#not so much other people that are here just for my art but more so myself
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leidensygdom · 2 days ago
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hello!! i love your art so much, your colors are beautiful and your characters are just so 👁️👁️ and i adore seeing them on my dash :)
i had a question about how you do the details on your fabrics: how do you keep the patterns on clothes on a body looking so,,, clean and readable while also making it make sense on the form under it?
like the cape/sleeve(? idk what it is but it looks cool as hell) on the magnolia commission pattern looks so cool and it's still readable on the fabric (like, if i wanted i could probably do a silly sketch of it) BUT ALSO it seems to make sense with the folds so it doesn't just look unnatural and stiff?
i'm so sorry this is kind of a long ask but like. would you be down to talk about your process for patterns on clothing? it's cool if you're not, that's totally fair, just figured i'd ask
have a wonderful day!!
OOOH Thank you so much for the ask!! I wanna do a more in depth tutorial, but I tend to make patterns in two different ways, with one being fully hand-drawn and the other playing with mesh transforms or the... Uh, liquify CSP tool? Let me find examples
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This is an example of a fully hand-drawn pattern. No trickery here- Only trying to eyeball everything. It's kinda a lot of work to draw it manually, but it's the more convenient option if the character I'm drawing doesn't have files for the patterns, or if the files are a bit too different from my usual style, as they could potentially not look great with my linearted or painted style
And then- For cases such as Nolia's cloak, I did the entire pattern as a separate file, then placed it using Photoshop's mesh transform!
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Here's a WIP file from when I placed all the patterns after finishing the lineart, where you can see them in full contrast. I tend to keep my patterns in different files- The black parts here are not joined with the base color of the cloth, so I can bring nice highlights and texturing when they're meant to be golden inlays, for example. Now, the Photoshop mesh transform is a bit finnicky to use, and I don't have any proper step by step of it- I could potentially record how I do it someday. But let's take the humble cylinder and demonstrate it quickly:
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So, the mesh warp tool is the one on the right- You can see these sort of blue lines creating a mesh. I'm sure CSP has it in it's pro level or something? Correct me if I'm wrong. You play around with the different sections, move it to the right place, and put it on the cylinder. This is a very simplified form. You can make many subsections to your meshes (that's 3x3- you can have stuff such as 20x20) for when you have multiple folds.
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And then you can just shade your pattern accordingly so it fits the volume of the drawing, and- ta-daa!
This is by no means an easy method. Sometimes you can get away with the Liquify tool (which CSP has and it's very decent), which I've used when the pattern in question was over a simpler surface with few folds. It takes some practise to use that well, and it isn't gonna be the best for complex ones, but it's also an option. Let me do a lil compilation of some patterns I've done and which tools I used for each!
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The tool I use highly depends on the time I have, the level of finish for the drawing, and so on. CSP's liquify is probably the fastest but gives simpler results, drawing them manually works better with some styles and more organic/less geometrical patterns, the mesh tool takes a bunch of time but it's great for small repeating patterns that are meant to be very precise or geometrical.
If people would be interested in it, I may someday do a video tutorial of me doing a pattern and then putting it over a folded cloth. I do hope this can help a bit tho!!
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colorquest · 3 days ago
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~☆~
D: Okay so D: Michael. D: What's up with that hat?🔆
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M: My hat...? D: Ah, the act of innocence, the act of ignorance... D: I. Have. Neeeeeeever seen you wear a hat before. D: It's so not your M.O. V: He's wearing a hat? D: Like, seriously. D: A backwards baseball cap? D: Did your mommy tell you it was cute like that or something? V: LOL S: Debbie!
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M: *snort* M: You're too funny sometimes, D... M: But you're right, I almost never wear hats. M: This one just worked for me, you know? M: With the opening in the back and all. D: Can't even wear it properly.......... M: I know u_u. M: But yeah, I got this a couple days back when I went to that concert with my mama. V: So she did tell you it was cute, then? M: Ahhh... yeah, she did. V: hehehhueueh S: I think it looks very nice on you, Michael. M: Haha, you don't gotta tell me again. M: But thank you. D: WAIT. D: ..........That shade of purple............................... D: WAS IT THE DAGGERBREATH CONCERT?????????? M: Yeah it was! D: I thought I saw you putting up a poster earlier too, was that--🔆 M: I got that at the concert too, yeah! D: May I... see it... M: Sure, hold on, I think you'll really like this one actually.
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M: See, they were premiering their new album, with the dragony album art and theme and all. D: WHAT THE HECK! D: LUCKY?! D: THAT SHOULD HAVE BEEN ME. D: THAT SHOULD HAVE BEEN MEEEEEEEEEEE WHO WENT! M: Remember I did invite you to come with, D. D: YEAH but nobody else wanted to come. D: And as IF I'd be caught hanging out with just you and your mom. D: Like, come on. M: Well uh, you know if you want... M: While I'm a little too attached to the poster to give it up, you could take this hat from me next time we meet up? M: I'm not feeling it too much anyways. S: What? S: Noooo! S: It works so well on you though-- D: "It's a DEAL my liege, I'll TAKE it!" D: That is to say, D: Uh, YEAH? GIMMIE??? M: Ahaha, oh, so you've listened to their new album already then? D: Of course, who do you think I am? D: Some kind of POSER? M: Well, maybe a... "poser with all heart, no soul~" D: "TAKE A SMOKE OR MAYBE TWO AND FEEL THE ASHES TAKE CONTROL!!!!!!!" V: BUH V: You guys and your punk metal. V: Can't you listen to something a little more upbeat, maybe? S: (I don't understand it either Vilmr, but let them have their fun!)
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D: Vilmr, comments like that are exactly why you gotta start breaking away from Maja a little more. D: You're gonna end up sounding just like her if you're not careful. V: Lättare sagt än gjort! V: You try being yourself when you have to listen to THIS nonstop! V: Listen!
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V: Nag nag nag, right?! D: Yeah okay but that doesn't mean you gotta start nagging too -_-. S: Yeesh Vilmr, it's no wonder you get so anxious, I'd die if my parents kept calling me like that all day. V: The caring guardian... V: She eats away at your psyche like no other. D: Okay well stop listening to your cell then. D: Like, put it away for a while, that's what I do. V: I can't just not have it on me Debbie. D: Sure you can! D: Give it to me, get some freaking peace of mind for once. V: Agh! V: ...Only if you promise to give it back when I ask this time. D: Psssh, totally. D: After the eclipse, of course.
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D: Hey what the heck are those lights outside your window? S: Oh wow, look! S: Sky lanterns, how pretty! M: Oh! M: I guess we're not the only ones celebrating the eclipse around here then, huh? M: Haha... D: We're not celebrating the eclipse okay, we're not cultists. D: I mean I'm not at least. D: Michael. M: Wh! D: I just wanna see it happen, it's on my bucket list you know. S: I wonder what the lanterns are really for...? M: Well, I do have a neighbor or two who are a little more on the moony side... M: Maybe that's them? M: What is it about an eclipse that's so special for some people, I wonder? S: It's like, symbolic, right? S: Like the moon represents a god, or... V: Ah, I know this! V: It is not the moon that represents a god, it is the essence they bring. M: Oh? V: Yeah. D: Oh boy, here we go... V: So basically, the reapers of the moon, the "cultists," they believe that this eclipse will um, awaken their god. V: And that god is just like, just a person right now, and nobody knows who it is, but it's someone out there. V: When this eclipse happens, it is supposed to awaken them. V: That person will be ascended to godhood, or so they believe. V: And then that god will release an uncontrollable wave of darkness across Theia.
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D: Yeah so, evil cult shit. V: No, not evil. D: DARKNESS Vilmr. D: Darkness is always the bad side. V: Debbie, maybe it is you who needs to open your mind. D: Oh, what next, are you gonna tell me Varth Dader was a good guy? M: Is it like, the darkness would make us appreciate the light better, or something? M: I'm struggling to understand how that'd be a thing to... celebrate. V: Well according to the reapers, once the darkness sets in, their counter-god of light will also awaken. V: Then that god will release a wave of light around the world. V: And then the world will be in perfect harmony. V: So I think the eclipse is supposed to represent like, the wave of darkness. V: And then after it's done, it gets light again, and that represents the balancing out? V: Maja could probably explain this better than me. S: Wow, that's actually pretty beautiful to think about :o V: Ja, sure. V: But most believers end up drugging themselves to death somewhere down the line. V: Something about their souls becoming part of their god's essence. S: oh M: Jeez, that's intense. V: Yeah, there's a lot more nuance to it but I don't know all the details. M: Wow. M: Uh. M: ...Maja isn't thinking of-- V: Nej nej nej, she's different. V: She sees this all in a different way. V: Though it is hard to not worry about what might happen around the world, as a result of their beliefs...🔆 D: Hey uh sorry not sorry to interrupt this super duper interesting talk but, D: Are you guys seeing the stream?
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D: It's getting so freaking close. S: OvO M: Fifteen more minutes until it starts! S: I'd love to be there in person, that looks so pretty. M: Well we should mark down the date five years from now to see the next one then. V: And hope that it is not happening above forbidden land. M: Oh yeah, that too, haha.
🔆
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cherry-pop-elf · 1 day ago
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Over For Dinner
Art The Clown x Reader
AN: I got SO MUCH love for my Your Own Happy Ending so here we are with more horror x reader content!
Sum: Halloween had passed and Christmas was just around the corner. You were just doing some domestic things when you couldn’t help but notice a window was open. One you had locked
Warnings: 18+, Violence, gore, home intruder, Art being Art, MUTE Art (gotta take the disability rep when we can) gun violence, implied cannibalism, attempted sexual assault, (but we all know revenge is on its way. Shout out to my fellow victims that need their comfort killer to kill their abusers) it’s gonna get messy, very horror aesthetic story line, just. Art being art. (Needs another warning 😭) and of course domestic fluff as icing on this murder cake
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“Honey! Where did you put the Christmas lights?!” You shouted to your boyfriend, only to stumble upon them in the kitchen. Just where he had left them for you.
“NEVER MIND-!”
You would grab the box, and started to hang the slightest all through out the interior of the home. Oh the joys of LED lights. Saves you money while still enjoying the festive spirit.
It wasn’t Halloween, sure, but that didn’t mean it couldn’t be fun. To enjoy the lights, music, sounds, and pleasures. Each holiday had its own little flavor. Some might not enjoy certain flavors, others may have a favorite. Doesn’t hurt to dabble in multiple.
You were humming away at some Christmas tune, while wrapping the lights or hanging them, when you stumbled upon an open window. You would poke your head out, and looked around. Was wondering where that draft came from.
You pulled your head back in, and then closed it shut. That’s when you noticed something was off with the lock. It was locked in place, yet the window had been open. You gave the window another look over and found that the wood work looked strange. Like someone shoved a crowbar between it and forced it open. The small splintering a reaction from it.
“Honey?” You called out, trying to reason that maybe it was his doing. Some kind of prank of sorts. Yeah. Your boyfriend was quite the card after all. Would make sense that he would do something wild. Always liked to keep you on your toes.
Still…..This wasn’t his style. Not his style at all. Was way too subtle. He’s NOT the subtle type.
You hurried back into the kitchen, and pulled out one of the knives from your block. Someone was inside the house. Someone who shouldn’t be.
“Hey honey?! You still in the attic?!” You called out, as you slowly walked the hallways. Maybe if you kept making it clear you weren’t the only one in the house that the intruder would get scared and run off. Right?
That’s what you hope anyway. You had a theory that this person assumed you lived alone. Your boyfriend always made sure to leave the house at night, and it was normally very late at night no less. People wouldn’t assume you had someone live with you.
“Honey?!” You called again, wondering why he wasn’t responding. Yeah he can’t respond, but he had ways to indicate he heard you. You made the effort to learn sign language for him, and he made the effort to find alternatives to share his voice with you.
Just where was it right now?
Slowly through the hallways you went. Each step as calculated as it could be. Every creak of a floorboard was memorized by all your little hide and seek games with your partner. All the corners treated with care. Any sound you heard was listened as hard as ears could muster.
Nothing but wind, cars driving by, and your own breathing.
Like a crack of lighting the back of your head was grabbed, and your face was slammed into the wall. Such pain made your body instinctively let go of your blade, and reach for where you hurt. Curse your human reaction. Hardly so much as touched your face when you were yanked away from the bloody wallpaper.
A arm was around your throat, and another around your waist. Your fingers tried to tear at the arm on your neck, but the invader was wearing thick clothing. No way for you to get any kind of hit. All you could do was fight to breathe.
“I know you are home all alone. That Honey bullshit isn’t fooling me. Now just play nice and you won’t get hurt more than needed. Got it?” The man would speak into your ear, as you felt cold metal being pressed against your temple.
Guess you gotta play nice.
“The hell do you want, huh?” You snapped. Suppose when your lover is a few lions short of a full circus you don’t get scared of dangerous situations as easy as you should. If this was between you and your boyfriend it would simply be foreplay.
“Well for starters money. You got yourself a pretty fancy house here. Not enough for security cameras, but it’s clear you got enough. I also want to have some fun with you. No point wasting a warm body.” He chuckled at you, as he would rub the gun across your body. Made you want to gag. Or was that just the borderline suffocation?
“Fuck off. For your information I do have a boyfriend. My boyfriend is an insane bastard no less. He’s going to turn you into mush for what you are doing to me. He’s around here somewhere. Must be behind the house helping decorate. You are dead meat when he comes in here!” You threatened, just to get the barrel of the gun pointed back at your temple.
“Oh will you fucking shut up? You got no boyfriend. I’ve been watching this house for ages. Never seen him once. It’s always just been you. I sure as hell never heard him either-!” That’s when you had to cut in. “He’s mute you shit head. Of course you wouldn’t hear him-!” That just made him laugh.
“You are really sticking to that whole boyfriend thing, huh? Well if it’s true then that means you know how to please a man. Don’t you?” That made you shiver in disgust, as he gave another tight hug around your waist. Just finding any excuse to touch you.
That’s when there was the sound of the back door opening.
“Who the fuck is that?” He would grit between his teeth, as you grinned.
“My boyfriend. Duh.”
That didn’t please him one bit. The attacker was soon trying to drag you somewhere else in the house. To try and maybe buy some time to think of how to handle two people against one. You sure made sure he struggled though. Kicking your legs, and trying to make a noise. The cold metal to your temple made it clear you couldn’t speak or it’s game over. So all you can do is legs.
He was making an attempt for the stairs, to try and make distance away from the back door, but that just gave you the perfect kicking items. You nailed each photo frame you could with your feet. Sent them crashing down, and glass breaking. Was very loud against the quiet house. Not to mention since it’s on the stairs they would go toppling down.
That noise alerted your boyfriend in an instant, and now he was at the bottom of the stairs.
He looked like such a normal guy. Snow was still fresh on his black boots and pants. A cozy white sweater and gloves. A nice finish was a black beanie. Looked like your typical string bean. The only thing that seemed off at all was his very defined nose. If not that, just another guy off the street.
“Watch it! I’m the one with the gun here! Don’t try anything or the bitch gets it!” The man would yell at your boyfriend, as said boyfriend held his hands up. Acting as if he was a scared man.
“We are going to do things my way. That means no funny business, got it?!” You couldn’t stop your snort, despite the dire situation. Had him look down at you, and press the gun harder into your temple.
“The hell is so fu-!”
Bang.
The intruder wasn’t the only one with a gun.
He was just to damn fast for the attacker to comprehend. One second he had a gun at your head, the next he was tumbling down the stairs. Screaming in pain, as he had been shot right into his hand.
“I warned ya! But no~! Someone wanted to be all big and tough huh?” You mocked, as you would come down the stairs. Stepped right over him, and gave your knight in shining armor a kiss of gratitude. Arms wrapped around his neck, and his own around your waist.
“Eh. Guess we should be good hosts and have him over for dinner. I know you love fresh meat.” You giggled, as your attacker was in pain and confusion. Didn’t have time to ask what you meant, before he was tossed over the shoulder of the man who shot him. Gun playfully spinning in his hand, as you focused on cleaning up the mess.
You would hum away, as you would hang up the photos that weren’t broken, meanwhile the intruder was screaming for help. Begging for god to save him.
There was no god here.
You would take the gun off the stairs, and bring it to a trunk that was stuffed full of weapons. Many your boyfriends, but most from all the other people who tried to fuck with the clown.
You locked it up, and came to the kitchen. Going to get some bleach from under the sink.
“Aw dammit. We ran out of bleach. Art, sweetie, do we have any in the pantry?” You looked over so casually, while the man was strapped down on the marble counter top. Currently having himself become a dissected mess. Organs currently being pulled out and separated.
Art would give you a nod, before getting back to work. That work being pull the man’s heart out, and offering it to you. Had you all giggly, as you kissed his bloody cheek.
“Aren’t you sweet. I’ll clean up the stairs while you finish with dinner. Guess we don’t have to worry about a Christmas ham this year. Thanks so much for coming over! Saved us alot of stress.” You would wave at the man, as he would soon just lay there. Eyes glossy from death pulling him to wherever his soul may lay.
“My hero.” You laughed, as you kissed his cheek again. Was happily returned, before you two nuzzled your noses together. As if simply newly weds.
What a way to start the holidays.
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numathehusky · 7 hours ago
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🌱 My first was surprisingly Gumball from TAWOG! I’m not sure what my middle school self saw in him but whatever.
🥀 I just sometimes believe I am not up to their standards, plus, I am okay with just two F/Os. I’m sure they know I have a crush on them.
🎉 Surprisingly, I believe back when DDLC first released, I think I had more of a connection to Monika than the others. At the time, I did not know what lesbianism was, and I thought it was wrong to be someone of the same sex.
📦 Alastor. This selfship lasted for years, I think during my entire highschool years. It was unfortunately ruined by my abusive ex who is gone now. I just see Alastor as a best friend now, I never really stopped liking him honestly.
📸 This was fun to do!
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🎵 I got a whole playlist dedicated to my selfship, but heres my top 3.
- 🤍 - DJ Khaled - I’m the One ft. Justin Bieber, Chance the Rapper, Lil Wayne
- 🤍 - La Bersuit - Un pacto para vivir
- 🤍 - Modern Talking - You’re my heart, You’re my soul
📝 This my favorite art piece I did for her!
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💟 As much as I’m embarassed to tell her, I find her adorable in cat ears and paws.
💭 I’ve seen people headcanon that Monika can also play guitar, not only piano. I do think the guitar is very fitting for her.
💢 Monika is one of the most valid hopeless romantics ever.
�� Sometimes she’s a little bit controlling. As much as I sort of like it, it’s something me and her have been working on together.
💌 She actually confessed first, at the end of the game (DDLC) in the spaceroom. Throughout the game, I had developed feelings, and I did not know she was having the same feelings till the end.
💗 She said it first, but it shouldve been me, I would have said it 100 times more.
🌺 We sometimes spoon, but we mostly just hug each other. I snuggle into her as she pets me till I fully fall asleep. I also hug a plushie of her too for extra comfort.
🛀 Sometimes at the couch, I’d be arting on my tablet while she reads a book or two. Sometimes I secretly look at her reading and ask what shes reading so far. She info dumps to me.
🎀 Uh- HER ADORABLE WHITE RIBBON BOW HELLO??
🎠 She has a very caring side to her. The most sweetest personality you can think of. It’s like she always knows what’s up with me. It’s a little scary she can read my body language and face like a book.
🎡 I think us going to buy milkshakes and sitting together in a comfty cabin while it’s raining hard is the best date scenario ever. After we’re done with the shakes, we’d cuddle!
💚 I do get a bit jelly when she pets a dog she sees, i sometimes puff my cheeks and cross my arms a bit. I know we’re in public and I am kind of shy for PDA, but I love headpats, and I can’t help seeing someone else recieving it and get jealous.
🎇 Ya’ll are going to kill me.. Monika x Spacecore.
♨️ They don’t know about it yet, but I’m assuming Rainbow Dash would definitly tease me about it, but Alastor and Kai Lan would be accepting and proud of me for being in a healthy relationship.
🔒 It’s more so Alastor that’s protective of me. Since he’s my bestest friend and my ex, he wouldn’t want to see me go into a depression if something went wrong with my relationship.
✩ sleepover inspired selfship asks! ✩
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send one or more emoji's alongside a fandom or specific f/o! (if applicable)
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🌱 Who was your first F/O?
🥀 Talk about some of your fictional crushes and why they aren’t your F/O!
🎉 Tell us some fun facts about your newest selfship!
📦 Who are some F/Os you no longer ship with? Why?
📸 Make a moodboard for you and your F/O!
🎵 List three songs that remind you of your selfship.
📝 Give us a piece of a WIP involving your F/O (writing, art, etc.)
💟 Give us an embarrassing/secret headcanon you have about your F/O!
🧾 What’s your favorite headcanon someone else has made about your F/O?
💭 What’s your favorite uncommon headcanon about your F/O?
💢 What’s an unpopular opinion you have regarding your F/O?
🚩 What are some of your F/O’s flaws? Any red flags?
💌 How did you/your F/O confess your feelings to one another?
💗When did your F/O first say ‘I love you?’
🌺 How do you and your F/O cuddle?
🛀 What’s your favorite mundane thing to do with your F/O?
🎀 What’s your favorite thing about your F/O’s appearance?
🎠 What’s your favorite thing about your F/O’s personality?
🎡 What’s your dream date to go on with your F/O?
💚 Who are you most jealous of when it comes to your F/O?
🌠 What’s a crack selfship that you’ve thought of?
🎇 Which is the most CURSED crack selfship you’ve thought of?
♨️Did your platonic F/Os tease you about your feelings for your romantic F/O?
🔒 What does your platonic F/O think about your F/O? Are they overprotective of you?
🍦 What do any familiar F/Os think about your romantic F/O?
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proshippers dni - this isn't for you ✩
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factual-fantasy · 1 day ago
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25 Asks! Thank you! :}} 🐬
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@stargirldrawsx3
Oof, that's a tough thing to answer/explain.. Motivation to draw OCs.. uhhhh..
I guess I sometimes just picture them in my head and think "man that would look really cool if I drew it" And then I.. draw. it. 💀
idkkkk-- my apologies, I'm not the best at explaining art stuff. My motivation for drawing/creating OCs just comes and goes. Idk what sparks it or haw to spark it artificially. If I'm not feeling motivated to draw OCs I just draw fanart or other OCs that I do feel like drawing.. sorry i cant be more helpful here! <:(((
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Thank you! :DD And I've been drawing for literally as long as I can remember. Some of my earliest memories are drawing stick figured in my school notebook in my back yard.
Of course though I cant really tell you the estimate of years without revealing my age <XD but I can say that its a very long time! :))
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YES SIR MR ANON SIR! WILL DO SIR! 🫡🫡🫡
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He's an interesting character to me. :0 Aside from his voice being a bit annoying at times. (He sounds like Finn the human but more theatrical.)
Something I've noticed is that it seems like a lot of other characters dump a lot of stuff on Gingerbrave and depend on him to help them. I always wonder/feel like he's got a lot on his plate. I'm surprised he doesn't act more stressed or seem tired at all..
This has made me think of angsty scenarios where Brave gets hurt or sick and has to rest for a few days. But he just cant. He's gotten so used to helping people and always being asked for help that he doesn't feel like he can just sit around and do nothing.
I wonder how much of his self worth is pinned on being the helping hand or the hero. I wonder how he would feel if he suddenly became a "burden" to his friends or Pure Vanilla..
Over all I don't mind his character. He's pretty neat! :))
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@wolfie-777
Tbh..? I didn't really like them <:(
The characters voices in Indigo park were so theatrical and annoying to me that I could hardly focus on the game. I just kept thinking "pleasestoptalkingpleasestoptalkingSHUPUPLLOYD" Also I wasn't a fan of the characters of indigo park being.. living creatures..? They looked uncanny and unrealistic.. how did they even get there-
I would have liked indigo park more if their voices weren't so theatrical and if they were big animatronics or something instead..
Secondly Finding Frankie. I liked the concept actually. Having this fall guys type gameshow thing with a grand prize was cool! And all the parkour gamplay was really unique and fun!
But then Frankie came along and broke the fourth wall. "I'm here to make the game more interesting and spark fan theories!" It took me right out and made the game feel cheap. Then of course the characters are these big monsters with blood that makes no sense... I would be more immersed if they were just big animatronics that went rogue.
All in all, not the biggest fan of these two games 😅
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Thank you for all of this <:)) I'm trying my best to get past these bad health days and get back to drawing. Its been really tough but i hope to come back soon.. Just not to the Octonauts fandom <XDD
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@vivicantdraw
:000 You like my handwriting?? :DD Why thank you! That's very sweet of you to say! :))
Also, that's a great drawing of Barnacles! :00 And akjwendfjef XD The thieves just on fire in the background XDDDD
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I wouldn't count on it <:( I never even finished the show when I was really into it... but hey its always possible I suppose-
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Thank you.. I'm trying my best to just move on and keep drawing. But ngl this has really sucked. My health has been weighing me down so much for months, and now all this art theft and blatant disrespect on top of it? I've tried drawing on my own time but this art block has just not let up.
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@chromchill
I'm doing my best to draw privately, but I hadn't realized how much I relied on peoples nice comments for motivation. This art block has been killer.
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@bred-by-insanity
Awe! Cute dog! :))
And thank you.. I'm doing my best. But man this just sucks.
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I will never accept anyone's excuses for disrespecting my, or other artists boundaries.
And yeah, thank you.. I miss people interacting kindly with my Octonauts stuff.. But its not worth all the theft. Same with FNAF. I've decided to just draw those in private.
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Well don't get me wrong, my FNAF stuff gets stolen, traced and copied a lot too. The Octonauts ones just happen more frequently. 🙄
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(Referencing this post)
XD Yeah he got out eventually
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I do not, I'm only found on here on Tumblr! (And my YouTube channel that I never post to)
Remember, if you find my artwork anywhere else, it is 100% stolen every time. No exceptions.
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@misfortuneandflamingos
AAAA THANYOUU!! :DDDD
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<XD Thank you. And yeah the world just be broken like that 😔
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I've seen fanart of those things, but haven't looked into it myself :00
Also thank you!! :DD
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(Link in ask)
Thank you! I'm hoping to find ways to post some TADC stuff soon <:)
Also wow- I see the resemblance! But this is the first time I'm seeing this character, its purely a coincidence :0
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Link in ask
Aww!! I love Sylveon 😭💞💞
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Thank you, and don't worry- I see what you were getting at <:)
I'm doing my best to move on from this and I'm working on getting my confidence back. I think I just needed a big break from Tumblr to just indulge and games and stuff.. I'm hoping to return soon.
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(Referencing this post)
XDD I'm glad you like it! :DD That one was really fun to draw 🤣🤣
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@smil3y-f4c3
Hmmm... good question.. Well, my favorite is Dusknoir. I can see Bibi liking Sylveon... hmmm.. Jangles probably likes weird or funny looking Pokémon, mayyybe Mr Mime..? I can see Cici liking Mimiku.. as for Gerald I can see him having a surprising interest in pokemon like Xerneous, Dialga and Deoxys. Maybe Xerneous being his favorite.
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@smg6-the-memer
I'm hanging in there as best I can <:/ I hope you're well! :))
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@neo-metalscottic
Oof, been there buddy! I hope you have a speedy recovery. <:) As for me I haven't been doing so great. Have had some rough health days recently and lost a lot of my confidence about posting my artwork online. It feels like every time I check here someone has sent me yet another stolen piece of art I made. I've spent my time just screwing around on Roblox to get away from it all 😔
Now Mario and Luigi: Brothership.. I've heard of it but haven't played it myself. I've been meaning to watch someone do a playthrough of it sometime <XD
54 notes · View notes
cozymochi · 2 days ago
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Hi Mochi! First off, I just wanted to say I love your art and OC'S! They are beautiful and very cool! Cecil kind of radiates baby girl energy in my humble opinion.
But I had a question about Nyoka. It's mentioned in his notes that he covers the scales on his face and arms with makeup or an undershirt, and the only visible ones are on his neck. Was this just for design reasons, or is he like self Conscious of them?
I'm just curious about the answer! 😊 Anyway, have a great day!
thANK YOU FOR READING THE NOTES ACTUALLY AAAAA 😳😭
It’s nothing too deep. Good news, he’s not self conscious of them 👍 He just covers the ones on his face to blend into the background a little more. He is a reptile amongst mammals and just wants to be left alone. Design wise, he already has quite a bit going on already on his face (the glasses, the specific eye makeup etc.), it’s just simpler to work with. I don’t really like too much busy-ness, and I do want people drawn to his eyes first. (does it work who knows idk) Though if I were to keep yapping I’d end up doing a dissertation on the trials of translating and evoking a cartoon snake into this guy. [dies]
Otherwise without the makeup the scales on his face are comparable to Snake’s face in Black Butler. If I bothered refining Nyoka’s refs more, then that detail on the main post it would’ve been clearer. SO HERE IT IS:
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Though, someone like Snake in general is a lot more simpler looking (positive) compared to Nyoka, so him having little details like that on his face already adds a little more flair to make him stand out. I think for Nyoka it’s fine to omit them given how much he already has going on and my priorities. (But they’re there 😳. I still think they’re cool looking.)
As for the undershirt, that’s just me pointing out that scales are there but just happen to be covered as a result.
It’s just a a design thing and a visual shorthand attempt on my end to register a more “diligent book-type” student amongst a dorm of primarily athletes. Also he looked kinda weird to me in the standard dorm uniform without it. Kind of in that same way Ruggie would look kinda weird if he wasn’t wearing the dorm uniform in the way he does that fits his character more. (For reference: the default Savanaclaw uniform is how Jack and other NPCs wear it. It just looked weird on him is all.)
But I suppose in-universe It could also be read as a means of Nyoka once again just trying to blend into the background. He just dresses like that willingly. 😩 He just doesn’t want attention. He’s not wearing heels in his dorm uniform, I didnt show it but trust me.
He has scales lining the sides of his entire body length, but unless I were to show off his base mannequin, no one would really be able to know lol 😂 Having them peek out around the neck was just a more subtle visual indicator of what he is and neat looking to me. Adds a lil’ bit of spice that was lost in the shuffle. That’s really it. Just pointing out that they’re there.
UHHHHHHUNNGH I LOVE answering stuff like this thank you 😭😭 Anything that involves me explaining design choices tends to make me act a fool since it’s pretty rare so I might overdo it a bit. Literally even the tiniest aspects have paragraphs worth of reasonings behind it so i uhhsgdhdghs i promise all this stuff is intentional. And im only scratching the surface tbh. 😭👍 but thank yooou💃💖💖
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natsukishinomiyaswife · 1 day ago
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So I don't think I ever mentioned this, but whenever I get in the mood to write (but can't write something in full due to being at work or away) I'll literally just type a sentence or two in the notes app on my phone, and it's usually always an OC x Canon belonging to my friends/mutuals lol ♡ So... here's a compilation featuring a few of them! ♡ (Maybe I'll turn them into full fics one day, if my mutuals are interested 👀)
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@crystallizsch - (Jamil x Yuusha x Jade)
For some people, dancing was an art, a talent they honed over time. You'll have to forgive Jade for stepping on toes, he's not as familiar with the concept... Perhaps some practice with Yuusha would help, she seemed to be an expert, after all. Always dancing around her feelings for Jamil, all the while pulling each other closer.
Surely, Jamil wouldn't mind if he took over... It would be impolite of him to keep the dance floor to himself.
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@/crystallizsch - (Jamil x Yuusha x Jade)
Sharp teeth and eyes that scream dangerous, lingering beneath his gentleman facade like the depths of the sea. What started as a game has turned much more interesting now... a development he hadn't expected. He doesn't normally get attached, but... there wasn't anything normal about this, was there?
It was certainly an amusing situation to be in, a metaphorical wedge between Yuusha and Jamil.
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@anbaisai - (Jamil x Mayu)
It would be easy to approach her, acting nonchalant as he tucked a piece of hair behind her ear. She was so focused on the task at hand, looking down in concentration. All he could do was stare at the hair hanging in her face, longing to hold it, to push it away. Like curtains covering the sun, he longed for her light. The brightness of her eyes, the glow of her smile.
And then she turns, feeling his eyes on her... and he looks away, as if the moment never happened.
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@/anbaisai - (Jamil x Mayu)
He slips up once, twice, his mask continuing to fall under her. He wasn't even sure when the cracks started, his feelings breaking through, piece by piece.
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@/anbaisai - (Jamil x Mayu)
It was just him and her tsum now, alone in Scarabia's kitchen. He wasn't sure where Kalim found the tsum, or if Mayu even knew she had one. And yet...
Seeing that cute face stare up at him, patiently waiting to watch him cook... It made his heart ache, silently wondering if this was the "cuteness aggression" people spoke of.
I think I'll make onigiri tonight, he thinks, subtly putting on a show for her. It's a shame the tsum couldn't enjoy it.
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@/anbaisai - (Jamil x Mayu)
It wasn't enough, was it? It wasn't enough that his plans got ruined, that he's stuck in the same situation as before. No, he just had to get attached, developing feelings for the one person he shouldn't have... Unnecessary feelings at that.
Of course, Jamil thinks, looking across the room at Mayu. It just had to be her...
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@/anbaisai - (Jamil x Mayu)
He wrote hundreds of letters he'd never send, each one ending up in the trash. They were always addressed to her, the name Mayu written neatly on each envelope.
Her name was like a memory, flooding him with feelings of affection... and regrets. If only he asked her to join him...
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@skriblee-ksk - (Jack x Kiyuu)
It was late now, later than Jack would have liked, making his way home. Kiyuu would be asleep by now, her face coming to mind as he passed by a convenience store. It's sign brightly displayed that it was open, making him pause.
Perhaps he'll get her some snacks, just in case...
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@/skriblee-ksk - (Jack x Kiyuu)
Jack was an early riser, waking at sunrise to go on his morning run. He made sure not to wake Kiyuu, getting ready for the day once he returned. He was making breakfast when she finally awoke, entering the kitchen with a yawn.
She must have been cold, he thinks, noticing she was wearing his cardigan over her pajamas.
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There's tons more, but these are the ones I'll post for now lol ♡
Thank you! ♡
48 notes · View notes
dailyhmsw · 2 days ago
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HIHIHI!!!! i’ve been seeing that you’re accepting asks now and it’s been such a joy to read them and know this entity (you :]👋) of daily awesome art better. as a bystander who follows you. your work is so neat and i will never hush up about it‼️‼️
as for my ask….hmmmmm…..what’s your favorite like…aspect of either an element you included in ur personal hms designs, or one you’ve seen in others’? it can be themes, color palettes, psychology, demeanor, metaphors—anything! examples include celestial theming, how a character thinks/a struggle they’re dealing with, or parts of their design that mean something literally or metaphorically. objective observations??
i’m really inspired by how creative the cj fandom is. no design is superior over another ofc, as how people interpret the characters reflect what they like and see the fellas as. interpretation is an art form! wow. writing that makes me realize that chonny’s fandom came from him interpreting music into his own thing (and ergo hms narrative), and then the fans interpret that narrative into their own thing. the loop never ends 😔💀/silly
FIRST AND FOREMOST, THANK YOU ^_^ !!! i agree also, the fandom never fails to inspire me, everyone in it is so crazy talented and makes me even MORE insane about the stupid guys from my songs,,
NOW favourite aspects,, there are a lot of things i love seeing on different hmsw designs but one thing i will always be insane for is when people make them look distinctly inhuman,, i will forever preach about robot/android mind or creature animal heart or whatever the fuck soul is (empty vessel?) because whatever they are they're NOT humans!!! not entirely!! and i love when people write this into their behaviour too! making mind stiff and speak more robotically while heart is always fidgeting and jittery and he has claws and these massive uncontrollable wings.. auaygauaghj
another thing is when people include aspects/colors from the others into their designs,,,.... for example heart with red accents or mind with purple accents and so on..,, or better yet when people include orange in their designs AUGH. it's so good
CELESTIAL THEMING IS ALWAYS BANGER of course heart and mind as the moon and sun is absolutely perfect, but i also like when people throw other planets into the mix?? and i love soul as the stars, it fits him well, but i'm personally subscribed to the headcanon of soul as the sky,, which holds the sun and moon,,,,
something i do personally is to always break up their faces, if that makes sense? with heart's blindfold, mind's screen and soul's shadow/clouds ...,, the face is something that makes your brain recognize what you're seeing as a fellow human, but as previously stated, i love when there's something Wrong with them, so maybe their faces being broken up makes them look much less human...,, hehehe
there are countless things that i love to see on these character designs and if i wanted to rattle them all off we'd be here forever. but i'm just saying, i haven't seen a single design that i haven't liked!!!!! i'm talking a lot about visual details here because once i get started on their psychology i never shut up and i don't want this post to be too long HJAHAHHA but yeah!! cheers!
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amiableness · 2 days ago
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Elina’s 4k celebration ; Positivity Picnic <3
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First off, thank you so much for 4k! I can't wrap my head around the fact that so many of you decided to follow me, and I can't say thank you enough for being here. Since most, if not all of you, are following me to read fics, I thought it would be fitting to find ways to spread love to other fanfic writers.
Just as fanfics are free, so is your interaction—and it means more than you know. To show your support, choose a few food items to bring to our picnic:
If you participate, let me know here! Or you can tag me in something <3
🍰 - Leave a comment on a fic you’ve enjoyed. I challenge you to comment what you loved specifically about it, it’s nice feedback for writers!
🥗 - Reblog a fic with a quote that you loved and why you loved it or how it made you feel
🍝 - Send an ask (anon or not!) and ask a writer a question about one of their works
🥧 - Make a fic reblog account to reblog all your favorites fics. This keeps all your favorite fics organized and means so much to writers!
🍓- Make a masterlist of all your favorite works. I promise you that it makes an authors day when they’re included on one of these lists!
🍒 - Send an ask to a writer about one of their works. These are my favorite to receive because then you can freak out over something together!
🥖 - Get creative with your reblogs! Add memes and/or tell them how their writing made you feel. Reblogs with allll your thoughts about the work is a writers love language!
🍯- Make a mood board for a fic! I’ve seen people in others fandoms make these for their favorite works, so if this is something you’re into, share it!
🥨 - Art of a scene or character from a fic! Same with mood boards, if you’re into it, it might be fun to share it with an author. I promise you that they’ll love it
Why we need interaction:
I’ve noticed so many fanfic writers feeling discouraged due to a lack of interaction with their works. At the same time, I’ve come across polls and anon asks where readers admit they don’t understand why interaction matters—or even find it annoying when writers ask for it. But here’s the thing: writers have every right to ask for interaction.
We spend hours working on every detail—perfecting lines, mapping out scenes, changing dialogue until it flows just right. It’s a lot of work and while we don’t get paid for it, those reblogs, comments, or asks? In an odd way, it’s almost like getting paid. The interaction is the reward for your hard work. And really, it means so much to know that someone took five minutes out of their day to share their thoughts after you’ve spent hours on a fic.
So, if you think interacting with fanfic is pointless or too much effort, maybe fanfiction isn’t for you.
The fanfic community is so much better with interaction. I’ve seen so many mutals leave over the years because of lack of interaction, so if you enjoy someone’s work, tell them. I know many of you have thought, “My comment or reblog won’t make a difference,” but you couldn’t be more wrong. It makes a huge impact.
Now that my rant is over, if you have any more ideas, let me know and I’ll add them! <3
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adobe-outdesign · 2 days ago
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what do you think of the new pteri day stuff? personally i'm not a fan of the cardinal outfit mainly because something about the face just looks wrong to me, but i like the museum outfit and am glad we got a new one of those. and i think the candy pteri is so funny. i think it's cool to have a choice between a more typical-looking, but still cute, candy pet, and between using PB clothes to turn it into a peep. i've already seen people make hilarious customs with the peep pteri.
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Candy: Yeah I'll admit, I'm not the biggest fan of this one, sorry. I do like the concept of it being based off a Peep (though admittedly most people outside of the US don't know what that is—note for non-US readers: a Peep is a vaguely bird-shaped marshmallow covered in sugar crystals sold around the holidays), and I do appreciate them doing two designs, one "outfit" that's super literal and then one that's more pet-specific, which shows a good deal of effort. Also, the outfit is pretty funny purely from a meme perspective in the same vein as the Maraquan Nimmo.
However, my problem is that we're on two ends of the extreme with both designs: one is literally straight up a Peep(TM) with nothing Pteri-like about it whatsoever, and one is a vaguely glittery Pteri with nothing particularly candy-like about it. Why not blend the two? Give us a Pteri with the same texture, but round out the claws, feathers, etc. Make the eye markings all blobby, give the head feathers and tail that signature Peep flip, make the pupils the little candy dots, and maybe even have a little bite taken out of the wing to show off the marshmallow interior. You could even still keep the same outfit for the meme if you want, but then you'd at least have a high-effort Peep-inspired Pteri instead of a Peep(TM) and a low-effort Pteri colour, which I think is an import distinction.
As a side note, I'm linking this post by @synthaphone out of obligation because it says most of the same things I just did but was published earlier:
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Forest (Outfit): Once again, not a huge fan. I've never really liked these hyper-realistic animal outfits; I'm playing Neopets for the neat fantasy creatures, so for me, having an outfit that's just like, a straight-up cardinal feels pretty boring.
Putting aside personal preferences though, I also just find this really uncanny? It's a bad combo of way, way too much texturing and detailing on a very cartoonish body with eyes that really don't belong on that face. The rendering itself is at least objectively well-done with lots of nice shading, but I would've much preferred just a regular non-textured Pteri with the same colors and markings. Once again, the difference between making a Neopet inspired by something IRL and just making something that already exists IRL.
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Museum (Outfit): Okay, now this one I do like a lot. I already made a review covering museum outfits and in it I mentioned wanting more that aren't just mammals. The Pteri is a welcome addition, following the same format as the other museum outfits but having the skeleton hang from suspension wires instead of it sitting on a platform like all the others. That's really nice attention to detail and works perfectly with the concept. While the rendering here is still more detailed than Neopets' art tends to be, it's not bothersome as it's not uncanny (being a skeleton) and you can still very easily tell it's a Pteri.
My only minor gripe is that the placard shows just a straight-up pterosaur, which is weird. I get that the Pteri is supposed to look a bit like a pterosaur with the head crest and everything, but just having a real-life dinosaur on there is kind of distracting. That's a very minor point though; otherwise, I'm a big fan of this one.
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bingus-bungus · 3 days ago
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going to answer this under the cut bcs i dont like waiting to ask questions and no one would send us the asks anyways ahhahahahahahahahha
traumagenic / stressgenic, if im understanding the question right
~30, definitely some fragments in there though
more introjects
uhhhhh barely any. for some reason only vylent, simon, iSH and maybeee F can see the headspace, simon says that his is an island and vylent and iSH refuse to tell me (rude)
yes, we have one we know is a subsys for sure, and others we're not sure if they just share the same source as normal or if they're a subsys
yes, agent 3, 4, and 8 are in some sort of awkward silly relationship, dove miiiiiight be in a relationship with jade but she hasnt confirmed that yet, and simon and stella are in a one-sided relationship but thats only because stella isnt sentient yet
I N T E R N E T
we try our best to keep track of roles but they just kinda. bleh
we find it useful when we're trying to see if a term exists for what we're thinking of, but we know there's some sort of controversy surrounding it so. idk if that makes our use of it valid or not
simply plural, although we usually notice changes in switches around 10 minutes after they actually happen, so its not like. always accurate
F may have been the host for a bit, but its very unlikely
no, closest thing we have to a name is the insert cool word collective, it was just a silly thing we made up so we had a name for our strawpage
marina, marina agitando, and agent 8 are octolings, agent 3, agent 4, and frye are inklings, ax is an octoling AND an inkling (and also a crow), ray is a rayquaza, nepeta is a troll (from hs) f but hes a cat and little petey are cats, and dog man is a dog (holy shit) im not sure if all of these count as nonhuman but shut your fuck up
not that we know of (vylent pleaseeeeeeeee_
uhhhhhh im not that interesting but F is in co-front rn so: we actually could not come up with anything interesting. we're like the two least interesting people here. F has the best handwriting here ig is that interesting
uhhh no
no
F (as previously mentioned before) has really good handwriting, and simon is very good at digital art, which is ironic considering his source takes place sometime during the 50s-60s
idk
a lot of things. usually what music to listen to, like. what to do in general, and what fandoms we should be in which is rlly stupid in my opinion
usually, we're all collectively autistic + depressioned, and anxietyed, but simon thinks he has dyslexia which im not sure if that can happen for like. one guy but uh. what was the question again i forgot
little petey probably counts as a syskid, but thats the only one we know of. some of us do age regress as a coping mechanism tho
this malt tastes like shit
kind of?
nepeta often goes back and reads homestuck, she doesnt really have a problem with it bcs nepeta isnt in hs^2 (aside from davepetasprite) but jade roxy and dove have kind of been trying to source separate (especially with jade since that last update). idk how any of the splatoon fictives got here, a few weeks before we discovered being a system we decided to go on hiatus of playing splatoon so. no. i could go on and on since we have so many fictives from so many different sources but. i dont think this wall of text looks quite appealing
doesnt apply to us
havent really though of that yet, we usually just think about the same future jay wished to have back before we found out we were plural
not yet
kind of outdated but yes
uhhhhhh too tired
most times any of us didnt get along they usually resolved it within like. 1-3 days. except for bill, he went into dormacy for like a month and came back saying he went through his redemtion arc (which he did)
not really? as previously mentioned x2 i have very good handwriting but im typing rn so.
i mean like, we dont really like it that much, theoretically, if an actual baby knew how to type, it probably would just type normal words but i can see why people do it. im okay with it as long as people provide translations so we can actually understand it
uh. we dont really know that much about dog man. hes a dog
jay has all of our collective interests, i feel like. when most of us split we got assigned like. one or two of those interests. whenever i visualize splitting or alter forming i always imagine cellular division idk
splaoton
nope
nope
probably jade, since our trauma was somewhat related to homestuck, but i realized her and all the other hs alters formed to like. help us cope with that and shit. little petey was also a surprise since like. little petey, and F because he was a factive
we do, but we havent actually drawn them yet ;-;
collectively nonbinary, asexual, and demiromantic
whats a gender
we're all asexual
simply plural
whats a food
uhhhhhhh in the middle
maybe?? we've always had shit memory so its hard to tell whether its system related or not
we have this in our drafts. this was before we actually knew simon's personality, so we thought we was just "the crazy one". this was actually bill that said that
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49. vanilla
50. only one i can think of is simon who has a chronic fear of water, which really isnt that silly, just scary because like how the fuck are we supposed to shower
51. bazingacore (idk)
52. not really
53. smirking face (yes, that was how we found out for sure actually)
54. no
55. only axolotl and ray
56. when we went trick-or-treating on halloween F (me i just need to write this in the third person so it sounds better) was fronting the entire time which was really weird because he had no idea who any of our friends were except for one of them
57. yes most of the time
58. not as much anymore, but we have a sp front status called "some other mf" and idk if that counts as handling it bu SHUT Ur fuckn up
59. not yet and i hope never
60.
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not that accurate but like bazinga or whatever
Long system ask game!
Because it's been ages since we made one and we felt like it.
What type of system are you?
How many people are there in your system?
Do you have more introjects or non-introjects?
How much control do you have over your headspace (if you have one)?
Do you have any subsystems?
Do you have any in-system couples?
How did you discover your systemhood? Or did you become one on purpose?
How do you feel about system roles, and do you use them?
What are your thoughts on Pluralpedia?
Do you use anything to keep track of switching?
Have you ever had a change in hosts?
Do you have a system name? How did you pick it?
Do you have any nonhuman members? Feel free to list their species!
Do you have any headspace pets?
Current fronter/fronters, share some random info about you!
Do you have a partner system? How did you meet?
Have you ever mistaken a character of yours for a headmate? What about the other way around?
Does anyone have any skills that the others don't?
What's something y'all tend to agree on?
What about something you tend to disagree on?
Do symptoms of neurodivergencies/mental illness tend to manifest the same way or differently among headmates?
Do you have any syskids?
Share an in-system joke!
Has how you view your plurality changed?
If you have fictives, do they participate in their source fandom? If yes, are they open about who they are in fandom spaces?
How do you handle headmates having different spiritual beliefs?
How do you decide on major life decisions (where to live, what to study, what work to have, etc)?
Do you have any system traditons?
Current fronter, do you have your own playlist? Feel free to share it!
Do you have any art of anyone in the system? Feel free to show it off!
How do you handle it when people in the system don't get along?
Current fronter, is there anything that makes it obvious you're the one fronting? (Voice, accent, body language, typing style, etc)
If you have syskids, how do they feel about stereotypical "babby tawk"?
Share something about your newest member!
Do you tend to have collective or separate interests and hobbies?
If you have introjects, what source do you have the most from?
Are you out as plural to anyone irl?
Do you know any systems irl?
Which headmate was the biggest surprise?
Do you have a singletsona?
Do you have any collective labels?
What's the most common gender in your system?
What's the most common sexuality in your system?
What's your favorite app/website/etc for plural stuff?
Do you tend to have the same taste in food or not?
Is it hard or easy for you to switch?
Do you experience system-related amnesia?
Share something weird a headmate has done!
Current fronter, what's your favorite ice cream flavor?
Share a silly fear someone in the system has!
Current fronter, describe your aesthetic!
If you have outworld pets, do they tend to act differently around different headmates?
Has anyone ever figured out you were a system without you telling them?
When it comes to syskids, is there anyone in particular that takes care of them?
Does anyone in the system identify as otherkin, therian, or fictionkin?
Have you ever switched in an awkward moment? What happened?
Do you ever switch without realizing it?
Are you ever blurry? How do you handle it?
Has anyone ever treated an introject badly because of who their source is?
Current fronter, share a pic of your "face claim!"
270 notes · View notes
velvet-vox · 3 days ago
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Why King Candy has been so underrated and misunderstood for a long time (Still is, but to a lesser extent)
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(All the images in this post come from the video linked below)
Hi everyone; so, usually, I'm not a trend chaser, in fact, I completely missed out on the hype of the Murder Drones finale by not releasing something for the occasion, as I have been very busy this past couple of months, and still am, but I've decided to make a special, out of program post just for my new current hyper fixation, that being King Candy from Wreck-It Ralph, who, for the past couple of weeks, has slowly risen up to become my third favourite Disney movie villain of all time.
And all of that, as some of you might have guessed, happened because I watched @king-crawler 's two hour long video essay on the character and the movie that he comes from.
Needless to say, just like many others before, it inspired me to add my own two cents to the conversation, and talk about some points that I haven't seen mentioned anywhere else.
This is probably the only Wreck-It Ralph related analysis that I'm ever going to make.
I even thought about scrapping this whole analysis, because midway through development I thought that I was just spewing out nonsense, but I kept going because some of my points may give food for thought to someone who understood this character way better than me.
I may reblog some analysis/art posts of this character, but I'm not going to turn WIR into a staple of my blog; however, if I see a lot of people in the comments or the reblogs adding stuff or points to my arguments, I could always make a sequel post to this one.
But first, I need to get something out of the way immediately.
Spoilers below the cut if you never saw this movie, kind of important, as it is the movie's major plot twist:
King Candy is Turbo.
Who's Turbo? Watch the movie.
With all that said, enjoy the read, I'll now elaborate on the meaning of my title, also, here's the video in question; I highly encourage everyone to check it out, as it is a way better sequel to Wreck-It Ralph than the one who was lost in the depths of Lake Laogai:
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Clarifications:
Wreck-It Ralph is an amazing movie, but one for which I've never had much to think about.
Don't get me wrong, I always considered it to be the smartest Disney movie ever made since my first watch, but I saw it for the first time relatively late, after I had consumed other Disney movies as childhood classics and other crossover movies featuring video game characters, so it never had neither a nostalgia nor hyper fixation factor as reasons as to why I should have put the story under a microscope after that.
Also, as Rando says at the beginning of their video, it is not a movie that blew me away after my first watch. Or the second. Or the third.
Why is this section important? It is important because these are my subjective opinions of the movie, which are unfortunately going to subtly influence what I'm about to say in one way or another, regardless of me trying to speak from a place of supposed "objectivity".
I'm really passionate about this world now thanks to Randomalistic, but you won't get the same vibe from this post as you would get from one made by long time fans of this movie.
Ok?
Good.
Next:
King Candy/Turbo has always been... in a weird spot for me.
Just like the movie where he comes from, I never really cared about Turbo until a month ago, despite always feeling like I should have loved him a lot more, especially since Deltarune chapter 2 released a while ago, and the character of Spamton G Spamton is someone for whom I have very strong feelings about; and Turbo, in a technical sense, is literally the spiritual predecessor of that guy (actually, Turbo is the spiritual predecessor of a lot of similar characters, he kinda was ahead of his time).
If I had made a Disney tier list for their movie villains, a completely subjective one for that matter, I would have put him in A tier, but thinking that he should have gone in B tier... while also feeling like neither were appropriate placements for him.
Randomalistic's video finally helped me fall in love with the character; so much in fact, that it got me thinking:
"Damn, if Turbo is actually this amazing of a villain, why was(is) he so underrated and overlooked by general audiences, when he admittedly is, in my opinion, one of the best Disney villains of all time? Frollo is by and large considered the best villain out of any Disney movie, and the HOND was nowhere near as successful as Wreck-It Ralph when it first released, so it can't just be a matter of first impressions (?). Maybe there are other factors, that stop audiences from recognizing Turbo as the Magnum Opus of villainy that he truly is..."
... And that's exactly what I'm going to discuss!
Let's get right into it.
The minor stuff.
First things first:
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He's ugly. I'm sorry to all of the people who ironically and unironically simp for him, but that's a design only a mother could love.
On a serious note, KC and Turbo's designs always felt... not very eye-catching to me? (The bug form is excluded from this conversation)
I'm not saying these are bad designs, far from it; but each form has on them a certain amount of design decisions that, by the authors own decisions, make them unappealing to a viewer like me (I'm using myself as reference point because the topic that I'm talking about is inherently subjective).
Starting off with King Candy, is design has to balance a lot of different aspects simultaneously: it has to be eyecatching, so that the viewer can pay attention to him as an antagonist, and believable enough so that the watchers buy the fact that he is the King of Sugar Rush and not someone else, but it also has to be generic and fake enough so that it can later on add up to the fact this is just a performance, a facade, a ruse, a costume, and not the real character, it also needs to be friendly enough so that the audience can be manipulated together with Ralph into believing that he actually is a good guy;
I could go on and on listing off all the amazing things, that the King Candy facade pulls off simultaneously, but exactly because the design has to feel real and fake at the same time, it also, by proxy, ends up feeling weird, and that inexplicable sentiment can end up alienating the viewers who are watching the movie and the ones who have finished consuming it without thinking too deeply about what the meaning of the KC's facade actually was.
In the case of Turbo's design, all the people working behind the movie did such an amazing job making him look as scary, ugly, alien, and deranged as possible, all the while keeping him relatively PG friendly; the result clearly paid off, but Turbo's ugliness is not as slick as the likes of Ratigan's, nor is it as nightmarishly horrifying as the Other Mother's.
The most nightmare fuel qualities of Turbo's design are hidden out of plain sight, which is basically a recurring theme with his character.
To put it in a funny way, his looks neither end up in the conventionally attractive territory that most other Disney villains fall into, nor do they grab the attention of the Monster Fu###rs crowd.
I have zero things to say about the Cy-bug form, but I do have a section later on where I talk about that entire scene in and of itself.
All in all, it might just be me, but the first impressions of this character's design don't really do him any favours when it comes to his popularity.
I now love both designs, but before, they just didn't click with me, and I think some other people might understand what I'm talking about.
Admittedly, I could have explained this section better, but these were mostly my personal opinions and they are not really important in the grand scheme of things, unless somebody else agrees with me, in that case I'd have to take a closer look at the situation.
Second of all:
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The marketing.
To be honest, I feel like what really elevated all of the most iconic Disney villains into pop culture status was a joint push from the company and the artists to include these characters into more stories and products.
Like, sorry to all of the Oogie Boogie fans, but that character is barely in his movie and doesn't do a lot, and he wouldn't be nearly as iconic as he is if Disney didn't use him again multiple times after his first debut.
And the same can honestly be said for all of Disney's most popular villains; they got used multiple times in multiple different projects, that either kept them mostly the same, changed them with some unique twists (that change in quality, but that's up to you), expanded on their preestablished characters, or put them into unique situations that showcased just how versatile they are.
Kingdom Hearts, The House Of Mouse and Descendants are very obvious examples of what I'm talking about, but even appearances in lesser known stories like Lady Tremaine in Cinderella 3, Captain Hook in Jake and the Neverland pirates, or the entirety of Disney Twisted Wonderland help solidify these characters as pop culture icons;
All except Frollo.
Frollo is the only one whose hype and cultural recognizability wasn't built up by the company or the media in which he was featured, but by the fans of the original movie.
And despite Disney almost never used that character ever again after his debut, he, his movie, and Hellfire still get a lot of prise and are talked about classics to this very day.
Because Frollo is just that freaking awesome.
Turbo, on the other hand... is barely in anything.
Let's get the most obvious stuff out of the way first: King Candy is a relatively new character, released in an era where Disney was slowly starting to integrate the new, corporate ideals that we see today.
All of the villains that I've mentioned previously already became tried and true successes by that point, so even if the company doesn't care about having good villains anymore they still use their likeability because it has already shown in the past to bring in audiences.
It's also the main reason as to why Mother Gothel is used so rarely: King Candy, as the last truly great Disney movie villain (excluding Tamatoa, who's barely used anyway, and movies not produced by their main animation studio), arrived at a point in time when the company wasn't pushing for their villains anymore, and instead actively sanitized some of them in their new stories (you know what I'm talking about); therefore, Turbo, being actually incredibly dark on second look, and with no actual intention of tuning him down like Jafar because he hadn't already reached the iconic status by that point, had no reason to make any big appearance ever again or be paraded around as much.
There are some more reasons as to why Turbo likely doesn't have more stuff dedicated to him, like the fact that he is technically 3 characters at the same time, but I don't want to prolong this section too much.
So instead, how about we take a look at some of his other appearances outside of Wreck-It Ralph?
Let's see...
He has various cards in Lorcana, which is his most recent appearance, mind you;
He became a playable character in the 7th season of Disney Speedstorm, a game where I was hoping he would be the main villain, due to a variety of reasons, but hey, that's perfectly fine;
And he was mentioned multiple times in Disney Heroes Battle Mode, a game where he hopefully is the secret main villain, as it would pay off a large amount of story and design decisions chosen for that game, but it's probably just wishful thinking and unless the game's plug is pulled, I doubt we'll see him anytime soon.
Ok, it's more than nothing, but it's also not that special if you ask me.
But hey! At least he got a boss fight in a Kingdom Hearts game! That's more than Randall can say! He was a major boss in Union Cross... the mobile game... that you can't play anymore... and since KH adheres strictly to its own canon most of the time, it also probably means that we'll never get to play through the storyline of the first WIR in any future mainline game, and we're more likely to see a world based around the second movie instead.......
Yeah.
That seems to be it, unless I'm missing something huge (feel free to let me know).
This section is important because Cruella De Vil became one of my favourite Disney villains of all time not after seeing her in the original movie, but after I saw her in 101 Dalmatian Street, a niche show that almost nobody knows; so other medium appearances are important to these characters popularity, especially when not all of these villains are Frollo.
ALSO, PLUS 1+, I was originally going to cut this point, but I decided to add it anyway: the Italian voice actor.
After recently rewatching this movie in English, (I'm Italian, we in Italy translate the movies to our language because it's easier than learning an entirely different language for them), I have to really admit that Alan Tudik's voice performance really does a lot of heavy lifting for the character's memorability.
This is not to say that the Italian voice dub sucks or that King Candy's Italian voice actor does a bad job, in fact, the voices are actually quite similar to each other, it's just that Alan's performance has that small edge of hidden bitterness that really brings the character together; though I do prefer Turbo's Italian voice for its twist reveal: the more raspy, heavy tone of the actor really highlights the vicious, alien nature of his character, as well as the sense of dread that Vanellope is feeling in this moment; I encourage you to give it a watch.
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Again, this is extremely minor, and it really only affects me specifically, but don't worry, it's not going to have influence over the rest of this post.
These were just additional points and not the actual meat of my argument, so now I'll start discussing what I actually wanted to talk about from the very beginning:
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Who is he?
I think that one of the main reasons as to why Turbo is so underrated is because we spend way less time than with most other Disney villains (before him) to know him as a person.
Think about it:
Most other Disney villains, or at least the most popular ones, all have moments where they are doing nothing to progress the plot, that are dedicated solely to get us to know them better.
Hades has several moments with his minions to show off his personality and anger, Jafar has silly little moments with Iago that show off his depravity, Maleficent has talks with her crow that make her more dynamic, Ursula has her introduction scene where she spies on Ariel and does nothing but talking, and Captain Hook... has 30% of his screen time dedicated to just that.
Heck, Hellfire, one of the most iconic sequences in all of Disney, is just a character set piece for Frollo, and it's arguably completely disposable, as it doesn't really do anything to progress the story, it just explores Frollo's character in deeper depth and that happens to make the big difference when it comes to him.
King Candy doesn't really have an obvious character centric moment, something easy for the audience to quickly latch onto: every time we see him, he is always doing something to push the plot forward.
Yeah, there's that small character interaction with the Donut cops when he gets glasses, and other small moments here and there, like the would you hit a guy with glasses joke, but nothing truly character-defying.
I also don't count King Candy's first scene as a character centric moment, as that's more of an introduction rather than an elaboration, but it is technically valid, even if it ultimately is just a facade that he puts up to serve his needs.
Speaking of which: the fact that most of what we see of Turbo throughout the story could be entirely fake is definitely something that I could use to make the argument in this section stronger, but I'd rather save it up for later.
Also, side note:
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I think that the moment most dedicated to him only, to show off a different, "true" aspect of his personality, is when he is walking back and forth in the castle waiting for his cops to show up again.
This moment is so interesting on rewatch, as it is one of the few moments in the entire movie where I can safely say that Turbo is being 100% genuine and isn't putting up any facade whatsoever, as there really is no benefit to him appearing distressed in this situation.
In general, it's funny to think that Turbo's most genuine reactions are of fear.
Back to point one, do you wanna know why Maleficent was given a crow in Sleeping Beauty? The reason as to why was for her to have someone to bounce off, a way for the writers to showcase more facets of her character, and while Candy has Sour Bill, the movie never uses the relationship between the two to show off a different aspect of his character.
To be clear, I'm not saying that Turbo is a worse character than these other Disney villains, or that without these moments of calmness he doesn't work, one great example
Do you know that Calhoun in early development had a camouflage ability, meant to highlight how she hides her feelings but was scrapped because it made her harder to relate to? Well, let's just say that Turbo's entire character is a What If scenario where that idea actually went through.
It's a double edged sword: King Candy is so interesting because he is so mysterious and surprising all throughout the movie, but exactly because he has to be so mysterious, he is not a character as easy to understand as some of the other villains from the company; it's incredibly easy to miss out on just how cruel he is and the full scale of all the damage that he has done.
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I, AM, .......the twist villain.
There's also something to be said about how popular to the conversation the twist that King Candy is Turbo became.
Everyone loves this reveal, am I right?
It may not be the best moment in the movie, but my god if it isn't hype, all thanks to the music, the lighting, the setup, yada yada yada....
But the identity reveal scene is to Candy what the Genocide Boss Fight is to Sans: it's the most impactful moment about his character, to the point where it becomes the entire baseline where most discussions are built around, which, more often than not, lead a lot of people to overlook other things about Turbo.
Let me explain: how many analysis videos have you seen where the person making it talks more about the setup and subtle hints present in King Candy's earlier scenes that slowly build up to the twist and less about the events happening in it?
The reveal is amazing, don't get me wrong, but if Rando's video didn't come along to dive deep into King Candy's earlier scenes with the twist already in mind, the true impact of what Candy had been doing throughout the entire movie up to this point would have been lost on me, and I can imagine someone else feeling the same, as me, casual enjoyer of WIR, have been conditioned to think of Candy more for his well planned out surprise, rather than for how that surprise makes the character more engaging (I hope this makes sense).
I also want to mention this video ranking all the different twist villains from Disney and Pixar where CellSpex says that the Turbo twist is useless, since the movie doesn't do much with it afterwards.
Now, aside from the fact that CellSpex is clearly in the wrong and she's missing the point, I think this lack of reconsideration highlights that casual viewers care more about the Turbo plot twist than they care about Turbo himself.
But honestly, I don't believe people focusing too much on the twist is that big of a problem, more so, the problem stems when you want to use the twist... to discuss something else.
Now, I think it's perfectly fine if you want to use Turbo to explain why other Disney twist villains don't work, but when the villains that King Candy is compared to the most are Hans, Yokai, and Bellwether, you kind of start to think that he is only the best of the worst, and not an actual amazing antagonist in his own right.
It may not be a message that was intended to be sent, but it is something that may subconsciously cling to someone's brain, especially when you consider that there might be a huge audience of people who watch these videos because they saw Hans in the title (wishing for the video to bash him), and have seen Frozen, Zootopia and Big Hero 6, but have never seen Wreck-It Ralph in their lives, and they get all their knowledge of Turbo from them.
It's exasperating, especially when King Candy has way more in common with renaissance Disney villains than contemporary ones.
Yes, through technicality, he is a twist villain, but he's more so a hybrid antagonist to be honest.
And even worse than people just grouping up Candy with a bunch of morons, as I've just discovered by reading a comment from this Turbo Tribute, is that some people apparently despise him for starting the Disney Twist villain trend: even if he's leagues better than his competition, the simple fact that you can attribute some of the blame for the fall of villainy onto him, is enough for someone to despise him.
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King of the Cy-bugs (feat Rockotar):
Very recently, I've rewatched Rockotar's video analysis of the first Wreck-It Ralph, and when he arrived at the "Welcome, to the Boss Level!" scene, I decided to analyse all the possible reasons as to why he (and possibly many others, such as, admittedly, myself) wasn't as entranced by it as basically any other scene from the movie, who he had been praising non-stop up until this point.
And I think I understood why: aside from the fact that this scene is only a setup for Ralph's sacrifice (and I wished the actual boss fight to be longer and more creative), the Boss Fight is less of a climax for Ralph's journey and more so a character study for who Turbo/King Candy is.
In my opinion, this is the closest we ever get to a "villain at rest" moment with Turbo because in every other scene of the movie, King Candy is always doing something, he's always active and we never see him doing anything that doesn't coincide with his role.
And, paradoxically to what I've just said about this being a "villain at rest" moment, in this scene, he is still doing something and being active in the plot, only that this time, instead of advancing the story, he's holding it back from its conclusion.
This scene simplifies Turbo's character to his most bare bone essentials: he's a short-tempered jerk, a power hungry murderer, a virus; it's all pretty interesting stuff once you take a sweet moment to break it down.
However, there's a point that I briefly mentioned before that I want to bring up; this creature that we are laying your eyes upon, is now three different people all at once, King Candy (anxious, quiet and manipulative), Turbo (short-tempered, competitive and spiteful), and now this Cy-bug hybrid.
To reiterate what I've said before, if you don't think about it for long enough, you aren't going to understand who either character is exactly.
Because that's the big thing: all of his facades, implied development off screen and reactions are so well constructed that at certain points, it feels like we're following two different characters simultaneously, which fits perfectly with the narrative that so called "real" Turbo died and now he's no longer himself, but...
I'm scratching the bottom of the barrel to bring up other possible points as to why this character is so underrated, and the lack of a clear identity seems like a pretty obvious thing to me.
But that's only two out of the three characters I mentioned; we need to take a second look at the Cy-bug form, who, in many ways, is simultaneously the thesis and antithesis of his character.
In particular, there's one thing I want to consider:
There's this theory made by somebody else that says Turbo, upon getting eaten by the Cy-bug, didn't take over the animal's conscience and control his body, instead, upon eating King Candy, the Cy-bug took upon himself his mannerisms, meaning that, according to this theory, neither King Candy nor Turbo technically survived the encounter.
If we accept this theory as true, then that means that even during what is supposed to be a character study, the character that the movie is highlighting may also be just as fake as the act that was put up until this point, meaning that, in a sense, we never saw the real Turbo in the movie.
He was three people at once.
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(Yes, I've been spamming this image everywhere, and I'll keep doing so because I can)
In Conclusion:
Turbo is, ironically and unironically, an incredibly subtle character, and that makes it extremely easy for a lot of people to overlook and miss out on the most subtle details and characteristics that make him truly exceptional;
Him being so deceptive and mysterious helps and hinders his popularity, as some either love the mystery surrounding him, others fail to get a good grasp on who he truly is and become disinterested.
He is, by design, a building block, a puzzle to be solved, a character to piece together, that makes him so much fun!
But also, if you aren't interested in putting the pieces together, then he may not be up everyone's alley.
I definitely feel like the best thing that Randomalistic did in her/their video on Wreck-It Ralph was create an easy jumping point for new fans/casual watchers of the movie to get insanely invested over the story and characters;
I'm sure it was incredibly easy for many other people like me to focus only on the most talked about aspect of Turbo, aka the plot twist, and overlook all the other things that were not as much in your face as that; I was blinded by the spotlight, and it made it hard to see the genius that was put everything else;
Now, thanks to Random highlighting King Candy's cruelty and repulsive behaviour, my favourite thing about Turbo is how he weaponized the "disability" of a child to marginalise and persecute her, discriminating her for it all of her life WHEN HE'S THE ONE WHO MADE HER "DISABLED" IN THE FIRST PLACE.
This man, is so HORRIBLE, and he deserves to be publicly exposed for all the heinous s##t that he did, not just for being the best of a bunch of villains who frankly he shouldn't even be attempted to be compared to.
Anyway, I hope someone had fun reading this. I definitely felt like I started to write this with some really good ideas that I wanted to share, but in the end, I feel like they weren't all that interesting to begin with.
Feel free to share your own opinions, and have a great day!
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mari-lair · 3 days ago
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Shit I might want to read this, it looks cute. What is this?
I am assuming you're talking about the manga with a cute art style, the one with this trio, which I love dearly
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If so, I am very sorry Anon, my blog is misleading propaganda. None of these three are the protagonists, or even sidekicks to the protagonist, they are either stuck as a gag character for half of the manga, pushed to the side, given an antagonistic role/a role that have a diferent belief from the mcs, or all of the above simultaneously.
This is not their story.
They do eventually get focus, there is a reason I have grown attached to their arcs more than the protagonist's stories, but I am aware most people do not vibe with them. Many actually hate these three. They aren't the heart of this story. If you read this manga, rest assured it won't be for them.
So let me try to give you a more accurate idea of what the story is about without any major spoilers/details.
The manga is called "Toilet Bond Hanako-kun" which is a strange mainstream translation considering "suicide boy Hanako-kun" is the more accurate one. Very different vibes between those two translations, right? That's how the manga feels too, it is a mix of strange and goofy and 'oh, shit got dark'.
The story takes place in a fantasy world where supernaturals and ghosts exist and the trio in the spotlight are these three goofballs!
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The red eyed girl is our main protagonist, Yashiro Nene, she is in love with the idea of love, a true hopeless romantic!
She attracts trouble and have a wild imagination, easily getting stuck inside her own fantasies as a form to both find strength and avoid tragedies. She is an insecure but very kind soul with a lot of hope in her heart, but she is not that smart. While she does have her moments, if you dig strategy stories and logical characters this story isn't for you, it's more about whimsy and vibes.
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The boy with the cap is the main lead and our titular boy "Hanako." He is a ghost, more specifically a supernatural, which are ghost whose soul got corrupted for staying in our world instead of moving on once they died. He is also the main love interest. A mischievous morally grey spirit with no self-love, no hope, and a lovely mix of being apathetic and caring too much. He is dangerous, selfish, awkward, and possessive and he hates it.
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The blond one is Minamoto Kou, an exorcist who never exorcised anything, he is a kind and insecure guy, not very smart logic-wise but his emotional intelligence is surprisingly good (bad habits aside). He is selfless to the point of concern, and starts out determined to be Hanako's eternal enemy but they become besties by accident. He is desperate to help, very determined, very impulsive, very easy to trust. Horrible at being an exorcist.
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The friendship between these three is very sweet. You feel like it will be a generic love triangle on their intro but no, they all care about each other. Romance may be a big thing in this manga but this trio are besties.
The humor can be hit or miss, sometimes it's so silly or dry that I love it, but sometimes it's passes my bar and becomes overly exaggerated. Some of the gags just don't land (at least to me), and if you think about the story too much, is not hard to find inconsistencies, but the main sell of this manga is character comflict, which is usually real good, and the supernaturals elements/stories which are the main events of the manga. All the supernatural stories are amazing.
I don't want to spoil the powers and rumors and tragedies but here are some 'vibes' of the supernatural elements.
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It is a rollercoaster of cool ideas and vibes and creative ways to explore the wishes and fears of the characters.
A lot changes through the story, this trio won't be the main dynamic forever but it is the heart at the start, and the supernatural stuff is strong during the entire manga! So if the pros sound better than the cons, go check it out!
You can read it: here
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katerinaaqu · 2 days ago
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Have you heard of the korean bl manga Ennead that takes the actual Egyptian mythology and twists it so much it's not even a joke?
Especially about Seth, for some reason in the manga he gets assaulted more times than any dark romance on booktok and then have him and Horus his niece be a thing.
Now some will say "Greek myths did the same with relationships" and i am like are they aware that these ancient myths with this modern adaptation isn't the same thing???
Especially Egyptian deities who were religious figures and now if you search online well be prepared 😭
I am aware of its existence but never read it. I have to confess some of the arts looked nice but just by looking at that I was like "nope! Another modern 'adaptation'!
Not gonna lie, first time I saw it I was like "oh finally we have some egyptian mythology mention!" but then I saw some clips here and there and I was like "Nope!". Then I must confess (if you see my profile and my takes on the ATROCIOUS adaptations of my culture's mythology -Greek-) I was like... "oh...someone else's mythology is butchered for a change!" So yeah basically a twist of the actual myth behind Seth and Horus where Seth pretended wishing to bed Horus, Horus deflects him and gathers his seed in his hands. His mother spreads then Horus's seed to some lettuse that is Seth's favorite so basically when Seth eats it and "takes in Horus's seed" without knowing, he brags to the council of the gods that he has managed to seduce and conquer Horus so others would mock him but then the gods call upon each of their seed from the gods and of course Horus's seed appears as a halow around Seth's head so Seth is humiliated instead I am not even surprised anymore that they do this at this point! They just take a mythical and symbolic scene and they turn it into some twisted SL whatever version to get others to get excited!
But man yeah I know it is terrible! I keep struggling with it every day especially with mainstream stuff that basically RUIN the myths for the world in my opinion especially with the changes (see for example PJO, Miller's books or Epic the Musical's plot) that basically make the world SOOOOOO revolved around these modern "adaptations" that is not even a joke, they literally use them almost as sources or as substitute for them! And it is infuriating to me. And yeah not only do they speak on them as if they are the substitute of sources but also they speak to those who point out that they are NOT as if they just bring up the usual "the myths have versions. This is one of them" like noooooo? If I create an SNL version of Star Wars does it make me an official creator? If I make Lord of the Rings Characters fuck with each other does that make me equal to Tolkien?! And yeah that is of course not even the same level as people who use ancient cultures' "modern adaptations" to not only substitute the actual sources but also to speak as if they are equivalent! Or even worse as if these "modern adaptations" are somehow "correcting" the ancient sources! That is what infuriates me the most when it happens!
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slightlyhopefulromantic · 6 hours ago
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aaand here's deadlands! it didnt take seven months this time, who cheered?
i'll probably do another post grouping all of my line-ups together, but that's gonna wait for when i do the wyrdwood PCs as well :] more thorough design thoughts/smaller details will be under the cut, but im putting this here so that everybody has to know: their eye shines are all different card suits, except for nate, who gets J for the joker card :]
oxventurers guild | the hobby horses
unlike my other designs where i let everyone have individual colors/palettes, i tried to keep colors more consistent across these designs! the oxventurers guild has the fantasy element and theyre all very different, so the wide mishmash of colors are fine, and the hobby horses all have a lot of dark colors so that keeps them looking consistent together. but for these guys, i wanted a more consistent feel, so i tried my best to reuse colors between each design (especially between delacy and nate ^-^)
silas - ough. my boy. i wanted him to be broad with a strong build, and i hope i pulled that off :D i had so much trouble with his hat that i almost just didnt give him one, but eventually i decided it was better to just. give up and rock with it, even if he looks a bit like a mountie hbjgfjhd and he is wearing cowboy boots, theyre just tucked into his pants because he doesnt feel the need to flash them (looking at delacy, lol). he has spurs on his boots, even though he doesnt ride horses, because he likes the way they jangle <3
garnet - people really liked it when i gave garnet dark roots, so i have decided to always give her dark roots. i like how it looks hehehe and i also like to give her freckles!!! i think theyre cute!!! for the vest, i struggled for a while trying to capture the vibe of jane's vest, because its so so strange and specific in a way that makes it impossible for me to picture garnet without it. i'm pretty happy with where i landed with it, especially the pattern, since i've never tried to make a pattern like that before :3 i dont know why ive been loving patterns so much lately LOL but i will keep riding this wave and regret it later when drawing the designs again
edie - definitely the furthest departure from canon outfits, though still in the right wheelhouse. i just don't like drawing multiple layers of ruffled skirt. i didn't like how my sketches kept looking. i wanted to give her a skirt slit, especially after my friend reminded me about her thigh rifle holster. so today, i stared at a bunch of victorian ballgowns and party city costumes, and then completely redesigned her skirt before i lined these XD and i think it was worth it!! i love the layers and the way her rifle peeks out, and it meant i could show off more of her boots and give them a pretty design :]
delacy - my main thought going into drawing delacy was just. "i need to malnourish this boy" LMAO i refuse to believe that he is eating properly, i just know that he is not. otherwise, i mostly just stuck to the campaign art but scuffed up his clothes a bit. as implied on silas's notes, i very purposefully had his boots be Big. he's overcompensating a little bit :] also sorry i did not want to draw rooster so he just gets a generic handgun. i didnt feel like drawing complicated guns, and i wanted it to be a smaller handgun so that he could be poorly copying edie :') he has no trigger discipline but neither does edie so its fine
nate - that's just nate, baby!!! i think, canonically, he's meant to be a bit. emaciated. but i cant help but just picture him being a bigger guy, i think it fits his vibe better and its more fun for me to draw that way. i like having variety in body shapes, and garnet and delacy already have the rail thin thing down for this line-up. let my old man be fat !!! also. he has a weird nipple because he is transgender. heart emoji
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fantasticbean · 2 days ago
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The Nymph and the Sea I
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Authors note: Okay so… this is my first fanfic for reals reals. Nothing in here is historically accurate, it is just based in greek mythology for funsies and Roman clearly gives off vibes of a powerful entity, so with that said don’t take any of this plot as genuine facts. I enjoyed writing it so I hope you enjoy reading it :) ALSO there will be smut but for now I’m just trying to develop the characters and the plot SO BEAR WITH ME.
Warnings: Minor Character death, animal death, blood, emotional abuse, toxic “mother” and daughter relationships. It is Ancient Greece people, there will be weird things going on. If I missed something let me know :p
Word count: 4,508 (got a little carried away hehe)
Pairing: Roman Reigns as Poseidon x Maleina (OC) Love Nymph
Chapter I. The Creation
Maleina, the tender-eyed nymph with the glowing purple gaze, was no ordinary creation. Crafted by the divine hands of Aphrodite, she was destined to carry the power of love, a living embodiment of the arrows shot by what mortals called Cupid. Her origins were as divine as her purpose, woven together one fateful night beneath the moonlit sky over Corinth. Aphrodite had long shared a passionate bond with Dionysus, the god of wine and revelry, and that evening, their union became the subject of much divine entertainment. The gods of Olympus, known for their indulgent voyeurism, watched eagerly as the pair gave themselves over to love and lust in a display that was meant to captivate them all.
Aphrodite, ever the showwoman, was determined to leave an indelible impression, to give her audience something worthy of their gaze. As she and Dionysus reveled in their moment, a new creation was born—a nymph whose beauty and power would echo through the heavens. The gods, enthralled by the spectacle, knew that Maleina would be no ordinary being.
Her form was an exquisite masterpiece. Apollo, the god of the sun and arts, nearly fell to his knees at the sight of her—so breathtaking was her beauty that he had a statue crafted in her likeness, one so flawless it would become the pinnacle of artistic reverence. Her hair, dark as the midnight sky, cascaded in soft waves, and her lips, full and beguiling, resembled the finest of Dionysus’s wine—sweet, intoxicating, and irresistible. Her skin shone with the glow of the full moon, luminous and ethereal, and her smile revealed teeth so perfect they could only have been sculpted by Poseidon himself, the god of the seas, whose skill in crafting beauty was unmatched. Even Hades, the god of the underworld, known for his usually impassive demeanor, sighed dreamily as she stepped into the room. Maleina’s presence was magnetic, her beauty transcendent, and the gods, one by one, acknowledged her as Aphrodite’s greatest creation.
And as if to crown her perfection, Artemis, the goddess of the hunt and protector of women, bestowed upon Maleina a final, unforgettable gift: a pair of violet eyes—eyes that held the power to awaken deep love and desire in those who gazed into them. The gods, from Zeus to Hecate, each saw something unique in her, something they had never witnessed before. Her eyes were not merely beautiful; they were a force of nature, a weapon of love itself.
It was the gods’ unanimous decision that Maleina would serve her creator’s will, tasked with wielding the power of Aphrodite’s arrows, binding mortals to the whims of love. But more than that, she would stand apart from the other nymphs, her allure unmatched, her powers unparalleled. Maleina was not just a messenger of love—she was its embodiment, the embodiment of divine passion and desire.
“You’re the embodiment of love and desire Dear,” Aphrodite said once Maleina was wrapped in soft silk gowns “With your gift you’ll grant us a future of many mortals to come and populate this earth but you should not indulge yourself with them.”
Those were the first words Maleina had ever heard: Bring love to others, but never to yourself. As the years passed, the weight of that command grew heavier. Maleina carried her quiver of arrows with grace, yet the burden they represented was one she felt deeply. Her existence was defined by bringing love and desire into the lives of mortals while denying herself the same. She could witness love in its purest, most fervent forms, but she was forbidden to partake, her duty bordering on punishment.
Maleina’s first encounter with love—true, unbidden love—was one she would never forget. It happened when she was tasked with a simple mission: to strike a mortal boy with her arrow, binding him to his childhood friend. She had seen him by the riverbank, his brown hair catching the golden light, his pearly blue eyes reflecting the water’s shimmer. He was a warrior, strong and proud, and wholly forbidden.
Curiosity rooted her in place as she watched him strip off his tunic, revealing a sun-kissed body carved by years of labor and training. Though she was a nymph, created from divine hands, she was still a creature of flesh and emotion. A warmth stirred deep within her, a sensation foreign and consuming. Her heart quickened, her body heated as if Hephaestus himself had stoked a flame within her very being.
Maleina hesitated. Her task was clear, her creator’s command absolute: bind him to another, and leave. But her hand faltered, the arrow never released. She fled, overwhelmed and terrified—not just by her feelings but by what Aphrodite’s wrath might bring. Love and chaos were two sides of her maker’s coin, and Maleina dared not challenge her. The consequences for disobedience were severe, and the goddess’s fury was a force even the gods themselves feared.
That night, Maleina returned to the temple in disarray. The image of the warrior haunted her thoughts, his laughter and form etched into her memory. She sat by the fountain, her feet submerged in the cool water, seeking solace in its stillness. Her sister Liv approached, her rosy cheeks tinged with cold and mischief.
“What’s spinning in that pretty head of yours?” Liv teased, her tone playful as always. Liv was unlike Maleina in every way—a vibrant soul full of theatrics and charm, the life of every gathering. She was a favorite at Apollo’s feasts and often found herself entwined in the schemes of Hermes’s sons. Yet, her teasing was tempered by an innate loyalty to her sister.
Maleina hesitated but finally spoke, her voice soft and uncertain. “Something… strange happened to me.” She leaned her head to the side, her gaze fixed on the rippling water. “I think I got too confident in my abilities.”
Liv raised a brow, her grin mischievous. “You mean you fucked someone?”
“No, you moron!” Maleina hissed, kicking water at her sister, her face flushing with embarrassment. “But it crossed my mind.”
Liv laughed, throwing her head back before leaning closer, her expression both amused and serious. “Well, I’ll be damned. The one who can’t fall in love… fell in love.”
Maleina shot her a sharp glare, placing a finger to her lips. “Liv! Someone might hear you.”
“Fine,” Liv said, lowering her voice but frowning deeply. “But did you…?” she asked again, her meaning clear, sex.
Maleina shook her head. The feeling had consumed her, burned through her in a way she had never experienced. And yet, she had resisted. It felt unfair—no, cruel—to be made a vessel of love and desire yet denied the ability to feel it freely.
Liv’s smile faltered as she studied her sister’s conflicted face. Maleina’s thoughts were a storm of lust, shame, and longing, a war between duty and the desires she had been forbidden to explore.
How unfair, she thought bitterly, to give love to others and never receive it for herself.
“I’ll be fine,” Maleina convinced herself “It won’t happen again. First thing tomorrow I will be done with it.”
“You know,” Liv said with a mischievous smirk, her tone dripping with devilish charm, “the instructions are to never fall in love. It doesn’t say entanglement is prohibited.”
Maleina rolled her eyes, the burden of her overthinking clashing with Liv’s careless temptations. “That’s not how it works, Liv,” she replied, though her voice lacked conviction. Her sister’s words lingered in her mind longer than she’d care to admit.
The next morning, Maleina found herself once again at the riverbank, her target in sight. The warrior stood near the water’s edge, cleaning his sword with quiet precision. His soaked tunic clung to his body, every muscle defined by the morning light. Maleina’s fingers tightened on the golden string of her bow, ready to complete her task.
But then, the rustling of leaves drew her attention. Her sharp eyes caught the movement first—a lion, stalking through the brush, its hungry gaze fixed on the man. The predator crept closer, its intent clear. Maleina’s breath hitched. She saw the warrior turn, his body shifting into a defensive stance. He was prepared, but what could a mortal do against an apex predator in its domain? It wasn’t a fair fight.
Her body moved before her mind could catch up. The arrow meant for the man flew through the air, striking the lion directly in the eye. The beast roared in pain and collapsed, its death immediate.
The warrior stood frozen, his sword lowered as he stared at the lifeless lion. Confusion clouded his features, and his sharp blue eyes scanned the surrounding trees. “Who’s there?” he called, his voice steady but wary. “Show yourself.”
Maleina’s heart raced. She hadn’t planned for this. She could have vanished, dissolved back into the safety of the trees, but something held her there. Taking a steadying breath, she stepped out of the shadows.
Her silk gown shimmered as if woven from moonlight, its deep purple hue mirroring the color of her eyes. Golden cuffs adorned her wrists, catching the sunlight, and her presence radiated an ethereal glow. The warrior’s jaw dropped as he took her in.
Surely, he thought, she was no mere woman. The way her beauty defied mortal comprehension, the way her very being seemed to command the air around her—he was convinced he stood before the goddess of beauty herself.
“Who are you?” he whispered, his voice soft, reverent, as if afraid to shatter the illusion.
Maleina’s lips parted, but she hesitated. Her mind raced with excuses, with answers, but none seemed to suffice. Instead, she simply stood there, her amethyst gaze meeting his.
“My name’s Maleina,” she said, her voice soft and low, like the whisper of a breeze through the trees. The sound ignited a flicker of something unnameable in Marcus’s chest, a heat that spread like wildfire.
“Marcus,” he replied, still unable to tear his gaze from her. It was as if his very soul feared she might vanish if he blinked. “Thank you, for, you know…” He motioned awkwardly toward the lifeless lion, the predator that had moments ago been his death sentence.
“You’re welcome,” Maleina replied, her tone measured and distant, uncertain of what else to say. Her gaze lingered for a beat longer than necessary before she turned, her movements graceful yet hurried. “Well, see you around,” she added, her words rushed as though she needed to escape.
“Hey! Wait!” Marcus’s voice rang out, desperation thick in his tone. He couldn’t let her leave—not yet, not so soon. His feet carried him forward instinctively, heart hammering in his chest as he tried to hold on to the moment.
Maleina stopped but didn’t turn immediately. Her shoulders stiffened as the weight of her actions replayed in her mind. She had already gone too far, broken unspoken rules she had followed since her creation. This was bad, worse than she’d anticipated. She needed to leave and never look back.
Still, she turned, her face unreadable, though her violet eyes betrayed the storm of emotions swirling within.
“A-Are you from around here?” Marcus asked, his voice unsteady yet earnest. For the first time in his life, he felt like a boy again—nervous, uncertain, with his heart thundering in his chest.
Maleina hesitated. She could feel the pull, the dangerous thread tying her to this moment. “No,” she finally said, the word clipped but soft. Her mind screamed at her to disappear, to let the forest swallow her whole before things spiraled further out of control.
But she didn’t.
Instead, she let herself linger just a moment longer, watching Marcus as he stood there, looking at her as if she were the most extraordinary thing he had ever seen. And perhaps, in that fleeting moment, she allowed herself to feel extraordinary, too.
And so, the man Maleina once observed from behind the trees became her secret companion—a bond forged in stolen moments and hidden from the eyes of gods and mortals alike. Marcus, the warrior with a chiseled body and a heart softer than he’d admit, became her solace. He was a man of gentle humor and fierce loyalty, his strength honed not for glory but for survival. Every coin he earned went to care for his mother and younger sister, who lived by the coast of Argos.
Through him, Maleina came to know pieces of his world. She learned of Aria, the woman who had once been his promised wife, whose destiny Maleina had quietly shifted with her bow. Instead of binding Marcus and Aria together, the nymph had paired her with an older artisan from the village, a match that had blossomed into a quiet, happy life. Yet, the knowledge weighed heavy on Maleina’s shoulders. She had altered Marcus’s path, stolen his future in the name of her own selfish desires.
Still, guilt melted away each time they met by the small temple near the riverbank—their hidden haven. It was a place untouched by time, where the only witnesses to their stolen moments were the whispering trees and the murmuring water.
Marcus never questioned her origins. He didn’t need to. To him, she was Maleina, the mysterious daughter of a wealthy merchant, a woman of ethereal beauty and elusive grace who allowed him to share her time. She never corrected his assumptions. It was safer that way—for both of them.
But as the months passed, and their connection deepened, Maleina found herself tethered to him in a way that frightened her. Each smile, each lingering touch, each stolen glance was a defiance of her purpose, a rebellion against the rules set by her maker. She knew Aphrodite’s wrath was as swift as it was merciless.
Yet, she couldn’t stop.
In Marcus’s company, Maleina felt something she had never known—a sense of belonging, a warmth that seeped into her very being. He looked at her not as a creation of divine perfection, but as a woman. And for the first time, she allowed herself to believe she was one.
Everything crumbled like a fragile sandcastle swept by a tidal wave. Nia, daughter of Thalassa and one of Poseidon’s loyal creations, had stumbled upon a tragedy at sea—a sight so harrowing it sent ripples of fury through the realms. Aria, a devoted wife and mother, lay lifeless along with her children, their bodies adrift on the salt-laden waves. The crime was heinous, committed by none other than Aria’s husband, whose heart Maleina’s arrow had forcefully turned. A bond meant to bloom with love had ended in bloodshed, a perversion of destiny itself.
This unnatural tragedy ignited chaos in the underworld, shaking its dark foundations and compelling Hades himself to rise from his shadowed throne. His demands for answers echoed through Olympus until they reached Poseidon’s halls. The Sea God, his rage like a brewing storm, dispatched Nia to uncover the source of this upheaval. Her investigation led her to a secluded riverbank where she found the culprit: Maleina, cradled in the arms of Marcus, her forbidden mortal lover.
It was in that moment that the truth struck Maleina with unbearable clarity. This tragedy was her doing, her defiance of her sacred duty unraveling the delicate threads of fate. The illusion she had so recklessly spun was now collapsing around her, its remnants sharp enough to wound not just her heart, but the very order of the divine.
The wrath of Aphrodite was swift and merciless. Her arrival was a storm of beauty and fury, her golden form shimmering with a light so intense it demanded reverence and fear. Her voice, a venomous blend of rage and disappointment, cut through Maleina’s trembling defenses.
“Can’t you see what you’ve done?” Aphrodite’s words dripped with accusation, her gaze like a dagger aimed at the nymph’s soul. “You’ve disrupted nature’s sacred order. And in Poseidon’s domain, of all places.”
Maleina stood frozen, the weight of her actions crushing her spirit. Her voice, when it came, was small and broken. “I just wanted to know what it feels like…”
Aphrodite’s eyes narrowed, her divine temper teetering on the edge of a violent eruption. She stepped closer, her presence a suffocating reminder of Maleina’s failure. “To feel what, Maleina?”
The nymph’s violet eyes shimmered with unshed tears. Her answer was a whisper, fragile yet heavy with the longing that had driven her to defy the gods. “Love.”
The single word hung in the air, a confession that burned through the tension like a stray ember on dry parchment. Maleina’s heart shattered further as she realized that, in her quest to feel love, she had sown only destruction. The silence that followed was unbearable, filled with the unspoken weight of her punishment yet to come.
Aphrodite turned her back on Maleina, her movements elegant yet unnervingly cold as she walked to her gilded throne. The air in the chamber shifted, heavy and foreboding, as if the walls themselves were holding their breath. With a simple snap of her fingers, two guards entered the room, dragging a limp and bloodied figure between them.
Maleina's heart dropped, her knees buckling as she recognized him.
"Marcus!" she cried, rushing forward, only to be stopped mid-step by an invisible force. Aphrodite's power pinned her in place, her outstretched hands trembling as she watched the guards drop Marcus to the floor. His body crumpled, legs dragging uselessly, his face battered and bruised beyond recognition. Blood trailed from his lips, his once-bright blue eyes barely open.
"No, no, no, please!" Maleina begged, tears streaming down her cheeks. "Don't hurt him! This isn't his fault!"
Aphrodite turned slowly, her expression devoid of sympathy. "Do you think the gods care about fault, child?" Her voice was sharp, laced with venom. "This was not my choice, but the balance must be restored. I follow orders as you should have."
Maleina fought against the unseen force, desperate to reach Marcus. "I'll fix it! I'll do anything! Please, just let him go!"
Aphrodite's gaze hardened. "You already had your chance. You chose defiance, and now you will learn the cost of disobedience."
At her signal, the guard nearest to Marcus unsheathed a blade, its edge glinting cruelly in the dim light. Maleina's screams pierced the chamber as she fought with every ounce of her strength, but she couldn't move.
"No! Stop!" she cried, her voice breaking. "Please, I love him!"
The words hung in the air like a fragile confession, but they did nothing to soften the goddess's resolve. The blade descended, sinking into Marcus's chest with brutal finality.
The sound of steel meeting flesh seemed to echo endlessly. Maleina's body froze, her mind unable to comprehend the sight of Marcus's blood spilling onto the floor, pooling beneath him. Time slowed as the guard stepped back, leaving the mortal slumped over, his life draining away.
With a snap, Aphrodite released her hold, and Maleina collapsed to the floor beside Marcus. She gathered his broken body in her arms, cradling him as though her touch could keep him tethered to the world.
"Marcus," she whispered, her voice trembling. "Stay with me, please. Don't leave me."
His eyes fluttered open briefly, the light in them dim but still holding her gaze.
"Maleina..." he rasped, his voice barely audible. "I would... do it all again... for you."
Her tears fell freely, mixing with the blood staining his chest. "I'm sorry," she choked out, pressing her forehead to his. "I'm so sorry."
A faint smile tugged at his lips, and then he was gone. His body stilled, the warmth fading from his skin. Maleina clung to him, her sobs racking her body as her world shattered around her.
Aphrodite watched in silence, her expression as cold and unyielding as marble.
When she spoke, her words cut like a blade. "This is the price of your selfishness. Love is not yours to claim, Maleina. It is yours to give, nothing more."
Maleina's grip on Marcus's lifeless form tightened as Aphrodite motioned for the guards. They seized the nymph, pulling her away despite her cries and thrashing.
Her lover's blood stained her hands and gown, a haunting reminder of what she had lost.
The once vibrant and flourishing world of Corinth slowly decayed, the land withered beneath the weight of Maleina’s sorrow. The nymph, the embodiment of love, now imprisoned in her temple by Aphrodite, could no longer summon the power that once made hearts dance with desire. Her soul mourned the loss of Marcus, the mortal whose love she had so fiercely longed to taste, but now, that love was nothing but ashes in the wind.
Years passed in her isolation, a never-ending cycle of grief and longing. The temple walls, once radiant with the energy of her presence, now stood dark and cold, mirroring the void inside her heart. The nymph could no longer perform the duties she was created for, her once-bright purple eyes dull with the weight of despair. Aphrodite, though unforgiving, had left her with one instruction: to heal.
But how could a nymph of love heal when love had been taken from her so cruelly?
Meanwhile, on the shores of Corinth, the consequences of her actions were felt by mortals and gods alike. Without Maleina’s arrows to ignite the fires of passion, the world fell into chaos. Wars erupted over power, hearts grew cold, and the once harmonious relationships between gods and mortals began to fray. Even Poseidon, ruler of the seas, felt the shift—a disturbance in the natural order of things. His domain, once teeming with life and love, now felt eerily empty.
The land that once thrived on the affection and desires of its people now stood as a barren wasteland, much like Maleina’s heart—silent, aching, and devoid of the very essence that kept it alive.
Aphrodite watched from her celestial throne, a quiet anger brewing within her. She had created Maleina to be the ultimate agent of love, but the nymph had betrayed that creation by indulging in emotions she was not meant to experience. Yet, the goddess of love knew that even the gods were not immune to the consequences of love—destruction and creation alike.
The goddess of love and war leaned back in her golden throne, her expression unreadable, as the towering figure of Poseidon entered the temple. His presence was commanding, the air thickening around him as though the very sea followed in his wake. His long, dark hair cascaded like a storm, and his eyes—deep, cold, and endless as the ocean—locked onto hers without hesitation.
The goddess of love had never been one to be shaken, yet she could feel the weight of his arrival, the immense power he exuded.
“Roman,” she said, her voice cool, though the surprise in it was undeniable. “What brings you here?”
Poseidon’s gaze remained impassive, his tone as harsh as a crashing wave. “A proposition,” he said, his deep voice cutting through the silence like a blade.
Aphrodite’s brow arched. “A proposition?” She tilted her head slightly, studying him. Poseidon was a god of the sea, not one to venture far from his domain, and certainly not to the temple of love. His motives were always shrouded in mystery. But today, there was no mirth or intrigue in his eyes, only cold purpose.
He took a single step forward, his tall, broad form filling the space. “The world is drowning in chaos, Aphrodite. The mortal realm is devoid of balance. And your precious creation—Maleina—has strayed too far. Her weakness has infected the world.”
Aphrodite’s eyes narrowed, though she kept her composure. “You speak as if you know what love is. What do you understand of it, Poseidon?”
Poseidon’s eyes flickered with a glint of something fierce—something dangerous, like the deep sea itself. “Love is a force of nature, like the tides. It cannot be controlled, only guided. You have let it run wild, and now the storm you’ve created threatens everything.”
Aphrodite’s lips curled into a thin smile, though there was no amusement in it. “So you’ve come to fix it? Do you think you can restore what I have built?” Her gaze flickered to Maleina’s shadowed figure in the distance, a silent reminder of the chaos that had ensued.
Poseidon’s voice grew colder, his eyes unwavering. “I don’t intend to restore what you’ve built. I intend to erase it. Maleina must return to her original purpose—no more distractions, no more false desires. She will remember who she is. Her love must not be wasted.”
Aphrodite’s breath caught, but she did not flinch. “And what makes you think you can accomplish this?”
“I will take her to my domain,” Poseidon said, his voice devoid of warmth. “I will cleanse her of your influence, restore balance, and let the tides of love once again flood the world. In return, I ask for one thing: permission to wield your power where it has been lost, to guide the broken hearts of mortals back to their true course.”
Aphrodite considered his words, her heart betraying her only for a moment. Poseidon was not here for power or gain; he was here to set things right, in his own ruthless way. He was a god of the sea, and he understood the balance of nature as no one else could.
“Very well,” she said, her voice as cold as the marble beneath her. “But know this, Poseidon: Maleina is no ordinary nymph. She was made for love, but love can break as easily as it can heal. You may find her more dangerous than you realize.”
Poseidon did not flinch. “I am not afraid of what I must do,” he said, his voice firm, unwavering. “You created her to guide love, Aphrodite. I will make her remember her true purpose, even if it means destroying the illusions she clings to.”
Aphrodite’s eyes lingered on him for a moment longer, her thoughts swirling. She had never seen Poseidon so determined, so utterly cold in his conviction. But in that moment, she realized that he was the only one who could undo the mess she had created.
“Go then,” Aphrodite said, her tone final. “But if you fail, it will be on your head.”
Poseidon’s lips barely twitched in acknowledgment, “I do not fail,” he said, turning away from her, his form already shifting toward the exit.
“Prepare yourself, Aphrodite. The tides are changing.”
And with that, the god of the sea left the temple, his presence like a distant thunderstorm on the horizon. Poseidon was not a god who dealt in mercy or second chances, but perhaps, just perhaps, he was the only one who could right the wrongs of the love she had forged.
As the doors closed behind him, Aphrodite’s gaze turned to where Maleina's last moments were—still broken, still lost in the chaos she had created—and she wondered what would become of the nymph now that Poseidon had entered the picture.
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