I recall saying this before, but it bears repeating:
There could be a billion trans people in the world and it still wouldn't be a bad thing because being trans is not a bad thing. Even if the rate of people discovering they are trans is "disproportionate" to trends from decades ago, that is not a bad thing. In fact, it's a natural consequence for there being more trans people being able to stay alive, and, overall, being able to live in a slightly more tolerant world. You'd only see that as a bad thing if you actively didn't want trans people to either live or live a life that facilitates wellness.
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Climb the mountain to attain the goal
Do we really want to attain the goal we have said we wish we could do? How much are we willing to do to make it happen?
In addition to a couple of other ideas I have shared about setting and working towards our goals, see for example here and here, I wanted to share something about achieving our goals that I was reading this morning. Rabbi Dr. Abraham Twerski, in Growing Each Day, offers a…
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the way hozier titles a song "i, carrion (icarian)" where he sings about the self-destructive idea of sacrificing himself by flying into sun to save his relationship, and compares himself to 'carrion', the decaying flesh of animals, often a word used for roadkill. to then go and write a song called "abstract (psychopomp)" about how holding an animal whilst it dies mirrors the mercy of ending a failing relationship, similar to a 'psychopomp' - a deliverer of death. and we watch as hozier turns from 'icarian' to 'psychopomp' when he realises that prolonging suffering is crueler than just letting love die. i'm both in awe and crying on my bedroom floor.
and the way a carrion crow is also a symbol of death ?? and how 'carrion' sounds like 'carry on' the way icarus kept going ?? and how he sounds envious of his lover's courage in "abstract" ?? how when the sun is gone - "streetlights in the dark blue" - he can no longer blind himself and is forced to look at the corpse of his relationship ?? how to love is to let go ?? how can he keep getting away with this i'm sobbing ??
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I have two questions for you, really. Just as proof of the point. But first:
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Normally I don't ship any variation of the 'divorced couple' trope EXCEPT when it comes to Charles/Erik. I don't CARE about their first meeting, falling in love, etc. I want to see them as jaded divorcees and that's IT
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very complicated and messy figure skating duo au but with WHO. im talking complicated and messy in the sense that during a practice, you two are upset with each other and you’re both so angry and neither of you can concentrate and he accidentally drops you and you have to be sent to the hospital. he feels so awful but he refuses to contact you afterwards + all your anger towards him has dissipated almost immediately but now you feel bitter that he got you into this mess and doesn’t even have the decency to send generic apology flowers or even a text. (everyone kept suggesting that he find a new partner to skate with but he vehemently refused & even stormed out the arena when presented with another girl to skate with. if you never returned back to his side, he would have quit skating. meanwhile, the whole time you were in the hospital recovering, you knew him well enough to understand why he didn’t contact you. you don’t blame him for your hospitalization at all.)
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What if we were both magic prodigies and it otherized us in different ways and we devoted ourselves to protecting a family member who has general other goals & priorities. What if we both did self-sacrifical devotion in opposite ways.
What if we were dark mirrors of each other and where I've grown
overcontrolling you've grown complacent. What if, bought as a servant into a pretty loving home, ownership and control is what love looks like to me, and to you neglected and lonely growing up, love is gratefully taking any scraps of it you’re lent.
By belonging to someone, even if she comes back injured or fails at finding Delgal, she feels like she belongs and is cherished, by owning someone he feels safe in them not leaving him.
She’s what’s tethering him do you see… And he’s the only thing giving her direction and purpose in her state. She needs a compass and he needs a support.
They’re both so out of it 😭 It’s the weirdly intense and unearned mutual trust and reliance on each other?? They’re each other’s weird little comfort codependent teddy bear. Or at least they were headed towards that before SHE DIED THEN HE DIED THEN THEY BOTH FORGOT ABOUT EACH OTHER AND NEVER MET EVER AGAIN. Though she’s also the guard attack hound keeping him safe… And vice versa he heals her and can rewrite her very being with just one wave of his hand. They’re both so so mentally and physically vulnerable both but they cling onto each other. They can’t perceive things accurately but despite it all someway somehow they stumble into something closer to resembling companionship just before they both die. Falin is just that kind and Thistle is just that lonely. Overworked.
We both haven’t lived for ourselves in a very long time, haven’t we.
They both have a similar devotion to the people they love but again the difference is that Thistle starts overtsepping while Falin is self-effacing. The other difference between them is that people care about Falin <3 People have given up on Thistle long ago, and he has given people reasons to, while people refuse to give up on Falin. Yaad has a mini arc about it dw about it it’s ok he’s not all alone in the end 😭😭 He reached out for Marcille’s hand but they already all wanted to help him, they just had to be given the chance to, Yaad just had to be given the chance to, it’s okay I’m okay
Hey what if we learned to get in touch with our own identity and the world around us and living in the present again through being in the worst codependent situationship ever.
Falin and Thistle sitting in a tree, sucking on flowers together because they’re h-u-n-g-r-y 💕💕💕
I bet he’s only ever thought of flowers as useless ornaments. Weak weeds. But she shows him they’re tasty and useful and good and pretty in their own right too and deserve existing without proving their worth and waaa <33 Thistles…... Did you know thistles taste sweet if you remove the thorns and eat them?
"Even as a chimera, her kind nature remains" you can’t suppress her in the way that matters. You can’t soothe him in the way that matters. It’s doomed. You’re doomed. It’s all doomed. Save me.
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Okay I am out of the loop, is there a place where I can read up on your Scammers-to-Lovers AU? Because I really love your drawings but I dont understand the context really.
no it’s just the drawings, the 500k slowburn fic resides solely in our hearts
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Both Pride & Prejudice and Much Ado About Nothing work so well as enemies to lovers because despite surface animosity, it's clear that both end couples really respect each other and for good reasons. I think you could even argue that with Beatrice, she spars with Benedick because she considers him a worthy opponent.
When Hero and Ursuala plot to make Beatrice fall in love, Hero instructs her to speak of Benedick and "praise him more than ever man did merit" and yet when Beatrice finally speaks, she doesn't disagree with their high praise, she says of Benedick:
For others say thou dost deserve, and I
Believe it better than reportingly.
Benedick likewise after his eavesdropping on Don Pedro, Leonato, and Claudio's praise Beatrice says:
They say the lady is fair; 'tis a
truth, I can bear them witness; and virtuous; 'tis
so, I cannot reprove it; and wise, but for loving
me; by my troth, it is no addition to her wit, nor
no great argument of her folly, for I will be
horribly in love with her.
Similarly in Pride & Prejudice, once the misunderstanding about Wickham is cleared away, Elizabeth is able to acknowledge to herself how much she respects and likes Darcy:
She began now to comprehend that he was exactly the man who, in disposition and talents, would most suit her. His understanding and temper, though unlike her own, would have answered all her wishes. It was an union that must have been to the advantage of both: by her ease and liveliness, his mind might have been softened, his manners improved; and from his judgment, information, and knowledge of the world, she must have received benefit of greater importance.
Darcy also finds that he admires Elizabeth, after initially dismissing her:
But no sooner had he made it clear to himself and his friends that she had hardly a good feature in her face, than he began to find it was rendered uncommonly intelligent by the beautiful expression of her dark eyes. To this discovery succeeded some others equally mortifying. Though he had detected with a critical eye more than one failure of perfect symmetry in her form, he was forced to acknowledge her figure to be light and pleasing; and in spite of his asserting that her manners were not those of the fashionable world, he was caught by their easy playfulness.
All of these characters also hear and accept criticism of themselves. Both Benedick and Beatrice hear they are too proud to accept love, which they both overcome. Elizabeth learns that she judged Darcy without sufficient information and Darcy that his behaviour was not that of a gentleman. Their mutual acceptance of this criticism and their growth as people leads to their ultimate happiness.
Unfortunately, those who reproduce this trope often forget to build this foundation of respect and the acknowledgement, either personally or publically, that the characters have been wrong. Instead we get characters who mid argument begin ripping each other's clothes off. No growth, no understanding how they have been wrong, it just becomes "thin line between hatred and love" instead of "we grew towards each other".
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just a bet 🍸🍻🍷
(i know that zoro is more likely to win, but when there is money at stake, nami is unstoppable!)
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Pocahontas refusing to confide in Nakoma.
Pocahontas (1995)
rambling lil' meta under the cut
i've been thinking a lot about pocahontas's relationship with nakoma and what kind of friends they really are in the context of the film. when we meet them both, pocahontas is elevated and nakoma is in a boat far below her, shouting up to reach her. i think nakoma is always reaching for pocahontas and pocahontas will only reach back sometimes. it's a pretty unbalanced friendship, when you look at it, and i wonder why nakoma remains the main point of contact in the community for pocahontas besides her father. perhaps it's because they're similar ages. maybe they're childhood friends who just got so used to each other that the one may take the other for granted.
pocahontas never confides in nakoma, and you gotta wonder why. even their first interaction has pocahontas demurring when she answers that she was up on the cliff thinking. thinking about what? She doesn't say, but she doesn't refute nakoma's assumptions.
and nakoma...what does she get out of this friendship? maybe she's just used to trailing after pocahontas this way, maybe she just doesn't have another friend, or she thinks pocahontas needs her.
nakoma is sort of a foil for thomas, who trails after john smith like a starry-eyed fanboy with an intense para-social relationship perspective. nakoma also is the active participant in the friendship, not pocahontas. nakoma fills in the gaps of their relationship with assumptions and guesswork, because pocahontas is so reticent, so hesitant to share of herself that nakoma Has to. and when pocahontas's seclusion goes too far, when she fails to confide in nakoma some of the most essential elements of what she intends, nakoma has to fill in the gaps again. and when she does it's Not Good, and her solution is to send their strongest warrior (a man with affection for pocahontas, who might keep her secrets if she needs him to) to try and save her friend. and then it all blows up in their faces and a man lies dead in the water for it.
every relationship in the movie is so tragic like brO—
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A balanced life perspective
A balanced life perspective
Sometimes we are reminded of a message that is deep and meaningful at the most important of times. Over the past few days, I keep coming across these two phrases, “I am but dust and ashes” and its contrast, “For my sake was the world created.” According to Rabbi Dr. Abraham Twerski, in Growing Each Day, it is said that:
Rabbi Bunim of Psis’cha said that everyone should have two pockets; one to…
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DP x DC Prompt #75
Damian knew his sculptures were amazing. He threw himself into sculpting as much as he threw himself into being Robin. He could never not give himself fully into his sculptures.
Lately, though, he doesn’t know how to explain to his family the latest subject of his sculptures. He’s not even sure he knows himself. It feels like a distant dream, a memory he can’t remember. Sculpting the same boy over and over again. The face is never quite right, but he knows he knows this person. Somehow.
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LYCA DW IM YOUR FRIEND!!!!! WE'RE BEST FRIENDS !!!!!!
(lyca's affinity 8)
LYCA I'D DIE FOR YOU 🗣
Bonus: (the other option)
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If we ever get Sydcarmy endgame I want to see them crack jokes with each other more, especially during a sex scene if we ever get one, and to see them make each other giggle and fall to pieces and shit. I want them to start sitting next to each other at family, holding hands after the meal or patting/rubbing each other's knees below the table. I want them to throw an arm over each other's shoulders as they brainstorm menu ideas. I want, before they get together, and after they've signed documents to give Sydney an official stake in the restaurant and she shakes the Berzattos' hands, I want Carmy's handshake with her to linger on a little too long and leave him awkward and red as a beet. I want Natalie, Richie, Tina, Ebra, Marcus, Sweeps, Manny, the new staff, Uncle Jimmy, Donna, Sydney's Dad, POTUS, the Vatican, Oprah, and the internet to clock the soft and loving looks that they furtively shoot each other. I want them to have full blown arguments where they don't hold anything back and see them compromise and kiss and make up. I want them to meet each other's families. I want-
*GUNSHOT SOUNDS- CAR SPEEDING OFF*
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