#General posts on film
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noisyghost · 3 months ago
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sketches of ark's werewolf form except based on the designs of some other funny dogs i like
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xxplastic-cubexx · 25 days ago
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anyone else get cuteness aggression whenever they see james mcavoys charles….. like i have to pace around the room everytime i see him (your art is not helping. /pos)
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i can think of one (1) mate who also gets cuteness aggression
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ink-the-artist · 3 months ago
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sick animal
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guzhufuren · 3 months ago
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New upcoming costume chinese BL The General's Son (将军家的小儿子)
"The mountains and rivers are vast, the sun and the moon are facing each other, the stars in the world are with you."
Li Jianwei, young master of General Li's, is as beautiful as jade and spring flowers. One day, he went to the Wei mountain to seek revenge. Chen Xiaoxi, a person who was pure but was killed unjustly and became a devil. What will happen when these two meet on the Wei mountain?
One of the lead actors is Dong Zifan (plays Chen Xiaoxi).
Filming started in May, wrapped in June.
source: mwsdrama
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thankstothe · 4 months ago
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season 1 pretties
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trek-tracks · 4 months ago
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Okay, hear me out. TOS 4 is the time travel movie. So AOS 4 is the time travel movie, but it's not about whales.
It's about a conversation AOS Spock had with TOS Spock before the latter died, when TOS Spock mentioned that things didn't really go irrevocably wrong in his universe until Admiral Kirk disappeared with the Enterprise-B. AOS Spock wonders what repercussions this has had on his own, somewhat more distressing universe, and when the AOS Enterprise bridge crew finds itself assigned to protect Earth by examining an unstable temporal ribbon that seems to be crossing through the galaxy--well. Spock wonders. Is this the Nexus? They find out soon enough that it is. And since Spock's the first one in, technically, the Nexus gives him what he wants, which is what the Nexus has--the ability to cross universes as well.
Now everyone, out in two groups on separate missions has to resist succumbing to the temptations of the world of the Nexus while they try to rescue Admiral Kirk, making sure his mission is still completed (so as not to destroy anything for the TNG folks' reality) but that he survives, so that they can figure out how to get through the Nexus and pop him back in his universe right as he's supposed to leave on the Enterprise-B. AOS Spock is sure he can figure out those calculations somehow. Some of the temptations are funny, some are sad, but we find out where Uhura and Sulu and Scotty are in their lives, and where they want to be.
Like Spock got to meet TOS Spock, TOS Kirk gets to meet Kirk (and Spock, and McCoy, and eventually the rest of the bridge crew). AOS Kirk learns that the life he's been envious of all this time didn't turn out well in the end because TOS Kirk ran toward duty alone despite what he had, and TOS Kirk learns that a) he could have suffered so much more loss, b) he's just one of a set of infinite possibilities, just like AOS Kirk is, and c) he's been wasting eternity exploring those other possibilities of happiness in the Nexus when he could have been content with what he already had.
He finds out what happened to TOS Spock, and it's agonizing. He sees this weird young Spock and Bones, both of whom could bench-press him, and he misses his Spock and Bones so much that the Nexus starts trying to change the fantasy world, to their detriment. It's only when the crew sticks as close as possible together and all concentrates on wanting the same thing that they're all able to shift the Nexus to their goal. Then Picard shows up. Things get complicated.
We hear, from Generations: And in the end, what did it get me? An empty house...Not this time.
and from Star Trek V: I knew I wouldn't die because the two of you were with me.
I thought you said men like us don't have families.
I was wrong.
TOS Kirk decides that, yes, he wants to leave, and he wants to go back. But they're not entirely sure how to line up Picard's plan and TOS Kirk's plan and the AOS plan and have it all work. It's a lot to figure out.
To simplify things, AOS Kirk decides he's going to volunteer to go die in TOS Kirk's place so that they can return TOS Kirk and at least one of them will have a decent ending, because his own life still feels so uncertain. This seems like it's going to work until his Spock and Bones both read him the riot act. But it's Bones who really goes off.
Karl Urban gets a great speech as Bones about how both Spock and Kirk met their counterparts, a chance which he will likely never be afforded and neither of them learned anything from it. Spock went off and punctured the walls of a universe even though TOS Spock indirectly destroyed AOS Vulcan through it. Kirk is trying to run away and die again because he doesn't know what to do with himself, even though TOS Kirk had an unhappy ending to a good life because at the end he ran away and tried to die again. Bones just tries to pick up the pieces. You don't fix things by tearing them apart, and you don't fix them by tearing yourself apart. You fix them by healing the rift. AOS Kirk's eyes light up. They're going to fix the rift.
They're going to give this random meaningless villain what he wants, throw him into the Nexus, he can have infinite joy, then they're going to seal it and heal it.
After all, AOS Bones says. He had a drink with TOS Kirk at the man's insistence, even though the Saurian Brandy didn't taste like anything, and Kirk told him he could cure anything from a rock to a rainy day. The tasteless brandy? Apparently Bones is the person who can actually perceive that nothing here is real, so he doesn't want anything except for everyone to remain safe.
From Beyond: Better to die saving lives than to live with taking them. 
Bones says: Better that no one dies at all. This time, no one dies.
So TOS Kirk and the Bridge crew go with Picard to subdue Soran and honestly, it's not that tough with all of them. Nobody had to die. And as they fix the rift, with TOS Kirk and Picard's Enterprise about to be thrown back into their universe on one side and the AOS Enterprise into theirs on the other, Picard suddenly realizes that he never clarified how they were getting Kirk back to his own time. And how will they explain his status?
TOS Kirk grins. Good thing I know how to slingshot around the sun, he says. And when they report me missing, I'll just say I didn't go in the first place. Clerical error. Who are they to argue with an alive man?
AOS Kirk has so many questions, but the two of them merely salute each other, and then they're thrown back.
Back in his own time, TOS Kirk walks into a Starfleet Academy apartment, and hear him say:
Bones, I heard you got laid up with Andorian flu and Spock was taking care of you, and this I just had to see! How many hypos? Don't let him talk you out of any, Spock. They're all important, every single one, even ones he hasn't heard of.
A pause.
Yes, I know I said Starfleet needed me. I just thought maybe you two needed me more this time.
Back in the AOS universe and Spock's calculations are totally off in getting home, because he didn't account for the gravitational pull of--
Vulcan. The planet that apparently still exists.
TOS Spock still came into their universe--he was always going to live longer than his ties to his Enterprise family. But his actions had been tempered, less destructive, which had clearly resulted in the Enterprise being able to save the planet. They were going to have to find out how.
Not everything had changed, of course. Nero had still been Nero, they had still come together. But Jim only vaguely remembers dying, now, as though it had happened to somebody else. He feels more settled than he ever has before. Some of that's the time travel revision, and some of that's the meeting with his alternate self, and some of that's Bones' yelling. Spock feels a sense of closure. Bones is just relieved that nobody died this time.
Uhura suddenly and quietly alerts them to the chronometer. It's a week before they left, which means there are now two Enterprise bridge crews on Earth, and that they need to lie low for a week to avoid running into themselves.
What should we do, Captain? she asks.
Jim smiles.
Let's go to Yosemite.
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pics-pizza-peace · 5 months ago
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Lawrence Gordon (Saw 2004) Pony Cosplay
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arthurwilde · 1 year ago
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You guys remember Goncharov that son of a bitch sure loved clocks
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peachviz · 3 months ago
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just let me shake ur hand jonathan frakes for gifting us this scifi masterpiece
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yeah, sorry… your boyfriend was defenstrated by matpat … yeah he's into horses now… sorry
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vanishingmoments · 2 months ago
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the way theaters are dying because people think "oh I'll just catch it later on one of 700 streaming services" is really tragic. I've seen four movies in theaters this year and with one exception I can say that the experience of seeing them again on my TV will never be anywhere near as complete of an experience.
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Rewatched Gilda (1946) recently, and immediately thought of the bnnuy and doggo husbands. The movie is so good, there's literally only ONE issue, which I *know* would be 100% solved if the Freelance Husbands were the main characters (will probably get into why that is in a different post tho) and so, a couple or more AU ideas were born....(Including a canon divergence/never met as kids/met as young adults AU, for which I also have a fic WIP)
Really wanna make an animatic redoing the whole Put The Blame On Mame scene but with the freelance husbands, with of course, Max being Gilda. There's even an excellent song cover from Alexandre Covers at YT, a Max animation is practically begging to be made....I really wanna do it qjhHUaj.
#sam & max#sam and max freelance husbands#sam and max freelance police#my Gilda Sam & Max AU is set on a alternate universe where homophobia was never a thing#and probs gonna have anachronistic and/or 4th wall breaking/lampshading to booth too#sam and max#max sam and max#gilda 1946#rita hayworth you will always be iconic#NA.S art#edit: NOT genderbent it's just Max wearing a dress bc he likes doing so. it's canon#he would rock femme fatale fashion we all know that#everything else that sucked from that era did happen tho. It has to bc of Reasons™#but mainly bc noir is all about The Bunch Of Problems Society and By Extension Normal People Had To Go Thru™. Which same tbh#my Gilda Sam&Mad AU is set in an alternate universe where queerphobia wasn't a thing. Or at least way less prevalent#edit: by “noir” here I'm talking about the films and not the sub-category of Sam & Max aus 😅#altho i guess the Gilda AU would be a noir AU bc Gilda is a noir film and I'll touching on themes from the prohibition era and stuff.#but it's not gonna have the same tone noir S&M aus usually have. I'm deffo gonna touch on era typical serious/mature topics#including controversial stuff from that era like the extreme censorship and obsession with “purity” and the sexism#and the racism and elitism and the socioeconomic reality and the war/post war consequences and whatnot#but. I'm also keeping Sam and Max as in character as possible bc I do not envision them in the roles of Gilda and Jhony 1:1.#in other words. Anachronistic jokes and lampshading and 4th wall breaking and general irreverently playful tone.#and by extension how their personalities+dynamic would in turn affect the plot of Gilda. Bc the fun about this type of thing#is exploring not only the similarities but what makes it different from canon. I'm putting S&M in Gilda. i'm letting them Do Their Thing™
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cuntbrow · 10 months ago
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lbctal · 10 months ago
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cooper howard (the ghoul) in film posters datamined from the upcoming fallout 76 america’s playground update.
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source + bonus lore
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spinnysocks · 1 month ago
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i don't know how else to say this but we as a society need to stop seeing small pet death as funny. in fact, we need to stop normalising putting them in danger for our entertainment. i have owned hamsters all my life; they are such beautiful little creatures. they are so fragile that it made me so anxious for them because i cared for them. yet, movies or tv shows present hamster death as a joke somehow. this must have had a knock-on effect on people's views because i have seen so many people making fun of a dead pet on social media. i have seen so many people laugh because somebody's pet hamster died/because someone is grieving it. is it funny because you see them as small and insignificant? because a hamster is seen as a stupid, tiny creature that holds no worth? so you laugh at its death? i genuinely cannot understand it. where is the joke. i feel genuine grief for hamsters who have been put in danger or died because of neglect, just to be recorded and laughed at by the same species who domesticated them. the same species who made them pets and are supposed to look after them. yeah maybe i'm sensitive but i think i should be. how could the death of a tiny, innocent, unknowing little animal we made our pets, an animal so fragile and reliant on us, be funny.
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beingharsh · 1 month ago
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A Bay of Blood (1971), dir. Mario Bava
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