#I just feel like they are both very relatable to those experiences

[piratecaptainscaptainpirates]

I understand that times are very stressful right now and everyone is jumpy and on a hair-trigger, but I've noticed a very, very worrying trend in policing others' lived experiences in online trans spaces in the past week.

Being used as a political punching bag is fucking awful and stressful and I'm not gonna blame anyone for being jumpy. But we have got to collectively accept that other trans people are going to have lived experiences you don't relate to (and in fact that you can even find fundamentally opposed to your own), and that people with these different lived experiences are not your enemy, or it's going to be so much harder to stand as a community through this.

I have seen so much talk lately about how some trans people are just OBVIOUSLY tailoring their language to make cis people more comfortable, firmly medicalize being trans, etc., and I know that's not true because you're talking about my lived experiences here. I'm one of those trans people who knew I was trans at a very young age (like, telling my mom "I'm a boy" at five or six, getting sent home from school for refusing to play on the girls' team, etc.), and I relate more strongly to the "being trans is not a choice" argument against transphobes because for me it never was. Gender may be a social construct but I still feel a firm and deeply-personal internal sense that I am a man and always have been - for me, being trans was never just a matter of "I'd be happier as a man," it's always been "I am a man." I am not wrong for feeling this way.

And other trans people are not wrong for feeling that being trans, for them, was a choice! Other trans people who describe their experience, for example, as "I used to be a girl but now I'm a man" don't share my experience, but that doesn't make it bad. These people are not hurting me even though my experience is in many ways the exact opposite, and I'm not hurting them. We're both just as trans.

The problem here comes when someone tries to tell other trans people how they should talk about and understand their lived experiences. That's not on. Other trans people are not your enemy and we're all allowed to have our own nuanced and deeply personal understandings of gender and identity.

[destiny-smasher]

Not appreciating your tone here of extrapolating me saying Nemona is “entitled” to anything - other than mutual respect. I never said Nemona was entitled to anything, I said she is being neglected and that’s gotta be difficult to deal with, even if she puts up a front that she’s fine. But she, and everyone else, still deserves respect. Which she ain’t getting much of from ANY of her peers atm. And she’s likewise not doing a great job of respecting people’s boundaries and space, either, really. I am not upset because Nemona isn’t being “compensated,” friendship is not a linear exchange of goods and services lol When dealing with neurodiverse people, like Nemona (and again, very likely like Scarlet), things aren’t going to be all even stevens and easy. That’s part of what makes them MEANINGFUL, because it entails both people, who are at the fringe of society, being able to see the good in each other, recognize they are both outcasts and minorities, and learn to rely on each other, trust each other, and grow mutually.

But that’s not some simple “this for that” thing.

I’m less concerned with Scarlet “repaying” Nemona’s kindness atm so much as her rampant jerkish or even abusive behavior toward others, which only serves to make her situation worse on top of everything else.

You describe a series of issues Scarlet is dealing with, many of which are theoretical but sound “about right” given the evidence. I never dismissed them, because they’re just kind of ‘assumed’ to me, given the evidence so far - I’m just bringing up what I feel is a very relevant and important topic because of how it relates things to real life. Real life people can experience mental health issues due to the kinds of things it is implied Scarlet has goje through or is still going through. But neurodivergent people often end up struggling in these very ways BECAUSE OF the way they function differently from their peers, fundamentally. If you seriously are going to dismiss the POSSIBILITY of her being neurodivergent, like Nemona clearly is, then I find that insulting, so I hope that’s not what you’re doing, though it comes across that way (ex. Citing her ‘working out her issues’ would be useless in some way, when it absolutely would not, I assure you).

I’m not saying it’s canon she’s neurodivergent, I’m just saying that, like Nemona, there are LOTS of signs and it would make some logical sense of her behavior, in much the same way theories like “she was betrayed” or “she’s homeless” also ‘make sense’. People don’t always act n equivalent ways in reaction to experiences. Sometimes, they’re just built different, and react in different ways latently.

Which doesn’t EXCUSE said behavior, to be clear. None of these potential reasons for her behavior EXCUSE it when it entails hurting others.(which sadly the manga totally downplays, at least so far, which was itself the very basis of me starting this convo above). Scarlet can have an awful tragic backstory, be neurodivergent, etc., but it doesn’t EXCUSE her behavior. It just gives context to it.

What Scarlet needs is to be forced to confront her behavior and reconcile with why she is like this, and how some gradual, small changes over time could help alleviate things, as well as solve problems. And tbh I’m not sure Arven yelling at her is the best way to go about this. (Though seeing ANYONE calling her out on her shit would be cool to see) Giving her food and safety WITHOUT addressing her emotional/psychological needs will not fix her problems in the long run. If anything, it could just end up enabling her to keep acting out, potentially.

It reminds me of Wednesday Addams (Netflix), the character Scarlet is most inspired by, and how that character IS called out, DOES face consequences for her mistakes, and concedes small compromises here and there with those around her to improve things - though, to be fair, Wednesday as a person and her various relationships are arguably not much better or different at the end of S1, just the main plotty conflict has been seemingly resolved.

Scarlet has done some pretty shitty things even early into this narrative, and I love that - it makes for a compelling and complicated character, since we can tell there are reasons she acts the way she does which aren’t purely motivated by greed so much as survival. But she still needs to realize that a lot of her behavior is not OK. Abandoning Nemona at the tower after letting her get injured, stealing Miraidon, these two are already VERY not OK behaviors, on top of other rude social tendencies she exhibits.

But there’s definitely good in the character, and I hope the manga takes that thread somewhere edifying in the end - even though I am kinda expecting things to get worse before they get better. Which tbh is a more realistic approach with this kind of person than Wednesday has presented. But both still have plenty of story left. So it’d be good to see both of these protagonists make progress toward balance in their personal and social lives.

You seem to be missing or misinterpreting my basic assumption (which I suppose is fair) re: what Scarlet needs. ‘Working through her issues’ inherently ENTAILS finding a support network and stability. How the hell would it not? And she has the potential to have that right in front of her. But being part of a support network means being PART of it, not just using it for personal gain and ditching it the rest of the time. But someone with mental health issues and/or neurodivergency may not physically be able to just ‘flip a switch’ mentally and partake in such things as a support network even if they need it. It can take time and patience, but there needs to be gradual steps forward made on Scarlet’s part, too.

When I talked about Nemona only receiving ‘crumbs’ before, that wasn’t to say Nemona needs to be fed affection, per se, like some equivalent exchange. It’s also about proof, reassurance, indications that she is doing good for someone she cares about, too. (Though reciprocated respect and affection would be helpful for both, sure)

It’s not about ‘repayment’ or ‘compensation’ so much as it’s about progress and growth.

But again, I so far have little reason to believe this manga will handle these topics of psychology with the delicate touch they may deserve lol

I anticipate no one to change in any significant ways and for things like this to be laughed about and shrugged off later. Because that’s much less complicated. I would love to be wrong in that anticipation, though, and I’ll certainly look forward to seeing what ends up happening.

(Nemona getting totally blown off and stonewalled once again and trying to shrug it off once again, she's so determined! </3)

Since people on the Internet get fussy with this shit, let me state upfront these are my opinions, from the perspective of someone who shares a lot of personality traits in common with Nemona and used to be a lot like her in my younger years. Nemona's lying when she says Scarlet's behavior and needless secrecy doesn't bother her at all. She keeps enduring the neglect (and sometimes straight up abuse), because she thinks that's what Scarlet needs atm. It's hard to say how things will pan out atm imo.

The manga mischaracterizes Nemona in some ways for me -- or I guess it's more proper to say, I do not think the way the manga characterizes Nemona is as positive as the games. The manga so far really makes her out to be less mature, less healthy mentally/emotionally, and kind of a pushover who actively lets others step all over her. I don't prefer it lol

She experiences an 'invisible wall' between herself and everyone else. And Scarlet's behavior so far in PokeSpe would only exacerbate that -- BUT, the two could clearly have a very meaningful bonding if they both stick things through, in a way the game version of Nemona doesn't because the story forces the protag to more just go along with everything.

I want to believe the manga will eventually have Nemona learn to adapt to Scarlet, Scarlet slowly open herself up to Nemona over time, start doing GOOD for her in return, and heaven forbid, maybe even apologize for mistreating Nemona -- though I don't expect the latter for sure.

It can be very exhausting and draining to endure what Nemona is enduring, but if you have that determination and willpower to put up with someone's worse traits because you see the good in them, sometimes it's good to use that to be there for the other person.

Everyone's struggles are unique and people exhibit their flaws in different ways. Nemona is "too much" and Scarlet pushes back in hostile ways. Their personalities are potentially toxic for one another, tbqh, but there's so much value imo in them bridging that gap.

The core of most fictional relationships I genuinely care about and many of my real life ones is the idea of bridging the understanding gap, through communication and gestures and time spent together, where there is mutual growth and reassurance.

Because of how I've been mistreated in the past, it's REALLY difficult for me to look at Nemona/Scarlet even just as friends and not be very worried about them. They're not self-aware yet, much less mature enough to navigate their differences. But they COULD be.

Many of the most edifying and growth-defining relationships of my life were due to stark differences in personality being reconciled with mutual care, assurance, trust, and just plain holding on. I think these two can totally reach that. I just don't know if they WILL here.

Because the fact is, Scarlet's behavior is hurtful. She clearly has reasons she is this way, and sometimes you just gotta get that shit out. And having people strong enough to endure that shit can be valuable, even if you don't realize it at the time. But it's a fine line.

Scarlet seems to be dealing with mental health issues, or at the least neurodivergency -- and Nemona at least has the latter going on, too. That creates a lot of tension. But that also means they can be there for each other in a meaningful way if they can work that shit out.

At the current rate they're going, however, Scarlet's behavior isn't improving so far. It's like she just gets to be a jerk and 'get away with it' and everyone is supposed to be fine with that? Doesn't settle well with me, and Nemona sure doesn't deserve this treatment.

But at the same time, Nemona IS one of those rare people with the willpower and stubborn determination to keep being there for Scarlet in spite of things not going well for a while -- even a long while. She sees the good in Scarlet even if Scarlet doesn't.

The manga has NOT done much at all so far to sell us on Scarlet/Nemona working out even just as friends, but it feels deliberate how their dynamic has been set up. So I want to have hope there, but it does remind me a bit too much of stuff from my past, so I get trepidatious.

In a way, part of Operation Comet Punch (my long fic) entails exploring that very trepidation and (I hope) coming up with at least one 'version' of reconciling things in a healthy, mutually supportive way for everyone involved (and that goes beyond just Nemona and Scarlet).

I hope the manga can figure out ways to do this, too. Because I like the idea of Nemona and Scarlet at least becoming good friends over time. It's just difficult to see right now if you're being pragmatic.

"Desma this is a manga primarily targeting middle school boys wtf are you talking about"

Look, between my own fanfic about these characters and my real life experiences, I can't help but analyze and try to be optimistic on all fronts. I get triggered a bit by 'toxic yuri' and this is reminding me of that, but I want to believe in it EVOLVING beyond that (pun intended). And I know it can.

[heartfairy]

retiring to your chambers >>>>>>

[2prince2sparkle]

Losing my mind hearing that people think being punitively misgendered as they/ them only happens to she/her trans women and not also he/ him trans men

Edit: glad I dug through the shitty comments enough to find op saying she didn't mean the phrasing of a particular sentence to imply this didn't happen to trans men, she wasn't expecting the post to blow up and was just writing about the things she's experiencing in a casual rant way. Internet ok sometimes. (Still other people in the comments thinking the above though.)

[invinciblerodent]

I snoopes around your old tags aand I am a little in love with Harwen

Aaaah, thank you, I'm so happy you like him! ❤️❤️

I've been thinking about him a lot this Veilguard eve too, kinda revisiting him (and some of my other, "non-canon" guys, especially vis a vis the Themes™ and how they continue through the new guys), and for what it's worth... I think that for a character I made when I was only like 22, he still works pretty well!

I would probably do a few things differently now, more consciously, but, I mean... I still think that the "reclusive, introverted, gray-ace-but-specifically-demisexual Dalish assassin-strategist Experiencing Cultural Divide And Alienation" is still a fun concept that I really like!

.... I have also been toying around a bit with mods for the BG3 cc, to try and make (among others) him an updated face for the Veilguard timeskip too, and um.

the "Vallaslin" and the nose on this one are not quite right (the Vallaslin is supposed to be Andruil's, and his nose is supposed to be a bit hooked, kind of aquiline), but in his mid- to late forties? There's no way Harwen isn't gonna be dilfy. A positively dilfy elf.

(This is, I believe, is Shadowheart's dad's face, and he's an assassin-spec archer rogue in Dragon Age canon, but I think he'd be more of a hunter-, or gloom stalker-subclass Ranger in real DnD.)

[elytrafemme]

i think its funny that im still really shy about the fact that i think romantic quackcicle is reductive to c!quackity's character in a way that personally grates me and not in the common discourse interpretation of "u only hate the /r because you dont think c!slime can be romantic " (not a question of c!slime its entirely abt what i personall think makes c!q's arc satisfying which is trope subversion bla bla bla).

bc like first of all i dont think abt dsmp as much second of all who gives a shit its been like two years. i am like busy in life people have jobs this is not on anyones minds but i still fear the almighty discourse God bless. anyway i put stuff in tags i really hurt my hands somehow so i cant type w as mjuch dextertiy so work w me and the typos

[nowendil]

been thinking a lot about womanhood lately

[commsroom]

Happy belated birthday! Just wanted to hop in again saying I love your posts about Wolf 359. They’re all so good.

I’m on a relisten again and am at the end of season 3. And I’m thinking about how fascinating it is that Hera remembered the Thanksgiving with her at the table physically. And in a post if yours I read recently or you posted recently you talked about Hera getting a human body and I think that scene kinda hints at maybe wanting to be physically there? Idk.

If you’re up for it you can share your thoughts on this. I just wanted to wish you a happy birthday and leave you with some of my Wolf 359 thoughts.

Sending you good vibes over the internet.

thank you; you're always so sweet!! 💙

we're absolutely on the same wavelength here, too!! that scene in particular is a big reason why i feel like hera would want a body - what it says about her self-perception, sense of physicality (even without experience to contextualize it), and... as a result, that she experiences physical loneliness. and, notably, that all of those things are subconscious framing in what she misremembers. i've posted about that scene before here, and in my... way too long essay about hera here, which i'll try to paraphrase a bit. and in other places, too, probably! i think about it a lot.

so: i think there's a big difference between existing differently (which can be isolating in itself, but... through lack of understanding) and feeling like she's always being kept away from the others - somewhere else, physically. she clearly conceptualizes herself in that space as within the hephaestus, separate from it and the systems she runs, the same as everyone else. that's the difference between "other people need to change their attitudes" and... well, other people still need to change their attitudes, but there is also something fundamental about her circumstances that she's unhappy with and needs to change.

(and, obviously, like... because you know i see hera as a trans woman, i think some of the parallels you could make to medical transition are pretty clear in that framing, too.)

minkowski says “you weren’t here with us [...] we were over here, and you were over there” but minkowski would never actually say that - from her perspective, hera was as there with them as she's ever been. but if hera doesn't feel that way - if - like the sound design suggests - she's always hearing their voices the way they hear hers... if she's always felt that she's somewhere else... then it's hard for me to imagine there's a way to resolve that without giving her the autonomy to physically interact with the others, to be seen the way she sees herself - and that's something i think is really highlighted in the finale, too.

[boqvistsbabe]

..

[savanir]

The What Corps?

“we have you now spook! there is nowhere you can run and hide with our new spectral tethers active!”

Danny winces at the small metal clips that have hooked themselves in his leg, some new GIW tech that is messing with his powers.

“oh yeah? I was just dying for you guys to give me a challenge” plan. plan. He's gotta think of a plan to get out of here and fast. He takes a steadying breath and starts to look for anything that can help him.

he can’t get caught here. He just can't. He simply won’t allow himself.

suddenly the two GIW goons in front of him click their earpieces to clearly listen to what someone else is telling them, Danny is very glad for his own enhanced senses.

“Operatives K and O, be advised, there have been sightings of a new ectoplasmic entity near your location. Other operatives report that it’s incredibly small and moves fast. watch your backs, this may be an ambush”

small and fast? it better not be some poor little blob ghost, Danny sort of hopes it’s some manner of ectowasp, at least that could be entertaining to see.

“you better not be hoping for back up, ecto scum”

“I have no idea what you are talking about”

It's then that a small bright green light zips on scene and weaves through crowds in the distance with ease and then speeds up towards the two operatives who do not hesitate to shoot, missing completely like the storm troopers they are.

Whatever it is, it is indeed going very fast but Danny manages to figure out what it looks like and it appears to be a… ring?

“hold it you tiny accessory shaped ecto fiend!”

The ring does a speedy circle around Operative O while K is lining up a shot and ends up blasting the poor guy point blank in his face, “O!”

Danny takes a step forward with an arm outstretched and a “oh damn! Are you alright?” on his lips when the ring takes the chance to slip on his finger. “Daniel Fenton of Earth”

Danny already had a freakout about a ghost jewelry getting on him, his experiences with those so far have been incredibly bad after all, what with the rings and crowns and pendants… now this damn thing is just straight up outing him! 

Thank the ancients the two GIW stooges are too busy with each other right now to pay close attention to what this weird ring is saying.

“You have the ability to overcome great fear” ah so this is related to him steeling himself just now? Maybe? or something??

You have been chosen” never good, we are back to freaking out again.

“Welcome to the green lantern corps” 

… the what?

Danny notices that his usual outfit suddenly has more green going on, and his DP symbol has some sort of… he guess it’s supposed to be a lantern, maybe? shape around it.

He’s somehow even more glowy now, and there is something on his face. Feeling its shape makes him think it’s some sort of mask.

The metal clip things are no longer attached to his legs though so that’s great!

“You’re not getting away so easily ecto scum! sentient ghost paraphernalia coming to your rescue or no!” They both aim their weapons to take a shot.

Danny figures he can now easily hold them back with his usual shields,“you guys realize you just called this weird ring sentient and thereby negate the whole nonsentie-ack!”

“Attacking a corps lantern is punishable offense as of the instatement of the galactic diplomatic immunity as declared by the-” Okay so now Danny is just raising his eyebrow at this weird as fuck ring. Just what is it going on about?

“notifying nearby lanterns and requesting assistance with apprehension of hostiles”

what?

“getting your friends to help you out vile spook? such a thing is useless with the Blackout still very much in place”

Well… the two streaks of green light in the distance is making Danny doubt that statement.

Maybe there is more to this Lantern corps thing than he thought… And something tells him his life is about to get even more complicated than it already is.

[cheapshrimpysheep]

Yuu Needs a Hug 1

SUMMARY: What their comforting hugs are like when you're feeling sad or under the weather? And how would they behave if you started crying in their arms?

CHARACTERS: Heartslabyul (Riddle, Ace; Deuce; Cater; Trey); Savanaclaw (Leona; Jack; Ruggie) & Octavinelle (Azul; Jade; Floyd)

TAGS: Fluff; GN Reader; Comfort; Bullet Points; In a Relationship

WORD COUNT: An average of 280 words per character.

COMMENTS: When I feel a little sad and under the weather, I often imagine these things to help me fall asleep. I thought you might like them too. 😘

Yuu Needs a Hug 2 (Scarabia / Pomefiore / Ignihyde / Diasomnia)

CONTEXT: They are already in a relationship with you.

All of Riddle’s hugs happen in private, and comfort hugs are far from the exception.

If he is in his dorm uniform, a very characteristic hug from him is using the cape to cover you like a blanket and as a sign of protection. With his left arm around you.

His most common hugs are the ones where he hugs you with one arm while continuing his duties with the other, like homework, or some dorm-related paperwork. And with the hand that hugs you, absently caressing your back or head.

If you are really feeling very under the blue, he will occasionally kiss your forehead.

He's not the type to hug you tight. His arms will generally be very relaxed and loose around you, as if resting. For someone who is always so uptight and strict, that means a lot.

If you happen to be so depressed to the point of crying, then yes, all his attention goes to you immediately and his hug tightens. One arm around your waist and the other on your head, encouraging you to cry all you need on his shoulder.

He will be extremely understanding and act calmly as he knows, and shows you, that it is a normal thing and that he knows it will pass, that you will be fine because he will always be there for you. He himself knows from experience how crying can do a person good, and you were always there for him at those times.

And when you feel better, he will wipe your tears with his handkerchief (I'm sure he carries one somewhere in his clothes) and kiss your forehead with a sweet and reassuring smile.

Ace will gladly give you all the hugs you want. But he will always tease you saying that he wants something in return for every hug. But if you're really sad, he'll say he was joking.

If you really want hugs to make you feel better you'll have to ask in private, because in public he only gives you those more relaxed and playful hugs.

He can give you hugs standing up, but the ones he likes most are the ones when you're both lying on the couch. He likes to have you on top of him with your head against his chest and both of his arms around you, or to lie on his side between you and the back of the couch with one hand supporting his head and the other arm on top of you.

His main strategy to make you feel better is to talk about things that distract you. Generally silly things to tease you or make you laugh.

If you happen to be so depressed to the point of crying, he will panic a little and try to find out if it was something he said. After that, he will stop the jokes and hug you tighter and kiss your forehead.

He will be quieter than usual until your crying stops and only then will he return to his normal self.

Deuce will be slightly awkward at first. This is most likely the first time someone has asked him for a hug as a form of comfort. And since he doesn't have much experience with hugs either, he's afraid of messing it up.

He will start by hugging you standing up. You will feel his arms feel more comfortable around you as you explain to him that there is no way he could do that wrong. There is no therapeutic technique, he just needs to act as he feels he should.

If you are on the couch you will be sitting side by side. Your head on his shoulder, one of his arms around you, and the other he always not knowing what to do with it.

It will take a long time for him to have confidence in his comforting hugs because he knows that he is not the type of person who knows how to comfort others, much less physically. But he will always try his best for you.

If you happen to be so depressed to the point of crying, he will panic a little and, if he only had one arm around you, he'll quickly put the other one around you too. And he will hug you like you are in danger.

Maybe you will calm down by trying to calm him down and you'll both end up laughing about it.

Cater is the #best hugger! And as he is a person who likes to show affection, it doesn't matter if you two are alone or in public, he will give you all the hugs you need regardless.

Get ready for him to talk in that cute little voice like someone talking to a child. Not that he sees you as one, but he likes to talk and act cute.

And that's why his comfort hugs are also very cute, like someone hugging a teddy bear. He also gives you lots of kisses on your forehead and cheeks while hugging you.

Although he speaks in a cute way, he doesn't do it in a way that seems like he's minimizing your feelings, but rather in a way that tries to show that everything will be okay, that whatever it is will pass.

He can do this whether the two of you are standing together or if you are sitting on a couch. But in this last option, he will be so close to you that the most comfortable way for you to sit together is with you on his lap.

If you happen to be so depressed to the point of crying, he won't change the way he's acting, as if knowing he was doing everything right and you crying was a good sign and an important part of you feeling better in the end.

When your crying calms down or stops, he will smile at you, wipe the tears from your cheeks with his thumbs and say phrases like "Are you feeling better?" and "Everything will be okay."

In the case of hugging you to make you feel better, Trey has no problem doing it in public if you need to. And he also reacts to your request as naturally as he would if you asked him to make you a sweet dessert.

You might even be surprised by how naturally he hugs you and the way he rubs his hands comfortingly on your back, if you didn't remember that he has younger siblings and probably has some experience comforting them.

He smiles and laughs softly the whole time, as if he finds your attitude cute.

He can do this standing up or, if you are sitting on a couch, sitting next to you. But only if you are alone will he let you sit on his lap.

The relaxed way he comforts you is almost parental, it must be that older brother side of him.

If you happen to be so depressed to the point of crying, he may become a little more serious, but he will always act calmly and comes across as having everything under control. One of his hands will also come from your back to the back of your head.

Once your crying calms down or even stops, he will wipe your tears either with a handkerchief he has or with his own blazer or shirt. He will smile at you, showing that everything is fine and ask if you would like one of his sweets to make you feel better.

Leona cares so much about being seen hugging you publicly that the botanical garden became your spot to take naps together as unbothered as a lion in the middle of savannah. He always wants you to be his pillow, whether it's your thighs or your chest. BUT showing genuine affection is only in private.

He had already noticed that you were sadder than usual, but you were the one who had to ask him for a hug, he was too proud to offer you one non-ironically.

He will open his arms and smile smugly, but he won't be the one to initiate the hug. If you want it, you have to take it.

But as soon as you do, he'll wrap you in a surprisingly affectionate hug. If you're lying down like when he takes a nap with you, his hands will encourage you to come closer and lay your head on his chest. You've just discovered the only way you can reverse your usual roles.

If you happen to be so depressed to the point of crying, he will remain calm and surprise you again. He'll start giving you soft kisses on your face and forehead, the equivalent of when felines lick each other's ears as a show of affection.

His tranquility can be contagious, especially because the calm beat of his heart is a reassuring sound.

Only when he is sure that your crying has stopped and you are better will he speak again: *sigh* “You just give me work, herbivore. I just hope you at least thank me in some way.”

Jack only hugs you in private! And if he ever does it in public, it's because he somehow forgot that you were in public and will quickly break the hug.

He is the complete opposite in private, after all he can be like a puppy: extremely affectionate if he feels comfortable with you. So it was always very common for you to cuddle on the couch.

His comforting hug ends up not being much different from usual, perhaps just less enthusiastic and more delicate. He likes having you in his arms, but he likes having his face close to yours more.

If you're sitting, he won't have any problem letting you sit on his lap and lay your head on his shoulder. He won't take his arms from around you, nor stop kissing your forehead and cheeks softly and affectionately. All his attention is on you, and his main purpose at that moment is to dedicate himself to you.

If you happen to be so depressed to the point of crying, he will hug you tighter and the small and calm kisses will turn into love attacks on your face. Do you know when service dogs jump at their owner when they are having a panic attack, for example? It's something like that he's doing, without fully realizing it. Ok, maybe just not as intensely as service dogs do, but with a lot of affection.

This gesture will most likely make you laugh and start telling him you're okay so he can calm down. Which will make you calm yourself down as a result.

Ruggie doesn't really care if you're in public or not, he'll hug you regardless. And there's the bonus that when he hugs you in public, it's like marking territory and warning others.

He loves being cute and affectionate with you because he loves you being cute and affectionate with him back. He often does for you what he knows you would do for him. And a comforting hug is no different.

He will always tease with you a little at the beginning. "Aww, you want one of my special hugs? That’s so cute. But remember they are expensive, okay? You have to reward me later as a thanks.” He says this in a good mood that tries to put you at ease.

He will open his arms for you to hug him first and he will hold you in his embrace. He will be smiling playfully the whole time because he thinks it's funny how you can be so cute. And he will kiss your forehead with that same smile.

If you happen to be so depressed to the point of crying, his smile will fade. It was too serious for him to treat you with humor. He will tighten the hug and start saying sweet, soothing things in your ear like: "hey, don't worry. I'm sure everything will be fine."

When your crying calms down or even stops, he will smile at you again and say that it all made him hungry. What if you two went to eat something? Maybe, just maybe, he'll share some of his food with you if it's something you really like. But DO NOT get used to it!

ONLY when you are alone, in the VIP Room, Azul likes it when you sit on his lap while he does the Mostro Lounge’s paperwork. It's a healthy balance between the stress of business and the pleasure of having you in his arms.

The only two exceptions to the rule that he doesn't like others seeing you two like this are Jade and Floyd. Why? Because he likes to brag to them about having you all to himself. ("By all means, cry about it.")

He will hug you like he always does when you two are in the VIP Room. One arm around your waist, surprisingly firm, and the other on the papers. His attention is divided between reading and signing the contracts and turning to give you sweet kisses on your face and/or, if you allow it, on your neck.

If he feels you hugging him in a more clingy way than usual, he will comment in a soft voice: “You know, if I could be in my merman form, I'd let my tentacles do the paperwork and give you all the attention of my arms. The inconvenience of having two legs. No offense of course.” If this can get even a little giggle out of you, he'll be very happy.

If you happen to be so depressed to the point of crying, his right hand will immediately let go of the pen and join his left in hugging you. He hugs you so tight it's like you're trapped in his loving embrace. He is worried about you, but he does everything he can to not show himself too worried.

“Just never forget that if there is anything I can do, you can ask. Anything. I will solve any problem for you... just for you...”

When your crying calms down or even stops, he will wipe your tears with a handkerchief and give you a pack of tissues. And when you're better, he'll give you one of his most tender kisses on your cheek.

Jade doesn't like to draw attention, he prefers to observe others than to be observed. That's why his hugs are private, especially those comfort ones that you are asking for.

“You know you can open up to me whenever you need to, but keep doing it only when we're alone, okay? You never know who might be watching you looking for a weakne- I mean, a sensitive moment to use against you, my love.”

He's not much of a hugger in general, so all of his hugs end up being special. And since you're alone, he has no problem having you sit on his lap if you want.

His arms and hands are premeditatedly affectionate and attentive to you, as if he knew exactly how you liked to be hugged at that specific moment and he fulfilled these requirements to the letter. If there's one thing he knows how to do in a frighteningly perfect way, it's how to study and please others. And you are his biggest study interest.

Whatever you wanted him to do, he will know and do it. The way you want him to hug you, whether you want kisses or not, and how you want them.

If you happen to be so depressed to the point of crying, you will feel him, in a way, disappointed. With you or with himself, you don't know. “What is the mater? Did I not predict your desires correctly? It seems like I still have a lot to learn about you. How exciting.” He will kiss your forehead and let you cry on his shoulder.

He'll probably compare your crying to Azul's, making fun of him in that passive-aggressive way he does, and end up making you laugh.

When your crying calms down or even stops, he'll help clean your face and suggest that you two go to the Mostro Lounge, where he can prepare your favorite dish to make you feel better if you want. For free? Hmm... he can think about it.

Floyd can be VERY clingy. He loves to hug you, especially in public. Whether he’s in a good mood or not. Which means that, as he hugs you a lot, he also has many different types of hugs.

The vast majority of his hugs are to satisfy him, but they end up satisfying you too. Don't worry, he never squeezed you. He jokes that he will do it, but never actually does.

No matter what mood he's in, he never refuses to give you a comforting hug. For 3 main reasons: 1st  an Octavinelle student never refuses someone's request for help. 2nd He thinks you're so absolutely cute asking him for a hug! It even makes him smile if he's in a bad mood. And 3rd You always give him the hugs he needs, it's only fair (even in terms of a deal) that he does the same for you.

He'll hug you, but he'll do what he wants in the meantime. Playing with your hair, resting his head on yours, swinging his legs if you are sitting down. And if you are, he will make you sit on his lap, it’s easier and more comfortable to hug you like this. He will probably also say silly things to pass the time or try to make you laugh.

If you happen to be so depressed to the point of crying, he will immediately shut up and if he was swinging his legs he will immediately stop too. He will straighten up, even if your head is resting on his chest. “You'll wash my clothes if you get them dirty, right Koebi-chan~?” He says this while stroking your head.

Even though he likes to provoke others, he has a perfect sense of limits, he just tends to ignore them most of the time. But it's different with you and that situation too.

When your crying stops, he will make you look at him, as if to check that the crying has stopped. If he confirms it, he will smile at you: "Is it over yet? YAY~! Can we make something fun now?”

If you would like to read more from me, you can find it in my pinned post: INDEX

[transmisogyny-explained]

I want to submit a perspective on "afab transfemininity" from. an afab multi gender person. I know my experience isn't representative of everyone who calls themselves this, but I wanted to at least share

I don't call myself a trans woman, I hesitate to call myself transfem. nonetheless, I feel connected to femininity in a distinctly transgender way. when I first came out, I hated being a girl. I was a transmedicalist and validated myself by invalidating others. I had to face a lot of internalized misogyny and transphobia in order to really learn what it meant to be a man. after I started testosterone about 3 yrs ago, I realized I was a lesbian, and started feeling more comfortable being, at least in part, a woman. it was different this time because it was something I liked, something new and my own, not something ascribed to me. it's not cisgender in any way, it is transfemininity

this being said, I know my experience toward transfemininity is extremely different from the norm. I am not what most people are referring to when they refer to transfems, and there are many definitions of transfem that do not include me. despite that, I do have some experiences that overlap, things I can relate to. my femininity is at its core transgender in nature. my gender now is more complex... I feel like both a man and a woman, neither and both. but that doesn't mean my feelings about my gender are predatory or invalid. I don't want to talk over transfems, I am very aware of my place in these conversations. but I still have a place, and it frustrates me to see you share posts that minimize my experience into a stereotype

Why do you view transfemininity as being, at its core, the experience of being “both a man and a woman” lmao

Get back to me when you start viewing trans women as actual women and transfemininity as actual femininity, and not an aesthetic or a vibe or “some other third thing” apart from femininity.

You “feel femininity in a distinctly transgender way?” Congrats! You’re nonbinary! But that is NOT what being a trans woman is — Their womanhood and femininity is not essentially different from cis women’s.

What you are describing is a very generic experience of being a feminine nonbinary person, and I don't say that to insult you; but to compare that experience to those of trans women’s betrays the fact that you don't view them as the same gender as cis women. Which is transmisogyny. It’s textbook third-gendering.

Call yourself a nonbinary woman- Call yourself whatever you want, in fact. But trans women and TMA people are never going to feel safe around you so long as you continue insisting that transfemininity is essentially the same as the nonbinary femininity you experience, and essentially different from “real” cis women’s femininity.

Also, can I just say that it’s a little condescending that you would end your ask by saying “I’m aware of my place in these conversations, but…”

Like, if you were really “aware of your place” and were actually listening to transfems when we talk about transfeminism, you would be able to recognize the enormous amount of transmisogyny baked into your message. On top of the third-gendering, you also managed to:

Imply that TMA people don’t understand the complexities of gender and nonbinarity like you, a TME person, do

Imply that TMA people creating the language and spaces to discuss our experiences in a way that excludes you, a TME person, is invalidating and somehow tantamount to labeling you as “predatory” (what does that even mean?)

Sent an unprompted ask to a transfem’s blog venting your frustrations with the language of transfeminism, despite the fact that I’m not even the one who made those posts?

Showed a pretty absurd amount of entitlement by insinuating that it’s somehow my problem that you feel frustration over misunderstanding the basics of transfeminist theory

Subtly demanded that I do the emotional labor of managing your frustration, which, frankly, is just classic misogyny

Displayed a complete lack of understanding towards what transmisogyny even is, nor why we, as the direct targets of transmisogyny, need the the language and spaces to discuss it

I really don’t care what transfem “experiences” you think you relate to, the fact that you perpetuate and can benefit from transmisogyny will always separate you from us, and if you actually gave a shit about us and our struggles, you would recognize that and try to be a better ally to us rather than co-opting and redefining our language in a shallow attempt to define us out of existence.

As has been said countless times now:

“Transfeminine” does not mean “trans + feminine,” it is a term coined by TMA people to describe our specific experiences with being denied our femininity. That is something which you, as a person for whom (as you said) womanhood/femininity was ascribed by the system of patriarchy, cannot understand in the way we do.

[dee-the-red-witch]

How to ACTUALLY date a trans girl

(This column was originally submitted to Autostraddle as a reply to their "A Trans Guy’s Guide to Picking Up a Trans Girl" but since they've apparently passed on it, it gets to be posted up free everywhere else instead.) Picture this- you’re a trans woman who’s been in transition for three years now. Your dating life has gone from abysmal to amazing in alternate fits and spurts and you’ve found not just one, but three awesome partners despite the many, MANY pitfalls you’ve experienced along the way. And then one day, your social media feeds ping up with screencaps of a guide to picking up girls like yourself. Needing a good laugh, you click through. And read. And proceed to smack your forehead with your own palm in frustration a few times and giggle and some other lines on the first readthrough. But things feel off, so you read again. And begin to seethe. And then start opening up the Word document and start typing frenziedly into it. Because honestly? At the end of the day, as a trans lesbian who dates all sorts of people on non-male parts of the amorphous spectral mass that is Gender, I feel like I’m obligated to. I wanted to go into that first reading and find a column that actually got things right, and this was so far off the mark in the worst ways, so I feel like I have to set some things down on paper. Because this guide reads, in so many ways, like everything my cisfem friends have complained about in the straight dating scene for years. Reading through it that second time, I felt almost the exact same sense of of sheer grease and sleaze that I’ve felt reading incel pickup guides. I felt like I was being seen as a pretty object at best and a disposable sex toy at worst. I wasn’t treated as human. At best it was a bunch of stereotypes, none of which applied to me. But under it all, I saw other bits- the tricks an abuser used to lure me in. The lies my rapist fed me. The excuses made by folks online for why I should be treated like a monster or thing because of my identity. You know, the specific blend of misogyny that singles out transfem identities in general- transmisogyny. And since we’re addressing the elephant in the room, I want to address a few particular points from Gabe’s article before I give you some real idea of how to go about this. And I want to emphasize here- this is after editing out a page of swearing, going over Gabe’s own past history of transmisogynistic writing, and just cutting it down to the actual points where the original article really went wrong, and also pick up a few points at the end that’ll actually work well for trans guys or anyone else who might be interested in a relationship with a trans girl. First off, if you’re trans as well? Stop playing the ‘we’re both trans’ card. ESPECIALLY if you’re coming at it from a ‘Why yes, I used to be a woman’ angle. For one, you’re telling us at the same time that you see us as former men, which is usually very much not the transfem experience (Personally, I always felt like I was putting on a ‘man’ act. All the time. Badly.) and for another, you’re being transphobic to yourself and your own identity. If we’re there to date you, it’s as the man you are- be that guy.

Secondly, just because the trans woman experience shares similarities with the experience you had trying to be a woman up until you came out and transitioned, it also has staggering fundamental differences, and your attempts to relate are going to highlight those differences in ways that aren’t going to work in your favor. We didn’t get to go shopping in public, or if we did, it was fraught with fear at being caught out in the early stages of transition, followed by massive frustrations with both trying to figure out where we fit into women’s sizing. And then discovering that absolutely nothing available in local stores, including thrift shops, would fit right, especially not that cute choker we’d always been drooling over. That nothing smelled right for lotion or perfume because we were dealing with a body chemistry that was going through a slow shift on HRT. And we don’t need or want to be reminded of just how much we stand out from the other girls in those kind of regards.

Also, maybe, just maybe, don’t do things that would get seen as completely misogynistic and creepy if you pulled them on a cisgender woman. Don’t go digging into her socials- stalkers and chasers pull that crap and it’s beyond tiresome. Don’t try to deduce what her pretransition life was like, that’s for her to share, if she chooses to. Don’t see her as a stereotype- some of us never played New Vegas, owned cat ears, or like thigh-highs. On that first date if you ever get there, don’t bring her flowers, lovebomb her like mad, constantly find little ways to touch her, any of that- if she has any experience, she’s waiting for the other shoe to drop in response, because she’s had this treatment before and it ended oh so badly. Just be yourself. And get it through your head that the bear is still definitely a choice regardless of everything- after all, we have examples like Gabe to prove that transmisogyny certainly isn’t limited to cis folks.

What should you do? Treat her like any other woman. Treat her like a human being, because we get so little of that, even from the rest of the LGBTQIA+ community. Yes, you’ll more than likely have to take initiative, because we’re used to seeing our attractions, needs, and desires as being perceived as aggressive or predatory by others. When you touch her, do it with assertion and intent- none of the little brushes and stalker moves- ask if you can hold her hand, or put an arm around her, so she knows you actually want to be here and want contact with her. Listen to her, and pay attention- let her be open and honest about her experiences and interests, and remember what she tells you, because she’s going to need to know that she’s wanted and valued for who she is and what she’s into, and it will be part of how she connects to you. And finally? Common sense and communication- every last one of us is different in a lot of ways, and asking or making room to talk about things from physical contact and sex to social activity or group outings or anything else can save a lot of blunders from ever happening. All in all you can and should date trans women! Please! A lot of the best relationships I’ve ever had were with other trans girls and I don’t regret any of those. But you have to put down the pickup guides, stop seeing us as fetish dispensers and sexy lampshades, and actually deal with us as people, first.

[hexhomos]

Can you explain again how Jayce’s green shirt with the dark red floral print ties back to Viktor? I know outfit design in Arcane is very intentional but I don’t quite see the connection.

Green is the predominant emblem/flag color of Zaun, and Viktor in Arcane is intimately tied up to flower/vegetal themes - particularly as it relates to mutation and subverting one's nature; baby viktor helps singed make shimmer by collecting the mutated purple bulbs that will be fed to rio to keep her alive, adult viktor experiments on plants before experimenting on himself, his 'steel oasis' in s1 is covered in a carpet of leaves that slowly die out as viktor himself becomes more and more ill, Viktor's commune is green and lush and surrounded by bioengineered flora -- and last but not least importantly, when Jayce is stranded in the apocalypse he walks through some of that flora in his road up the hexgates, just to find that at the very apex Viktor keeps a garden thriving around what remains of Jayce's body.

Husk!Jayce himself is something of a flowerpot, in symbiotic unity with those coral/moss/plant strains growing out of him.

The plants are growing out of his shoulders! Just like Jayce's new shirt!!! The predominant colors in both are shades of green/red too! Jayce in ep8 has fully embraced it as part of his identity and mission as Viktor's emissary. They make me feel ill.

[gyuuberryy]

a love affair in colour

pairing: art tutor!jay x princess!reader

synopsis: as a princess exploring her artistic passions, you’re drawn to jay, your mesmerising art teacher whose lessons stir more than just creativity. what begins as a quest to master your craft quickly becomes a whirlwind of tension and forbidden desire. with every brushstroke and shared moment, the line between teacher and lover blurs. but when societal barriers and personal doubts threaten your connection, will you both find a way to embrace a future together, or will your love remain a beautiful but fleeting masterpiece?

genre: strangers to lovers, forbidden relationship, comfort

warnings: kissing, lots of tension, mentions of status difference, angst, a little suggestive

note: i used my experience in art to detail all the content related to it so bear with me if it seems a little modern, i don't know much about how they did art in the olden times. also jay just constantly raises my standards??? i love that man so much he's so husband material it hurts TT enjoy reading!

word count : 11.1k

royally yours masterlist | prev:heeseung | next: jake

if you liked it please reblog or comment to give me your feedback! <3

you’ve always been drawn to art. as a child, while other princesses were learning courtly etiquette or practising diplomacy, you were sneaking into the gardens to sketch the trees or hiding in your chambers, fingers stained with ink as you copied paintings from the castle’s grand halls. but those were mere indulgences, fleeting escapes from the rigid structure of royal life.

when your parents noticed your growing talent, they encouraged it—as a hobby, of course. something to amuse yourself with between diplomatic meetings, public appearances, and the pressures of royal expectations. but for you, art was never just a pastime. it was a passion. an escape. a way to express the parts of you that didn’t fit into the carefully curated image of a princess.

so, when you told your parents you wanted to pursue art seriously, it was met with initial resistance. a princess has duties, obligations, responsibilities. but you persisted, and eventually, they relented. if you were going to study art, they wanted the best for you. that’s how jay came to the palace—an accomplished artist in his own right, though he came from modest beginnings. he was hired to help you master the craft before your trip to paris, where you’d study under the finest artists in the world.

jay’s reputation preceded him. he was known not only for his skill but for his ability to bring out the best in his students. when he arrived at the palace, you were both eager and nervous, unsure of what to expect.

your first meeting was in the grand studio, a room that had once been your sanctuary. now, as you stand by the window, gazing out over the palace grounds, you feel the weight of what’s to come. you’re no longer a novice; this isn’t just a casual hobby. this is the beginning of something serious, something real. and the thought of it is both exhilarating and terrifying.

the door creaks open behind you, and you turn to see him—jay. he’s younger than you expected, though older than you by a few years. his clothes are simple, a stark contrast to the luxury of your surroundings, yet he wears them with a quiet confidence. his dark hair is tousled, as though he’s just come from a long day at work, and there’s a certain intensity in his eyes, a focus that makes your stomach flip.

“your highness,” he greets, bowing low.

“please, just my name,” you say quickly, hoping to dispel some of the formality that hangs between you. “if we’re to work together, there’s no need for titles.”

he straightens, and for a moment, you think you see a flicker of something—surprise? amusement?—in his expression, but it’s gone as quickly as it came. “very well,” he says simply. “shall we begin?”

you nod, feeling a mix of anticipation and nerves as you lead him to the easel set up near the window. it’s been prepared for your first lesson, a blank canvas stretched taut, waiting for the first stroke of charcoal or paint. you’ve done this before, hundreds of times, but never under the watchful eye of a teacher like jay.

“before we begin,” he says, setting his bag down on the table, “tell me why you want to do this. not because you have to—because you want to.”

his question catches you off guard. you’d expected him to dive straight into the technical aspects of drawing or painting, not to ask about your motivations. but there’s a seriousness in his tone that tells you he’s not just asking out of curiosity. he wants to understand. he wants to know you.

“i’ve always loved art,” you admit, folding your hands in front of you, feeling a little exposed. “it’s the one thing that’s mine. in a world where so much is decided for me, art is where i get to choose. it’s... freedom.”

jay nods slowly, as if weighing your words. “art is freedom,” he agrees quietly. “it’s expression. it’s telling the world who you are without saying a word. but it’s also discipline. and commitment. if you’re serious about this, i’ll push you. i’ll make sure you’re challenged. does that sound like something you’re ready for?”

your heart beats faster. his intensity is palpable, and it’s hard not to be swept up in it. “yes,” you say, though the word comes out softer than you intended. “i’m ready.”

he regards you for a moment longer, then reaches into his bag, pulling out a small sketchbook and a piece of charcoal. “we’ll start with something simple,” he says, handing you the charcoal. “i want you to draw me.”

you blink, surprised. “draw you?”

“it’s a good exercise,” he explains, moving to stand a little distance away. “if you can capture the essence of a person, you can draw anything.”

your fingers tighten around the charcoal as you sit at the easel, facing him. it feels strange, having him as the subject. his features are sharp, defined, but there’s something else—an intensity in his gaze that makes it hard to concentrate. you take a deep breath and begin to sketch, the sound of the charcoal scratching against the canvas the only sound in the room.

it’s not easy. his face is a study in contrasts—strong jawline, soft eyes, dark brows furrowed in concentration as he watches you work. you find yourself getting lost in the details, trying to capture the exact curve of his lips, the shadow beneath his cheekbone. but the more you focus, the more elusive it becomes.

“you’re overthinking it,” jay says suddenly, breaking the silence. he moves behind you, close enough that you can feel the warmth of his body, though he doesn’t touch you. “you’re focusing on the parts, not the whole. step back. see the bigger picture.”

you try to follow his advice, but his presence behind you is distracting, and the scent of him—earthy, with a hint of something fresh—fills your senses. your heart beats faster, though you try to ignore it.

jay steps closer, his breath warm against your ear. “here,” he says softly, reaching out to guide your hand. his fingers brush yours, sending a jolt through your body, and you almost drop the charcoal. “loosen your grip. let the lines flow.”

you do as he says, though your heart races at his nearness. his hand lingers over yours for a moment too long before he pulls away, but the connection between you doesn’t fade. the air feels charged, as if something unsaid hangs between you.

when you finish the sketch, it’s rough, imperfect, but there’s something there—a spark of life, of emotion. jay leans over your shoulder to examine it, his expression unreadable.

“better,” he says after a moment, his voice low and approving. “you’ve captured something real here.”

you look at the drawing again, trying to see what he sees, but all you can think about is the way his hand felt over yours, the way his voice seemed to wrap around you like a secret.

as he moves to gather his things, you realise that this is just the beginning. the first lesson. but already, something has shifted between you. something neither of you can name yet, but it’s there—in the shared glances, the lingering touches, the unspoken connection.

and as jay turns to leave, promising to return for your next lesson, you can’t help but wonder if this is really just about art—or if something far more dangerous has already begun.

the days following your first lesson with jay felt like a strange new rhythm. art had always been a deeply personal escape for you, something that existed in the quiet moments between royal duties, but now it had become something more. each session with jay stirred something inside you—not just the desire to improve, but a spark of something you couldn't quite name.

jay had been nothing but professional, his focus always on your craft. but beneath his calm demeanour, there was an undercurrent, a kind of intensity in the way he looked at you during your lessons. it was subtle, barely noticeable, but it was there, like the brushstrokes of a painting hidden beneath layers of paint.

today, as you enter the studio, you feel it more than ever. the room is bathed in soft light, the kind of glow that makes everything seem warmer, softer. jay is already there, setting up supplies on the table, his back to you. you watch him for a moment, your eyes tracing the broad lines of his shoulders, the way his hands move with such precision and care.

“good morning,” you say, finally breaking the silence. your voice comes out softer than you intended, the room swallowing the sound.

he turns, a brief smile crossing his face. “good morning.” there’s a hint of warmth in his tone, but as always, it’s controlled, measured. jay has never been one to show too much emotion, though lately, you’ve caught glimpses of something more.

“i thought we’d try something different today,” he says, gesturing to the large canvas in the corner of the room. “i want to work on your observation skills.”

you nod, intrigued. “what do you have in mind?”

instead of answering immediately, jay picks up a chair and places it in the centre of the room, angled toward the sunlight. he then takes his sketchbook and charcoal, positioning himself in front of the chair but far enough away that there’s space between you.

“i want you to sit,” he says simply, his eyes meeting yours for a moment before flickering away. “i’m going to sketch you.”

the request catches you off guard. “me? but... shouldn’t i be the one practising sketching?”

he smiles faintly, shaking his head. “today, i want you to feel what it’s like to be the subject. to understand how the artist sees you.” he glances at the canvas, and then back at you. “it’ll help you observe the world around you with more empathy, more connection.”

the thought of jay watching you, studying you so closely, makes your heart race. you’ve always been behind the canvas, never in front of it. to have his eyes on you, not just in passing but with the intention of capturing every detail—it feels strangely vulnerable.

but you trust him. there’s something about jay that puts you at ease, even when you’re unsure of yourself. so, you sit in the chair, adjusting your posture slightly, your hands resting in your lap.

“relax,” he says softly, his voice gentle. “you don’t have to pose. just be yourself.”

you try to do as he says, leaning back into the chair, though your heart is beating a little faster now. the room is quiet except for the faint scratch of his charcoal on the page, and you’re acutely aware of his gaze as it moves over you—your face, your hands, the way the light falls on your hair.

he works silently, his brow furrowed in concentration, and you find yourself watching him, trying to read the expression on his face. there’s a softness there that you hadn’t noticed before, a kind of careful attention that feels almost… tender.

for a while, neither of you speaks. you’re not sure how long has passed—minutes? hours? time seems to lose its meaning in this space, as if the world outside the studio doesn’t exist.

“so you want to pursue art huh?” jay’s voice breaks the silence, and you blink, surprised by the question.

“yes” you reply, shifting slightly in the chair.

he doesn’t look up from his sketch. “why did you choose art? out of everything you could have pursued?”

the question is one you’ve asked yourself many times. you think back to your childhood, to the afternoons spent sneaking away from your tutors to draw in the gardens, the way art always felt like a safe space in a world full of expectations.

“i think… it’s because art lets me be free,” you say slowly, choosing your words carefully. “in everything else, i’m the princess. i have to be perfect, poised, controlled. but with art, i can be messy. i can make mistakes. it’s mine.”

jay pauses, his hand hovering over the sketchbook for a moment before he continues. “freedom is important,” he says quietly. “especially for someone like you.”

there’s something in his tone, a weight to his words, and you wonder what he means by that. does he understand what it’s like to feel trapped by expectations? to want something more, something beyond the roles you’ve been given?

before you can ask, jay looks up, his eyes meeting yours for the first time since he started sketching. his gaze is intense, but not in a way that makes you uncomfortable. it’s more like he’s seeing you, really seeing you, in a way that no one else ever has.

“you have a natural grace,” he says softly, almost as if speaking to himself. “but it’s more than that. there’s something… untamed about you.”

your breath catches in your throat. no one has ever spoken to you like that before. not with such quiet certainty, as if they’ve seen beyond the surface of who you are.

you don’t know what to say. the air in the room feels heavier now, charged with something you can’t quite name. you shift in your seat, suddenly self-conscious under his gaze, but jay’s expression remains calm, thoughtful.

he tilts his head slightly, observing you with the same intensity he’s had since the beginning of the lesson. “there’s more to art than technique,” he says, his voice low. “it’s about connection. about understanding the person you’re drawing, not just how they look, but who they are.”

his words stir something inside you—a sense of being understood in a way you’ve never experienced before. you’re not just a princess in this room, not just another student. you’re you, with all your complexities and contradictions, and somehow, jay has seen that.

it makes you feel exposed in a way you hadn’t anticipated, and yet there’s a comfort in it, too. you’ve spent your whole life hiding parts of yourself, but with jay, it feels like you don’t have to.

finally, he sets the sketchbook aside, standing up and crossing the room to where you’re seated. he doesn’t hand you the sketch immediately, and for a moment, you wonder if he’s unsure about showing it to you.

“you can tell a lot about a person by how they draw,” he says quietly, standing in front of you now, his gaze unwavering. “but you can tell even more by how they let themselves be seen.”

your pulse quickens, the weight of his words settling deep within you. it’s not just about the sketch anymore—it’s about everything. the way you’ve been navigating these lessons, the way you’ve been letting him into your world, piece by piece.

he holds out the sketch to you, and when you take it, your fingers brush against his, a fleeting touch that lingers in your mind longer than it should.

the drawing is beautiful. he’s captured you in a way that feels both familiar and unfamiliar at the same time. there’s a softness to your expression, a quiet strength in the lines of your face, and yet… there’s something else. something deeper.

“it’s beautiful,” you whisper, tracing the lines with your fingertips. “i’ve never seen myself like this before.”

jay watches you carefully, his expression unreadable. “that’s because no one’s ever looked at you like this before.”

the words hit you like a gentle wave, their meaning sinking in slowly. you glance up at him, unsure of how to respond. there’s a new tension between you now, but it’s not the kind that comes from desire or rushed feelings. it’s deeper than that—a connection, a shared understanding that goes beyond mere attraction.

for a moment, you sit in silence, the sketch resting in your lap as the light from the window shifts slightly, casting long shadows across the room. you can feel the change in the air, but neither of you moves to break it.

and as jay steps back, giving you space, you realise that this—whatever it is—will take time to fully unfold. you’re not rushing toward anything, but there’s something between you now, something real and undeniable.

but for now, you’ll let it simmer. there’s no need to rush. not yet.

the days have passed like pages in a book, each art lesson with jay slowly building a tension that you feel in the very air of the studio. his presence is constant but controlled, his touch fleeting yet always careful. you’ve found yourself looking forward to these lessons more than you’d ever anticipated, though not only for the sake of art. something else draws you here each time, something that’s harder to admit even to yourself.

when you arrive at the studio today, the familiar scent of paint and canvas greets you, mingling with the crisp morning air. jay is there, of course, already preparing the materials, his back to you as he arranges brushes and bottles of linseed oil. the sun filters in through the tall windows, casting long beams across the room, turning everything into shades of gold. today feels different, though you can’t quite pinpoint why.

he turns as you approach, offering you a brief smile that doesn’t quite reach his eyes. "good morning," he says, his voice as calm and composed as ever, though you think you detect a slight hesitancy behind his words.

"good morning," you reply, your heart already beating a little faster. the last few lessons have been charged with a new energy, a subtle yet undeniable pull between the two of you. you've tried to keep your thoughts focused on the art, but with each session, it’s become harder.

jay steps over to the large canvas he’s set up for today’s lesson. "we’re going to work on technique," he explains, holding up a palette of mixed colours, the vibrant hues blending like a sunset in his hands. "i want you to feel the texture of the paint, how the brush moves against the canvas. it’s all about control and release."

you nod, though the concept seems easier said than done. painting has always been more of a challenge for you, especially when it comes to finding that balance. jay, however, has a way of guiding you through each step without ever making you feel inadequate.

"let’s start with the basics," he says, handing you a brush. his fingers brush against yours for the briefest moment, and you feel a spark travel up your arm, though you’re sure he doesn’t notice.

you position yourself in front of the canvas, trying to steady your breathing as you dip the brush into the paint. the first few strokes are tentative, careful. you focus on the movement of your hand, but your mind is distracted by the weight of jay’s presence behind you. it’s as if the air in the room has thickened, every sound, every movement, magnified.

jay watches in silence for a few moments, then steps closer, so close that you can feel the warmth of his body behind you. "here," he murmurs softly, his voice right beside your ear. "let me show you."

before you can respond, he places his hands lightly on your waist, adjusting your stance. the touch is firm but gentle, and it sends a shockwave through your body. your breath catches in your throat, and for a moment, you’re hyper-aware of every point of contact—his hands on your hips, the warmth of his chest just inches from your back.

"relax," he whispers, his voice low and calming, though you can hear a slight strain in it, like he’s carefully keeping something in check. "you’re too tense."

easier said than done. you can barely think straight with him so close, let alone concentrate on the canvas. but you try, forcing yourself to take a breath, to focus on the task at hand. jay doesn’t move away. instead, he steps even closer, his chest nearly brushing your back as he moves his hands from your waist to your arm, guiding your wrist as you hold the brush.

"feel the paint," he says, his breath warm against your ear. "don’t fight it. let it flow."

his hand wraps around yours, firm but careful, and he moves your arm in a slow, fluid motion. the brush glides across the canvas with ease, the paint spreading in smooth, even strokes. his touch is light but deliberate, and you find yourself following his lead, your body responding to the way he directs the movement.

"you’re doing well," he murmurs, and you can feel his breath against your neck, sending shivers down your spine. "just like that."

the room feels smaller, the air thicker, as if the space between you is shrinking with each passing second. you try to focus on the canvas, but it’s impossible with jay so close. his presence is overwhelming, consuming, and you’re acutely aware of every shift, every movement.

"you don’t need to force it," he continues, his voice barely above a whisper now, his lips dangerously close to your ear. "let the brush move with you."

you nod, though your throat is too dry to speak. the closeness between you is intoxicating, and you can feel the tension building with each breath you take. jay’s hand tightens slightly around yours, and for a moment, you wonder if he feels it too—the pull, the unspoken connection that seems to have grown stronger with each lesson.

he guides your hand in another slow stroke across the canvas, but this time, the brush slips slightly, leaving a streak of paint that’s a little too heavy. you let out a soft, frustrated sigh, but jay only chuckles, the sound low and warm.

"don’t worry about perfection," he says, his voice rumbling in your ear. "art isn’t about being perfect. it’s about feeling."

his hand lingers on yours a moment longer before he lets go, stepping back slightly. the sudden absence of his touch leaves you feeling off-balance, as if the ground beneath you has shifted. you exhale a breath you didn’t realise you were holding and lower the brush, your heart still racing.

"good," jay says, his voice a little more distant now as he moves back to the table. "you’re getting better. it’s all about control and release, but it takes time to find that balance."

you nod, though your mind is still reeling from the intensity of the moment. you’ve never felt so aware of your body, of your own reactions, as you do when jay is close like that. it’s as though he knows exactly how to touch you, how to guide you, without ever crossing the line—but just barely.

you place the brush down on the easel, turning to face him. jay is busy cleaning the palette, his face unreadable as he focuses on the task. but there’s something different about the way he holds himself, a tension in his posture that wasn’t there before.

"thank you," you say softly, breaking the silence that has settled between you. your voice sounds a little shaky, but you hope he doesn’t notice.

he glances up at you, his eyes meeting yours for a brief moment before flickering away. "it’s my job," he replies, but there’s something in his tone—something almost… uncertain.

the silence that follows is heavy, filled with the unspoken tension that has been growing between you for weeks. you can feel it in the way he looks at you, in the way his hands linger just a little too long when he helps you. it’s as though you’re both standing at the edge of something, but neither of you knows how to take the next step.

finally, jay sets the palette down and steps back, putting a little more distance between you. "we’ll keep working on this," he says, his voice returning to its usual composed tone. "you’re improving, but there’s still more to learn."

you nod, feeling a little breathless, though you’re not sure if it’s from the painting or from the closeness you just shared. "i’ll keep practising," you say, though the words feel almost trivial in the weight of the moment.

jay gives you a small smile, but it doesn’t quite reach his eyes. "good," he says softly, before turning back to his brushes. "we’ll pick up again tomorrow."

you linger for a moment, watching him as he carefully cleans the paint from his hands, his movements precise and controlled. and as you leave the studio, you can’t shake the feeling that something has changed between you, something that neither of you can ignore for much longer.

the pottery studio feels different today. the atmosphere is heavy, thick with anticipation, but you try to ignore it as you sit at the wheel, your hands already messy with clay. the wheel spins slowly beneath your fingers, but no matter how many times you’ve tried, the clay refuses to cooperate, collapsing into a lump before you can give it any real shape. you groan in frustration, watching another failed attempt crumble under your touch.

“take your time. it’s all about feeling the clay, not controlling it,” jay says softly from behind you, his voice calm but carrying that familiar undercurrent of something unspoken. he’s watching closely, his presence as steady as always, but today it feels more intense—like a subtle hum in the air that makes the space between you vibrate with tension.

you sigh, wiping your hands on your apron. "i don’t think i’m getting this at all," you mutter, staring down at the shapeless mound on the wheel. pottery has proven to be a far bigger challenge than painting—there’s something about the unpredictability of the clay that throws you off balance.

jay steps closer, his footsteps almost silent on the studio floor. "you’re too tense," he observes, his voice low and measured. "let me show you."

before you can respond, he’s already moving behind you. the air shifts as his body nears, and suddenly, you can feel the heat of him pressing close. he slides onto the bench behind you, his legs on either side of yours. the intimate position makes your heart race instantly, your pulse quickening in response to his proximity. his chest brushes your back, his breath warm on the side of your neck, and suddenly it’s hard to focus on anything other than how close he is.

he pauses his movements. “is it okay if i sit behind you like this? i may need to touch your hands as well.”

you nod at his soft words, “yes that’s alright.”

the studio feels smaller, the world outside forgotten as you’re enveloped by his presence. you can feel the solid warmth of his chest against your spine, the way his thighs gently cage yours. every point of contact feels electric, the tension simmering between you palpable.

“relax,” he murmurs, his voice almost a whisper, low and soothing. his breath brushes the shell of your ear, sending a shiver down your spine. “you’re trying too hard to control it. you have to let the clay respond to your touch.”

his hands move to cover yours, his fingers sliding over your clay-streaked knuckles. his touch is firm but gentle, guiding your hands to the wheel as it starts spinning once again. the sensation of his fingers wrapping around yours sends a ripple of awareness through your body, and for a moment, all you can focus on is the warmth of his skin, the weight of his hands over yours.

"feel the clay," jay instructs, his voice quiet but filled with intent. his breath is warm against your ear, and the proximity, the intimacy of the moment, makes it nearly impossible to concentrate. "it moves with you. let it guide you."

his hands press lightly against yours, directing your fingers as they glide over the surface of the clay. the wheel turns slowly beneath your palms, the soft texture of the clay smoothing out under the pressure. you try to focus on the task at hand, but the sensation of his body against yours—the gentle weight of his chest pressed to your back, his legs framing yours—is overwhelming. the world narrows down to the feel of his touch, the sound of his steady breath so close to your ear.

"you need to feel the shape," jay continues, his voice lower now, more intimate. his hands move with yours, guiding your fingers as they dip into the soft clay. his touch is deliberate, patient, and it feels like he’s not just teaching you pottery, but something deeper, something far more personal.

your hands move together as you both shape the clay, your fingers sliding inside the hollow of the vase. the action is slow, almost sensual, and the suggestiveness of the movement doesn’t escape you. the pressure of his fingers over yours, the way his hands direct yours in shaping the delicate interior, feels too intimate, too deliberate. the tension that has been building for weeks now feels almost unbearable.

your breath quickens, your heart hammering in your chest, and you can feel the heat rising to your cheeks. jay’s chest presses more firmly against your back as his hands guide you deeper into the clay, shaping it from within. his fingers dip, mirroring yours, and the act of molding the vase becomes something far more intimate than you could have ever anticipated.

"just like that," jay whispers, his voice huskier than before, his breath hot against your ear. his hands slow, his fingers lingering on yours as you move together. the wheel spins quietly, the clay yielding to your touch, but it’s hard to focus on the art when the closeness between you feels like it’s about to explode into something more.

you can feel every movement of his chest against your back, the rise and fall of his breath growing uneven. the heat of his body is overwhelming, making it nearly impossible to concentrate on the clay. your pulse is racing, and you’re certain he can feel the way your body trembles slightly under his touch.

suddenly, you realise you can feel his heart. it’s beating erratically against your spine, matching the rapid rhythm of your own. the awareness crashes over you like a wave—he’s feeling it too. the tension, the pull between you, it’s not just in your head. his hands tighten slightly over yours, his chest pressing more firmly against your back, and for a fleeting moment, it feels like the world is tilting.

you bite your lip, trying to keep your breathing steady, but it’s impossible with him so close, with the weight of his body grounding you while simultaneously setting you on fire. your fingers dip into the clay once more, but all you can feel is the warmth of his hands over yours, the way his presence fills every corner of your mind.

jay’s breath hitches, barely audible, but you hear it. you feel it. the tension between you has been simmering for weeks, and now it’s at a boiling point, undeniable and heavy.

after what feels like an eternity, jay finally pulls his hands away, the absence of his touch leaving you cold and disoriented. his chest moves away from your back, and he stands slowly, as if he, too, is struggling to shake off the intensity of the moment.

"good work," he says, his voice quieter than usual, almost strained. he steps away from the wheel, his hands clenching and unclenching as though he’s trying to regain his composure.

you remain seated, your hands still coated in clay, your heart still racing. the silence between you is thick with everything unsaid. you can still feel the echo of his hands on yours, the warmth of his body lingering against your skin.

finally, you glance over your shoulder, your eyes searching his face for some kind of answer, some indication of what he’s thinking. but jay’s expression is unreadable, his gaze fixed on the now-complete vase on the wheel.

"you did well," he repeats, though his tone is quieter, almost distant. there’s something unresolved in the air, something that neither of you dares to acknowledge aloud.

as you stand, your legs unsteady, you can’t help but feel that something between you has shifted irreversibly. the line you’ve both been walking for weeks feels dangerously close to being crossed, and the question now is whether either of you is ready to take that step.

the last day of your art lessons starts with a sense of melancholy that you try to push away. you know that this will be your final session with jay, and although you’ve learned more than you could have imagined, the thought of no longer spending time with him feels like a loss. he greets you at the studio with his usual warm smile, but there’s something different about him today—a lightness that wasn’t there before.

“we’re not staying inside today,” jay says, a mischievous glint in his eyes. “i figured we’ve done enough of that. you’ve been using my supplies, so i thought it’s time you get your own.”

you blink, surprised by the suggestion. “you mean we’re going shopping?”

he nods, a small smile playing on his lips. “you deserve your own tools. besides, i want to show you my favourite spots.”

the idea excites you more than you’d expected. it feels intimate, personal—like he’s sharing a part of himself with you outside the confines of the studio. and so, you follow him out into the bustling streets, the city alive with activity as you walk side by side, the sky overhead a muted grey that promises rain.

the first shop is a small, unassuming place tucked between two larger storefronts, and you wouldn’t have noticed it if jay hadn’t pointed it out. inside, it’s a treasure trove of art supplies—shelves stacked high with paints, brushes, and sketchpads of every kind. the scent of paper and wood fills the air, and you can’t help but feel a little like a child in a candy store, overwhelmed by the endless possibilities.

jay moves through the aisles with ease, clearly at home here. he picks up brushes, testing their weight in his hand before handing them to you to feel. “this one’s perfect for detail work,” he says, holding up a fine-tipped brush. “and this,” he adds, pulling out a thicker, more rugged one, “is for broader strokes, more expression.”

you watch him as he speaks, his voice low and sure, and you find yourself more captivated by him than the tools he’s showing you. there’s something about the way his hands move with such confidence, the way he seems to understand the soul of each item, that draws you in. it’s a side of him you haven’t seen before, one that’s less restrained, more passionate.

he catches you staring, and a small smile tugs at the corners of his mouth. “what?”

you quickly look away, feeling heat rise to your cheeks. “nothing,” you mumble, pretending to examine the brushes in front of you.

but you can’t hide your growing admiration for him, and you suspect he knows it. he moves closer, his arm brushing lightly against yours as he reaches for a set of soft pastels. “try these,” he says, handing them to you. “i think they’ll suit your style.”

you take the pastels from him, your fingers brushing against his in the exchange, and for a moment, the air between you feels charged. you swallow hard, trying to focus on the colours in your hand rather than the way his touch lingers in your mind.

from there, you move to the next shop, a slightly larger one filled with canvases of all sizes and shapes. jay pulls you toward a display of stretched canvas frames, explaining the difference between cotton and linen, the various textures and how they interact with different mediums. he talks with such enthusiasm that you can’t help but smile, his passion contagious.

“pick a few,” he says, gesturing to the rows of canvases. “you’re going to need a variety if you want to keep experimenting.”

you nod, feeling a sense of freedom in the choice. as you select your canvases, jay hovers nearby, occasionally offering suggestions but mostly watching with a quiet intensity that makes your skin prickle. you wonder what he’s thinking, whether he’s just as aware of the subtle tension that’s been growing between you over the weeks.

the third shop is more modern, filled with high-end supplies—gorgeous palettes of oil paints in jewel tones, sleek metal easels, and handcrafted wooden boxes for storing brushes. it’s clear jay has saved the best for last, and as you wander the aisles together, he shows you some of his favourites, his voice soft and reverent as he talks about the craftsmanship behind each item.

“i’ve always wanted one of these,” you say, running your fingers over a beautiful wooden palette, its smooth surface gleaming under the soft light. “it’s almost too nice to use.”

jay grins, standing beside you as he watches you admire it. “you should get it,” he says, his voice warm. “every artist needs something that feels special, something that inspires them to create.”

his words send a shiver through you, and you glance at him, the closeness between you suddenly palpable. the quiet intimacy of the moment, standing together in the softly lit store, surrounded by the tools of your shared passion, feels heavy with something unspoken. you nod, slipping the palette into your basket, trying to shake the fluttering in your chest.

as you leave the last shop, your arms full of bags and supplies, the sky opens up, releasing a sudden torrent of rain. the drops fall fast and heavy, soaking you within moments. you yelp in surprise, pulling your hood over your head, but it’s no use—you’re drenched almost immediately.

jay laughs, a rich sound that cuts through the noise of the rain. “looks like we’re in for it!” he shouts over the downpour, his hair already dripping wet as he holds a hand out to catch the rain.

you can’t help but laugh, your spirits lifting despite the sudden storm. the two of you stand in the rain for a moment, looking at each other, before jay suddenly grabs your hand.

“come on!” he says, pulling you into a run.

you follow him, laughing breathlessly as you race through the rain-soaked streets, splashing through puddles and dodging other passersby who huddle under umbrellas and awnings. the bags of art supplies jostle against your sides, but you barely notice, too caught up in the exhilaration of running with him through the storm.

the rain comes down harder, drenching you completely, your clothes clinging to your body and your hair sticking to your face. but none of it matters—you’re both laughing, the world around you a blur as you sprint through the narrow streets, your hand still held tightly in his.

jay pulls you into a narrow alleyway, ducking under a stone archway for shelter. it’s barely enough to shield you from the rain, but you’re both out of breath, giggling uncontrollably as you lean against the cold stone walls.

you’re both soaked, your clothes dripping water onto the ground, but the warmth between you is undeniable. jay’s hair is plastered to his forehead, droplets sliding down his face as he looks at you, his chest rising and falling with each breath.

you can feel the heat radiating from his body, even through the dampness of your clothes. you’re pressed so close to him in the narrow space that you can feel the tension building, the awareness of every inch of space between you—or rather, the lack of it.

jay’s laughter fades as his eyes meet yours, and for a moment, the air between you shifts. his gaze softens, his usual playful demeanour replaced by something more serious, more intense. you’re both still, the rain beating down around you, but inside this tiny archway, it feels like time has slowed.

he reaches up, his fingers brushing a strand of wet hair from your face, and the simple gesture sends a shiver down your spine. his hand lingers by your cheek, and you can feel the warmth of his touch even through the coolness of the rain.

for a moment, neither of you say anything, the space between you heavy with everything that’s gone unsaid. you can feel your heart racing, your breath catching in your throat as his eyes drop to your lips for just a second, but it’s enough to make your pulse quicken.

then, without thinking, without hesitation, he leans in.

the kiss is slow at first—tentative, as though he’s testing the waters. his lips brush against yours softly, almost delicately, and for a moment, it feels like the world stops. the rain, the city, everything fades away, and all that exists is the warmth of his mouth on yours, the softness of his kiss.

your heart stutters, your body frozen for a split second before you kiss him back, your hands finding their way to his chest. the kiss deepens, and the tension that’s been building between you for weeks unravels in a rush of heat and longing. his hands slide to your waist, pulling you closer, and you respond in kind, pressing into him as though you can’t get close enough.

the rain falls around you, forgotten, as you lose yourself in the kiss. there’s a desperation to it, like neither of you knows when—or if—you’ll ever get this chance again. it’s intoxicating, overwhelming, and everything you’ve been holding back spills out in that single kiss.

when you finally pull away, breathless, jay rests his forehead against yours, his hands still holding you close as though he’s afraid to let go. you’re both panting, your chest heaving as you try to catch your breath, but you can’t seem to move, can’t seem to break the connection between you.

the kiss lingers in the air, an invisible thread still tying you to jay even as the rain continues to fall. his forehead rests against yours, his breath shallow and quick, matching the erratic rhythm of your heart. for a moment, everything feels right, the world outside forgotten, the storm cocooning you in your own little universe.

but then something shifts. you feel it in the way his grip on your waist tightens briefly before loosening, in the way his eyes darken, filled with a sorrow that cuts through the joy of the moment.

he pulls back, just a fraction, enough to put space between you but not enough to break the connection entirely. his gaze drops to the ground, as though he can’t bear to meet your eyes.

“we… we can’t,” jay whispers, his voice heavy with regret.

the words hit you like cold water, the warmth of the kiss suddenly feeling distant. “what do you mean?” your voice is soft, confused, almost pleading. you take a step closer, unwilling to let him slip away. “jay, what are you saying?”

he sighs, running a hand through his damp hair, his shoulders tense. “you know what i mean,” he says quietly. “you’re a princess. you belong to a world of crowns and thrones, and i… i’m just your art teacher.”

you shake your head, the rain beginning to soak through your clothes, but you hardly notice. “i don’t care about that! my parents wouldn’t either. jay, this—this connection we have, it’s real. you can’t just pretend it isn’t.”

his eyes finally meet yours, and for a moment, you see the same longing reflected in them. but then he looks away again, his jaw tightening. “maybe your parents wouldn’t care, but i do. i won’t let you throw away your life for me. you have responsibilities, a future. i can’t be the reason you turn your back on all of that.”

your heart aches at his words, at the way he’s trying to protect you even as it tears you both apart. you reach for his hand, holding it tightly. “you’re not asking me to give anything up. i’m telling you what i want. you. you’re what i want, jay.”

he looks at your hand in his, and for a second, he doesn’t move, as though he’s frozen between what he wants and what he believes is right. “you don’t understand,” he says quietly. “you’re used to a life of luxury. i can’t give you that. i won’t let you settle for less.”

the frustration bubbles up inside you, mixing with the hurt. “it’s not about that. it never was. do you really think any of that matters to me if i’m not happy?”

jay’s gaze softens, but the doubt lingers in his eyes, a shadow of the barriers between you. “i need time,” he says, his voice pained. “i need to think about this.”

you bite your lip, the tears you’ve been holding back threatening to spill. “take all the time you need. just… don’t take too long. please.”

he nods, his face filled with a mix of guilt and sorrow. then, like the gentleman he is, he steps closer, offering you his arm. “let me take you home,” he says softly, his voice carrying a tenderness that only deepens the ache in your chest.

the walk back to the palace is quiet, both of you wrapped in your own thoughts, the sound of the rain the only noise between you. his arm around yours feels protective, grounding, but it’s bittersweet knowing that he’s still holding a part of himself back.

when you finally reach the palace gates, jay pauses, turning to face you. the light from the lanterns casts a soft glow over his features, and for a moment, it feels like time stands still.

“goodnight, princess,” he says, his voice gentle, though there’s an unmistakable distance in his tone now.

you look up at him, wanting to say something—anything—to make him stay, to convince him that this is worth fighting for. but the words stick in your throat. instead, you nod, forcing a small smile despite the heaviness in your heart.

“goodnight, jay.”

he gives you a final, lingering glance before turning and walking away, the rain continuing to fall as his figure disappears into the night. you stand there for a long time, watching him go, your heart aching with every step he takes.

as you finally turn and walk inside, the warmth of the palace feels stifling compared to the cool rain outside. the emptiness left in jay’s wake presses down on you, and the realisation that you might not see him again for a while hits you like a blow.

in the days that follow, the quiet is suffocating. you try to fill your time with painting, with other lessons and royal duties, but nothing seems to lift the weight pressing on your chest. each moment stretches on, and the palace, usually filled with the comfort of familiarity, now feels hollow without him.

your parents notice your change in mood but don’t pry, their knowing glances suggesting they’re aware that something more than art is on your mind. still, you keep jay’s name on the tip of your tongue, unable to speak it without feeling the ache of uncertainty.

and so, you wait. you wait for a letter, for a word from him—anything to tell you that he hasn’t let go, that he’s still thinking about you as much as you are about him. but with each passing day, the silence only grows louder, the doubt harder to ignore.

what if he doesn’t come back? what if he decides you aren’t worth the risk?

the thought makes your heart tighten painfully. you sit in your art studio, staring at an unfinished painting, the brush limp in your hand, as you wonder if jay is fighting the same battle within himself.

it feels like an eternity has passed since that rainy day, since that kiss that felt like the world shifted. and now, all you can do is hope that he finds his way back to you before it’s too late.

the days stretch long and quiet after that night in the rain, and the distance between you and jay feels more unbearable with each passing moment. you keep replaying his words, the look in his eyes, the way he had kissed you—like he wanted to hold on forever but didn’t know if he should.

you throw yourself into your art, hoping the colours and brushstrokes will distract you from the weight of his absence. but the empty space he’s left behind is hard to ignore, especially as you finish the final piece you’d been working on for weeks—a vibrant painting of a parisian street, your future awaiting you there.

paris. the word itself sounds like a dream. the trip is supposed to happen soon—your long-awaited opportunity to study art in the heart of a city known for its creativity and beauty. it’s everything you’ve worked toward, yet now the thought of leaving without jay feels hollow.

what was once the pinnacle of your aspirations now feels incomplete. you had imagined this adventure, this new chapter of your life, and pictured jay being a part of it. but now, with his silence lingering between you, you’re uncertain of whether he’ll still be there when it begins.

sitting at your desk, you stare down at the blank parchment, the quill hovering in your hand. you haven’t spoken to jay since he walked away that night, but you can’t bear to leave for paris without reaching out, without giving him one last chance to understand how much he means to you.

the words come slowly at first, but then they start to pour out, your emotions and thoughts spilling onto the page.

dear jay, it feels strange writing to you after all this time—after all the moments we shared that now seem so far away. i’ve been thinking about what you said that night, about how we come from different worlds, about the future you think i deserve. but you need to know that none of it matters to me if you’re not a part of it. i’ve wanted this trip to paris for as long as i can remember, to learn from the best, to immerse myself in art and culture. it’s something i’ve dreamed about for years. and yet, now, as the day of my departure gets closer, all i can think about is you. i don’t want to go to paris and leave you behind, wondering what could have been. you’re as much a part of my passion for art as any paintbrush or canvas. you’ve shown me new ways to see the world, to express myself, and i’ll always be grateful for that. but more than that, you’ve become someone i can’t imagine my life without. i know you think i’m giving up too much, that i’m risking my future. but my future isn’t just about royal duties or titles. it’s about choosing the life i want—and i choose you, jay. i wish you could see that. paris is calling, but so are you. i can only hope that when you think of me, it’s with the same longing that fills every moment of my days without you. i hope that when you think of our time together, you’ll realise that this isn’t about status or sacrifice—it’s about love. i’ll be leaving soon after my birthday, but before i go, i need to know: will you come with me? or will i have to leave you behind? with love, [your name]

after sealing the letter, your heart is heavy with both hope and fear. you send it to jay, knowing that the next move is his. each day that passes without a response stretches the wait longer, the ache of uncertainty growing.

you try to stay busy with preparations for your trip, packing supplies and finishing your artwork. your parents notice the change in you—the excitement for paris dimmed by something you can’t quite bring yourself to share with them yet. they ask if you’re nervous, if you’re ready for the adventure, and you smile, telling them what they want to hear. but deep down, all you want is to hear from jay.

paris is just around the corner, but so is the decision you’re waiting for—the choice that could change everything.

the ballroom is a swirl of colour and laughter, filled with nobles, artists, and well-wishers all gathered to celebrate your birthday. the chandeliers above glitter like stars, casting a golden glow over the elegant space, and the music weaves through the conversations like a living thing, light and joyous. your parents spared no expense for this occasion, not only to mark your birthday but also to celebrate the upcoming adventure to paris.

it’s your birthday ball, but your mind is elsewhere, your heart tugged toward a memory that refuses to leave. you stand in front of your painting, the centrepiece of the night, hanging proudly on display for all to see. nobles and artists alike gather around it, marvelling at the vivid colours and delicate brushstrokes. you nod and smile politely as they offer praise, but inside, your thoughts are distant, wandering to a day not long ago when everything felt simpler.

the painting is of the marketplace—a bustling, lively scene full of energy and warmth. it’s the day you and jay had gone shopping together for art supplies, the day you let yourselves be ordinary, blending in with the crowds. the colours are bright and rich, capturing the vibrant chaos of the market: vendors calling out, the smell of freshly baked bread, the sound of coins clinking and people bartering for goods. in the corner of the canvas, nestled in the shadows of an alley, is a small, quiet space. it’s where you and jay had shared a moment away from the crowd, a stolen minute of peace amidst the noise, where the world had seemed to slow just for the two of you.

every brushstroke is infused with that memory—the warmth of the sun on your skin, the soft brush of his hand as he reached for yours, the unspoken connection that had blossomed between you in that hidden corner of the market. it was a day that felt like freedom, a glimpse of something more, something forbidden but undeniably real.

“your highness, it’s simply breathtaking,” someone says beside you, pulling you momentarily back to the present. a noblewoman in an exquisite gown stands at your side, her eyes wide with admiration as she gazes at the painting. “the light, the detail… it feels as though i’m standing there in the market myself.”

you nod and smile, offering a polite thank you, but her words barely register. all you can think about is him.

the weight of his absence has been heavy, pulling at your heart with every passing day, each one more difficult than the last. and now, on the night of your birthday, as you prepare to embark on a new chapter, all you can think about is the chapter you left unfinished.

you glance at the painting again, tracing the familiar lines of the marketplace, the hidden alley. that was the moment you knew there was something between you and jay, something more than just student and teacher, more than just friendship. it was the moment you allowed yourself to hope. but now, standing here alone, you wonder if that hope was misplaced.

and then, through the hum of voices and the soft strains of music, you hear it—a voice that sends a jolt through your entire body.

“you captured it perfectly.”

the sound of his voice makes the air around you seem to freeze. your heart skips a beat, your breath catching in your throat. slowly, you turn toward the source, and there he is—jay, standing just a few steps away, his eyes locked on the painting, his expression a mixture of awe and something deeper, something raw.

for a moment, you’re not sure if you’re dreaming. after weeks of waiting, of wondering, here he is, standing before you, his presence filling the space that had felt so empty without him. he looks different tonight—still himself, but dressed in a way that blends with the formality of the event. yet, there’s something in his posture, in the way his dark eyes flicker between you and the painting, that betrays the turmoil he’s been carrying.

“jay,” you whisper, your voice barely audible. but he hears you, as he always does.

he takes a step closer, his gaze shifting to meet yours, and for a moment, the world around you disappears. the ballroom, the guests, the music—it all fades into the background, leaving only the two of you in this fragile, suspended moment.

his eyes soften as they take you in, and there’s a vulnerability in his expression that you hadn’t seen before, something that makes your heart ache even more. “you remembered,” he says quietly, gesturing toward the painting. “the marketplace. that day.”

you nod, your throat tightening. “how could i forget? it was…” you pause, searching for the right words, but nothing seems adequate. “it was perfect.”

jay’s gaze lingers on the painting, as though seeing the memory play out all over again. his lips part, but no words come. instead, he takes another step toward you, his presence so close now that you can feel the pull between you—the unspoken tension that had simmered just beneath the surface for so long.

“i’ve been thinking about that day,” he says, his voice low and rough. “about us.”

your heart hammers in your chest. “and?”

his eyes flicker with a mix of emotions—regret, longing, and something you can’t quite place. “i thought i could stay away. that it would be easier, safer, for both of us. but i couldn’t.” his voice wavers, just slightly, and the vulnerability in it makes your pulse race. “not tonight.”

you swallow, your chest tight with the weight of everything left unsaid. the distance between you feels unbearably small, but also impossibly vast. he’s here. after all this time, he’s finally here. but the question still lingers, heavy in the air between you: what happens now?

just as you open your mouth to speak, to ask the questions that have been burning inside you for weeks, jay steps closer, his eyes locked on yours. the noise of the ballroom fades even further into the background, until all that’s left is him. and in that moment, with his gaze so full of emotion, you know that nothing has been forgotten. every stolen glance, every brush of hands, every whispered word—it’s all still there, between you, as real and undeniable as ever.

the night may be full of celebrations, but the only thing that matters is this: jay is here, and nothing will ever be the same again.

the grand ballroom continues to pulse with life around you, but the world feels quiet in the cocoon of jay’s presence. you haven’t even fully processed the fact that he’s here, standing in front of you after weeks of silence. his eyes—deep and full of an emotion you’ve longed to see—are fixed on you, as though he’s drinking in the sight of you, afraid to blink in case you disappear.

the weight of his absence, the unanswered letter, the uncertainty—it all rushes to the surface, but you force yourself to stay grounded in the moment. you open your mouth to speak, to ask the questions burning in your chest, but before you can, jay takes a step closer.

“you never stopped painting,” he says quietly, nodding toward the marketplace painting, his voice filled with a mix of awe and relief. “you’ve grown even more since i left.”

his words are a gentle balm to the ache in your heart, but they only skim the surface of what you truly want to know. you swallow hard, the emotions too thick in your throat to speak.

your breath hitches. “why didn’t you respond to my letter, jay?”

there’s a beat of silence before he looks away, the rawness of his feelings flickering across his face. “because i didn’t know if i was strong enough to walk away again,” he admits. “and i wasn’t sure if i could give you the life you deserve.”

“after everything we’ve been through, you still think i care about that?” you whisper, your voice trembling with the weight of all the unspoken words. “i just wanted you, jay. that’s all i’ve ever wanted.”

his jaw tightens, and he takes another step forward, closing the distance between you until his presence is overwhelming. “i couldn’t respond, because i knew that if i did, i wouldn’t be able to stop myself from coming back to you. and once i did, i’d never want to leave. but you… you have paris, you have a future.”

“and i want you to be part of that future,” you say, your voice stronger now. “i’ve had weeks to think about this, jay. i’m leaving soon, and i need to know where we stand before i go. please, just tell me how you feel.”

jay’s eyes flash with a storm of emotions—hesitation, fear, and something deeper, something that has been bubbling just beneath the surface. he reaches out slowly, his fingers brushing yours, the touch sending warmth rushing up your arm. “i’m terrified,” he admits in a voice so soft it makes your heart ache. “i’ve never felt like this about anyone before, and i don’t want to ruin it.”

“you won’t,” you say, stepping closer until your hands are fully entwined, your pulse quickening as his warmth floods your senses. “i don’t care about titles, status, or what anyone else thinks. you make me feel alive, jay. that’s all i need.”

his grip tightens on your hand, and for a moment, it seems like he’s grappling with the depth of what you’re offering. his breath comes in shallow, uneven bursts, as though he’s trying to hold himself together.

“i don’t want you to sacrifice everything for me,” he says, his voice thick with emotion. “you’re a princess, destined for greatness, for a life most people can only dream of. i’m just... a man who paints.”

you step even closer, until there’s barely any space between you. “and that’s enough for me. more than enough.”

for a split second, he looks at you as though he can’t believe you’re real. but then, before you can say anything more, he steps forward, pulling you into his arms in one swift motion. the warmth of his body against yours is overwhelming, but in the best way, and as his arms wrap around you, holding you tightly, you feel the tension that’s been building between you melt away.

“i’m so sorry,” he whispers, his breath warm against your ear as he holds you close. “for leaving. for making you wait.”

you close your eyes, leaning into him, your heart swelling with the relief of finally having him here. “you’re here now,” you murmur against his shoulder. “that’s all that matters.”

he pulls back just enough to look at you, his hands resting gently on your arms as his dark eyes meet yours. and in them, you see everything—the love he’s been holding back, the fear, the hope. “i love you,” he says, his voice thick with emotion. “i’ve loved you since the first day we met, and i’ve been fighting it ever since. but i don’t want to fight it anymore.”

your heart swells at his words, the weight of them settling deep in your chest. “i love you, too,” you whisper, feeling a rush of warmth spread through you as you say the words out loud for the first time. “i always have.”

the smile that spreads across jay’s face is like sunlight breaking through clouds, and before you know it, he’s lifting you off the ground, spinning you around in a burst of joy and laughter. the world around you spins with him, but you don’t care—because for the first time in what feels like forever, everything is right. everything is exactly how it’s supposed to be.

when he finally sets you back down, your feet touching the ground once more, his hands stay on your waist, grounding you in the moment. his eyes, full of love and warmth, search yours, and for a second, neither of you speak. you don’t need to. the silence is filled with everything you’ve both been waiting for.

“i want to be with you,” he says softly, brushing a strand of hair behind your ear. “but i don’t want you to lose yourself for me.”

you smile, shaking your head. “i’m not losing anything. i’m gaining everything i’ve ever wanted.”

jay’s hand finds yours, his thumb brushing over your knuckles as he looks at you, his gaze full of the future. “paris,” he says, a small smile tugging at the corner of his lips. “you’re still going?”

you nod, your heart racing at the thought of what’s to come. “i am. and i want you to come with me.”

he hesitates, just for a moment, as though the reality of what you’re asking is still sinking in. but then, his smile grows, and he nods, his grip on your hand tightening just slightly. “i’ll come with you. we’ll go together.”

your heart leaps at his words, the hope you’d been holding onto finally blossoming into something real. paris—together. it’s everything you’d dreamed of, everything you hadn’t dared to believe could happen. but now, standing here with jay, it’s all within reach.

“we’ll see the world,” he says, his voice soft but filled with excitement. “we’ll paint, we’ll live, we’ll—”

“we’ll be happy,” you finish for him, your smile widening as you lean into his touch.

he nods, his forehead resting gently against yours. “yes. we’ll be happy.”

and in that moment, as the ballroom buzzes with life around you, as the painting of your shared memory hangs on the wall behind you, you know it’s true. you and jay—together, free, and full of love. the world is yours, waiting to be explored. and with him by your side, you know that this is only the beginning.

as you stand there, wrapped in each other’s arms, the future stretches out before you like a blank canvas, waiting for you to fill it with all the colours of your love, your passion, and the adventures you’ll share. together, you’ll paint a life full of beauty, one brushstroke at a time.

and as the night fades and the dawn of a new chapter begins, you know—this is your happily ever after.

𝗰𝗼𝗽𝘆𝗿𝗶𝗴𝗵𝘁 ©𝗴𝘆𝘂𝘂𝗯𝗲𝗿𝗿𝘆𝘆 on Tumblr

˚ · .𝗮𝗹𝗹 𝗿𝗶𝗴𝗵𝘁𝘀 𝗿𝗲𝘀𝗲𝗿𝘃𝗲𝗱

taglist: @punchbug9-blog @firstclassjaylee @capri-cuntz @addictedtohobi @jaysfavoritegirl @yuniesluv @isa942572 @academiq @missychief1404 //the ones in bold could not be tagged for some reason. im so sorry guys tumblr is acting up :(

[astrobydalia]

Astro knowledge pt. 2

work by astrobydalia

Cancer rules hotels, motels, etc. Hotels are all about hospitality, making people feel welcomed, comfortable, provide for basic needs like a bed, food, etc. Of course this will differ based on quality and the kind of place but in general places designated to provide shelter and a place to stay are ruled by Cancer

When I learned this it made a lot of sense cause my mom has Groom in Cancer and 7th house ruler in the 4th house and she met her fs at a hotel. I know a couple who has Cancer ASC in their composite chart and they met at a hotel

Jupiter is a very unpredictable planet and a negative manifestation of it is that it can make things grow uncontrollably without reliable results. Jupiter can give blessings yes but it does not guarantee success. Those blessings are just opportunities but it's up to you what to do with them.

Astrologically, the key to success is Saturn. That's why success is so hard to obtain and it's a symbol of status or accomplishment. And yes this applies to whatever it is you consider success. Saturn is not about obtaining success in itself, it's about growth, the way we feel accomplished and successful as humans is when we feel like we've grown and flourished overtime. That's why it doesn't matter what your definition of success is, in order to get it you need to mature and go through sacrifices and lessons related to your Saturn placement.

MC/10th house = what success means to you Saturn = also related to what success means to you, but it can specifically tell you how to get it

Moon is related to wealth that's why it is exalted in Taurus!

Moon in a man's chart indicates his wife because Moon symbolizes the divine feminine. Venus is important too but ultimately a man will commit to a woman that satisfies his Moon energy. That's why it is often said that men marry someone like their moms or the way a man treats his mom is how he's gonna treat his wife

5th house rules your creative endeavors and the 11th house rules your public/clients/fanbase/etc. That's also why 11th house is related to money you make in your career (2nd from 10th). If you wanna have your own business you gotta look at both the 5th and 11th houses

Something I don't see people mention much (maybe because its obvious) is that Libra energy makes things to be balanced in itself because Libra is all about avoiding any extremes. Libra makes this to be on the "elevated" or positive side but always keeping it moderate. For example, if you have Libra ruling your money houses your income could be averagely decent, like you could make good money (cause, Venus) but you're not insanely rich either or it does not appear that you are (cause Libra also rule appearances).

Aquarius rules heavy cold winds (you know like those very heavy and erratic winds), that’s why it also rules over airports and planes. I've also seen astrologers say that back in the day, Aquarius used to rule over sailing of bigger boats which also needed heavier winds in order to move

We all know Leo rules inner child. One thing about children is that when you're a kid you kinda don't have a concept of others being their own person and having completely different lives (that's something Aquarius brings awareness to, that's why its the humanitarian), but rather kids tend to assume everyone lives the same way as they do. That's what happens with Leo astrologically, they tend to not understand or fathom or be interested in things that go beyond them or their experience. Their own perspective of life is their whole world and what they will project on everything much like the Sun project its own light into the world. In the case of very unhealthy Leo energy this can go as far as actively minimizing other's experiences and perspectives. When Leo does try to understand others, they have a tendency to circle it back to something they can relate to or is relevant to them or they can understand

There's also another side of Leo that rules teenage years since that’s the period of our lives where we are finding our identity/expression and also where we start to become more interested in romance and sex

In composite, the ASC is how the relationship started and how it generally comes across as but the 7th house is the dynamic the two people have between them, how they actually interact with each other

Both Aquarius and Pisces are the last two of the zodiac wheel and both relate to themes of evolving as human and elevating spiritually but because of this, these signs are the hardest to develop healthily and many people fail to do so. That's why you see many Aquarius and Pisces placements with a god complex or huge entitlement cause both share this sentiment of feeling 'different', more elevated or special than everyone else

Venus finds fall in Virgo bc Venus is a sex goddess, she rules abundance, sensuality, pleasure and indulgence. Virgo on the other hand is the virgin, she's minimalistic, cerebral and modest, she’s too much of a “prude” for Venus.

Since Pisces is the most empathetic sign, its opposite Virgo is one of the most unkind signs unfortunately. Pisces wants to find the beauty in all things and people (Venus exaltation) while Virgo wants to find the flaws and everything that is wrong and needs to be improved or fixed. Pisces is about accepting the "soul" of things while Virgo is attached to an idea of how things should be. That's also why Venus finds falls in Virgo because Venus is related to kindness (this does not mean Virgo Venus people are inherently unkind, this can manifest in any unhealthy virgo placement, it's just an astrological explanation)

Domicile/exaltation is not always positive. When a sign exalts a planet it means that it can enhance both its positive AND negative qualities. That's why exalted mars can manifest as toxic masculinity or why exalted Venus can manifest as textbook enabling behaviour. On the flip side, planets are its fall/debilitation are challenging placements because the positive qualities of the planet are weakened but at the same time its negative qualities can be neutralized. For example, Mercury debilitated can be less prone to pointless rambles and have a more focused intellectual approach, debilitated Venus can be less compliant, etc

The energy that rules horror astrologically is Pisces/12th house/Neptune, we usually associate it just with dreams and idolization but it actually has a creepy and twisted side to it. Neptune is all about blurring the boundaries of reality including what we judge to be good or bad (Virgo). It rules over dreams AND nightmares. Not only that but Neptune energy does not understand the difference between a dream and a nightmare. This characteristic can range from blindness to red flags all the way to having rather morbid fascinations.

Following the above, the association of 12th house with nightmares is also explained by Saturn finding its joy is this house (the so called 'bad spirit', the never-ending burdens that come to haunt you). However, as I explained earlier in the post, Saturn is the key to success so this means Saturn is the key to help you achieve your dreams (12th house)

Pisces/Neptune energy rules spirituality but at its lowest it can also be the most superficial and vain sign (again, the negative side of Venus exaltation) because Pisces also rules illusions and idolization. It can focus so much on portraying an ideal image that it does not dive deep within, wants to escape reality and live a fake ideal

In terms of performance, Leo is theoretically better at sex than Scorpio

How to read the chart of a Nation + some observations

Sun signifies the characteristic of the rulers and it also symbolizes what that country is all about if that makes sense. For example USA is Cancer Sun and they've always been known for they patriotism and how they're very attached to their past as a nation.

Moon represents the people (civilians, population, the society). The energy you will likely experience by actually spending enough time there and start integrating yourself with the people. For example New York has Aries Moon and a relative of mine who used to live there once told me jokingly "with all the hustle and normalized criminality sometimes it feels like a war zone here"

Ascendant is the general national identity they present, the first thing that comes to mind when you think about that place. I've also noticed the stereotypes of a nation a lot of times relate to its ASC. For example Canada (Toronto) is Libra ASC and they’re known for being polite and nice to everyone. Japan (Tokyo) has Virgo ASC and their known for being super diligent and clean (think Marie Kondo). USA (nation) is Sagittarius ASC and they’re known for being loud, entitled, optimistic, multicultural, a massive country, cowboys and country music, etc.

work by astrobydalia