#italian art
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Eugene von Blaas - The curious one (1897)
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Mattia Preti (Italian, 1613-1699) St. Sebastian, ca.1656-57 Museo e Real Bosco di Capodimonte, Napoli Sebastian was a Roman centurion, who was discovered to be a Christian and was sentenced to death by Emperor Diocletian. He was bound to a stake and shot with arrows. He was left for dead, although the arrows had not killed him and he was eventually stoned to death. The story is taken from the 'Golden Legend'.
#Mattia Preti#italian art#italian#italy#1600s#st sebastian#saint#saint sebastian#art#fine art#european art#classical art#europe#european#fine arts#oil painting#europa#mediterranean#christianity#catholic#christian#martyr
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Giovanni Boldini (Italian, 1842-1931), Portrait of a man seated in a church, early 20th century. Watercolour, 44.9 x 45 cm.
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Sergio Sarri — Interior (Study for The Inhuman) [acrylic, canvas, 1988]
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Decorative panels by Giovanni Segantini
◇ Rotondo di friori, c. 1882
◇ Rotondo di frutta, c. 1882
#art#painting#fine art#classical art#italian art#italian artist#italian painter#oil painting#beauty#decorative#19th century art#19th century#1800s#fruit#flowers#european art#still life
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Title: Girl with Cherries Artist: attributed to Marco d'Oggiono (Italian, ca. 1470-ca. 1540) Date: 1490s (?) Genre: portraiture Period: Renaissance (Quattrocento) Medium: oil on panel Dimensions: 49 cm (19.2 in) high x 38 cm (14.9 in) wide Location: Metropolitan Museum of Art, New York City, NY, USA
#art#art history#Marco d'Oggiono#portrait#portrait painting#portraiture#Renaissance#Renaissance art#Italian Renaissance#Italian art#15th century#15th century art#Quattrocento#oil on panel#Metropolitan Museum of Art
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Francesco Zuccarelli (Italian, 1702-1788)
Paesaggio con rovine e figure
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Allegory of Peace and War
Artist: Pompeo Girolamo Batoni (Italian, 1708–1787)
Date: 1776
Medium: Oil on canvas
Collection: Art Institute of Chicago, Chicago, IL, United States
Description
Pompeo Batoni’s grand portraits and numerous religious and historical commissions established him as the leading Roman painter of his day. He painted Peace and War on his own initiative, without a commission, attracting critical praise for the work’s graceful invention. It combines elements of Rococo softness and eroticism with the newly fashionable Neoclassical style. War, represented by the god Mars, is restrained by a personification of peace, who bears an olive branch.
#allegorical art#allegorical figures#painting#allegory of peace and war#oil on canvas#artwork#fine art#landscape#oil painting#armour#helmet#peace#war#warrior#male figure#female figure#drapery#sword#olive branch#shield#italian culture#italian art#pompeo girolamo batoni#italian painter#european art#18th century painting#art institute of chicago
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Pierre-Charles Comte, The secret rendezvous
#art detail#classic art#traditional painting#art history#classical art#oil painting#traditional art#art#art details#19th century art#artwork#1800s art#20th century art#academic art#art nouveau#art study#british art#contemporary art#fine art#german art#italian art#modern art#renaissance art#spanish art#victorian art#vintage art
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Alfonso Simonetti - And she never returned (19e siècle)
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Aldo Pagliacci (Italian, 1913 - 1991)
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Parrying Dagger Italian, ca. 1550–75
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𝐏𝐞𝐧𝐢𝐭𝐞𝐧𝐭 𝐌𝐚𝐠𝐝𝐚𝐥𝐞𝐧𝐞
𝐃𝐨𝐦𝐞𝐧𝐢𝐜𝐨 𝐓𝐢𝐧𝐭𝐨𝐫𝐞𝐭𝐭𝐨
𝟏𝟓𝟗𝟖-𝟏𝟔𝟎𝟐
𝐎𝐢𝐥 𝐨𝐧 𝐜𝐚𝐧𝐯𝐚𝐬
#mary magdalene#penitent#Renaissance art#renaissance#tintoretto#penitent magdalene#Venetian school#italian painter#oil on canvas#oil painting#art history#religious art#holy art#1600s#1500s#italian art#history of art#Christian art#Domenico Tintoretto#art blog#art blogging#aesthetic#religious aesthetic#skull#cross#musei capitolini#capitoline museum#holy aesthetic#saint
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Basilica Reale Pontificia San Francesco da Paola by viaggiatore_con_borsello.
#Basilica Reale Pontificia San Francesco da Paola#church#naples#italy#italy aesthetic#italian#italian art#italian architecture#alternative#aesthetic#dark academia#dark academic aesthetic#dark aesthetic#aestheitcs#dark#art#light acadamia aesthetic#light academia
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Elements of a suit of armor (steel, gold, and copper alloy) for a light cavalryman, made in Milan, Italy, ca. 1510, but decorated with fluted surfaces "in the German fashion" (alla Tedesca). The band on the breastplate depicts the Virgin and Child in the center, flanked by St. Paul (right) and St. George (left). The gorget (collar) bears a representation of the Trinity.
There are two Latin inscriptions on the armor. The first, on the breastplate, reads CRISTVS RES (i.e. REX) VENIT IN PACE ET DEVS HOMO FACTVS ES: "Christ the King came in peace, and God was made human". The second, across the top of the backplate, is a slightly modified version of the Vulgate text of Luke 4:30: IESVS AVTEM TRANSIENS PERMEDIVM IL[L]ORVM IBAT ("But Jesus, passing through the midst of them, departed").
This suit of armor is now in the Arms and Armor collection of the Metropolitan Museum of Art, New York City, NY, USA. Photo credit: Metropolitan Museum of Art.
#art#art history#arms and armor#suit of armor#Italy#Italian art#16th century#16th century art#Metropolitan Museum of Art
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Gianni Frassati (1924-1989) — Untitled [oil on canvas, 1972]
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