#I just need big time to develop them

[beauty-and-passion]

For the survey thing, are you planning on making a list of responses given and/or using responses to write up a fan script yourself? I apologize if that’s a dumb question I’m just confused

That's not a stupid question at all, don't worry! Yep, the idea is to collect as many ideas/themes/suggestions as possible to do a fan writing. I am talking specifically about "fan writing", because writing the full scripts for all episodes:

will take too much time

I am not American, so I will inevitably end up not making as many references/puns as an English-speaking person would

It's not my job to write a full script, it's Mr. Sanders' job

What I will do instead is something like this:

Plan season 3 (decide which themes will be developed and in how many episodes)

Write an extensive summary of every episode and how I want them to go (i.e. flow of the conversation, how it should be developed, what the characters should do/say etc.)

This is why I am collecting themes and ideas now: I am only one and my memory isn't perfect, so I will inevitably end up forgetting something. Also, this fan writing is a sort of "gift" from a fan for the fans, so it's only fair to involve as many people as possible and to write something that will include the most appreciated/requested ideas.

So the survey has multiple goals: to help me plan season 3, to collect as many ideas as possible, to get new ideas and to see which concepts are the most requested and therefore should be more developed.

Until now I've collected 50 answers and, wow, I can't express in words how much that means to me. Your feedback is awesome and deeply appreciated, so thank you all SO MUCH for what you are doing.

These 50 answers are already helping me plan some stuff, they are telling me clearly what people want to see more (by now, Virgil and Janus' backstory has been requested by the entire world so I will pay extra attention to it) and some of your suggestions are A-MA-ZING. I can't stress enough how much I love you all, because some of your ideas are wonderful - and I'm not talking just about the serious ones, but about the silly ones too. They are so great!

I will keep the survey open to everyone for the entire month of May, in order to collect as many suggestions as I can. But in the meantime, I will still give you something! And that something includes:

a headcanon post (it won't be included in the season 3 planning, it's my own headcanon)

all the analysis for the remaining episodes I haven't talked about yet

These posts are all written, I just have to proofread and post them. And speaking of the analyses, one of them includes a rewrite too, so that will hopefully give you an idea of how I plan to write season 3.

So, well, if you're interested, just stick around because more stuff will come very soon ;)

[lizzylucky]

Draxum hadn't accounted for the fact that when he gave four hatchling turtles the DNA of a human being in order to give them greater intelligence, he would effectively be making himself a surrogate father to actual children, with wildly different needs.

When he sent his gargoyles to obtain a sample of DNA from Big Mama's prized warrior, the intention was to create his own. They were to be the prototypes for an army of simple creatures with just enough heightened intelligence to learn combat and follow commands, that he might defend Yokai kind with.

Instead, he quickly discovered the integration of human DNA had been a little over successful in allowing his test subjects to learn and think and feel in a civilized manner, going so far as to override some of their natural instincts as turtles that would otherwise allow them to learn to care for themselves. He had to feed them, by hand, with bottles.

Like infants.

They were easily distraught by unfamiliar things, and quickly became dependent on Draxum in every sense of the word. They babbled, they cried, they explored things with their hands, their tails, their mouths.

It was an unplanned adjustment needed to be made, but no matter. If anything, learning to understand the new hybrid emotions of these turtles would allow Draxum greater advantages when they grew enough to safely learn combat. Preferences, likes and dislikes, needs, diet, and so on, all became more complex areas of study.

Even a couple years in, he found himself continually surprised. Brain scans had shown that the turtles were more intelligent, still, than anticipated. They, truly, seemed more human in mind and function than anything else, with only some base instincts and behaviors left to influence their personalities. They retained many reptilian traits, but overall had the bipedal anatomy and function of humans and some Yokai. It had been an infuriating discovery at first, but Draxum had to admit that over time he became fond of it.

Each turtle had developed his own personality. The eldest, for example, had a love of plush toys, and showed a fierce protective instinct over the others. The youngest, Draxum had learned, was contrastedly reckless and excitable, not nearly so reserved or gentle as the first. Additionally, he was, decidedly, to be kept away from any and every writing utensil unless under strict supervision (unfortunately, this was learned a little too late, as was evidenced by the clear markings left in several work benches). Then, of course, were the slider and the softshell, who had the most bizarre relationship. They were constantly fighting with each other, but utterly inseparable, and each showed an incredible and unique curiosity, constantly exploring and watching and studying, with concentration filling their eyes in ways Draxum had never seen in other children so young.

Embarrassingly, it took another couple years before Draxum realized he couldn't simply refer to them by their species' names. It certainly was effective, but they were not the mild, simple creatures he had once expected them to be, and he knew that they never would.

Now, they were vocal, playful, inquisitive... energetic. By the gods, were they energetic. They never stopped moving, never stopped talking, never stopped eating, never stopped wanting or needing.

...This is why Draxum never had children of his own. It took all the time and energy he had to spare, and then some. Although it would be a lie to say he wished they were any other way.

They had so much capacity to learn, and with their emotional propensity could one day come to understand exactly why Draxum was doing this, which he knew would be an edge in their combative styles.

As he introduced them, slowly, to more of the world's culture and knowledge, he felt, in a new way, that their very existences were revolutionary. A perfect, synergistic unity between two entirely different families of genetic material, with numerous enhanced abilities. And they were children. They maintained all the properties of regular children, but had so much more in store! Such grand destinies! They would be, inarguably, the greatest warriors of their time when they were grown. They would be the compassionate, skillful heroes of all Yokai, the first of a new generation of super mutants, and the key to overcoming the evils of the humans who had overtaken the surface and posed such threat to all who lived below.

It was with great reluctance that he allowed himself to accept, however, that not all of mankind was evil. There were many forms of art, beautiful in different ways, there were some rare people filled with kindness, inventions that utilized resources in ways Yokai kind had never thought to. Perhaps he had been a little stubborn in his ways, a bias cementing over time that blinded him to some of the beauty that did yet exist in such a species.

Make no mistake, humans were a threat. Innocent families lived in fear, in hiding, of the governments and ruthless sciences designed to invade, to blaspheme the name of knowledge, with no regard for the safety of this people.

Draxum could live with being an outlaw to the Yokai if his experiments would lead to their salvation. He may be their villain in today's papers, but in history books he would be a hero.

Still, he wished to amend some of his practices. Even if only to his turtles, he would be known for his ability to change and understand. He would be fair, and he would be truthful.

And so it was that he told the turtles the nature of their existence. Perhaps he muted some of the details, to protect their minds until they had more understanding, but he would not lie to them about their DNA. He told them of Lou Jitsu, and their human genetics, and he begrudgingly allowed them access to the culture of the humans. He would let them choose their interests unbiased.

In the process, he came to know of some of the revolutionaries of human history. Though he wasn't particularly inclined to believe there were no evils involved, he was intrigued by the strange moral code that the humans boasted from their different time periods. The turtles, as well, were fascinated by the stories of war heroes and generals, seamstresses and inventors, artists and royalty.

Initially, when it came time to redesignate his turtles, Draxum had been inclined toward the names of those whose legacies persisted in the humans' culture even today- perhaps a president for the slider, a scientist for the softshell, a great general for the snapper, and an artist for the young box turtle. It seemed, somehow, clandestinely right; carefully considered to exemplify each of their personalities.

And although he had begun to get used to the possibility of names like "Monroe" and "Edison", his indecision on the matter seemed to be working against him. He was taking too long, and the boys were growing smarter.

It was a day in August, later that year, that he found his two youngest arguing over a Renaissance book, oddly enough. The elder two took to a game of knocking "secret patterns" on each other's carapaces, which he dismissed before he could allow himself the confusion that came with wondering why a five year old would want to knock on a spiked shell for fun.

After breaking up the fight and confiscating the book (which, as it turned out, the youngest only wanted because it had pictures in it, much to the chagrin of the other, who insisted that reading it was much better than just looking at the pictures), Draxum found himself idly flipping through pages of rustic images and rudimentary ideas, developed by people with strange names.

Maybe he was simply too tired to consider it properly, but, feeling defeated in his endeavor, he chose four names at random and assigned them to the young turtles, deciding it had been long enough.

It took a while to get used to, but soon "Raphael", "Leonardo", "Donatello", and "Michaelangelo" truly fit.

Over time, the boys grew... ravenous. They devoured everything- food, information, technique. They were learning quickly everything Draxum taught them. They practiced with Huginn and Muninn, leapt up, around, over, and through everything in the lab, and took special interest in action-filled films.

And Draxum grew fonder. He wasn't entirely surprised, of course; it's natural to develop some sense of sentimentality when caring for anything this long. Even if they had been the simple minded turtles he expected, he knew this was inevitable, to a degree.

What startled him was the sudden sense of fear that came with watching them train. The alarm that made his heart beat harder when one of them fell from somewhere high or any time they ran simple drills with weapons not blunted and made from wood.

He subtly began to intensify their defensive strategies, taught them where they were most vulnerable so they could protect those spots, insisted on perfecting their abilities to parry, block, and dodge before anything else.

And, over time, he found himself training them less often than before, thinking, "I must preserve their innocence and prolong their childhood experiences". After all, it was an essential part of development, was it not? If it were tarnished too much, they might become unwise or unjust as warriors. And, really, Raphael was only 8 years old, and he was the eldest; they were much too young to be exposed to the harshness of what their combative training was really for.

He told himself that, time and time again. He told them that, making certain they understood that their training was not a game. It wasn't untrue, certainly.

Really, he just wasn't ready. He wasn't ready to admit to what extent he cared about them, because it was too much. It was more than he could ever have been prepared for. It was more than that passion to protect Yokai kind ever was, and if he ever realized that, he might become the compromise to his own purposes, to the very reason these turtles exist this way to begin with, and then what? What was he to tell them, why was he to train them, who did they exist for if not the inhabitants of the Hidden City?

No. He couldn't do that. He simply would not allow it, not when so much was at stake.

And yet...

More and more often he desired simply to watch them. He was growing weary with worry, and with that tight feeling that arose in his chest each time one of his boys so much as frowned.

Raphael loved to carry his brothers on his shoulders. And he prided himself on being the big brother, in every way. He liked repeating instructions Draxum gave to the others, and tended to play caretaker anytime someone was sad, or had a bruised knee. He often played the "bad guy" in their made up games so the younger ones could "win", he was the mediator in big decisions, like what book they should read before bed, and he seemed always ready with an armful of stuffed animals when he wanted to express affection. So strong, incredibly strong, but soft spoken and sweet.

Leonardo adored Raphael. Just as Raphael did Draxum, Leonardo liked to imitate and repeat instructions. He tended to take charge in many of their childish endeavors, and had a propensity for dramatics and heroism, often pretending to rescue his brothers. This seemed to irritate Donatello to no end, unless he was also playing the hero, and often times he was. The two were usually glued to the hip, though Leonardo liked to make a point to tell all his brothers about everything that went on, and would take a movie night with the three of them over a one on one outing with Draxum any day. He was exuberant and joyous, and very driven by the concept of justice.

Donatello, similarly, seemed to care very dearly about maintaining a bond with all three of his brothers, but he was peculiar, often more reserved and enjoying his alone time. That child read and read like he might never get a chance to again, and he absorbed what he read like a sponge. Quite a few times Draxum found him pulling apart whatever he could get his hands on, and though an effort was made, there was no hiding place the boy couldn't discover in his quest for Draxum's tools. In spite of his quizzical, sometimes stoic nature, Donatello was sensitive, and very thoughtful. He would spend hours talking about his books and his ideas- some of which were very clever- and he was expressive in secondary ways- sitting nearer his brothers even without interacting, crafting things out of paper as gifts. Even the little heart-shaped mark on the back of his soft shell seemed a fitting part of him- he wore his heart on his sleeve, so to speak, and didn't even realize it.

And Michaelangelo. There was an innocence and joy and goodness about the smallest turtle that had struck Draxum. Even when he was younger he always wore a smile and liked to see the good side of things. And he idolized his brothers. With him had grown his creative inclinations, filling every colouring book, drawing on every wall, and absolutely plastering the other turtles with stickers. They were a pain to wash off, but Draxum couldn't bring himself to mind it, especially given the elder three always loved their baths. Ironically, it seemed Michealangelo did not, enjoying it only under specific circumstances. Heat, bubble bath, and bath toys had quickly become a necessity. So too did bath crayons, the need to express himself coming through even when bathing. Everything about the ornate box turtle was bright and colourful.

Draxum... loved them. Dearly. Every facet of their personalities and growth. Every unique trait and behavior.

It was terrifying. He couldn't afford to love them. He couldn't afford to see any more goodness in the humanity they showed. He couldn't afford to change his goals right now.

So he continued disregarding the feeling, trying to reason that everything he did for them was to nurture their instincts as warriors, as science experiments, as specimen.

But a pained scream one day, different from any of the ones he heard when they were frightened as infants, when one of them tripped and fell, when a spat led to hitting, sent his heart into his throat and had him racing through doorways with more urgency than he had felt for anything before.

He had demanded an explanation, panic translating to perceived anger, and three of his boys looked up with teary eyes. Three, but Donatello remained curled up on the ground, wailing his little heart out without ever looking up, and it was one of the most heart wrenching, painful sounds Draxum'd ever heard.

Raphael sat not far from the smaller boy, looking over his shoulder seemingly at nothing, at Donatello, then up at Draxum and back again. Both Leonardo and Michaelangelo burst into frantic, panicked explanations, none of their words coherent enough to understand through their tears.

When Raphael stood, exposing red-tipped spikes on his shell and pointing frantically to Donatello's, it didn't take long to figure out well enough what had happened.

It became quickly a very long day. All four turtles were distraught, and though Draxum had more than enough first aid knowledge to address the situation, bile had threatened to rise the very moment he pulled out the suture kit.

The cuts were deep, and jagged. And poor Donatello cried the entire time, even after a numbing agent had been applied.

Draxum had never thought that in depth about Donatello's soft shell. Not like that. He chose a softshell for the experiment because it would provide greater flexibility, greater agility. It gave an advantage that the hard-shelled turtles did not have.

Now, here... The soft carapace, spongy and leathery and bloody...

It was an accident. Of course it was, Draxum never doubted that. He had to assure that none of his boys were in trouble, no one was in trouble, no one had done anything wrong.

But for the first time he had to be honest with himself. For the first time he couldn't deny how much he cared about the turtles. His turtles. His boys.

He wouldn't, either. If this was what it was, if this was something that could happen again because he insisted on making them into warriors, into fighters- if this could happen on purpose, if this could happen worse, if this could happen with malice and hatred in mind...

Draxum wasn't unused to physical affection, by now. All four boys adored hugs, although Donatello was usually more reserved about them. Now, Donatello clung like his life depended on it, sniffling and whimpering, having cried so long he had no more tears. Draxum clung back, idly smoothing over the edges of the bandages, holding the frightened, exhausted turtle to his chest, cradling.

He did so until well after Donatello fell asleep. He couldn't bring himself to put him down. He accompanied the others to bed, assuring them once more that things were alright, and then simply stood in the walkway, holding his boy tightly.

He couldn't do this. He couldn't go through with it. They were children, every bit as innocent and deserving as the Yokai he wished to avenge and protect. He could train them, prepare them to protect themselves, but he could never send them into battle, ask them to put their lives on the line, much less demand it.

How could he?

It took months of processing, of agonizing his way through the healing process with Donatello, of watching the other boys proving their humanity, their curiosity, and their innocence time and time and time again. His mind was constantly at war with itself, his heart constantly in turmoil and distress, worsened by the turtles' confusion at his sudden change in behavior.

What was even worse was that they would.

They would absolutely sacrifice everything they had for his approval, and for what they understood as "right". He could see them, easily, being willing to submit their very lives to a greater cause if he asked it.

But was he "right"? Even if this experiment had gone exactly as planned, was he right for ever considering putting these turtles into the station of a warrior? Even if they had remained turtles in mind, if they never expressed complex emotion, if they could not speak, if they did not have distinct and colourful personalities, would it have been right?

Was what he saw in them now what they would have been at heart, regardless of circumstance?

Or was it the humanity, that he stole from Lou Jitsu?

Perhaps... perhaps it was time to learn. To consider the root of his motivations.

He couldn't do this to them.

How could he?

[protagonist-art]

"Uh- I'm Arnold. Bennett. It's profoundly difficult to get your lifes works and studies accepted if your name isn't... yes, oh! Are you a fan of moths, sir?"

NEW RDR2 OC!! a reclusive, clumsy entomologist and bug collector; cooped up in his study of uniformed clutter

[sciderman]

I agree with the want for a Andrew and Venom movie, but I think rather than the Tom Hardy venom (it is a great movie series but I want it to stay good, we don't need to overuse an already good movie) I think it would be nice if they did what the did with ultimate spiderman almost, rather than him being an alien do like a weird mix of sentient blood type thing. I don't know, I like the idea of Andrew Garfield Spiderman (considering we actually do get to see him being like, sciencey) creating or being part of this creation of venom. Maybe Gwen and Peter argue, maybe they break up and Peter uses the creation of Venom to unhealthily cope with his problems but it turns out bad and Peter loses control over himself. I don't know, I just want something different than like.. Cross over, you know? I'm sick of these stupid Crossover movies, just make something new Marvel, stop recycling movies.

sure uh huh yeah. i get it. but consider: tom hardy and andrew garfield, saddest, wettest, most pathetic men in the world, having margaritas together and crying over their gfs and their sad, wet, pathetic little lives.

[longagoitwastuesday]

I am liking Jujutsu Kaisen, way more than I imagined I would, but I foresee it will let me down and it's keeping me from enjoying this as much as I could haha

I think the characters and dynamics are well set, and I think many of them have an incredibly good and deep potential, but I would be willing to bet they'll not get a proper development, enough for them to really hit. A well assembled set of gears is not enough to make the movement go, you have to wind the clockwork.

I think Gojo and Megumi have a fascinating and very complex dynamic, but I doubt it will be given the time and care that imo it needs to actually work. And it is going well enough for now! One could see the intimacy between them was deeper than the one Gojo had with, say, Yuji and Nobara ever since the very first few episodes despite the fact Fushiguro too was a first year. But the pieces forming what they have are extremely complex, and it just wouldn't be realistic if it doesn't show, even if in a not showing way, or if it doesn't have consequences or implications.

It's one of those dynamics that shape one's life, the way one regards the world, the way one establishes or not relationships with other people. It's one of those dynamics that could be full of fondness, gratitude, resentment, admiration, trust, and that imply intimacy, the good kind or the bad, even if in just the knowledge of someone who's been a constant through your life. It could, and would, imply a myriad of feelings, and probably in such a mix it could imply contradictory feelings too. Even the nothingness would weight, even the nothingness would be significant and meaningful.

Gojo took Megumi and his sister under his wing, the son of a man who murdered him, because of both selfish and selfless reasons. Megumi looks like Toji. What does Gojo feel about this? How does Gojo deal with this? How does Gojo go about taking care of Megumi? Would he walk him to school? Make him breakfast? Celebrate his birthdays making him blow candles? Did he take him to the zoo? Does the relationship between them feel professional or is it something more? Gojo appreciates his students, but is Megumi to him just another student? When Gojo faces Sukuna in Megumi's body, did he see the kid he raised, or does he just see Sukuna in one of his students' body? Did he have one faint wavering instant? And how does Megumi feel about this? Is he resentful of him? Resentful of the situation? Of the selfishness behind his actions? Does he feel like a pawn? Is he grateful? Does he resent feeling grateful? Would he rather not? Does he love Gojo? Does he feel nothing about him other than what he could feel about a teacher that sort of annoys him but knows he's reliable in his strength? Does he think it unfair, cruel or unfeeling that Gojo is close, closer perhaps, with Yuuji or Yuta, considering their story? When Sukuna slices Gojo in two, does the remnants of Megumi's soul tremble?

And not just Megumi and Gojo. Yuuji and Nanami, Gojo and Nanami, Yuuji and Fushiguro, Nobara and the boys, or Nobara and Maki, Todo and Yuuji or Yuta, Gojo and Yuta, Megumi and his sister. Gojo and Geto, even! If the pieces are well set, the dynamics are intriguing, interesting, and have potential to be deep, but then the characters have like two plot relevant scenes that punch you hard, but little more, it's not nearly enough. Especially not nearly enough for the enormity that is shonen dynamics and situations. And the potential existing at all, and then not delivering, makes it all the more frustrating when you're left with something mediocre that could have been so good.

The development of dynamics through not only a few plot relevant gut wrenching moving scenes, but also the smallness of life, is important. The friend who recommended this to me said that those things were just unnecessary filler, but I disagree. I think there's a big difference between a large amount of anime-only filler episodes whose existence is based on the fact they had run out of manga chapters to animate, and moments of quietness. The low stakes character-driven moments of quietness can be so telling and so insightful, and they are so satisfactory when brought back later in higher stakes situations. My friend teased me there was no scene of Gojo making breakfast to Megumi, that it would be an idiotic idea, but it would be so telling. How he makes breakfast, what they eat, if he tries hard or if it's all mechanised, if they have personal bowls or if they use whatever, if he just buys them some pastry on the way to school, if the way they have breakfast changes through the years, or if he doesn't make them breakfast at all! All that would be very insightful on their dynamic and its evolution. All that would give a glimpse on how they regard each other and why, even in the present. All that could become meaningful in tense situations and high stakes scenes.

These moments also let the plot breath; if a lot is happening all the time, if every character is always experiencing trauma after trauma, the entire story is so emotionally draining that at some point you don't even care all that much. Besides, these nothing moments or low stakes plot arcs, besides deepening and developing dynamics, also let some in-world time pass, which would make the intimacy and bond between characters more believable imo; between Yuuji eating Sukuna's finger and their last confrontation in December how much time has passed? A few months? Am I truly to believe these characters are so everything to each other in only a few months?

Without some smallness, some repetition, some daily life, some low stakes not plot-centric development, the dynamics don't hit, they don't truly feel fleshed out, and dynamics as complex as the ones Megumi and Gojo have, or as supposedly meaningful as the one Megumi has with Yuuji or his sister, should be fleshed out if they're going to exist at all. Otherwise they'd risk making the writing feel awkward and fake. Besides, if the dynamics felt well fleshed out and realistic, they would shape the way the characters interact and act, and how they deal with situations, thus being plot relevant.

The shonen genre has so much happening all the time, the stakes are so high, the dynamics are so rooted in big events and the relationships carry enormous weight and implications. Yet they barely get developed, and it feels so stupid, so plain, the absence of something so important noticeable like a constant void, a shapeless nothingness present in every scene. It makes the characters feel like cardboard figures. Jujutsu Kaisen is already getting a better job than many, but I doubt it will do enough for what I've heard, and I fear I am bound to feel let down, and bound to feel unmoved.

After all, if not enough time and care has been given to develop a dynamic, I am not going to feel pressured by the high stakes; if not enough time and care has been given to develop the dynamic between Megumi and Yuuji, as good potential as it has I am bound to feel little for this last confrontation between Sukuna and Itadori, and his effort in getting Megumi back.

[memento-morri-writes]

I've been thinking a lot about how Rook's reunion with his former mentor, Zara, is going to go, and since I can't predict what the DM is going to have her do or say, I can only dwell on what I know is going to happen. Which happens to include taking off the illusion ring that's been hiding his injuries from her. So have a snippet of the description I have planned for that moment:

tw for description of (mostly healed) injuries

He hesitates, twisting a ring on his finger. Looking at it more closely, she can tell it’s very finely crafted, and must have been very expensive. A large emerald is set into the band. Rook sighs, and pulls the ring off his finger in one quick motion.  Immediately she’s struck by the difference in his appearance as the illusion melts away. He looks awful. His warm, healthy skin fades to a dull and sickly grey. There’s huge bags under his deeply sunken eyes, and his cheeks are hollowed, as though they have been carved out by an overeager sculptor. He looks like he’s recently risen from the grave.  While he was thin before, now she can see his ribs under the skin, and his collarbones are exaggeratedly pronounce. Thin white lines left by dozens upon dozens of recently healed cuts are scattered across his body. On top of that, faded bruises cover most of his visible skin, a mottled mosaic of purple and yellow. They’re clearly days, maybe weeks old, and she can only begin to imagine what they must have looked like when fresh. Bandages are barely visible under his shirt, wrapping around his back, hinting at even more injuries.

[marc--chilton]

still losing my mind at the way houses relationship with john would have fucked up the way he sees being an omega. just,,, teen house, young and confused, experiencing these absoloutely brutal heats. not understanding why they are so bad and hard when theyre supposed to be a time where an omega feels good. already feeling broken and wrong, and then having to face john's anger and disappointment over him being an omega

like i can only imagine how it would affect him in heat, a time where he would be less able to think coherently. and constantly remembering how traumatic and horrible his heats as a teen were, the memory making him feel bad and in turn making him feel physically worse. just like,,, a constant feedback loop of remembering and feeling bad -> feeling physically worse in turn -> reminding himself even more of his childhood and feeling worse

i feel like after having to deal with his first few heats without a strong family net to acclimate to the changes, once house is outta there and doing his own thing he tries to never deal with his heats alone. he marks his cycle religiously, makes deals with alphas in med school to help him through them, or even finds street suppressants if he's especially desperate.

man. you just know john has put him outside for some of his heats, too. nothing to nest with, no scent blocking patches, just left him in the yard like a sacrificial lamb. it goes without saying how dangerous that is.

hell, once he's employed i wouldn't be surprised if he stole something from the hospital to bring home in case a heat comes up that he can't deal with, something that'll knock him out for the worst of it.

[non-un-topo]

It's strangely gender-affirming when my mom gets defensive and accuses me of mansplaining

[jackass-jones]

Idk man I just need to hold hands with Kai Satou and I’ll be good

[bywandandsword]

You know how I said if I had a nickel for every time I developed a crush on someone and was psyching myself up to ask them out only to find out they were recently married, I'd have three nickels, with isn't a lot, but it's weird that it happened thrice?

We're adding a fourth nickel to the pile, friends

[orcelito]

ITNL chapter 5

moving things along!

[arolesbianism]

I am making a rough world map for the staliens home planet atm and it's been a lot of me going wee yay yippee :D until the mountains hit

[likeamaya]

“shadow this, sonic that”

me af:

this right here is my favourite thing ever, in the history of forever

i loved him in this movie. he was so silly and fun but actually acted serious when he needed to. he developed and matured so much. when he decided to give sonic the thing he had looked for HIS WHOLE LIFE because he didn’t want to fight him? because he preferred to trust his brother and his good heart rather than harm his family? i just-

and talking about family

he is THE big brother 🥹 he looked after sonic and tails the whole time, he was so protective over them.

i was 100% satisfied with what they did with knuckles in this movie. the only thing i missed was him interacting a bit more with his newfound parents but i understand there was too much going on.

i just physically need to hear him call maddie “mum” once :”)

edit: also, another thing i didn’t catch since i watched the movie in italian

from “i am having the fun” to “i am having the love” AAAAAAAAAAAAA DON’T TALK TO ME-

[britneyshakespeare]

i think one of our hens is actually a rooster

[wingscreation]

hm this is a bit interesting to say the least. I'm not really iffy about time travel in general and parallel universes could be interesting if done right.. just a lot to think about

Link to article

https://www.eurogamer.net/naoki-yoshida-on-dawntrail-criticism-community-feedback-and-the-future-of-final-fantasy-14

[cryptidcalling]

Bit more Vesperposting, mainly abt Jala and his relationship over time!

It's another relationship that's not fully developed, but I know the general outline. Vesper and Jala met as cadets (she's his senior by a few years) bc they were in the same training group. Vesper obv was not good at making friends, but due to her casual attitude and chill nature he eventually warmed up to her. Jala quickly found his secret dorky side and stubbornly determined attitude endearing. They got pretty close as friends, and eventually were put in the same squad as officers. They continued growing closer until they ended up in a sort of situationship. Friends with benefits I suppose. Not quite dating, but definitely more than casual.

They were both dissatisfied with the military and how things were being run, and Jala often encouraged Vesper to take breaks with her and slack a little which he'd take her up on. Vesper worked really hard to get to a position that involved regular space travel, and was grateful that Jala had managed to stay in the same group with him for so long. They always had one another to lean on. They had each other's backs in combat too, saving each other's skins more times than they'd ever bother to count. Things between them weren't well defined, but they were stable and comfortable for many years.

Pansa's media campaign really disrupted things. Jala had always felt quite proud of herself for being the one person Vesper truly cared for, with her only "competition" being Asteria who obviously didn't count. So seeing Vesper develop a rapid attachment to and admiration for Pansa bothered her.

It would've been fine if it was just some celebrity crush or something. She even found it dorky and cute at first. What actually made it hurt was that Vesper started putting that admiration above their friendship. He threw himself into work more than ever. Vesper had always worked hard, but now he was letting it take up pretty much all of his time, and he started getting promoted which actively split them up. It made Jala pretty upset. How could he care more about some stranger that he'd never even met than he did about spending time with her?

Now that Vesper was a higher-ranking officer, they couldn't just hang out during work anymore, they had to find time to message each other and meet up, which Vesper was making less and less effort to do. Admittedly, Jala didn't make things much better. She'd try to make plans when she knew Vesper would be busy, testing whether he'd choose "work" (Pansa, really) over her. And of course, he would. When they did talk she'd be pretty passive-aggressive and sarcastic, which deep down she knew Vesper wouldn't be able to read into, and because Vesper couldn't pick up on the real source of her feelings it would just end up in fights about much he works. Some of it was genuine worry too, on both of their ends. Jala missed him a lot and saw how he was running himself ragged. Vesper cared about Jala's feelings but couldn't understand why she was mad at him, instead feeling like she was just attacking him because he was more successful than her. Their friendship didn't end with some huge fight or dramatic goodbye. It ended bitterly. Slowly. They just stopped reaching out, too busy with their own feelings and goals to make an effort anymore.

Years later when Jala got the invitation to meet with him again for some sort of "interview," she was skeptical and a little pissed off. He finally reaches out to her only for it to be about work. She told herself that she was only accepting so she could go to his big fancy office and give him a piece of her mind. But really, she couldn't deny that she wanted to see him again. She'd been fully ready to turn him down. And then he started with "I've missed you." He told her the truth, that he needed an advisor because he's not equipped to make these massive decisions on his own. Not to mention the mountainous workload he's been trying to dig himself out of for months. He needs someone he can trust, and who won't be afraid to tell him when he's wrong. He needs her. It was the admission of attachment that she'd been wanting to hear for a long time. An affirmation that he had actually cared about her, that he STILL cares about her after all this time. Jala didn't accept right away. They ended up just talking in his office for a while catching up. It was the most peaceful conversation they'd managed to have for a very long time. So after a lot of thinking, Jala accepted the job and moved into the Citadel as the first Lieutenant General of Pansa's reign. It still took quite some time to actually properly mend their relationship, but they've both matured a lot and were able to eventually have an honest and direct conversation about their feelings and give some genuine apologies. And now they're best friends again! Having Reid around helps a lot too. He's able to fill in some of the missing parts of the dynamic, being a very sweet and emotionally open person compared to Vesper's coldness and Jala's sarcasm. Jala's still a little bitter about Pansa, tell you the truth. She's had to just kind of accept that he'll always be #1 in Vesper's heart no matter what she does. But she's very happy to have Vesper back in her life, and she's got Reid for company now too. Plus she genuinely likes her job. Good pay, great benefits, free housing, it's a real treat without even having to get up from her desk most of the time. So she's forcing herself to just be okay with Pansa and Vesper, because that's just what's going to keep everyone the happiest.

Also just for fun, here’s a Jala drawing from forever ago! She should def be more blue but it’s good enough for now: