#Finding that love around you

[revenantghost]

Ok but the fact that Vash is absolutely already onto Wolfwood's bs (he really never tries to hide it, to be fair) and yet he still values his words enough to break that hunger strike... ough

[eydilily]

would you bite the hand that feeds you?

[asthedeathoflight]

I think an underrated angle on 2x05 is something that either Jacob or Assad said in some interview somewhere, which is that in that episode Louis is addicted to heroin. Thats why he has that whole stash of drugs that he gives to Daniel, that's why he gives Daniel the drugs even though he's already got him alone. He didn't just use those 128 boys for sex he was using them to get high. Bring them home, get them to shoot up, and then drain them to get that secondhand high.

It clarifies something that's always confused me about that scene, which is why Armand saves Daniel the first time. He wouldn't save Daniel as a person, he clearly knows Daniel needs to die, but he's not seeing Daniel as a person there. Daniel is just a substance. He rips him away from Louis to stop him from using.

And i think that adds a whole other layer to the fight he and Armand have to think that this is Louis on a bender, with Armand cleaning up after him because he's not stable enough to. Louis in the bed for a week isn't just healing from the burns, he's going through withdrawal. Him at the table with Daniel giving him the "bright young reporter" speech is probably the first time he's been sober in months.

It adds another layer to Armand's desperation, that Louis has been running from both Armand and himself in this way, and of course Armand wants to erase that memory. Of course he wants to pretend that that fight never happened. Not just to protect himself but in a way to protect Louis from having said those things. When he describes the fight to Louis afterwards, he says "you said the worst things you've ever said to me." And he doesn't really know how to forgive Louis for that so he just wants to bury this rock-bottom moment and move on like it never happened. After all, Louis was high, he didn't really mean it, but if he remembers then maybe he might think that he had a point. Better to wipe the whole experience away.

[somewhereincairparavel]

JASON GRACE PLAYS LACROSSE AND TENNIS. I CAN'T AND WON'T BE NORMAL ABOUT THIS-

[yooboobies]

shaped like love, like sunshine, like happiness - a boundle of joy | dedicated for @raplinenthusiasts tiny tan (3/7)

(cr. 0613data}

[stevebabey]

you're the only one for me, baby

1.7k, steddie, one of them getting so drunk that they don't recognise the other and telling them back off i've already got a boyfriend, it's all sweetness <3 likely a modern!au and actually just goobers in love

Eddie doesn't really drink. He's not against partying but he's much more attuned to smoking a little weed to take the edge off, sometimes a spliff if he wants to mix a little business and pleasure.

Eddie doesn't really drink—so when he does, it goes about as well as expected.

From zero to a hundred.

Steve had lost track of him after directing his stumbling feet towards the bathroom to take a leak. But apparently, as he's now found out, this bathroom has two doors.

What the fuck kind of bathroom has two doors, like some weird thoroughfare?

Regardless, it took all of five minutes with no noises coming from the inside before Steve had loudly announced he was coming in, no matter what, getting quite worried for his boyfriend.

He trusted Eddie to not be too sloshed to handle a piss, even if he was on the wilder side tonight, but still leaned up against the door to chase off anyone else looking to knock—because Eddie hilariously gets pee-shy.

The door had opened easily, apparently unlocked, and Steve had stepped into the empty bathroom. The other door across the room, the one he hadn't noticed until now, was wide open to the party.

So, now he's on the hunt for Eddie.

Which is a task that feels a little bit like herding cats because drunk Eddie isn't something Steve has a lot of experience with. But what he does know, is this: it's the opposite of high Eddie.

Stoned, Eddie likes to find the comfiest place he can (usually Steve's lap, or so he proclaims) and sink into it, like melting wax. Then, given he has access to adequate snacks, he doesn't move for quite some time.

Drunken Eddie cannot even fathom the concept of sitting still.

Either way, looking where there's food is a good as a place to start as any.

Steve ambles out the strange two-doored bathroom and flips his head back and forth, trying to remember the direction of the kitchen. He hasn't been here before—one of Eddie's band connections—and Steve's still had a couple beers himself.

He shakes his head and takes a left, relieved when it leads to the stairs. Okay, he sort of knows where he's going now. They had only come upstairs to find the quieter bathroom for Eddie.

As Steve reaches the bottom of the stairs, a faint stir of irritation flashes through him. Eddie just left him behind? That wasn't that nice, even if he was incredibly drunk.

He can hear the din of people chattering just above the music and he follows it, leading him into the half-full kitchen, people dotted around. There's a few pizza boxes scattered around and Steve eyes each of them specifically, looking for the tell-tale wipe of Eddie's greasy fingers. No dice.

Steve wrinkles his nose, spinning around and double checking before he moves on.

If not by the food, then... where?

Steve takes a few steps forward into the living room, his heart beginning to sink and shrivel all at once. There was a miserable feeling attached to looking for his partners at a party, a wallowing and awful memory tied to the feeling.

Steve pushes a hand across his chest roughly, as if trying to shove the feeling away.

Eddie wasn't... her. Eddie wouldn't do that.

But the moment he's thought it, it's stuck in his head. Steve's feet begin to speed up, checking a little more carelessly as he starts to stick his head in different rooms, his hazel eyes jumping around. Not Eddie, not Eddie, not Eddie—so many people and none of them are Eddie.

Until—there. Steve spots a very familiar looking behind as it leans over the back of the couch, the owner of said-behind talking to someone sitting on the couch.

He blinks, just to be sure, but the details come into better focus. There's chains on his belt loops and when he shakes his head, Steve can see the curls he loves to bury his hands into.

Eddie.

Steve's relief pulls him forward, his feet almost stumbling, his mouth pulling into a relieved smile. He puts a hand out, fingers spread, across the leather-clad back.

"Eds," Steve says, relief colouring his voice.

Eddie swings up abruptly, pushing himself off the couch. When he turns, a bit of liquid sloshes out of the beer bottle he's holding.

"Heyyy," The words come out a bit slurred and when he finally stands straight, he doesn't look right at Steve. "Handsssss off the merchandise, buddy."

Steve chuckles, reaching out and plucking the bottle from his boyfriend's grasp. Eddie gawps, an adorable little hiccup interrupting his shocked expression.

"Hey," He says loudly, reaching forward for it fruitlessly as Steve pulls it out reach. "That's mine." Eddie whines.

"You've had more than enough, I think." Steve says. He steals just one gulp of it before he turns at puts it on a nearby table. When he turns back, Eddie is frowning at him, brows pulled together tightly and bottom lip jutting out.

"Listen—" Eddie leans forward, jabbing a finger into Steve's chest. "I dunnowhoyouthinkyouare," The words come out in a one big jumble and Steve frowns.

What? Something sour claws into Steve's chest at the frosty greeting.

"Eddie," Steve says, his hazel eyes wide and worried as his gaze darts between Eddie's squinted face and swaying form.

Steve reaches out to put a hand on his waist, aiming to steady him, but Eddie sees it coming and widens his eyes comically. He swerves back to avoid it, his boots tilting dangerously on the wooden floors. If he was still holding his beer, Steve bets half of it would be on the floor by now.

"Wo-oah," Eddie exaggerates, waving a hand out and batting Steve's outstretched arm away. The rottenness in Steve's chest blooms, rancid and freezing. He sucks in a sharp breath.

"Ed—"

"I—" Eddie says, holding up his hand and waggling one finger at Steve, like he's a naughty schoolboy. His words still have that drunken slur to them.

"—already have a boyfriend, thank you very much. He's much too pretty to be throwing it away for the likes of you, you weasel of a man..." His ludicrous and nonsensical insult trails off under his breath as Eddie's attention is drawn away by a shout across the room.

As he watches Eddie drape himself back over the couch, the sourness between Steve's ribs shifts, transforming into something infinitely sweeter. He lets out a dazed laugh, a wild smile spreading on his face before he can smother it beneath his hand.

I'm dating a lunatic, Steve thinks happily.

He reaches out and steals Eddie's beer once more, taking another large swig before giving it another go.

This time, he sidles up beside Eddie who's engaged back in conversation with one of the guys on the couch, and just waits. It only takes a minute before the dude on the couch seems to realise who Steve's waiting for and he nudges Eddie, gesturing behind him.

Eddie, still bent over the back of the couch, twists only his head to look. This time, the recognition is immediate.

He springs up, pushing the couch forward an inch in his excitement and leaps forward, his hands clawing into Steve's shoulder with a fierce delight.

"Steeeeve," Eddie croons, crowding in close. His hands start moving, fingers searching like curious spiders, fingertips dancing along the sensitive skin of Steve's neck til he's squirming back, laughter betraying him.

"Stop it." He laughs. Steve arrests Eddie's wrists in his hand and Eddie cackles, using the pause to surge forward, kissing him square on the mouth.

Eddie tastes like the beer he's been drinking and Steve barely gets a moment to enjoy it before Eddie's pulling back, leaning forward so they're forehead to forehead.

"I was looking for you." Eddie says, his doe eyes wide. His pupils grow larger the longer he stares at Steve.

Steve grins. "Uh huh. Looking for me between the couch cushions, were you?"

Eddie rears back, his head flipping as he stares back at the couch and then back at Steve. "Nuh uh. I came out the bathroom and you were goooone."

That explains it. Eddie must have left out the other door — and then thought Steve had left him behind and gone hunting for him. Something else settles in Steve's chest, relieved.

"And—" Eddie hiccups. "—and some guy tried to- to freakin' flirt with me. Can you believeee?"

Steve's grin widens by a mile. "Is that so? What you'd tell him?"

"No, of course!" Eddie says, head pulled back as if he's appalled Steve would think otherwise. He shakes his hands out of Steve's grip and drops them, fumbling for a moment to get his fingers into Steve's belt loops.

When he does, he yanks Steve forward a tad too forcefully, their bodies colliding in a way that's more sore than sexy. Eddie continues on as if he doesn't notice. "Even if he was particularly tasty," He murmurs, his lips tracing the column of Steve's throat.

"I let him know, baby." Eddie all but purrs.

And perhaps if the competition Eddie was beating off was literally anyone other than himself, Steve would be right there with him.

Instead, he can't contain his snort of laughter. Eddie was perfect; he was a possessive and drunken dog, barking up the wrong damn tree. Steve loves him.

"You're laughing," Eddie states plainly, even as his doe eyes manage to grow even more round. Steve can't help it, it just makes him laugh more.

"Treason." Eddie declares. Then using the belt loops to keep Steve captive, he leans in and blows a raspberry on his neck.

Steve lets out an unattractive squawk, his laughter melting into Eddie's as he pushes his boyfriend's face away — to which Eddie simply lets himself go limp, his face cradled and held up solely by Steve's hands.

"Christ," Steve says between his laughs, shifting his hand to hold him more tenderly. Eddie smiles dopely, then puckers his lips and closes his eyes.

Steve rolls his eyes, entirely too endeared. "Alright, c'mere," He gives in, leaning and kissing Eddie, short and sweet. When he pulls back, Eddie's eyes are open, starry and gazing up at him. He gives a dreamy sounding sigh. Steve's heart fizzles, like it's full of pop-rocks.

"Ready to go?"

"As long as it's with you, baby." Eddie says, sounding every bit like he means it.

[theresistanceneverquits]

There’s not enough people talking about how important Stephanie is to Damian’s growth pre-Flashpoint.

Bruce had seen Damian as a beast to be tamed, Tim sees him as a ticking time bomb, and Dick is far better with him but he’s still an authority figure for Damian to combat with. But then he meets Stephanie, a college-aged girl who nobody trusts and he bullies her relentlessly and becomes inseparable from her.

She doesn’t interact with him based on his past, but on what she can see. This 10 year old just threatened to kill her? Wow he doesn’t get outside much. He’s not old enough to have seen Gremlins. What do you MEAN you’ve never been inside a bouncy house before we are fixing that immediately.

They are like cousins to each other. They poke fun at each other for being lame and stupid and Dick has to tell them both to shut up. She doesn’t see him as a project to be molded and redeemed, he’s just a kid with a crappy childhood like her and if he’s nice to her for 5 seconds she’ll do something with him to let him feel like a kid. And he doesn’t look at her and see a liability or a failure or a lost cause, like everyone she’s ever interacted with does. When he’s awful to her, it’s because he’s an obnoxious preteen boy.

And then you get the “there’s room in our line of work for hope, too” scene. Because Damian has gotten to know Steph and he can’t fathom why she’s here. She obviously has had to deal with crap and is still working through being kept on a leash by Nightwing and Oracle, but she isn’t broken like the rest of them are. Damian is surrounded by people who were molded and shaped and torn down and broken to become the monoliths that they are, and then there’s this girl who seems so at peace with herself and is constantly making quips, and it’s so foreign to him.

And she tells him that she’s in his world because she believes people are worth fighting for.

[poorly-drawn-mdzs]

I'm a doctor, not a miracle worker.

[First] Prev <–-> Next

[wishchip106]

they should’ve cradled each other more in the movies

first class was not enough

they should’ve kept Charles holding a dying Erik in his arms in dofp

sighh curse the writers of xmen movies i am better than you 😔

[stuckinsquahamish]

I’m sorry Jon M Chu, what do you MEAN your first idea was to have Idina Menzel and Kristen Chenoweth play Galinda’s parents. WHAT

[thepunkpanther]

THE HOLIDAY (2006) dir. Nancy Meyers

[vaguely-concerned]

on the one hand I think inner demons could stand to have a bit more romanced rook specific content, but on the other hand the underlying in-built implication that 'yours is the one true voice of comfort and safety in my inner world' is a sentiment and intimacy so way beyond the romantic or the platonic or any secret third thing you could care to name that it makes me lose my entire poor little mind a bit. it's so big and fundamental — near-existential — that in that exact moment at least the distinctions kind of seem irrelevant.

all the people lucanis' mind conjures up along the way are relationships he has that are unavoidably mixed and fraught in some ways even when they're also full of love (they are fraught BECAUSE they're full of love) — the good in them inseparable from things that hurt him at the same time. (it's about: the basic disorganized attachment patterns this poor guy is dragging around with him. careful with those, they're dellamorte heirlooms. what you love also inevitably hurts you and you won't be allowed to have one without the other, you have to surrender parts of your soul to hold on to what little you have left: this is the story up until now.) and the idea that rook isn't that to him — that beneath the fear of wanting them when romanced (which is more its own separate thing because within this psychology, actively wanting something and not just clinging on for dear life to even a meager status quo lest you lose it is in itself dangerous bordering on catastrophic), this is a relationship where there isn't resentment, or guilt, or shame, or dread, or rage, or self-hate, or any of the other emotions that keep him paralyzed, unable to move this way or that. no debts, nothing owed of yourself and your soul's substance except what you can freely and safely and happily give. love and freedom don't coexist — but, I mean, you're almost starting to make me think........... unless...👀👀👀. the unconditional and undramatic 'you are here and I am here with you, you can be exactly how you are right now with me and it's safe for us both even though you're afraid it won't be, I'm not going anywhere' acceptance rook shows him here that he returns to them in the big romance scene, when it's rook who needs it. the way he's just. standing there in the center of it all, like a child desperately helplessly waiting to be found, hiding in the place he hopes you'll know to look first. (rook does know. it's one of the first things they say in there.)

in short the most important room in his little mind palace for the romance is the very first room — the one where rook isn't. where, in fact, rook cannot be, because they disprove the entire structure of the place with their existence and presence in his life. with everyone else he's putting words in their mouths about what they think of him, and rook is the one who actually gets to come in to speak their own words to him — and have him listen. ('he'll listen to you, he always listens to you', 'your voice is a comfort'.) of course rook isn't present anywhere else in there — at the risk of stating the obvious to a tedious degree, they aren't one of the locks, they're bringing the key. in the very finest 'the messenger and the message' sort of way.

[starry-bi-sky]

do yall ever think about bruce/batman!clone danny standing in front of his bathroom mirror after finding out he was a clone and silently tracing his face. The slope of his jaw and point of his chin. The high angle of his cheekbones and the shape of his eyes, the curve of his brow bones and the shape of his nose. The volume of his hair and the way it curls and gets fluffy when it gets too long.

His hair is black the same way a crow's wing is black. His dad's hair is black the same way a black bear's fur is black. His dad's eyes are blue like the ocean is blue. Danny's eyes are blue the same way a glacier is blue.

His dad has a square jaw and straight flat hair, and he tans and gets a face full of freckles when he's out in the sun for too long. Danny burns like a lobster and his face remains untouched. Danny has a sharp jaw and tall cheekbones, and Sam says when he's not smiling there's almost something regal about him. You would never call Jack Fenton "regal" when he's not smiling.

Sam says when he's not smiling he looks scary the same way a stone statue is. Jack Fenton when he's not smiling looks scary the same way that german shepherd staring at you across the street is.

Do you ever think he grew up wondering if he was adopted. Because of course, he has black hair and blue eyes like his dad. But having the same color doesn't make you someone's child.

Or, worse, things he's heard from the other kids and the other parents and even some of his teachers growing up; that he was the product of an affair. And that his dad was just too stupid to notice. And Danny would defend his parents until the day he died, because Jack Fenton wasn't an idiot and Maddie Fenton wasn't a cheater.

But doubt comes in with fickle tongue. his parents swear up and down that he is their child when he asks about either. That Danny just had his grandparents' features, but he was their son and they loved him.

But Danny doesn't look like either of his parents. His mom's eyes are blue like an aquamarine and Jazz's too. And they burn like lobsters in the sun too, but Jazz gets freckles on her face and so does Maddie. And as Danny grows up he doesn't bulk up or get stocky like his dad did, and when he hits puberty he doesn't shoot up like a tree like Jack Fenton did.

He stays small, and they say he's a late bloomer (and he is), or that he just has his mom's height. But he's fast and has good stamina, and some days it feels like he's built entirely different from his family. That the things they went through growing up just didn't apply to him. Jack and Maddie Fenton both had acne and breakouts when they hit puberty, and Jazz inherits it and he's seen the amount of skincare products she keeps on her side of the bathroom.

And then he hits puberty and breaks out maybe once or twice, but his skin stays clear for the most part and the problems and changes his dad went through just don't happen to him.

And the truth is worse than all of the lies.

How horrifying.

[prahacat]

when the horrors catch up and you take an evening off to batch-process

[uncanny-tranny]

I think it's incredibly important to remind folks on testosterone or folks who want to reverse patterned baldness about their options, but man, does it sometimes suck wondering how much of our insecurities about our hair stem from backwards beliefs that to strive towards beauty is not only preferable but "makes you good."

As someone with a rather masculinized body pre-medical transition, patterned baldness has always seemed neutral. Hair is incredibly important (hell, much of my own energy is spent on my hair because I like it), but the pressure to have hair, to have hair the "right way" is something that I absolutely loathe.

I'm not here to judge people who don't want patterned hair loss or baldness, I'm here to say that those traits will never make you lesser. Not only is it neutral, but it is also just as worthy and beautiful.

[dorothywonderland]

BRO LITERALLY DOXXED HIMSELF TO THE CYCLOPS. he was asking to get jumped come on