#God I love these fucking films

[giantkillerjack]

I never understood the bit at the beginning of Fear Street hey hey everyone go watch it right now it is SO GOOD where one of the characters that the film wants us to sympathize with reacts to a local tragedy with a kind of flagrant, unhinged humor.

And then 2020 lasted for 84 years.

And I was like,

Ah.

I get it.

[therealcallmekd]

Now THAT'S Thinkin' In 3D!

HHEHEHEE HAH FLATLAND FANART BE UPON YE

[ilovemesomevincentprice]

It's almost Halloween, so I thought I'd bring this back...

No one could do "sensation, horror, and shock" like Vincent Price!

House of Wax (1953) dir. Andre De Toth

[ghost-in-the-corner]

Okay and the choreography of the Barbie movie? Fucking phenomenal.

Fuck, the tiniest of movements were so impactful. Margot Robbie taking a deep breath after first thinking about death. The Kens being all stiff until Ken got to the real world. The way the executives moved in straight lines like dancers. Allan moving more like a Barbie would. The Ken dance number.

[demadogs]

I SAW THE TV GLOW (2024) dir. Jane Schoenbrun

[bisclavret]

this is so funny i knew eoin said he thought gwaine got up and went on his merry way with a concussion and zero recollection of the entire series but i didn't know he got super excited about making a short film about it. it's kind of a huge-brained idea actually since gwaine's character arc starts out with a concussion. mr macken please this could be your magnum opus there is still time

[multiverse-of-multifandoms]

Scream (1996) Scream 4 (2011) Freaky (2020)

@finalgirlsource Final Girl Appreciation Week: Day 4 - Favourite Final Girl Quote(s)

[kacievvbbbb]

I need someone that believes in magic to get ahold of Batman again. He is an overly serious man that runs around in an admitted bat suit fighting a gimmick rouge gallery. And he is doing it because he sincerely believes in a better tomorrow and somewhere along the way we have lost the plot. Batman wasn’t created to punish the guilty that is actually completely antithetical to his beliefs he is not the fucking punisher.

Batman just like wonder woman and Superman primarily wants to save people! sure he doesn’t do it in a sunny way but that is still what drives him. Hell he even goes a step further and actually builds a case he’s not just waiting for criminals to commit the crime he is shutting down smuggling and trafficking rings foiling plots he is a detective! For Christs sake it’s what made him so unique and fun as a superhero.

Also His desire to save people is literally what compels him to adopt Dick, Jason, Stephanie. Cass because he wanted to give these kids a chance, to save them in ways 8year old him wasn’t. Someone who just wants to punish the guilty wouldn’t do that, And now they have turned him into a borderline physically and emotionally abusive absentee parent all in the name of making him an edge lord. Where is the heart! Where is the fucking heart in it all! Where are the kids and the bright colors and the zaniness. Let Batman and Gotham be FANTASTICAL! I’m tired of the greys and the browns.

I’m tired of “grounding a story” meaning sucking all the joy and color out if it. Also superhero stories don’t need to be grounded in your fucking abysmal reality they are literally superheroes they exist outside of reality, let them!

A story does not have to be joyless to have depth and it does not have to be nihilist to be compelling.

I am sick and I am tired of it. 😔

[jiyaneru]

always an angel, never a god

[sexynetra]

NICKY AT CANNES THIS IS NOT A DRILL

[liyrical]

i love my wife. he is so cute

[isbergillustration]

Thought I could put on Mad Max: Fury Road in the background while I drew something else, but it did immediately turn into Mad Max: Fury Road fanart.

[ilovemesomevincentprice]

Vincent Price with his fuzzy co-star behind the scenes of The Long Night (1948)

[keyfolk]

maddie's monolgue in i saw the tv glow was incredible, but it's interesting how so many viewers took her statement about burying herself literally. i think, generally, there are two veins of interpretation of this movie, reflecting which reality the viewer favors. you could believe that the tv show is the true "reality" of the movie, or that it's simply a surrealist backdrop to the story of one person's intense repression. in the latter interpretation, maddie's dialogue feels dangerous -- is she actually advocating suicide? or simply speaking in metaphor for the trans experience of coming out?

i felt that this scene tread the line between those two extremes. but more notably, i thought about acts of "suicide" a closeted or repressed lesbian would feel drawn to. the way that maddie describes the burnout guy she paid to bury him, how he didn't even know what he was doing -- to me, it felt like she was implying an act of sexual self-harm, testing her sexuality, "burying herself" in the emotional pain. the catharsis found in suffocating herself, allowing herself to dissociate and fade away, and then coming free with the understanding of who she really is... while i think her monologue can be taken in many ways, this interpretation resonates with me.

[the-oc-lass]

Nononono you don't understand, I've been staring at this gif for like a solid minute just watching Ambrosius's little tiny expressions and the slightest upturn of his eyebrows and the miniscule narrowing of his eyes on top of already pursed lips just- GIRL THAT'S THE EXPRESSION I MAKE WHEN I'M ABOUT TO CRY. HE LOOKS PAINED. AMBROSIUS LITERALLY LOOKS LIKE HE COULD CRY AND THEN HE PUSHES IT AWAY WHEN HE SAYS TO ARREST THEM, I AM UNWELL-

[sincericida]

ANDREW GARFIELD

attends the Headline Gala screening of "We Live In Time" during the 68th BFI London Film Festival.

(X)