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scribeofmorpheus · 2 days ago
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Dragon Age Veilguard: Love, Wisdom and Pride
A very long Dragon Age post!
Warnings for: Veilguard Spoilers, Solavellan spoilers.
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Okay, so I will preface this by saying that this ‘analysis’ primarily focuses on Solas’ arc; both romanced and unromanced. It isn’t intended to be a romanticised analysis, though it is very much enamoured with how a romanced Solas and his relationship with Lavellan foils (and informs my reading/reception of) that of Solas and Mythal’s relationship in Veilguard. There is a relationship I will address that I feel does parallel Solas and Mythal! Scroll down to “Reading Between the Lines” if you wanna skip my little intro below. Spoilers follow.
Truth be told, I wasn’t ever expecting much in terms of actually getting a sequel to Inquisition. The game dev market went through a tumultuous reshuffle before the remake madness breathed life back into many studios. Bioware game sequels (Mass Effect Andromeda) were underwhelming and not as fleshed out since the EA acquisition. I absolutely believe Bioware would have been shunted had Mass Effect Legendary Edition not been so successful. EA’s reputation was always lacklustre and underhanded, but laying off or losing several head writers attached to Bioware with almost two decades of work under their belts was the biggest red flag. Trevor Morris not being asked to return in exchange for a ‘bigger name’ was also a grave warning that returning to the atmosphere, ambience and world of Thedas that we knew was getting further and further away from a plausible reality. And on top of that, there’s the fact Solas was never intended as a romance interest during early development of Inquisition.
Solavellan seemed doomed!
Despite this, I still held out hope for a sequel, but I feared we’d always be in permanent Solavellan/developmental hell. Heck, I’m still waiting for a Beyond Good and Evil sequel—the game released in 2003! So, actually witnessing people play Veilguard, seeing reactions to it, seeing memes and gifs and essay pieces (like this one), it’s like my community has awoken again, and I never thought I’d see the day. Yet I am not blind to the fact we were robbed of so much potential. I knew thing’s wouldn’t live up to re-emerging expectations when Dragon Age: Dreadwolf was rebranded to Veilguard—the shift seemed to imply less of a primary focus on Solas (and apparently, according to the artbook, the early concept art proves this implication correct).
Things seemed even more dire when the devs revealed there was no tapestry mechanic. I had only one hope: that with the Inquisitor’s confirmed return, we’d get at least some form of catharsis for our Inquisitors (Lavellans and otherwise), if we couldn’t get the conclusions to so many storylines present in each of our worldstates. My main fear was that they’d go the clichéd Ultimate Sacrifice route (which happens anyway, but in a way that makes thematic sense given the stakes and heavily blighted worldstate).
Suffice it to say, there was a lot of evidence that Veilguard would disappoint me in the end. But it hasn’t. It hasn’t lived up to the many expectations and marks of excellence that the Dragon Age world built itself into with the first three entries, that’s for sure, but I am also just so deprived of conclusions, of endings (whether it be because TV doesn’t exist in a sustainable format anymore or that comicbook movies are made with a sequel in mind, never letting anything just “Exit Stage Left” gracefully; or the fact we live in a regurgitating content cycle with late-stage-capitalism where anything remotely profitable gets turned into a caricature of itself: Squid Game, Star Wars, etc.). The cycle is so exhaustive that I am actually at a point where I can say I am content with the ending we were given (on a Solas/Solavellan front), Veilguard gave me relief, and beautiful, achy pain to boot. Though I would absolutely be disappointed by both the "non-romanced Solas" endings, given that Solas winds up either "dying alone, forever" or turns to Tyranny.
Now onto the actual review of that Solavellan ending, Mythal and themes of Love!
Note: I have only gotten the ‘best’ ending in my first playthrough, but I also thought the consequences of not maxing factions would be more… dire? Another note, pls, if your romanced Inky swore to stop Solas, how does that ending differ, if at all? Let me know, I’m dying here!
Sidenote: I’m working on writing another review about my views on the ‘sanitised’ worldstate, the new companions (and why I think Varric was the wrong choice to have as an advisor in the game, given that the Inquisitor or Morrigan would have been more impactful; and not to mention that Cole or Briala should have been companions), removal of the tapestry and what it means for the future of stories in Thedas (The Story We Lost is such a poignant compilation of the sheer volumes of lost lore and depth that I honestly think I won’t go as in-depth on that review as this one), and why I think Veilguard is my final entry into Dragon Age.
Reading Between the Lines: What Pride Hath Wrought
One thing is for sure, Trick Weekes flourishes when writing within the ambiguities and complexities of meaning. This makes every word uttered by Solas so great to dissect, he's a god of lies not because he 'lies' but because he's so careful with how he phrases things, what he holds back, and what he reveals.
For instance, the famous Trespasser exchange where Solas mocks his own follies with sarcasm by saying:
“What is the old Dalish curse? May the Dread Wolf Take you.”
Then a softer, more saddened and beaten-down Lavellan replies:
“And so he did.”
This irks him. Because he then realises in that moment that he absolutely did take advantage, but for some reason he frames it around sex rather than power because that’s easier to address than the latter. And he rejects the notion, even though he brought up the expression he knows to mean nothing close to a sexual inuendo for being ‘taken’, and yet he has the gall to try and derail the conversation by pivoting and saying:
“I would not lay with you under false pretences.”
When I first had this dialogue exchange, I was baffled, because did this mean that there was another meaning to ‘Dread Wolf take you��� that Dalish clans lost through the years, or was it more of a self-deprecating joke Solas had with himself because he, the Dread Wolf, romanced (took) a Dalish Inquisitor (away from her people’s beliefs, histories, past), and he found irony in the saying?
On the surface, “wouldn’t lay with you under false pretences” could simply mean “we didn’t sleep together” or “we did sleep together, but I wasn’t taking advantage as the Dread Wolf, I was simply Solas in your presence”. But I have recently thought of a more… ambiguous reading.  Lay could have been used in a milder, more vulnerable way; to mean to be at peace, to be completely vulnerable, as if to sleep. In that sense, the phrasing becomes: “I could not be at peace with you because I was living a half-truth”.
I absolutely think the moment he feels he is truly beyond hope is when we see his expression of abject horror as Lavellan shouts: “I would have had you trust me!”. He realises then that he did fuck up, he did take the choice away from her because he thought he knew better, him and his pride led to a decision that hurt someone close to him, and he could finally see how wrong he was, how alike the entire situation became to Mythal’s treatment of him. Especially if Lavellan asks to go with him. Because he can see that despite the hurt, the lies and the betrayal on his part, Lavellan still wishing to join him draws too close to his first regret: following Mythal.
Whether he likes it or not, Solas’ love which could burn like a bonfire was directed at a powerful woman—a Herald, an Inquisitor—and inspite of her greatness of character, it still shaped her into someone willing to follow him on his dinanshiral out of love, much like he left the Fade and took physical form for Mythal. So now whenever I hear Lavellan shout “Var lath vir suledin”, Solas replying with “I wish it could, Vhenan,” changes drastically with the Mythal reveal, knowing he always walks away from the Inquisitor in Trespasser.
“I wish it could, Vhenan” sounds heavily like: “You would regret me, as I regret Mythal, and I cannot bear for that to happen us.” More poetically, it could read as: “I wish our love could overcome a duty that has lasted an incomprehensible amount of time, I wish I could change my nature, but then I’d be twisted into a demon, like the spirit of Wisdom in the Dales; and yet again, I would become your regret.” These two readings are very, very romantic. Realistically, given what we know of his kinship with Felassan, and how they were comrades and friends for centuries (“A story unfinished. His back turned!”), and given what we know of the complexity of Mythal’s will that presides over the creation of his very being, and yet he was still able to muster the strength to kill a fragment of her to fulfil his mission,  “I wish it could” was most probably a lament: “Do not ask me to hurt one of the two women I’ve loved on this journey, because if it ever came to it…” he would.
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Knowing what I know of Solas, of how he was able to convince himself that Varric’s death (avoidable as it was) was just another necessary step, that it was just another sacrifice, another loss that would be worth something only if he completed his ritual, I have no doubt that Solas would also be able to rationalise hurting Lavellan (which is why in his mind, turning away from her, breaking her heart, leaving with no explanation and aiding her in Trespasser so she could live whatever few years remained in “relative peace” is actually an act of preserving that love). I partially think the reason he reveals the truth in Trespasser (especially for a romanced Lavellan) is in the hopes his ‘truths’ will push her away. But on a deeper note, I think he also thinks of it as some twisted form of repaying her for loving him to the point that he could have almost forgotten what it was to be the Dread Wolf, to just be with her as Solas, that night at Crestwood. Maybe his harsh truths would push her to the point where she’d give up her love for Solas, now that she knew he was the Dread Wolf, freeing her from the shackles of their love. He’s very self-flagellating, all about self-sacrifice for the ultimate goal, the ends always justify the means, he will endure any pain and punishment as long as Arlathan returns in the end.
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What is his love of a mortal compared to the despair and loss of an entire empire? Solas views himself as selfish for falling for her, and that nearly broke him, if he was selfish enough to leave the dream of Arlathan behind for her, what would that do to his spirit then?
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In his way of thinking, perhaps telling the Inquisitor the truth is a way out, a rationale they can use to justify stopping him or to make it easier to hate him as the Dread Wolf rather than love him as Solas (someone he hasn’t been in so long).
‘Masking’ as the Dread Wolf
During Trespasser, the Inquisitor has every right to despise Solas after all they’ve learned, and I think he half reveals the truth as a tactic so the Inquisitor can have an excuse to hate him, to be driven to anger and have less pull over his choices, once they learn the truth. Solas is particularly skilled at making other’s play the role that makes his own choices seem inevitable, he orchestrates a lot of events to play out in a manner where it's easier for him to talk himself into bringing down the veil.
He goads Elgar’nan to anger easily. He inspires the spirits to fight for him to the death as a necessary distraction during the war. He absolutely allows the Inquisitor to speak to him one last time so he can offer insight, yes, but also so he can easily frame his actions as just and inevitable. But, Oh boy does he get in for a shock if the Inquisitor shows empathy towards him, it scares him because he’s become accustomed to being seen only as the Dread Wolf. To be understood? That gives way to remorse. And remorse gives way to doubt. And he cannot doubt his purpose, twisted as it is, it is all he has left of his former self. Without it he would most likely change into something different. Someone he doesn’t recognise.
This fear intensifies more so if a romanced Lavellan asks to go with him, and in that case, he takes command and distances himself away (rejecting the help of someone close to him; the chance for a possible betrayal; the chance at another Felassan or Mythal [x]; the chance to twist Lavellan outside of her purpose, in this case, the purpose would be love/empathy) but not without showing remorse at having sacrificed yet another relationship for his crusade.
“Ir abelas.”
Sorrow for what cannot be is at the heart of why the Solavellan romance is so powerful, especially because even though both Solas and Lavellan love each other passionately, love alone cannot be enough when faced with regrets. Love would ultimately be stifled. Corrupted into something else over time. And so, for Solas, having loved and lost tragically is better than having loved and corrupted.
He will not do to Lavellan what was done to him, even if it is her choice, because she knows so little, her naivete cannot close the distance of a millenia’s old sea, and it would hurt him immensely to take advantage of her kind heart [x].
By leaving, he keeps her heart pure. And the yearning! Knowing the love is there, but on its own it cannot be invulnerable to corruption, so it is better to lose it than twist it. Ugh! Him leaving Lavellan is the ultimate show of love! IT IS A WISE DECISION. A rare glimpse into pure wisdom. Which is why he kneels beside Lavellan in Trespasser, he does not “Stand Tall” in the face of Wisdom’s heart. He kneels beside her. And when he stands tall again, he is Solas once more, filled with regret, and once through the eluvian, he returns to masking as the Dread Wolf.
Sidenote: It’s especially confounding that Veilguard allows Rook to push the Inquisitor to save or stop him after you’ve reached act 2 despite your world state choice (I think this was done in case they feared the Inquisitor wouldn’t stand by Solas after everything he was revealed to be responsible for in Veilguard, however it doesn’t work because the Inquisitor wasn’t an advisor, Rook never told them what they learned from the wolf statues, so having a stranger hold the ability to make Lavellan keep her promise or not rings hollow). Personally, I wish the Inquisitor’s presence had more weight in the non-Solavellan endings, too. I wish the Inquisitor could end up being the last friend/former love that Solas destroys (if you don’t collect the wolf statues) which then prompts Rook to fight him because Solas’ last tie to empathy failed to redeem him, that the Inquisitor falling is the last straw and Solas snaps, choosing to be a villain in the hopes of being stopped because he can’t stop himself, and not the ‘I am a God’ ending they gave us. Same for if your Inquisitor vows to stop him. I also wish the Inquisitor was the one to do the wolf statue missions. Would have been a nice secondary protagonist mission like the switching perspectives between Kratos and Atreus in GOW: Ragnarök (the old guard and the new; Inquisitor and Rook). I would have loved if they dedicated more dialogue to Inquisition days too, which is why I think Cole should have been a companion (if he wasn’t recruited, he could simply be a compassion spirit that ‘follows’ the greatest pain in the Fade that yearns to be healed, giving a compassionate viewpoint to Solas’ folly; recruited Spirit Cole could have a greater connection to Solas than even Varric, seeing as Cole was most likely a literal representation of Solas rewriting his own history by preventing a spirit from becoming too ‘real’; Human Cole would have a deeper connection to the world of Thedas, and could have been a great tool to prove how change was inevitable, not always a bad thing, and inevitably out of even Solas’ control. But alas, we live with what we are given! Even Imshael could have served in this role! Spirit/Demon of choice and it wasn’t incorporated into the game that supposedly asks you to make the greatest world-changing choice ever; redeem the Dread Wolf or end the age of the Evanuris entirely?!
Now onto the next segment: I want to talk about Solas’ regrets and how I read the ‘love story’ between Solas and Mythal, and why Lavellan (and what she represented) wasn’t enough to get through to him (and that’s a very believable thing, that’s what makes their love both tragic and epic!).
The High Price of Redemption
A romanced Lavellan has the most agency to see through his guises, if she resolves to save him, but even she cannot undo the shackles that still bind him to Mythal—the binds that twisted Wisdom so far from its purpose it became Pride, even when he burned (Mythal) from his face. (Likewise, A close friend Inquisitor who promises to save him is most likely a parallel to Felassan, again, they cannot undo the shackles of regret either.) I fully believe the vallaslin had a deeper magic than simply marking one as being committed/devoted to an Evanuris, I think it linked them magically, and since Solas was the first to burn the vallaslin away, he probably wasn’t as good at severing the link on himself as he was for other elvhen, so maybe a part of Mythal’s will still lingers in him, twisting him to Pride still.
In Veilguard’s final confrontation, I love the intention of showing how Lavellan approaches Solas slowly, as she doesn’t know who she’ll be faced with up those steps, Dread Wolf or Solas. But when she speaks to him, trying to get him to change his mind yet again, forgiving him for his wrongs, we are reassured that Wisdom hasn’t been completely consumed by Pride despite everything we’ve witnessed in the game because he bows his head at her in reverence as he apologises.
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He shows humility towards her. He elevates her and her enduring love as worthy of his respect, but he does not consider himself worthy of hers. Thus, Lavellan pries open the door to acceptance but his heart is still not enough. Which is why love alone cannot turn the tide. He’s too broken to accept it. He doesn’t think he deserves it, so the only way out is through; to continue the ritual, to prove he was right. The shackles persist. Varric’s death weighs on his conscience now more than ever. Possibly members of Rook’s team too if they died on his crusade. But he is vulnerable enough for Morrigan to approach, and now Rook can use Mythal’s essence to make the final push. The only way he could be with Lavellan, the only way he could atone for the past and shed the weight of his armour (his crushing duty to the Elvhenan) is as Wisdom, fully restored, unbound by mistakes.
“Ar lasa mala revas.” He could only find absolution once Mythal (the angered and more brash essence of Mythal, the one unchanged by Flemeth and all the human women’s lives she’s been shaped by, but the closest iteration to that of Mythal in Arlathan, the version that he perceives as having every right to be angry at him for turning his back on her, for not going that last final stretch with her and subsequently, not being by her side when she died) severed the final connection: facing his regrets, showing humility and apologizing, while not taking away the blame but sharing it.
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What is Benevolence without Wisdom if not Hubris?
We know Elgar’nan was twisted to Tyranny during the war, and I saw a post somewhere where someone wondered what led to his corruption, and what he was before (leadership/command). Likewise, Mythal was not above corruption.
So far, I’ve seen a lot of takes on Solas’ ties to Mythal, the power dynamic of being a student/disciple enamoured (could be romantic) with the benevolence of Mythal, but not how Mythal’s purpose was possibly also twisted towards hubris the moment she asked Wisdom to turn physical and build weapons from its knowledge, twisting it to Pride. Without Elgar’nan’s tyranny to rally against after the war with the Titans, Mythal would most likely turn a similar route, seeing her ruling as “necessary” for the people: “If not me then who?”. And that is a very short stop and quick drop to “I am your all-powerful ruler, I liberated you, and only I can guide the way”. Benevolence twisted by hubris can easily turn to Tyranny too, only one more subtle, a kind of cultish indoctrination compared to violent subjugation. If Solas had not turned his back on Mythal when she chose to be Evanuris (a god over her people) then they most likely would have made the worst (best) pair in the Evanuris. Pride is the Seventh Deadliest Sin. But imagine Pride next to Godhood?! That is frightening. So, when Solas burns the vallaslin, walks away and works against the Evanuris, I believe that he also inadvertently stops Mythal from becoming a corrupted version of herself. The sorrow at having lost her closest confidant and “love” grounds her, keeps her saintly in Solas’ mind, and in some ways, perhaps saves the Elvhen empire from a worse fate than him erecting the veil to begin with. But neither of them ever consider this. And I think that sort of self-blindness perfectly encapsulates how flawed both Mythal and Solas are. Now onto love.
Solas and Mythal – a Love too complex to simply classify as mortal ‘Love’.
There’s no doubt Mythal and Solas shared a deep bond, one that definitely had love in it, when we hear Mythal calling him ‘love’, without the possessive ‘my’ in front of it, it’s easy to misconstrue what type of love they share. A small nitpick, but like a thorn, it applies sometimes just enough pressure to change a perspective. Not calling Solas “My love” but instead choosing to simply use “love” works within those wonderful ambiguities/complexities that Weekes thrives in.
If one started out as a spirit, it’s safe to say concepts like familial bonds, romantic bonds, and blood ties mean little to nothing. There is no one type of love and there is every kind of love all at once. It is only once physical bodies are introduced, that physical touch, the ability to stab someone in the back, to kiss out of affection, to hug out of empathy, to strike out of anger, that love now becomes this twisted thing too. There are no spirits of love because spirits always possessed love, but there are demons of Desire (Gluttony) and of Rage (love denied).
I believe, from DGL’s acting skills, his soft whisper, his almost submissive smallness in the breadth of Mythal’s already soft voice, that Solas was in love with Mythal, devoted as a student, beguiled by her benevolence, content even in her shadow, and possibly star-struck. He was in love with someone who doesn’t have the possibility to love him back the same, it is not in her nature to love those beneath her in the same intensity that those who look up to her do. It’s like a priest being in love with God. The priest can devote themselves, sacrifice everything, but a God will always love their flock equally, but they can still play favourites.
Benevolence cannot be enamoured with Wisdom because to be truly benevolent they must possess Wisdom but there is also Pride to be had in walking beside benevolence, but they can never be on equal footing. Likewise, Solas’ love is not reciprocated entirely by Mythal, but she does love him back in her own way. While Mythal is definetly Solas’ first love, layered and complex, it is also strangled by regrets and twisted by uneven scales of power. It would never be a nurturing love, only a consuming kind.
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When he speaks of Mythal during the Solavellan ending, he calls her his “oldest friend”, much like what Mythal says, (paraphrasing) “would you have me be angry at my oldest companion whose experienced so much with me”. Because friendship is perhaps the easiest way to describe their companionship. They went through many iterations, one certainly holding romantic tensions (specifically from younger Solas), but ultimately, with that much time shared, kinship/friendship becomes the easiest to surmise. You can love your friends, fall in love with them, fall out of love with them, only to love them again, be disappointed in them, etc.
Media today is flushed with romance as a linchpin for driving a hero to make dire choices, and that has warped our perception of how a platonic/non-romance-based relationship can be all-consuming, and sometimes more impassioned than strict romance. But, to make it easier for people to understand Solas’ motivations, it's easier to see their love in the light Taash sees it (an unreliable, somewhat “still juvenile” narrator, in that they are still growing into themselves and their culture and the world): “They were doing it”.
However, Bellara, a companion whose entire companion story is linked to her strong, deeply character-driving relationship with her brother (platonic love) refutes that reading by saying (paraphrasing here): “We don’t know if their ‘love’ is the same type of love we tend to think of in a masculine and feminine relationship.”
Felassan’s letter after the Mythal Dragon fight alludes to Solas having been in love with Mythal, but nothing about how she felt. This is why I consider the Solas/Mythal relationship to be more of a one-sided romantic love, but a requited ‘love’ relationship for them both.  
A parallel I find so compelling: Solas and Mythal vs Briala and Celene. Solas and Briala both hold deep emotions for people in great power with the ability to end a tyrannical cycle of subjugation, enslavement and classism, yet for both of these ruler’s charisma and well-meaning intent, they often are swayed to side with tyranny. For Mythal, that was Elgarnan, the Evanuris who made all the other’s worse tyrants; as well as her own hubris for believing her presence alone could dampen the ravenous hunger for power that the rest of the Evanuris held at the small prospect of leading the Elvhen in a time of confusion (being a North Star is hard when all the other lights around you aim to blind the flock into submission). For Celene, this is more about the nuances of retaining favour, pull and power over other noble families, their backing (be it financial, political or simply cut-throat), and their support so she can be the ‘lesser of two evils’ compared to Gaspard’s warmongering personality and Florianne simply being a puppet with no backbone. Both Briala and Solas are turned to pawns despite their immense strength and compassion for their respective elven plights; Briala is rendered a fangless lion (for lack of a better metaphor) if she is reunited with Celene, whereas if she is chosen to puppet Gaspard, there’s every likelihood her story could parallel a ‘power-mad’ Solas if he’d been tethered to Rage (at betrayal) and not Regret (at having not rejected Mythal when she asked him to take a physical body) throughout his tenure as the Dread Wolf.
Solas and Lavellan – a Heart that was never intended to be Given/Taken
Now I will compare the lack of possessives in front of Mythal’s “love” to Solas declaring Lavellan as ‘Vhenan’ and then ‘Ar lath, ma Vhenan’ vs ‘Ar lath ma vhenan'; again, the coma is the thorn, the pause that shapes the quiet unsaid things we can deduce. In the Trespasser cutscene DGL puts the pause after “Ar lath”, even though the subtitles construct the sentence with Vhenan as a proper noun since it’s a nickname often used by Solas: “Ar lath ma, Vhenan”. But I believe Solas actually says “Ar lath, ma Vhenan”.
With “Ar lath, ma Vhenan” the stressor is after the pause, so the line reads: “I love [you], my heart.” And with “Ar lath ma, Vhenan” it makes even less structural sense but can be inferred to mean: “I love you, Heart”.  
The possessiveness of “My” is what definitively differentiates the love Solas feels for Lavellan as one more of the romantic side, it is a love of yearning and desire and a wish to have one last good thing that is pure and incorruptible. The one thing he had left to give. His heart. But that does not mean his heart is enough! The rest of him is still bound to the love of Mythal that was twisted through the ages. That changed him. And given how Pride often comes before a fall, I absolutely understand why Solas is actually very brash and ill-considering when he’s romancing Lavellan (“The kiss was ill-considered”/”It would be kinder in the long run”/”I wanted to show you what you mean to me”). He's on a precarious cliff during Inquisition. His first plan failed. He's allowed ancient elvhen magic to fall into a blighted Tevinter magister's hands. Literally everything the Inquisition did could have been for nought if the Mark had fallen to the wrong person. Things could have easily fallen apart for Solas too, so why not indulge in something trifling and fleeting? Execpt it wasn't trifling. Nor was it fleeting. And when he saw that the fall could potentially not happen, that the Inquisitor could do it, save Thedas and retrieve the orb, he was struck by the gravity of his brashness, of letting impulses control him instead of acting according to a plan. But it was too late. They'd both fallen for each other.
Solas didn’t expect to form entanglements within the Inquisition. He was committed. He was angry at the world, “walking through a sea of tranquil”, called flat-ear by the Dalish that later chased him from their village when he proved he was the Dread Wolf. He was despised by people who looked like him. Spirits were constantly being abused and turned into demons. People erected monuments to heroes who slew demons. Mages were caged. Elves were subjugated. The empire fell. Humans razed the lands with their wars and petty squabbles of succession. The darkspawn tainted the land. The dwarves would never dream. Solas awoke to the worst possible fate; in his eyes, it was all his fault.
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So when he kisses Lavellan in the Fade, impulsively, he isn’t kissing her there because it is less ‘real’ than if they kissed while she was awake, it makes it so much more real. He’s kissing her in the space where he is most himself. Where he can shed the body he was forced to build and trap himself within, the body of Pride. He is acting on the impulses of an enlivened Wisdom spirit that does not consider tomorrow, for the first time in a long time. It isn’t a long game with Lavellan, like so much of his life has been about always thinking to the future, always considering the outcome, machinating, scheming, the wiles and woes of every trickster god in mythology. It’s being in the moment with her that is all-consuming. It lowers his guard, leaves him vulnerable, and when she enquires about the Fade or spirits or histories, he gets to be useful as pure Wisdom again.
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Lavellan challenging him when he first shows animosity or irritation towards the Dalish (a prideful act), and then him being taken aback when she explains that maybe the Dalish could be shown another way (making him consider her words, being given a morsel of wisdom back, reminding him of his old self), these are all small moments where Solas can begin to see springs of hope in the broken world. And that’s terrifying. It means he’s destroying not just himself, but the memory of Mythal and Arlathan too, all for the love of a woman who fell for an apostate.
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The best, most genuine unmasking of Solas for me is during Wicked Hearts, when he’s tipsy on wine, has no inhibitions, and revels in the intrigue, the gossip, the dancing, the music (something we now know is important enough to have an entire music room in the Lighthouse), the sex! He is at his most relaxed, and then he asks Lavellan to dance, not caring about how it would look for the “Inquisitor’s serving man, Solas” to be intimate in a fucking Orlesian palace with the Herald of Andraste, right after stopping an assassination attempt! He finds comfort in the world of Thedas at that moment. Something he rarely shows so outright.
When he takes Lavellan to Crestwood to confess, I believe removing her vallaslin wasn’t entirely just for her, it wasn’t just to free her from slave markings or to simply reveal a form of a truth he wanted to tell her, it was to resolve himself of what his first purpose was supposed to be, what she distracted him from. Removing the vallaslin had been something he’d done for the slaves of Arlathan, it was what earned him the mantle of Dread Wolf. When he removes Lavellan’s vallaslin, he resets.
Thedas cannot allow Wisdom to truly exist without fear of corruption to Pride, Thedas the world he was responsible for shaping, literally the Maker of the Veil, and he falls for a woman Heralded as Andraste’s Chosen One, Mythal’s incarnation in the South. The irony. The cruel, cruel irony. The Inquisition is tied to his past, every Andrastian he meets, every Dalish person with vallaslin on their face, every slave or city elf. Tevinter worshiping the dragons that still have the essences of the Old Gods. His heart alone cannot withstand all of the punishing, gruelling, oppressive weight that is Thedas. Even for Lavellan. So he frames their romance as this tragic, short-lived tale that was beautiful but ultimately destined to end. He expects it to pass for her, she’s mortal after all. But he also leaves his heart with her, literally giving her power over the last uncorrupted part of himself. Think Will Turner and Elizabeth Swann at the end of World’s End, but metaphorically. He gives her his heart to safe keep as he goes on a journey that could corrupt a heart, turn it cold and bitter, destroy it.   
Ar lasa mala revas. You are free.
He frees his heart.
Lets it go.
Twice!
So only once he is relinquished of his regrets, once Mythal does the same for him, only then is there “Nothing left except their love”. Because Lavellan still held his heart there was still something left after. Something beyond despair and regret and loss. He had given his heart to her to safekeep. And she did. Lavellan returns his heart to him when he is freed. What Mythal had to break so Solas could heal right again (like a bone), Lavellan casts a splint around so it can be set and heal properly. This is the difference between Mythal’s love and Lavellan’s. Both Mythal’s love and forgiveness broke him, but Lavellan’s love gives him the strength to Stand Tall one last time.
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Solas, before Pride alone, as Wisdom (perhaps Solas always meant both Standing Tall and Wisdom, for Wisdom can grant one pride to stand tall for what they believe in), finds contentment with the rare and marvellous spirit that endured (his Vhenan). Wisdom endured because of humanity, something benevolence is beyond.
Bellanaris
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When Lavellan offers to go with him, to continue on the dinanshiral that she already considers herself a part of, Solas is legitimately taken aback. His expression is soft yet full of disbelief and awe. He actually stops walking a few frames before Lavellan says this, as if hoping Lavellan would say something to him!
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And then she basically proposes to him! “Bellanaris!” I absolutely adore the fact that Lavellan promises them eternity. A vow as sacred as a death right, as protected as an ancient, elvhen, undisturbed burial ground in the face of Orlesian colonialisation. They endured and now they will have an eternity. For once, we have an elvish tale that is not a curse, it is a love story with reunion at its core, where both elves reclaim something precious that was denied them.
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Lastly, i am absolutely frothing at the mouth that Solas and Lavellan primarily speak in elvish! And even more feral at the fact Solas does not try to talk her out of joining him (because this sweet talker very well could!). He simply tells her where he is going is terrible. And she shuts that shit down immediately. No repeat of Trespasser. She's standing beside him, the South has all but fallen, whatever ties yet survive are strained, and she has fought the good fight for 8 years. I think the Inquisitor was about ready to leave Thedas behind.
The last decisions Solas makes are of his own volition. Entering the Fade for atonement. Stepping into the Fade with Lavellan (It was confirmed by Weekes that Lavellan’s presence in the Fade prison would fundamentally change it in a way we haven’t seen!). Thanking Rook for giving him one last shot at getting happiness. All his own!
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This is the look of a man finally reunited with his wife! So much emotion in ONE frame. God! There’s never been a character like him. A love story like theirs! I’m so happy I got to see this ending. Full circle!
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P.S. If you read this far, woah nelly! That’s crayyzeee, so here are some more great pieces: Why it was important for Lavellan to kneel for Solas as he knelt for her in Trespasser in the Solavellan ending [x], and here’s a great deep-dive on Solas as a spirit of Wisdom [x].
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cavycaptain · 2 days ago
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I tabled with Kagebros that TFCon Weekend and we've talked about the tracing and redraws--FYI I also sell redraws of famous G1 scenes to sell as charms/prints. The merch is in my own style rather than taking directly from the cartoons and I acknowledge that they're not original. I'm not one to stand against the selling of redraws because that's just hypocrisy.
Kagebros has apologized and understand the consequences of their actions and that's enough for me.
People have traced and stolen from my merch/art before to the point where potential customers have become wary of purchasing from me because they did not realize that the tracers were taking advantage of my lack of online presence/small following. I'm not a fan of dogpiling, but I admit that I have made call-out posts, because again I have a smaller audience and get overwhelmed by misinformation thrown at me and I feel as though I'm backed into a corner. I have to understand that the tracers behind the screens are human like me and if they credit or take the art down, I am a very forgive and forget person. Again this is my own personal take on the situation from my own experience, and people do have the right to be upset and angry.
When you admire an artist so much, you want to implement their style into your own--I'm inspired by DJW, Josh Burcham, Dana Terrace and many more. Tracing or 1:1 referencing helps when you want to understand how those artists could obtain certain structures in their art--like hands or faces. Its a tale as old as time when inspired by your teachers but in the end you have to take what you learn from them and create a style most comfortable for your own skillset. I see that Kagebros has their own style developing and I cannot wait to see how much they improve in the near future.
I haven't addressed anything because I'd simply be repeating whats already been stated before. There are many points to this story that I agree and disagree with and I was more of a bystander through all of this while supporting my friends. But I guess deciding to still stand by my friend was enough to fuel a different kind of rage brought into the public space and affected our safety.
During this whole ordeal, at TFCon Baltimore, I was warned that a person was following and taking pictures of me WITHOUT MY CONSENT throughout the weekend. I have reason to believe its the same people going after Kagebros. I fear for what these people are capable of or what they could have planned had I or Kagebros not stayed with friends at all times. I feel so disgusted and violated. Yes, this is a public event and I had also taken pictures with friends/visitors that wanted to visit me. There are randoms who also probably unintentionally took pictures of me in passing. But this group had sought out to film and take photos of us for the sole purpose of stalking--I would also like to add that this same group has a history of doxxing people, including minors, in the Transformers fandom.
In this current political climate, its a terrible time to be an AFAB Person of Color. In a place where I thought I could feel accepted and safe and experience a little bit of escapism, I'm alarmed that even then I still feel in danger. Kagebros made mistakes but it doesn't warrant this kind of outrageous behavior. Me choosing to stay friends with someone does NOT warrant being stalked and followed.
I'm not perfect either, I've made so many mistakes, and I'm begging these people to take time to look inward, to self reflect on their actions and to realize the harm they are causing to people's physical and mental wellbeing.
This Post is by someone that wants to remain anonymous, they DM'd me this and asked me to post
The callout campaign against Kagebros has gone WAY too far. The lengths these people have gone to violate someone’s boundaries and privacy in order to “warn” people is incredibly excessive and is dealing horrible damage to their mental health and wellbeing. It needs to fucking stop.
The situation has spiraled completely out of control, spurred on by people who would rather side with a proud AI artist than have a civilized, adult discussion about tracing. Said AI artist has a history of attempting to ruin Kagebros’ credibility, spreading disinformation and rumors about them and their nonprofit charity zines, now going as far as to allegedly incite people to nonconsensually take photos of them at their booth at TFcon Baltimore, and block-evading their socials in order to find more posts to pick apart.
As they have stated already, Kagebros never had ANY intention to scam people, which understandably doesn’t change how those affected may feel. That being said, they could have very easily traced over things without altering them in any way at all, like many others within the convention vending sphere have blatantly done without a callout from these same people who care so much about “calling out tracing”. There tends to be a gray area in the realm of tracing techniques within the art industry (especially professionally), and there is plenty of merit for their actions to be criticized. As they’ve stated, they were under the impression that Official artwork/figures were okay to trace over and alter, which they now know to avoid doing so in the future. Even if the details and credibility of the piece can be scrutinized, they still made a conscious effort to alter the pieces in question to be more original.
Although said effort may not be enough for most, they now KNOW that. End of story. They can't immediately change the pieces they had available for sale, and they should be showing change through their future pieces and actions, which is something that’s up for judgment by anyone. And yet the people starting this have needlessly dragged it on, inciting others to keep spreading the accusations to further audiences, leading to more harassment.
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Seafoamsol had admittedly unblocked Kagebros and “offered” to have a talk with them about the situation, but their own intentions are extremely questionable, as a conversation should have been the first priority, rather than a callout post. They assumed Kagebros’ intentions without giving them a single chance to address it themselves before the callout, and are now going forward with the narrative of them being a scammer.
Again, if they truly were concerned, they could have unblocked them and had a conversation before the callout was made, instead of assuming their intentions were to deceive people.
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The situation is very nuanced, meaning there's a lot of points to be acknowledged on both sides in order to come to a conclusion, which could have happened peacefully if adults just had a civil discussion with each other. There is a justifiable talk to be had here, and reasonable changes to be made, but this can’t be accomplished productively if people continue to jump to conclusions and assume intentions. This has done nothing–and WILL do nothing–but hurt people, if this behavior doesn’t stop. mistakes will be made, lessons will be learned. Please look at this situation in its entirety before coming to your own conclusions based on assumptions made by people with evidently questionable motives and a history of causing problems for others and driving them out of the community. 
Thank you for reading.
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vagueandominousvibes · 3 days ago
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Saw your tags and YES OFC. I love your art style, and im honored you made the choice to follow me. I was SHOCKED
Thank you!!! I really love the ideas you’re playing with and I’m looking forward to seeing where you take them!
Regarding my own ideas … y’know how I said I’ve already got a number of Four Swords AUs projects to complete and that this would be something to get around to eventually? Well, my brain decided to ignore all of those:
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For those not in the know, demon-nayra shared an awesome idea earlier this week that essentially boils down to Vio, Red, and Blue being directly tied to the Four Sword and being the same characters in both Four Swords games (this is demon-nayra’s original post about it). My brain grabbed the idea with both hands and ran head-first into another AU, which I’m going to call “Goddesses AU”.
In the Goddess AU, Green is Link, Hylia’s chosen hero. Vio, Red, and Blue’s spirits have been tied to the Four Sword by the Golden Three, so when the Four Sword is drawn, they’re released to assist Hylia’s chosen hero. Each of them is tied to one of the Golden Goddesses: Vio to Farore; Red to Din; and Blue to Nayru (I recognise the irony of Blue being tied to the Goddess of Wisdom, but I think it’s really, really funny). Whether they were created by the Goddesses or whether they were regular Hylians once is unknown—all they know is that when they defeat Vaati for good, they’ll be released to live out the rest of their lives like regular Hylians.
Back during FS (as opposed to FSA), they assumed they would be released once this particular adventure was completed, and were making preparations accordingly—Vio was setting up to study and research, while Red got engaged. Blue didn’t have any particular plans, but would have been happy to travel. An amount of their character development happens during this adventure. At the end, however, instead of being released, they were locked back into the Four Sword again.
When FSA occurs, they’ve been locked in the Four Sword for centuries, but for them it’s only been the blink of an eye. They emerge, and at first they mistake the new hero for the previous Green. Then they realise what’s happened. Red especially is deeply distraught—not at anyone in particular, but grieves losing a person he loved and had prepared to spend the rest of his life with. Vio and Blue both get a bit protective of him, in their own ways: Vio tries to distract him, while Blue tries to fend off anyone or anything that might hurt him further (physically AND emotionally) and argues with the Goddesses. The new hero (who gains the name Green) has no idea what’s going on and tries to get everyone to focus on the task at hand.
Idk how much of this I’ll write, but I had a lot of fun redesigning the characters! (Not convinced by Vio though …) Regarding the designs, I drew inspiration from Din and Nayru in the Oracle games for Red and Blue. I really like the parallel of the Goddesses having stand-ins in at least two of the timelines, so using concepts and symbols from Din and Nayru’s designs felt like a good approach. I’m also very tempted to say that Red’s a good dancer and that Blue plays the harp (when nobody is listening, of course).
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wavywhiskers · 1 year ago
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Postcard thingy about OFF, but if the batter ended up being a model for capitalist advertisments through all zones :3
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sskk-manifesto · 4 months ago
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Bungou Stray Dogs: Dead Apple and how “ability users” (opposite to “normal people”) learning to accept themselves through the acceptance of their own abilities is a queer metaphor of acceptance of own's sexual orientation and gender: an essay by me
#bsd#bungou stray dogs#About: Dead Apple. Watched this a while ago with a friend and it was a lot of fun!!!#If you're reading this: thank you so much for hanging out with me I had such a good time (ㅅ´ ˘ )♡#Next to general considerations: wow they were right that Bungou Stray Dogs movie sure can Bungou Stray Dogs#It's always nice to see the detailed animation and elaborate backgrounds of movies. The animation quality compared to the manga is–#definitely noticeable and it's nice to see. That said... I still like the season 2 art style more? And I'm speaking strictly of art style.#The s2 one looks more soft and smooth while the da one is so much more rough.#The plot is... Very bsd-esque I don't think there's anything to add.#In my opinion Kyouka's arc is the one that turned out best tbh. I really like her narrative development and personal growth in this movie.#I like the complexity of her state of mind. how full of contradiction she is. I especially appreciate the recurring small changes of–#expression that indicate how she thinks differently from Atsushi even if she doesn't voice them. The fight between her cynicism and her–#kind nature. It's all very interesting.#Atsushi's development is interesting too. Although all the open questions about his ability we still have kind of leave me frustrated#I don't feel very strongly about Akutagawa in this movie? I mean‚ he's there. The ss/kk scenes are always great and in character and a joy–#to witness no matter what they do. He just doesn't shine particularly? Or at least personally I dont find the “proving my strength against–#myself” narrative arc to be particularly interesting. Imo it was a lot better flashed out in the da stage play! With the complexity that–#the dialogues with Chuuya added to the character. Dazai attacking him. And especially Aktgw understanding that Rashomon wasn't testing Aktg#but rather only expressing that unstoppable rage that is also Aktgw's own. About that I checked out the play and I really liked it!!#I only watched highlights (aka: ss/kk and chuu/aku scenes) but there's some stuff I really like. I like the conflict between Aktgw and–#Chuuya and how Chuuya messes up with Aktgw at first maliciously and then amiably. It's interesting how Atsushi himself observes that Kyouka#and Akutagawa get along. And especially the sskk almost-handholding and Atsushi saying Akutagawa has a nice profile were cute akjdhbsawhjb#Next. Da really is shipping paradise (╥﹏╥) Sorry but... It is. oda/zai. daz/atsu. ss/kk. s/kk. fuku/mori. chuu/aku. It really has everythin#and the moments are so good!!!! What else. Wish we'd see more of Tsujimura. And Christie. And women in general tbh.#Also‚‚‚‚‚ Atsushi's tiger form in this movie is ATROCIOUS. I've said it before but it's crazy how a franchises that relies so heavily on–#fanservice came up with something this hideous. Man the movie overall was pretty but Atsushi sure wasn't. Firmly stand by the belief–#that only Akutagawa would find that form attractive.#Oh last note. honestly if we're ready to accept a movie where an antidote has effect AFTER the person has effectively died then we really–#can't complain about any kind of insanity the manga brings up#random rambles
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anglerflsh · 2 years ago
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robots
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silusvesuius · 4 months ago
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this tree from my new drawing looking goated afffffff 👑👑
#yes this is a nel/vas drawing get off me😂#text#i wanted everyone to see it but also since i draw on paper in total silence i think a lot about everything so i wanted to voice some -#- thoughts too's. tbh i've been veeery self indulgent lately#actually i'm happy that n*lv*s is getting actual hits out of me that i like looking at#especially on-paper stuff that i can recall being fun for me to draw. all traditional art is fun to draw#and digital has turned into an actual task for me (only sometimes tho maybe i;m lying.. mspaint we're still bffs)#i think i just don't see the joy in trying to scrap up a ''' finished ''' piece in an art program .. pencil i love you and i love the -#- feeling of it scratching along the paper....sigh............ Rabu#i don't want my blog or thoughts to turn into traditional art suck-off ventures bc ik not everyone can get into it for many possible -#- reasons but if u feel like it U can ok? do it for Pencil✏️ and for me? for silusvesuius? 𝖎 𝖜𝖎𝖑𝖑 𝖕𝖗𝖔𝖙𝖊𝖈𝖙 𝖞𝖔𝖚#but Lord i hope i don't also come off as one of those people that r like 'to improve in art just draw that one fictional character u -#- rly like 😂😂' bruh gtfo my face with that.#i'm noticing 'improvement' in my stuff mainly...i think... because i'm always striving to impress#not so much other people that are here just for my art but more so myself#i have a very huge ego (Mind Battle)#also it makes me sad to think about how big egos or genuine (not obnoxious) flauntiness are looked down on#and i can tell bc i used to look down on people that would express the things i'm expressing now#especially in art focused spaces. now i'd rather be in a circle of artists that love to J*rk off their own brain for it's ideas -#-and talent than be w/ very self-conscious artists that are never expressing pride about any of their work#worse if it's to the point where they actively start to fish for compliments bc of it#fishing for compliments is always OK i just wish it didn't stem from insecurity in that context if that makes sense#but maybe that's very easy for me to say and admit bc i did develop a very big ego around my art and ... Creativity? like it's a sims skill#not that i still don't seek out 'attention' or compliments from others to soothe myself but hmmmmmm i hope u feel me.#it just turns me into a very competitive person#who am i competing with? Myself#i'm always in 'you can do better Because you're YOU' mode#which is much better i believe than comparing yourself 2 other artists#i don't think a lot of people read my tag ramblings but if u do i wonder how one feels about a very pompous artist#like me .......(?)
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longagoitwastuesday · 3 months ago
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Every day I am haunted by the fact JJK could be amazing but it will be just idk Bleach or something
#I've seen a lot of people complaining about the fact that it's impossible to fit the ending of every unfinished arc#in the five chapters that remain for the manga to end for good#And it all just... legitimises my fear and apprehension haha#And it's a pity! It's a pity! The dynamics were so good! And yet nothing! Sukuna was so good! And yet nothing!#It was so nice how he seemed to play with the idea of transcending human categories and values but even the values of curses so to speak#Well beyond everything. Well beyond positive/creative nihilism even! He was not like Mahito#I wonder if Mahito is more a negative nihilism with a funny edge or a positive nihilism. For now it seems positive#with how he seems to have said something like 'nothing matters so we can do whatever we want and create what matters'#But Sukuna transcends all that! It could have been interesting to see how that developed in a way that wasn't just childish edginess#But no. And then there's all the idea of curses and sorcerers not being all that different#and so not really entirely possible to say one side is good and the other bad#There was the idea of the very source of powers with fear and love playing a role here in such a juicy way#And then there's the entire thing happening with Gojo as a concept and the very concepts he plays with which I could eat like an apple#but also I would let those very concepts eat at my heart as a worm inside an apple#Full of holes and rotting inside out and yet delighting at the sweetness#It could all be so good! And yet! Most of the manga is a few sketched dynamics and concepts and a very long fight with Sukuna#promising half finished arcs#WHY it could have been so good. And I don't think criticism is a matter of 'fans being spoiled! Go write your story!' or something#It's not a matter of things not going as fans would want them to be. It's a matter of not writing well#or cohesively things established by the author themselves. And I think that's a fair criticism#If we are to take manga as an art‚ which I wholeheartedly support‚#then we can subject mangas to artistic or literary or whatever you want to call it analysis. There are works that are better constructed#than others‚ and there are works that have good ideas but poor execution. And it's always a pity#In the case of JJK it's truly breaking my heart and the comments I see around about these five last chapters are not helping xD#God it could be so good. So good. And I'm not talking about in specific to me‚ which yes that too given the topics‚#but just so good in general. It could be so good. It could have been so good#And yet it's starting to look more and more like any other shonen. It truly breaks my heart haha#I talk too much#Jujutsu Kaisen#I used Bleach because I think that's one of the mangas that has been the most a let down to the friends I have who like shonen
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pynkhues · 2 days ago
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I'm so glad your friends are both okay. That's so horrible.
Thanks, anon. It was about a decade ago (although the incidents happened in different years), so time's marched on. They're both doing well now.
#it was actually at the same festival#i volunteered there for a year and worked there for another two#and the assaults happened in that time#it's actually part of why i left the festival#it was a bunch of artists basically descending on a regional aus town every year to create art and learn and develop#and the nature of it was that the festival wanted diverse artists to attend#particularly lgbtqi+ artists#and then did nothing to protect them once they were there#i had huge issues with it especially as at the time i was working in marketing / publicity#and felt we were marketing to audiences we would be putting in danger#it didn't help that everyone who worked at the festival was extremely young#like god#i was about 21 or 22 i think at the time and i think the festival director was only 25#and i was not very good at advocating for my own opinions although tbh i also don't think i had the vocabulary for it that i do now either#but y'know#it's given me a deeply rooted passion for artist safety#which sounds extremely uncool lol but i've worked in and out of the field ever since#a large part of my current job at the theatre company is in safe and equitable workplaces#actually right now even i'm working on a safety strategy for working with deaf actors and artists#as we're developing a new show which has a lot of them#so i've been doing a lot of training and interviewing deaf people and advocates to develop it#work's even paying for me to learn auslan which has been amazing#and like the fact that my job even exists now i think is a sign of how far we've come over the last decade#but still#probably revealing too much about my real life here right now haha
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magentagalaxies · 5 months ago
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going to a comedy open mic tomorrow mostly to watch my friends (it's at a cool venue that my improv troupe performs at once a month and a few improv troupe friends are doing standup there) but when these friends were asking if i'd be interested in coming they were like "btw there's usually a ton of open spots on show days if YOU want to do something... and they're not strict about it only being standup either, people have done character pieces and sketches etc like they embrace the weirdness... and they're not strict about time limits you could probably do anything between three and eight minutes... sometimes if there's not enough people signed up they'll even let you go twice..." and i'm like god damn it i thought i was gonna take a break from aubrey but this setup is like tailor made for an aubrey appearance lmao
#still on the fence about it bc the burnout i experienced at the beginning of may extended to aubrey#especially bc so much of my aubrey stuff is comedy about gender and my brain was more in ''set everything on fire'' mode#and i think i've gotten to a good place with that burnout but i still haven't worked on any aubrey stuff since i got home from college#but even still even tho my mental health is better than it was a few weeks ago#recently i have had this horrible insomnia where i haven't been able to fall asleep at night in over a week#(i've made up for it with naps but still i am not mentally 100% rn. i've tried so many things and nothing has worked.)#so that's my justification for *not* doing aubrey tomorrow. however.#i reeeally need to get more performance experience bc there's only so much you can develop a sketch character without performing them#and this venue is so good. it's an art gallery like an hour away that's designed to be part gallery and part performance venue#especially for comedy. like the venue owner is this veteran comedian who used to work with bobcat goldthwait and a lot of other big names#and it's a low-pressure environment bc everyone there has seen me do comedy before with my improv troupe#but they still haven't seen me do aubrey at all so it's bringing a new side of my comedy to some of my main collaborators#like this is so much better than my previous aubrey performances bc they were all either#1. shows in CLASSROOMS with a bunch of my classmates who generally don't get my comedy (very clique-ish)#or 2. a guest spot on a show at a coffee shop where everyone knew each other except me#plus the biggest thing for me is the lack of a strict time limit. like as much as having a good 3-minute monologue can be#i think aubrey is a character you need to get to know a bit longer than 3 minutes. and a lot of my stuff is long while also being very tigh#like not every monologue is like this but my best aubrey monologues are almost like aubrey is telling you a sitcom storyline#and removing too many lines makes the whole narrative jenga tower fall over#and as much as i want to figure out how to make every monologue a good starting point#having the chance to perform multiple monologues if i get to go twice so that they can build off each other would be perfect#idk i'm not sure how often the open mics are there. at least monthly tho i might be missing next month's depending on when i'm in toronto#so like this wouldn't really be my only chance. but yeah i'm on the fence about whether to bring aubrey back for a performance tomorrow#i probably wouldn't do new material. i'd do the 5 minute version of my uncle reg monologue bc it's the one that's worked best so far#and if i get to do multiple. maybe i'd do the ''nom de plum'' monologue bc i think it's also very strong#and it has a good callback to uncle reg#but idk i also think doing the song would be very fun and on-theme since it's pride month and the song is a satire of rainbow capitalism#tho i'd probably have to rework the monologue that leads into the song bc even tho i loved the concept i don't think i articulated it well#or i could write an entirely different lead-in and make the previous monologue (''C/H/M'') a separate thing to revise later#which would probably go better and somehow be less work to write. but even so i don't know what the venue's sound setup is
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raidante · 2 years ago
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I’m embarrassed by how invested I am in my own work… bruh
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yellowhollyhock · 3 months ago
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I actually hit the tag max so I have to say this part in reblogs
DO YOU KNOW HOW MANY FLOWERS THERE ARE. DO YOU UNDERSTAND THAT IT COULD TAKE YOU LIFETIMES TO STUDY IN DEPTH AND CATALOG EVERY KIND OF FLOWER. AND YOU COULD DO THAT WITH BIRDS AND RODENTS AND CATS AND FROGS AND MUSHROOMS AND ROCKS
And that's not even getting into learning how to build stuff, lifetimes, LIFETIMES, to perfect every hobby that ever sparks joy, EVER. NO TIME CONSTRAINTS
And grief is just another beautiful part of that. Every person you meet is an exciting new incredibly complex and deeply worthwhile topic of study. You'll remember them after no one else does, you'll love them forever and ever and ever, you are their voice decades decades decades after they're gone. Does it ever stop hurting? And if it does is that better or worse? Isn't it wonderful to feel alive enough for the absence to sting? Isn't it wonderful to be alive?
I would do this forever I would do this forever I would do this forever I would do this forever
.... wait am I already insane ?
#there has been so much art made even if i just limit myself to the twentieth century#so much to study#also i could soend decades at a time just sitting in the grass for most of the day#getting attached to people and then losing them would be hard but that literally gonna happen anyway#and if i have all the time in the world i can be selective about who i get attached to#perfect every recipe#follow through with every fic idea#learn to sew#learn all the instruments#there is literally so much to do like I don't even think I'd travel very often#it would be fun to give myself little themes like#if humans live ~80 years then every 80 years I'd give myself different little things#like 'in this lifetime my word is Flexibility my animal is Hummingbirds my favorite food is Spinach my color is Pink#and then for the next eighty years I'd pick different things#also you'd notice patterns in human behavior and i'm obsessed with that#and even 'knowing' history having 'been there' you can't be everywhere at once so there's still so much to learn#and it would be so fascinating to study the histiography of events you're familiar with#and and and the music guys!#i feel like i would alternate between purposely taking an interest in whatever's popular at the time to fully immerse in the social#experience and keep myself grounded#and purposely being obsessed with music styles that no one currently likes to be the Weird Guy broadening friends' horizons#testing if and how I can bring stuff back#anyways I don't think I'm built thag different#I think about 60% of you haven't put enough thought into how much fun this could be#and don't have enough confidence in your ability to experience and heal from trauma of all kinds#idk maybe it's good if you don't develop that specific type of confidence#especially since we are not immortal#the entire spectrum of human emotion is divine nonetheless i hope your brief life is lacking in sorrow#that's enough tags yellow#tw caps
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tofupixel · 5 months ago
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⭐ So you want to learn pixel art? ⭐
🔹 Part 1 of ??? - The Basics!
Hello, my name is Tofu and I'm a professional pixel artist. I have been supporting myself with freelance pixel art since 2020, when I was let go from my job during the pandemic.
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My progress, from 2017 to 2024. IMO the only thing that really matters is time and effort, not some kind of natural talent for art.
This guide will not be comprehensive, as nobody should be expected to read allat. Instead I will lean heavily on my own experience, and share what worked for me, so take everything with a grain of salt. This is a guide, not a tutorial. Cheers!
🔹 Do I need money?
NO!!! Pixel art is one of the most accessible mediums out there.
I still use a mouse because I prefer it to a tablet! You won't be at any disadvantage here if you can't afford the best hardware or software.
Because our canvases are typically very small, you don't need a good PC to run a good brush engine or anything like that.
✨Did you know? One of the most skilled and beloved pixel artists uses MS PAINT! Wow!!
🔹 What software should I use?
Here are some of the most popular programs I see my friends and peers using. Stars show how much I recommend the software for beginners! ⭐
💰 Paid options:
⭐⭐⭐ Aseprite (for PC) - $19.99
This is what I and many other pixel artists use. You may find when applying to jobs that they require some knowledge of Aseprite. Since it has become so popular, companies like that you can swap raw files between artists.
Aseprite is amazingly customizable, with custom skins, scripts and extensions on Itch.io, both free and paid.
If you have ever used any art software before, it has most of the same features and should feel fairly familiar to use. It features a robust animation suite and a tilemap feature, which have saved me thousands of hours of labour in my work. The software is also being updated all the time, and the developers listen to the users. I really recommend Aseprite!
⭐ Photoshop (for PC) - Monthly $$
A decent option for those who already are used to the PS interface. Requires some setup to get it ready for pixel-perfect art, but there are plenty of tutorials for doing so.
Animation is also much more tedious on PS which you may want to consider before investing time!
⭐⭐ ProMotion NG (for PC) - $19.00
An advanced and powerful software which has many features Aseprite does not, including Colour Cycling and animated tiles.
⭐⭐⭐ Pixquare (for iOS) - $7.99 - $19.99 (30% off with code 'tofu'!!)
Probably the best app available for iPad users, in active development, with new features added all the time.
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Look! My buddy Jon recommends it highly, and uses it often.
One cool thing about Pixquare is that it takes Aseprite raw files! Many of my friends use it to work on the same project, both in their office and on the go.
⭐ Procreate (for iOS) - $12.99
If you have access to Procreate already, it's a decent option to get used to doing pixel art. It does however require some setup. Artist Pixebo is famously using Procreate, and they have tutorials of their own if you want to learn.
⭐⭐ ReSprite iOS and Android. (free trial, but:) $19.99 premium or $$ monthly
ReSprite is VERY similar in terms of UI to Aseprite, so I can recommend it. They just launched their Android release!
🆓 Free options:
⭐⭐⭐ Libresprite (for PC)
Libresprite is an alternative to Aseprite. It is very, very similar, to the point where documentation for Aseprite will be helpful to Libresprite users.
⭐⭐ Pixilart (for PC and mobile)
A free in-browser app, and also a mobile app! It is tied to the website Pixilart, where artists upload and share their work. A good option for those also looking to get involved in a community.
⭐⭐ Dotpict (for mobile)
Dotpict is similar to Pixilart, with a mobile app tied to a website, but it's a Japanese service. Did you know that in Japanese, pixel art is called 'Dot Art'? Dotpict can be a great way to connect with a different community of pixel artists! They also have prompts and challenges often.
🔹 So I got my software, now what?
◽Nice! Now it's time for the basics of pixel art.
❗ WAIT ❗ Before this section, I want to add a little disclaimer. All of these rules/guidelines can be broken at will, and some 'no-nos' can look amazing when done intentionally.
The pixel-art fundamentals can be exceedingly helpful to new artists, who may feel lost or overwhelmed by choice. But if you feel they restrict you too harshly, don't force yourself! At the end of the day it's your art, and you shouldn't try to contort yourself into what people think a pixel artist 'should be'. What matters is your own artistic expression. 💕👍
◽Phew! With that out of the way...
🔸"The Rules"
There are few hard 'rules' of pixel art, mostly about scaling and exporting. Some of these things will frequently trip up newbies if they aren't aware, and are easy to overlook.
🔹Scaling method
There are a couple ways of scaling your art. The default in most art programs, and the entire internet, is Bi-linear scaling, which usually works out fine for most purposes. But as pixel artists, we need a different method.
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Both are scaled up x10. See the difference?
On the left is scaled using Bilinear, and on the right is using Nearest-Neighbor. We love seeing those pixels stay crisp and clean, so we use nearest-neighbor. 
(Most pixel-art programs have nearest-neighbor enabled by default! So this may not apply to you, but it's important to know.)
🔹Mixels
Mixels are when there are different (mixed) pixel sizes in the same image.
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Here I have scaled up my art- the left is 200%, and the right is 150%. Yuck!
As we can see, the "pixel" sizes end up different. We generally try to scale our work by multiples of 100 - 200%, 300% etc. rather than 150%. At larger scales however, the minute differences in pixel sizes are hardly noticeable!
Mixels are also sometimes seen when an artist scales up their work, then continues drawing on it with a 1 pixel brush.
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Many would say that this is not great looking! This type of pixels can be indicative of a beginner artist. But there are plenty of creative pixel artists out there who mixels intentionally, making something modern and cool.
🔹Saving Your Files
We usually save our still images as .PNGs as they don’t create any JPEG artifacts or loss of quality. It's a little hard to see here, but there are some artifacts, and it looks a little blurry. It also makes the art very hard to work with if we are importing a JPEG.
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For animations .GIF is good, but be careful of the 256 colour limit. Try to avoid using too many blending mode layers or gradients when working with animations. If you aren’t careful, your animation could flash afterwards, as the .GIF tries to reduce colours wherever it can. It doesn’t look great!
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Here's an old piece from 2021 where I experienced .GIF lossiness, because I used gradients and transparency, resulting in way too many colours.
🔹Pixel Art Fundamentals - Techniques and Jargon
❗❗Confused about Jaggies? Anti-Aliasing? Banding? Dithering? THIS THREAD is for you❗❗ << it's a link, click it!!
As far as I'm concerned, this is THE tutorial of all time for understanding pixel art. These are techniques created and named by the community of people who actually put the list together, some of the best pixel artists alive currently. Please read it!!
🔸How To Learn
Okay, so you have your software, and you're all ready to start. But maybe you need some more guidance? Try these tutorials and resources! It can be helpful to work along with a tutorial until you build your confidence up.
⭐⭐ Pixel Logic (A Digital Book) - $10 A very comprehensive visual guide book by a very skilled and established artist in the industry. I own a copy myself.
⭐⭐⭐ StudioMiniBoss - free A collection of visual tutorials, by the artist that worked on Celeste! When starting out, if I got stuck, I would go and scour his tutorials and see how he did it.
⭐ Lospec Tutorials - free A very large collection of various tutorials from all over the internet. There is a lot to sift through here if you have the time.
⭐⭐⭐ Cyangmou's Tutorials - free (tipping optional) Cyangmou is one of the most respected and accomplished modern pixel artists, and he has amassed a HUGE collection of free and incredibly well-educated visual tutorials. He also hosts an educational stream every week on Twitch called 'pixelart for beginners'.
⭐⭐⭐ Youtube Tutorials - free There are hundreds, if not thousands of tutorials on YouTube, but it can be tricky to find the good ones. My personal recommendations are MortMort, Brandon, and AdamCYounis- these guys really know what they're talking about!
🔸 How to choose a canvas size
When looking at pixel art turorials, we may see people suggest things like 16x16, 32x32 and 64x64. These are standard sizes for pixel art games with tiles. However, if you're just making a drawing, you don't necessarily need to use a standard canvas size like that.
What I like to think about when choosing a canvas size for my illustrations is 'what features do I think it is important to represent?' And make my canvas as small as possible, while still leaving room for my most important elements.
Imagine I have characters in a scene like this:
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I made my canvas as small as possible (232 x 314), but just big enough to represent the features and have them be recognizable (it's Good Omens fanart 😤)!! If I had made it any bigger, I would be working on it for ever, due to how much more foliage I would have to render.
If you want to do an illustration and you're not sure, just start at somewhere around 100x100 - 200x200 and go from there.
It's perfectly okay to crop your canvas, or scale it up, or crunch your art down at any point if you think you need a different size. I do it all the time! It only takes a bit of cleanup to get you back to where you were.
🔸Where To Post
Outside of just regular socials, Twitter, Tumblr, Deviantart, Instagram etc, there are a few places that lean more towards pixel art that you might not have heard of.
⭐ Lospec Lospec is a low-res focused art website. Some pieces get given a 'monthly masterpiece' award. Not incredibly active, but I believe there are more features being added often.
⭐⭐ Pixilart Pixilart is a very popular pixel art community, with an app tied to it. The community tends to lean on the young side, so this is a low-pressure place to post with an relaxed vibe.
⭐⭐ Pixeljoint Pixeljoint is one of the big, old-school pixel art websites. You can only upload your art unscaled (1x) because there is a built-in zoom viewer. It has a bit of a reputation for being elitist (back in the 00s it was), but in my experience it's not like that any more. This is a fine place for a pixel artist to post if they are really interested in learning, and the history. The Hall of Fame has some of the most famous / impressive pixel art pieces that paved the way for the work we are doing today.
⭐⭐⭐ Cafe Dot Cafe Dot is my art server so I'm a little biased here. 🍵 It was created during the recent social media turbulence. We wanted a place to post art with no algorithms, and no NFT or AI chuds. We have a heavy no-self-promotion rule, and are more interested in community than skill or exclusivity. The other thing is that we have some kind of verification system- you must apply to be a Creator before you can post in the Art feed, or use voice. This helps combat the people who just want to self-promo and dip, or cause trouble, as well as weed out AI/NFT people. Until then, you are still welcome to post in any of the threads or channels. There is a lot to do in Cafe Dot. I host events weekly, so check the threads!
⭐⭐/r/pixelart The pixel art subreddit is pretty active! I've also heard some of my friends found work through posting here, so it's worth a try if you're looking. However, it is still Reddit- so if you're sensitive to rude people, or criticism you didn't ask for, you may want to avoid this one. Lol
🔸 Where To Find Work
You need money? I got you! As someone who mostly gets scouted on social media, I can share a few tips with you:
Put your email / portfolio in your bio Recruiters don't have all that much time to find artists, make it as easy as possible for someone to find your important information!
Clean up your profile If your profile feed is all full of memes, most people will just tab out rather than sift through. Doesn't apply as much to Tumblr if you have an art tag people can look at.
Post regularly, and repost Activity beats everything in the social media game. It's like rolling the dice, and the more you post the more chances you have. You have to have no shame, it's all business baby
Outside of just posting regularly and hoping people reach out to you, it can be hard to know where to look. Here are a few places you can sign up to and post around on.
/r/INAT INAT (I Need A Team) is a subreddit for finding a team to work with. You can post your portfolio here, or browse for people who need artists.
/r/GameDevClassifieds Same as above, but specifically for game-related projects.
Remote Game Jobs / Work With Indies Like Indeed but for game jobs. Browse them often, or get email notifications.
VGen VGen is a website specifically for commissions. You need a code from another verified artist before you can upgrade your account and sell, so ask around on social media or ask your friends. Once your account is upgraded, you can make a 'menu' of services people can purchase, and they send you an offer which you are able to accept, decline, or counter.
The evil websites of doom: Fiverr and Upwork I don't recommend them!! They take a big cut of your profit, and the sites are teeming with NFT and AI people hoping to make a quick buck. The site is also extremely oversaturated and competitive, resulting in a race to the bottom (the cheapest, the fastest, doing the most for the least). Imagine the kind of clients who go to these websites, looking for the cheapest option. But if you're really desperate...
🔸 Community
I do really recommend getting involved in a community. Finding like-minded friends can help you stay motivated to keep drawing. One day, those friends you met when you were just starting out may become your peers in the industry. Making friends is a game changer!
Discord servers Nowadays, the forums of old are mostly abandoned, and people split off into many different servers. Cafe Dot, Pixel Art Discord (PAD), and if you can stomach scrolling past all the AI slop, you can browse Discord servers here.
Twitch Streams Twitch has kind of a bad reputation for being home to some of the more edgy gamers online, but the pixel art community is extremely welcoming and inclusive. Some of the people I met on Twitch are my friends to this day, and we've even worked together on different projects! Browse pixel art streams here, or follow some I recommend: NickWoz, JDZombi, CupOhJoe, GrayLure, LumpyTouch, FrankiePixelShow, MortMort, Sodor, NateyCakes, NyuraKim, ShinySeabass, I could go on for ever really... There are a lot of good eggs on Pixel Art Twitch.
🔸 Other Helpful Websites
Palettes Lospec has a huge collection of user-made palettes, for any artist who has trouble choosing their colours, or just wants to try something fun. Rejected Palettes is full of palettes that didn't quite make it onto Lospec, ran by people who believe there are no bad colours.
The Spriters Resource TSR is an incredible website where users can upload spritesheets and tilesets from games. You can browse for your favourite childhood game, and see how they made it! This website has helped me so much in understanding how game assets come together in a scene.
VGMaps Similar to the above, except there are entire maps laid out how they would be played. This is incredible if you have to do level design, or for mocking up a scene for fun.
Game UI Database Not pixel-art specific, but UI is a very challenging part of graphics, so this site can be a game-changer for finding good references!
Retronator A digital newspaper for pixel-art lovers! New game releases, tutorials, and artworks!
Itch.io A website where people can upload, games, assets, tools... An amazing hub for game devs and game fans alike. A few of my favourite tools: Tiled, PICO-8, Pixel Composer, Juice FX, Magic Pencil for Aseprite
🔸 The End?
This is just part 1 for now, so please drop me a follow to see any more guides I release in the future. I plan on doing some writeups on how I choose colours, how to practise, and more!
I'm not an expert by any means, but everything I did to get to where I am is outlined in this guide. Pixel art is my passion, my job and my hobby! I want pixel art to be recognized everywhere as an art-form, a medium of its own outside of game-art or computer graphics!
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This guide took me a long time, and took a lot of research and experience. Consider following me or supporting me if you are feeling generous.
And good luck to all the fledgling pixel artists, I hope you'll continue and have fun. I hope my guide helped you, and don't hesitate to send me an ask if you have any questions! 💕
My other tutorials (so far): How to draw Simple Grass for a game Hue Shifting
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shidoukanae · 3 months ago
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Paris Valerian but i redesign his dragon form for funsies based on how i see him=. Not sure if I like this design bc im not a fan of bulkier looking dragons but for Paris I think this works??
Some headcanons about this design:
has a bit of a bull-like look bc I associate bulls with persistence and madness and idk that fits Paris well so if Fian has a “fox” motif Paris gets a “bull” one for his dragon form 
His design is based a lot on how a stereotypically evil dragon would look???? Because imo OG!Paris reads as a massive antagonist and I think giving him a look that fits that vibe in his dragon form works!! Especially because he still is an antagonist in a way (though god does he not read that way lmao)
he’s stronger in his dragon form than Fian is and he uses this to his advantage to bully Fian around whenever they playfight as dragons. That said, it seems Paris is surprisingly gentle towards Fian in this form and never hurts him.
he uses this form to intimidate people into getting what he wants. He’s not used to getting retaliated against while in this form and quickly respects anyone who does so (read: Fian, Lyla and Helene)
the silver scales on his body can glow in the same way his eyes do. Typically, he keeps them dull-colored (see above) but if he feels a strong emotion of any sorts they’ll glow brightly without him meaning to (noticeably: they glow constantly whenever Helene is around for obvious reasons~).
#it hurts to see the person you like cry. but you wouldn't understand-#that Paris#TME#TME art#Paris being weak for Fian is so canon it's literally joked about more than once that they're unnaturally close to each other#i wish the manhwa/LN would elucidate more on the instinctive (and clearly qpt) bond dragons share with each other#and why that bond was overridden in the original story by each dragon's obsession with Helene when they'd yet to imprint on her#man i still remember reading about how Paris felt utterly alone once he awakened as a dragon and Fian coming into his life made him so happ#i still get teary over that passage in particular ahgjgjfgjjh that part of Paris's backstory hits where it hurts lmao#i also really wish the manhwa had included that about Paris because it really fleshed him out knowing that it wasn't that he bonded w/ Fian#that changed him but that he finally FINALLY had someone else who could understand him that made him happier in life and chill TF out#if you pair info given about Paris in the light novel with what's given about his manhwa self he's an amazingly well done character#like ive literally gone from thinking him cringe + unlikable to being deeply invested in and sympathetic to his character#also fun fact i find the idea of Paris and Fian playfighting as dragons really fucking cute#it's not in any way canon (well it kind of is actually lol) but i like hc'ing that awakened dragons need to spend social time together in-#their dragon forms doing shit like playfighting or resting together in order to live happier lives#and unfortunately this kind of qpt relationship is not understood by humans/mermaids/mages hence why Paris went absolutely mad pre-Fian bc#no one around him was capable of understanding the desperation he felt to fill the void in his heart and unfortunately he turned to Helene-#to fill that void to the point he went insane over her to the point he tried to completely monopolize her as a means to salvage himself#(which understandably pisses Helene off in the og timeline to the point it's no wonder she rejects him lmao)#and now that in Lyla's timeline Paris has gotten someone in his life who understands him and fills the void in his heart#he's more than capable of empathizing with Helene and seeing her as a person he wants to genuinely learn more about even if he can't quite-#shake his obsessive tendencies towards her#(which is really really REALLY fun to watch and i hope to see more development from his character)#(because i really do want him to reflect on Fian's words of when it comes to Helene)#(not that I think Helene would ever cry in front of him bc of him but she might do so because of Lyla)#(and god do i wanna see Paris eat his words about finding Fian's romantic-ness corny lmao)#yes i very much can write a whole-ass essay of a character study on Paris he's wildly fascinating#and he's so NOT my type which makes it even funnier that im as fixated on him as i am right now
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httpsserene · 1 month ago
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𝐡𝐨𝐛𝐛𝐲 𝐡𝐨𝐩𝐩𝐞𝐫 | 𝐟𝐞𝐫𝐧𝐚𝐧𝐝𝐨 𝐚𝐥𝐨𝐧𝐬𝐨
summary: nobody can keep up with your growing list of hobbies, except fernando.
pairing: fernando alonso x brazilian!fem!reader
content warning: fluff and humor. explicit language.
from, serene: requested by and written for @loomiscorpse 🤍 i promised that i would write this for you in july and i finally found the time to fulfill it! this is how i learned fernando has a back tat. what rock have i been living under? happy reading, babes xxx
(in case i'm m.i.a., there's a category 5 hurricane that's looks pretty serious. i'm probably going to have a power outage. prayers to anyone else in the path of the storm, evacuate if you're on the west coast, and stay safe.)
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⌕ join taglist | upcoming chapters | table of contents ↻
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igstory • yourinstagram just uploaded!
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[caption1; sip and paint with the ladies 👩🏽‍🎨🎨 carmenmmundt kellypiquet][caption2; for my first painting, this is good right?]
alexandrasaintmleux: i'll put it in a gallery 🤩 alexandrasaintmleux: i can't believe i'm friends with the best artist of our time 😌 yourinstagram: alex pleaseee omg 😳🤭 yourinstagram: you realize that means you think i'm better than claude monet right ? alexandrasaintmleux: ,,,second best artist of our time yourinstagram: 😆😆😆
fernandoalo_official: looks beautiful 😍 yourinstagram: you really think so??? fernandoalo_official: yes i like what you did with the colors and brush strokes of course yourinstagram: what detailed compliments meu bem 😂
carmenmmundt: i still don't believe that you've never painted before 🤨 carmenmmundt: you did so well !!!!!! yourinstagram: thank you my love 🥰 yourinstagram: i think i am going to keep painting. it was very fun! carmenmmundt: you should! you're quite good at it :)
instagram • yourinstagram
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liked by heidiberger_, fernandoalo_official, francisca.cgomes and 101,723 others
yourinstagram encontro noturno em cores 🖼️
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user1: ptbr to eng translation "date night in color 🖼️"
user2: wow!!! you improved so much already! have you been taking lessons?
➥ yourinstagram: thank you! the only lessons i'm learning are from youtube haha ➥ yourinstagram: and i have painted every day since i started! ➥ user3: you definitely have a natural talent for this! and a lot of potential!!! ➥ user4: it's taken me years to develop a minimal understanding of color theory and shadows. she's done it in two weeks 😕
user5: i know leonardo hates that he didn't paint this 😩😩😩
➥ user6: he's rolling in his grave for sureeee 🙂‍↕️ ➥ user7: bitch why tf would a ninja turtle be mad about this ☠️ ➥ user8: leonardo DA VINCI YOU UNEDUCATED CUR ➥ user7: my fault forgot the turtle wasn't the only person named leo 🫣🫠 ➥ user8: HOW DO YOU FORGET THE MAN WHO PAINTED THE MONA LISA ⁉️⁉️⁉️
pepemartiofficial: i loved doing art in school! i can teach you a few things if you want 😁😁😁
➥ yourinstagram: you mean primary school? which was like last year for you? i think i'll pass garoto 🥴 ➥ fernandoalo_official: josep maria marti sobrepepa don't piss me off. ➥ fernandoalo_official: test me and you can say goodbye to a formula one seat. ➥ user9: ain't no way pepe just tried to step to fernando's girl who's TEN !!! years older than him ➥ pepemartiofficial: shhh i can be mature for her 🤤 ➥ fernandoalo_official: count your days 🥱
carlossainz55: the painting is really good, you made the water look so realistic!
➥ yourinstagram: obrigada carlitos! ➥ carlossainz55: where's fernando's painting 😈 ➥ yourinstagram: it was very good! but he did not want me to post a photo of it :((( ➥ fernandoalo_official: it was very ugly carlos 🙄 ➥ yourinstagram: it was not that bad i just could not tell that it was supposed to be a tiger and not a house cat that was struck by lightning 😅 ➥ carlossainz55: i will pay to see this painting 🤣🤣🤣
twitter
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igstory • astonmartinf1 just uploaded!
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[caption1; admin was just forcibly handed bear coasters ??? she said they remind her of lance 🐻][caption2; the crochet culprit is on to her next project!]
user: lance bear agenda still going strong 💪
lance_stroll: i want bear coasters 😞 astonmartinf1: meet me downstairs, she gave me extras to hand out to the team lance_stroll: she's the best 🤩🤩🤩 lance_stroll: see you in 5?
user: DUDE she's onto clothes already??? how?!!!
user: admin i need you to send me photos of that sketchbook 👺🤲🏻 user: i need her patterns admin i'm not playing around astonmartinf1: lol get blocked loser 💀
instagram • fernandoalo_official
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liked by carlossainz55, lance_stroll, yourinstagram and 234,586 others
fernandoalo_official there is yarn and hooks in my car. this has gone too far.
view comments
yourinstagram: you make a man a shirt with the materials HE bought for you and it's a problem. ungrateful behavior nano 😤
➥ fernandoalo_official: the shirt is very nice i even posed for a picture. all i ask is for no hooks to be left in the cupholders? ➥ yourinstagram: can we compromise and i leave them in the glove box 🥺
user10: let me get this straight: you crochet for a month and suddenly you become a fashion designer?
➥ yourinstagram: not a month, three weeks* i have been crocheting ➥ user11: oh fuck off- how are you good at everything 😩😩😩 ➥ yourinstagram: i am not! and i still cannot make a granny square no matter how hard i try to ☹️ ➥ user12: you don't need to know how to make a granny square when you can make actual pieces of clothing!!!
landonorris: may i have something crocheted too?
➥ yourinstagram: what would you like landinho 😊 ➥ landonorris: may i have a beanie? or a sweater?? ➥ georgerussell: ooooh i'd like a beanie too! ➥ francisca.cgomes: i want that top you're wearing! or something similar!!!! ➥ lance_stroll: what about earmuffs? ➥ lilymhe: a cardigan would be so nice ➥ charlesleclerc: i want a sweater!!! ➥ fernandoalo_official: leave her alone you greedy children 👹 ➥ yourinstagram: ignore him! text me what you all want with inspiration photos and i will let you know!!!
messages • sebastian -> fernando
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igstory • yourinstagram just uploaded!
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[caption1; hobby update >>>][caption2; to the woman at the craft store who put me onto oil paints...you saved my life][caption3; the wag crochet requests are almost finished!][caption4; first pottery class! had a really fun time :)]
user: i-i need to sit down👄 user: how do you even have time to do all of this?
user: i feel like i've never taken my hobbies seriously after seeing this
user: ffs how long have you been doing pottery? user: it's hard to learn at first but it's worth it if you stay committed 🫶🏽
instagram • yourinstagram
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liked by charlesleclerc, lilymhe, francolapinto, and 192,037 others
yourinstagram que divertido! thrown, painted, and fired by me 🌸
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user13: this is a reminder that there's always somebody out there doing what you love better than you 😒
➥ user14: wasn't she JUST at her first pottery class? and she already has a set of dishware 😨
user15: i feel like i have to apologize for even attempting pottery
user16: i would hate to give my gift after her on birthdays and christmas 😬😬😬
➥ user17: valid take. she can make custom clothes, paintings, and ceramics??? i might as well not even show up 🤦🏻‍♀️
kellypiquet: where do you even find the time to do this?
➥ yourinstagram: i have not slept for more than five hours in a very long time. it also distracts me when nano is away so, i keep myself busy. ➥ kellypiquet: please take better care of yourself! the clay will be there after you sleep and i'm sure fernando would like you to sleep too. ➥ fernandoalo_official: 8 hours at least mi amor ❤️ ➥ yourinstagram: fiiiiine 😞
lance_stroll: bring the domino set next time! i want to learn how to play!!!
➥ yourinstagram: i will make you cry if we play dominoes 🤫
user18: you need to start an etsy shop or smth? i think anybody would buy something from you!
➥ yourinstagram: if i do that, i'm afraid it would stop being a hobby and become a job. i don't want to lose the love i have for them :) user19: you could do limited releases? or just list a few items at a time? yourinstagram: i guess that's true. i don't think i will though, i didn't start my hobbies to make money. it's just fun for me 😁
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igstory • fernandoalo_official just uploaded!
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[caption; onto the next obsession]
user: damn you didn't lie about the entire botantical collection 😧 user: she's crazy user: i respect her grind though
user: and she made them look like actual boquets 😍 user: why didn't i think of that???
yourinstagram: they are not obsessions. yourinstagram: the proper term is hobby, we have talked about this nano 😒 fernandoalo_official: do you want the vespa or the bonsai…🤨 yourinstagram: both por favor! and get the porsche 911 kit while you are there 😚😚😚😚😚😚
user: she crocheted her own cover up dress user: i love women 🙂‍↕️
instagram • yourinstagram
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liked by fernandoalo_official, kellypiquet, landonorris, and 317,940 others
yourinstagram um hobby? ok. quatro hobbies ao mesmo tempo? não repita meus erros 🤕
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user20: ptbr to eng translation "one hobby? ok. four hobbies at the same time/once? do not repeat my mistakes 🤕"
➥ user21: thank u translator woman ➥ user22: thank u translator woman ➥ gabrielbortoleto_: thank u translator woman ➥ user24: one of these things is not like the others 🧐
landonorris: can't wait till it gets chilly in monaco 😌
➥ landonorris: the only thing i'm going to be photographed in is my crochet beanie and sweater ➥oscarpiastri: i'm surprised you're not wearing it now since you're perpetually cold ➥ landonorris: i didn't want to bring it in my luggage in case it's the time i lose my luggage 🤓 ➥ oscarpiastri: wow…that's smart ➥ landonorris: why do you sound so surprised 🤨
lilymhe: i see you learned how to make granny squares 😆
➥ yourinstagram: it took me three whole days to make one 🤧 ➥ lilymhe: damn 💀 ➥ yourinstagram: i am not lying when i say making that first granny square was harder than making your cardigan 😮‍💨
fernandoalo_official: is it weird if i feel proud of you?
➥ yourinstagram: i think it is something to be proud of :) ➥ fernandoalo_official: well i am very proud of you mi amor 😘 ➥ yourinstagram: 🥰😚😚❤️❤️❤️
user25: those paintings!!!! woah, you're like a serious artist now 😨😳😱
➥ user26: fr! you can see her own unique style clearly in these! ➥ yourinstagram: you all are too sweet! it took me a while to switch from reference painting into creating my own art pieces! ➥ alexandrasaintmleux: i wasn't joking when i said i want to put your work in a gallery 🤭🥱 ➥ yourinstagram: alex pleaseee 😖
user28: what are you going to do next? book binding LMAO
➥ yourinstagram: you are right! nano is out buying the supplies for me now 😁 ➥ user28: i was joking 😟 ➥ yourinstagram: and after that i think i am going to learn how to make a cute scrapbook!
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© httpsserene - do not repost. photos used are from pinterest.
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mellosdrawings · 3 months ago
Text
The Princes
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Ten years later. When marrying a Prince turns a Queen and a Servant into actual Royalties.
Because Vil deserves a real crown and Jamil deserves to be treated better.
NOW I'M GONNA RANT ABOUT MY CHARA DESIGNS CHOICES AND ALL THE DISCOVERIES I MADE WHILE LOOKING FOR REFS! If you only care about art and funny doodles, you can scroll down for a handful of slices of life.
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(Don't worry if you can't read my notes, I'm repeating myself better right under this)
Leona
-Lion: As you may know, one of my grievances with Leona is how his hair doesn't look like an actual mane despite being a lion. While I don't want to stray too far from the canon design with the usual drawings, that's the occasion for me to have some fun with a future version. Give that lion a beard and voluminous hair!
-Hair: First, get those bangs out of his face. Despite Leona being very confident, he still has bangs covering his scarred eye. I wanted him to finally own the aspects of him that may be scary to others (his UM, his scar, etc). I actually went with bangs framing his face similar to the ones he had during his Overblot. I wasn't sure whether to give him dreadlocks or curly hair, but I ended up choosing the free curls decorated with some atebas and braids so that Vil could have more fun styling them.
-Eye: Thanks @aria-faye for the idea, I decided to have his eye gradually lose its capacities with time. From a headcanon that, while the eye wasn't directly touched by whatever attack scarred him, the process of healing still had an impact on it and he gradually lost sight in his left eye years after years.
-Body: Not giving him a dad bod (yet, maybe in another ten years), but definitely giving him more voluminous yet casual muscles. Practical muscles with a healthy dose of fat and tissues. Also giving him two full sleeves of tattoos because I decided he should have much more than just his lion tattoo.
-Clothes: Went full Maasai dressing and Kenyan fabrics and beadworks. If you're not familiar with it, please go check it out, it's GORGEOUS!! Crown is beadwork too. He also has one Arabic styled foot jewellery.
Jamil
-Hair: My first order was to remove his double-faced hairstyle and also remove his bangs from his eye. Make him confident enough to show his whole face. Unlike Leona and Vil, he doesn't really want a crown though (he still feels weird about becoming royalty) so instead he uses a braid as crown. Also gave him a little goatee because I like facial hair and Jafar has a beard too.
-Body: He grew up! While he didn't quite catch up with Leona and Vil, he is now closer to their sizes than before, sitting at around 180cm. He kept his breakdancer/martial artist lean muscles but developed a bit of shoulders.
-Clothes: Went full Arabic dressing and fabrics (once more, go check the fabrics, they are pieces of arts). I gave him floral motifs instead of his usual fire/snake motifs (though he does have a snake earring and a fangs necklace) to symbolise his rebirth/blooming. Like Leona, he has one piece of jewellery that is beadwork.
Vil
-Hair: Here it was a bit tricky. Considering Vil's work, he likely changes hairstyles a lot, going from long to short for his roles instead of his wants. So I leaned into the little things he could add to his hair despite their constant changes, mostly jewelleries, beadworks and wool decorations he stole from his husbands. He also cares a bit less about them looking perfect and is allowing himself to be more natural. He doesn't have any facial hair (yet), keeping a youthful appearance for as long as he can. In another ten years though, he might start looking more and more like his father, beard included.
-Clothes: For Leona and Jamil's mental states, the three of them most likely started living in Sunset Savanna so they wouldn't freeze to death. Vil is well traveled so he can handle most temperatures without trouble, and he is used to dressing up in the local get ups. Here I decided to give him both African dress and Arabic fabric, and likewise both beadwork and golden jewellery. I gave him crown and heart motifs so he can keep being himself despite borrowing a lot from his husbands.
There, I'm done rambling. Here's some doodles, followed by some random headcanons.
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-Vil does his husbands hair every morning and keeps giving them more and more intricate hairstyles. He developed a whole haircare and beard-care products set for them.
-When Vil is away for a movie, Jamil keeps his hair mostly down save for a few accessories.
-Jamil and Falena get along surprisingly well (to Leona's despair). Vil gets along very well with Falena's wife.
-Jamil acts as a Scalding Sands ambassador and still is the one to care for Kalim when he comes to visit, though this time he's doing it because he wants to and not because he has to.
-Vil got used to his new title immediately but Jamil struggles with it a lot. He still has a hard time wrapping his head around the fact that he is no longer a servant.
-The servants at the palace love Jamil because he always makes their job easier.
-Leona finally decided to put his wits to good use and became Falena's advisor. He still fights a lot with Kifaji about the direction to take with the country, but he managed to make some of his ideas heard to help with the staggering inequalities in the country.
That's all for now!
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