#HE THOUGHT SHE KNEW

[peacefulbagofbones]

I THOUGHT YOU KNEW!!!!

[bonesdontmelt]

Usually "they didn't communicate well" is a really annoying cause of drama, but tbh the way they do it in the Melk arc guts me no matter how many times I see it

[chloesimaginationthings]

FNAF movie Vanessa was out of pocket for this one..

[lotus-pear]

i love you royal trio (minus akechi)

[nenestansunsthings]

FINALLY FINISHED THEM!!!!

after like 34 hours of drawing my illustration of pearl n etho fighting in the ballroom arena is done!!! hope u guys like it!!

[sparkles-rule-4eva]

SHADOW'S GENUINE, EARNEST SMILE.

[hazieash]

It’s a Ratatouille situation

[numberonetacostan]

Obliviously fruity vs excellent gaydar (inspired by @justin-chapmanswers's last stream lol)

[secriden]

Something about how Fadel’s first instinct after he finds out the full extent of Lily’s betrayal is anger at Keen and then later guilt and anger at himself.

Something about how Fadel never even considered the possibility of her being his true enemy when his ex disappeared under mysterious circumstances. Something about how Fadel — fastidious, paranoid, cautious Fadel — refused to noticed any of the red flags until the accusation was put into words and something in his brain slotted into place because suddenly all the things he has been ignoring for years made sense.

Something about how thoroughly effective Lily’s brainwashing was because Fadel desperately wants to have a mother, wants to be treasured and protected and loved with gentle and soft hands.

Something about how Style gives that to him without thought or prompting, all instinct to reach out with a delicately soft touch, because his love for Fadel enables him see true, to see the broken heart Fadel tries so hard to hide behind a harsh exterior, before Fadel has even uttered a word, and in so doing, loves Fadel with all the careful tenderness that he so richly deserves.

(Something about how Fadel trusts Style so fully that he does not show the slightest bit of hesitancy or caution when Style touches him so intimately.)

Something about how Fadel was searching in all the wrong places for someone to simply hold him, and found it instead when he wasn't even looking, in the arms of the most unlikely and wonderfully perfect person.

[genderqueerpond]

We don't talk enough about the fact that Amelia Pond, s5 Amelia Pond, before the timeline is reset, isn't just a normal orphan. Her parents didn't die, didn't abandon her, and didn't send her away. They never existed in the first place.

And if her parents never existed, then Amelia cannot exist. She is a causal impossibility.

"People fall out of the world sometimes, but they always leave traces." A photograph. A face carved into an apple. Yes. Sure.

A child.

Now that's too big, surely.

But that's what she is. She is exactly the same as these things. A trace. An echo of something that could never be, never was, never could have been.

And the universe should never allow it. A whole person, that's just too much. She could not have continued to exist indefinitely, in normal circumstances, after her parents never existed.

In normal circumstances.

Because the Doctor didn't just save her from things coming out of the crack in her wall. He saved her from going into it. And he didn't just save her from the threat of going into it simply because of its vicinity.

No, by arriving when he did, he interrupted a process that was probably already in motion. And then by arriving again only moments later on a cosmic relative timestream (too quickly for the process to complete) and yet in the local relative timestream, years later --- years of a potential future caught midway through the process of rewriting -- he solidified that existence. Amy is a creature from another timeline, caught in amber. The Doctor prevented her from never existing, but only after she could already never exist.

And so, no one around Amelia thinks about it. Neither does she. There's some kind of consciousness block, because if you thought about it, really thought about it, for two seconds you'd realize she cannot exist. And the human mind can't deal with that. So, to protect itself, everyone's brain simply slides off it before ever noticing. They just assume that her existence makes sense, and don't question it, and don't notice what they don't question, that is staring them in the face.

But of course, to some extent they do notice. They can't think it, but they notice subconsciously that there's something they can't think. They notice there's something wrong with her, something uncanny. And they don't like it, and they alienate her even more because of it.

"Does it ever bother you Pond that your life existence doesn't make any sense?"

[teyrnacousland]

I've seen the headcanon that Lucanis' mother, Caterina's perfect heir, was actually similar to Illario in some ways. That she was calculating, ruthless, ambitious, obedient... all the things Caterina overlooks in Illario because Caterina sees her favourite daughter's deep brown eyes and quiet, controlled demeanor and careful planning in Lucanis.

But I am also attached to the idea that the opposite is true too. That Illario's mother shared similarities with Lucanis; that she was empathetic and stubborn, with a slight rebellious streak. But she was always outgoing and charming, was more impulsive with her emotions, and was always sharper with her tongue than with a sword, so Caterina only sees her in Illario.

I just love the idea that Caterina can't look beyond the surface and see who her grandsons really are because on some level she can't see past the ghosts reflected in their eyes. She can't see that the quiet brown eyed boy is is more of the gentle hearted rebel, and the one with blue eyes and a shining, fake smile is the ruthless leader who would do anything she asked.

[unsteddie]

Dustin has keys to everyone's house. Almost no one gave him one.

Robin and Steve rent a little place together and everyone's coming over for a party dinner. They do it every once in a while, everyone squeezing in together. It's not exactly comfortable but its important.

Except neither Steve nor Robin have their keys. Steve's is at the shop with his car and Robins are clearly visible through the curtains hanging on their designated hook on the wall.

Dustin fidgets for a moment before sighing dramatically and unlocking the door with his key. A key he has not been given, Steve was planning to give him one just in case, but he hasn't yet.

"ok, don't freak out. I just thought it would be a good idea if somebody had everyone's keys." He says like it's a reasonable thing.

The group erupts into chaos at the implication of Dustin's words. Shouting over each other and trying to figure out exactly who's keys he has.

"EVERYONE'S, I HAVE EVERYONE'S, OK?" He finally shouts, storming into Steve and Robins apartment.

The argument pops up here and there through dinner. Dustin refuses to explain how he got everyone's keys without anyone noticing, refuses to give any back. "No I paid for the copies!"

Eddie makes a joke close to Steve's ear about using Rick's place for safety. Dustin snorts and is like "You think I don't have his key too?"

[moodyseal]

TOApril Day 28 – Silent Thunder

Last prompt for this year!! Waystation gang to the rescue ✊

[ofswordsandpens]

I rewatched Zuko and Azula's Agni Kai recently and it's left me wondering – when Zuko begins to goad Azula into striking him with lightning, was he making the decision to kill her?

Because had Azula shot lightning directly at him like he planned and not at Katara, the most forthright implication to me is that he was intending to strike Azula with her own lightning. And Azula, for all her mastery, would not have been able to counter that.

On the other hand, maybe he wasn't planning to kill her at all and was simply planning to redirect it elsewhere (similar to what he did with Ozai). But given the tone of tragedy throughout the Agni Kai, the fact that they both acknowledge that this fight will be "the end" to them, I don't think it's inaccurate to read Zuko's actions as him preparing to kill Azula, even though an Agni Kai doesn't have to end with death (and in canon it didn't). Also, why goad her into striking him with lightning if he wasn't planning on doing something intentional with it? If anything, it adds another layer to the tragedy to me, because I don't believe Zuko wants to kill her. And it stands in such contrast to the way that Azula desperately wants to kill him.

I also think that there would have even been something sadly poetic in that sort of demise for Azula should the Agni Kai had gone this direction: Azula, struck down by her preferred sub-skill. Azula, struck down by the very bolt of lightning that she intended to kill her brother with. Azula, struck down by her own power.

[mediumgayitalian]

i keep seeing sad posts talking about "may castellan making sandwiches every day waiting in hopes that her son will return" and.

guys.

there is no hope for may castellan. she is not waiting at the door with lunch and a tentative smile, waiting for him to come home even though he didn't yesterday, or yesterday, or yesterday, or yesterday. "in hopes" implies that there will come a day when that hope fades. in hopes implies she knows the odds are bad. in hopes implies reality will eventually catch up to her.

there is no hope for may castellan.

she is not waiting in hopes for her son to return. she is preparing, day after day after day (after day after day after day after day after) for the inevitability that luke will return to her. she does not know he is dead. she does not understand he is gone. she does not realize that time has passed; to her luke is nine, still. to her she is still placidly awaiting to return of a fourth grader. luke is not nineteen and betraying his camp. he is not twenty and housing a titan. he is not twenty one and watching his friends get slaughtered in an arena, twenty-two and forcing his sister to hold up the sky, twenty three and realizing, soul shuddering in his chest, that he has made a mistake he can never take back, that he can never undo what he has done.

luke castellan to his mother is a child who has not yet lost all his baby teeth. the cookies she makes for him are soft, because she remembers that. he still leaves the crust behind on his sandwiches. he has scrapes on his elbows and dirt on his nose. he flinches before he hugs her. he spends a lot of time outside, but he comes home before dark.

may castellan's tragedy is not that she is penelope waiting for odysseus to one day return and we know that he will not. may castellan's tragedy is that she does not understand her hero has left at all. may castellan's tragedy is that she will never understand, and she will continue to age, and continue to deteriorate, and one day she will die and she will spend eternity walking the dying poplar fields, whittled down to the memory of something missing from her.

there is no hope for may castellan.

[cto10121]

Maybe I just feel this way because I have mixed feelings about musical Gelphie as a ship, but it seems to me that the way the musical fandom ships Gelphie reflects the ways that the musical is "the Glinda show." Personally, I can believe that Glinda might really be in love with Elphaba and not Fiyero, but I just don't see the same being true for Elphaba; her love for Fiyero and the trauma of losing him are too essential to her arc. Yet the fans insist that Fiyero is just comphet for both ladies.

*looks around nervously for the Gelphies* You said it, not me.

Seriously, you took the words out of my mouth. I’ve re-read Wicked countless times during the years, even adapted it into a movie script, so I close read it pretty carefully. Romance-wise, Elphaba’s true love was definitely Fiyero. And no, it wasn’t comp het, either in Elphaba’s character or authorial (also, accusing Gregory Maguire of out-of-character comp het is just hilarious).

Let’s put aside the fact that Elphaba went into a trauma coma when she lost him, gave birth to his son during said coma, went to the Vinkus to ask forgiveness from his wife, lived there, worked tirelessly to find out what happened to Fiyero’s whole-ass family after they were captured by the Wizard’s guards, and ran his family estate for years. Let’s put all of that aside.

Fiyero was the only one in the whole damn book even to come close to matching Elphaba intellectually and philosophically. He even manages to challenge her on some points (and honestly, imo, he did gag her at some points). He even reached a level of empathy for the Animals on his own, witnessing an act of violence. And he risked his own life to protect Elphaba, even following her in her assassination attempt to Madame Morrible. And it was thanks to his influence that Elphaba ultimately refused to hurt others in order to kill Morrible (they literally had a whole conversation about collateral damage, with Elphaba prepared to accept it and Fiyero firmly against it). When he died, it was as if a key part of Elphaba had died as well. It was in that section that she truly became the Witch.

With Glinda, Elphaba would essentially be replicating her dynamic with Nessarose as glorified handmaiden, and this at best. Also, Glinda was never that great an influence on Elphaba in the books to begin with; the whole point of that section was Elphaba’s influence on Glinda. And Glinda did not go with her after their meeting with the Wizard, and Elphaba did not offer.

Even in the musical-verse, Fiyero actively chooses Elphaba and her cause. His support is ultimately why Elphaba chooses him. With Glinda, she would have to live in her world, work with the Wizard, and turn a blind eye over the injustices of Oz. And that is something Elphaba can’t or will not compromise, as she knows it would lead her into certain danger.