#I WISH WE HAD MORE EPISODES

[wwxlwj19]

please i need shots of rei being an absolute dad walking around with a camera in his hand taking pics of kazuki and miri every chance he gets

[may-be-magic]

Ted Lasso, as a show, was harmed by the short seasons that are commonplace in productions today and would've benefitted from 20 episode seasons with room for filler episodes. In this essay I will-

[poorly-drawn-mdzs]

Sublime Equine.

[First] Prev <–-> Next

[gunstellations]

In the world I love

_

In a different world

[mayasdeluca]

Lets play a game. Truth or Scared.

[acricketcannot]

In the end, all roads lead to me.

[twelvemonkeyswere]

ofmd season 1: "hurt people hurt people" mostly from the perspective of Stede, who copes with his trauma through avoidance, hurting himself by hurting those around him

ofmd season 2: "hurt people hurt people" mostly from the perspective of Ed, who copes with his trauma through violence, hurting himself by hurting those around him

both seasons have subplots about healing and growth, about finding love, about what to do with those parts of yourself that are drowning you, and what NOT to do with them, and those storylines and themes help support the main ones, seen through the eyes of our protagonists.

in particular, the parallel deaths in the last episodes of each season (Badminton dying in front of Stede, Izzy dying in front of Ed) have distinct thematic beats as well, in different moments of the main characters' storylines, but are still connected in a similar way: both Badminton and Izzy represent the external voices and pressures that have etched themselves in Ed and Stede and have forced them to hide their true selves in order to survive. in Stede's case, the pressure and bullying was always kind of detached, an overwhelming indifference and casual hatred, while for Ed, the pressure and bullying was always up close and personal, given to him by the very people who claimed to appreciate him. that's why Badminton is a villain we don't care much about, and Izzy is a character that was much more fleshed out by the end, because sometimes the call comes from inside the house, and I thought it was nice the team tried to incorporate some of those nuances into the storyline to help develop the main themes.

[staticvoidzz]

I kinda made a bucket list for stuff I want to see in a hopefully greenlit season 2, and I have more ideas, but my brain can’t think of them coherently, but I know they are there. Anyways, keep streaming FOPANW

[secriden]

rewatching love sea and i've got some episode 1 mahasamut thoughts:

i'm so appreciative of how much we get to see of mahasamut being an important part of the island community in this episode. its character establishing/quick scenes but we see a consistent thread of kindness, gentle and good humoured interactions, and just overall helpfulness to others. you see him having fun with palm who is younger and clearly loves and respects mahasamut. you see how he knows and cares for different people in very personal ways.

another thing epsiode 1 does a good job of doing is establishing how intelligent mahasamut is both intellectually and emotionally.

he instantly clocks on that tongrak thinks the island/mahasamut is "beneath" him. tongrak is a jerk from the get go, acting as if his wealth (constantly referring to how expensive his suitcases are) allows him to treat mahasamut like crap. he assumes mahasamut can't speak/understand the central dialect and openly makes disparaging comments about his intelligence.

but rather than getting annoyed/offended, mahasamut weaponises the prejudice and leans into it to annoy tongrak. he doubles down on the Southern dialect (even after he reveals he can speak Central). when tongrak whines about not understanding him, mahasamut just repeats himself but slower (such a good allusion to when people yell at you slower and more loudly as if that will magically make you understand English better). he leans into the whole 'small town awed at the fair skin of the city boy' act (masterful depiction of someone weaponising the 'dumb country hick' stereotype).

mahasamut just has such a good handle on tongrak from the start and it really showcases how smart and intuitive he is; like he instinctively knows how to handle this feral cat of a human being that tongrak is (i say this with complete affection).

his handling of tongrak is so incredibly effective and it throws tongrak so off his game that he looses all cool and just blurts out how baffled he is by mahasamut's reactions to him. this tells us (and mahasamut) that not only is tongrak aware that he's being a jerk, he's doing it on purpose because this usually works to drive people away. but it doesn't and never will work on mahasamut and the show lays the foundations of this aspect of mahasamut's character right from the start.

but whilst mahasamut remains unfazed by tongrak's bitchiness (for lack of a better term), we also see that he is not going to be a pushover either (and i love that he never becomes that even after he falls in love; in this, mahasamut's character is wonderfully consistent). he isn't shy about calling out tongrak for his poor behaviour/rudeness. he specifically points out that tongrak's been acting like a spoiled pet (or child).

but also!! whilst all that is going on, mahasamut is also doing a really good job of taking care of tongrak. when he enters tongrak's room, he cleans up after the tornado of trash and beer bottles, puts away his clothes properly, then brings tongrak out to get some proper food in him (it's not his fault that tongrak only has a single lettuce leaf; he tried). mahasamut takes him out on the boat to relax him and give him inspiration for his novel. and when he realises that tongrak was genuinely scared and upset, mahasamut actually treats that with sincere care and concern, apologising and comforting him (in the novel, apparently tongrak slaps him and he still responds only with care and comfort). he's so incredibly gentle with tongrak here.

later in the series we see how much of their relationship development hinges on the the juxtaposition of words vs actions because neither of them put much stock by words (tongrak, because its the tools of his trade and he knows how they can be used to deceive; mahasamut because he never cares what people say about him) but episode 1 does a great job of establish just how good mahasamut is going to be at showing his love for tongrak once he gets there.

[mostlyfate]

Love Me, Love My Voice 很想很想你 · 2023, dir. Sha Wei Qi 1.31 | Since I met you, I’ve used up all the vacation days I’ve saved for years.

[sophfandoms53]

Nothing else matters except seeing Loona starting to embrace Blitz as a her dad🥹

[marc--chilton]

hang on i'm once again thinking about house being stupid with love. stacy moved in with him a week after meeting him. that's HUGE change. could you imagine how much he'd have to be obsessing over her to make HIS home THEIR home??? and he still wasn't over her 5+ years later after everything either.

(and like. i wonder if there was ever a moment there for wilson where he's watching house and stacy be so witty and beautiful and in love together and thinking to himself, huh. so this is what that feels like.)

[walnutmistjamie]

@giftober 2023 Day 22: Yellow

[biographydivider]

The fact that we were denied a ‘Clothes Don’t Make The Turtle’-style, low-stakes episode with the kids trying on funky outfits is one of the greatest tragedies of Owl House being prematurely ended.

[monabee-draws]

There are too many things to say about Act 3 but one truth is that Episode 7 is the best episode in the season. And I mean in terms of a complete, narrative arc in one episode. There are plenty of absolutely perfect scenes and moments in other episodes (Isha's scene in ep 6, Jayce and Viktor's final reconcilliation) but wow was 7 the best written episode overall.

The Ekko/Heimer plot:

- Explores the beauty of a world entirely uncorrupted by the Hextech dream because this Powder chose to close the power away in a drawer.

- We watch Heimerdinger see the fruit of what his work might have done if he didn't dig his head in the sand for decades. It is blissful inaction and lack of compassion that kills. It is the maintenance of the status quo by those who benefit from it that kills. It is the entire false dream of Piltover that kills. And it can be changed, but only if those in power recognise their own hubris.

- Heimerdinger's death foreshadow's Jayce and Viktor's as well. He chooses to 'evaporate' into the Arcane so that the younger generation can try again, and make up for his mistakes. His brand of scientific omniscia did not work, and neither will jayvik's.

- The sister's tragedy persists in every universe. Vi and Jinx never get to be together no matter how perfect things could have gone. Vander warns our Vi that the kids will always follow her lead, and its on her head if things go wrong. Their Vi paid that price for them. She saved Mylo, Claggor, Vander and Powder. But there will always be a loss somewhere. There is no perfect world.

- Powder/Jinx was never going to be happy staying in Zaun and always needed to be free beyond other people's wants for her/their protectiveness/the cycle of violence. This foreshadows her imagined conversation with Silco and her flight at the end of episode 9 (she's alive I'm sorry.)

- Ekko learns to reconcile his vision of freedom with the imperfect nature of his own world (a very necessary lesson for a time traveler), a realisation that also foreshadow's future Viktor's realisation that perfection isn't good actually.

-> overall, this half teaches us Jayce's lesson about the importance and beauty of imperfection, of freedom of will, and going beyond the will of others. It's a perfect microcosm of the story as a whole, and expertly sets up every other character's choices in the end. Not to mention the literal time travel device ends up saving the world. That small imperfection - "That device cannot be" - is what sets everyone free.

For Jayce's story:

- Se see that Viktor's beautiful commune was always a lie, and all of the people he 'healed' were already dead at his hands. Hextech was never going to save anybody. The dream was tainted from the beginning.

- Jayce's resillience and agency grow and recover beyond what we see of him in season 1. He takes real accountability for his actions for the first time. The sheer spread of the consequences contradicts Jayce's insistence that they thought of every countermeasure. This entire sequence destabilises his (and Viktor's) images as gifted scientists whose intellect is equivalent to omniscience. They too are blinded by the same folly of Piltover's elite - their superiority is finally and thoroughly challenged in an indisputable way.

- His injury and leg brace level him with Viktor in a way that is crucial visual language for their later reconcilliation and Jayce's speech about accepting flaws in the finale. The fact that it is his Hextech hammer that breaks his leg is even more important - more evidence of the corruption of their dream, and of violence not being the correct solution.

- The scope of the dead world needed to be explored for us to understand how bad of an apocalypse we risk facing such that Zaun and Piltover cooperating could even be conceivable despite Caitlyn and Ambessa's fascist campaigns tearing the cities apart. The audience needs to have that disbelief suspended, and those scenes achieve that. In-story the cooperation between cities is still unbelievable, but this episode succeeds at making it understandable from a meta-perspective. We know what lies beneath the mask.

-> Overall, this half reinforces the themes of glorious imperfection, but also helps better set the stage for the audience to suspend their disbelief later on. And, it very importantly reminds us that no one character in Arcane has ever or will ever be 'correct' about the best path to move forward. It must always be a collaborative effort, and when we forget that, we forget ourselves, and we doom the world to a twisted vision.

[jajanvm-imbi]

Hey remember when I said that this was the most frustrating thing about being a Helluva Boss enjoyer?

Yeah I was wrong.

The most frustrating thing about being a Helluva Boss enjoyer is explicitly stating multiple times that I like show and then get called an anti and homophobic and media illiterate when I complain about the direction it has taken.

I LIKE the comedy

I LIKE the animation and artstyle

I LIKE the more serious plotlines like the government agents plot and the Cherubs plot

I LIKE the themes of friendship and found family

I even like most of the songs!

And ofc the voice cast slays every time

But just because your show has angst and tears and drama and sad music doesn't automatically make it "good".

Just because your characters are queer doesn't automatically make them good or well written characters

This fandom is so frustrating to deal with when you want to express your more nuanced takes of it

This is probably gonna be the last post I make about this subject and about Helluva Boss in general, this shit is too stupid to deal with