#1) the fact that the party rescued him from Wolf which has literally no other explanation than that they love him and care about him.

[memento-morri-writes]

I've been thinking a lot about how Rook's reunion with his former mentor, Zara, is going to go, and since I can't predict what the DM is going to have her do or say, I can only dwell on what I know is going to happen. Which happens to include taking off the illusion ring that's been hiding his injuries from her. So have a snippet of the description I have planned for that moment:

tw for description of (mostly healed) injuries

He hesitates, twisting a ring on his finger. Looking at it more closely, she can tell it’s very finely crafted, and must have been very expensive. A large emerald is set into the band. Rook sighs, and pulls the ring off his finger in one quick motion.  Immediately she’s struck by the difference in his appearance as the illusion melts away. He looks awful. His warm, healthy skin fades to a dull and sickly grey. There’s huge bags under his deeply sunken eyes, and his cheeks are hollowed, as though they have been carved out by an overeager sculptor. He looks like he’s recently risen from the grave.  While he was thin before, now she can see his ribs under the skin, and his collarbones are exaggeratedly pronounce. Thin white lines left by dozens upon dozens of recently healed cuts are scattered across his body. On top of that, faded bruises cover most of his visible skin, a mottled mosaic of purple and yellow. They’re clearly days, maybe weeks old, and she can only begin to imagine what they must have looked like when fresh. Bandages are barely visible under his shirt, wrapping around his back, hinting at even more injuries.

[eskelbigbang]

Eskel Big Bang 2021 Masterpost

Here are all the fics and art made this year for the Eskel Big Bang. Congratulations on the hard work, everyone!

AO3 collection || #ebb works tag || #ebb art tag || #ebb fic tag

Below the cut is a full list of all EBB works:

Uprooted (T, No Pairing, 12k) by @rachofspades, art by @drachedraws

When a nondescript notice begging for a witcher's aid catches Eskel's attention on his way back to Kaer Morhen for the winter, he finds himself drawn in by his own curiosity despite his initial reservations. Once he arrives, it quickly becomes apparent that there's something more sinister going on than typical monster attacks, and he's determined to figure out what it is. Fic || Art (1) (2)

These Clay Hands (T, Eskel/Jaskier, 4.7k) by @aalizazareth, art by @hobbart-art

Eskel is a shy pottery instructor who meets Jaskier during one of his lessons. The two hit it off. Fic || Art

The Empty Safe Job (M, Eskel/Geralt/Jaskier, 18k) by @iboughtaplant, art by @gods-no-longer-tread-here

A team of thieves with complicated pasts take down the rich and powerful to help those that get left out from justice. Their latest job should be simple, but an unexpected adversary has Eskel confronting his past. Sometimes bad guys make the best good guys. Fic || Art

the broken vines are an open door (M, Eskel & Geralt & Yennefer, 5.2k) by @trissmarrygoals, art by @flyingyarn

Traveling through Aedirn with his newly acquired child surprise, Eskel stumbles upon a dead body - and with it, a mystery. Fic || Art

With you I'll never be alone (T, Eskel/Geralt, 5.8k) by @dat-carovieh, art by @mondfuchs

From their first meeting, through their whole long life Geralt and Eskel have always been there to comfort each other when one of them got hurt. --- Or five times Geralt and Eskel comfort each other through some kind of hurt and one time they're just comfortable. Fic || Art

Eskel Has A Good Day (G, Eskel & Wolf Witchers, 9.3k) by @gods-no-longer-tread-here, art by @phoenixandjacob

The Wolves (and bard) of Kaer Morhen go on a vacation to the coast, and have a good day. Fic || Art (1) (2)

Tu Me Manques. (T, Eskel/Jaskier, 8k) by @etcorsolus, art by @cvbeebop

In which, Eskel meets a bard who calms him. Body, mind, and soul. Story title is how the French say 'I miss you.' The more literal translation is 'You are missing from me.' Fic || Art

Little Red (M, Eskel/Lambert, 6.1k) by @miahclone, art by @llwynbleidd

Eskel helps Lambert while he's recovering from a serious injury. To distract him from the pain, Eskel tells stories of past hunts. Fic || Art

Constellations (M, Eskel/Geralt, 7.2k) by @dredshirtroberts, art by @dat-carovieh

Eskel loves Geralt but their soulmarks don't match - he'd know. They're witchers, and scars are their business. As he joins Geralt in retirement, Eskel figures whatever he can get with the other witcher will be enough. He might get a little bit more than he thought he was bargaining for, but Eskel's never passed up a good deal. Fic || Art (1) (2)

Trial By Fire (Eskel and Aza's Wild Ride) (E, Eskel/OFC, 11k) by @janzoo, art by @liaonyxrayne

When Eskel rescues his succubus acquaintance from witch hunters, their reunion becomes something more as they're drawn into the hunters' plot. What can they do against a twisted idealist and the danger he presents to witchers and non-humans? Fic || Art

Pardon Me While I Burst Into Flames (E, Eskel/Jaskier, 29k) by @ghostinthelibrarywrites, art by @wolfgeralt

When Eskel is hired to kill an incubus who ruined a noble wedding, he finds that his target is far from a bloodthirsty beast, a too-pretty court bard. Eskel spares Jaskier and they go their separate ways, with Eskel expecting never to see the incubus again. But Jaskier has other ideas. Fic || Art

I Could Eat the World Raw (E, Eskel/Jaskier, 7k) by @buttercupsanddandelions, art by @gods-no-longer-tread-here

“This is Eskel.” He pushes him slightly forward, “And he just had his conduit moment.” After becoming a mage, Eskel finds that he's been soul-bound to a little lordling. Fic || Art

Something we bury (M, Eskel/Geralt, 10k) by @heartoferebor, art by @craftgamerzz

“Where’s Eskel?” Ciri asks Geralt, frowning a little. “He went out to do more hunting and gather some potion ingredients. Should be back any moment,” Geralt reassures her. “Ah. Good.” She hesitates a little before deciding to forge right ahead with her next question. She’s asked everyone else in the keep, of course she’ll have to ask Geralt, too. “About his scars…” * Ciri wants to know where Eskel's scars came from, so she decides to ask everyone at the keep about them. Except, they all seem to have different stories... Fic || Art

Lord What Fools These Witchers Be (T, Aiden/Eskel, 21k) by @jayofolympus and @frenchkey, art by aviixrc

When Lambert brings Aiden to winter with him in Kaer Morhen, Eskel is catapulted straight into his own personal hell. It would be easier if he didn’t like the Cat. Instead, he finds himself falling head over heels for his brother’s boyfriend and trying to hide it from a pack of nosy Witchers. If only Aiden would stop flirting with him... Fic || Art (1) (2)

A Moment of Comfort (M, Eskel/OC) by @merpancake

An attack at a brothel begins with blood and carnage, but Eskel finds an unexpected peace in the arms of Cenna. As their paths continue to cross, Eskel carries that same peace within him on his journey through monsters and men. Art

Toussaint's Finest (M, Eskel/Geralt, 9.1k) by @kate-river, art by @justhereforeskel

Eskel is still roaming the Continent. But in recent years the Path has become harder and harder. Eskel has made it a habit to come by Corvo Bianco around vintage and this year's events might change a few things in his life forever. Fic || Art

Beneath the Shadow and the Soul (E, Eskel/Geralt/Jaskier, 32k) by @vix-spes, art by @buffskierights

Eskel had the strange feeling that everything was going to change when he passed through Dol Blathanna one year on his way back to Kaer Morhen for winter. He had been passing through a town and, instead of running away from him, someone had exclaimed “You’re a Witcher,” and proceeded to sing at him. He just hadn't realised how much of an impact it would have on him. Fic || Art

Daughter of Fire (T, Eskel/Geralt/Jaskier, 4.9k) by @kittynannygaming, art by @zmezagain

Witchers are sterile, that's a fact. No female human can bear their child. Well, the keyword here is 'human' and a succubus is very not human. And Eskel now has a sweet 7 years old daughter. Fic || Art

Break It Recklessly (E, Eskel/Geralt/Jaskier, 22k) by @anonymousblueberry, art by @nol-nol

From teenage tearaways to successful adults, Geralt and Eskel have always been inseparable. To the extent that when Geralt accepts a wedding invite with Eskel as his plus one, there’s the assumption that they have finally sorted their shit out and got together, forcing them to keep up the facade or cause chaos for the happy couple. What follows is a crash course in emotions, dating, and working out that love can burn long and slow for a very long time. Fic || Art

The Question (M, Eskel/Istredd, 40k) by @eskelchopchop, art by @stars-in-my-damn-eyes

Eskel's in Ohio when Yennefer calls. He’s reluctant to pick up; he’s still not over Geralt, and he's got zero desire to chat with Geralt's new lover. Turns out Yen isn’t his lover anymore, and this isn’t about Geralt. It’s about witcher’s work. Yennefer owns Portal, one of New York City's most popular gay clubs. A Post-Conjunction Entity (PCE) is hunting her clientele, leaving a string of withered corpses in its wake. The police are doing jackshit. Will Eskel come back to a city full of bad memories and take a job off the books to stop it? He'll sure as hell try. Along the way, he’ll cross paths with Istredd, a man with sorcerer’s eyes and a painful past of his own. If Eskel doesn't work fast enough, they both might become the PCE's next victims. Fic || Art

Is It Cold In The Water? (E, Eskel/Jaskier, 12k) by @jennyloggins, art by @jerry-of-rivia

His horse is tied to a branch a few trees out, and that’s where Eskel heads to grab his water skein, taking a deep drink and soothe his dry throat. Patting his horse’s backside affectionately on his way past her, Eskel feigns a stern voice to say, “Zuzanna, keep watch for me.” Her tail twitches as if to swat him away. Fic || Art

Everything I Want (I Can Find in You) by @eyesofshinigami, art by @phoenixandjacob

Eskel didn't think he'd ever see Jaskier again, sure the Cat witcher was only looking for a night of fun. But then he keeps showing up, taking Eskel to bed and leaving him little presents. It takes Eskel a bit, but eventually he realizes that maybe, just maybe, Jaskier means it when he says he wants to keep him. Or Eskel doesn't think he deserves nice things and Jaskier is determined to show him otherwise. Fic || Art

One Stop Shop; Tattoo's Piercings, And Love (M, Eskel/Jaskier/Lambert, 7.4k) by @jesheckah, art by @moondrunkart

When Eskel fumbles an invitation at a party to come into his tattoo shop, Jaskier and he move towards an explosive love. How many tattoo sessions does it take for the heart to know what it wants? Fic || Art

Entanglement (and other words for a mess) (E, Eskel/Geralt/Jaskier, 31k) by @violaceum-vitellina-viridis, art by @merpancake

Eskel has a hundred marks on his body, but a soulmark isn't one of them. Fic || Art

Beneath Each Other's Bones (E, Eskel/Geralt, 7.6k) by @pressedinthepages, art by @drachedraws

Winter at Kaer Morhen can be brutal. But Eskel and Geralt find warmth in each other in an effort to stave off the cold. Fic || Art (1) (2)

#9fe2bf on the Shore (T, Eskel/Jaskier, 4.5k) by @buffskierights, art by @phoenixandjacob

The sea roars with a vengeance, something angering the waves even as the stars shine brightly overhead in the clear night sky. If Eskel were a poet he’d say it almost sounded like a wail of mourning, the way the whitewater crashes upon the night black sand and the gathering foam, the sea frothing furiously. But Eskel’s always hated his poetry lessons so being a poet is firmly off the table. Fic || Art

lion in the wolf's den (T, Coen/Eskel, 5k) by @patchwork-doublet, art by @justhereforeskel

eskel is nervous being around ciri, afraid things will go south like they did last time. Fic || Art

Sugar Baby Blues (E, Eskel/Jaskier, 24k) by adevinecomedy, art by @pastelrune

Jaskier’s mind slipped back to a night several months ago when he was all worked up but had nowhere to go and a mountain of school work to get through. How it was just so much easier to log onto a camming website and watch someone perform seemingly just for him. The gorgeous, confident man on the other side of the screen had been so accommodating, even though Jaskier had been shy and hadn’t typed much into the chat. Modern au where Eskel is a Cam boy and runs into a bit of a financial bind. Enter Jaskier who just might be the answer to all his woes. Fic || Art

Winter Comfort (T, Eskel/Jaskier, 10k) by @myidlehand, art by @liaonyxrayne

Jaskier comes to Kaer Morhen to spend some time with Eskel, after briefly meeting him in the fall. And while both of them seem delighted to see each other again, Eskel starts to shy away from Jaskier's comments and flirting. It doesn't take a genius to see Eskel is having body image issue. Jaskier aims to help him through it. Fic || Art

The Subtle Knife (M, Eskel/Jaskier, 26k) by @major-trouble, art by @cylin-aka-ankamo

There's an assassin haunting the Continent. No one knows their name, everyone - that is, everyone in the know - calls them The Specter. If you want a rival out of the way, a political opponent disposed of, or a strategic target taken out, contacting The Specter gets the job done. For a price, of course. There's an art to subtlety, after all, and it wouldn't do to risk the attention of law enforcement. So there's no obvious cause, no knife to the back, and the deaths aren't usually remarked upon. The Kaer Morhen Agency, however, has noticed. One of their agents has been hired to protect potential victims, people scared that they've been targeted. And they have reason to worry. When Eskel's first assignment winds up dead of no discernible cause, it starts him on a search for the elusive Specter, hoping against hope to track down the assassin before they're hired again. Setting a trap for a ghost is something Witchers are used to. Setting one for a trained killer may prove beyond them. Fic || Art

No Funny Business (M, Eskel/Jaskier, 11k) by goldendaydreams, art by @nanero11

Eskel had long given up on finding his soulmate, his soulmark nothing but scar tissue from a house fire he’d survived as a child. Knowing that most people wait for their perfect someone, their destiny, didn’t stop him from falling in love with Jaskier, the nurse he met after a hunt gone wrong. Fic || Art

Stronger Than My Storm (E, Eskel/Geralt) by @rawrkinjd, art by @nol-nol

Eskel and Geralt were friends from the very beginning. They added the benefits later. It was another way to offer comfort and companionship when the rest of the world closed in around them, and Eskel was content with it for years. Until he wakes up one day and realises it’s become something more. He touches Geralt’s silver hair, wreathed in a halo of yellow sunlight, and allows himself to feel the cracks spreading through his heart. Witchers can’t love each other. It would only lead to suffering. Eskel realises he must weather the storm inside or let Geralt go forever. Fic || Art

Full of Life (T, Eskel/Jaskier, 6.3k) by @sternenstaub28, art by @llwynbleidd

When Eskel gets hired to solve the case of people disappearing in town, she didn’t know she’d find a friend and maybe even something more. or Beauty and strength don't necessarily make your life easier, a companion and love however do. Fic || Art

choices are the hinges of destiny (T, Eskel/Geralt, 7.5k) by @lutes-and-dandelions, art by @cassandrasartworld

After rescuing a fae from the clutches of death, they repay Eskel by helping him make a choice. -oOo- A story about what would have happened if Eskel had claimed his child of surprise. Fic || Art

Eskel Vs The Continent (And His Feelings) (M, No Pairing, 47k) by @chibitabathasloves, art by @zmezagain

Eskel decides he needs to leave Kaer Morhen after the fight with the Hunt. Where will it take him? And will he be able to face his feelings he desperately tries to ignore. Fic || Art

lookin' to the sky to save me (T, Eskel/Geralt, 10k) by @torynickles, art by @trissmarrygoals

Geralt slides his hand from Eskel’s shoulder to his back. And then. Then he keeps moving it, outwards, away from Eskel’s torso, where there should be nothing but air, but— “What the fuck?” he chokes, because he can still feel Geralt’s hand, sensation where there should be none. He shakes his head wildly, twisting his arm to reach for his own back. His fingers connect to something, but—it’s not his body, it can’t be his body, even though he can feel himself touching it. Because he’s made up of skin and flesh, bone and muscle, and this thing has all of those, but— It’s covered in sticky, damp feathers. Fic || Art

A Fine Night at the Faire (M, Eskel/Geralt/Jaskier, 12k) by Elensule, art by @liaonyxrayne

Eskel has been hurt by the world and hides for refuge in his little goat farm. He's found no reason to look for love, or much of anything else. But encouragement from his brother sends him to an unfamiliar locale; the renfaire! Maybe stepping out of his comfort zone was just what he needed. Fic || Art

[princeescaluswords]

Scott is called cowardly yet how many fights did Peter sit out of 🤔 I thought he was the experienced, wise, superior born werewolf?

One of the most infuriating arguments that I have wanted to learn to let whizz by my head, but I can’t, because it’s so egregiously made in bad faith that it shocks my sensibilities, is the concept that “Scott got others to do his killing for him.”

When?  How?  (Above is Peter demonstrating what is meant by ‘getting others to do his killing for him” by sending his newly-discovered daughter against professional werewolf-hunter nagual, Kate Argent).

It certainly wasn’t Season 1, which was the only season where Scott even stated the desire to kill someone -- killing Peter to receive the cure with which Derek manipulated him.  He didn’t ask anyone to kill Peter for him, because he couldn’t.

Scott was certainly brave that season.  He confronted Derek in Pack Mentality (1x03) alone at the Hale House, not once but twice.  He broke into Kate Argent’s room, after he knew that she had poisoned bullets that would kill him.  He summoned Peter to the School to confront him, and then left the safety of the chemistry classroom to get the keys from the janitor.  He got involved in a high-speed chase to rescue Derek.  He didn’t give into Jackson’s blackmail.  He didn’t panic when Peter threatened his mother.  He rescued Jackson from Derek’s murder attempt.  He was the first one into the Hale House to confront Peter after Peter killed Kate in retribution.

Oh, and he rejected Stiles suggestion that they let the Argents kill Derek and Peter for him.

Now, Peter on the other hand, full of righteous wrath, didn’t summon Laura back openly to answer for the crimes that parts of the fandom made up for her.  He lured her back under false pretenses and murdered her from ambush. But, let’s be reasonable -- she was an alpha even though she was far younger and inexperienced from  him, and it’s not cowardly to use family connections to weaken your murder victim.  Or is it?

Then he felt he had to use Scott to murder Garrison Myers, former insurance adjustor and bus driver, because who knows -- maybe he was secretly a ninja master?  He did menace Kate, but ran off when she shouted at him. Then he waited to kill the 2C Video Store clerk until he had his back to him on a ladder.  Then he stabbed Derek in the back; stabbed the janitor in the back and used his body to lure Scott out so he could force Scott to kill for him -- wait, who were we talking about again? Then he murdered Riddick and Unger from behind, people so terrible that Scott was able to intimidate them into leaving.  

See the pattern?  

And the pattern continues.  Scott decides he can’t sit the Argent-Hale war out in Season 2, while Peter, full of advice and ... well, not courage but cunning, sits out the final battle that might determine the fate of the Hale Pack, but he is willing to gut Jackson when Jackson lets him.   That took ... something?

Or Season 3, when Scott comes to Derek’s aid, long before he realizes that he’s Deucalion’s target, when he tries to go alone to reach some sort of agreement with Deucalion, when he tries to fight the Darach by himself, when he volunteers to distract the Alpha Pack so the others can escape from the hospital, etc.  

Now, Peter finally shows a little backbone in episode ten, but before that, he’s the epitome of ‘somewhere else when the battle starts.’  He demurs from rescuing other members of the Hale Pack.  He is nowhere to be found at the fight at the Mall.  He vanishes when the Argents show up; he has vanished when the Darach shows up.  He doesn’t help rescue the parents; he’s not at the show down in the distillery.  He is, however, lurking close enough to stop Jennifer from using the Nemeton to heal herself, slashing the throat of a dying woman, which isn’t cowardly at all. /sarcasm

He’s absent for most of Season 3B’s fights.  He’s absent for most of Season 4′s fights.  However, he  is once again so outraged at those who have wronged his family him, that he murders the Mute while the assassin is helpless in police custody and arranges Scott’s pack to turn on him by pretending to organize the rescue party.  (Theo was in the bushes, taking notes.)

But sure -- he’s the Hale Pack’s Left Hand.  He just never got around to stopping any of their enemies unless, as he literally says when asked to perform a dangerous ritual “there’s something in it for me.”   He says this.   Out loud.

I could go on, with multiple instances of Scott’s bravery and Peter’s cowardice, but sure, Scott gets other people to do his killing for him, though we never know which people he wants dead.  It wasn’t Derek.  It wasn’t Gerard.  It wasn’t Deucalion or any of the alpha pack.  He does threaten Gerard and Jennifer with death if they fuck with his people, and he makes it clear that he’ll be the one to deal with them.

When did he get other people to kill for him?   It certainly wasn’t in Season 4, when he led the fight against the assassins.  He asked Derek for help, not to kill the assassins for him.   Scott was at the forefront of that battle.  

But here we get to -- surprise, surprise! -- the racism in the Teen Wolf fandom.  Theo decides he wants to learn how to take the Beast’s power, so he decides he’s going to kidnap Deucalion.  Corey tells Mason and Mason tells Scott.  Scott warns Deucalion and works with him to prevent the enemy who successfully stopped Scott’s heart for fifteen minutes from getting the power of La Bete du Gevaudan.   

Deucalion does this by sabotaging a plan that would actually work by providing misinformation and teaching Theo a method that won’t work.  Theo uses that method to kill two of his own people.  Now, Deucalion doesn’t suggest using that ability on Theo’s own people, even though they’re the ones who kidnapped him and kept him prisoner.  

But somehow, Scott is ultimately responsible for the deaths of Josh and Tracy.  How Scott was supposed to know that Theo would need Josh’s power to use Valack’s spare Doctors mask and thus set the stage for Josh’s death?  We don’t know, and neither do they.

But, as has been explained by many, many, many, many people other than me, heroes of color are held to higher standards as a way of denying their existence as heroes.   Scott didn’t realize that Theo might murder Tracy while making out with her, so that makes Tracy’s death his fault.   In fact, Scott wanted Tracy dead, supposedly.  Why?  We don’t know and neither do they, but while Stiles can literally say in Formality (1x11):

Stiles: All right, so then just let them do what they're planning, you know? They use Derek to get Peter - problem solved. 

But sure, Peter did everything because he would do what was necessary, though he didn’t do what was ‘necessary’ for Gerard or Matt or the Alpha Pack  or Kate or anyone but a captured Mute and a dying Jennifer.   In fact, he skulked around the series until Season 6 for his half-assed redemption arc, though he kept trying to run and tried to get Malia to run.  But, you know, he defaults to badass because he’s white and he once accused a woman of making him weak in a fever dream.  Sure, Teen Wolf fandom, sure.

[holyhellpod]

Heyoooo, it’s another episode of Holy Hell! This one is dedicated to the manchild himself, Dean Winchester. 

Apple | Google | Spotify | Instagram | Patreon

Transcript below!

CW: discussions of child abuse, child death, suicide, alcoholism, family trauma, mental health

[Music]

Dean Winchester is, in a word, my soulmate. I started kinning him when the show aired in Australia on Fox8 and I have not been the same since. From his devil-may-care attitude to his undying love for his family that pierces the veil of death to save the day, he really is the most. I have to say at the beginning that this episode of Holy Hell will not include discussions of Dean’s sexuality and gender. I’m saving that for its own episode, so stay tuned my pals.

What we know of Dean as he develops over the course of the first episode is: he’s been hunting, and hunting alone, he’s 26 years old, he drives a sweet ‘67 Impala, he wears an old leather jacket, he listens to 1980s metal, and he has an arsenal of weapons and supernatural fighting talismans in his trunk. He’s also a smartarse, one of his most endearing qualities. He gets defensive about their mother and her death, and he defends their father over and over. He’s a loyal son and brother. The impetus to bring Sam back into the hunting life, after Sam decided for good that he was going to leave, is to bring his fambily back together.

The quality that defines Dean Winchester is how much he loves he loves his fambily. In the first episode, he is so worried about his father that he recruits Sam to help look for him, even though Sam and Dean haven’t spoken in two years, and Sam ran away to college rather than continue to live with their father.  He spends most of the first season defending their father, but when John comes back and starts arguing with Sam, Dean protects his brother from John. It’s one of the most significant examples of character growth Dean undergoes throughout the entire series, and it’s where his loyalty shifts from John to Sam.

In the episode of season 2, “Croatoan,” Dean decides not to shoot Sam when Sam contracts the Croatoan virus which turns people rabid and makes them kill. In the next episode, “Hunted”, Dean reveals that John told him to kill Sam if Dean couldn’t save him. But Dean doesn’t. He says that John begged Dean not to tell Sam, but it’s not John’s words that keep Dean silent. It’s his love for Sam and Sam’s wellbeing. And this brotherly love slash codependency is used by characters throughout the entire series, from the demons in season 1 to the literal character of God in season 15, to manipulate Dean and Sam. As many characters have pointed out, including Dean and Sam themselves, they are each other’s weak points.  

At the end of season two, when Sam dies from a stab wound in his spine, Dean trades his own life for Sam’s. He makes a deal with a crossroads demon—his soul for Sam’s life—and subsequently dies and goes to hell at the end of season 3. Dean literally dies a gruesome death and spends forty years being tortured in hell because he couldn’t live without Sam. At the end of Season 8, Sam is dying from the effects of the trials, which he undergoes in order to close the gates of hell, and Dean convinces him to stop because, again, he can’t live without Sam. Sidenote: this is where I stopped being interested in their brotherly dynamic to the point of losing interest in the show. It became clear to me that the showrunners were more concerned with rehashing the same tired storylines between Sam and Dean than focus on characters who could expand the world and make the show better. In fact, they killed a lot of the interesting side characters in order to keep the show solely focused on the brothers. The exception to this is Castiel, and the reason they kept Cas around is because when he died in season 7 the ratings tanked. If that wasn’t a clear enough sign that the showrunners needed to open up the show to more than just Sam and Dean’s caustic dynamic in which they die and kill for and then betray and lie to each other over and over, then I just don’t know what the fans could have done to convince them. Nothing, apparently, because they ended the show with just Sam and Dean.

Dean’s relationship with John is fraught with insecurity and codependency. Dean has so little sense of self that what he does consider to be his carefully curated list of likes and dislikes were inherited directly from John: his car, his leather jacket, his hunting abilities, and his music taste. He also throws himself into hunts without any regard for his own safety, because he doesn’t believe that he is worth saving, or that his life is worth living. His personality is crafted from both John’s reliance on him as a son, hunter and partner in crime, and the woman he assumes Mary to be. Dean’s sense of self-worth relies on how many people he can save. This is why, in season 2 episode “What is and what should never be,” Dean’s dream reality is one in which he’s a low life loser who disappoints his family—because without John pushing him to be a hunter, Dean doesn’t save people, and because he doesn’t save people, he isn’t worth anything. Bear in mind that this is the best reality Dean’s mind could conjure for him: one in which his father is dead, and he himself is not worth saving.

In one of the most famous exchanges, he asks Cas why an angel would rescue him from hell, and Cas replies, “What’s the matter? You don’t think you deserve to be saved.” Twenty-nine years of bluster, insouciance, and a give-em-hell attitude crumbles in two sentences, wrought by a being Dean refuses to believe exists because, again, he doesn’t think that he deserves to be saved by them. He says, “[Why me? I don’t like getting singled out at birthday parties, let alone by God].” He thinks of himself so lowly that he accepted a one-year deal in exchange for Sam being alive. Dean cares so much about his family he lets it kill him.

But it’s not just Sam, Mary and John. Dean’s family grows to encompass a number of side characters: most notably Bobby their surrogate father, Charlie Bradbury the hacker, Claire Novak, Jack Kline, and Lisa and Ben Braeden. Even Mary makes another appearance in seasons 12 to 14. Unfortunately, because the show is the way it is, Dean puts Sam above all of these side characters, and then these characters are written out of the show. I should specify that Cas is not a side character; in most seasons, Misha Collins is billed as a main cast member, with his name appearing after Jensen Ackles in the credits. But he still dies in the third-last episode in order to have the show stay about the brothers. Even Jack, inarguably Cas and Dean’s son, is written out of the show in the second-last episode after dying multiple times. I say inarguably because I am not gonna argue with anyone about this. Claire and Jack are Dean and Cas’s kids. Dean and Cas are great parents who chaperone Jack’s prom and buy Claire her first hunting bow. They’re all one big happy, queer, neurodivergent family.

Dean loves the people in his life with reckless abandon. The times he’s excused Cas’s behaviour after Cas has done something ridiculous or foolish are too many to count. He grieves Cas’s multiple deaths, often succumbing to his alcoholism and entropy whenever Cas leaves him for more than a day. In a truly beautiful scene, Dean wraps Cas’s corpse in a curtain and watches, utterly and completely devastated, as his body burns. By this point, they have done so much for each other that it’s impossible to even envision the show without Cas, and indeed imagine Dean without his love for Cas. And we don’t have to for very long, as he always comes back a few episodes later. Even knowing this, the episodes where Dean mourns Cas are so heartbreaking and haunting that I cried for days after watching them.

Dean is great with kids, and every time he’s not is completely the fault of whoever is writing him in any given episode. We see him bonding with Lisa’s son Ben in season 3 and 6, Jesse in the season 5 episode “I Believe The Children Are Our Future,” and Lucas in the season one episode “Dead in the water”. With every child he meets, Dean gets on their level, empathising with them in a way most adults can’t. Like Claire and Jack, Dean has a complicated relationship with his father, who dies in the beginning of season 2 after bargaining his soul for Dean’s life to the demon that took their mother. Just like anyone else’s life, right? Must be Tuesday. This means Dean can relate to most children with traumatic backgrounds involving their parents, as a victim of parental abuse and having his mother die at age 4. I can’t find any sources to back this up, but a theory that rolled around in fandom was that Dean became mute after Mary died, which is what happens to Lucas after his father drowns. He says in “Dead In the Water” that he loves kids, and it’s true. As one tumblr user put it, Dean wanted to be baby trapped.

Dean carries the deaths and pain of his loved ones with him like Atlas carrying the world on his shoulders. When Claire is bitten by a werewolf, the characters administer blood of the sire wolf that bit her in order to cure her of her lycanthropy. Dean has to leave the room while she’s in pain, because he can’t bear to watch her die. The same goes for when Jack dies. Thankfully, Claire lives and Jack comes back a few episodes later.

When thinking about Dean being a father, I’m reminded of that scene from Scrubs when Dr Cox says he’s worried about being a father because his own dad was an abusive alcoholic. The difference between Dr Cox and Dean is that Dean doesn’t have his reservations about raising kids. He fits into Lisa and Ben’s life easily, at least for the first year, and we see a montage which includes him teaching Ben how to fix cars. When Claire lets her guard down enough to hug Dean, he hugs back just as hard. When he finally deals with the trauma of Cas dying in season 13, he accepts Jack into his life, and even grieves Jack when he dies. Dean escapes the intergenerational trauma that plagues his family by being a fantastic dad to the random kids who happen into his life by chance. He was born to be a father, and the fact that this show took that away from him and us as the audience makes me want to kick the showrunners into the sun.

Until season 6, Dean’s family only included men. The concept of the nuclear family—two sons, a husband and a wife—was ripped apart in the prologue of the first episode when Mary dies. Dean doesn’t know family for the first 5 seasons of the show outside Sam, John, Cas and Bobby. I do consider Ellen and Jo to be important to the story, but they’re only in a handful of episodes and die in season 5 for a reason that is plainly ridiculous. Did the Winchesters have to lose every single person in their lives to the fight? Clearly Kripke thought they were going to be cancelled after the fifth season, because it shows. And honestly? Maybe they should have. Let’s retroactively cancel the whole show. It can’t hold power over us anymore, because it’s dead and we cremated it.

But when Dean moves in with Lisa and Ben, he discovers a new type of family he didn’t have before, and new family dynamics. Instead of the 28-year-old son that Sam is to him, he takes the opportunity to teach Ben about cars and spend time with him and Lisa without the need to hunt. He gets a job, he makes some friends, and he lives the safe, apple pie life he begrudged Sam for in the pilot episode. It’s only when Sam reappears in his life that Dean’s codependency strikes again and he realises that he can’t live half in the normal world with Lisa and Ben and half in the hunting world with Sam. Sam says this himself in the first episode of Season 6, “Exile On Main Street”. Despite the ways Dean tried to settle down throughout the rest of the 9 seasons, the showrunners ultimately decided a man who was healing from trauma and alcoholism, who had adopted two kids as his own, and was learning how to bake cakes for his son’s birthday, deserved to die at the ripe age of 40, a week or so after he’d learned that his best friend was in love with him. You gotta laugh. Instead of getting the ending both Dean and we deserved—which was Dean settling down, opening a bar, and living the next forty years in relative gay peace while he got fat and watched Cheers reruns—well, we got something else. And I will always be bitter about that.

While it’s clear from the first season that he has reckless and suicidal tendencies, he doesn’t stop fighting to the bitter end. Even when faced with his own impending death in the season 2 premiere, “In my time of dying,” he fights to stay alive for Sam and John, while working the mystery that is overcoming his own death. Devastated as he is by Sam diving into hell at the end of season 5 and seemingly gone for good, Dean still gets up everyday and makes a life for himself in Lisa’s home. While season 6 was overall a bummer of a season, just god-awful in every aspect, saved from my complete vitriol only by “The French Mistake,” it did show us how great a dad Dean can be, and readied us for what was to come—being Claire and Jack’s dad. The lengths he goes to for his family are immense and all-consuming. As Cas says in “Despair”, Dean is a being of love. He loves everyone else, even when he can’t find it in him to love himself. He really thinks that he’s just a killer, not a father or a husband.

I’ve never subscribed to the idea that we have to love ourselves before we can love anyone else, or before anyone else can love us. Sorry Rupaul, you old bitch. We are all deserving of love, because love sustains us and helps us grow. And when we don’t know how to, it’s through loving others that we can learn to love ourselves. If Dean knew what a great father and friend and husband and brother he is, if he could see himself the way others, in the show and out of it, see him, I think he’d burst. You don’t like getting singled out at birthday parties? Well tough shit, Dean Winchester, because I’m gonna devote an entire podcast to you.

I talked about Dean’s carefully curated list of likes and dislikes before but I’ll go into more detail now. Things he likes: guns; rock and roll; nice cars; women; fighting; scamming people at pool; back alley blowjobs, probably; pie; driving across the country; Ozzy concerts; cowboy movies; being in control of every little thing in his life. His dislikes are: flying on planes; hair metal; angels and demons; anyone who harms his brother, his best friend or his kids; boredom; and being jerked around.

Okay I literally cannot talk about the cowboy movies without mentioning that he makes Cas watch them with him, in his Deancave, and the implications of that make my head roll off my body and into the dirt. Like they literally have gay little movie nights and watch their gay little cowboy movies together and Dean says all the gay little lines. I said I wasn’t going to talk about his sexuality, but mentioning cowboy movies leads to Cas wearing a cowboy hat and saying “I’m your Huckleberry.” This makes me insane. Excuse me, I must have my daily scream.

Okay, I’ve collected myself. Have I? Let’s just move on. In the Winchester tradition of inherited family trauma, Dean gets all of John’s interests, and Sam gets all of John’s mistakes. Dean’s personality throughout the show is basically quippy remarks, pop culture references, laughing with food in his mouth, and grouchiness. In case you haven’t realised, he is amazing to me. Every time he fires a rifle or pistol? Couldn’t be better. Eating a burger made of out donuts? Fucking incredible. Even when faced with beings with untold power, he doesn’t lose his cool. One of my favourite exchanges is when Zachariah comes to Chuck’s house in the first episode of season 5, “Sympathy For The Devil,” and starts soliloquising at him, Dean tells him to “cram it with walnuts, ugly.” Cram it with walnuts, ugly. It’s been ten years and that still makes me laugh. Top ten Dean lines for sure. Like all of my main characters throughout the years of writing original fiction are just “Dean Winchester but girl,” and I’m a good writer, but I can never come close to the level of hilarity that he achieves. And every single writer on the show seems to get that. The only times I can think of where Dean’s characterisation has irked me on a writing level are in season 6—basically the entire thing—and the way he treats Jack in the later seasons, specifically late season 15. But it’s really rare for me to watch an episode and not enjoy Dean. Even throughout the Mark Of Cain era, which I loved, when things were very serious, he had such style and panache and held himself so confidently that I was like, wait maybe he made some points? Maybe he should kill everyone?

Dean is a hunter and a killer, but that’s not all he is. He’s very skilled in hand to hand combat, weaponry, and tactical manoeuvres. Even when something doesn’t go exactly to plan, he’s usually able to improvise something to end up with a win. Because he is the main character, his choices and reactions, while sometimes extremely problematic, are never questioned, and that’s to his detriment. In the last episode of season 14, “Moriah,” Dean is unable to kill Jack, but in early season 15, he treats Jack’s betrayal as Cas’s fault, because he can’t take it out on Jack. Cas leaves, but it’s framed as a good thing because Cas is Jack’s father, and has to take responsibility for what Jack has done. In this instance, I don’t blame Cas at all. Okay I rarely blame Cas for anything, including the things he’s done wrong, because no he didn’t and you can’t prove it. But he especially didn’t do anything wrong when Jack killed Mary, and he didn’t do anything wrong by killing Belphagor. But by the middle of the season, in the episode “The Trap,” Dean admits his wrongdoing in taking his anger out on Cas, one of the only people who loves him without conditions. You’d think this would be a defining moment of character progression, but then Dean chooses to act exactly the same way by throwing Jack under the bus. Like, throwing him harder, under a bigger bus. So what was the point.

Anyway, those are choices the writers made, and not Dean.

Going back to what I was saying about being neurodivergent, Dean has adhd. I know this because I have adhd, and I’m Dean-coded. He’s wildly creative, impulsive, has a touch of OCD, and he has a hard time making long-lasting friends, although this is mostly due to how all his friends die. His best friend is an autistic angel and the only reason they’re still friends is because they’re obsessed with each other, in like a really unhealthy way. One of the funny things about his and Cas’s relationship is that every time you see them in the same shot, Cas is standing perfectly still and Dean is constantly moving. They are almost complete opposites, aside from their queerness and neurodivergence. But then, I haven’t met a single queer person in my entire life who isn’t neurodivergent or disabled in some way. That doesn’t mean we can’t live perfectly functional and normal lives, it just means we’re better than everyone else.  

Dean also exhibits black and white thinking—to him all felons are redeemable and all monsters should be killed. Felons are redeemable because he himself is a felon, and monsters should be killed because they all do monstrous things. When faced with the possibility of angels being real, he refuses to believe it for the first two episodes, because, as he says, “he’s never seen one.” Eventually he learns how to see in shades of grey and not kill every monster he meets, but this is because of his time in purgatory with Benny, his Cajun vampire boyfriend.

Another sign of Dean’s ADHD is physical sensitivity. In the season one episode “Bugs,” he comments on the shower’s water pressure. Like it’s a big deal to him, when he’s only ever used 1-star motel room showers. In the later seasons, he’s also seen to wear a fluffy robe and soft pajamas with hotdogs on them and socks that say “Send Noods” but noods spelt like noodles. And so he should! Dean deserves comfort! He’s a special boy.

ADHDers often have problems with executive function—remembering appointments, cleaning up after ourselves, showering, eating, even going to the toilet when we need to pee. The hunting life excludes Dean from the normal functions of usual life, such as dentist appointments, dropping the kids off at school, meal prepping for the week, or turning up to a job on time. These were only factors in Dean’s life during the gap between seasons 5 and 6 when he lived with Lisa and Ben, and it’s not shown how his executive dysfunction impacted his suburban, settled life, but Lisa does mention that Dean drinks a lot. It’s another thing he inherited from John, much as I did my alcoholism from my father, and my adhd too. But Sam doesn’t drink to excess more than a handful of times over the entire 15 seasons, whereas Dean subsists on alcohol to get through the day. At one point in season 11, I’m pretty sure, don’t fact check me, he is shown to be drinking a beer at about 10 in the morning, because, as he says to Sam, “You drank all the coffee. What do you want me to do? Drink water?” Dean your liver must be quaking.

Excess is a common problem for people with ADHD. We have problems with limiting ourselves—because our dopamine machine broke, anything that gives us a little bit of high—such as sugar, sex, alcohol, stimulants, any kind of food that is bad for us but tastes real good—we usually have it in excess because we can’t help ourselves. In the season 4 episode “It’s the Great Pumpkin, Sam Winchester,” Dean eats the entirety of the candy in the Impala. The only reasons I don’t eat everything in my fridge every day is because, one, I don’t have the money, and two, it’s all ingredients I have to prepare and not ready-made food. Whereas Dean has only known fast food for the first 10 or so seasons until he starts cooking and baking and settling into domesticity. Like anyone who gets UberEats every day instead of cooking for themselves knows how expensive that is. He also engages in meaningless sex, although people have pointed that Sam actually gets more on screen action than Dean. But I know a lot of amab people who engage in casual sex with randos because it satisfies a base need. Dean could be classified as hypersexual in some regards, but I know what hypersexuality feels like and it’s like this overwhelming miasma where you can’t think about anything except how horny you are, and I don’t think Dean has that normally. Maybe when he was a demon in season 10, but generally I think he can control himself.

His settled life in the men of letters Bunker is a far cry from his flashbacks in season 8 to Purgatory. From what we know of purgatory, the land of gods and monsters, it was a year-long monster hunt, but without any of the boring paperwork. Dean got to fight and kill as many vampires, ghouls, leviathan, etc as came his way, which is why it’s absolutely ridiculous that he died by rebar in a vampire fight. He spent an entire year spilling blood and chopping off heads, day and night, and he dies by metal bar to the spine? And he’s not even coughing up blood? Andrew Dabb, I’m coming for you. Of course purgatory is the perfect place for Dean because it’s constant adrenaline, constant excitement, constant stimulation, which is what every day life lacks. Even Dean’s every day life is like, 20% monster killing and the rest is leg work. They go weeks or months between cases, and sometimes don’t find the monster at all. So I’m not surprised he gets bored easily and drinks. Would if I could too, my pal.

Which leads me onto Dwelling. Dean dwells on the horrors of his life in a way I do and my carefree older brothers don’t. In the season 4 episode “Heaven and Hell,” he reveals to Sam that he remembers his entire forty years in hell, and there are flashes of his memory littered throughout the season in creepy, split-second increments. He dwells on the people who die, doing his thousand-yard stare into the funeral pyre of everyone they cremate. In the most egregious display of dwelling, he rewrites history TWICE to deal with his grief — in season 8 he makes himself believe that it was his fault Cas didn’t come back from purgatory with him, and again in season 13 he invents the story of Jack controlling Cas to deal with his grief over Cas’s death. His PTSD twists the truth until it becomes another way to torture himself, because if someone gets hurt it’s on him; everyone who loves him is just one more person to disappoint.

On a lighter note, Hyperfixations, equivalent to Autism special interests, are a common trait of ADHD. Some of Dean’s hyperfixations include: hunting in general; cowboys and cowboy movies; the musical Rent; the movie Braveheart; larping. He loves dressing up and acting, and what is putting on a monkey suit and lying about being a Fed if not larping? Oh god the meta of that coupled with the season 4 episode “The Monster At The End Of This Book” is making my head hurt. And actually, the next episode of Holy Hell is on the subject of meta-textuality so stick around if that’s something you enjoy.

One of the amazing things about ADHD is creativity. Since we’re easily bored and easily amused, we’re constantly pushing the boundaries of our curiosity. In season three episode “Bloodlust,” Dean decapitates a vampire with a miter saw, something that even veteran vampire hunter Gordon Walker comments is a thing of beauty. Dean creates a Ma’lak box in season 14 episode “Damaged Goods” as a way to contain Michael if he ever inhabits Dean’s body again. Dean is always making up words like “were-pire” and “Jefferson Starships,” and he has an almost encyclopaedic knowledge of pop culture, which he references in almost every line of dialogue. Like tv and movies raised me, but even I don’t understand a lot of his references. It’s almost like he’s a character in a tv show being written by dozens of people. But that’s not right. He’s a real person and my friend. My friend Dean Winchester, who shouts me burgers and passes out on my couch.

Also, I’m bragging now but as of the day of writing this I got my ADHD diagnosis and it feels so good to have a doctor, a psychiatrist in fact, confirm my belief. After about three or four years of figuring out I have adhd and then trying to make everyone else believe me when I say I do, it feels like a huge weight off. Dean deserved to feel that. He deserves to put a name to his differences and be in charge of his life instead of letting his anger, confusion and impulses control him. If anyone is worried that you might have something and don’t know whether to pursue a diagnosis, my two cents are that it has only improved my life. I was diagnosed with Bipolar Affective Disorder in 2014 and it allowed me to go on medication, which snapped me out of the worst period of anxiety I have ever gone through and also a psychotic episode that featured talking walls and a swarm of Christmas beetles. Trust me, we all need help sometimes, and some people like me need more help than others, but you can take control of the forces in your life that hold you back. As my mother used to say to me when I was a child, the world is your oyster. It really fucking does get better, and since I started on the right anti-depressants for me my life has improved so goddamn much. The world is fucked right now, and it’s impossible to even function on most levels. We all need therapy. I myself have a gp, a psychiatrist, and a psychologist and they keep me relatively sane. I would not be alive if I didn’t have years and years of ongoing therapy and good drugs. Plus I journal everyday and practice gratitude. I’m still crazy but the craziness is contained and doesn’t hurt me anymore.

Despite never going to therapy, Dean grows from being a loner with one friend (his own brother) to someone with a wealth of connections and family. He picks up new people to love like he’s velcro, and when he goes in he goes all in. He would die for the people he loves. He’s constantly putting himself in danger to protect his loved ones. In the Season 6 episode “Let It Bleed,” Dean captures and tortures demons in an effort to find out where Crowley took Lisa and Ben. He then has Cas wipe their memories so that they don’t remember him and can live their lives without him, at his own great distress. In season 5, he goes to Stull Cemetery to impinge on the fight between Lucifer and Michael, just to be there for Sam. As Dean says, he’s “not going to let him die alone.”

That being said, I do have to talk about Dean’s very few, but ultimately life-ruining, flaws. His emotional dysregulation makes his moods unpredictable at best. By virtue of his black and white thinking, he forces the people he loves to choose sides between him and other characters, such as Sam and Ruby, Cas and Crowley, Mary and the british men of letters, and Cas and Jack, and when they don’t choose him, he passively aggressively, and sometimes just aggressively, tortures them until something else usurps their betrayal. His anger issues are par to none, and often get him in a lot of trouble. But since he is the main character, he never really faces consequences for this, and neither does he mature. Even in the final season episode “The Trap,” while Dean admits how angry he is and how wrong he was for taking it out on Cas when Jack died, mere episodes later in “Unity” he turns Jack into a nuclear reactor to take out God, and Jack dies again. His characterisation in the last few seasons, especially in regards to Jack, is all over the place. I would have to start a murderboard to explain how Dean feels about Jack and how he reacts to what Jack does in every episode. Like, pictures and red string and everything. And even then I would not be able to comprehend exactly what the writers did and what they thought they were doing.

But unlike me, Dean always believes the best in people until proven otherwise, and he does always come around to the people who atone for their sins. Even when Sam refuses to get his soul back in season 6, Dean keeps trying until Sam is put right. Between seasons 7 and 8, He spends a year in Purgatory looking for Cas despite how Cas sent Sam insane, ingested billions of monster souls, and became God. When the people he loves choose him, he chooses them back.

But even when they betray him, lie to him, deceive him, and hurt the other people in his life, he can’t stop loving them. He never stops loving Sam or Cas or Jack or Mary or John or Bobby. He loves with everything he has. He is, as Cas says, a being of love.

Oof. That was a lot of words and I feel like I only just scratched the surface. Like realistically I just talked about fambily and ADHD. There is just so much to Dean Winchester that maybe I’ll make another episode sometime. But I am definitely making an episode purely about Dean’s gender presentation and sexuality in the future. You can find the show at holyhellpod on Tumblr where I post transcripts for the episodes and Instagram where I post memes.

I don’t see myself doing an episode about Sam any time soon, Not because I don’t like Sam, but because I can’t stand Jared Padalecki. He’s done some things that I can’t support, and I’m really bad at separating the art from the artist. Especially when it’s something like Supernatural, which is not art. Supernatural is an experiment. It’s not Johnny B. Goode by Chuck Berry. Like Jared Padalecki didn’t invent rock and roll, you know what I’m saying? However, if you really want me to do an episode about Sam, you can pay me 101 Australian dollars and 50 Australian cents at patreon.com/holyhellpod. I’ll talk to you next time.

Links

http://www.scififantasynetwork.com/dean-winchester-has-adhd/

[entamewitchlulu]

so i did a reading challenge this year and i wanna talk about what i read

transcription under the cut

i did Popsugar 2019 and wanna talk about what i read:  Book Reccs and Anti-Reccs 

1.) Becoming a Movie in 2019: Umbrella Academy (vol 1) by Gerard Way and Gabriel Ba

4/5. A fascinating take on superpowers, dysfunctional families, and the apocalypse. Can get pretty gory, confusing here and there and you have to pay close attention to panels for lore, but overall an entertaining romp.

2.) Makes you Feel Nostalgic: Circles in the Stream by Rachel Roberts

4/5. Middle grade novel about the magic of music, belief, and of course, friendship. Definitely written for kids, and has some unfortunately clumsy Native rep, but overall an absolute joy to dive into once again.

3.) Written by a Musician: Umbrella Academy (vol 2) by Gerard Way and Gabriel Ba

4/5. Ramps up the confusion to ridiculous degrees with some absolutely bonkers, unexplained arcs, but still fun to watch this dysfunctional family do its dysfunctional thing.

4.) You Think Should be Turned into a movie: All That Glitters by Rachel Roberts

4/5. Continuation of Circles in the Stream, but with more unicorns, more rainbows, and more fae, which makes it automatically even better than the first.

5.) With At Least 1 Mil. Ratings on Goodreads: 1984 by George Orwell   

1/5. I understand why it's important and all but wasn't prepared for some of the more graphic scenes and the overall hopelessness of the message.  Would not recommend or read again.

6.) W/ a Plant in the title or cover: The secret of Dreadwillow carse by Brian farrey

5/5. A fantasy world where everyone is always happy, save for one girl and the princess, who set out to solve the mystery of their kingdom. Poignant and great for kids and adults.

7.) Reread of a favorite: Cry of the Wolf by Rachel Roberts

4/5. Yet another installment in the Avalon: Web of Magic series, which clearly I am obsessed with.  Please just read them.

8.) About a Hobby: Welcome to the Writer's Life by Paulette Perhach

5/5. A welcome kick in the pants, chock full of great advice told without condescension, and full of hope and inspiration for writers both new and old.

9.) Meant to read in 2018: The Poet x by Elizabeth Acevedo  

4/5. Absolutely beautiful coming of age novel told in verse.  Do yourself a favor and listen to the audiobook version.

10.) w/ "pop," "sugar," or "challenge" in the title: Black Sugar by Miguel Bonnefoy

2/5. I think maybe I just don't understand this genre.  Or maybe the translation was weird. I was confused.  

11.) w/ An Item of Clothing or Accessory on the cover: Our dreams at Dusk by Yuhki Kamatani

4/5. It had a lot more slurs/homophobia than I was prepared for, but otherwise is a very touching, relatable collection of queer characters living in a heteronormative world.

12.) Inspired by Mythology or Folklore: Ravenous by MarcyKate Connolly

3/5. A girl goes on an impossible quest to save her brother from a child-eating witch. Really wanted to like it more because I loved the first one, Monstrous, but it dragged a little.

13.) Published Posthumously: The Islands of Chaldea by Diana Wynne Jones

3/5. I adore Diana Wynne Jones, but this one was missing some of the magic of her other books. Not sure if it was because it had to be finished by someone else, or if I just grew out of her stories.

14.) Set in Space: Binti by Nnedi Okorafor

4/5. Powerfully written story of a girl straddling tradition and innovation, who wields power through mathematical magic, surviving on a spaceship alone with a dangerous alien occupation after everyone else has been killed.

15.) By 2 Female Authors: Burn for Burn by Jenny Han and Siobhan Vivian

2/5. Ostensibly a story about a revenge pact in a small island town, but leaves far too many dangling threads to attempt alluring you to the sequel.

16.) W/ A Title containing "salty," "bitter," "Sweet," or "Spicy": The Price of Salt by Patricia Highsmith  

3/5. It's okay but I literally just never know what anyone means at any time. Are they being reticent on purpose or do i just not understand communication

17.) Set in scandinavia: Vinland Saga by Makoto Yukimura

2/5. Technically and historically accurate and well made, but the story itself is not my cup of tea.  Very gory.

18.) Takes Place in a Single Day: Long WAy Down by Jason Reynolds

4/5. A boy goes to avenge his murdered brother, but ghostly passengers join him on the elevator ride down. Stunning and powerful character-driven analysis.

19.) Debut Novel: Nimona by Noelle Stevenson

4/5. Charming and then surprisingly heart-breaking comic about Nimona, a shapeshifter who wants to become a villain's minion. Really love the villain/hero dynamic going on in the background, along with the dysfunctional found family.

20.) Published in 2019: The Book of Pride by Mason Funk  

4/5. A collection of interviews with the movers, shakers, and pioneers of the queer and LGBTQ+ community.  An absolutely essential work for community members and allies alike.

21.) Featuring an extinct/imaginary creature: Phoebe and her Unicorn by Dana Simpson

4/5. Incredibly charming, Calvin and Hobbes-esque collection of comics featuring the adventures of Phoebe and her unicorn best friend.

22.) Recced by a celebrity you admire: The Emerald Circus by Jane Yolen

2/5. Recced by my fave author Brandon Sanderson. An unfortunately disappointing anthology proving that any story can be made uninteresting by telling the wrong section of it.

23.) With "Love" in the Title: Book Love by Debbie Tung

4/5. One of those relatable webcomics, only this one I felt super hard almost the entire time.  Books are awesome and libraries rule.

24.) Featuring an amateur detective: Nancy Drew: Palace of Wisdom by Kelly Thompson

4/5. REALLY love this modern take on Nancy Drew, coming back home to her roots to solve a brand new mystery. Diverse cast and lovely artwork, though definitely more adult.

25.) About a family: Amulet by Kabu Kibuishi

4/5. Excellent, top tier graphic novel about a sister and brother who have to go rescue their mother with a mysterious magic stone. LOVE that the mom gets to be involved in the adventure for once.

26.) by an author from asia, Africa, or s. America: Girls' Last tour by Tsukumizu

4/5. Somehow both light-hearted and melancholy. Two girls travel about an empty, post-apocalyptic world, and muse about life and their next meal.

27.) w/ a Zodiac or astrology term in title: Drawing down the moon by margot adler

3/5. A good starting place for anyone interested in the Neo Pagan movement, but didn't really give me what I was personally looking for.

28.) you see someone reading in a tv show or movie: The Promised NEverland by Kaiu Shirai

4/5. I don't watch TV or movies where people read books so i think reading an adaptation of a TV series after watching the series counts. Anyway it was good but beware racist caricatures

29.) A retelling of a classic: Meg, Jo, Beth, and Amy by Rey Terciero

5/5. We can stop the Little Women reboots and retellings now, this is the only one we need. In fact, we can toss out the original too, this is the only one necessary.

30.) w/ a question in the title: So I'm a spider, so what? by Asahiro Kakashi

4/5. Cute art despite the subject matter, and a surprisingly enthralling take on the isekai genre. Love the doubling down on the video game skills.

31.) Set in a college or university campus: Moonstruck (vol 2) by Grace Ellis

2/5. An incredibly cute, beautiful, and fascinating world of modern magic and creatures, but unfortunately falls apart at the plot and pacing.

32.) About someone with a superpower: Moonstruck (vol 1) by Grace Ellis

4/5. Though nearly as messy plot-wise as its sequel, the first volume is overwhelmingly charming in a way that overpowers the more confusing plot elements.

33.) told from multiple povs: The Long way to a Small, Angry Planet by becky Chambers

4/5. Told almost in a serial format, like watching a miniseries, a group of found-family spaceship crew members make the long journey to their biggest job ever.

34.) Includes a wedding: We Set the dark on fire by Tehlor kay mejia

4/5. Timely and poignant, a girl tumbles into both love and resistance after becoming one of two wives to one of the most powerful men in the country.

35.) by an author w/ alliterative name: The only harmless great Thing by brooke bolander

3/5. Much deeper than I can currently comprehend.  Beautifully written, but difficult to parse.

36.) A ghost story: Her body and other parties by Carmen Maria Machado

4/5.  It counts because one of the stories in it has ghosts. A sometimes difficult collection of surrealist, feminist, queer short stories.

37.) W/ a 2 word title: Good omens by Terry Pratchett and Neil Gaiman

4/5. Charming, touching, and comical, probably the best take on the apocalypse to date. Also excellent ruminations on religion and purpose.

38.) based on a true story: The faithful Spy by John Hendrix

4/5. Brilliantly crafted graphic biography of Dietrich Bonhoeffer, and his assistance in fighting back against Nazi Germany.

39.) Revolving around a puzzle or game: the Crossover by Kwame alexander

4/5. The verse didn't always hit right with me, but the story is a sweet, melancholy one about family, loss, and moving on.

40.) previous popsugar prompt (animal in title): The last unicorn by peter s. Beagle

5/5. Absolutely one of my all-time favorite books, it manages to perfectly combine anachronism and comedy with lyricism, melancholy, and ethereal beauty.

41.) Cli-fi: Tokyo Mew Mew by Mia ikumi and Reiko Yoshida

4/5. Shut up it counts

42.) Choose-your-own-adventure: My Lady's choosing by Kitty curran

3/5. Cute in concept, a bit underwhelming in execution. Honestly, just play an otome.

43.) "Own Voices": Home by Nnedi Okorafor

3/5. The storytelling style was definitely not my style; while the first book was slow, too, it felt more purposeful. I found my attention wandering during this installment.

44.) During the season it's set in: Pumpkinheads by rainbow rowell

3/5. Cute art, but precious little substance.  The concept simply wasn't for me in the first place.

45.) LITRPG: My next life as a villainess: All routes lead to doom! by Hidaka nami

5/5. An absolute insta-fave! Charming art, endearing characters, an incredible premise, and so much sweet wholesome fluff it'll give you cavities.

46.) No chapters: The field guide to dumb birds of north america by matt kracht

3/5. It started out super strong, but the joke started to wear thin at a little past the halfway point.

47.) 2 books with the same title: Unfollow by Megan Phelps-Roger

4/5. A brave and enduring personal story of growing up in and eventually leaving the Westboro Baptist Church. Really called to me to act with grace and kindness even more in the future.

48.) 2 books with the same title: unfollow by rob williams and michael dowling

1/5. How many times do you think we can make Battle Royale again before someone notices

49.) That has inspired a common phrase or idiom: THe Outsiders by S.E. Hinton

4/5. Definitely good and deserves it's praise as something that pretty much revolutionized and created an entire demographic of literature.

50.) Set in an abbey, cloister, Monastery, convent, or vicarage: Murder at the vicarage by agatha christie

3/5. I just cannot. physically keep up with all of these characters or find the energy to read between the lines.

ok that's all i got, what did y'all read and like this year?  (oh god it’s gonna be 2020)

[fuckingthefictional]

Dating Reggie Mantle would include (Part 1):

M A S T E R L I S T 

So in school you were in no way popular

You like to stay under the radar

Attention just wasn’t your thing. 

Literally you got up, went to school, did the work to the best of your ability and went home. Simple as that.

You didn’t really have friends you just never found anyone to fit in with

Cut to the end of a school day when Principal Weatherbee asked you to stay behind and come to his office

ShitShatFuck

So when the bell rang you gathered your stuff and went to meet with Weatherbee

You were shaking soosososo much me

But when you walked in you found Reggie Mantle sat sulking, Coach Clayton pacing and Principle Weatherbee tapping his fingers on the desk.

Lmao when they all looked up Reggie was fckin speechless

Who were you? How were you so beautiful? How had he never seen you before??

Turns out you weren’t in any trouble, it was just the small problem that Reggie couldn’t continue playing football for this season unless he got his grades up

THats where you came in. Tutor Girl to the rescue Did anyone get that reference

So you came up with a plan that everyday you’d tutor him for at least an hour. 

At first you just met up in the library after school, or if he had practice you’d find yourself sat on the bleachers doing homework or extra credit work while you waited.

But slowly you and Reggie began to get to know each other

dare i say  f r i e n d s 

So soon enough the library was replaced with places like his house, your house and occasionally pops.

It became a tradition that every study session you had together, he’d turn up and as a greeting he’d give you a cheesy ass pick up line

“hey y/n are you a camera because every time i think of you i ca only picture us together.”

“I’d say God bless you, but it appears that he already did.”

“Do you know what this shirt is made of...Boyfriend material.”

I’m no Mathematician but I know I’m good with numbers. If you give me yours then you ca watch what i do with them

“Reggie I know you’re not a mathematician, that’s why you’re failing math.”

it makes you laugh every. single. time

Reggie would suddenly stop being a huge flirt and playboy with every girl he laid his eyes on.

oooooooof protective!reggie is so apparent

Like he will automatically go into protective mode if anything happens to you.

Like Chuck once wolf whistled and made an overly sexual comment about you when you were trying to put your books in your locker.

And what happens? Before you could respond Chuck’s body was being slammed up against the locker next to you

“If you say anything to her ever again Clayton...You’ll be a dead man. Stay. Away. From. Her. Got it?”

“What stick’s been pushed up your ass Mantle? Are you jealous?”

Reggie punched him point blank in the face and stormed out of the school entrance. Leaving you to run after him.

“Reggie! Reggie wait!”

Why were is legs so long, you’re only a smol person

When you finally caught up with him e was still fuming. He was red in the face his fists were clenched and he was about to snap. 

So you gently take his hand in yours and ease it out of a tight ball.

It was instinct I swear

You’d guide him to your car and you’d drive him towards pops.

“Reg you stay here, I’ll be gone for 5 minutes okay?” When he began to interject you just kissed his cheek and opened the car door, before locking it again.

Where did you go? To get some lunch for the both of you? Why? BEcause the best way to Reggie’s heart like any teenage boy is food. Bonus points if its from pops.

Afterwards you drive back towards your house, it would be empty and your parents were on a 4 week long work trip. 

You guided Reggie up into your room and sat him down on your bed.

“Reg, what happened. WHy did you snap like that.”

“I couldn’t just stand there and watch you get harassed by that asshole. I couldn’t hear him say those things about my girl. I couldn’t watch you become apart of his stupid game and that fucking playbook.”

“Reggie... what do you mean playbook?”

“It’s some stupid game that the rest of the jocks play. They rank girls they’ve slept with and give them points and shit.”

“Reg, please tell me you’ve neve-”

“No y/n/n, I would never. I may be a player but i was raised better than that. Could you imagine if my mom found out. My ass would be 6 feet under before the playbook could even be exposed.”

You giggled at that. Reggie may seem thick skinned but when it came to his  mother he became a momma’s boy without hesitation.

A few moments later you noticed your hands had intertwined and your legs were touching.

“Did you say that I was “Your girl”?”

“What if I did?”

“Well maybe I’d like to officially be your girl.”

You just looked at each other and then lips fused together.

You found your hands melding with his silky locks and his hands crawled up your back eagerly.

soon enough it became a solid make out session.

Clothes were thrown, curses were moaned.

so after this you just cuddled for the rest of the day. And Reggie just became the biggest teddy bear. He’d just stroke your hair and whisper sweet nothings into your ears.

“Hey Y/N/N what if I never want this to end, what if I want you to be in my arms and never let go.”

“Then hold me tight and don’t let me slip.”

“Then will you be mine?” 

“Always.”

When everyone at Riverdale high found out about your relationship, they immediately expected it to last for no more than a week

You were suddenly cornered by Betty Cooper and Veronica Lodge at lunch where they asked if you needed help getting out of your ‘relationship’

“Why would I need to get out of a relationship with Reggie?”

“Because nobody would willingly get into one with him?!”

“Then you obviously don’t know the real Reggie. And since you’re both so great at relationships then you should have no problems fixing your own which by the way are both practically crumbling beneath your feet.”

Turns out the entire football team heard it, plus a few cheerleaders. 

That’s when your earned a new type of respect, you were more than just “Reggie’s new girl”. You had fire.

And that is how you and Cheryl became friends. Cut to a few months and you’d be more like sisters. 

You would become Cheryl’s second in command. You even joined cheer. Something your boyfriend found incredibly hot

Every single football game you’d be cheering on Reggie. And to everyone’s disbelief Cheryl even let you wear Reggie’s jersey when you weren’t performing. 

Cheryl being soft is everything to me

She just deserves happiness

Lets just say that the whole idea of you and Reggie only lasting a week was cut down completely 

Because you lasted longer than anyone else, or any other couple.

Dates at pops are a must.

Whenever he is working out you sit on his back and quiz him on different subjects. 

His mom adores you, like Reggie gets high-key jealous of the attention you get.

“I feel left out!”

“Reggie, Sweetie- I have spent all of your life with you. Just the two of us. I think you can take a couple of minutes of me hugging my future daughter in law.”

Blushing and snickering ensue.

In fact Mrs Mantle lets you stay over whenever you want. SOmething Reggie absolutely  loves

Like its so obvious that you’ve changed him for the better which is something his mom is so happy about. Because before he was indulging in drugs, partying and sleeping around, but now he has actually settled down despite only being in high school. 

Reggie would 100% teach guys on the football team how to actually respect their girls. Because “Treating your girl like a dick isn’t a good thing” and “you should be treating her like a princess every minute of the damn day.” 

Basically you having a good influence on Reggie would have a knockoff effect on the rest of the football team.

Just Reggie Mantle Man I need him

Mantle the Magnificent indeedy.

[pineapple-split]

Here is my problem with the political messaging in the Canto Bight storyline: I’m not convinced Rian Johnson knows what he’s talking about. I’m generally fine with political messages being included in movies as long as the following two qualifications are met: 1) the writer(s) is knowledgeable about the subject and 2) the narrative follows through. Neither of these exist in the TLJ.  

I get, at face value, what Johnson was trying to do. Really. I even agree with the core message - people profit enormously from war and arms deals are seldom a one-way street. Those arms have to come from somewhere and recycling old fighters and ammunition from the Rebellion is not a viable strategy (see: TLJ act 3). But the way this is presented completely undermines the point. In that scene where DJ is “schooling” Finn (and we’ll get to that mess later), he argues that there are no Good Guys or Bad Guys since the arms are going to both sides of this conflict. This is set up to be a Huge Revelation for Finn and intended to communicate the gray area of conflict to the audience. 

As seen in Rogue One, Johnson likes to play with this theme. The problem is he doesn’t know how to execute it. As with Rogue One, there is no follow up in the narrative. This message of “no side is purely good” is thrown out there, but never addressed. The Rebels are still the heroes in Rogue One, delivering hope to the galaxy, and in TLJ there is no further acknowledgement of the fact that the Resistance gets its arms from exploitative slave owners. 

Yeah, don’t forget that little tidbit. These people are literal slave owners. We see them cruelly abusing the Fathier they have in captivity, as well as the actual child slaves they have sleep in the Fathier stalls. The same child slaves Rose and Finn ignore during their CGI Police Chase of Wonder, by the way (more on that later). I can very comfortably say YES these are bad people. The fact that they sell arms to the Resistance as well is not even remotely the point. The point is that they are profiteers of war - they look to sell deadly weapons to the highest bidder, then they retire to their city of decadence and wealth built on slave labor and exploitation and THAT is why Rose hates them. Who these people are is a completely separate issue from who happens to buy from them. 

Now, the Resistance should very much be taken to task for what they are enabling. The consequences of open warfare and the people outside of the direct conflict who are screwed over by it are items worth examining. But Johnson doesn’t do that. He just slaps the half-baked political message onto it and moves on. In doing so, he doesn’t convince me at all that he understands this issue beyond “arms deals are bad”. And all this is so indicative of the mainstream approach to politics (which is why it grates on me so much) - hyper focus on the face-value, trendy message without bothering to research or understand any of the underlying context, history, or other political factors. In times like these, with the Star Wars movies as influential as they are and containing real-life parallels as much as they do, I find this approach incredibly harmful. 

While we’re on the subject, let’s talk about how Finn’s characterization went out the window. We know from TFA that he grew up in the First Order - he never knew who his real family was. He was raised and indoctrinated and exploited by the First Order itself. His defection at the beginning of TFA was an act of immense courage born from the fact that he saw the First Order for what they are: fascists, murderers, slave owners, take your pick. He refused to take part in it, because he is fundamentally a good man. So why the fuck would someone like Finn be so taken in by the excess of wealth in Canto Bight and why the fuck would he need someone else to explain slavery to him? Its not because he never saw wealth in the First Order, because that’s just factually wrong. The First Order is militaristic, yes, but the signs of wealth are all around - from the state of the art weaponry systems to the shiny chrome finishes on the floor. It’s not because he’s never seen people holding parties or enjoying food, drink and the benefits of social power, because that’s just factually wrong. He sees this in TFA when he and Rey meet Maaz Kanata. And there is nothing that could convince me that Finn, who has himself JUST RECENTLY escaped a life of abuse and exploitation and brainwashing, would not recognize this in others. Finn, who just days ago (without any outside influence) recognized the evil in the First Order and turned from it, not noticing how exploitative the society of Canto Bight is just floors me. I really don’t buy it at all. Couple this with the fact that during the Amazing Rescue, the slave children are left behind (even though Finn and Rose apparently had time to mount a Fathier, coordinate the opening of all their stall doors and have them all charge out at once) is some cold, callous bullshit and not at all in character with who Finn is (or Rose, for that matter). No, setting that last Fathier free does not make that whole excursion worth it because you literally just left behind the slave children who helped you fucking escape. 

This only gets worse in That Scene with DJ and Finn when they’re headed back to the Resistance. The obvious fallacy of these smart and capable people openly discussing their battle strategy in front of a stranger they barely trust aside, the whole scene is built around someone who has no clear stake in this conflict speaking down to Finn about something Finn is much more knowledgeable about. DJ is presented as a cynical, lone-wolf who looks after himself, which I guess in Hollywood means he knows everything. Forget that the Star Wars movies have taken pains to dismantle this (see: Han Solo’s forgotten character development) - DJ is just flat out wrong. When you have a whole society that profits off war, doesn’t care where their arms sales go as long as they make money, then turn around and use those profits to exploit others for their own endless party, then yes there are very clearly some Bad Guys in this scenario. 

So we’ve got complete lack of understanding and nuance on one hand, and total derailment of Finn’s character on the other. Both soured this entire side plot for me, and made it harder for me to accept the way some things shook out the in the 3rd act as well. 

[fedorasaurus]

D&D: Hoard of the Dragon Queen - Episode 1 (Session 9)

Previous Session Next Session First Session

In this session, our heroes spent time interrogating Frulam Mondath and her bodyguards to glean information about the Dragon Cult’s motives and their base of operations. In doing so, I literally split up the players for each interrogation, so none of them actually know the details of what was said to the others. Depending on how well their interrogation tactics worked, they may have learned certain pieces of information that others did not. Since not everything that they learned was discussed between players afterward, I need to be careful about summarizing the session for this post. For now, I’ll briefly go over what each character did to extract clues from the Cultists, and follow it up with what they DID share with each other afterward.

Vala, meanwhile, did a sidequest to rescue villagers from a burning temple, which I will briefly cover at the end of the post.

So, just what did our heroes do to get the Cultists to talk?

Silva used her polite charm and feminine wiles…

…While Daevid wasn’t about to let his youthful looks and size keep him from being taken seriously…

…And Grysh was… well… He took a more direct approach.

(Continues after the pagebreak)

-

Meanwhile, Jessica had a discussion with the leader of the raiders, Frulam Mondath, who had suspicious behavior (she attempted to ask for her rosary back, though Jessica knew better than to hand over Frulam’s spellcasting tool) as well as a genuine curiosity about this hero who claimed to be a dragon.

In the end, the party compared notes and were confident that they had the following facts:

The Dragon Cult’s camp is somewhere in a valley beyond the Greenfields.

The Cult has dragon(?) eggs at the camp, in a sector referred to as “The Hatchery”

The primary motive of the attack on Greenest was monetary; the town was founded by a treasure-hunting Halfling and has since become a place of much trading and selling but little in the way of defense. Thus, Greenest was an easy target for adding valuables to the Cult’s “hoard.”

Just as they finished discussing what they had learned, a wolf emerged from the Keep’s underground tunnels, followed by an entourage of villagers! As it turns out, the wolf was Vala all along, and she had gone with a small army of guards to rescue those who had barricaded themselves in the local temple during the raid. She had made it to the temple just in time, too, for the Cultists were already preparing a battering ram with which to break down its doors. With a combination of stealth, patience, and crowd control, Vala was able to strategize the rescue with minimal combat and no villager casualties.

Jessica, Silva, Daevid, Grysh, and Vala have proven themselves as heroes to the town, giving its people renewed confidence to return to their homes and businesses as the last of the raiders flee back to their camp. A few townsfolk were still unaccounted for, but their fates would be revealed upon the next day, after a night of restless but well-deserved sleep…