yourself with imperialist beliefs and status- he does it with silna and he does it with crozier. sorry this is also turning into my fitzjames character study lol.
the scene where crozier walks out after his big blow up with franklin… i get that james really didn’t have any place to try to hide the fact that he was eavesdropping but i find it so interesting that he decides to turn to face francis and look him directly in the eye. from what we can see of his expression i personally think there was at least a small amount of sympathy there. another attempt to extend friendship and familiarity while actively participating in crozier’s humiliation… god i hate him lol. and the face that james is making when francis first walks out before he turns around is contemplative, not like smug or triumphant or anything like we might expect given how much he seems to dislike crozier at this point. and francis looking back at him… there’s no anger there, just sadness and humiliation and it sucks. i would truly do anything to be able to see james’s face there, in the script it says that crozier can tell how much james heard from the look on his face which like??? could mean so much.
okay the face journey when francis walks into the erebus wardroom after sir john dies… his eyes stay on fitzjames who’s obviously extremely distraught and i wonder if crozier has ever seen fitzjames show genuine emotion up until this point? crozier then looks to blanky, who also looks to fitzjames almost as if to say “look at him, attend to him” and the sorrow and vulnerability on francis’s face when he looks again to james who is of course also showing a vulnerability we haven’t seen from him before. i love the note in the script that fitzjames isn’t used to being this candid or vulnerable in front of a man he doesn’t respect but he does it anyway. and i don’t think he knows how much sympathy crozier does have for him despite how callous he may come across when he says to send out the rescue parties. they both just fail so spectacularly at communication and expression early on, it’s crazy to see
when francis begins reading from the eulogy and stumbles over his words fitzjames gives him a very sharp look… i think he clocks his alcoholism starting to really affect him right away but may also be looking to see if the stumble is due to emotion or the alcohol. ugh and the look he gives him at the end too… it’s so piercing and there’s an anger to it as well. almost a “please prove me wrong but i don’t believe at this point that you will”. because for better or worse now they are linked, intertwined, married and they have to find a way to make it work.
ohhhh the fitzier dinner scene my beloved… “as i climbed the ridge” is such a parallel to james’s chinese sniper story scene!! AND this time it’s fitzjames who derisively interrupts crozier. The parallels, the callbacks… the look he gives fitzjames is crazy when fitzjames says “you should curb that for now” but what i find the most interesting about this scene is that the script makes a point to say that fitzjames was being sincere when he said that to crozier- there is care and concern there underneath the frustration and anger. and then it’s also wild that in that moment, fitzjames clearly reminds crozier of sophia. the way the narrative almost shifts to replace crozier’s love interest (sophia) with his burgeoning relationship with fitzjames is soooooo. i just love this scene because they are both trying so hard to be vulnerable and open with one another but they are both failing so spectacularly just like in the scene after sir john dies. they don’t have the respect and rapport between them yet to back up what they desperately want from each other- a connection. a camaraderie. leadership and capability. fitzjames tries to be sincere in his concern for francis but it is overshadowed by his frustration and anger towards what he views to be a sour outlook from crozier, and crozier attempts to be vulnerable with james by sharing about sophia only to be met with the knowledge that franklin has humiliated him yet again by discussing that topic with other people aboard the ship. and i think fitzjames does truly pity francis in that moment but it also frustrates him that that is the reason he’s here, for love, not for a yearning for adventure or glory- which i would venture to say is why fitzjames is there. fitzjames went on the expedition to prove his worth and francis went for love and they both ended up finding exactly those things from one another i’m dead.
oh and also why the fuck does fitzjames arch his slutty back against the wall when francis walks out of the room like that one scene in hannibal y’all know what i’m talking about. okay and i forgot about the way fitzjames jabs his finger at francis all up in his personal space which is just so unlike him. it is also worth noting that francis doesn’t get angry at this- he actually stills for a second and then continues to tell james what he was going to tell him. again there’s that strange familiarity they have despite the fact that they hate each other at this point. and that’s to say nothing of how they’re sitting in the first place which is so close to each other idk it just seems a little crazy to me?
i also find it so so interesting how james chooses to be honest with francis once he accidentally reveals that franklin discussed the whole sophia thing with him- he could’ve deflected and said like “oh yeah he mentioned it in passing’ or something like that but he chose to tell francis the truth of the conversation! francis really brings out an honest and candid side to james that we don’t see him put on for anyone else and i think it’s because deep down he knows that no matter how shitty, francis is always going to respect being told the truth vs. all of the obfuscating language that is so typical of the time. i think this is also why in the next episode francis insists that everyone leaves after he punches fitzjames and fitzjames is very resigned to it as well- they both know that it’s going to be ugly but they both want to hash out the truth of the situation for better or worse- like yeah they are at each other’s throats and they want the catharsis of screaming at each other because they’re so mad at each other here but i also think they crave honesty and candidness in their interactions- james because he feels like a fake and francis because it’s his nature- but both because it’s what they want from each other. and back to the dinner scene- just another look of genuine hurt from fitzjames when crozier says “keep your pity” plus the whole reason crozier even says that- i don’t think he expects pity from anyone at this point and doesn’t know how to respond to it.
in the scene where fitzjames says they should question silna about the creature crozier makes a point to say he agrees with him- he does this a couple of different times throughout the show and i think it’s a very small but important detail about how even when they aren’t on the best terms he makes sure to show james respect in front of the officers. and like yeah they end up yelling at each other here but i think that’s more james’s grief showing (again he shows emotion in front of/because of francis) and francis’s stress showing as well- that “we’re all exhausted” is very aimed at james but also an attempt to explain his own state of mind. they’re trying!!!!
the lashing scene- i don’t think we’ve ever seen fitzjames actually afraid of crozier but he definitely is here. he’s clenching his hands so hard throughout the whole scene and he keeps glancing at crozier as he allows the lashing to go on and even nervously gulps at one point. i think this along with crozier’s worsening addiction is a huge catalyst for where we find them and their dynamic in ep 5.
and speaking of which- at the beginning of the episode you can really see how their communication has just completely broken down. edward is basically bridging the gap between them and the resentment is growing. i know that the alcoholism is part of it, we can only assume that fitzjames started to keep his distance once he could tell it was getting bad, but i also think a lot of this is fall out from the lashing and how it affected the way fitzjames felt about crozier as stated earlier. and another aspect of the widening gap between fitzjames and crozier is how erebus is the very picture of order while terror is literally and figuratively falling apart
the fact that fitzjames told collins to watch out for crozier running out of alcohol on terror is further evidence that fitzjames was around a bit to witness crozier’s alcoholism getting really bad and isolated himself after that. he’s angry but he knows it was coming
ugh man the fight scene- the fact that james came himself, alone, to terror to talk to francis as a friend (straight from his own mouth in the script of their argument) about the alcohol issue. even though james is furious and stressed and shouldering the whole expedition, he still attempts to care for francis, it just ends up blowing up in his face and that’s when he lashes out. the way he says “francis” at first before crozier freaks out on him is in such a sincere and gentle tone and just the fucking genuine hurt in his face and his tone of voice when francis tells him to never call him by his first name again. fitzjames cared when francis was at his fucking lowest but still held him responsible and that’s love baby.
the body language is crazy when they’re yelling at each other or i guess when fitzjames is reading francis lol- and the way crozier can’t take his eyes off fitzjames when he’s telling everyone to get out. he’s so ready for this fucking throw down because both of them have been holding this in for so long. crozier is amped up but fitzjames is resigned to finally getting it all out in the open. he wants it to happen and he knows it needs to. even after getting punched in the mouth by him (i don’t think it’s any accident that fitzjames literally bears a scar from that punch and that it comes back open when he’s dying of scurvy) fitzjames still calmly tells everyone yes get out and says what he needs to say. i love the transcript of their argument because it’s so brutal but it really illustrates a kind of fucked up intimacy that we aren’t 100% privy to between them. crozier knows exactly what to say to james to hurt him- telling him he doesn’t have friends, he has admirers and that james has always been mad that he isn’t one, that james is a coward despite the fact that james is facing this down no matter what it takes in order to literally save crozier’s life; and james knows that all he can do is soldier through and lay the truth of what is happening on francis in a way no one else has dared to except for silna minutes before. james really goes out of his comfort zone- being honest and sincere and vulnerable for the sake of the expedition but also for francis. and i’m reading this back and wondering if i’m being too generous to james here but tbh he had every right to be this angry at francis at this point in the story!
ha fitzjames walks into the “i need to dry out meeting” looking all submissive and contrite… but for real his face is so open and entreating in this scene. he’s still annoyed but he wants so badly for things to go right. and you can see in francis’s expression that he is so ashamed to have to ask him
mmm and part of fitzjames coming to love and respect crozier is seeing jopson’s devotion to him in this scene… he’s never seen crozier be admired the way franklin was and i think this is a whole new way for him to see him. and just in general here i think that james “reshuffles everything he thought about the man” and he admires crozier for the way he put his humility and vulnerability in front of him finally and admitted to his wrongs, something i also don’t think franklin would ever do and didn’t ever do, to his and the entire crew’s demise. fitzjames followed franklin and looked up to him in the pursuit of his own vanity and the narrative he tells himself to cover the shame, but he learns to respect and love francis because he watches his evolution as a captain and as a man without any of the obfuscating that he’s used to from authority figures. he watches francis claw his way out of his own shame, the shame that drives him forward and i wonder what kind of ideas that gave fitzjames and how it influenced his own decision to share everything about his past with francis later
what i love about the opening scene of ep 6 is that we see how fitzjames’s leadership has been influenced by franklin and francis but specifically how he is acting more like francis- he does do a little bit of the whole “how dare you bring up anything unpleasant” thing when he yells at jirv for mentioning the number of men and when he does the whole “oh it’s just winter, we’ll feel better with the first sunrise, encourage the men with that” thing but it’s interesting because although we’re hearing echoes of franklin here, fitzjames is still trying to be more honest and open to feedback than franklin was. he doesn’t exactly take jirv’s advice on rationing but he does ration a bit. he is doing the whole toxic positivity thing with his “use that to encourage the men” line but he is also recognizing how hard everything has been for everyone and using an actual tangible event to lift spirits rather than referring to meaningless bullshit about god and country. and the simple fact that he seeks blanky’s advice and knowledge is more than sir john would ever have done in a scenario like this. he understands from blanky’s story about ross that he himself hasn’t been doing enough to combat the horror of their situation for the men, he understands that he must do more. even the way he asks ‘what do you mean’ when blanky says ross had no sympathy for the ill. to not care for the ill is an alien concept to him. tt’s so interesting because fitzjames occupies a space not dissimilar to francis’s- he has access and power in the hierarchy of the discovery service but, within his own mind, he is still an outsider. crozier on the other hand is a visible and tangible outsider due to his birth and his nationality. everyone can see it and i think that’s also part of why fitzjames is so antagonistic towards francis in the beginning- the projection goes crazy and in the true spirit of colonialism and white supremacy, james believes that if he can make himself as far apart from someone like francis as possible and align himself with men like franklin and barrow despite sharing way more similarities with francis than he does with them, he can succeed in upholding himself as the vision of victorian masculinity and social worthiness that he so desperately tries to emulate- this is what i was thinking about during the scene with silna’s father where he’s reluctant to fully show his (partial) sympathy to her
the line from the script that kills me is when it says a clock has begun for fitzjames once he discovers the blood in his hair… god it kills me, he knew he was dying for months. for literal months and who knows if he even told anyone but… i do think he had to have told francis at some point. it makes me so sick, it’s literally why the cairn walk scene happens- he knew he was dying, he knew it and one of the last things he wanted before he died was for someone to see him, truly see him flaws and mistakes and vanity and all before he died. and he wanted that person to be francis
gotta include the scene where james tells edward that francis was right about walking out- this is a huge turning point from ep 1
it’s so funny that when crozier and fitzjames see each other at carnival you can tell james is like “oh shit i’m in trouble” but crozier is just slightly amused seeing him like that and even though he finds the carnival strange and sees how reckless it was, he doesn’t chide james or the men about it even though that’s cleary what james is expecting. crozier empathizes with their longing for home and their need to do something happy and uses that momentum to tell the men about walking out and doing his best to reassure them about their chances. the way fitzjames looks up at him and nods along with him- i don’t think we’ve seen fitzjames look at him like that yet up until this point. he is seeing francis for who he can be as a competent captain and we are seeing crozier really step into that role. i also think that francis was relieved that fitzjames saw the urgency in walking out and that he wasn’t going to have to convince him the way he would’ve had to convince franklin. their leadership is finally syncing up here, built on humility (francis admitting he had an addiction and choosing to do something about it, fitzjames admitting how wrong he was about francis and his use of caution and logic) and respect (i do think crozier respected fitzjames for trying to build morale to the best of his ability and i think fitzjames respected francis finally behaving like the captain he needed him to be)
during the fire there’s a small moment where james is frozen- no doubt from ptsd which he deserves- and francis sends him ahead to look for an exit, telling him to go. he fucking loves him!!!!
poor fitzjames.. like yes the ghosts of his colonial past and all that of course which i will never not fully support him being subjected to but damn. and i don’t think he shrugs francis off because it’s francis or because he’s angry with them, he is punishing himself and francis sees that and lets him do what will help ease his own guilt and pain. tt is a moment of understanding between them i believe- fitzjames showing vulnerability in front of a man he now respects while adding another failure to his own personal checklist he keeps against himself (i can only imagine he does anyway). francis’s attempt to show him care and understanding while not undercutting his usefulness is also such an inspired choice for what he knows of fitzjames. you can really see the care starting to sprout between them here. i can only imagine what the rest of the winter was like but i feel like by episode 7, their dynamic has just completely changed, their entire vibe is different. and their love couldn’t have happened until they left the ships so it came at the worst and best time.
and by ep 7 their dynamic has just so completely shifted. even the fact that they are supervising the packing for the walk together and this may be real delusional hours but sending edward ahead to make the first camp instead of one of them going is a little interesting to me. i believe he’s technically the next in line for leadership after fitzjames but like did francis and james want to spend time together? with crozier finally dried out and knowing james’s time is almost up? them finally in a comfortable and friendly place? i love their conversation during the packing scene because fitzjames is voicing a concern to francis who calmly explains his reasoning and when fitzjames continues to press his own doubts they remain civil, familiar, acknowledge one another’s thought processes etc. a scene like this could NEVER have happened in episode 1 or 2. i looooong to know what they were like together during the winter after carnival
you all know i am INSANE about the fitzier hand holding scene, no one can match my freak on this. tt makes my stomach flutter every time i see it. it is my pride and prejudice hand clenching scene. first i want to acknowledge the quote from the script- “at one point, the only thing keeping fitzjames from sliding back into oblivion is crozier’s hand, but half the importance about the act is that fitzjames reached for it.” this KILLS me more than anything else from the script. and honestly at this point in the story i am becoming convinced that james told crozier about the scurvy, they knew the whole fucking time, they knew. they are literally marching to their deaths, against all odds still going, still trying and they are falling in love. the way james gazes up at francis in awe when he sees the offered hand and doesn’t stop looking at francis when he is up on the ridge. crozier doesn’t even turn to look at james, but he does make sure to stop and wait for him and extend the hand that he knows that james needs. Based on honestly even just this alone i am convinced that crozier knew about the scurvy already. there’s no fucking way he didn’t. and then the way james grabs francis’s jacket and holds on while they stare at each other, crozier smiling- it’s so interesting to me because it very much tells of finding an excuse to touch crozier again, as if he was so in awe of the touch that crozier initiated a few minutes before that he needed it again. he was trying to find a way to touch him again in that “this has to be acceptable by victorian standards of emotional and loving expression” way. and crozier accepts it! he smiles, he meets his gaze. there’s triumph there. and don’t think i didn’t fucking notice that the hand that francis keeps is the hand that held fitzjames’s hand and that also held his face when he was dying.
in the scene with morfin, as soon as crozier notices that james is there he makes sure to maneuver over to james so he can place himself between james and the gun despite the fact that he is unarmed and james has his pistol with him. i don’t necessarily doubt that francis would do this earlier in the story but i can say that he does this here as a selfless act of love and protection
and then the jop promotion scene yay the way james looks at francis with admiration and curiosity when he hands him the promotion letter to sign and the way james smiles at him when he reads it but not just because of that- but because of the words francis uses and the way francis is looking at him, saying someone “has earned our respect (looks to james), trust” and fitzjames smiles and nods- it’s not just about agreeing with him about jopson. this is how fitzjames feels about crozier now and the fact that crozier even in this small subtle way acknowledges that he DID need to prove himself to james after his behavior during the winter. their dynamic is just so much different now! at the end when everyone is shaking jopson’s hand, fitzjames gives crozier like… the most insane loving soft look… he looks so so happy. i don’t think we’ve ever seen him look like that before.
and now we are at the cairn walk. i again have to say how during this rewatch i become convinced of the knowledge that crozier has to know that fitzjames is dying. there’s just no way he doesn’t. the conversation they have about it does not convey that james is telling him this for the first time. tt more so implies that they both know but don’t speak of it often and james is updating francis with the vital information, the stages he’s at. what made fitzier happen was them leaving the boats, james dying, crozier getting sober, them both laying it all out on the table in different moments of vulnerability- crozier with his addiction, james with his heritage. the way those scenes parallel each other is actually crazy. james is fucking dying, they are all marching to their deaths and the knowledge that they are doing so is slowly sinking in, and all james wanted before he died was for crozier to see him, all of him. even the parts he was afraid to tell anyone, even himself. and francis isn’t even granting him a mercy, he isn’t sparing his feelings. he truly and genuinely accepts james for who he is, how he came to be a part of the expedition. they have both known from the start that beginnings and heritage don’t matter, it’s the actions that people take that makes them who they are. in different ways they both knew that and i think it’s part of what aligned them eventually. and from the script- james realizes he can say anything to this man. it is possible. crozier gives him the space to do it. and just the way they’re laughing and joking and being light with each other- another thing we never would’ve seen in the earlier episodes. okay focusing on some details now- when crozier says “that’s not how i see you” james literally stumbles as if he can’t believe crozier would say that to him. in the beginning of the scene francis gives james space and privacy when he sees him getting emotional about graham and franklin’s deaths and struggling to remember the date of sir john’s death. they communicate with a single glance there, james asking for a moment and crozier giving it to him. the grief on francis’s face when james tells him his latest symptoms. when crozier initially tries to comfort and encourage james… and james can’t accept it because he hasn’t told him everything yet. he doesn’t know if he can. i don’t want to get personal but that feeling that if you only tell part of your hidden sorrow to someone and they comfort and accept you and show you kindness, that feeling you then get that no no no you don’t know the whole of it and if you did you wouldn’t be showing me this kindness, you wouldn’t love me, you wouldn’t respect me. you wouldn’t see me. i genuinely can’t imagine the relief that fitzjames felt when he told francis it all, he told him everything and all francis gave back was love. also we can finally start to really see the bruise that francis gave fitzjames in ep 5. i love when fitzjames literally and metaphorically closes the gap between them. and francis waits for him until he is by his side again. “are we brothers francis” the tears, the attempt to laugh/smile them away until he sees that crozier is with him in this moment and taking it as seriously as it deserves to be. again the joining of the hands, the one that crozier keeps. they look at each other’s mouths, into each other’s eyes, the way francis dips his head to look at fitzjames when fitzjames ducks his emotionally. it’s insanity
when they get back to camp and listen to hodgson’s story and then go to see jirv’s body, they exchange a lot of glances, specifically around the times that hodgson mentions hickey- they are of one mind on him and on how the situation actually played out. james also watches francis a lot in the scene where they go to see jirv’s body. he looks to him for leadership now and doesn’t become irritated by his anger or his candor. this really persists for the rest of the episode - in the scene where crozier is yelling at edward about supplementing the marines all james has to say is “francis” and then basically talks him down from yelling at edward more, another scene i don’t think could have ever happened between them earlier in the story but james knows how to quell francis now. and this is such an interesting parallel to ep 5 when everyone was taking their shit out on edward; this time fitzjames protects him. but anyway- james and francis are just so in sync in every scene in this episode- they back each other up, communicate through glances, emphasize each other’s words and authority. yay<3
all right you’re all going to have to bear with me on ep 9 because it makes me crazy.
we gotta start with the fucking grief and pain in both of their expressions when they’re taking care of pocock and how this scene itself foreshadows the assisted suicide later
the look of absolute love and faith from fitzjames when crozier is telling them they will keep marching south and the “more than god loves them” scene- this is francis at his most captainly- and james is echoing his hollow vanity stricken words about franklin but really really meaning them about crozier- he says them to no one but himself, there is no performance here and crozier’s words aren’t a false display of empathy and care like franklin’s were for david young and fitzjames sees this.
fitzjame and crozier are hauling in front side by side- it makes a point to mention that in the script too.
when fitzjames falls… ugh. he hauled until he couldn’t anymore, direct call back to when blanky said ross sat atop the sledges- oh and when francis and fitzjames were caring for pocock together vs ross having no sympathy for illness. when james falls he reaches for crozier without even looking at him at first and you can hear crozier saying “it’s all right, it’s all right” when james is saying he can’t stand the heat. dundy and bridgens are lifting fitzjames up too but when he stumbles, when he reveals his wound, when he stumbles again, he is only looking at crozier the whole time. and the look on crozier’s face is one i don’t think we’ve seen from him yet. i noticed too that he’s holding onto fitzjames with his left arm and rubbing his back with the other before he takes the rope off of him.
i want to say about the following scene where james is laid up in the boat that i made a joke once to my friend about when crozier reaches into the boat and how it looks like they’re holding hands- but they actually are, it’s in the script. there’s just something about crozier’s face when he talks to fitzjames in later episodes, there’s such a softening of the edges to him, his expression is less guarded and more attentive and earnest. and the call back to their first scene together with the chinese sniper story…. the fucking fondness in both of their eyes as they laugh together, which was probably james’s last time laughing. when crozier says “there’s time” but that’s the tragedy of this show- there’s never enough time. everything happens too late.
james screaming in pain and crozier running to him and barely letting bridgens finish his sentence before he tells them to camp here also in the script during the officer’s meeting right after, they can hear fitzjames screaming in his tent :( i’m honestly kinda glad they left that out.
and here we are at THE fitzier scene. i could talk for hours about this scene. francis is holding james’s hand, rubbing his shoulder. james looks so young and frail and scared here and he uses some of his last words to tell francis he wanted him to live because he knew he wouldn’t be around to tell him that anymore soon. francis shaking his head when he says it as if to say “not without you”. in the script, when bridgens leaves it says ‘he looks at crozier. he looks at fitzjames. he understands”... and later during james’s funeral when crozier says that he had a service with james, just the two of them, peglar and bridgens exchange a very interesting, knowing look. to choose those two to react that way? idk man. fitzier real. but back to the scene- god okay crozier taps james’s chest twice in question and then just barely audible fitzjames says “please”. ugh the sad smile crozier gives fitzjames before he gives him the drug… then he places his hand, the one that crozier doesn’t lose, so gently and lovingly on james’s face, and even in his current state james looks almost taken aback at the gesture. when crozier tips the drug into his mouth his expression softens. i will never ever in my life forget the way james looks at crozier in that moment, the look of gratitude, love, farewell, of pain, longing, childlike fear. (nobody is doing it like tobias). crozier ever so lightly brushing james’s lips with both of his thumbs before he begins to massage it down and carefully wiping the excess away. they never stop looking at each other. dave k said that the service that crozier mentions happened before fitzjames dies and after crozier gives him the drug.
the last thing i want to say about the james death scene is that i was never that invested in the concept of cannibalism as a metaphor for love but fitzjames asking crozier to eat his body and live really really stuck in my brain- just their entire insane journey that i’ve been sitting here thinking about for months- acquaintances to enemies to allies to friends to lovers for it all to culminate in this final scene of fitzjames begging crozier to eat from his body and begging him to give him the final kiss of death all as crozier never once looks away or lets go of him. fitzjames loved him so much he was willing for crozier to desecrate his corpse if it meant francis would live, even without him next to him but crozier loved him so much that he couldn’t do it, he couldn’t add that act to his already impossibly devoted actions.
and the action of hiding james’s body because crozier doesn’t want tuunbaq to destroy it but then it turns out that someone at the very funeral ends up leading the mutineers to tear fitzjames’s body apart themselves. just like jirv not getting to keep the final gift of the seal meat even in death, crozier couldn’t do james this one last mercy even though he tried desperately to.
and this last part is a bit of a stretch but okay-along with the shirt and the gloves of fitzjames’s that crozier is wearing after his death i think he might be wearing his little neck thing too, so sorry y’all i do not know what it’s called and i’m locked in trying to finish this and i’m not googling it lol. but we see fitzjames wear it a lot throughout the show and francis does sometimes but it’s very much a fitzjames piece so i think it might be his too. and with the funeral scene and the blanky scene, we see the mismatched gloves clearly for the first time but i’m pretty sure the first glimpse is earlier in the episode when they’re hauling before fitzjames collapses. dave k still confirmed they had switched gloves but it really seems that this happened before james died, likely when they left terror camp. i still contend that crozier and fitzjames both knew james was dying and this may have been why they did it.
and on to the last episode and closing thoughts- in the last ep i was really keeping track of the gloves- he loses them at some point and i wanted to see when and it’s between the scene where he talks to hickey and when he’s chained back up in the tent with diggle. i hope he somehow hung on to them.
i will never forget how my stomach dropped out when i saw hickey wearing fitzjames’s boots on my first watch- the fucking sorrow in crozier’s face. he doesn’t understand the meaning just yet but when goodsir is cleaning his wounds and tells him they ate gibson, you can see crozier put it together that that’s why hickey has fitzjames’s boots. his expression turns from shock and grief to rage.
hickey really clocked crozier with the shame comment and you can see how it triggers crozier. this is a great confirmation because it really pervades the story and fitzjames’s story as well. they are both driven by shame, by a need to prove themselves but go about it in completely different ways. fitzjames is all bravado, flowery empty words and boasting to cover his origins, his feelings of inadequacy. he aligns himself with the empire and with those in power and distances himself from anyone he knows will be deemed lesser than in the hierarchy in which he exists and specifically pits himself against someone like crozier in order to bolster his own social standing. crozier on the other hand is hardened to his station, he has no way to hide his nationality or his origins no matter how capable he is and how long he’s been going to sea. crozier feels the shame of things like sophia’s rejection and not having straights that they sail named after him but hides it with his bluntness and his lack of decorum when pointing out the truth of a situation. james has everything crozier wishes he did, but crozier is something that james wishes he could be- just himself, despite his societal ineptitudes and barriers. i believe that this basis and the way it melds and breaks down and comes to a way of understanding between them is why fitzier is so strong, and so real and so visceral, especially at the end. honestly there is so much more i could say but i think i’m going to leave it there and just saw that i hope crozier thinks of james from time to time in his new life. i find it hard to believe he doesn’t.
#the terror#fitzier#james fitzjames#francis crozier#this kind of turned into a bit of a character study on fitzjames as well but hopefully you all just see that as a bonus
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how would eras of leon respond to jealousy/yearning with sex?
Hi Anon!
Thanks for the request...I had a lot of fun thinking about this one 👀
Ok ok I'm cracking down on requests! I promise I needed a day to recover from work 💗
Warnings: NSFW, Yearning, Jealousy, Sexual Tension, MNDI
GN!Reader
RE2:
Just for something different, I'm doing a no Apocalypse AU for this one
You sit opposite him, your desks are connected. You were always so kind to him compared to the other officers
Both of you always get along well when you are paired for patrol etc
But he's not the only one that has eyes on you, every other officer seems to as well
He hates feeling jealous that the other officers are talking to you, touching you as they past and you are entertaining them?
There's a staff party and everyone is buying you drinks and chatting, he barely has a chance to speak to you. After all you are his only friend
What he didn't know is you are frustrated from all the attention and you are just trying to get to Leon
When you finally reach him, he's in a mood and it doesn't take long for you to realize hes jealous.
Maybes it's the drinks in your system or the small crush you have on him bubbling in your chest. But you kiss him
He's shocked at first, but recovers fast. His lips are desperate
Spots all the officers back off when he kisses you, so then his touch becomes possessive claiming you as his.
He'll make sure he's the only one you think about when you both leave and he takes you home. 👀
RE4R:
He's touched starved so anyone even approaches you with the intention of sex he's immediately jealous
He's confident enough that you won't go for someone else, even if you aren't exclusive but he'll be pissed off for a while
His jealous would come out in the form of silence,
like he's giving you the silence treatment until you figure out what's wrong and fix it
I think he would probably insert himself into the situation but more of him being a presence there than actually joining in...again silent treatment.
If you don't give him attention he's very heavy with eye contact, constantly trying to get you in his eyeline so he can watch you
Infinite darkness:
The most verbal about being jealous,
like he will pull you away and probably whisper to you how you are making him jealous
Longer touches as well, on your hip or lower back..he's making sure you notice it's there
I think he'll just constantly remind you of his presence until you eventually cave
To make him jealous it would be entertaining other people in an awkward conversation, like if someones asking you to dinner or whatever and your reply is "I'll have a look at my schedule" or "let me get back to you"
You probably aren't going to do either of those things but Leon doesn't like it, he'll make sure your schedule is full of him
Damnation:
I like the idea that he doesn't care enough to get jealous, like if you don't want him he will accept defeat and it will add to the list of other things wrong with his life
But he won't hide the fact he wants you
I imagine it's a situation where he's rough with everyone but you
The rest of his department constantly digs at him for this, it makes you blush when you finally notice it
Heavy eye contact on you, like constantly watching what you are doing around the office etc
It's when you are on a mission together that you finally cave and give him what he wants, and you definitely don't regret it
RE6:
I think he would be in the same boat as damnation where he doesn't really get jealous but he does show that he wants you
With his intense scenes with Ada as well he would make it even more prominent that he wants you
Whenever it's to show Ada that he's moved on or it's to show you that he still wants you
That's up to you
But he's going to make it known that there's nothing to worry about, he's smart enough to understand how him caring for Ada might seem he's still hung up on her
Vendetta:
I like the idea of you being a bartender at the bar he constantly visits
He enjoys your attention and sympathy, often having long chats about anything but his work
As soon as someone needs you though or you turn to serve another customer he's instantly jealous
You want him too, it's obvious. But not drunk and in the state of mind he's in
You understand that he would be good with that commitment and probably a loving partner but he needs to heal first
You put up with his drunken exclamations how he loves you and wants you, his constant staring and snarling at other customers
It's cute that he wants you that badly but until he sobers up and shows some signs of self improvement you won't do it
It does increase the heat from him, but he'll be thankful when he does eventually get sober
Death Island:
Super super jealous
Like you are an angel in his eyes why are you hanging out with someone else?
Why are you talking to one of his co workers? You don't need to entertain that asshole you are his
You aren't actually though, not yet
Both of you tip toeing on this line of friends and lovers
A game of seeing who caves first
He does, pressing you into a kiss that you can't forget. It was rushed after he had a close call with the virus.
Yet it leaves you logging for more, he's just waiting until you finally admit it to him
#~mads rambles#leon kennedy#resident evil x reader#leon kennedy x reader#leon s kennedy x reader#leon scott kennedy#resident evil#resident evil fanfiction#leon kennedy x you#leon kennedy imagine#~eras leon kennedy#~mads~mail💌
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Wagers and Wishes
Pairing: Fred Weasley x Gryffindor?GN!Reader (No use of Y/n) (They're in the Gryffindor common room but there's nothing that actually claims that the reader is a Gryffindor.)
Word Count: 900
Prompt: 6: “You owe me a kiss.”
Summary: In the Gryffindor common room, Fred teases you into fulfilling a bet by demanding a kiss after you miss a shot in Wizard's Chess. Despite your initial disdain, the kiss is unexpectedly enjoyable, leaving both of you caught in a moment where you make a genuine connection.
The Gryffindor common room was its usual lively self, filled with the crackling warmth of the fire and the buzz of students chatting, laughing, and occasionally yelling over a heated game of Wizard’s Chess. You, however, were not part of the cheerful crowd.
You were sitting on the couch, arms crossed, glaring at Fred Weasley, who was lounging across from you like he hadn’t just ruined your entire evening. His long legs stretched out, his head tilted back in mock relaxation, and a devilish grin plastered across his face.
“I cannot believe you,” you said, your voice cutting through the noise around you.
Fred opened one eye lazily, pretending to be confused. “What’d I do this time, love?”
“What’d I do?” you repeated, incredulous. “You know exactly what you did, Fred! You tricked me into that bet!”
He straightened slightly, sitting up just enough to toss you one of his signature grins. “Now, now. Tricked is a strong word. I’d say I gave you a fair challenge, and you were the one who said, If I miss, I’ll do whatever you say.”
You groaned, burying your face in your hands for a moment. “I didn’t think I’d actually miss!”
“Well, you did,” Fred said, shrugging with mock sympathy. “And lucky for me, I already knew what I wanted.”
You glared at him, your cheeks flushing. “Of all the things you could’ve asked for, you chose this?”
“Obviously,” he said with a wink. “Why would I waste an opportunity like this? I’ve been waiting for ages to catch your attention.”
“Oh, so interrupting my evening to make a ridiculous demand was your best plan?” you shot back, your voice dripping with sarcasm.
Fred leaned forward, resting his elbows on his knees as he fixed you with a mischievous gaze. “Ridiculous demand? Love, I didn’t ask for the moon. I just asked for a kiss.”
Your heart skipped a beat, but you quickly masked it with a glare. “A kiss,” you said, your voice low and deadly, “is not exactly a small request, Weasley.”
“Sure it is!” he said brightly. “It’s just one little kiss. Won’t take more than a second. Two, tops. Unless you want to go for three—”
“Fred!” you hissed, your cheeks burning as a few nearby Gryffindors glanced your way, clearly trying to eavesdrop.
He laughed, leaning back again and throwing his arms over the back of his chair. “You’re cute when you’re angry, you know that?”
You grabbed a cushion from the couch and lobbed it at him. He dodged easily, his grin widening. “That’s no way to treat the man you owe a kiss to,” he teased.
“You’re impossible,” you muttered, crossing your arms again.
Fred stood up then, his tall frame towering over you as he walked around the table separating you. “Maybe,” he said, standing just in front of you. “But you’re not denying it.”
“Denying what?” you shot back, craning your neck to glare up at him.
“That you owe me a kiss,” he said, leaning down slightly, his face entirely too close for comfort—or maybe too close for your own sanity.
You opened your mouth to retort, but no words came out. Instead, you found yourself standing abruptly, determined to put an end to this nonsense before Fred’s smug grin drove you completely mad.
“Fine,” you said sharply, making him blink in surprise.
“Fine?” he repeated, his brows shooting up.
“Fine,” you said again, stepping closer to him and poking a finger into his chest. “Let’s just get it over with so you can stop being so unbearably smug.”
Fred’s expression shifted, his surprise melting into something softer, something that made your heart skip a beat. “You’re serious?” he asked, his voice quieter now.
“Five seconds,” you warned, folding your arms. “You’ve got five seconds before I change my mind.”
Fred grinned, his usual cocky confidence tempered by a flicker of nervousness. “Alright, alright. But don’t say I didn’t warn you—I’m a fantastic kisser.”
You rolled your eyes, but you didn’t move as Fred stepped closer. The common room seemed to fade away, the warmth of the fire and the hum of voices replaced by the thundering of your heartbeat.
Fred paused just inches from you, his brown eyes searching yours. “You sure about this?” he asked, his voice barely above a whisper.
You nodded, your cheeks burning but your resolve firm.
And then his lips were on yours, soft and warm and entirely too perfect. It wasn’t rushed or dramatic; it was gentle, almost hesitant, as though he was savoring the moment. His hand brushed against your waist, steadying you, and you felt yourself melt into him despite your earlier protests.
When he pulled back, his grin returned, though it was softer now, more genuine. “You know,” he said, his voice teasing but warm, “I think you enjoyed that more than you’re letting on.”
You raised an eyebrow, trying to ignore the way your cheeks flushed. “Don’t push your luck, Weasley.”
Fred chuckled, stepping back and running a hand through his messy hair. “Oh, I’ve already won the jackpot tonight. But I’ll try to behave. For now.”
You shook your head, unable to keep the smile from tugging at your lips. As you turned to sit back down, you called over your shoulder, “By the way, you still owe me for that missed target practice. You’re carrying my books to class tomorrow.”
Fred’s laughter followed you, rich and genuine. “Anything for you, love.”
And as you sank back into the couch, your heart still racing, you couldn’t help but think that Fred Weasley might just be the most infuriating—and wonderful—person you’d ever met.
#fred weasley imagine#fred weasley x reader#fred weasley#fred weasely x y/n#fred wealsey fic#fred weasley reader insert#fred weasley x you#fred weasley x y/n#hogwarts school of witchcraft and wizardry#hogwarts imagine#hogwarts reader insert#reader insert#fluff#magical-reid#self insert#requested#fred weasley self insert#gn reader#gender neutral reader#fred weasley x gn reader
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"Broken", Not Stupid - 12
Pairing: alpha!Simon "Ghost" Riley x unusual omega!OC (13)
CW: Omegaverse; cult-like situation; dehumanization; selling children to a cult
Author's Note: @jeanzoriley-cod ready? owo <3
"Think maybe we should see about introducing her to Jeanz?"
13 is bolting from clothing rack to clothing rack in the next shop, gathering things to try on. Meanwhile, Simon and Johnny are keeping a close and protective eye while giving her space to do her shopping.
Simon's question, however, pulls Johnny's attention from 13.
"I think it'd be good for her to have other, female friends," Johnny nods, but the look in his eye says he's far more excited about the idea than he's letting on.
"You also just want to see Jeanz again," Simon teases him.
"Who's Jeanz?" 13 asks, having popped up between the two alphas with her arms full of clothing options. "Can you help me get these to the fitting rooms? I haven't gotten new clothes in a while so I wanna try things on before I decide on them."
Simon and Johnny each take an arm-full of the clothes 13 is carrying and follow her to the fitting rooms.
"Jeanz is a co-worker-"
"And friend," Johnny adds. "She helps out our team once in a while."
"And Johnny's sweet on her," Simon chuckles. "She's an omega, though, and I figured you may need friends. Espeically friends that aren't just alphas."
"I am not!" Johnny denies Simon's claim imeediately, his accent getting thicker in his denial.
13 stops outside a fitting room and looks up at Johnny.
"You're blushing," she points out, making the redness in Johnny's cheeks darken.
The Scotsman chooses not to respond this time, instead he gives the clothes back to 13. She grins as she accepts the clothes then disappears into the fitting room with the first load of clothing. By time she's finished trying on all of the clothes she picked out, she's managed to wittle the piles down to enough outfits for a full week that can be mixed and matched as needed.
"So Jeanz?" 13 prods Simon as Johnny leads them to the next shop.
"She's... a lot like you, actually. Even as an omega, she doesn't bend easily. You give her hell, she'll give it back easily. I think you two would get along great, based on what I know of you both. There's a lot of male alphas in my circle and, since you're going to be around, I'll need to expand that circle a bit."
13 scowls a bit but it's quickly replaced with a smile.
"I appreciate it. I haven't had... long term friendships in a while so it'll be nice to try to make those connections again."
"I also need to talk to you about," Simon takes a deep breath, "therpay. Your views on it and so on. I think going would benefit you greatly, but I won't force you into it."
"I've honeslty never been," 13 shrugs. "It... scares be a bit, the idea of going, but I'm willing to try. Seems I'll have a decent support system, though."
The way she looks up at Simon this time nearly makes him come to a full stop. His heart might have done so, though. A warm feeling fills Simon's chest, almost making it ache, but he brushes off the feeling and continues following Johnny with 13.
Simon glances down to 13's feet. She's wearing the slippers from Salvation still.
The woman needs shoes. She needs them badly.
"Johnny," Simon calls to him, "this one next," he announces as he nods towards the shoe store across the street. Then he looks down to 13, offering her an arm. "Stay cloe, yeah? Don't need you getting hit trying to cross the street."
13 shifts what few shopping bags the guys allowed her to carry to one arm and loops her now-free arm through Simon's.
"I'd prefer life, yeah," she chuckles.
Masterlist | CoD Masterlist | Part One
Tag List: @lucienofthelakes @lostintransist @demothers-empty-blog @scaredyspooks @tessakate @one-really-annoying-tree-rat @nerdyphantomtheorist @gazsluckyhat @peanutismynickname @jeanzoriley-cod
#backseat soldier#rhi_writing_adventures#BNS#call of duty#cod#original character#simon ghost riley#ghost cod#ghost x oc#simon riley x oc#simon ghost riley x oc#cod omegaverse#omegaverse#don't drink the kool aid#it was actually flavoraide but that's not the point
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I really like analyzing Varigo, one thing I've noticed recently is how different their approach to romance (and human connections in general) really is, but also how they're pretty much the perfect foils in this regard.
Varian grew up sheltered away in their mansion. He didn't have much clue about socializing, so when Rapunzel came to him, he gives all of them proper respect (calling Rapunzel "Princess", Eugene "Flynn Rider", as in the full name). You could assume it's because of his dad; later when the two confronted each other, Varian called him "Sir". Probably because Quiring taught him to be respectful of others, and they both clearly take this social rule rather seriously.
So then Cassandra comes in and saves Varian, for apparently no selfish reasons. She likely just didn't want to have a child get crushed when she could've prevented it, but to Varian, this changes his view on people. Cassandra isn't just a distant figure to respect; instead, someone he could have a connection with. And this is where one of Varian's most essential traits come to light: when comfortable, he treats situations like an experiment. He immediately starts calling her by a nickname, "Cassie", to see how she would react. At the day of the expo, he keeps trying out different tactics, trying to essentially just get close to Cassandra. One could Interpret this romantically, but I personally like to think he just really wanted a friend. A lonely kid, seeing someone cool show any kind of affection for him immediately made him go "there could be something here! I need to find out!", and so he does. In his own, nerdy way.
Hugo, on the other hand. He, unlike Varian, grew up having to socialize all the time. Having to talk his way out of situations constantly, he learned to put up walls so that the most desirable results come out, benefiting him and his missions. When he weasels his way into the Team, he also calls them nicknames. In his case, it stems from a need to distance himself from people, so that he doesn't get attached. One slight exception though is Varian, as Hugo seemingly not only uses nicknames on him to keep up built-up walls, but to get a reaction out of him. This is very similar to how Varian approached Cassandra when he was younger. He's interested in Varian from early on, and he handles this in his good old Hugo fashion, because he finds Varian entertaining. Varian at first doesn't trust Hugo, but when he proves himself trustworthy, he gives in. He's willing to reach out, making Hugo more than a means to an end. Eventually, the two become friends! Then more than friends!
And then, their approaches change.
I'd like to think that it was Hugo, who fell first. Or at the very least, he's the first to realize it, and he HATES THIS. His flight or flight is activated, and he really wants to flee. He's the type to ignore his feelings, try to bury them. That's all he knows how to do, really. Especially because for what could be the first time in his life, he's actually falling for someone who is his friend. Someone who means a lot to him! He wouldn't want to ruin things, especially because he knows that betraying Variant will break the guy's heart, once he finds out. Therefore, the less pain, the better.
Varian is the exact opposite of this. It takes him a long time to figure out what he feels, and that it could be romantic (he didn't exactly have the history with romance before. The "puppy crush" on Cassandra could have easily been more of an obsession with the possibility of someone showing affection towards him). But once he realizes that there's a chance that the two could be a thing? He doesn't have to think hard about what his next step should be: he likes Hugo, and he's a scientist. Trial and error is practically in his blood at this point, so if there's even a small possibility of them getting together? That Hugo likes him back? Varian will do anything to find out how probable his theory is. And so, once again, he treats the situation like an experiment. Wasting no time, he tries to confess or bring up the idea as quickly as possible. And Hugo FREAKS OUT. He's not ready!
Varian's other big trait is his stubbornness. He's not satisfied with an uncertain answer. He wants to know Hugo's view on them, as clearly as possible. So he keeps poking around, trying to find an approach that brings out different reactions, different answers as to why Hugo would be scared of them being together. Again. Really similar to how he treated Cassandra at the expo back then. This is the only way he knows how, though. And he needs clear answers.
He gets one at the last trial. Boom. Heartbreak. This isn't about angst though, so I'll end it here.
I find them so interesting. How their upbringing influenced their view and approach to people, to friendship, to romance. To each other. They are both scientists, but one is more afraid of the results than the other.
So it all boils down to the importance of clear communication: another big theme in Vat7k, what with Ulla and Donella setting an example as what not to do.
I could ramble about these characters for ages, but yeah. This is my view on them, I loooove reading different Interpretations in fan fiction though!
#vat7k#varian and the seven kingdoms#tangled the series#tts#tts varian#Varigo#hugo vat7k#varian and the 7 kingdoms
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Wait you wrote some of the Dragon Prince's Reflections short stories? That's awesome, congratulations! What was that like and how much lore did the showrunners give you access to, or were you allowed to make your own additions to canon? 😃 Which ones did you work on if I can ask? Thanks!
Oop, this question came in while I was answering another one! I just went over which Reflections stories were my work here! tldr, most of the first volume and one in the second volume.
I worked with Devon on ideas to pitch, and then on crafting and polishing the ones that got approval. I only needed to know a little bit of lore from upcoming seasons in order to write the stories, but with the timeskip between S3 and S4, I necessarily had to know a few things, like "so it's been two years."
I did get a couple of references to look at, such as the design of the soul candle for "The Queen's Soul," since that was an asset they'd already created for the show. And I did get to watch an early version of the first episode of S4, for character/design/location/etc reasons. A picture is worth 1000 words, etc. But most of my stories were just little bubbles stuck on the side of the main plot bubble - as the Reflections series was originally pitched to be! It's full of treats and foreshadowy lil clues, but in the end it's just fun supplemental material for the extra nerdy to indulge in! So there was some freedom in pitching and writing, as long as it held to theme, and we had a lot of fun bringing these little moments to life.
Crackledrake is my favorite short story because I got to add the cute little ritual to Sunfire canon and created the lore behind it. It's inspired by the real-world tradition of snapdragon, so you can see I was super inventive with its TDP name there! I gave Janai and Amaya their own Xadian fruits and nuts, though, as they deserve. I can't say I did so with a straight face, though. My face was extremely gay about it, actually.
Rise Again was another of my pitches that got accepted, and writing it really helped me connect with Claudia in a way I hadn't before. I've felt differently about her ever since, and that wouldn't've happened if I hadn't gotten to spend time with her and give her Burnt Biscuit.
I think Changing of the Guard was already in the pitch lineup, but I was really excited to get to write for Soren and Corvus. I always enjoy when opposite personalities try to come together! I tried my best to add some angst into Corvus' backstory, but I had to trim it for length so he remains mysterious. But King Ezran's Belly Full of Jelly tart-eating contest is a thing I've put into the world, and I'm genuinely pleased with that. And then there's all the *waves Sorvus flag*. I just think they're neat! (and you're welcome)
#asks#thanks for the ask!#tdp short stories#tdp reflections#my writing#the dragon prince#crackledrake#rise again#changing of the guard#janaya#claudia#sorvus
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Actually, I don't like the concept of Felicia because she oversimplifies the story and creates plot holes.
Now suddenly Vander didn't pick up two orphans because he blamed himself for the violence, and wanted it to stop. It's not because he saw how it affected the children of Zaun, and decided right there to make a change for the future. But because he happened to know their mom (which then brings the question. If Felicia's kids are so important to him, why are they in the thick of things? You'd think they'd have them somewhere safer.)
Also, in season one act one, Silco didn't know the kids. And even ignoring that plot hole, it still muddies things up. Now his arc isn't about learning to care for a child, and understanding how that kind of personal connection can change your perspective. Because, he already cared for them before his sad sad case of amnesia.
So now it's about him caring about the girls, then not caring, then caring about Jinx again. That's not an arc, that's a meandering circle.
Instead of the men bonding with the respective girls, because of their own personality and history. Where Vander was dealing with his own guilt, and trying to attone. Where Silco saw his own trauma reflected in Jinx, and chose to guide her in the way he wished to be. It's now “Oh they know their mom, that's why!” Which is far less intriguing and character driven.
Speaking of, instead of their fallout- and Vander’s subsequential murder attempt- being about the widening gap of their ideologies, or plans. It's now been boiled down to “When she died, I lost my head”
Okay, but that's worse. You do get how this is worse, right. Instead of Silco being the thing “worse than enforcers” as said before. He was someone mourning his friend, just to get nearly murdered by his other friend who decided to blame it all on him.
Then, we're left to actually try to figure out when this drowning attempt even happened, since we now confirmed it's during the day of ash. Are we to believe that Vander dropped his gauntlets (symbolically representing his path of non violence) picked up the girls, tucked them into bed...then took Silco down by the river? That kind of flies in the face of the characterization Vander gave himself in the letter, of it being a heat of the moment thing. Ya know, for Felicia.
And is now a good time to mention that Vander appears younger in the drowning flashback, than he did in the opening scene? I was led to believe it happened years before. Absolutely muddled.
And, when everyone just happens to know everyone else, then the world just feels smaller. Which is a shame, because the team behind season one made non champion characters, to avoid this very feeling.
Not everything is about shipping, sometimes people hate bad writing…because it's bad. Also, she's in a committed relationship with Connol, and even having his baby. In what way would anyone assume that she's “getting in the way” of any ship? (Unless you have a Connol ship you're passionate about, I guess?)
You're not gonna convince me that inventing a fridged woman to slap on top of Silco and Vander’s backstory is feminist in any way.
.
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I’ve been in a Sky mood lately lol. So for prompts maybe something angsty with him? Like him getting used to life after being trapped on the island for years? Or one of the boys trying to reassure themselves that he’s actually back?
I saw this prompt and went HEHEHE I do enjoy me my angst. Especially Incredibles au Sky angst (sorry Sky bdhdbdbdhd)
I sort of mixed your two prompts together? It’s mostly the first one, but there’s hints of the second. And also a different thing entirely XD Enjoy!
(Also warning for a character getting a flashback. It’s seen from an outside perspective, but here’s your warning just in case.)
————————————————————
Sometimes Warriors still couldn’t believe Sky was back.
After over a year of trying to come to terms with his disappearance, wrestling with hope and denial and grief, going to his funeral for Hylia’s sake— having him suddenly come back was... earth-shattering. In a good way, of course, but sometimes Warriors caught himself falling into the pattern of endless questions on what had happened, and had to remind himself that he knew now.
Sky had been tricked, lured away, fought for survival while being hunted within an inch of his life, and then finally made it home alive. Though... not without scars.
Ones that sometimes caught Warriors off guard.
The afternoon it happened, Warriors had stopped at Sky’s to drop off some things he’d borrowed, and ended up staying and talking much longer than he’d intended. He wasn’t complaining though. After thinking he’d never get moments like this again, he’d spend every waking hour with his brother if he could.
“...So then Aryll told me she made a new friend, and asked me if I wanted to meet her, and of course I said yes. I should’ve known better, because five seconds later she whistles, and this huge vulture lands in front of me,” Sky said with a wave of his hand, and Warriors laughed. “I know! Where did she even meet a vulture?!”
“Probably the same place she met those geese that one time,” Warriors said with a grin, and Sky joined his laughter that time.
“Oh I’m sure. She has plenty of bird connections,” he chuckled, leaning back with his wings stretched out on either side of himself. He picked up his glass of water and drank some of it before he continued. “I’m sure she’ll have quite the message system worked out when she’s older.”
“I wouldn’t put it past her,” Warriors smirked. “Heck you won’t even need the mail service if she keeps up like this, just ask her to send letters via pigeon.”
“Hm that’s true... I’d never have to buy stamps again,” Sky said thoughtfully.
“Hey now, don’t forget those stamps help pay my salary,” Warriors grinned. A truck outside beeped as it backed up, and Warriors glanced out the window, before looking back inside. “If I didn’t know better I’d say you were trying... Sky?”
Sky had completely frozen in place, his glass of water slipping from his hand.
Warriors quickly shot out a hand as it hit the floor, freezing the puddle before it could spread, then got off his chair and hurried to Sky’s side. The cup hadn’t broken so he left it where it was, and he looked worriedly at his brother.
“Sky? Are you okay?” he asked urgently, and a tremor wracked through Sky, his eyes glazing over. He’d been fine literal seconds ago, what was wrong? “...Sky?”
“We need to hide,” Sky whispered, his voice hoarse.
Warriors blinked. “What?”
Sky swallowed, shaking as he stared into the middle distance. “We need to hide, they’re coming,” he stressed in a croak, his breathing starting to pick up. “Guardians, they’re close.”
“Sky... there are no guardians here,” Warriors said in confusion, and Sky shook his head, ears twitching.
“There’s one right over there,” he gasped, his breath trembling. “We need to hide, it’s going to—”
“Sky, no there isn’t,” Warriors said slowly, sitting down beside his brother. “There’s nothing there.”
“B-but—” Sky stuttered, twisting his head around to look at the wall. A bead of sweat trailed down his brow. “Yes it is. It is, it’s coming, we need to hide now.”
Sky pulled his wings in close to his body, feathers puffing up, and Warriors looked at him in dismay, unsure of what to do. He knew enough to recognize Sky was having some sort of flashback, but he didn’t know how to help him out of it.
The truck outside beeped again, and Sky violently flinched, nearly falling off the couch as his feathers puffed out even more. Warriors looked between him and the window, then carefully stood and walked over to it, closing it and blocking out the sound. Sky didn’t visibly react to the quiet, and Warriors went back over to him, watching as he trembled in place.
“Sky, we’re not on the island,” Warriors began carefully as he sat back down. “You haven’t been there for weeks now. And I wasn’t ever on the island. How can I be here with you if we’re on the island?”
“I-I...” Sky stammered, his voice faltering. Then he suddenly snatched Warriors’ wrists, eyes huge. “Wars they got you too, you shouldn’t have come, it’s going to be like everyone else,” he choked out, still shaking. “We have to hide!”
Sky began tugging at his wrists, but Warriors resisted the movement, staying where he was. “Sky, there’s no danger.”
“Yes there is! I have a base right over there, we can get to it if we hurry, we can’t let him—”
“Sky, we’re not on the island,” Warriors repeated, slipping his wrists out of Sky’s hold and taking his hands instead. His skin felt clammy. “I promise you we’re not. We’re in your house. We’re safe.”
Sky kept shaking, but he didn’t argue the point, and Warriors felt a flicker of encouragement when he didn’t keep tugging on his hands.
“You’re not back there,” Warriors repeated, and Sky squeezed his eyes shut, another bead of sweat trailing down his brow. “You’re in your house, on the couch in your living room. Sun is at work, and Aryll is taking a nap. Nobody is in any danger.”
Sky trembled in his seat, his eyes still closed tight, and Warriors lightly squeezed his hands, waiting for him to come back. His eyes reopened, still looking glazed, but less so than before.
“Come on Link,” Warriors whispered, looking into Sky’s eyes. “You’re safe here, I promise. Nothing is trying to hurt you.”
Sky swallowed, and Warriors stayed beside him, watching as his feathers slowly began to smooth. Warriors repeated the reassurance that they weren’t on the island, and he kept it up as Sky’s frantic breathing started to even out, and his eyes gradually cleared.
It felt like a long time before Sky’s shoulders slumped, his wings falling limp as he took in a shaky breath. He was still trembling, but much more lightly, and Warriors studied his face.
“You back?” Warriors asked carefully, and Sky looked at his lap, shame coloring his face.
“I... I think so. Sorry,” Sky whispered.
“Nothing to be sorry for,” Warriors said easily, but Sky kept looking at his lap, ears red.
Warriors looked at him worriedly, then lightly squeezed his hands, pulling back so he could deal with the frozen puddle on the floor. He easily pried it up and shaped it into a small ball, then set it on the table, looking back at Sky again.
“Hey. I mean it,” Warriors said when he saw his expression, lightly touching Sky’s shoulder, light enough that he could pull away if he wanted. Sky didn’t, and so Warriors held it a bit tighter. “You have nothing to be sorry for. It’s not your fault.”
“I was the one stupid enough to go there,” Sky muttered under his breath, and Warriors frowned.
“Sky, you were tricked. You thought you were doing something good, it’s not your fault,” Warriors repeated, and Sky didn’t meet his eyes. Warriors sighed. “That looked pretty rough. Do you want some water?”
“I’d appreciate that,” Sky said quietly.
Warriors nodded and stood, giving his shoulder a squeeze before he grabbed Sky’s glass and headed to the kitchen to refill it. It only took him a moment, and when he returned, Sky hadn’t moved, still staring at his lap, faintly trembling, wings lightly wrapped around himself.
Warriors passed him the cup, and Sky silently took it, sipping without a word.
“You need anything else?” Warriors asked, and Sky shook his head. Warriors hummed in reply, then paused as he thought of something. It wasn’t Warriors’ go-to, but Sky usually appreciated physical contact much more than him, especially since he’d been back. “...maybe a hug?”
Sky finally looked up, still shaky and pale, and gave a tiny nod.
Warriors gave him a sad smile, then leaned in, wrapping his arms around his brother.
Sky was stiff for a moment, then practically melted into the touch, a wavering sigh coming from him. He pressed his face against Warriors’ shoulder, and Warriors lightly rubbed his back, feeling equally reassured by the touch. He knew Sky had been through a lot, but the blatant show of it had been a bit frightening.
Oh Sky.
“I’m such a disaster,” Sky said in a wobbly voice, and Warriors sighed.
“Anyone would be. Truth be told, I think most of us became disasters while you were gone, so you’re in good company.”
Sky let out a wet snort, and Warriors squeezed him, Sky still shaking just a little.
“Has this happened before?” Warriors asked after a minute, pulling back so he could see Sky’s face, and Sky shrugged.
“Not... to that extent,” he admitted quietly. “There’ve been... things, but not...”
He trailed off weakly, and Warriors nodded. That was about what he’d figured.
“Okay. We’ll figure this out. Just like old times, huh?” Warriors said with a faint smile, and Sky huffed.
“Yeah. Can’t say I miss that side of things,” he mumbled, and Warriors squeezed his arm again.
“I’ll stay until Sun comes back,” he reassured quietly, and Sky nodded, silently resting his head against Warriors’ shoulder again.
Neither of them said much else after that, and Warriors idly played with the piece of ice on the table, Sky watching him quietly as he shaped it into a small bird. Warriors added some ice to it, and worked on shaping it into a slightly bigger one.
Sky stayed silent as he leaned against him, and Warriors tried not to stare, worry clenching in his stomach. Nightmares were common enough between them, though they’d gotten better as the years had gone on. Warriors had practice with those, and panic attacks, and a small list of the other crap they all dealt with after their superhero careers, but this... felt way out of his league.
We’ll figure this out, he promised silently, adding small feathers to the bird he was shaping in his palms. Sky breathed out a weary sigh, and Warriors swallowed.
We will. We’ll figure it out.
#answers from the floor#lovely adrift in thyme#Incredibles au#Incredibles au fic#IAU sky#IAU Warriors#fic#tw flashback#ask to tag#angst#writing from the floor#Sky is not! having a good time!!#but he’s got lots of support so he’ll be okay
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A Letter From Inquisitor Lavellan to Dorian Pavus
//OOC//: Hello again! These letters won’t leave my brain so I’m churning them out while the muse is there. Enjoy!
My friend,
I can practically see you brooding, you know. Which is your right and your past-time, by my count.
I won’t sit here and try to make excuses for my choices, there are no good ones anyway. I want you to know that no matter what, I never meant to hurt you. But that doesn’t make you less angry with me.
Perhaps I’ve caught you in a more benevolent mood, willing to hear me out. If Bull is near you when you read this letter, remind him that he owes me one. Or more likely you’ll crumple up this letter, probably set it on fire, and only spare a thought for me when you’re telling embellished stories around a gorgeous dining table. Either way, you are owed an explanation.
I remember when you told me of your intentions to try and change Tevinter. I was so proud of you, because I knew if anyone could make change in their home, it was you. The idea of watching my friend leave, knowing that it would be unlikely we’d see each other more than a handful of times among the years, was difficult to swallow. Especially after all you did to bring me back to life when Solas left.
You can say his name, you know. He isn’t going to appear around a corner and lunge at you. I’ve made him promise not to.
What you did for me in the months following his departure is a debt I’ll never be able to repay. I’ve known the love of a mother, a father, a lover, and a friend, but perhaps yours exceeds all of them. For yours is a loyalty, a steadfastness, a patience, that only comes with knowing someone completely and choosing to be with them in their dark moments.
Bathing me when I was covered in paint. Filling the endless silence of my despair with your constant prattle, being with me every single day I didn’t know what to do or how to move forward, it is a love I had never experienced or will ever experience again. It is unique to you.
When I finally came back to myself all those months later, realized you’d put your plans on hold for me, I was appalled. I assured you I would be fine and you finally went on your way. To start the life I knew you deserved. And look at all you’ve done! Minrathos and the Shadow Dragons would be nothing without your leadership.
I’ve spent the last eight years wondering what I would ever do if the chance came to see Solas again. In those first years, I was angry. And then I was lost, for a long time, though I think you were the only one who truly saw it.
Being the Inquisitor gave me purpose. I knew Thedas needed me. I wanted to help in whatever way I could, especially considering we’d inadvertently unleashed Solas on the world. And then there was the waiting, wondering when he’d strike. If he really intended to take us all down with him.
Over the years, I’ve spoken to so many about whether or not I believe Solas capable of tearing down the Veil. You, Bull, half the Inquisition, really. Most everyone agreed that Solas needed to be stopped by any means necessary. That he was a monster.
What was your poetic phrase? “A madman with the moral superiority of a guilty noble.”
Varric was the only one who believed Solas could be swayed. Told me that really, all Solas wanted was a reason not to go through with his plan. After what happened when Solas took my arm, I didn’t want to believe him. It was too painful to hope.
But then the reports came in, bit by bit from Varric. Noted from Solas, personal journals. Like he was leaving clues for us to find. As if his pride refused to relent but Solas, my vhenan, wanted us to stop him.
It wasn’t until I spoke with Rook, actually, that I knew for certain that if I saw him again, when I saw him again, things weren’t through between us.
Call it soulmates. Call it a connection through space and time. Or, call me a fool, as you already have. All are probably correct. But I’ve know since the moment I met Solas that something tied me to him. When I saw him again, I didn’t see the Dread Wolf. I saw my vhenan, beaten and broken and tired. Drowning in his regrets, a slave to what he thought was his journey to redemption. And in that moment, I swore Varric was standing there right beside me, telling me that the one thing that would sway Solas was love. And he was right.
Especially after his final encounter with Mythal (That is another letter entirely. One I know you’re dying to read, so if nothing else, allow me to indulge you in my next response)
To be perfectly clear— I do not love him more than you. I could love no one more than you. No matter where I go, I’ll be with you. Just as you told me when you returned to Tevinter. But it is different. Just as you have Iron Bull, and we both know logic has no place in your relationship with him.
*the last sentence is a crossed out line, still legible, as though Lavellan is teasing Dorian*
Now, this isn’t goodbye. This isn’t even see you later. Solas has assured me I can enter and leave the Fade whenever I choose. Thanks to Rook, there are plenty of Eluvians available for me to come and visit. If you’ll have me. I understand you plan to pout, to hate me for a few weeks, as is your right. Don’t brood too long, however. I know you’re chomping at the bit to know all that’s transpired.
Just know, I’ll never be far from you.
With love, always,
Elliana
#lavellan#solavellan#dragon age inquisition#dragon age veilguard#dragon age dorian#dorian pavus#letters from inquisitor Lavellan to Dorian Pavus#inquisitor lavellan#dragon age#their friendship is everything to me#dorian x iron bull#solas x female lavellan#solas dragon age#solas x inquisitor
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NEW UPDATE!!! God I love Lanyon so much im so hyped to dive into this
Tgs spoilers under cut
Something ive noticed with many characters in TGS is their persistence to keep everyone to have this view of them. Jekyll, of course, wants to be seen as the perfect, put together, leader of the society, while Hyde wants to be seen as someone who doesn’t really care about stuff, someone who’s tough and carefree.
In this case Lanyon seems to be closer to Hyde than Jekyll on this front. He wants to keep his “i dont care about anything” appearance, it shows how he presents himself in studies as well as playing the guys in his university. Even now Lanyon sometimes acts as if he doesn’t care about Jekyll or his issues but in reality, Lanyon cares a lot for very certain things.
By trying to act as though he doesn’t care makes it so he cares more, and Jekyll is reasonably confused by this.
I like how Jekyll more approaches Lanyon being confused and just wanting to understand why than a more judgmental approach. Jekyll just doesn’t understand, I dont think he’s Judging Lanyon as much as he just wants to know why.
He has a different goal to prove himself to people so he wants to know why Lanyon can prove himself but chooses not to.
To bring back what i said last week; Lanyon is smart, he knows things, but he acts like he doesn’t as a way of defying his father. But now that im looking at it, it’s s once again an example of reputation and how trying to keep it up can hold you back on many fronts.
Lanyon was quick to change the subject, he doesn’t want Jekyll, or anyone around them, to figure out the truth but the seeds had already been planted in Jekylls mind and now he’s connecting some dots he hasn’t thought of before.
“The second you put your mind to anything, you take to it like a duck in water” Lanyon puts his mind to a lot of things but I think he truly only gets into them if he actually wants to.
For example; when he was trying to not Care about jekyll during the society fair thing (i need to reread so bad I just dont have the time) he wasnt able to, it was like he was trying to force himself not to care like his university days but whenever he saw Jekyll he had to remind himself over and over again to push that care down.
Lanyon might’ve not needed to force himself to care as much during university but it might’ve taken a bit to get to this point of being able to do it easily. But if its something he truly cares about he has a hard time pretending that he doesn’t or is very determined to keep it like his reputation.
Ngl, if I was Lanyon and someone looked at me like that I would break in a second.
Lanyon can tell that Jekyll is close to figuring him out and its both scary in this moment aswell as surprised. No one has been able to put this together, no one else has seemed to care this much before or has gotten so close to him to see multiple signs
Lanyon is stronger than me and did not break but I would’ve been in shambles.
Lanyon Always says that he doesn’t care when Jekyll catches him? I think that shows how much he does care if he has to constantly remind that he doesn’t means that he must show that he does at some points, and it also indicates that Jekyll asked more in the future, just because of Lanyon saying he said it whenever he was caught of guard.
I genuinely love Lanyon so much, there’s so much to his character and its so interesting to me, he definitely is up as one of my favorite characters of all time. He just as so much depth to him, how much he doesn’t care yet does care, I like characters with a lot of depth more than just what you can see on the surface.
Whenever we get to see his thoughts it can give us more explanation and more of an understanding than what Jekyll had seen.
I want to know why Lanyon brought this up, the only thing I can think of is trying to lure Jekyll out but it’s still interesting,
#tgs#the glass scientists#tgs jekyll#tgs lanyon#tgs mondays#tgs update#ace rambles#I love Lanyon so much#he’s so amazing#tgs hyde#jekyll and hyde
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no longer you analysis/interpretations
After seeing Jorge's overview of No Longer You and what he intended the lyrics to refer to, I thought I'd share my interpretations of what Tiresias sees! (Long post, so I out them under the cut). Be sure to watch his video, it was very eye-opening for me.
First of all, I saw everything Tiresias said as something that could be in the past pr future (I see past and future running free). I also didn't see it as chronological since Tiresias is not explicitly showing Odysseus the progression of his story since he is not helping him get home. However, I really like that it is chronological, this whole song is very well written, it's definitely in my top three favorite songs of the entire musical.
'I see a song of past romance'
The reason why I never thought Tiresias' predictions were chronological was because I thought this referred to Would You Fall In Love With Me Again! I still think this applies, but it is also a song of future romance.
Before NLY:
⁃ Odysseus refers to his love for Penelope many times (Just A Man is the best example)
After NLY:
⁃ Calypso expresses her feelings for Odysseus, though she likely still has feelings for him in the moment (Not Sorry For Loving You)
⁃ Jorge's intention (more literal): the siren in Suffering is actually singing about Odysseus' romance with Penelope. This line is difficult because Epic is obviously a musical, and the only time we know a character is canonically singing is in Suffering.
'I see the sacrifice of man'
This line could refer to many things! It could be the things that Odysseus or someone else (who is not a god) sacrifices. It could also be the instances where human lives are literally sacrificed. Here are some of the sacrifices made in Epic:
Before NLY:
⁃ Odysseus sacrifices the life of the infant to protect his family (Just A Man)
⁃ Odysseus sacrifices his connection with Athena to do what he believes is right, but also because of his pride (My Goodbye)
After NLY:
⁃ Jorge's intention: Odysseus sacrifices six men to Scylla (Scylla)
⁃ Eurylochus sacrifices the chance for him and the crew to go home (and sacrifices a cow. rip cow) (Mutiny)
⁃ Odysseus sacrifices the life of his crew for a chance to go home (Thunder Bringer)
⁃ Odysseus sacrifices his morals and belief in goodness to get home (Monster, 600 Strike)
⁃ Odysseus sacrifices his way home to defeat Poseidon (Six Hundred Strike)
'I see portrayals of betrayal'
There are a ton of betrayals in Epic, both done by and to Odysseus!
Before NLY
⁃ Odysseus betrays his morals/goodness by killing the infant (Just A Man)
⁃ Athena betrays Odysseus by abandoning him (My Goodbye)
⁃ Eurylochus mistrusts Odysseus (Luck Runs Out)
⁃ Eurylochus betrays Odysseus by opening the wind bag (Keep Your Friends Close)
After NLY:
⁃ Odysseus betrays his morals and Polites by becoming the monster and decidedly not having open arms (Monster, Different Beast)
⁃ Odysseus betrays his crew by sacrificing them (Scylla)
⁃ Jorge's intention: Eurylochus and the gang betray Odysseus by mutinying
⁃ Odysseus double betrays his crew by sacrificing them (Thunder Bringer)
⁃ Up to interpretation: either Odysseus' mind or loved ones (Polites, Eurylachus, his mom) betray him by allowing him to nearly commit suicide (Love in Paradise)
'A brother's final stand'
There are a few possibilities for this. I think the best interpretations involve Eurylochus, because he is by Odysseus' side the longest and is literally his brother-in-law in the Odyssey.
Before NLY:
⁃ Polites' death against Polyphemus (Survive)
⁃ 551 men (6 died during Survive, Elpenor dies offscreen during the Circe saga to make 558 during The Underworld) die at Poseidon's hand (Ruthlessness)
After NLY:
⁃ 6 more men die when Odysseus sacrifices them to Scylla (Scylla)
⁃ Jorge's interpretation (and mine): Eurylochus and the remaining crew try to take Odysseus down with them when he chooses for them to die (Thunder Bringer)
'I see you on the brink of death'
I always thought this went with the following line and didn't think about what it could mean on its own! Here are some times Odysseus almost dies:
Before NLY:
⁃ Up until he opens the wind bag and escapes Poseidon (Ruthlessness)
After NLY:
⁃ Before he chooses if he or his crew will die (though I don't think he ever would've chosen himself to die) (Thunder Bringer)
⁃ Jorge's intention: When he stands on the edge of a cliff and nearly follows the ghosts of his loved ones to his death (Love in Paradise)
⁃ My interpretation: When Odysseus is underwater (after taking his final breath) (Get In The Water)
'I see you draw your final breath'
This really only has one interpretation: when Odysseus 'dies' and fully becomes the monster to get home (Six Hundred Strike). Tiresias sees 'you' or the Odysseus in front of him, draw his final breath. Tiresias cannot help Odysseus get home because he doesn't get to make it home, the monster does. Tiresias refers to the other Odysseus only as 'a man,' reflecting the idea that some of the greatest monsters are human (which we see more of in the Ithaca Saga). Tiresias' other predictions really only apply to what we see in the Ithaca Saga, so I won't be analyzing those for now. The only saga I didn't find any connections to was the Circe Saga. The closest I can think of is Eurylochus still not telling Odysseus about the wind bag in Puppeteer. I feel that saga is generally disconnected from some of the themes in Epic, particularly because the only person who dies is Elpenor (of his own drunken accord and offscreen) and Circe is the last obstacle he spares (aside from Charybdis) but this is not a mistake (Odysseus makes good decisions throughout the saga, which is also important for introducing Hermes and getting the gang to the underworld. Circe as a character isn't very important thematically imo and her songs aren't referenced in any other song except Love in Paradise). Let me know if you see any connections to Circe and her songs! Also if you had any more interpretations different from mine.
#epic the musical#odysseus#the ithaca saga#odysseus epic#etm#epic#odysseus epic the musical#no longer you#no longer you etm#tiresias#the odyssey#eurylochus#eurylochus epic#penelope epic the musical#odypen#the underworld saga
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Tim Drake as Rook (and Blackbird)
I've seen posts floating around trying to suggest new names and new costumes for him, and I've seen really great designs (u/Hunkerdown_son's Gray Ghost suit) that I like a lot more than what he's gotten. (Poor kid's gone back to Robin and was feuding with Damian about who's the better Robin? Like, boy, you could be in college, you are a whole-ass adult now, god damn, can the writers let you develop). There's Cardinal, Flamebird, Redbird, every red bird there is. And like, I get it, Red Robin was one of his more iconic runs (pre-Flashpoint), his OYL costume was primarily red, he was Red Robin wearing basically a Robin costume for a little while there too.
One of the name's I've seen is Rook. And that fascinates me. I actually had a hazy image of it pop into my mind, like a terrible "got any more pixels?" JPG picture of an artbook all zoomed-in and blown out one, of what that might look like.
(Artist's recreation of the above described image)
So I made it.
(Look, I know. I know. That is not how "Rook" would be stylized for the logo, but listen, listen. Cursive k basically has a mini-R in it and I was having fun with this. Okay? I don't draw much these days and I'm not a comic artist/graphic designer. I do math for a living.) (I spent very little time on the logo for Blackbird, but you get the idea. The "R" gets twisted nicely into a "B" for Blackbird, in my opinion.)
Design choices and everything below. Very stupidly long.
Rook first because I know the color is going to be a sell.
Rook is a bird in the corvid family, with crows, so they're exceptionally smart birds. Rooks are also the name for the chess piece that can perform the trickster maneuver called castling where they trade places with the king (It's not hard to do, necessarily, just like, a 4D move compared to the normal chess moves, and not something the average person knows about). Being that he's been relegated to the "boy genius" role and he is vicious and cunning with his mind more than almost anything else (See Robin #137's "Show your face here again and we'll frame you for the kind of crimes even other hardened kills don't condone or forgive" speech, him blowing up the LoA's computers in Red Robin #8 after somehow creating a program/virus on their systems while under constant supervision, or all of Red Robin's "The Hit List" arc). (I know he's not the only one who can do or has done, things like this, but he does it a lot, is my point).
Rooks, the birds, as a symbol of death are also fascinating to connect to Tim. He's never "died" like the other Robins have, but his mantra in his introduction is basically "Batman needs a Robin." Because Batman/Bruce has been traumatized by losing his son, Jason, and is spiraling, dialing up the violence towards criminals, dialing down his ability to care whether or not he survives, destroying his interpersonal relationships in the process. Death as a symbol can mean the literal figurative death, but it also can mean the end of a phase of life, of letting something go, and moving onto a new chapter.
And that's what Bruce needed to do. He, of course, would always miss Jason, but he needed to move past the pain, move past the agony, become what Batman was supposed to be again. Tim's the one who got him there. He's the one who convinced Bruce to open that new door. Tim's the one who put the "family" in Bat-Family because Bruce sure as shit was not going to do that. Here, this post explains that a bit more eloquently.
https://www.tumblr.com/thattimdrakeguy/190044791065/would-you-consider-tim-the-heart-of-the-batfamily
Rooks, the birds, are also blue/purple in color, which I think is great for Tim. I know, I know, everyone wants him with red. I get. I really, truly, get it. But let's just...take a step back and go outside of the box a little for his color. Now, I know, not everyone keeps the same color consistently (the number of times Nightwing has just bounced between Blue and Red, for example), but there is usually a "main" color strongly associated with each member of the Bat-Family.
Nightwing gets blue, duh (and also bluebird). Red Hood gets red (and also Nightwing when he's having a shit time and also Kate Kane's Batwoman and also Damian's Redwing). Damian's Robin often gets green (though I low-key associate green with Tim's Robin more than Damian's, Tim's no longer going to be Robin here, so Damian can have it). The Signal gets yellow (and so does Cass's Batgirl/Black Bat/Orphan). Stephanie as Spoiler/Batgirl has purple (and so does Huntress and Barbara's Batgirl). And Oracle gets lime green.
We don't need any more red symbols in the family. It's already out of hand without throwing Tim in there. And out of all the siblings, he's the only one without a distinct color.
Anyway. If we dip into tertiary colors, we can fix all of that. I made a mock-up of what I mean drawing the symbols mostly by memory in a few minutes. For Huntress/Helena Bertinelli, I just used her mask.
See how Tim as Rook gets to be wedged in between Nightwing's blue and Stephanie's purple with Violet? Tim Drake is a Dick Grayson fan first, Nightwing fan second, and person a distant third, so going more blue with his scheme is a much better fit. You could come up with a name for him to be teal, but violet is better for Rook, and like he's also close to Stephanie's Spoiler/Batgirl colors and say what you will of his relationship with her, she is important to his character as friend/girlfriend/friendly-ex. And Dick went from "Red/green/yellow" to "Blue/black" so Tim can go from "Red/green/yellow/black" to "violet/black."
Oh, and it lets him get his "R" back. The one from the 90's that's just so iconic that he was literally introduced with as Robin. If we can have a million different bat symbols then we can have two different R's floating around and no one will be confused.
And anyway, with all of that in mind, and that terrible image haunting me, I decided to draw a quick reference sheet for what Rook might look like. I think I spent like 2 hours on the final version, with an hour and a half on sketches I hated/deleted. Anyway.
I had a nice dark green in here instead of sky blue and a dark purple instead of dark blue, but then I was looking at the purple/green combo and "I'm in dangered" my way out of the Joker color-combo.
Instead I decided, since he's a young person and the violet I chose was sort of blacklight-esque, then why not make him look like some kinda blacklight glowing guy. The youth these days still love that kinda stuff, right? And it ties into the themes of being a light in the dark and crime-scene stuff and all that. The colors came from how lead glass reacts under black light, and while I imagine the violet parts do show up in black light, it's the light blue parts that actually glow in blacklight.
If you want to draw this design or make up your own Rook design or tweak this design go ahead, like, for example if you wanted him to have the sharp pointy cuffs that I couldn't get to look good at all (but please tag me if you do, I wanna see it, unless you're shit-talking me. Then don't tag me.)(Shit talking means "my god, this asshole who cannot draw at all" and not "It was okay, but I thought it might be better like this/with some tweaks/more coherent colors" one I can take and the former will make me cry).
(If the notes are hard to read, they will be in text at the very bottom)
Obviously, I got a little too obsessed with the mask for my own good. I didn't want him to just have a domino mask, I liked the protectiveness of his Red Robin cowl (if not the look), and I wanted more coverage while also having his hair out because he has really good hair. So it goes around the back of his head in a band, protecting his temples and the back of his head, but nothing else for his hair to show. It is supposed to blend with his hair so we get the illusion of the cowl, but drawn by someone better/more time/shading it'd be fairly obvious up front where his hair and mask are, but less so from the back. And Tim has done the mask under a mask gag before and a self-destructing mask, so I feel like him having approximately 30-billion fail-safes to prevent it from just being pulled off of him is in-character.
And then I decided, that since Tim is Nightwing fan second, he can have a red version of the outfit named "Blackbird" for when he's feeling a little moody or feisty the same as Nightwing has the red Nightwing suit for...reasons ("We wear red in new continuities" or whatever. Why have one outfit when you can have several?). This time the colors were inspired by red cadmium glass under blacklight and the red winged blackbird.
Red Winged Blackbird's symbolically are "a sign of change and transformation. They represent the power of love and compassion, as well as the need to take action in order to make positive changes in your life. The red winged blackbird is a symbol for spiritual growth, inner strength, courage, determination and self-awareness." Which. You know. Fits Tim. And there's red. So. I feel like that's an easy sell. ¯\_(ツ)_/¯
I wanted to reference his OYL, Post-Crisis Red Robin (regular and data alter), and Robin (Post-Crisis/Rebirth) outfits for the design. I didn't care for much of his post-Flashpoint Red Robin outifts, adding Nomura/Kingdom Hearts zippers levels of belts to him or just being Robin with two "R"s for a symbol and bad hair. You can see the OYL in the edges of the cape and the interior of the mask. Robin, Rebirth in particular, with his elbow pads and knee pads, shoulder armor and the shape of his boots. Red Robin in the bandolier harness/belt thing he's got, but every thing on it is one of those hammer space utility belt pouches the Bats are so well known for, so he can have a bajillion of them as the "tool using" Robin. The "V" center and arm-stripe/finger-stripe combo is, obviously, reminiscent of Nightwing, and his Red Robin data alter, which is also reflected in the larger mask (though the nose is not as beak-like).
(OYL References, the dialogue in the second to last panel of the first reference is misattributed, in case you were confused as to why Tim is dissing his outfit and Dick is talking like Tim)
(Red Robin References)
(Robin References)
And obviously, I just put his "R" symbol on a circle and called it a day. Although I was clearly going off of memory instead of a direct reference, but whatever. Whatever. It fits better in a circle the way I did it. And a circle is a better buckle/clip than the oval, which was a deliberate choice. So. Anyway.
Notes (from top left to bottom right, grouped by what they're describing):
Shoulder Shot: "We're brining back his iconic 'R' from the 90's for 'Rook. (pointing to the R symbol)." "The cape can be rolled back to reveal some light shoulder armor that doesn't change his silhouette when the cape is down (pointing to his shoulder armor and the rolled back cape that is reminiscent of his over the shoulder "black with yellow" capes)." "Feather pattern that emulates Nightwing's arm/fingerstripes (pointing to the side of his arm)." "His elbow pads have the same shape as his kneepads for the skaterboy vibe. (pointing to the pads over his arms and knees)."
Sketch of harness: "Bandolier harness hides under the cape that clips into his insignia (pointing to the symbol in the center)." "Each space is a pouch (pointing to every area between the pointed ridges (which are hollow tubes with screw caps that can also hold things for maximum hammerspace))."
The detailed shot of the mask: "The face mask is partial emotive with white lenses that have thermal and night-vision (next to the white eyes)." "The foil layer of the mask can peel off unless actively held when the mask is lifted, and cling to his skin with a static charge that makes it almost impossible to peel from his skin (pointing to the teal circuit bit that is lifted from the pointy bit of the mask (the circuits are water/sweat proof, don't worry))." "There are dozens of magnetic locks that have to hit in the right on/off pattern to life all layers of the mask. Each finger in his gloves can have an active magnetic charge, so there are over a thousand combinations (pointing to the foil layer and the inside of the mask)."
The sketches of the mask lowered and raised: "The back of the mask is made of interlocking combs that seal together with metal locks to avoid it coming off unintended (pointing to the back of the raised mask)." "Durable, flexible rubber-like material (pointing to the sides of the mask, back, and the expanding fan like section that allows it to raise while still being one-piece and the top of the mask that would roll against his forehead)." "The mask can be lifted up when the locks are undone (pointing to the raised and lowered mask and the expanding accordion like structure)."
The sketch of a side profile of his head with his bangs and face half there: "Where does the mask end and his hair begin? Like Kujo Jotaro's cap, the world may never know (pointing to the back of his head where the black mask and black hair would blend together)." "The back of the mask combs through his hair and the top layers of his hair cover it (providing an actual answer)." "The nose of the mask has padding that protects his nose from breaks and conceals the shape of his nose and cheeks (next to his nose, which is half covered by the mask)."
#tim drake#robin#red robin#tim drake robin#dc red robin#dc robin#robin dc#fanart#my art#spes talks#I swear to god something possessed me with that mask#Literally the only thing I was thinking about#while sketching#and coloring#Was adding layer after layer of failsafe#so Tim Drake's identity is protected#while still letting him pull it up quickly for drama#or whatever the story needs#Also#Barry Allen had a watch that his outfit condensed down into#or whatever science thing it did#His belt and bandolier can be smooth and flat and hold many things#It's science-magic#Bigger on the inside#and all that#More hammerspace for Bats#without me needing to draw a million finicky pouches#so glad we *didn't* collectively decide that the bats had to be the most realistic superheroes#like imagine making a super gritty and realistic batman#who is limited by what humans in real life can or would do
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Thou Shalt Not Kill - Chapter 12
AU Noah Sebastian x detective female reader
18+
Summary: Reader is a detective and is assigned to a murder case which she soon connects with previous killings and figures out the religious affiliation, proving there is a new serial killer within the city. Reader soon becomes obsessed with the killers mind and methods and won’t rest until she figures out who the killer is. All while she gets used to working with her new partner on the case, detective Noah Davis.
Warnings: graphic writings of murder/killings, blood, gore, violence, serial killer, swearing, god complex, use of religion, stockholm syndrome, mentions of the death of a parent
Here we go, things are going to start heating up again now and I’m so excited!! Only 6 chapters left 🤭
Please let me know your thoughts, it honestly makes me so happy reading all your comments/reviews 🖤
Story Tags: @lacy1986 @hayleylatour @thatchickwiththecamera @calleyx13 @english-fucker @malerieee @ithoughtbynowidfeelbetter @softvgold @lilhobgobbler @glccmreid @badomensls @madomens @loeytuan98 @iluvmewwwww75 @rosebushjhj @livingdeceasedgirl @lilrubles @samanthasgone @blackveilomens @hellayeahsworld @lookwhatitcost @doomhands-jr @nojoyontheburn @poisongirl616 @bakanerd @sacredthefran @flowery-mess @fadingangelwisp @theanarchymuse95 @1toreyouapart @xxkatsatwatwafflexx @overmydeadbodysblog @concretejunglefm @collisionofyourkissmakesitsohard @sister-sebastian @alwaysfightforwhoyouare
Let me know if you wish to be added! This is separate to my permanent Noah taglist due to the content within the story!
Chapter Index Here
Masterlist
The next few days had gone by very uneventfully. Noah had been gone more than normal however, not coming in until much later in the evening and not saying what he’d been up to during that time.
The thought had you on edge, you knew he wasn’t finished with his work, had he been killing again?
Being so cut off from the rest of the world down here, you’d never know unless he told you….however you were certain he wouldn’t resist bragging about his latest kill to you if he had.
You wondered if people were looking for you yet, surely someone must have noticed you were missing? Then again, you were married to your job. Over the years you’d distanced yourself from most of your old friends due to the long hours at work, so focused on the cases on your desk that people stopped inviting you out to things, only so many times people will keep trying when you constantly say ‘no’ or ‘sorry I’m working’.
The last few months played heavy on your mind, everything that had happened since that day the first case was assigned to you.
Your feelings for Noah was something you couldn’t deny or ignore, you knew it was wrong, it was sick but you couldn’t stop thinking about him, as your partner and your friend. The only man in recent years who actually saw you, who believed in you.
Did you even want to be found?
That was something else that had been going through your mind. What did you really have waiting for you?
But what did you expect to happen if you stayed? You knew Noah wouldn’t keep you locked down here forever, you knew on some level that you couldn’t trust him…but that was the problem…in some ways, you trusted him more then the people you had around you at the station.
“I wonder what he truly intends to do with me…”
You suddenly heard the commotion of Noah coming down the stairs, so much louder than normal, like he was bringing something down with him.
The sound of the locks turning and the heavy door creaking open slightly reached your ears as you waited to see him appear, twiddling your fingers together as you stood on the spot.
Noah’s masked face came around the door, his breathing more laboured than usual. He brought his gloved hand up to his mask and pulled it off his head and tossing it carelessly to the side, his hair falling around his face which held a sinister but satisfied grin like he was extremely pleased with himself.
“Hello angel, I have a surprise for you”
Your brows frowned as a knot started to form within the pit of your stomach, feeling something was definitely wrong.
“Bring that chair over here”
It was an order, not a request.
Noah swung the door open wider and you gasped as you saw Noah dragging a body into the room, a dark sack type bag covering the face, but you could tell from the persons build that it was a man. A man who was very much alive as he struggled against Noah’s strong hold.
You stared in shock until he shot you a sharp look and you quickly turned and grabbed the chair by the desk and pulled it over to where he was standing, the man still struggling in his grasp.
“Shh, shh, shhh”
Watching Noah shushing the man so casually in his ear sent a chill down your spine.
Noah manhandled him until he was sat in the chair and he tied his arms tightly around the back of the seat, the man making muffled noises from under the sack.
You felt the knot grow as your voice was lost, a nauseous wave hitting you hard, what was about to happen?
“There we go, make yourself comfortable”
Noah turned back to you, that sickening smile still present.
“What’s the matter angel? You look nervous?”
You swallowed the lump in your throat before you found your voice again.
“Wha…what’s going on?”
Noah opened his arms wide and gestured to the man.
“I told you that I had something planned for you angel”
You had no idea what was happening, nothing was making sense.
“I don’t understand…”
Noah’s smile grew as he approached you and cupped your cheeks in his gloved hands as he stared down at you.
“Then how about I just show you…”
Noah smirked as he stepped back, he reached over and grabbed the sack and yanked it off his head, the identity of the man being revealed.
And your blood ran cold.
Tied up in front of you was a man called Ethan Collins. The man who killed your father.
FLASHBACK
You were sitting at your desk in your office doing some research for the case, sipping on your half cold coffee every so often.
Noah was sat next to you, typing away on his own laptop before he yawned and stretched his tall body out.
“Well I feel like I’m going cross eyed”
You giggled at his statement as you turned to him, giving your own eyes a rest, you had both been going over old cold cases for hours now to see if there was any connections but so far, nothing.
“Maybe 10 minutes away from the screens wouldn’t hurt”
Noah nodded and downed the rest of his cup, grimacing at the cold liquid.
“Perfect time to get more coffee as well”
You finished yours, not particularly bothered that it was basically cold.
You set the cup back down next to the photo on your desk, causing Noah to follow your movements.
“That you and your dad?”
You glanced at the photo, a heavy feeling settling instantly within your chest as you smiled softly as you saw your younger self, somewhere around the age of 8 on your dads back as he gave you a piggyback ride, your arms wrapped securely around his neck as you both beamed at the camera.
“Yeah. That’s one of my favourite photos of us together”
Noah smiled as he looked over the picture.
“He really would be so proud of you detective”
You shook your head softly.
“Maybe, but…I’ve always felt like I’ve let him down”
Noah frowned as he looked at you.
“Why’s that?”
You took a deep breath before you answered.
“Because his killer got away with it…I told you that he was killed on duty? My dad had been after this guy for a while, all petty crime shit you know? The night my dad caught him robbing someone red handed, he shot him down” you took another breath and steadied your voice before continuing. “I know who he is, everyone here at the station did…but there wasn’t enough evidence as he had a ‘watertight alibi’ from his cronies and so the jury let him off”
Noah’s hand came to rest on top of your own gently.
“I’m sorry”
You looked up at him and felt your eyes welling up.
“I just wanted my dad to have some justice, I wanted that bastard to pay for what he did…and yet still he walks free to this day…I failed him”
Noah shook his head.
“Now you listen to me, you never failed him, the system failed him, failed you. Your dad would be so proud of everything you have become and what you’ve accomplished at this station, you’ve carried on his legacy for him and made a name for yourself”
You smiled and wiped a tear away that had fallen down your cheek before you pulled away and tried to compose your emotions.
“I hope so”
You went to go back to your laptop when Noah spoke again.
“What was his name?”
“Huh?”
You turned to him confused.
“The man who killed your father, what was his name?”
You felt your blood boil at the mere thought of that man’s name.
“Ethan Collins”
END OF FLASHBACK
You felt your body shaking as you stared at your father’s killer tied up in front of you.
Ethan’s scared eyes looked up and met yours and he tried to speak through the gag in his mouth, clearly begging for help as he struggled against his restraints.
It was obvious he had no idea who you were.
Suddenly you felt like a little girl again. A little girl who was yearning for her dad. A wave of emotions flooded your body, not knowing which one you were feeling more.
Shock, sadness, fear, anger, the gut wrenching pain of the loss of your dad feeling as strong as the day you were told he was gone.
Noah stayed quiet as he allowed you to take it all in, his eyes never leaving your face.
You tried to gain some control over your thoughts as you finally turned to Noah.
“Wha…what the fuck is this?!”
Noah smiled.
“Your surprise angel. You’re ready”
“Ready for what?!”
Noah’s smile grew as he pulled one of his knifes out of his jacket pocket, flicking the blade open.
“To help me finish my work…you’re going to kill him”
#thou shalt not kill#noah sebastian#bad omens#bad omens band#bad omens cult#noah sebastian davis#noah sebastian x reader#noah sebastian fanfiction#noah bad omens#noah sebastian imagine#noah sebastian smut#noah sebastian drabble#noah sebastian fic#concreteangel92
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