#a lot more room in a novel
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bethanydelleman · 1 year ago
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Both Pride & Prejudice and Much Ado About Nothing work so well as enemies to lovers because despite surface animosity, it's clear that both end couples really respect each other and for good reasons. I think you could even argue that with Beatrice, she spars with Benedick because she considers him a worthy opponent.
When Hero and Ursuala plot to make Beatrice fall in love, Hero instructs her to speak of Benedick and "praise him more than ever man did merit" and yet when Beatrice finally speaks, she doesn't disagree with their high praise, she says of Benedick:
For others say thou dost deserve, and I Believe it better than reportingly.
Benedick likewise after his eavesdropping on Don Pedro, Leonato, and Claudio's praise Beatrice says:
They say the lady is fair; 'tis a truth, I can bear them witness; and virtuous; 'tis so, I cannot reprove it; and wise, but for loving me; by my troth, it is no addition to her wit, nor no great argument of her folly, for I will be horribly in love with her.
Similarly in Pride & Prejudice, once the misunderstanding about Wickham is cleared away, Elizabeth is able to acknowledge to herself how much she respects and likes Darcy:
She began now to comprehend that he was exactly the man who, in disposition and talents, would most suit her. His understanding and temper, though unlike her own, would have answered all her wishes. It was an union that must have been to the advantage of both: by her ease and liveliness, his mind might have been softened, his manners improved; and from his judgment, information, and knowledge of the world, she must have received benefit of greater importance.
Darcy also finds that he admires Elizabeth, after initially dismissing her:
But no sooner had he made it clear to himself and his friends that she had hardly a good feature in her face, than he began to find it was rendered uncommonly intelligent by the beautiful expression of her dark eyes. To this discovery succeeded some others equally mortifying. Though he had detected with a critical eye more than one failure of perfect symmetry in her form, he was forced to acknowledge her figure to be light and pleasing; and in spite of his asserting that her manners were not those of the fashionable world, he was caught by their easy playfulness.
All of these characters also hear and accept criticism of themselves. Both Benedick and Beatrice hear they are too proud to accept love, which they both overcome. Elizabeth learns that she judged Darcy without sufficient information and Darcy that his behaviour was not that of a gentleman. Their mutual acceptance of this criticism and their growth as people leads to their ultimate happiness.
Unfortunately, those who reproduce this trope often forget to build this foundation of respect and the acknowledgement, either personally or publically, that the characters have been wrong. Instead we get characters who mid argument begin ripping each other's clothes off. No growth, no understanding how they have been wrong, it just becomes "thin line between hatred and love" instead of "we grew towards each other".
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jq37 · 4 months ago
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Descendants: The Rise of Red is kind of a bizarre movie to talk about critically because, imo, it almost doesn't make sense to talk about it in the usual terms of good vs bad or enjoyable vs not enjoyable when the way more obvious tension is finished vs unfinished.
Because, more than any other movie I've ever seen, it does *not* read as a full movie. And I don't mean in a "this movie has a cliffhanger" kind of way. The Empire Strikes Back and Across the Spiderverse fit that description. They end on big dramatic cliffhangers that point to a resolution in the third installment.
But Rise of Red just sets all this stuff up and then...ends without concluding anything. It doesn't feel like the first movie in a trilogy (or duology). It feels like the first act of a two-act musical. It very specifically reminds me of the end of the first act of Into the Woods where all the main characters sing the song Ever After about how they all fixed their problems with magic and nothing bad will ever happen to them again and then the narrator ominously says "To be continued" before the curtain drops. But in Into the Woods you know there's a second act and this movie wasn't sold as the first act of a bigger story. Like sure, it has the, "You didn't think this was the end" tag at the end like all the other movies, but those movies were complete, self-contained stories even though they had sequels. This was NOT a full story. It's half of one story.
Like, if we're supposed to take this as a full story, there are so many bizarre choices:
Why did they make sure to mention that Cinderella and Charming fell in love at the ball at the top if it wasn't meant to set up Back to the Future style, "Oh no, I accidentally got my mom banned from the ball so she's not gonna fall in love with Dad and I won't be born" shenanigans?
Why did Maddox very pointedly have that bit about "you could lose your mom completely" if that was never going to come into play? Red never did anything to endanger Bridget or endanger her own birth so it doesn't make sense as a warning in that way.
Why was there all this focus on this Carrie on prom night moment for Bridget if we LITERALLY NEVER SAW CASTLECOMING? Why dance around this moment and talk about it all cloak and dagger with no specificity if they weren't building up to some big reveal that it wasn't as straightforward as it seemed? And like, they leaned in HARD with making Bridget the nicest, sweetest, cotton candy princess as a teen so I need WAY more than, "She got pranked by known bullies she's been enduring with a smile very handily up to this point" to buy that she went from that to "murderous dictator". And even if she did become murderous, I find it insanely hard to believe that she'd include her best and only friend on the list of people she wants to suffer unless there was a betrayal. I find it INSANE that there wasn't a falling out scene at any point in this movie with how thickly they were laying on the admiration and camaraderie.
(Note: And adult Cinderella def has guilty vibes re: the Queen at orientation. Which I know I'm not imagining because it's literally spelled out in the Jr Novelization!)
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Before the time travel element of the movie started, I thought they were going for something like they go to the past and realize that Bridget was bullied not by the VKs but by the spoiled royals, and Ella ends up joining in the bullying once she gets with Charming, betraying Bridget and justifying her whole "Love Ain't It" philosophy. Or Ella ditching her at the last minute to be with Charming meaning she has to deal with the monster prank alone and it was the being alone rather than the prank itself that hurt her (though that is NOT a good enough reason to go all off with their heads on your subjects). The fact that, as far as we know right now, it literally was just a relatively mild and reversible prank that caused all of this is just, such flat storytelling, you know?
But! All of this makes way more sense if this is meant to be the first act of a single contained story. And I don't wanna be all "Pepe Silvia, secret good 4th episode of Sherlock" about this but I did see this picture:
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Which seems to indicate that this was written as a Part One. Which, if so, idk why they wouldn't advertise it that way but whatever. The point is, if that's the case then it means that we're potentially in bad pacing territory rather than straight up bad storytelling territory. Because this isn't a bad place to be halfway through your story:
The heroes, warned that time travel is dangerous, have gone back in time to change the heart of a brutal tyrant before she can stage a coup. They seemingly succeed in their mission and when they come home, everything is great! But then, the side effects of time travel start to catch up with them. Chloe realizes that, in breaking the vase, she prevented her mother from going to the ball and falling in love with her dad (who was conspicuously absent from the final scene btw) which means she's starting to be forgotten and erased from the timeline. And Red realizes that though this new version of her mom is as sweet and kind as the teen she once met, she's a complete stranger to her (fulfilling the Hatter's warning that she could lose her mom completely). So they have to go back in time once more to make sure the Ella and Charming fall in love again, perhaps at the cost of whatever bad thing that happened to Bridget happening again and bringing back the original version of her future self. But, now with more context of how her mom became that way, Red can now talk to her mother and persuade her to give people another chance.
Boom, that gives us time to go back and hit everything we haven't yet hit. We can pay off the time travel tropes that were set up but not explored. We can go to Castlecoming which feels so obviously set up to be the centerpiece of this story (like, come on, Back to the Future literally does the school dance thing. This is Time Travel Storytelling 101). We can actually get info about what the prank was and why it affected Bridget so completely.
(Note: This is a side thing but it really strikes me as so crazy that Bridget would so SUCH a big 180 here. Like, I know the Queen of Hearts is a silly, goofy, campy villain, but she straight up murders people and there's no way to get around that if we're taking her out of the surreal story she comes from and putting her in a (comparatively) grounded story. If I wasn't doing a betrayal plot, I would make the twist that the spell that turned Bridget into a "monster" didn't just have a physical effect, it had a mental effect and it magically twisted her personality to be the way it is now. So they broke the physical half of the curse, but neglected the other half and it's been festering the whole time, turning her as evil as she was sweet. Because like, a simple physical transformation isn't that big of a deal to have such heavy security--Bridget made cupcakes with a transformative effect and that was totally fine. I'm not saying that that's what's gonna be the case. I just think it would be an explanation that makes sense for why she changed so crazy much that makes more sense than a simple prank or even a betrayal. Her mom wasn't even evil! How did she go from zero to murder without even an evil mom to push her onto the path? But I'm super digressing right now.)
(Note #2: OK, one last thing. The trap on the book presumably would have hit the VK's and trapped them in Merlin's office regardless of what Chloe and Red did, right? That's like, net zero influence on the timeline. I genuinely can't tell if that's a straight up plot hole or set up to be like, "Oh no. Actually when she said that she was turned into a monster in front of everyone it was meant in a less literal way." Like she was just made to look bad and that was the real thing that pushed her over the edge. Like idk. It really feels like the only thing they really did that would change the timeline was get Ella banned from the dance and presumably out of the way where she couldn't hurt Bridget. OK NOW I'm done.)
Anyway, my point is that this is not how I would have structured my movie and I think this was a super weird way to go into the second era of Descendants movies, but they can still tell a complete story if that's their plan. I'm genuinely really curious to see if this pans out to be a fairly competently told story that just happens to be split over two movies or a complete fumbling of the narrative bag because it could really be either at this point and it's fascinating to me.
#rise of red#descendants#descendants rise of red#descendants the rise of red#i have never seen a dcom paced like this#uma DOES say that messing with time has consequences which gives me a glimmer of hope that they're going for a 'we have to go back' thing#but idk I've stopped assuming that writers know that they're doing#if I was ending this movie on this note here's how I'd do it#I'd have it end the same but when red and her mom are dancing I'd have one lingering shot of her being a little uneasy#and uncomfortable with this new version of her mom#and I would show chloe happily reuniting with her mom but then pan over to another part of the room and show that like#a portrait or s/t that had charming in it before now just has ella#or maybe something more subtle like something he placed on a table or something earlier in the movie isn't there anymore#just a little thing to be like 'don't worry we know what we're doing'#that would give me a lot more confidence#I was so sure that Chloe was gonna find Cinderella and she was gonna turn around and be like 'who are you?'#*that's* how you do a cliffhanger#and then in the next movie we could have had the tension of 'yeah we saved your mom from being evil but now mine doesn't know I exist'#listen there's a lot of ways they can handle this#they just need to pick literally any of them#last thing:#in the Jr. Novelization#the line is that the prank turned her into a *giant* during the dance#not a monster#i wonder if the giant prank was an 'eat me/drink me' wonderland ref before it was changed#also there is a world where they changed it from giant to monster bc they wanted to do s/t with the monster body/monster personality thing#but that is TOTALLY veering into pepe silvia/secret good episode or sherlock territory lmao#for the record I did not buy it I checked it out from the library#I'm not above buying jr novelizations (i happily own the disenchanted one)#but I'm not into descendants like that
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lloydfrontera · 11 months ago
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male authors, writing m/m friendships: their bond will develop through hundreds of chapters, we will get to see each stage of their budding relationship, they'll constantly be in each other thoughts, their first instinct will always be to reach for the other, their first worry will always be the other's safety, they'll spend every minute of the day together, they'll be complete opposites and yet perfectly compliment each other, they will put everything they ever loved in risk just to keep the other safe, they will give their life without hesitation to save the other's, they will fight and argue and tease and joke around but they will always be at each other's side at the end of the day, they will plan to spend the rest of their lives together, sharing the happy moments and the hard times, the idea of being without the other being unthinkable, the thought of being always together coming naturally, as easy as breathing.
the same male authors, writing m/f romance: she'll like,, smile once at him and he'll start thinking of marrying her and having children with her idk
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synchodai · 5 months ago
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Things that HotD did better than FAB
Just my opinion ofc
Complicating Alicent and Rhaenyra's relationship.
Alicent's characterization.
Turning Viserys I into a nerd with miniatures.
Viserys I ordering Aemma to be mutilated to get out Baelon.
Viserys in general.
Dragonpit keepers!
Making Rhaenyra the cup-bearer instead of just having her sit in on the council.
Rhaenyra having a more active role in the political intrigue in general.
Making Crispin Cole Dornish.
The council BALLS.
Emphasizing the sulking and pathetic side of the ~ * rogue prince * ~ .
Turning Rhaenys and Corlys into an elderly power couple.
Rhaenyra and Laenor's relationship.
Otto being the one to suggest making Rhaenyra the heir because he's just that much of a Daemon hater.
Aemond being less explosively angry and more anime-rival seething.
Aegon II believing his father hated him.
Helaena being autistic-coded and a fully-fledged dreamer.
Lucaerys's death.
Blood and Cheese being down-on-their-luck smallfolk instead of just one-dimensional sadists. (It adds to the message of how no matter who comes out on top, the smallfolk always lose).
Integrating Corlys to King's Landing politics.
Tyland Lannister.
Alicent calling out Rhaenyra after Aemond losing his eye.
Rhaenyra and Daemon Valyrian wedding.
Aemond mommy kink.
Daemon helping Viserys up the throne.
Criston confessing to Alicent, justifying how the two got so close.
Mysaria's pro-smallfolk agenda.
Vhagar's neck flap.
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sskk-manifesto · 3 months ago
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And so the big sskk shortage begins (no sskk for the next 15 episodes) (and the sskk episode coming after kind of sucks)
#Hhhhhh this is such a good episode.#I don't have any particular strong feeling for Fukuzawa nor Ranpo but this is a very good episode.#The pacing is great the tension and ease are well distributed as much as action and exposition are.#The animation is spectacular and detailed. The drawings beautiful. The imperfect black and white is original‚ compelling and eyecatching#Truly something that shows the animators were given budget and enough time to really think it through. Please more of this#Off to more personal notes I clearly remember the moment in my dorm room I watched the bsd anime–#come back for the first time after three years and the reveal of the untold origins novel being adapted that came with it.#It's such a sweet memory. I was so so excited and happy and thinking back at it makes me :')#In love with Oda's voice please speak more baby#About voices Fukuzawa looks so younggggg and yet his voice is so deepppppppp it's a funny contrast ahah.#Fukuzawa was very pretty when he was younger.#Distributing countless papers on the floor of my childhood's house attic to order them to the point there was no space left to walk is–#something I actually used to do when I was little. That's a cute memory too. I've always liked organizing stuff lol#Seeing all the actors preparing in the backstage threw me back to my musical theater hyperfixation.#Theater backstage feels so familiar to me if only because I used to keep up with the actors' i/nstagram stories religiously pffttttt#I really like Oda.#Wish his life had a little more happiness in it. Wish Fukuzawa could have adopted him too. Wish he could have married Dazai.#Alas :///#Aight no Atsushi this episode (and no Akutagawa for a whole season God‚‚‚‚‚‚‚ ) but a lot more exciting things to come!!!!!#Oh almost forgot the op and ed songs are so good too hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh#Actually I think I just might have a soft spot for everything s4 since it's the first season I witnessed as it was airing pffttt#random rambles#I probably need to find a better file to watch the season... So far I'm still using the old episodes I individually downloaded–#as the anime was dropping. Which technically are still 1080 mkv but idk I feel like the quality is not the best.#And the subtitles are suboptimal
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mermaidsirennikita · 10 months ago
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The dichotomy between what's popular according to booktok (from what I've see) from the most blandest books imaginable to the most taboo erotica you can think of is kinda wild.
I think that what gets me with taboo books recommended by BookTok is that they're usually very poorly written. And if the writing is poor, you're not really getting the full "shock" value.
Like, when you read Sierra Simone's Thornchapel series, the scenes read as really intense because Sierra is an excellent writer. In contrast, a book like Hooked (that one dark romance~ modern Captain Hook book, a concept I was very open to and wanted to like, for the record) is very badly written. There's taboo content and a horrible hero, but like... It just reads juvenile.
I'm about 65% through A Kiss at Midnight by Anne Stuart, a historical romance that is QUITE dark, but the writing is frankly fabulous. Because Stuart can write, the darkness (which is not like, the corny "oh he's so bad he's in a motorcycle gang" torture sequence stuff--it's TRULY intense and pretty accurate for the era) is balanced out by emotional progression and honestly? A very dry, at times dark humor. If a lesser writer handled this plotline, it would just seem like shock factor after shock factor layered on just to get people talking. Very 2edgy4me.
And I'm gonna be really real here. Some fanfic authors are made to transition to actual published books. I think Ali Hazelwood writes a really solid contemporary romance. I really enjoyed You, Again by Kate Goldbeck, and that's based on a fic I actually read. The Hurricane Wars works as a book. (And mind you, let's not take away from the work the editors and authors did to rework fics into actual books here.)
Some fic authors are meant to stay fic authors and to excel at that. I personally think that one of the reasons why we have so many blaaand romance novels right now is that a) some of them are written by less-equipped fic authors trying to write real books and b) some of the authors have read less actual books than they have fics.
There are some tensely plotted, exciting fics out there. But personally? I think the standout nature of those fics--fics like Manacled, which... I think.... is not.... for me. However, bland it is not lol--makes people think that is the NORM for fic, when it's not. The norm for fic, and what I think a lot of more casual fic consumers and people who read more fic than they do books (compared to a lot of romance readers who turn to fic to supplement their reading habits) is very plotless slice of life stuff.
And that's not meant to be derogatory. It works, especially when you're writing about characters a lot of people know and love and are PROGRAMMED to know and love. Even if it's AU and they're basically other people, if you're writing a modern, sedate romcom about Katniss and Peeta and she mentions going to archery classes and Peeta being a baker, people are like aawwwww and they enjoy the nicely written scenes that are just people being people.
That.... ultimately creates a bland story when you're writing a book about original characters nobody has a preexisting investment in.
#romance novel blogging#lol idk sometimes i feel like fic gets this sweeping pass bc we're not supposed to critique the work#and not critiquing the work is fine i'm not here to tell y'all a thing someone is doing for free is bad when they don't want feedback#BUT... i think it's fair to critique the way fic has been uplifted and held on this pedestal compared to books#and EQUATED to books#which is my biggest complaint always#it's not better or worse it's different and if you think you can transition from fics to books#without reworking your products and your style#and frankly often putting a lot more work in#... idk man that's just so low effort and i personally think that's one reason why we see subpar books where nothing happens#they've always existed some people just do that lol but some of it i read and i'm like#this is like someone wrote a review 200k word fic about absolutely nothing changed the names and bit publish#(and another thing--one way you CAN tell there is a different type of work being done with fic is the wordcount dif#the standard for say a historical romance#which is often given more room traditionally in terms of word count than a contemporary romance#is 100k words#contemporaries often have landed between 80k-100k#then you have these 150k contemporaries and they're bloated as hell#but that wordcount is not unusual for fics#and fics are nORMALLY if edited at all being edited by amateur beta readers who do not professionally edit work#and often only look for typos or scene/character issues versus things like overarching plot and structural weakness#ADDITIONALLY! when you read a fic you're usually reading someone writing in real time#whereas if you are reading a well-done actual book you're reading someone's like... billionth draft that's been worked over by#multiple eyes. and i include indie in this bc the really good indie books have usually been professionally edited#on top of critique partners proofers etc)#ANYWAY. MY RANT.
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batz · 2 years ago
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autism become real
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doubleedgemode · 6 months ago
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There's a post that explains it way better than I do but. I'm currently thimking about A.B.As frankenstein influence
Aside from the obvious "concept art refs frankenstein by name, so one could assume the head key worked as her electrodes/bolts" I don't see many people mention how her strive boots are black platforms a la creature's movie depiction's (roadworker if I'm not mistaken?? I probably am) boots. Also yknow they have lil bolts
#one of my funny unserious theories: while we only see a little bit of frasco I assume it's quite big. idk it's a mansion lab.#so there were a lot of keys#for its many rooms#WHICH think abt it seems to be kinda implief since aba had a key collection even before meeting para#one could argue she took em in her lil escapades but we don't know how long they could be (cause she couldn't go too far n frasco was prob#isolated since it was in the mountains imo. maybe there couldve been a nearby mountain village but still imo it was prob kinda hidden)#SO my goofy theory is that the creator was. wait. we can be pragmatic. we have some big keys here. those could work as electrodes yup#though it'd be interesting if they also had a key obsession fsr mirroring hers#'if it was already a normal key why did it have a skull design“ this is gg so I choose to believe frascos interior design even before getti#thrashed by the military already had a creepy monstery vibe. the creator played into thst I think cause come on.#frascos caged monsters were either made by the creator or.. aba herself#guh I'm procrastinating#worth noticing that while all of abas franken-refs are based off the movie version (which makes sense. it's the more iconic afterall!)#did u know book creatures skin was transparent. That's right. I can tie that into my 'slightly transparent skin aba“ n not look absurd lmao#look I don't even feel that strongly abt that hc I just think it's cool and adds to her vibes hence I tend to discuss it. sorry#a.b.a#text tag2b named#I rly need to read the frankenstein novel sometime...#I feel it'd be up my alley of empathizing with 'seen as offputting and shunned artificial mimicries of humans that can be oh so tragic“#edit: fuuuck I forgot ggworld confirms it's a key-shaped screw not a straight up key. but still my silly theory can work 'okay guys we need#a big chunk of metal to make a screw for my homunculus OH WE CAN RECYCLE OUR BIG KEY“#frankentag2b named
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theheadlessgroom · 8 months ago
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@beatingheart-bride
In turn, Randall squeezed her hand back, as he drew in a deep breath. Despite his best efforts, clinging to the notion that his parents would at the very least be understanding once everything was laid out on the table for them, seeing that Emily really meant him no harm and that they truly were in love, there was no denying that growing cold pit in the bottom of his stomach, worsened only by her suggestion. A part of him sort of wanted to (however lamely) protest, instead suggest they save it for another day, and just enjoy themselves for now...
...he knew, in his heart, she was right. They would have to tell them at some point, and it was better to do it now rather than later; Randall had never been one keen to lie to his parents, and he knew the guilt of keeping such a massive secret from them would eat him up from the inside out. Thus, it was just better to get it out of the way-for both his and Emily's ease of mind.
"You're right," he sighed, as he brought her closer, wrapping his arm around her as he nodded, "They...they do deserve to know. I'll, uh...I'll give them a call in a little while, tell 'em when I'll be home, and that you'll be with me. We'll...we'll tell them together."
He punctuated this with another loving kiss, this one pressed to her cheek as he reassured her, "It'll be alright, Emily."
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turochamp · 10 months ago
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slay the princess was overhyped i think
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mybrainproblems · 2 years ago
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brain is just mii waiting room music as i consider where i've ended up in my supernatural fandom journey
#that is to say: a berenscrit dabbfan and glynn stan who considers s1-3 kripke and dabb era to be the best eras of spn#which means i'm sad bloodlines wasn't picked up as separate from spn and think it's a blessing in disguise that wayward wasn't greenlit#also i'm going to be watching an adaptation of a YA novel that i have zero interest in just bc glynn is the showrunner....#i wasn't in the fandom when wayward wasn't picked up but everything i've heard really sounds like it could've been a firefly s2 situation#i feel like the issues with kaia's character are well-understood at this point but killing off missouri to make her a spirit guide(???)#for patience is uh. questionable. and depending on how it was handled could have fallen badly into the magical negro trope#the shitty thing is that we all know it wasn't picked up bc execs thought an all-female cast with middle aged women as leads#wasn't marketable to a larger audience and that part is bullshit but i think maybe it was best it didn't go forward as it was planned#like unless they were intending to have a very diverse writers room i cannot imagine what berens might have come up with#the creation and treatment of kaia as a character says a lot and i think the blame falls more on him than dabb or other writers bc she was#created with the intention of being on the show he would be showrunner for so i think he had more independence/less oversight#dabb is complicit tho and so are the rest of the writers tbh since it doesn't seem like anyone saw any huge issues with it#also: davy perez wrote a better confession in stuck in the middle with you vs 15x18 and does not get nearly enough respect for it 🙄#tbh *none* of the other writers get enough respect like my god you're gonna stan berens and NOT ms meredith glynn????#thee all-rounder and Understander of late seasons and top 5 writers on the show *ever*?#glynn could do 05x04 the end but bedlund could never do regarding dean#hashtag Takes that would get you cancelled in 2021#spn
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unproduciblesmackdown · 2 years ago
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remembering a fun marble hornets trans wrights element throwback where i managed to show up for one of their first convention features & while this was ofc already [serious "hmm...Not Cis: me??"] occasions i wasn't yet out or anything like well time to suffer being known & perceived thusly....while i Was out by the same occasion the next year like well here i am again, different name, binder, no plans to give anyone any rundown about this thing, hope it goes smoothly anyways and/or i'm effectively giving a reintroduction anyhow even though i May have been up to more memorable things that last time....no conversations needed to be had, i think i had the impression i was recalled as the same person but it was an entirely chill time, just this as like an early and pretty unique Occasion of like, here's people who know me from In Person (and ig Kind of online, i also don't recall ever like distinctly linking said in person appearance to onlineness lol. it just may also have not been an unsolveable mystery or a mystery at all. but mostly in person, and that's the element i was focusing on anyways) and my showing up transly in person with a whole other name this time as the major difference really lol. like well hope this goes swimmingly....And It Did. and at some point not eons later ya boy tim with some cringe comp sincerety like oh let me make this post somewhere about how an epic element of being a known internet creator is meeting new & various people including explicitly the [mh fans are like exclusively The Gays. and then some unfiction posters] factor & i'm like lol well you're welcome. just doing my part. but fr that was neat like i'm glad to get chill indirect & direct trans validation from internet horror series contributors in that immediate period of coming out & having to sweat it like damn wasn't at this point last time around
#lot of highlights that first time around at said expo....#loved being present for this like. Season One Dvd Live Commentary as this like late event put on some non ground floor room....#like it wasn't Huge but an impressive number of ppl showed up waiting outside & then the space was pretty packed#& it was just a fun and spontaneous time lol#also like going ''hmm autistic: me??'' as seriously & framed thusly consideration came years later#& relatively recent posting from ya boy tim (twitter) abt like adhd / autistic: me?? are throwbacks lmao like#hey pal as a [yes to both: me] party i can say that like anyone who's chosen to have multiple relatively extensive exchanges w/myself....#it's kind of its own ''hmm. you sure you're nt'' occasion lol#i would be Unsurprised thusly just like i'm Unsurprised abt the [practically no one is cis/het] factor....#anyways i have no idea what's going on w/the fact mh has these organic like popularity resurgences especially including Now apparently#but who tf is ever tuned in? cool when people are having fun and being themselves.#sort of distantly interesting to see what material people come up with in organic novel [entire new groups of ppl / popularity wave]#and mh i guess does that more often than maybe other things do#as they say it's a) just There online for perusal b) accessible in other ways. there's handy playlists & it's basically a few movies.#and c) there's always some hot new online homemade horror material & people can get into That & then into others ig. like mh sitting there#it's a like ''huh. i guess'' surprise even when mutuals / followers from Completely Different Things i indirectly find also watch/ed mh#like well. i don't really have a frame of reference for all this stuff lmao. i Guess it's unsurprising but to me feels like a weird overlap#just wasn't that niche? Isn't that niche? if you're like. Online to a sufficient degree. strongly narrative; a drama; shelved w/queer media#and that following along while it released was fun but now the advantage is: Not having to do that. it all just sits there#my fucking pet peeve as things Were released & people were like. oh plotlines progressed in this thing? smh filler#there were moments when people are walking to a location? filler. there were moments when it wasn't just sloober standing there? filler.#like would you shut tf up lmfao....crash courses in ''even when an online fanbase is small. ya don't wanna talk to Everyone''#which for me was part of a learning process like i don't wanna talk to practically Anyone thanks lmao. but the posts could be fun at least#let's have some appreciation along the lines of uhh smthing talking abt season one first house visit entry and how like#yeah it's fun how In Essence yes nothing happens but it's the creation of a very suspenseful experience anyways like thank you#having to explain things like Pacing [if Action & Intensity were Nonstop they'd stop being Effective or at all Interesting]#cue explaining this re: even Drama also like. deh's Drama is served by the interludes for ppl ''interrupting'' w/ ''lol? &/or tf?'' moments#mh the musical...
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softgrungeprophet · 4 months ago
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me writing the Kaine parts of my AU timelines like, "i need to make sure the contract killing background is realistic in my fanfiction about a superhuman clone who can shoot silk cement spikes out of his wrists"
to be fair i do also have a bunch of comic book pseudoscience bullshit in my notes about both the cloning and the spikes so really it's just all in line with everything else
#i am also a big proponent of the whole Internal Consistency and believability vs realism as applied to sff as a set of genres#like is dinosaurs any less realistic than rapid human cloning or nanobot swarms? no. but it isn't tonally consistent#could i allow for resurrection in this setting outside of The Other? i could. is it tonally consistent? ehhh could go either way#similar-ish applies to basically everything in the story from the pseudo science i put behind cloning to kaine's status as assassin#(spoiler alert: he's not much of a badass assassin and i actually decided not to include the assassin's guild at all for my purposes)#(it's not that he's not capable or frightening it's that he is not exactly in a position to do high profile work)#nadia rambles#arghwrites#came in through the window last night#not working on it at this moment of typing i was just thinking about it for reasons i already forgot#for a bit in the story which will probably only be vignettes kaine is essentially doing survival contract work#varying from killing people to scaring them or slashing tires for not a whole lot of money which then mostly goes to like...#heroin and motel rooms while he steals medicine and food and clothes but still barely has anything to his name#that's mostly in between plot stuff that like i said will probably be mostly vignettes#though it does give me space to work outside of ''this is just the lost years''... lol#i still need to write the entire beginning of the houston fic and also some other plot stuff but when i say it's taken me a year#to hammer out plot elements i am not exaggerating. actually still don't 100% have some of the beginning stuff down#i am not interested in just novelizing scarlet spider so there's a lot of pruning involved and thinking about the context of my AU#though it still retains more of kaine's existing 616 plots than *anything* i've written for peter which does kind of bug me#idk writing is hard
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writerthreads · 2 months ago
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How to avoid White Room Syndrome
by Writerthreads on Instagram
A common problem writers face is "white room syndrome"—when scenes feel like they’re happening in an empty white room. To avoid this, it's important to describe settings in a way that makes them feel real and alive, without overloading readers with too much detail. Here are a few tips below to help!
Focus on a few key details
You don’t need to describe everything in the scene—just pick a couple of specific, memorable details to bring the setting to life. Maybe it’s the creaky floorboards in an old house, the musty smell of a forgotten attic, or the soft hum of a refrigerator in a small kitchen. These little details help anchor the scene and give readers something to picture, without dragging the action with heaps of descriptions.
Engage the senses
Instead of just focusing on what characters can see, try to incorporate all five senses—what do they hear, smell, feel, or even taste? Describe the smell of fresh bread from a nearby bakery, or the damp chill of a foggy morning. This adds a lot of depth and make the location feel more real and imaginable.
Mix descriptions with actions
Have characters interact with the environment. How do your characters move through the space? Are they brushing their hands over a dusty bookshelf, shuffling through fallen leaves, or squeezing through a crowded subway car? Instead of dumping a paragraph of description, mix it in with the action or dialogue.
Use the setting to reflect a mood or theme
Sometimes, the setting can do more than just provide a backdrop—it can reinforce the mood of a scene or even reflect a theme in the story. A stormy night might enhance tension, while a warm, sunny day might highlight a moment of peace. The environment can add an extra layer to what’s happening symbolically.
Here's an example of writing a description that hopefully feels alive and realistic, without dragging the action:
The bookstore was tucked between two brick buildings, its faded sign creaking with every gust of wind. Inside, the air was thick with the scent of worn paper and dust, mingling with the faint aroma of freshly brewed coffee from a corner café down the street. The wooden floorboards groaned as Ella wandered between the shelves, her fingertips brushing the spines of forgotten novels. Somewhere in the back, the soft sound of jazz crackled from an ancient radio.
Hope these tips help in your writing!
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screampied · 7 months ago
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‘ #KNOCK(HER)OUT ! ’
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ᡴꪫ‎ sum. you get more than what you bargained for by getting involved with two boxers—two boxers that can’t keep their hands off the pretty new journalist. what happens in the ring stays in the ring though…. right?
wc. 5.7k
warnings. fem! reader x t. fushiguro & s. ryōmen, boxer!au, thrēesome, manhandling, unprotected, semi public, size kink, ōral (f & m receiving), head lock, spīt, sqūirting, they fight over you, brēeding, fīngering, implied multiple ōrgasms, nipple play.
an. based on this ask, haven’t recovered since :,)
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sukuna ryōmen and toji fushiguro. . .
the talk of the town. top most infamous boxers of your city, they were supposedly rivals but ended up becoming super close friends. 'friends' was probably a stretch. acquaintances was probably a far better word to describe the two. there was hardly anyone that didn’t tune into your detailed magazines about them—your occupation? a journalist. you’d be the first to write about their fights, their strengths, weaknesses, their total wins & losses, and even a few unnecessary things like their love life. you were new, but you were good. always in the front row, you’d watch them spar against some of the most scariest opponents imaginable. something about guys taking it out in the ring right before your eyes got your panties in a twist. how unprofessional..
you only did it for the money, the publicity— a lot of people adored your skill to make such stories so interesting. between toji and sukuna, they were almost always compared, and oh did they hate it. ex rivals continuously pinned against each other, it’d piss anyone off. although, you were in dire need for a new story topic to write and you just so happen to stumble into their private gym.
“yo,” a rough sly yet cunning voice mutters, and it’s so deep—you recognize it from anywhere, toji fushiguro in the flesh. “are ya lost? no fuckin’ autographs.”
“don’t be rude, ‘toj,” and your eyes avert towards sukuna— he’s a few inches taller and your eyes roam at them both. they had droplets of sweat racing down their washboard abs, scars coating their skin with ruffled hair as if they’d just finished a match. sukuna drags his feet towards you before his eyes light up. “ohh, i know you,” he snickers, grabbing your notepad before nudging his friend. “she’s our little journalist toji. and she’s a damn fine one too..”
“. . . uh,” was all you could make out, feeling a sudden tightness in your stomach. your eyes continue to stare, your lewd thoughts only become more and more vulgar. seconds pass before you realize sukuna took your notebook, toji pauses his sets to get a good look at you. “i thought this was the ladies' room.”
“girl bye,” toji grumbles with two hands buried into his shorts pockets— he reads right through you as if you were some sort of exposed novel. people said he was a lot sassier in person but you didn’t think it’d actually be true. green dark eyes linger onto you for a long time before he stretches, leaning down to get a good glimpse at your figure. “did you come here just to stare or what?”
you were taken aback at how blunt he was.
a coy grin appears on his lips as he watches you struggle to formulate a good enough response.
you were nosy, you were really really nosy. for once, perhaps you didn’t wanna just jot down things about these two— just maybe, just maybe . . you wanted a hands-on experience.
“i… needed new material for my article before the next match starts,” you utter, squeezing your thighs together. sukuna tilts his head, eyeing you in a way that makes you feel hot. toji’s stare was ten times more intimate, darkened irises practically staring right into your soul—you knew this wasn’t the bathroom, you were lying. “i was hoping maybe you’d give me some uh . . inspo.”
they were both towering over you with height, you felt small—like an ant that was preparing itself to be crushed by a villainous shoe.
“inspiration, she says?” sukuna hums, his voice is low—raspy, an almost purr hiding underneath it before he moves closer towards you. “just tell us what you really want, princess.”
“nah don’t get all shy now,” toji chimes in once he sees you grow more sheepish. they both close in on you—you felt like you were trapped in a fever dream, you weren’t exactly complaining either. they smelled so good, a mixture of sultry sweat and a loud scent of heavy cologne that wafts throughout the entire training room. “you got our attention so spit it out, girl.”
“i— i want you both.” you finally mutter after seven long consecutive seconds. with the way toji’s staring right through you, you felt like your stomach sank between your legs - your legs that were throbbing with nothing but mere arousal, again perhaps this was unprofessional. no, it was very unprofessional—but anyone would kill to be in your position, being sandwiched between the top two boxers of your city.
sukuna snickers. “both? what makes you think i’d wanna share with this bum?”
“shut up,” toji snarls, and the way his facial expressions tense a bit—so attractive. the headlines + press was right about toji, he was a lot more handsome in person. he was a fairly new boxer yet a pure lady's man. he’s had a plethora of fangirls while in the ring and maybe you were one of them. as he inches towards you with a hand softly gripping underneath your chin, he inhales. his entire facial structure, so chiseled—brief dark stubble coats the entirety lower half of his jaw and he rubs his left boxing glove against his left knee. “that really want you want? both of us?” and his voice softens. it’s a bit more pitchy and low, and he sneers. “on me, look at me when you reply too, girl.”
your lip gradually pulls down from his thumb playing against it. you felt so hot, the air suddenly felt thick.
a sudden lump gets caught in your throat before you mumble. “i want you both,” and your eyes meet the dark-haired boxer, simultaneously glancing at his attire— shirtless, boxing shorts on with his custom-made ‘fushiguro’ briefs wilting near the top—only showing the hem part. just a teensy detail like that was so enticing that you even spot a few parts of his exposing snatched waist. only after awhile you then abruptly snap out of your vulgar fantasm. “…please.”
“the real question is, pretty little journalist,” sukuna steps in, a hand stroking against your chin. you didn’t know where to even look. both boxers had their hands on you and the tightened squeezing between your plush thighs grew even more. “can you handle both?”
“yes.” you’d speak in a soft voice, most likely as of now you were probably speaking from between your legs—you didn’t care though, everyone’s a little delusional at some point. emphasis on a little in your case, because you had no idea what you were getting in to with these two.
toji snickers. “hm,” he mutters, eyes focusing on you for a long time before he raises his chin. “fine. let’s test your strength then,” and he briefly gazes at sukuna. “sukuna. we can take her ‘n the ring.”
and they mean it quite literally— taking you, the both of them versus you, except you weren’t relatively fighting.
not in that sense, but it was versus an opponent that was throbbing between your thighs.
the arena was empty, about a good hundred or more vacant blood-shot red seats scatter everywhere.
inside the ring, it was a mere raised platform, guided and shaped by strong stringy ropes that were yanking between poles at each side and corner. you lay on the spongy canvas of the ring’s floor before biting back a moan.
“scared yet?” sukuna hums, and he props himself right between your legs. this was risky—entirely risky, anyone could just walk in. besides, you were pretty sure they had a match in about a good forty-five minutes. with sprawled-out legs, he moved closer before dragging a thumb down your panties. his voice was a bit deeper than toji’s, they both shared the same amount of rasp.
sukuna had the charm, toji had the suaveness.
you shake your head, feeling yourself grow even hotter the more he stalls time. it feels warm, the entire air around you is humidly thick and you whine as he teasingly bites your panties. not enough to pierce his teeth into your folds, but he bites near the fabric—you watch, the string of your underwear slowly dragging with him. yet, you can’t help but glance at toji who’s just standing there—arms crossed and that same scowl that stuck against his face. “mhm,” he jibes, eyes flickering towards toji. “toji. she’s looking at you.”
“i know she fuckin’ is,” he grumbles, and your head tilts upward. you’re face first with his bulge that was right against your face. talk about space, it was right there. such a big bulge, who were you even kidding though—you found yourself gawking at his bulge at every match he had. with the skin-tight shorts he’d worn, you just knew he was nothing more than a packer. “nosy girl. y’er mouth bored or somethin’?” and he watches your hands paw at the hem of his tucked-out briefs. “need a bit of throat training, huh?”
sukuna’s playing with your panties still. by now, he’s peeling them towards the crevices of your thighs and you whine whilst you feel a thumb of his drag down your honeyed slit. sopping wet, just a three-second stare and he was suddenly esurient.
“look at me, not him,” toji lightly turns your head to face back up to him again. his bulge, his damn bulge that was right up against you. you nod, feeling your mouth dry—you wanted your throat to be filled, it wasn’t even a question. toji gruffs lowly, moving your chin side to side. “huuuh? girl, i don’t speak silence. thought i told ya how to use those words when you speak.”
“i- i wanna suck you off, ‘toj,” and you get cut off once he pulls his boxing shorts down halfway, bringing your face close to his briefs. you’re taken by surprise once he makes you rub your face against his hardened bulge—you moan, as if on instinct, your tongue lolls out just to taste him. even if it’s just the clothed fabric protecting his actual cock, it was something.
he scoffs. “y’er a nasty girl, huh,” he mumbles, peering down to see sukuna starting to lick against your cunt. your legs quaver upon impact and you slump back against the corner of the ring. “can’t wait, yeah. want me to train this empty throat? maybe it’ll make ya a better journalist, nosy ass.”
you’d almost laugh at his little side remark if it wasn’t for sukuna’s tongue lapping against your slick entrance. your lips part as you lean back, a hand going through his hair. “mphm,” he grunts, one hand squeezing the right part of your thigh. “sweetest taste i’ve had in a . . . looong while.” and he’s so sloppy, not even a few seconds pass before he’s already slurping. your panties were lazily shoved to the side and that’s when toji hauls down his briefs.
you gulp, damn.
he wasn’t just big, he was huge…
your mouth starts to salivate the more you stared at the swollen shaft. toji was a big guy . . hence meaning, toji he was a thick guy.
staggering height and a fat base to back it up, he had about two veins running down the side. his tip was a reddish pink, you could already taste him throbbing in your mouth. toji was quite well shaved a bit— though, it was a few specks of black hairs scattered everywhere. however, his happy trail was so pleasing to look. it roams all down his sculpted body, he sighs once you slowly wrap a hand around his cock.
“spit the fuck on it.”
five words and you didn’t hesitate to roll out your pink tongue once more.
you gather a good amount before watching it coat against his pink sweet tip. he groans, watching your hand stroke him a bit. he was so big, so fucking big that you could barely wrap your entire hand around his dick. toji groans, watching you make a total mess out of yourself. pretty glossy lips, pretty glossy lips that would soon be wrapped around his hefty length.
once you get it wet enough, you gently move your mouth onto him. he hisses, the warmth of your throat has his abs clenching.
“m-mhm,” you’d moan out, though your words were purely muffled. sukuna’s sucking on your clit, occasionally nipping and nibbling on it just to make you squirm even more. it was cute— the way your legs could barely hold still, so this was your weak spot. it’s what he thought to himself, lapping his tongue against your slick entrance. brief kisses coat near your folds before he maneuvers such circles against your pussy. feeling his canines nip against your folds every few seconds had you feral in the best way possible.
“y’er makin’ her squirm all over, ‘kuna,” toji lowly chuckles, such baritone in his voice that it makes you soak even more. you didn’t even know how it was possible with the way you were just profusely dripping like a faucet. not even—you put faucets to shame with how slick you were, quickly coating the lower part of sukuna’s chin with your syrupy taste. “open that mouth a ‘lil more, yeah . . . yeah,” and he tilts your head back a bit, prying your mouth open some more. he starts to slowly sink his cock in, so slow. the pace was incredibly tantalizing, your tongue runs against his slit before he pushed more inches inside. “fuckkk, girl,” he continues to grunt out, knees already starting to buckle. the way you took him in, hollow cheeks all puffed, you were already starting to drool a bit. small amounts of your saliva trickle past the corners of your lips as he goes deeper and deeper. deeper until his tip ends up mashing against your uvula and you gag.
“. . ooooh,” he hums, and just a simple noise as that was so seductive. “good…. good,” he swallows, a hand digging through your hair before maintaining a good grip against it. “now . . let’s test this pretty throat’s durability, hm.”
your little nod makes his sly smile widen, your jaw hangs and he starts to gradually piston his hips. such a mess, he was just so big that you were surprised all of it even fit.
“alllll the way down, shit,” your head starts to move, bobbling as your tongue swiftly running against his pulsating head. he gnashes his teeth together, dim eyes flickering towards your hands. you were feeling hot yourself so you made a cute attempt at reaching between your legs. doing so only greets you to a soft concise smack.
“hands to yourself, silly girl,” sukuna grumbles, and this time he grabs your wrist. he simpers, watching you try to even still rub one out but with his grip, you weren’t getting anywhere. as your mouth was occupied with such inches, you whimper once you feel sukuna spank your cunt a few times. “don’t touch my pussy.”
one turns into two, then three, then four. . .
your pretty cunt starts to become his new obsession—the way you’d squelch for him so easily, he gets hard in his boxers. so wet, he knows the layout as if he’s so used to doing this. you wouldn’t be surprised, especially with a tongue like he had. lapping left and right, he parts your legs just a bit farther before the tip of his tongue swirls all around it. he lays it flat, getting a good enough taste before giving it yet another mean spank.
you whimper, feeling your tummy cave in before toji makes you face him once more. “eyes up here, eyes on me,” and he sounds almost jealous the more you focus your attention strictly on his boxer acquaintance. you’re still stroking him, a thumb sliding down a vein that prods alongside his shaft and he groans. your throat, so warm that he starts to feel his right thigh bounce. “should be . . usin’ this throat for shit like this instead of running that mouth.” his voice pitches lower, boxer shorts pulled down and his hair was slightly ruffled. you stare up at toji and he gives you that same cunning smirk. oh, you were soaked. again, this simply felt like a fever dream. even if at the slightest chance that you were dreaming, you never wanted to wake up.
toji’s quite talkative throughout the entire thing, sukuna’s dragging you further and further onto your incoming release and your legs start to rapidly shake even more. you whine and mewl out such sweetened moans, occasionally coming back up for air as you kept his cock warm in your mouth. each time it hits the roof of your mouth, you let off a straddled noise and he finds it so cute, so filthy.
“relax y’er throat, girl,” he mutters, a firm grip on your scalp. with glossy eyes, you follow his words and you stop gagging a bit. he grunts, getting hard every time your pretty eyes make direct contact with him. “such a pretty girl when you listen.” and his tone gets a bit more sensual, more tender.
you whine, feeling sukuna insert a single finger inside of you—you swallow his digit almost immediately and you cringe at hearing your own salaciously lewd squelches.
soaking, sopping wet,
three perfect words to describe between your legs, you choke out a moan once you feel that sensation brew right up inside your stomach. steadily, it was coming closer and closer. you’re breathing through your nose—feeling a few of his pubic hairs tickle against you. you’re moaning, eyes becoming half-lidded and droopy. toji had a mere pout stretching against his face and he felt himself coming close too.
the icing on the cake was your tongue, the way you swirl and slide it against his frenulum—he groans out a low grunt that rings throughout the arena. it reverberates, it's raspy and it only makes you even more aroused. “s-shit, you close too?”
you nod, and toji jeers, finding it amusing to taunt with you as you’re about to reach your inevitable peak. “yeah? gonna make a mess on ‘kuna’s face?”
“told ya don’t call me that,” sukuna grouses, resuming to pump not one but two fingers into you now—you’re almost there. it’s a hot feeling stirring up near your lower abdomen, a pool of it. your eyes start to roll, still slobbering down toji’s cock before he starts to thrust and thrust into your mouth.
“make me.” toji stared at him—and the both of them grew quiet before laughing with each other.
idiots.
your maw opens just a bit wider, and he’s shoving himself in and out of your tight throat—the noises that follow are so lewd, he finds you so pretty like this. mascara all smeared and runny, your hand continues to wrap around his length—his sagged base, so full. you start to salivate again, imagining what his taste was like. you craved it like you crave sweets, sukuna’s tongue running against your clit only made things far more intense before you start to convulse.
“f-fuckkk, ‘m gonna cum,” toji rasps, tilting your head back a bit more. you stare at him, tongue still grazing against the pulsing slit before after a few more pumps—he shoots a nice velvety load into your mouth. he grunts lowly, nostrils flaring up, jaw tightening and all. “. . damn,” he swallows, allowing himself to slow down. you end up finishing around the same time, costing sukuna’s mouth with a honeyed amount of your slick and he hums. you whimper, legs barely able to hold themselves up before you feel toji’s dick pour the remnants of his cum flat on your tongue. “nah, don’t fuckin’ swallow yet. stick it out, lemme see that shit.”
your legs felt like they were about to fall off, sukuna’s kissing near your now swollen entrance and you slowly loll out your tongue. obeying, you didn’t exactly swallow yet and he hums. “best savor that shit,” he groans, giving his veiny cock a few subtle strokes before he smacks his angry tip against your tongue. “and where’s my thank you for the meal, baby?”
“t—thwak y—you toji,” you speak, barely coherent with his seed splattered all on your tongue. you didn’t wanna spill any, and if you did—you didn’t wanna stick around to find out his reaction.
“yeah,” he huffs. “you can swallow now. get every drop in.”
sukuna moves towards you, you’re still laid on the ring’s mat before he softly wraps a hand around your throat. “hey. don’t let this bastard have all the fun, i want a taste too,” and you're taken by surprise once he pulls you into a deep steamy kiss. you moan, feeling him quite literally take your breath away. your tongue drags against sukuna’s chin, the bitterness. a concoction mixture of your saliva and his mixes, and you whine once he snakes a hand up your blazer. you taste yourself on his tongue and it’s so dirty, hot breaths mash against each other, teeth gnashing, and only then do you feel his cunning smirk.
“no one told you to hog her,” toji grumbles, pulling you back towards him. you briefly gasp for air and they both stare at each other, then you. “tell me, baby. who’d you think win in a fight? me or this . . . thing.”
sukuna glares.
“i don’t … know,” you pant out, heaving from your current orgasm—so cute, yet you only wanted more. from kissing sukuna to having your throat entirely filled, you didn’t know which was better. “can we finish?”
“aw, is someone impatient?” sukuna titters, and you stare at his glistening body—beads of sweat race down his precious v-line, the ideal body for a boxer. you just couldn’t stop staring at his pecs, so chiseled. you even thought his pictures were edited, but seeing them up close . . you wanted him, you wanted both of them. “hm. how ‘bout this? we teach you a few ah, moves. full nelson to start, ‘s pretty easy.”
easy, sure.
with it all being easy, you’d least expect to be put into a full nelson position. a mere popular wrestling position, although you’d be performing it with no one other than sukuna.
he’d have you slump back against him, hooking both arms underneath your thighs as you’re taking such mean thrusts from him. time and time again, you’re spasming out. mouth all open, saliva running down the very corners of your lips before you moan. “s—sukuna, oh my godddd,” and you glance up at toji who’s got a cute pout, stroking himself. you lost count of the time, it’s probably been about a good thirty-three minutes by now, thirty plus minutes of various teeth shattering orgasms. your head hits back against him and each time his tip smacks against your cervix, you short circuit. “fuck, fuck, right there, hit it thereee.”
“you coachin’ me how to fuck, dumb girl?” he chortles with a groan shortly following—he was so deep, the heftiness of his base taps against you each time you bounce back against his cock. he sucks his teeth, the way you easily took him had him groaning all up against your ear. “gotta get a little more stretchy, we gotta . . hah, work on your flexibility too, huh.”
“sukuna hurry the fuck up. watching you fuck my girl ‘s boring as shit,” toji grouses, pumping his cock into his fist every few seconds—you stare and he’s so needy, you could tell. his scowl he had earlier forms into a cute pout, dark eyebrows furrowing together and he’s growing impatient.
you caught that though. ‘my’ girl.
who would have thought toji . . the womanizing boxer who’s never had time for any woman throughout his career would start batting for you?
“your girl?” sukuna snickers, resuming to hold your legs up a bit further. he reaches so deep, that your stomach starts to seize and your maw drops. hooded eyes, your lashes flutter and you felt continuous strained breaths get yanked from your lungs. “your girl yet she’s gettin’ fucked by me? the better boxer?”
toji snarls, and he kneels to kiss you. you moan, barely able to return the gesture since you were in the midst of taking sukuna. with being gifted with such sharp thrusts, you dig your nails into his thighs before running tangling your tongue alongside toji’s. his breath was warm, you whine once you feel one of his hands stroke your cheek.
“aha, look at him. already whipped before me,” sukuna snickers, feeling you sink and gape around him—he stretched you out so good already, it was so relentless. each time you bounce back against his lap, the ringing in your ears grows louder and louder. he feels his dick twitch inside you. seeing you make out with toji irks him a bit before he spanks your ass—the recoil making him even more aroused than before. sukuna hums, seeing the current pout on toji’s face before nodding, “aw. toji wants a turn too, yeah? don’t ya . . big guy?” and he intakes a breath, your pussy constricting around his length as sukuna pulls you further to slam back and forth against him. you’re moving against him now as his dick jackhammers right into your gummy was. your mouth idly dangles with your tongue stil shamelessly lolled out. a raw moan rips from the back of your throat at the pure feeling of utter bliss.
so thick, so girthy—you gasp once you feel his fingers tend towards your neglected tits. toji shortly follows, a hand going between your thighs. your cunt was all stuffed of sukuna, feeding your swollen pussy was so many inches. “hngh, f-fuck, fuckkk,” you’d whine between wet, saturated kisses. toji purposely feels against your folds, all stuffed and sopping wet. he rubs a thumb against your slick entrance as your legs were just about to give out. “toji, m-more. need you to touch me more.”
“you don’t need shit, little girl,” he corrects you, squeezing your lips together before presses a kiss against it. you moan, your ass stinging every few seconds from the stings of sukuna’s palm making direct contact against your ass cheek. spank after spank, oh how he adores the jiggle. he could watch it all day, even in slow motion if he could. “such a cute thing though, had the nerve to say you thought our training room was the fuckin’ ladies' room.”
you cringe once he repeats that. the same ringing going through your ears once more. your ears perk, hearing sukuna’s raspy grunts against the shells of your lobes before you start to stammer, “toji, touch me.”
“i’ll touch this messy body when i wanna,” he gruffs, leaning to nip kisses near your neck. sukuna’s still holding you up—you’re like a rag doll, eyes goggling from the stretch before you start to feel it. not your orgasm, but something entirely different. it was a new type of pressure, sweet whiny moans emit out of you before you feel sukuna’s rude tip thrash against your g-spot again, and again, and again..
toji’s thumb softly strokes underneath your neck as he pulls you into a short kiss. you whimper, pulling away before spreading your legs a bit further.
“i— something’s coming, i f-feel tingly.”
sukuna roughly laughs against your ear, seemingly getting what you were implying. “yeah, gonna make another mess on us, princess? oh. i mean on me, heh?”
you shudder, your pussy feeling entirely stuffed and your eyes merely roll way back. he fit nice and snug, you bare around him before a whine drags out your throat. so deep, so so deep, you’re spasming—each relentless piston of his hips makes you whine louder. a feeling that was purely euphoric welts right against you, and you’re laid all back against sukuna’s bare chest, riding him in reverse. “c-choke me, ‘kuna, choke me, please.”
“want me to put you in a headlock, yeah,” he whispers to you in a rough low voice. you moan, feeling him lick against your earlobe before toji strokes your cheek. you could tell he wanted a turn too, the pout on his lips stretching even further. you’re nodding against him before your cunt gapes more. “sure. i’ll let you in on what my opponents feel, pretty girl.”
you moan, his voice was so low up against your ear, you’re about to cum. or were you, you swallow thickly despite having a sudden dry throat— voice all raspy and strained from moaning for such a duration that your head’s woozy. it feels too good, your thighs ache and quaver before you feel a beefy arm wrap around your neck. “upsie daisy, thereee we go,” and he scoots you on his lap just a bit farther. he’s buried to the hilt. you moan, toji pulling you into the nth kiss of the night, lips moving in pure tandem. just when you’re about to finish, you feel him rub against your stuffed cunt once more. yet that’s only when you decide to move your hands towards the boxers . . . nipples.
“t-the fuck,” he grunts in a hoarse tone, his voice was suddenly a bit shaky. it was cute—you couldn’t lie to yourself, you found yourself staring at toji’s chest way more often than you should. practically always shirtless, his pecs were huge. such pink swollen nipples, you slide a thumb against it and he shivers from your touch. “fuckin’ weirdo. ‘m sensitive there, s-shit.”
he doesn’t tell you to stop—instead, he grips your hair not so tightly but firmly. you look up at him, speaking in a tiny yet sheepish tone. “can— can i?”
“can ya what?” he grits, watching as sukuna continues to feed your cunt of his cock — you were just about to burst, you felt it and your toes clench and curl all up. so cute.
with a thumb still sliding against his pecs tenderly, you murmur. dilated pupils flicker towards his chest, then back up at him. “. . can,” you huff out in short breaths, tummy seizing, breathing hot and heavy. “can i suck on them?”
“no you can’t fuckin’ suck on them. what kinda question is tha—”
“toji, don’t be fuckin’ mean. you claim she’s your girl so let her suck your tits, big guy.” sukuna chimes in, releasing his soft grip against your neck. you gasp, leaning way back against him now. he was so warm pent up against you—you whimper out, sukuna leans against your ear and he starts to talk you through your incoming orgasm. “right? wanna make toji a little whiny bitch?”
“shut the fuck up,” he rasps, and his pecs literally stare at you—so beefy, you could have sworn they twitched. he groans, watching you give him such eyes before he inches closer towards you, bending down. “…….fine. whatever.”
still grinding against sukuna’s lap, you hold toji’s pecs before latching your tongue against it. his face scrunches up and it’s so cute, for whatever reason, the way your tongue curls against his perky nipples feels … good. awkwardly, he pulls your head closer towards his chest, eyeing closely as you briefly start to suck. as usual, you were so sloppy too—moaning up against his sensitive skin, rolling your tongue all against his nipple.
“nasty little g—girl,” he chokes out.
you glance up at him, parting your lips away before he makes you go back to tending to his tense nipples. “i didn’t tell you to stop. use y’er fuckin’ tongue some more. and stare at me while you do that . . . weird shit.”
toji’s voice significantly pitches and you’re so into it that you don’t even realize that before you know it, you end up squirting. everything comes at once, you’re pulsing with sukuna’s cock still twitching vigorously inside you and you whimper, mouth still sucking onto toji’s tits nipples. low laughter could be heard from behind you, and it’s all so much. your pussy was equivalent to a waterpark, gushing out all into sukuna’s lap. “fuckkk, princess,” he chortles, slowing down your hips and he ends up finishing a few seconds after you.
when he came inside, it came out quite a lot too. a hefty amount, it came out in ropes to where he paints the entirety of your womb. so warm from the inside, your tummy briefly caves in and your legs felt like mush.
“heh, did you just squirt?” sukuna points out, cock still twitching inside but he just lies still. you’re stretched out literally on the mat, seeing pure stars— the lights of the arena merely blinding you before you lie back against him. “a squirter and you’re tapping out already? aw boo. ‘n here i thought you could handle a few more rounds in the ring, princess.”
“i— i can,” you protest, parting your lips away from toji’s sheeny pecs. your lips were spit-glossed, he stared at you before squatting down to stare at the mess right between your legs. so messy, sukuna lifts you off of him and it just pours right down between your thighs. “i can go for more.”
toji hums, taking a quick three-second glance at his watch. “five fuckin’ minutes, ‘s all you’ll get with . . me,” and it’s cute because a mere pink forms on his face.
he’s still embarrassed from you sucking on his nipples that he tries to act all tough—but that only makes his tone quaver even more. “match’s gonna start soon. sukuna, let’s take her both.”
he snickers, pulling your shirt that was tucked underneath your blazer all the way up.
“both?” and sukuna lifts you to sit on top of toji, straddling him. you were being preparing to be overly stuffed with not one but two cocks. you fall face forward into toji’s broad chest, the coldness of his chain that wraps around his neck brushes against your skin before he helps you align yourself.
you moan, feeling sukuna get behind too—you gulp, toji’s fondling your breasts that almost poke out through your unbuttoned shirt whilst sukuna was behind. you’d be taking them both— one in each hole. “can you handle us both at the same time, pretty girl? toji’s known for his record of lasting a good ah . . . two solid rounds.”
toji glares, feeling himself start to open you up again. with his plump crownhead of his cock, he splits you open, and he is a tad thicker than sukuna—you moan, wrapping flimsy arms around him before sukuna enters from behind with toji focusing on the front. “shut up. you say that ‘n act like i won’t k.o. you right now.”
“oh yeah?” sukuna cavils, and you gasp, landing on the cold canvas with an 'oof' once the boxer lightly places you down. you pout—glancing up at the two of them who were having a face off at a time like this. sukuna already pulled out and they stared each other down before toji slyly smiles. “is that a fact?” and for a brief moment, he leers down at toji’s sheeny lips— the dark-haired boxer slides his tongue against his scar before humming.
“don’t play, you know it is,” he replies, giving you one ogle before turning back towards his rival. “y’know, ‘kuna. you sure talk a lot of shit but you couldn’t even pin me down if you tried.”
sukuna rasps lowly, inching closer before they were inches apart—you thought they were gonna kiss at this rate. oh, something like this would be such a good inspiration for the headlines.
“if you wanted my attention, should have said so,” sukuna sneers, rubbing his hand that was carefully wrapped up in a white bandage against his slim torso. “besides, i think we all know who can last more rounds.”
“did you two just forget about me—?” you furrow your eyebrows, literally still soaked and laid against the corner of the ring. they shoot you a glance before turning back towards each other.
toji scoffs back at sukuna, ignoring you. “prove it then. pin me the fuck down, hot shot.”
“bend the fuck over then, big guy. we’ll show the pretty journalist who’s gonna win this night’s match. round fuckin’ one.”
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mermaidsirennikita · 1 year ago
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always wild to see people freak out over dark romance novels when you know they're also like... Spuffy shippers? or something along those lines?
I mean, I have no issue with that lmao, I've had ships that are on the same level, but I don't know, it's just like... are you romanticizing the thing you're shipping to the point that you don't recognize its own darkness, or are you fully aware of that and just knowingly hypocritical?
#romance novel blogging#every week twitter declares that society is crumbling because of silly dark romance novels#and usually not even the REAL dark shit lmao#and every week it is the dumbest moral panic i've ever seen#but yeah dude it when you can literally see people with the WILDEST ships handwringing that i get really confused#like okay so the books are undermining women#but the women falling in love with their attempted rapists onscreen... are not..................#and to clarify to me it's just a quality of the work thing; the content itself there doesn't concern me#I MYSELF do not think spuffy as an example was handled well and the context of joss being who he is#retroactively makes it worse than a dark romance written by some random very normal lady keying into common fantasies#like mitzie or heather or whoever doesn't want to go out there and assault someone. probably#whereas joss.....................#wasn't allowed to be alone in a room w a teenage girl#and that isn't every showrunner ofc but a lot of visual representations of trauma#and romanticizations of these relationships onscreen are often written by people of the same gender as the perpetrator#whereas dark romance is often written by women--sometimes even women working out their own shit#and idk i'm kind of making that realization in real time as two why one bugs me more than the other#PERSONALLY speaking#and ofc that doesn't absolve women of handling SA whether it's romanticized or not badly#and CERTAINLY sa is not inherent to dark romance#which i think is a common misconception#dark romance in terms of genre is not 'rape and abuse as romance' it's honestly pretty broad#ANYWAY. thoughts over#just focus on the people who are actually preying on others plsthx
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