#italian art
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random-brushstrokes · 11 hours ago
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Eugene von Blaas - The curious one (1897)
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artthatgivesmefeelings · 2 days ago
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Mattia Preti (Italian, 1613-1699) St. Sebastian, ca.1656-57 Museo e Real Bosco di Capodimonte, Napoli Sebastian was a Roman centurion, who was discovered to be a Christian and was sentenced to death by Emperor Diocletian. He was bound to a stake and shot with arrows. He was left for dead, although the arrows had not killed him and he was eventually stoned to death. The story is taken from the 'Golden Legend'.
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thunderstruck9 · 3 days ago
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Giovanni Boldini (Italian, 1842-1931), Portrait of a man seated in a church, early 20th century. Watercolour, 44.9 x 45 cm.
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jareckiworld · 3 days ago
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Sergio Sarri — Interior (Study for The Inhuman) [acrylic, canvas, 1988]
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solcattus · 1 day ago
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Decorative panels by Giovanni Segantini
◇ Rotondo di friori, c. 1882
◇ Rotondo di frutta, c. 1882
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lionofchaeronea · 20 hours ago
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Title: Girl with Cherries Artist: attributed to Marco d'Oggiono (Italian, ca. 1470-ca. 1540) Date: 1490s (?) Genre: portraiture Period: Renaissance (Quattrocento) Medium: oil on panel Dimensions: 49 cm (19.2 in) high x 38 cm (14.9 in) wide Location: Metropolitan Museum of Art, New York City, NY, USA
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beatricecenci · 2 days ago
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Francesco Zuccarelli (Italian, 1702-1788)
Paesaggio con rovine e figure
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allegorypaintings · 2 days ago
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Allegory of Peace and War
Artist: Pompeo Girolamo Batoni (Italian, 1708–1787)
Date: 1776
Medium: Oil on canvas
Collection: Art Institute of Chicago, Chicago, IL, United States
Description
Pompeo Batoni’s grand portraits and numerous religious and historical commissions established him as the leading Roman painter of his day. He painted Peace and War on his own initiative, without a commission, attracting critical praise for the work’s graceful invention. It combines elements of Rococo softness and eroticism with the newly fashionable Neoclassical style. War, represented by the god Mars, is restrained by a personification of peace, who bears an olive branch.
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constanzarte · 4 months ago
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Pierre-Charles Comte, The secret rendezvous
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ombre-originelle · 8 months ago
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Alfonso Simonetti - And she never returned (19e siècle)
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random-brushstrokes · 2 days ago
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Aldo Pagliacci (Italian, 1913 - 1991)
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newt00th · 1 year ago
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Parrying Dagger Italian, ca. 1550–75
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arrayed-in-purple · 4 months ago
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𝐏𝐞𝐧𝐢𝐭𝐞𝐧𝐭 𝐌𝐚𝐠𝐝𝐚𝐥𝐞𝐧𝐞
𝐃𝐨𝐦𝐞𝐧𝐢𝐜𝐨 𝐓𝐢𝐧𝐭𝐨𝐫𝐞𝐭𝐭𝐨
𝟏𝟓𝟗𝟖-𝟏𝟔𝟎𝟐
𝐎𝐢𝐥 𝐨𝐧 𝐜𝐚𝐧𝐯𝐚𝐬
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ancientsstudies · 5 months ago
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Basilica Reale Pontificia San Francesco da Paola by viaggiatore_con_borsello.
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lionofchaeronea · 2 days ago
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Elements of a suit of armor (steel, gold, and copper alloy) for a light cavalryman, made in Milan, Italy, ca. 1510, but decorated with fluted surfaces "in the German fashion" (alla Tedesca). The band on the breastplate depicts the Virgin and Child in the center, flanked by St. Paul (right) and St. George (left). The gorget (collar) bears a representation of the Trinity.
There are two Latin inscriptions on the armor. The first, on the breastplate, reads CRISTVS RES (i.e. REX) VENIT IN PACE ET DEVS HOMO FACTVS ES: "Christ the King came in peace, and God was made human". The second, across the top of the backplate, is a slightly modified version of the Vulgate text of Luke 4:30: IESVS AVTEM TRANSIENS PERMEDIVM IL[L]ORVM IBAT ("But Jesus, passing through the midst of them, departed").
This suit of armor is now in the Arms and Armor collection of the Metropolitan Museum of Art, New York City, NY, USA. Photo credit: Metropolitan Museum of Art.
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jareckiworld · 2 months ago
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Gianni Frassati (1924-1989) — Untitled [oil on canvas, 1972]
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