#I could use 2 more seasons of that

[yellowlaboratory]

omg did you see that our boat show is ending.

literally want to cry and bawl my eyes out. im so saddddd

i can’t believe this my favs are leaving us.

i have seen it. then I spent 20 minutes gaslighting myself into believing it wasn't real. now I'm still working on processing it. like I'm truly cycle through the stages of grief.

sending you a massive hug 🫶🫶🫶

(and i'm taking any and all recommendations for new upcoming hyperfixations)

[dilfmobius]

how about a slice of pie?

[toadminako]

It’s fascinating to consider how What We Do in the Shadows - a modern goofy comedy with the freedom to basically do whatever it wanted in terms of depicting queer characters - still struggled to be earnestly queer in the end.

Then as it was airing, Interview With the Vampire - a decades-old property which inspired WWDITS while having a complex relationship to its own queerness - got a modern adaptation that was proudly, dramatically, undeniably queer.

Just… interesting to think about!

[pand0monium]

thinking about how Lumon asks prospective employees about their "motivation for severing", as Milchick puts it. thinking about how that motivation more often than not would be running from something (as with mark) or because it's the best option available (it's implied Dylan took the Lumon job for its health benefits). thinking about how severed people are actively discriminated against when trying to find work beyond Lumon. thinking about how severance robs outies of the opportunity to form connections with fellow employees outside of work and stunts their social lives by removing their ability to discuss a major element of life. thinking about how Lumon preys on desperate people, offering a solution that actively destroys the ability to find any other.

[skippingthroughfields]

these days a lot of romance in books, TV, and film leave me a bit cold, which sucks as a lover of romance. there has to be something ~interesting there for me. I've been watching the day of the jackal and it's pretty entertaining so far. but the one thing I haven't quite been able to wrap my head around is jackal's love for his wife, nuria. the show clearly wants us to believe he truly loves her, even if he can't shed his assassin skin and lies like crazy to her. he spies on her. he dreams about her. he thinks about her constantly. even more so than the baby which I (and the show apparently) regularly forget exists.

the chemistry between eddie redmayne and ursula corbero isn't necessarily the issue even though it is middling. ursula certainly does the best with what she's got, which isn't much. but I always struggle when shows place us in an established marriage or relationship and tells the audience how much the two characters love each other, without really being convincing of why they go to the lengths they do because of this love. the jackal is a sociopath with a hundred different faces (though we spend quite a bit of time with him in his true face). he has no qualms whatsoever about killing innocent people to accomplish his objectives. that's established within 20 minutes of the very first episode. so what does it take for this murderer-for-hire to fall in love? why should we be so convinced of this cold-blooded killer's love for his wife? what is it about her that made him fall in love? and vice versa? the show doesn't even try to make us second guess this love. on some level, I'd be obsessed with a suave killer brought to his knees by a woman to the point where he starts a family with her. the deception, the two separate lives, the cat and mouse of it all. but everything about them is spectacularly bland.

throughout the series nuria is constantly questioning who she fell in love with. but who did she fall in love with? in episode 7 we get flashbacks of their first meeting, at a restaurant where jackal is a regular and where nuria works as a waitress. she's hot and vivacious and effortlessly charming. he's a mysterious loner who seems sweet. jackal takes a shine to her and later asks her on a date, to which she immediately says yes. and that's it. that's pretty much all of the flavorless context we have for their relationship. we're simply supposed to believe they fell in love with each other. she doesn't even make him work for the date. there's no push and pull there. she's not even a calculating golddigger or anything, just completely guileless. our favorite sociopath fell in love because she's just that charming? our charming waitress falls for this boring and rich-looking foreigner and that's it? and then we're told that she's completely trusting of him up until the ~turning point. ok. I don't believe the show is trying to pull wool over our eyes. they very much want us to believe there's love there. but there's just nothing convincing me of why these two characters love each other. this failmarriage is of no interest to me.

otoh, the connection jackal has with zina is compelling and sexy. this mysterious corporate shark archetype of a woman who dared to meet an assassin in person. who went to bat for this assassin even when her bosses were not convinced he was the man for their goals. who broke into this assassin's temporary lodgings and withstood his menacing energy. who wasn't afraid to yell and put pressure on this scary assassin. I'd be more obsessed if the actress was better at acting and there was actual chemistry between her and eddie. alas.

otooh, there is ALSO serious messy romantic potential with bianca. also a sociopathic liar. also a married woman (who we're also supposed to believe loves her husband. lol.) with a child. a woman who will do anything to catch jackal. a woman who has no qualms about using innocent people who get killed in the process (even if she does feel some degree of guilt about it). like the parallels are allll there. but she's black and we all know how that goes. in another series jackal would be intrigued and also as obsessed with this mi6 agent who somehow always finds him. sigh.

[brown-bear-64]

Honestly the best way I can describe the 2nd season of Arcane is written by extremely competend writers who bit off way more than they could chew. Especially in that short of a timeframe.

It's possible that it was a higher up decision for future League shows, but the focus on the Black Rose & magic worldbuilding took away focus from the core cast and the narrative of 2 cities/sisters opposed to one another. They desperately needed at least 3 more episodes

The writers are competent, but they made some deliberate choices I don't like and pulled focus from things I believe they should've left in focus. It feels like the entire narrative of the show got changed between seasons, and maybe it was always the intention and I should rewatch the entire show front-to-back without a massive hiatus in-between them for me to get it, but from my current standing... It could've been more, and the things that they did focus on and give time to were really good. It's just that the show lost its priorities and primary narrative along the way

[rosifire]

Obligatory “I don’t have a problem with CaitVi” but I think, for me, their story (separate from their own personal character arcs) would/will be more compelling if it ends up being irreparable between them.

I think Arcane is good at subverting expectations and tropes; the most memorable example I can think of is in S1E3 where Powder follows after Vi and the boys to save Vander. We’ve all seen the “friends are in trouble, but the plucky young hero comes in at the nick of time to save them against all odds” plot twist—but Arcane subverts that. In fact, Powder’s involvement and her monkey bomb finally working is the thing that, tragically, leads to Claggor and Mylo’s death, Vi’s injury, Vander’s death(?), so on and so forth. It worked, but it didn’t work. And to me, that's the tragedy of it. That good intentions weren't enough.

So, personally, I see a setup between Caitlyn and Vi: the Romeo and Juliet archetype, two initially-begrudging people working together amongst classism and prejudice, and finding companionship against all odds. Class, wealth, opportunity separates them; Caitlyn is a scion of one of Piltover’s most influential and powerful families, and Vi is… a nobody from the Undercity, wrongfully imprisoned, when they first meet. It’s a way for them to both see that the “other side” isn’t as bad as they’ve always been told. That there are Good People on either side of the bridge. That, hell, love can be found, too.

But oftentimes, I believe this trope in particular ignores a lot of the real-world factors that could come into play with a friendship or relationship that “defies” station. The fact is, Caitlyn does come from a world of privilege, and Vi is treated differently by Caitlyn’s peers. The whole of Season two, Vi has been referred to as one of the “good ones”. Maddie explicitly says that it's good to know that there are still "good ones" around. The implication that you’re not like them. Time and time again, Vi is treated like an Other. A “good” other, but an other all the same. She's welcome in Piltover, but only just - and only when Caitlyn vouches for her. And at the climax of their story thus far, Caitlyn outright says to her, “I keep telling myself that you're different. but you're not. It's [Jinx's] blood in your veins”. I'm sure grief and anger are a part of why she says this, but that's becoming a catalyst for the discrimination she seems to be steadily believing in more and more. Whether or not she ends up meaning this, it's a ghastly thing to say.

And with the way things are developing with Caitlyn, who is actively weaponizing her privilege and power, and who is very quickly going down a very dangerous and fascist path, I don’t know if their relationship could — or should! — be rectified. She's a cop, and a very privileged one at that. I don’t know if this is a love that could “defy all odds”, and in my opinion, I think it would be more interesting, and more compelling, if it didn’t.

[r0semultiverse]

shipping this shipping that blah blah blah

Hear me out!

💞 SURVIVORS POLYCULE 💞

[muninnhuginn]

The good thing about this being a weekly airing series is that I'll get to see pretty quickly if I'm on the mark with this but rn am thinking of how pre-amnesia seven was unreadable and so people presumed the worse. Like, we know this part already. His (relative) silence and lack of clear expression let people read into him what they thought fitting.

With post-amnesia seven meanwhile, one of his main characteristics is how *chatty* he is. Someone will charge at him and he'll start commentating.

So, like, now he's getting his memories *back* (albeit in dribs and drabs), the first thing we notice is the whole earnestly trying to murder some guys (as opposed to half-heartedly fighting and/or being on the defence the whole time). But, we actually see in his mind during this. We see that he's been instructed to react in this way. That he's literally superimposing skulls/monsters(?) over the Stan guys in his head (#healthy coping mechanisms). But he doesn't say anything to anyone there and they sure can't see into his mind and so all *they* see is an unleashed killing machine. He's back to not explaining himself.

And, it's just, they presume the worst this time too. Dai Bo, especially, is clearly wondering if he's going to lose the Seven he knows. And sure, we don't have the whole picture as the audience yet, but we can still see that Seven's first *action* after being set off was actually to *protect* the healer. It was only after he'd acted to save that he got swept into the bloodlust.

I'm guessing a lot of this season is going to be us watching Seven acting more like his pre-amnesiac self, but this time, we'll be getting the inside scoop on what's going on inside his brain. So as the audience, we can see how he's both his past and present (how his past was never as different as it seemed), but those around him won't get that insight. They'll be forced to trust in the bonds Seven built with them previously. And it'll either come down to them seeing through Seven to the root of his actions or to Seven actually being able to *communicate* this time, now he's actually been able to make connections of his own. Connections his past self was sorely lacking.

[lbulldesigns]

r/parentingadvice

How do I tell my adult children that they'll have a new little sister?

16th of December, 2023

I (45 M) have found myself in a position I didn't think I would find myself in at this point in my life.

It has been a while since I last posted on this site but the last time, I posted I was met with some really good advice, and even made a few friends, so I'm hoping I can get some really good advice now.

The title is self-explanatory. I have four children already, all adults now, and recently, a social worker contacted me to inform me that I possibly have a five-year-old daughter, now six as I write this. To say I was surprised was an understatement, I actually sat for hours racking my brain trying to remember who I slept with in the last six years, I'm not very active in the dating scene and can only remember having a one-night stand once which lines up with my new daughter's age.

There wasn't any actual confirmation that I was the father, and the worker was asking for a paternity test to locate this child's biological parent. I readily agreed to the test, and the results came back positive. It was then that I learned that my new daughter, who I'll call Kitty because she reminds me of one, had recently lost her mother (I wasn't given any details) and the man who had been raising her up until now had learned that Kitty wasn't his biological daughter and doesn't want anything to do with her, and neither does any of Kitty's maternal family after learning she was born both out of wedlock and is a result of her mother's infidelity.

I want to put out there, that I was under the belief that Kitty's mother was single at the time, I can't even remember her name (although the one given to me by the social worker didn't sound familiar in the slightest) and the number she gave me that night turned out to be for an 80-year-old woman who managed her social groups Tupperware "store", I think I was stuck on that phone call for two hours listening to this kind old lady go through her Tupperware sales speech, forget said speech and then rinse and repeat. And yes. I bought a lot of Tupperware that day. My daughter Pow (20) mocked me endlessly for doing so but had a blast baking to fill those containers.

It goes without saying, but I decided to get guardianship of Kitty, I've already met her. She's weary, which is fair she's going through a lot of changes at the moment and is silent which is a result of her being nonverbal (I've been told that she possibly has autism but hasn't been assessed yet) and strangely enough is already confirmed to be a Shifter; usually, people don't find out they're a Shifter until they become teenagers but she's an early bloomer.

Right now, she's in the hands of Janna's Temple until the transfer of custody can be finalized, I have set up appointments to go visit her so that she's used to my presence in her life and so that her transition into my home can go more smoothly.

My biggest worry at the moment is how my kids are going to react. They're all good kids, minus a few hiccups growing up, and I trust them to act accordingly with her but I also can't help but continuously imagine the worst-case scenario.

Has anyone else been in this situation? And if so, can you offer me any advice on how to navigate it in a way where I don't end up horrifically traumatizing my new daughter?

[snakes-of-the-undercity]

Vi is gifted kid burnout but in the english major way

[mettywiththenotes]

Viktor and Jinx parallels so good they work better apart than together

[mikimeiko]

Arcane | Season 2 (2024), Christian Linke and Alex Yee

[mostlyvoid-partiallyflowers]

The most recent episode of Interview with a Vampire let's us see Lestat's side of the story and see how it compares to Louis' accounting of their relationship. As a result, it reaffirms just how unreliable of a narrator Louis is, but it also further illuminates elements of his character that the director and writers have been playing with since the beginning of the show.

There's this part in the episode where Lestat turns to Louis and apologizes and it's framed with Lestat turned to Louis on one side and Claudia on his other side. They're the angel and devil on Louis' shoulders, but who is the angel and who is the devil? And as my friend said, Armand and Daniel are placed into that same dynamic with Louis later on. We are being asked to decide who to trust, who's telling the truth, who's the good guy, but the fact of unreliability robs us of that decision.

This whole story is about Louis, he's the protagonist, though not the narrator, and he is constantly being pulled in two directions, no matter when or where he is in his story. He's a mind split in two, divided by nature and circumstance. He's vampire and human, owner and owned, father and child, angel and devil. He's both telling the story and being told the story. His history is a story he tells himself, and as we've seen, sometimes that story is not whole.

Louis is the angel who saved Claudia from the fire but he's also the devil who sentenced her to an life of endless torment, the adult trapped in the body of a child. He's the angel who rescued Lestat from his grief and also the devil who abandoned him, who couldn't love him, could only kill and leave him.

He's pulled in two directions, internally and externally at all times and so it's no wonder that he feels the need to confess, first to the priest, then Daniel, and then Daniel again.

He's desperate to be heard, a Black man with power in Jim Crow America who's controlled by his position as someone with a seat at the table but one who will never be considered equal. He doesn't belong to the Black community or the white community, he can't. He acts as a go-between, a bridge, one who is pushed and pulled until he can't take it anymore. He's a fledgling child to an undead father, he's a young queer man discovering his sexual identity with an infinitely experienced partner. He's confessing because he wants to be absolved, that human part of him that was raised Catholic, that child who believed, he wants to be saved. He wants to be seen.

Louis wants to attain a forever life that is morally pure, but he can't. He's been soiled by sin, by "the devil," as he calls Lestat, and he can never be clean again. Deep down, I think he knows this, but he can't stop trying to repent. He tries to self-flagellate by staying with Lestat and then tries to repent by killing him, but can't actually follow through. He follows Claudia to Europe to try and assuage his guilt. He sets himself on fire, attempts to burn himself at the stake, to purify his body, rid himself of the dark gift.

Louis is a man endlessly trying to account for the pain he has caused and he ultimately fails, over and over again, because he can't get rid of what he is. A monster. He's an endlessly hungry monster. He's hungry for love, for respect, for power, for forgiveness, for death. He's a hole that can never be filled. He can never truly acquire any of those things because he will always be punishing himself for wanting and needing them in the first place. He will never truly believe he deserves them and as a result, can't accept them if they are ever offered. He can never be absolved for he has damned himself by accepting the dark gift and thus has tainted himself past the point of saving.

[kittyoverlord]

Same, Brennan. Same... O.O

[lyxchen]

I feel like I'm digging myself deep into a hole and finding nothing, trying to figure out more about In-ho's family