#Italian art
Explore tagged Tumblr posts
Text

Eugene von Blaas - The curious one (1897)
521 notes
·
View notes
Text
Mattia Preti (Italian, 1613-1699) St. Sebastian, ca.1656-57 Museo e Real Bosco di Capodimonte, Napoli Sebastian was a Roman centurion, who was discovered to be a Christian and was sentenced to death by Emperor Diocletian. He was bound to a stake and shot with arrows. He was left for dead, although the arrows had not killed him and he was eventually stoned to death. The story is taken from the 'Golden Legend'.
#Mattia Preti#italian art#italian#italy#1600s#st sebastian#saint#saint sebastian#art#fine art#european art#classical art#europe#european#fine arts#oil painting#europa#mediterranean#christianity#catholic#christian#martyr
117 notes
·
View notes
Text

Giovanni Boldini (Italian, 1842-1931), Portrait of a man seated in a church, early 20th century. Watercolour, 44.9 x 45 cm.
104 notes
·
View notes
Text

Sergio Sarri — Interior (Study for The Inhuman) [acrylic, canvas, 1988]
85 notes
·
View notes
Text


Decorative panels by Giovanni Segantini
◇ Rotondo di friori, c. 1882
◇ Rotondo di frutta, c. 1882
#art#painting#fine art#classical art#italian art#italian artist#italian painter#oil painting#beauty#decorative#19th century art#19th century#1800s#fruit#flowers#european art#still life
81 notes
·
View notes
Text

Title: Girl with Cherries Artist: attributed to Marco d'Oggiono (Italian, ca. 1470-ca. 1540) Date: 1490s (?) Genre: portraiture Period: Renaissance (Quattrocento) Medium: oil on panel Dimensions: 49 cm (19.2 in) high x 38 cm (14.9 in) wide Location: Metropolitan Museum of Art, New York City, NY, USA
#art#art history#Marco d'Oggiono#portrait#portrait painting#portraiture#Renaissance#Renaissance art#Italian Renaissance#Italian art#15th century#15th century art#Quattrocento#oil on panel#Metropolitan Museum of Art
67 notes
·
View notes
Text

Francesco Zuccarelli (Italian, 1702-1788)
Paesaggio con rovine e figure
25 notes
·
View notes
Text

Allegory of Peace and War
Artist: Pompeo Girolamo Batoni (Italian, 1708–1787)
Date: 1776
Medium: Oil on canvas
Collection: Art Institute of Chicago, Chicago, IL, United States
Description
Pompeo Batoni’s grand portraits and numerous religious and historical commissions established him as the leading Roman painter of his day. He painted Peace and War on his own initiative, without a commission, attracting critical praise for the work’s graceful invention. It combines elements of Rococo softness and eroticism with the newly fashionable Neoclassical style. War, represented by the god Mars, is restrained by a personification of peace, who bears an olive branch.
#allegorical art#allegorical figures#painting#allegory of peace and war#oil on canvas#artwork#fine art#landscape#oil painting#armour#helmet#peace#war#warrior#male figure#female figure#drapery#sword#olive branch#shield#italian culture#italian art#pompeo girolamo batoni#italian painter#european art#18th century painting#art institute of chicago
25 notes
·
View notes
Text

Pierre-Charles Comte, The secret rendezvous
#art detail#classic art#traditional painting#art history#classical art#oil painting#traditional art#art#art details#19th century art#artwork#1800s art#20th century art#academic art#art nouveau#art study#british art#contemporary art#fine art#german art#italian art#modern art#renaissance art#spanish art#victorian art#vintage art
10K notes
·
View notes
Text

Alfonso Simonetti - And she never returned (19e siècle)
9K notes
·
View notes
Text




Aldo Pagliacci (Italian, 1913 - 1991)
195 notes
·
View notes
Text

Parrying Dagger Italian, ca. 1550–75
27K notes
·
View notes
Text

𝐏𝐞𝐧𝐢𝐭𝐞𝐧𝐭 𝐌𝐚𝐠𝐝𝐚𝐥𝐞𝐧𝐞
𝐃𝐨𝐦𝐞𝐧𝐢𝐜𝐨 𝐓𝐢𝐧𝐭𝐨𝐫𝐞𝐭𝐭𝐨
𝟏𝟓𝟗𝟖-𝟏𝟔𝟎𝟐
𝐎𝐢𝐥 𝐨𝐧 𝐜𝐚𝐧𝐯𝐚𝐬
#mary magdalene#penitent#Renaissance art#renaissance#tintoretto#penitent magdalene#Venetian school#italian painter#oil on canvas#oil painting#art history#religious art#holy art#1600s#1500s#italian art#history of art#Christian art#Domenico Tintoretto#art blog#art blogging#aesthetic#religious aesthetic#skull#cross#musei capitolini#capitoline museum#holy aesthetic#saint
2K notes
·
View notes
Text




Basilica Reale Pontificia San Francesco da Paola by viaggiatore_con_borsello.
#Basilica Reale Pontificia San Francesco da Paola#church#naples#italy#italy aesthetic#italian#italian art#italian architecture#alternative#aesthetic#dark academia#dark academic aesthetic#dark aesthetic#aestheitcs#dark#art#light acadamia aesthetic#light academia
3K notes
·
View notes
Text

Elements of a suit of armor (steel, gold, and copper alloy) for a light cavalryman, made in Milan, Italy, ca. 1510, but decorated with fluted surfaces "in the German fashion" (alla Tedesca). The band on the breastplate depicts the Virgin and Child in the center, flanked by St. Paul (right) and St. George (left). The gorget (collar) bears a representation of the Trinity.
There are two Latin inscriptions on the armor. The first, on the breastplate, reads CRISTVS RES (i.e. REX) VENIT IN PACE ET DEVS HOMO FACTVS ES: "Christ the King came in peace, and God was made human". The second, across the top of the backplate, is a slightly modified version of the Vulgate text of Luke 4:30: IESVS AVTEM TRANSIENS PERMEDIVM IL[L]ORVM IBAT ("But Jesus, passing through the midst of them, departed").
This suit of armor is now in the Arms and Armor collection of the Metropolitan Museum of Art, New York City, NY, USA. Photo credit: Metropolitan Museum of Art.
#art#art history#arms and armor#suit of armor#Italy#Italian art#16th century#16th century art#Metropolitan Museum of Art
67 notes
·
View notes
Text

Samson and the Lion
Artist: Francesco Hayez (Italian, 1791–1882)
Date: 1842
Medium: Oil on canvas
Collection: Galleria d'arte Moderna, Florence, Italy
Samson was the last of the judges of the ancient Israelites mentioned in the Book of Judges (chapters 13 to 16) and one of the last leaders who “judged” Israel before the institution of the monarchy.
The biblical account states that Samson was a Nazirite and that he was given immense strength to aid him against his enemies and allow him to perform superhuman feats, including slaying a lion with his bare hands and massacring a Philistine army with a donkey’s jawbone after offending groomsmen at his wedding to one. The cutting of Samson’s long hair would violate his Nazirite vow and nullify his ability.
Samson is betrayed by his lover Delilah, who, sent by Philistine officials to entice him, orders a servant to cut his hair while he is sleeping and turns him over to the Philistines, who gouge out his eyes and force him to mill grain at Gaza City. While there, his hair begins to grow again. When the Philistines take Samson into their temple of Dagon, Samson asks to rest against one of the support pillars. After being granted permission, he prays to God and miraculously recovers his strength, allowing him to bring down the columns – collapsing the temple and killing both himself and the Philistines.
Samson and the Lion
“Samson went down to Timnah together with his father and mother. As they approached the vineyards of Timnah, suddenly a young lion came roaring toward him. The Spirit of the Lord came powerfully upon him so that he tore the lion apart with his bare hands as he might have torn a young goat. But he told neither his father nor his mother what he had done.” Judges 14:5-6 (New International Version)
#painting#christianity#biblical scene#biblical art#landscape#oil on canvas#lion#samson#artwork#fine art#oil painting#book of judges#judge of israel#art and the bible#italian culture#italian art#francesco hayes#italian painter#european art#biblical story#19th century painting
18 notes
·
View notes