#Gianmaria Buccellati
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prettyfuul · 4 months ago
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Rare Gianmaria Buccellati Wristwatch. 18K Hermes gold bracelet, studded with 34 diamonds. The back of the band is inscribed: "Fifty Years of Love, Jan 1951- Jan 2001"
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boyofcurlsandroses · 3 months ago
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Rare Gianmaria Buccellati Wristwatch. 18K Hermes gold bracelet, studded with 34 diamonds. The back of the band is inscribed: "Fifty Years of Love, Jan 1951- Jan 2001"
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augustinaleathers · 11 months ago
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What Sets Buccellati's Pieces Apart?
Remaining true to Mario's innovative manufacturing techniques, Buccellati's craftsmanship showcases elaborate gold embellishments, textures influenced by Venetian lace, Etruscan motifs, and designs inspired by the beauty of flowers, insects, and animals found in nature. The Estate Buccellati Jewelry is crafted using the finest precious metals and gemstones available.
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If you get Buccellati Jewelry for Sale Carmel CA, you should grab the chance.
Trafato or Tylle Creations
This is a technique used to create a pierced gold effect that is often used as a setting for precious stones like cabochons, emeralds, rubies, and rose-cut diamonds. The result is a piece that resembles a honeycomb or delicate lace, giving it a textured and intricate appearance as if the surface has been intricately engraved.
Rigato Finish- The Rigato finish is a distinctive design element commonly found in Buccellati creations. It involves the meticulous carving of parallel lines onto the surface of the precious metal, resulting in a glossy and almost silky appearance. This technique adds a touch of elegance and sophistication to the piece.
Powder/Mirror Compact- Buccellati is renowned for its exceptional craftsmanship and attention to detail, not only in jewelry but also in other items like makeup compacts. The compacts created by Marion and Gianmaria Buccellati, especially during the period from the 1920s to the 1950s, are highly sought after as valuable investment pieces. An exquisite example is the vintage diamond 18K yellow gold compact box from the 1940s, designed by Mario Buccellati. It features a diamond accent closure in 18K white gold adorned with rose-cut diamonds. The case itself is crafted in Buccellati's signature lattice style design using 18K yellow gold, showcasing the brand's timeless elegance.
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Inspired From Nature
Nature serves as a constant source of inspiration for the exquisite designs of Buccellati jewelry. From delicate flowers to graceful animals and intricate insects, our pieces beautifully capture the essence of the natural world. Take, for example, our vintage thistle flower gold and silver clip-back earrings, which exude timeless elegance. And let's not
forget our latest addition, the remarkable Mario Buccellati 18K Yellow Gold Maple Leaf Pendant Necklace, a true testament to the unparalleled craftsmanship and attention to detail that Buccellati is renowned for.
Wrapping Up
Buccellati jewelry is not only a symbol of luxury but also a wise investment. In 2019, WWD reported on the most expensive fashion-related items listed for sale. Jewelry reigned supreme on the list, and Buccellati proudly claimed a place of honor. Our collier, priced at $106,575, a Buccellati collar at $106,500, and a ring at $78,517 secured the sixth position. This recognition further solidifies Buccellati's status as a brand synonymous with opulence and prestige.
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matchawithbadu · 1 year ago
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A diamond brooch, by Gianmaria Buccellati
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kristabella · 2 years ago
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TOURMALINE, EMERALD AND DIAMOND BROOCH, GIANMARIA BUCCELLATI
Gianmaria BuccellatiCentering a heart-shaped pink tourmaline, within a frame of floral and foliate design embellished with circular-cut emerald, signed Gianmaria Buccellati, numbered, Italian assay mark for gold and maker's mark.ConditionSigned Gianmaria Buccellati, Italian maker's mark and assay mark for 18 carat gold. Tourmaline measuring approximately 14.57 x 16.21 x 6.60mm, calculated to weigh approximately 11 carats. In good condition. Gross weight approximately 12 grams."In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Please note that colour, clarity and weight of gemstones are statements of opinion only and not statements of fact by Sotheby's. We do not guarantee, and are not responsible for any certificate from a gemological laboratory that may accompany the property. We do not guarantee that watches are in working order. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue, in particular to the Notice regarding the treatment and condition of gemstones.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
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vysjewelry · 4 years ago
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left: Colored diamond and melo pearl acorn brooch (at Christie’s)
right: Pink and yellow gold acorn and oak leaf brooch, Gianmaria Buccellati (at Sotheby’s)
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fashionbooksmilano · 4 years ago
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Gianmaria Buccellati
Capolavori d’arte orafa -Masterworks of the Goldsmiths Art
a cura di Rosa Maria Bresciani Buccellati, contributi di Cristina Acidini, Dora Liscia Bemporad , Paola Venturelli , Susy Marcon, Chiara Tinonin , Gianfranco Grimaldi , Larry French, Lidia Carrion 
Skira, Milano 2017, 272 pagine, 252 ill.a colori, Italiano/Inglese
euro 29,00
email if you want to buy: [email protected]
Venezia, Biblioteca Nazionale Marciana, Salone Sansoviniano 23 maggio – 12 novembre 2017
La grazia e l’eleganza dei capolavori d’arte orafa di Gianmaria Buccellati, una tra le più importanti personalità creative dell’haute joaillerie mondiale del XX secolo, protagoniste del volume che accompagna la mostra realizzata in collaborazione con la Fondazione Gianmaria Buccellati. Il desiderio di mantenere viva nella memoria tattile degli artigiani contemporanei la padronanza degli antichi saperi dell’arte orafa fu una delle sfide più importanti che Gianmaria Buccellati ereditò dal padre Mario e che perfezionò al punto di riuscire a realizzare lui stesso grandi innovazioni creando gioielli dalla straordinaria unicità, come dimostra la meravigliosa spilla Drago (1976) nel quale campeggia un iridescente opale messicano. Il volume illustra ampiamente le tecniche esecutive tipiche dello stile Buccellati, come il traforo a tulle o nido d’ape, una tecnica che conferisce ai gioielli leggerezza quasi impalpabile, ben visibile nel Bracciale del padre Mario (1925) e in quello di Gianmaria (2012) e, nella versione a raggiera, nella Collana con broche pendente con giada e orecchini (1984-1985); come l’ars incisoria e le sue straordinarie evoluzioni a firma Buccellati, oppure come l’incisione a ornato e quella a effetto seta, o ancora come la riproduzione della complessa tecnica a sbalzo dell’antica Roma imperiale (esemplare la serie delle Coppe di Boscoreale) e la singolarità dell’incatenazione nella Parure Pizzo Venezia (1992), nata dall’attento studio di un prezioso merletto veneziano.
14/06/20
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i-am-chandralynn · 4 years ago
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Wild Silver!
Wild Silver! #WordlessWednesday #art #huntsvillemuseumofart #silver #animals #fineart
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How do you feel about another museum trip?
The Huntsville Museum of Art Buccellati: A Silver Menagerie is another must-see exhibit, and since you can’t be here, I’ll bring some of the pieces to you. I have fewer photographs than I had for last week’s visit showing of the American Studio Glass Exhibit, but the pieces are just as fascinating.
The exhibit features selections from the Museum’s…
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oddlovergirl · 4 years ago
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Bruno Bucciarati/Buccellati Headcanons
Ok, so here’s my headcanons on the Part 5 Jo-Bro and our serious, stern but sweet-hearted mafioso, Bruno Bucciarati (or Buccellati; it turns out Buccellati can be a legitimate Italian surname as there is an Italian jewelry watch company in the real world founded by Mario Buccellati and his son Gianmaria, but that’s beside the point)!
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WARNING: There ARE spoilers and there are mentions of death as well as the process of a body decomposing. Please proceed with caution if you haven’t got very far into the series that is JoJo and/or sensitive to certain things.
-           His parents had planned for a water birth, and as such, Bruno was born in a bathtub full of water at room temperature.
-           After his father was badly wounded by drug dealers and had to deal with chronic pain, Bruno had to live with his honorary aunt Nora and her family since he’s still a twelve-year-old boy. They are rightfully concerned when they learn about Bruno joining the mafia to protect his dad, even with the knowledge that the police couldn’t protect him or his family from retaliation. When Bruno decided to move out at age 18, they tell him to keep in touch with them as to let them know he’s ok.
-           When he decided on joining Passione to protect his father from criminals, he went to Libeccio to find Polpo since the guy is in charge of recruiting new members. Piqued in interest by the boy’s determination, Polpo agreed to let Bruno join Passione in exchange for protection.
-           He never told his mother and her new family in Milan about his new life in the mafia as a way to keep them out of danger. He’s not fond of the idea of keeping his family at arms’ length, but he has to keep them safe somehow.
-           After his father eventually died from his injuries, 17-year-old Bruno felt that something within him just died on the very same day. He joined Passione to keep his dad safe, and since he passed away, the prodding question on Bruno’s mind is “Now what?”; He felt listless and directionless for a while before seeing his fellow Neapolitans he helped out in brighter spirits made him realize that helping out his community should be his new direction in life.
-           There are times where he’ll zone out to space while working. Sometimes a simple shake can joust him back to reality, but sometimes it might take more than that.
-           On the rare occasions he is psychologically overwhelmed that he needs to vent, Bruno goes into his zipper dimension as an outlet.
-           He gets easily absorbed into method acting (he used it as a coping mechanism for his early years in the mafia as a preteen); as such, when putting up an act to deal with unfamiliar people outside of Passione, Bruno gets way into his façade of being a sly and ruthless gangster when he goes “enemy of the week” on Giorno’s ass (AND later on in Vento Aureo chapter 93 when he conducts himself in the same manner with two airport security guards), just only showing glimpse of his real personality when he noticed the drug marks on an unconscious minor (the fact that the minor is wearing winter clothes when it’s actually late March is kind of a red flag to me, really, as using drugs fucks with your body heat and make you a little older than you really are). He only managed to return back to his normally serious, kind personality when Giorno talks to him about usurping the Boss and taking over Passione.
-           Though he is indeed a stern fellow in spite of his sweetness, Bruno does have a slight mischievous streak. On the rare occasions he feels like being mischievous, he’ll use Sticky Fingers to playfully spook his comrades. He’s twenty years old, alright? Let him have his fun, gosh dang it.
-           After he died the first time at the Boss’ hands and temporarily revived by Giorno, Bruno had to deal with the fact that his body had contracted his muscles (which at least prevents him from shitting himself upon death because that would be undignified). He went through great lengths to hide his status as an undead corpse from others, such as repeatedly trimming his hair and nails, taking embalming fluid to show down decomposition, masking his stench with a secret air freshener and perfume, and keep his body  constantly moving to prevent his corpse from locking up. He doesn’t want to burden his men with the knowledge that he is on borrowed time while they were working to overthrow the Boss.
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steliosagapitos · 3 years ago
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      Tourmaline, emerald and diamond brooch by Gianmaria Buccellati.
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detournementsmineurs · 5 years ago
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Demi-parure "Bouquet" de Gianmaria Buccellati en or gravé selon la technique "Segrinato", perles baroques et émeraudes (1997-2009) et broche inspirée des années 50 de Gianmaria Buccellati en or gravé "Segrinato" et "Rigato" (2010).
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bitterbianco · 6 years ago
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Gianmaria Buccellati, 1981 “Cratere delle Muse” di forma ovale, in giada  antica
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solomontreasure-blog · 6 years ago
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Buccellati Silver
If we are starting a discussion about the Buccellati Silver, then it is jewelry and watches company Chinese-owned Italian company named as Buccellati Holding Italia. Mario Buccellati and Gianmaria Buccellati, which corresponded to the names and surname of two master goldsmiths: father and son. That’s why their silver products are named as like this. If you are interested to buy designed and quality products then the SOLOMON TREASURE is a suitable place for buying the various Buccellati Silver products.
You will get a lot of silver items like silver animals, silver bracelets, watches, ornaments, and home decorative products belongs to the Buccellati Silver from the SOLOMON TREASURE. The silver products are very attractive and look good too. Definitely, you will buy lots of silver antique products from them just because of the attraction of the products. The company is crossed 100 years from foundation date.
Antiques, fine art, jewelry, and many acclaimed signed pieces are some of the rare collection of the SOLOMON TREASURE. The various funny and difficult work based animal designed products is one of the main attractions of the company products.Interior designers, museums, private collectors, royal families, and trade are their clients. With their exceptional knowledge, they can offer their clients during the purchasing process.
With the rare collection materials, they are capable to provide the quality and perfect materials to you. The collection of antique products is starting from the primary French Empire Napoleon classical, to the extremely eclectic variety of Napoleon III and also the exotic of Japanese. Not limited to Middle Eastern Islamic items as well as unique Art Deco pieces.
To fulfill your desire of collection of various antique materials, go through the SOLOMON TREASURE and choose the suitable one for your home decoration and to improve the standard of your home. You will get a quality product with helpful manner.
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serafino-finasero · 7 years ago
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Model Shirley Mallmann wears a Philip Treacy hat, a Giorgio Armani dress, and jewellery by Gianmaria Buccellati | photo Helmut Newton | Vogue Italia, September 1996
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vysjewelry · 3 years ago
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Pink tourmaline, emerald, and diamond heart brooch, Gianmaria Buccellati (at Sotheby’s)
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fashionbooksmilano · 4 years ago
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I tesori della Fondazione Gianmaria Buccellati
a cura di  Rosa Maria Bresciani Buccellati
Skira, Milano 2018, 252 pagine, 424 illustrazioni a colori,  ISBN:885723435
euro 85,00
email if you want to buy: [email protected]
A tre anni dalla scomparsa di Gianmaria Buccellati e in occasione del decennale della nascita della Fondazione da lui istituita, il volume illustra un secolo di storia dell’arte orafa attraverso gioielli, lavori di oreficeria e di argenteria della Fondazione Gianmaria Buccellati, nati dal genio di due tra i nomi più significativi del panorama orafo mondiale, eredi della illustre tradizione italiana, fiorita nel Rinascimento con Benvenuto Cellini.Un secolo di produzione creativa di alta oreficeria, esempio straordinario di cultura d’impresa che ha portato la capacità artigiana del XX secolo a misurarsi con gli antichi maestri rinascimentali. Una storia italiana, che si snoda lungo tutto il Novecento, un protagonista del Made in Italy, un successo di arte e di tecnica, di estro artistico e di capacità artigianale.  Il libro ricostruisce l’affascinante storia artistica e imprenditoriale di Gianmaria Buccellati anche attraverso i ricordi di chi l’ha conosciuto non solo come geniale creativo e imprenditore, ma anche come uomo sensibile e curioso, dando ampio spazio alle creazioni sue e di suo padre Mario. Fu proprio seguendo i canoni rinascimentali che Mario  Buccellati, definito da Gabriele d’Annunzio, di cui fu amico e sodale, il “Principe degli orafi”, creava le sue opere,reinterpretandole in modo assolutamente personale e facilmente riconoscibile. A lui, va assegnato il merito di aver fatto conoscere lo “stile Buccellati” capace di diventare un mito dell’arte orafa, apprezzato dai membri delle case regnanti, da pontefici e uomini di cultura.
22/05/20
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