#Fan work analysis blog

[alienidentities-f22a]

RNM Character Analysis Blog REVISED

My favorite character in Roswell, New Mexico is Michael. The fact that I'm writing this post after episode nine and not after episode one or two is part of the reason why I say this. In the beginning of the show I was not a fan of Michael. He was always ruining things, preventing Max from being with Liz, which to me seemed like the true love story that I naturally wanted to happen as the viewer. However, as the show progressed so did Michael. We learn a lot more about him as a person and get a deeper look into his background. He also changes as a character as the episodes progress. He becomes more of a caring person as he takes a larger part in the show. I like Michael because of his personality, sense of comedy that he brings to the show, and the experiences he has lived through, which add to the show and thicken the plot.

Michael has a great personality I feel. He seems to be the comedic aspect of the show, making jokes in situations that most of the characters wouldn’t. I've always liked comedic relief so any character that provides this in a show I usually tend to gravitate towards. While he brings comedic relief in some scenarios, he also is very serious in others when he needs to be. That's another reason I like his personality because he is one of the only characters that I feel has a true range of emotions. Many of the characters are placed as a light hearted character, or a serious character but I feel that Michael is both.

Another aspect of Michael that I like is his past and his experiences. I find it very interesting that Michael is a genius and did great on test scores in high school, but ended up being the town criminal. I think this adds to the story because it builds a sense that he missed out on something that he could have had, or at least that's what it makes me as a viewer feel. I also think that it shows character development, as we don’t see him get arrested ever in the show, except for when he's in the police department in the first episode. This gives me as a viewer a warm feeling towards him in the sense that he is changing and working to become a better person. One of the main experiences that he has been through that he has to deal with is the fact that he’s gay. It hasn’t necessarily been an issue for him on the show but a viewer can assume that it has been a struggle for him at some point in his life. We are given hints that its not easy to be gay and accepted in Roswell. We see Alex was bullied in highschool for it and had a very hard time with his dad because of it. I think the fact that this aspect of Michael's life doesn't really faze him is admirable and a trait that makes Michael a very likable character.

As the show goes on I hope we get an even deeper background on Michael as I feel there is still lots to learn about him. I feel that he keeps becoming a bigger and bigger part of the show since episode one and I hope more stories are built around him moving forward.

As the show continues I am excited to see how Michael develops even more as a character. I loved that he gained a much bigger role in the show as it moved forward and I can't wait to see how his character continues to develop and the roles he plays as the show continues.

[kenzan-kiwami]

everybody claims to be a kashiwagi enjoyer but the only time anyone ever talks about him is to say he's the hottest piece of meat in the series

[blossomhcir]

// I feel the need to specify something even though I’m not as active as I would like to be: (tw for mentions of incest)

There is a huge difference between writing taboo themes and gleefully romanticizing those themes. The fact that incest exists in asoaif is not a shield you can hide behind to write incest smut and ship siblings. I do not have any objections to mentions of incest or exploring how incest impact characters or functions as a theme in asoiaf. Clearly that is not a boundary that prevents me from engaging with the work. My boundary is when writers use the existence of those themes to fetishize and enjoy incest content then act snuggly superior that I do not want to engage in said content. I’m sorry I think that topics like incest require thoughtful, nuanced handling and prefer to be conscious of how these sensitive topics are approached.

Engaging with the source material accurately means acknowledging the damage incest, grooming, and the patriarchy does to characters and the overall narrative. Engaging with the material means understanding the themes GRRM is presenting you with to actively make you think critically about the world he’s created. If you read asoiaf and blindly accept the institutions and cultural norms presented as infallible and correct, then your reading is incomplete. If you think that accurately engaging with the source material means that you can write about incest with glee and revel in siblings railing each other, you’re the one missing the point. And frankly, I don’t care to be condescended to by people who can’t understand that the existence of a taboo topic in a work is not the same as license not think critically about said taboo.

[orcelito]

I love....... community 🥺

[unproduciblesmackdown]

the sense of having any lore about the ancient [ten to thirteen years ago] of marble hornets times like granpa granpa tell us a greentext story....the only hitch is not having stories and instead having "i guess you had to be there" tales from the fringes, unless instead of a hitch you frame this as a bit

[kerink]

in light of people's confusion over cecil's longevity in @sexymanotd i wanted to document a bit of his history for those unfamiliar or nostalgic

welcome to night vale is a podcast written by joseph fink and jeffrey cranor. cecil gerschwin palmer is the main character and voiced by cecil baldwin.

it debuted on june 15, 2012 it reached its peak in popularity in 2013-2014

despite this, wtnv has been one of tumblr's top fandoms since staff started tracking fandom-related data in 2014

for the longest time the only thing we knew about cecil's appearance was: "He is wearing a tie. He is not tall or short. Not thin or fat." and that wasn't until episode 19 which aired march 15, 2013. for almost a full year we had no idea what cecil looked like. so tumblr's collective unconscious kicked into high gear and we did what we do best

we created a tumblr sexyman

from know your meme: "Defining traits of the archetype include skinny body type, trickster or villain role and dapper clothing."

know your meme identifies wheatley (portal 2, 2011) and the onceler (the lorax, 2012) as being likely tumblr's first sexymen. and the onceler fandom was at its peak in 2012-2013, the same time as wtnv. in addition to this, the hannibal fandom has been cited as one of the contributing factors to wtnv's success on tumblr.

so tumblr had created an archetype that worked and the wtnv fandom was made up of mostly hannibal fans - the foundation for putting cecil in a suit was there. and honestly? cecil's at work in the show, why wouldn't he be well dressed?

however, while this explains his attire it doesn't explain some of cecil's more unique sexyman features, namely the tentacles. for this we have to return to the 2014 fandom review analysis where you can see the most popular fandom at the time: homestuck

haven't you ever wondered why almost a quarter (189/923 at time of writing) of E rated wtnv fics on ao3 are tagged tentacles or tentacle sex? why cecil having tentacles for a dick is such a seemingly popular headcanon? well look no further then homestuck cultural hold over.

throughout all of this, the development of the sexyman archetype on tumblr and the rise of homestuck, one creator really stands out: kinomatika

kino was one of the most popular homestuck artists on tumblr at the time, popular for their eridan fanart. if you google image search "welcome to night vale" kino's art is still one of the first results you'll get

their design was so popular in fact it was featured in wtnv related articles from the time

and yes there were absolutely other artists giving cecil tentacles and moving tattoos at the time, but it can't be understated the reach kino had and the influence their homestuck roots had on their design choices

i recommend going through the archive of @nightvaleartclub to see how cecil used to be portrayed back in the early days. unfortunately the earliest fanart i've been able to find is july 2013 and i find it hard to believe it took tumblr a year to draw him. although, i started listening at episode 5 and didn't start drawing him until then myself so who knows...

cecil has had tumblr's heart in a vice grip since episode 1, with "20,000 posts, 183,000 blogs and 680,000 notes using the #Night Vale tag" during its first week. tumblr's love for wtnv has always been fairly genuine, from the impact the writing has had on tumblr humor and future story telling, to how wtnv paved the way for lgbt+ representation in indi media, to how it popularized podcasts as a medium for story telling, to the little comforts some of cecil's quotes still bring people today

cecil is not only a founding father of tumblr culture, but also a blorbo of the people. cecil the character in canon has a tumblr account where he posts his art and slash fanfiction.

although cecil's character has developed over time and we've come to see what a ditzy, eccentric, brat he really is, changing his status from sexyman to babygirl, cecil is absolutely a character you should embrace. and you know what... despite what i've said in the past

#cecilsweep

[ID: Images one and two are Google analytic graphs for the search terms "welcome to night vale" and "wtnv" between June 15, 2015 and January 27, 2023. They both depict very sharp spikes around 2013-2014 until the lines decrease greatly over time.

Image three is a drawing of Cecil from Welcome To Nightvale. He is white, with white hair, glasses, a third eye on his forehead, and he is wearing a suit. In the background is the silhouette of a neighborhood from the WTNV official art, a galaxy, and a moon. It is tinted purple. Image four is the always has been meme. Instead of the earth is the tumblr logo, and the text is: “a wtnv fansite?” “Always has been”. End ID] id thanks to @princess-of-purple-prose

[hatsunemitskislobotomy]

ೃ⁀➷ look at me! look at me!

↳ ❝ ¡love and deepspace idol! au headcanons! ❞

·͙*̩̩͙˚̩̥̩̥*̩̩̥͙　✩　*̩̩̥͙˚̩̥̩̥*̩̩͙‧͙

linkon city, the hotspot for new and upcoming talent. the city is restless, many calling it “the city of dreams”. ambition and passion are what fuel the city, it’s vibrant culture making it alluring to many. you and your best friend tara are debuting in the most anticipated girl group of your generation, hunt:ress. with your manager caleb and your groupmates by your side, this journey should be smooth sailing…

right?

fans tend to pit boy groups and girl groups against each other— it did not take long before your group hunt:ress was dragged into that mess. specifically with a particular boy group— after a clip of the recently debuted group brushing past yours without a second glance at an award show went viral, the boy group eVOL was never far when hunt:ress was mentioned. hell even variety and award shows were humoring the spectacle by having the two groups up to announce awards or interviews. that’s where you met the group’s maknae, xavier.

when i tell you— y’all looked at each other like ONCE and the masses were making edits, making blogs and analysis videos, writing fanfiction, whole nine yards

but of course with the people who thought y’all were cute (despite never actually having a conversation with one another) came his fans who gave you unnecessary hate, they’re ruthless

with the way your group was pitted against eVOL, other fans just thought y’all had beef (think the alleged jeongyeon v. jimin beef type of level LMAOOOOO)

no but seriously eVOL fans conspired with hunt:ress fans about you and xavier being together so much that caleb had to give the company your phone to search through just to make sure

rumors get so bad that they put you on house arrest shortly after some rabid xavier biases run you out of a cafe (it made the news)

eVOL’s company reaches out to yours with a half hearted apology, however they won’t won’t release a public statement because “that would only feed into it” and hope that the situation blows over

unbeknownst to both companies— xavier finds a way to reach out to you through your old phone (that you hide because you didn’t want to give up your old life just to become an idol) and apologizes for his fans behavior

the two of you actually start to talk since you’re not exactly allowed to go out the dorms save for group outings and music/award shows, he’s been the first person you’ve been able to actually talk to, it was refreshing

you find out despite his baby face— he is not the maknae and is actually the oldest member but his company’s trying to keep that public perception of him (yeah they’re weeeeeird)

you start to confide in each other and talk about idol life but also just random things, he’s a comforting presence in a world where everyone’s eyes were on you

you sometimes text him all night coming to practice absolutely exhausted, tara’s the first one to suspect something is going on

tara actually runs one of y’all’s ship pages LMAOOOOO

when your group wins an award for best new music, he’s the first person who congratulates you (the footage is clipped and before the end of the night it’s viral)

one of the reasons why hunt:ress was so well received was because of their visuals. the girls were pretty, sure— but whoever their stylist was? they were working overtime. there is not a single ‘flop outfit’ compilation or blog about any of you girls. one of your group’s performance outfit goes viral however everyone can’t stop talking about how it captured your aura and stage presence perfectly, it went viral catching everyone’s attention— including someone interesting. your company had ties to a famous designer who rarely showed his face, seemed like he’d just design clothes and have them modeled and call it a day, did not bother to even go to fashion showcases where his work would be the main event. but then he saw a clip of you in his work go viral— he had to see it for himself. that’s when you met rafayel.

when you heard that the designer of all your performance outfits wanted to meet you specifically you were nervous, after all this had to be some respectable man

let’s just say you were a bit confused when you showed up to his studio that looked like a tornado had ran through it— everything was strewn around

in its wake? an attractive young man who was probably the last person you’d think would be the person responsible for your group’s outfits

he’s an audacious man, skipping all pleasantries to immediately ask about your measurements

he asks for your chest size first and you resist the urge to chuck a nearby thread spool at him

you start to interrogate him, there’s no way that he’s the decorated designer that’s well respected in the industry… right?

but despite his demeanor, you can’t argue with his skill when he pulls out a dress that immediately catches your eye— you’re itching to try it on

he snickers at your wide eyes and tells you to change into it (he makes a joke about how he wouldn’t mind dressing you himself and you give him the craziest look)

once you’re all dressed up you step away from the changing room, doing a little twirl as you showed off his work

he was in awe, videography did you no justice compared the real deal— he shamelessly asks you to drop your idol career to be his model, his muse

and just when you thought you couldn’t give this man any more crazy looks

you really couldn’t deny it though, it was almost as if his work was made for you— the dress complimented you deeply

but alas you had worked extremely hard to get to where you were now, no amounts of flattery would coax you out of it

no matter to him, he wasn’t one to give up so easily. in a sea of fish, you were quite the catch

eventually he convinces your company to “lend” you to him as his model— the company agrees because not only is the versatility of idols really important but also free promo lolz

he now starts to attend these fashion shows so he can bask in your presence showing off his work, people whisper about the man who manages to get the best seat every time wondering who he is

at the end of every show he’s waiting for you with a bouquet of flowers, you always accept them joking about how it was just another failed attempt at him trying to get you to be his permanent model

little did you know that that wasn’t the only thing he was gunning for

whenever the question “who’s the most hardworking?” would arise in group interviews, without a doubt your fellow members would answer your name. your trainee days were rough, strict diets, endless hours of practice, appointments with vocal coaches, promo— you took it all in stride with no complaints. nowadays as a debuted idol in a well performing group, you still couldn’t help but watch what you ate, practice until your muscle ached, finding every opportunity to better yourself. tara often tried to reassure you that you already were good enough and that it was alright to be gracious and lenient towards yourself. you appreciated her words but you were fine, it wasn’t nearly as bad as being a trainee. that mindset eventually landed you in trouble causing you to collapse at a pre rehearsal for a music show. fortunately with no footage, rumors of your company potentially mistreating you only had the questioned credibility from word of mouth. eventually coming to with an iv connected to your arm and caleb scolding you for never taking breaks, your company insists that your group does the next few music shows without you so you can rest. before you can protest, a doctor that’s introduced to be your primary care walks in. that’s when you’re reunited with zayne.

you’re still a bit groggy but you recognize those pensive green eyes anywhere

he tries to not cross the line of a patient doctor relationship but the minute caleb leaves he gives you an exasperated look

he makes a quip that despite all these years later you still are inadequate in taking care of yourself

you grew up in the same small town as him and went to school together, of course he left for medical school while you perused your dream— who knew that you’d reunite in the big city

despite being in for mild dehydration and being treated for it with the iv, he insists on doing a full exam which gets you nervous and rightfully so, he’s very thorough

and lo and behold— he unravels your secret that you’ve kept from your company, your chronic illness

when auditioning and being signed on as a trainee the medical records you had submitted were from a shoddy doctor who never ran any tests

you beg him not to rat you out, after all you had made it this far with not a single person suspecting a thing

he’s very adamant about letting your company know, he tries to reassure you that the more room for accommodation for you the better but you cut him off pleading

he didn’t know how ruthless the industry was— you’ve seen plenty of popular groups put members in indefinite and unfair hiatuses for something beyond their control, if it wasn’t your company than the general public would know you as the sickly idol

you had worked too hard for it to come crashing down like this and his cold eyes softened in realization

he let out a sigh before begrudgingly agreeing to keep your secret, reminding you that you had been lucky that he was employed by the hospital rather than your company who by under contract he’d have to tell

he also makes a condition, you would have to start taking care of yourself more— if you ever landed in a hospital bed with another iv in he wouldn’t hesitate to let your company know of your state

you thank him profusely, you had worked far too hard for this. he knows because this had been your dream since you were children

you offer him to lunch in the upcoming weeks as a means to catch up, he only agrees under the guise that he can keep an eye on your condition while making sure you actually eat

❀° ┄───╮

a/n: wowza that was a lot 😵‍💫

y’all i love this game so much it’s not even funny— zayne my beloved pookie bear oml

i hope y’all enjoyed this fr, maybe i’ll write something(s) inspired by this au and hopefully expand on some of the headcanons ‼️

if y’all get some inspiration off of this pls tag me i wanna read yalls work so badlyyyy okay bye guys mwahhhh 🫶🏾

╰───┄ °❀

[wingwaver]

Welcome to all the redditors using Tumblr for the first time! Here's some tips for someone new to the site:

1. There is a daily post limit of 250.

2. The queue can hold 1000 posts.

3. If you're using the mobile app they recently added a read more sign at the bottom when making a post, this is useful for super long posts such as fanfiction and big photo sets or even long analysis posts! But if it's not working for you (god knows this site's features big out regularly) you can type :readmore: on a line by itself and press enter!

4. Speaking of fanfics, fans post both fanart and fanfic on this site so you'll come across both in tags! Along with gifsets, photo sets, music playlists, and character/show analysis.

5. Blocking is used very regularly on here and you can even block anonymous askers and report them to staff if they're harassing you.

6. Don't worry about censoring yourself, like reddit you're free to say fuck here.

7. There is nsfw on the site and some things get struck by the nsfw detection and some things don't, no one on this site knows how it works either but if you use the community tags you'll probably be fine.

8. If someone is being a dick we block them but also we kung pow penis them. This wrecks devastation on their notifications.

9. No one really uses Tumblr live. Almost all of the site just turns it off every week (found in settings).

10. Tags can be very useful for organizing posts! If you man an original post about a thing you like and you would like people to see it you can tag it with the things name. You can also tag reblogs of that thing to keep track of posts about that thing. Tagging a reblogged post will not make it show up in the site's tags, just your blogs tags, so don't worry about your reblog spamming site tags!

11. Oh! Speaking of tags, only the first 5 or 6 really matter, so if you want you post to be seen in a specific tag make sure it's one of the first ones!

12. With pictures you can upload 10 pics to one post on mobile and 30 pics to one post on desktop!

[frigidwife]

i would like to ask ur opinion on this bc u are one of maybe 5-6 iwtv blogs that i trust and i don't know if i am simply biased but i think u are very thoughtful and fair in ur analysis of iwtv. because even among self-proclaimed louis lovers/understanders, i have seen the idea that louis "could not and would not" save claudia from the fire, or choose her over armand, or that louis was also abusive to claudia if not the Most abusive, or that he "let" lestat/armand destroy her. and i agree that louis failed claudia in some ways (though saying that feels much too vague at this point) and that liking characters doesn't mean apologizing for their flaws and i understand the reflex to spotlight claudia's mistreatment as many fans are so quick to dismiss her importance. but i think people get so caught up in emphasizing claudia's tragedy that they end up falling into victim-blaming rhetoric and ironically de-legitimizing really important aspects of her character and impact. so i wanted to ask though, how do you think louis actually did fail claudia? and should we call claudia's death louis' failure?

ty for valuing my opinion 🥹 i agree w you completely people emphasize claudia's tragedy at total expense of her personality...which sucks bc i love her personality...i think louis actually primarily failed claudia in the exact way that every single parent fails their child. if you've read frankenstein it's about the inherent monstrosity of creation--inherent hubris of creating something whether it's a creature, a work of art (the novel itself!), or a child (shelley's miscarriages and her relationship with her parents haunt the novel). you create something that is a part of you and a mirror of you, you confer your expectations as naturally as breathing, even with the best of intentions, but now the creature/novel/child exists outside of you, outside of your body and your imagination, autonomous, with desires and effects you couldn't have dreamt of, and there is something terrifying and painful in that chasm even in the best of conditions. and this is more broadly true of loving anyone. and in that sense i don't think louis's turning of claudia is really more selfish than having a child ever is. it's not an aberrant or evil desire. so that's one layer.

and then the next layer is the conditions. louis cannot stop seeing claudia as his daughter, even if he calls her sister. she'll always be his daughter. and again this is an almost fundamental condition of being a parent. even if ur parents make an effort--and louis is making an effort--to see you as equals, that foundation is underlying it and can't come undone. the problem is that normally, even if maybe you're always a baby to your mom deep down, you're also functionally an adult in the real world. but claudia is an adult who is constantly belittled and condescended to and treated as a child from all corners. so she goes from louis who can't see her as her own person because he cant stop being her parent to an outside world that can't see her as her own person bc it's structured to deny children's autonomy, and girls' in particular, and especially black girls'. AND THEN the abuse. “you chose lestat over her again and again” i think people take daniel as word of god a lot even when the show has demonstrated that daniel is less than careful talking and thinking about abuse, when it comes to both louis and claudia. Louis chooses to take lestat back, can’t kill him for good, chooses to commit to armand, tells her to put up with the coven’s abuse. those are choices that hurt claudia terribly. but they also exist in the context of abuse. over two decades of debilitating destroying violence and then a new man who tracks him down and dangles his and claudia’s life over him as penalty from the jump. louis is constantly calculating risk based on what they’ve experienced and the same way claudia’s trauma drives her into the waiting arms of a cult, louis’s means he sees enduring as his strongest means of survival . and even from before that from keeping his family afloat under jim crow —performance, self sacrifice at the expense of closeness with grace and paul; using “weakness to rise”. so when louis tells claudia to endure its bc he cannot imagine a way out. which is a failure sure and something claudia can and does resent him deeply for but is entirely and categorically different from what lestat and armand inflict on her . his “choosing armand” is never really about him liking armand particularly it’s him deciding he knows what’s best for both of them—again seeing claudia as his child—to the extent that he won’t even tell her about armand knowing their secret.

this isn’t selfless it’s foolish it’s prideful but the story very clearly is not Louis picking a man over his daughter. (claudia calls out what he wants in a companion in 2.01—“if he can’t call you pretty and take you ballroom dancing” Armand won’t even light his cigarette). i think people have constructed this narrative which funnily enough is the exact same one armand uses to gaslight louis with in 2.05 ("you threw around her name for cover, but you always went back to talking about him" or something like that). Which is really obviously a victim blaming narrative lol like the amount of joke posts that r essentially saying Maybe if louis wasn’t so cock hungry his daughter wouldn’t be dead. Okay?? i think its absolutely fucking insane to call her death louis's particular failure when she was lynched. by armand

and you can tell by episode 6 claudia has realized louis isn’t picking armand over her. her frustration with him is with this martyrdom that she never asked for or wanted, that clearly isn’t “you and me” either. Like you cannot tell me she believes “imagine me without the burden of her” means louis is happy and relieved to see her go Bc she’s not stupid and she’s seen him happy before. If she really thought he meant something like that she wouldn’t behave towards him as she does in the rest of ep 6 and doing the trial. completely ignoring her personality

there is also a hopefully really small subset of people who think pointing out how patriarchy works Is gender essentialism who posit louis as the primary perpetrator of misogynoir in order to justify their fundamental queer human right to call lestat femme . and then expect pats on the back for acknowledging #intersectionality . which is. absurd.

[alienidentities-f22a]

Fan Work Analysis Blog

The piece of fan fiction work I chose to analyze was "Hey Brother by Bisexual Alien Nerds. This fan fiction was a video compiled of different scenes showcasing Max Evans, Isobel Evans, and Michael Guerin's moments together as siblings.

This piece of fan work is trying to accomplish the characterization of the three siblings' relationship by putting together various moments they share together throughout the show. These moments are a combination of obstacles that arose, solving these obstacles together, and moments of being there for each other during good and hard times.

The clips chosen in this video portray the characteristics these siblings share within their relationship. They are all devoted to protecting one another, and their loyalty to each other is strong. They are each very different from each other, but that doesn't lessen the love and care they all show for one another.

The first one is when Max is saving Isobel's life with his powers knowing it could hurt him, but putting her above himself. Another was when they kill a man threatening to harm Isobel, and other struggles they go through that align with the lyrics of the sky falling. Another important scene was when they covered up Rosa's death to protect Isobel and Michael took the fall for her to protect her peace of mind.

Many fan fictions cover romantic relationships of characters, but personally I liked this one the most because it was a wholesome take on the love shared between family. I also liked that although there was no sound from the actual show's dialogue used in the video, the song was sufficient enough as dialogue. The lyrics reflected the emotions and sentiment that the scenes were meant to portray.

This fan work encapsulates the strong bond these siblings share and how they always show up for each other throughout the show no matter what. The creator did a good job of making a work that sent the message intended to be sent.

[markantonys]

i'll be interested to see if this holds true for WOT s3 since the s1 finale had so many extenuating circumstances and can't really be included in the comparison, but based off of the s2 finale, i believe that season finales tend to bear the brunt of "It's Different From The Books!" ire because they are the culmination of all the smaller changes made throughout the season.

this turned into a bigger analysis post than i expected lmao par for the course with my blog! read on for exploration of how the 2x08 conclusion of each season-long arc is the the most emotionally satisfying conclusion and/or the most thematically appropriate conclusion possible based on the show's particular version of the story, plus a bonus tangent on the nature of adaptation.

for a finale episode, the writers' prime concern 100% has to be "wrapping up all the season's arcs in a way that feels satisfying with everything that's happened in the first 7 episodes, using the book version of the finale event as the framework" rather than "recreating the book version of the finale event exactly as it is with all the same scenes and themes". the nature of storytelling inherently means that every single person who tells the same story will focus on different themes (just think of how many versions of the hades & persephone story there are), and a good adaptation knows that being internally consistent with its own Emphasized Themes is more important than copying-and-pasting scenes from the source material without making any changes to account for the specific way this adaptation is telling the story.

(but a lot of people can't even get past this first point because they don't understand that this is how adaptations - how storytelling in general - work. like, person B literally cannot tell the exact same story that person A told without putting their own spin on it. it's not possible! unless they're simply reading out the exact words that person A wrote, which can't be done when putting 14 massive books into maximum 64 hours of tv. so many readers like to meet this point with "but why does the books' version of the story need to be changed at all?" which is just a non-starter because a) medium differences require a ton of changes, and b) even if no changes were *required*, they would happen anyway because that is human nature when it comes to storytelling. when it comes to story-listening too! ask a hundred different book fans what WOT is about and you'll get a hundred different answers. rafe & co can't possibly make an adaptation that captures every single reader's idea of What WOT Is About, and nobody in the world could ever re-tell the story of WOT in the exact same way that RJ told it, not even the most die-hard book fan; all rafe & co can do is focus on making sure the show honors the core of the books' story while also telling a good story in its own right, independent of the source material.)

i was a classics major, okay? it gets to me! anyway, corralling myself back on topic.

for 2x08, it's very telling just how far Minority Reader Opinion deviates from the general audience opinion. general audiences fucking LOVED this episode (it's the highest-rated on imdb out of the entire show, currently at a 9.0; most episodes are in the 7-8 range), but a bunch of readers call it disappointing and one of the worst episodes of the show. if it was actually a poor quality episode of television, the general audience ratings would reflect that too (as they do for 1x08, currently at a 6.4 (i personally think 1x08 gets way more hate than is deserved and i thoroughly enjoy that episode, but i accept that's just me)), but they don't.

so what does that mean? to me, it means that 2x08 is objectively a very good episode of television which general audiences found satisfying, but which some readers disliked because it prioritized the emotional & thematic needs of its own version of the story over the exact nature of the falme events in the source material. which is exactly what a good adaptation should do! if you forget the books and just look at the show (which the vast majority of viewers are doing), then every resolution that happens in 2x08 is the most satisfying resolution possible and/or the only resolution that was thematically permitted for that particular season storyline.

egwene: her season arc was about learning to stand on her own two feet and not cling onto her mentor figures or compare herself unfavorably to others. thus, her freeing herself from the a'dam is the most satisfying possible conclusion to her season arc. nynaeve and elayne freeing her in the books is nice, but in the show version, thematically, it would've undercut egwene's Overcoming Impostor Syndrome arc to go "yeah actually it's true that she's not good enough on her own and when it comes down to it she does always need nynaeve to help her out". that version worked in TGH where she didn't have an Overcming Impostor Syndrome arc, but it wouldn't have worked in the show where she did. (but, yes, egwene learning in 2x08 that she doesn't have to rely on others is a double-edged sword, which nicely sets up her later-series struggles with trying to shoulder too much herself and not letting even her friends or partner help her.)

rand: his season arc was about learning to lean on others and not isolate himself or try to protect his friends by withholding his burdens from them. thus, him failing to defeat ishamael until all his friends come to lend aid in various ways is the most satisfying possible conclusion to his season arc. rand defeating ishy singlehandedly in the books is nice, but in the show version, thematically, it would've undercut his Learning That Strength Is In Numbers arc to go "yeah actually it's true that rand is capable of winning his biggest battles all by himself and thus it's no problem for him to push his friends away". given the themes that s2 emphasized for rand, the only appropriate finale outcomes were either success with his friends' help or total failure on his own, and they chose the former. (that being said, rand pushing his friends away is a continuous issue for him throughout the series, so i doubt he's perfectly learned his lesson after 2x08; we shall see!)

interesting to note that rand and egwene have inverse arcs in a way (foils!) and that some elements of their book falme climaxes were swapped, and that the way the show has done it subverts the expected gender roles. typically, men are expected to be Lone Wolves and women to be Team Players, and the WOT books absolutely play into these stereotypes throughout the series (sometimes intentionally as social commentary, sometimes unconsciously as an accepted truth of the world), but 2x08 and s2 more broadly did the opposite with our yin-and-yang co-protagonists. it's egwene who has the arc about learning to be a Lone Wolf and rand who has the arc about learning to be a Team Player. and imo these subconscious gender role expectations are a part of why some readers (esp reddit) got SO heated about "how come egwene can succeed by herself but rand can't", because it feels Wrong to them and Not How Things Are Supposed To Work (they've never questioned why rand can succeed by himself but egwene needs her friends' help in TGH, or all the other times in the books when men succeed by themselves and women succeed by relying on each other). but it's a totally apples-to-oranges comparison because egwene and rand had totally different season arcs and focal themes (but many paralleling & foiling moments within that), and so they each get a conclusion tailor-made to their individual stories.

mat: his season arc was about realizing he's a good, worthy person, finding the inner strength to overcome his worst impulses and temptations, and coming through for his friends after leaving them at the waygate. thus, him getting his Big Damn Hero moment with the horn of valere, getting validation that he is literally a hero, and overall spending the episode doing all he can to support his friends is the most satisfying possible conclusion to his season arc. (but stabbing his bff just as he was flying on a confidence high and trying to save the day was a downer note to end on, so we've complicated his relationship with heroism and set up some more internal issues for him to wrestle with next season.)

perrin: his season arc was about learning to acknowledge his inner wolf but also coming to regard it with fear and to believe that wolf & human sides can't coexist and he must Choose One (.......suddenly being struck by the bisexuality metaphor of it all. nice!) thus, him giving into violence to murder a human to avenge a wolf is.....well, it's pretty upsetting for him and serves to reinforce his growing belief that his two sides can't coexist, but thematically, it's fascinating and sets him up for some really great internal (and external) conflicts in s3. he's just gotten what he thinks is pretty strong evidence to corroborate ishy's claim that embracing his wolf side means embracing the shadow, so he's set up for a season 3 of deep-diving into his relationship with violence and his inner wolf. it's also a neat parallel with 1x08: there perrin's avoidance of violence allowed fain to escape, whereas here his embracing of violence has traumatized him (again), so our poor guy is really feeling conflicted in the pacificism-or-violence question because both sides seem wrong to him right now. huh, i guess perrin's full-series arc is about finding a middle ground rather than one extreme (pacifism/tuatha'an/human) or the other (violence/aiel/wolf). i feel like i've just had an epiphany lmao this is why i love the show! it tells the same story as the books, but tells it in a different way that makes me think about it differently and gain new insights!

nynaeve: her season arc was about learning that she, on her own, as she is today, is not enough to protect her loved ones. this is a tough pill for both her and the audience to swallow! but it's needed for her character, and we see it in the books too. nynaeve has an incredible amount of power, but she's terrified of having that much power and wants to pretend it doesn't exist. she's resistant to change, she's used to being in charge, and she's very "my way or the highway". these are all things she needs to grow out of (or moderate, at least) in order to be able to step up and do her part for tarmon gai'don. she has to learn how to embrace her power instead of being afraid of it or being too stubborn to let other people guide her and teach her, so s2 shows her what happens if she doesn't, first hypothetically in the accepted test (everyone she loves dies because she's blocked and refused channeling training) and then for real in falme (she couldn't help elayne fully or rand at all because of her block). so her 2x08 conclusion being Total Failure is not emotionally satisfying, no, but it's thematically exactly what she needed and will goad her into facing her block head-on next season. thematically, like rand, nynaeve only had 2 options for falme: break her block and succeed, or retain her block and fail, and it was too soon for the former (we gotta let her cook a while longer, plus the story will become too easy if nynaeve, or rand, reaches supernova capability too soon), so it had to be the latter. if the show had gone with a third option of her succeeding without breaking her block, then that would've taught her and the audience that it's fine to leave the block in place and she doesn't need to challenge herself to grow as a person, because when it TRULY matters she can always get around the block.

other characters get appropriate resolutions too! moiraine and lan get to work together to succeed after being at odds and failing on their own all season (rand foils!). elayne gets validation that she is an essential and trusted part of the friend group after feeling like somewhat of an outsider earlier in the season. ishamael getting vanquished and lanfear betraying him only to be betrayed by him in turn is exactly where their mutual mistrust was leading them (and it shows us why it's so important that Team Light be able to work as a team rather than as self-interested individual operators; the contrast between ishy & lanfear looking at the seals together while plotting to betray each other vs. rand standing on the tower with all his friends behind him makes me cry your honor. imagine hating that ishy's defeat was a team effort, could not be me!)

(it's also worth noting that the characters who had the least individual success/victory in 2x08 (nynaeve, rand, perrin) are the ones who will have the biggest individual storylines in s3 (tanchico & moggy, waste arc, two rivers arc), whereas the characters who had the most individual success/victory (egwene, mat, moiraine, lan) are the ones who will be taking a bit more of a backseat (of course they all have their own stuff to do, but none of them is *the* lead character of their TSR/s3 traveling group). this is intentional!)

so there you have it. 2x08 is adored by the general audience, and it's because of this: it gives us some damn satisfying conclusions to all the season arcs (and some exciting and visually stunning battle sequences to boot), and all the viewers who AREN'T beleaguered by "But The Books!", which is most of them, recognize that for the good storytelling it is. i for one will always care far more about the show telling a good story within itself than the show being identical to the books, and rafe & co will too, as they should.

the only downside to the episode is that, yes, it is quite cramped for time because there are a lot of arcs to wrap up. this should be less of an issue in future seasons when the season finale isn't "every single major storyline converges in the same place at once". for example, judging by the "goldeneyes" episode title it seems s3 might split it up so that perrin's conclusion in the two rivers is in 3x07 while other conclusions in other locations are in 3x08, giving each more breathing room. whereas 2x08 had no choice but to stuff everything in that episode into that specific episode because it's not like perrin could just do his falme stuff an episode early and take a nap while everyone else was doing THEIR falme stuff in the next episode, nor could the full falme sequence have been split into 2 episodes since that would have disrupted the flow of the story. the only solution would be for 2x08 to be extra long, which is nice to imagine, but we all know that streaming shows almost never deviate from their set episode lengths and so there isn't much point sighing about "this episode should have been 90 minutes long!" because that just is not on the table, never has been, and never will be. the first step to being able to jive with an adaptation is making peace with the limits of its particular medium!

plus, the only things i might deem "missing" from 2x08 are non-essential (ingtar darkfriend reveal - that is NOT important fight me, it's only important in the books as our first example of a morally-gray shadow-aligned person but the show has already been doing that in spades) or will likely be included in 3x01 (the gang spending some time together to breathe and process and catch up). at the end of the day, the show is always going to need to be paced very very tightly with not as much breathing room as those of us accustomed to entire books dedicated to reacting to the previous book might expect. and 2x08 did manage to pack in a LOT of character work amidst all the action and did a good mix of resolving s2 arcs while leaving some unresolved to carry into s3 and introducing some new arcs/issues/conflicts, all within 70 minutes, which i find pretty impressive. in conclusion, 2x08 my fucking beloved <3

[howtofightwrite]

Was reading through your torture tag and noticed a lot of stuff that was being said seemed to contradict things that were said on the scripttorture blog... do you have any suggestions on how to clear things up? Im not sure which things to trust

And you're asking us, because they've posted once in the last two years?

I'll admit, I have a fairly low opinion of them, and that's not directly their fault. For years, one of their fans, would regularly send some pretty incendiary asks our way. In fact, some of the less hostile ones were answered, and may be the posts you were looking at. Understandably, the ones simply accusing us of being torture apologists, demanding we redirect all our asks to their blog, or insisted that we should sit down and shut up, did not make the cut. With that in mind, please understand, I'm not going to go digging through their blog to refresh my memory, so some of this might be slightly skewed by the aforementioned deranged fan.

Look for the blog that does not constantly contradict or misrepresent their authoritative sources. Which is to say, if you actually pay attention to Shane O'Mara's work, it's basically what we've been saying all along.

If you're unfamiliar, O'Mara is a Neurologist who was (last I time I checked) working at Trinity College Dublin. He published a, frankly fascinating piece, called, Why Torture Doesn't Work, in which, he set about trying to answer why torture is an ineffective tool for intelligence gathering. O'Mara also had the misfortune of being the only expert who said anything close to the perspective Scripttorture wanted on torture.

An open secret about torture is that it is completely worthless for getting accurate information. This has been widely understood for centuries, if not millennia. O'Mara's question was, “why?”

It turns out, that the neurochemical trauma associated with torture, seriously interferes with your ability to accurately access information. For example: If you're being tortured, you can't tell your torturer where you planted the ticking bomb, because your brain literally can't access those memories.

Torture is evil. Yeah. No shit.

And, this is where ScriptTorture stops. “Torture is bad,” and Jack Bauer is an incredibly unrealistic fantasy, end of story.

Except, this is not the end of this.

Now, generally speaking, I don't blame anyone who wants to get off the ride here. Torture is an unpleasant subject, and wanting to stop at, “oh, it's evil,” is entirely reasonable... unless you want to write on the subject, or if you do political analysis and need to understand why people break out the torture implements.

More than that, this is where my academic background in political science actually comes into play. I'm not saying this as an Eagle Scout who had a couple overly enthusiastic hand to hand instructors when I was a kid. This is (part of) what I studied in college, and I have kept an eye on it since then.

If torture didn't work, you wouldn't see state-sponsored torture pop up repeatedly throughout history. It would not be one of the favorite tools of dictators and despots. However, because it does, and it is, simply saying, “it doesn't work,” isn't instructive or meaningful because it's clearly untrue. Someone is finding value in this, so it becomes important to understand what they are doing, and why they are doing it.

When you torture someone, the information they provide is basically madlibs of whatever leaked through their brain. They want the pain and stress to stop, and they'll say anything they can to make that happen. That often takes the form of what they think their torturer wants to hear. O'Mara's research does explain why they don't simply cough up the truth.

So, why do it?

Torture is a very labor intensive process. You (as an individual) can't, realistically, torture multiple victims at a time, and it is a very drawn out process. Some elements can be automated, your torturer doesn't need to be present at every moment, but they're going to spend hours, if not days, working on one victim. Worse, this is actually a technical profession. It's not like you can just pull in anyone off the street and get the results you want. (Though, technically, this doesn't seem to be as true, however, amateurs do have a shocking capacity to screw up torture. So, the point remains valid.)

The value of torture has almost nothing to do with the victim. It's about the message it sends to everyone else.

Torture is about mass coercion of the population. When you are the state (meaning, the government), and you torture someone, you are telling your citizens that you are willing to do the same to them, if they oppose you.

State-sponsored torture is specifically a tool to suppress political engagement. It is, quite literally, state-sponsored, domestic terrorism.

This even holds true in cases where the state employs torture to extract confessions from criminal suspects. The message sent into the general population is that dissent of any kind will not be tolerated, and that the state has the willingness and power to turn these tools on you if you draw their ire.

I get that this is outside of ScriptTorture's area of expertise, and in fairness, I probably would not have studied this with any intensity, if I hadn't taken multiple classes on revolutionary theory.

Torture from private organizations (which is to say, organized crime, and religious institutions, though cults and some other groups might fit this description as well), follows roughly similar patterns. These tend to do the same things, discouraging dissent, and establishing the organization as having power over the population (or community.) (The technical term would be to “establish capacity.” Which is to say, the organization's capacity to enforce its will. The same term applies to states, though in those cases, the state's capacity is often overestimated by its population. It's only when it starts to falter, for example through military defeats or serious civil unrest, that they really need the capacity boosting part of this equation.)

Zealotry or stupidity can create situations where you have a torturer (or, more likely, someone in a position of power ordering the torture) who believes that it is effectively compelling the truth from the victim. This (or amateurs) can easily lead into a distinct problem, which is that all of this has diminishing returns. Torture one person, and you send a loud, clear message. Torture ten, and all you've added to it is that you're willing to keep going. However, as you start stacking up the victims, you do start sending a new message to your enemies, that being, you're going to get to them sooner or later so it's in their best interest to respond now, mobilize and retaliate proactively, before you get to them. This means that a state which leans heavily on torture can easily instigate the civil unrest that exposes their limited capacity leading to a political death spiral. Alternately, if the state does have the capacity to put down the resulting unrest, it further reinforces their position (which does happen with depressing frequency in the real world.)

You're also going to create new enemies in the friends, family, and loved ones, of the people you tortured. This means that any organization that relies on extensive use of torture will, eventually, start tying a noose around its own neck. (Granted, there are a lot of social dynamics that I'm skimming over here, so it's not exactly as simple as “if the state tortures lots of people, it will result in increasing unrest.”)

If you want a partial citation for the above, you can (ironically) find it in a podcast interview with Shane O'Mara, when he explained why torture has been employed repeatedly through history. (Specifically I think it was episode 15 of Your Welcome, by Michael Malice. Though, I'm not 100% sure off hand.) Though that doesn't cover some of the more in depth elements I just discussed. Some of this is coming from a textbook on revolutionary theory I can't locate (it disappeared in a move a few years back.) Though that was more interested in the general structure of a state destabilizing into internecine conflict. Ironically, my preferred citation on torture, Fear up Harsh by Tony Lagouranis is mostly uninformative in this case, because his experiences were on the ground, rather than from a structural understanding of what his job was really doing. However, he does illustrate my comment about amateurs making even more of a mess, both through personal experiences with a few, and also through the eventual trajectory of the invasion and occupation of Iraq.

But of course, torture is evil... again, no shit. Was that really a question? And, I'm apparently a torture apologist for having a structural understanding of why evil people do evil things. Cool. Evil people don't do evil things because they're evil, they do them because they gain some tangible benefit from those acts, and they do not care about the consequences to anyone else. If you ask someone, “why do people do this?” and their answer is, “it's simple; they're evil,” that person is lying. They may be lying to themselves, but they are lying to you.

Why do people use torture? It's a lot more complicated, and unpleasant, than you'd expect at a simple overview.

-Starke

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[pjsk-story-summaries]

Want to know everything that's ever happened in Project Sekai but don't have time to read all those stories? Guess what! For the low, low price of "it seems fun", I'll be summarizing every single event!

Feel free to request any summaries or card stories you'd like to see summarized. You may also submit your own summaries, if you'd like! Use the forms found in this post to do so :)

If you have a question about any of the stories as well, feel free to ask and I will do my best to answer! (Or just come and say hi :3)

If you'd like to use any of these summaries as part of a project (i.e. video essay, character analysis, etc.), you are more than welcome to! Just please credit this blog when you do so, since I do put a lot of work into each.

I try my best to get 1-2 summaries out a week, but i’m a busy college student doing this in my spare time, so things might be slow!

Masterpost links below the cut. All summaries will be tagged by unit, character appearances, and special type, if applicable.

THE ULTIMATE MASTERPOST SPREADSHEET

(Spreadsheet contains organized, filterable lists of all events and cards! I've tried making it as accessible as possible, but if you're unfamiliar with Google Sheets, just ask and I'll show you how to navigate it!)

Old Masterposts below! (Out of date, no longer maintained)

Key Stories

Leo/need

MORE! MORE! JUMP!

Vivid BAD SQUAD

Wonderlands x Showtime

Nightcord at 25:00

Mixed Events

Year 1 (Run! Sports Festival Committee Rush! - Scramble Fan Festa)

Year 2 (Time to Hang Out - At this Festival Bathed in Twilight)

Year 3 (Screaming!? Welcome to the Forest of Wolves! - Hello • Good • Day)

Year 4 (The Best Picture Wrap! -Wedding Live ♡ With Everyone!)

Card Stories

Any event card stories will be linked next to their respective events, as well as within the summary itself. (Initial 3* cards are part of the Main Stories)

Initial 1*/2* (Including 3rd Anniversary)

Birthday Cards

Fes Cards / Bloom Cards

Collaboration Cards

Card stories for events yet to be summarized

Miscellaneous

April Fools

[sneezemonster15]

When I had started writing this blog, I was told by other SNS to tag my Sakura and Hinata posts as anti Sakura and anti Hinata so I wouldn't be hounded by their crazy ass stans. Well that didn't work. Lol. Anyway, I began to tag my posts as Haruno Sakura and Hyuuga Hinata, because even if I don't like them, my analysis of them is based on their characters, I am rock solid secure about it and I don't care who reads it and cries about it.

My suggestion to SNS fans would be, take the antis head on if you wish so. Take any anti SNS head on. Any single one of them. Confront them if you want, without hesitation or doubt. No need to be afraid.

As a SNS shipper, just know you are in the right. I am ready to sign it on a bond paper. Just know that they are ALL CATEGORICALLY WRONG, and you SNS stans are right, as long as you have sincerely read and understood the manga.

Know that you are backed by the author of the manga, media experts and aficionados and several casual fans who value accountability and have a mature outlook towards storytelling and life. Say it with arrogance and conceit even, because sometimes intimidation works just as well. Don't waste your energy on things that don't deserve it. But if you do choose to confront, never be meek, never surrender. Be cool about it or aggressive, your choice but don't feel disheartened at their takes, they don't know what they are talking about. Laugh at them if you want, that's what their theories are good for anyway.

Enough of this homophobic caterwauling. This is 2024, and this is a global fandom with many fans who are impressionable and naive. Let them have the advantage of understanding the true meaning of this manga. You are the torchbearers of Naruto's legacy, like I have said before, SNS fans are true Naruto fans, the rest are just posers and bigoted dumbfucks. No more bigotry, no more prejudice, no more bullshit. It's high time. Enough time has passed and all the 'they are just friends waaah' or 'they are just brothers waaah' or 'It is unintentional waaah' type of takes need to GO! Naruto fandom is your space to explore, take advantage and have your fun and thrill too. YOU own it. Go crazy. Saturate the fandom, open up the discussion, destroy the prejudice and dumbfuckery, confront whothefuckever you wish, and do it with relish because you are right and they are wrong. Period.

Do it. Be bold, be strong, be proud. You have the fandom's support, passionate support too because that's what this story engenders in responsible fans. Confront them without hesitation if that's your vibe and smack them in the face with panels from the manga and explain them too, they are quite easy to decode. Just know you can do it because that's what the story is supposed to be, you can't miss it. High time to change this heteronormative narrative. Naruto is a gay love story and there's nothing anyone can do about it.

[hazbin-but-good]

another hazbin hotel rewrite/redesign?

yup! and i'm so serious about it that i made a whole blog for it. i'm a white queer ex-cath tran doing this as an art and writing exercise, so feedback from other creatives + jewish and/or racialized folks is especially welcome.

i'm putting this post and only this post in the main tags for visibility. also, not gonna link my main, but i do make my own original stuff, and i encourage fans and haters alike to do the same.

anyway, here's a mostly good-faith 1.7k-word essay on the original. i think it's pretty funny and brings up some less talked-about points. correct me on the facts, disagree with my opinions, and ask clarifying questions, but don't come at me with any piss-poor reading comprehension.

the hellaverse is garbage, and here's why

cw: strong language, stronger opinions, intersectional feminist critical discourse analysis

1. vivienne medrano, the person

medrano was born as a well-off white-passing latina (salvadoran-american) in bougieass frederick, maryland. while attending new york's top art school, she got popular on deviantart-tumblr-twitter by being a prolific multifandom fujoshi furry who's more into ornamental character design than storytelling. upon graduation, she leveraged her fanbase and industry connections to make the hazbin and helluva boss pilots, get helluva made for youtube, and get hazbin made for amazon prime.

like every woman online, she gets harassed for no good reason, and as a certified autist, i will defend her right to be dumb, weird, annoying, and bad with words. however, there are legit reasons to criticize her:

racism, misogyny, homophobia, fatphobia, some antisemitism, past transphobia, past ableism

shitty boss, bad friend

cowardly, vindictive, manipulative, thoughtless behavior

skeevy friends

sucks at taking criticism

in short, i think she desperately needs a PR person and someone to clean up her digital footprint.

2. medrano's art

incurious

inauthentic

noncommittal

creatively stagnant

overindulgent, and the indulgence isn't even fun

shallow and childish framed as complex and mature

bland and boring framed as shocking and subversive

to be clear, i'm at peace with the existence of suckass art like this; i just think the money, attention, and praise it gets are unearned and should go to more interesting works, of which there are infinite.

medrano's had the time, money, and social cache to grow as an artist, learn from the best, and take creative risks, but she hasn't. if she truly has nothing more to offer, she should let her collaborators take the wheel, but she doesn't do that either. instead, she keeps getting more and more resources to make the same baby bullshit, and that pisses me off. she could be the nicest person ever, and this fundamental arrogance would still make her art blow.

stop with the pointless guilt: liking medrano's work does not make you stupid or evil. however, if you stay in the kiddie pool of culture, if you refuse to engage with a diversity of art, if the hellaverse is your point of reference for anything media-related, you can't expect to have your opinions on art, media, or culture taken seriously. you have not earned a seat at the table. you gotta hit the books first.

i cannot emphasize enough how much incredible stuff is out there if you're willing to look further than what social media and streaming services put right in front of you. if you come away from this blog having learned about just one new artist or piece of art, i'll be a happy camper.

3. the hellaverse

a. empty and confused

hazbin and helluva's content and marketing has no clear target audience. the subjects are inappropiate for teens, but the execution is too childish for adults, and lemme tell you what i don't mean by that, first.

not inherently inappropriate for teens:

sex and sexuality

violence, including when it intersects with the above

politics and religion

not inherently childish:

animation (any style)

comedy

episodic writing and/or loose continuity

young characters

fun, happiness, optimism, the power of friendship, cuteness, tenderness, sincerity, etc.

what i mean is that these shows are literally about adult characters who fuck, smoke, drink, do drugs, go clubbing, work full-time, manage their own finances, and deal with stuff like bureaucracy, sexual violence, domestic abuse, marriage, divorce, late adoption, and family estrangement.

however, none of these "adult" things are given enough specificity to create drama or comedy. it's all too stock, vague, flat, weirdly sanitized, and thus utterly banal—pure aesthetics on top of bad saturday morning cartoons. it's exactly what i'd expect from a sheltered disney kid who needs to log off and get into their local gay scene ASAP so their only contact with things like poverty, policing, addiction, and sex work stops being facile movies and TV.

if the shows were aware of this and played with it, that could be amazing, but they're not. they give you the mickey mouse version of the world with a straight face and then play looney tunes sound effects to try to make you laugh and sad_violin.mp3 to try to make you cry. now that's funny.

b. old and tired

let's make like americans and pretend that the rest of the world doesn't exist. even within the confines of the USA, home of the hays code, the red scare, and reaganite propaganda, this neopuritan fascist state ruled by 1000 megachurches in a trenchcoat, the indie/underground animation scene has been doing crazier shit for decades. anti-war films in the 60's, bakshi movies in the 70's, the simpsons shorts and r-rated movies in the 80's, adult swim and MTV in the 90's, flash/newgrounds/youtube in the 00's, streaming in the 2010's—so what are we doing in the 2020's with this wet white rice drowned in expired ketchup? i feel crazy making this point because it's obvious if you've watched these things, but if you haven't, you're gonna be like "well, there's gotta be something new here". no! there isn't! in the words of jimmy "the scot" jordan, nothing, nothing, NOTHING!

c. ideological purgatory

actually, there is one thing in these shows i've never seen before: the presbysterianism. shout out some interesting or at least intentional presbysterian art in the comments, because the way these ideas are presented here is not compelling. it just makes the rainbow neoliberalism even more confusing and contradictory.

i guess the big presbysterian things are protestanism, calvinism, and, uh, big church government? presbysterians, get your shit together. get your brand down. catholics have BDSM and vampires, evangelicals have TV and corporatism; what do you have? celtic crosses? no wonder medrano has such uninspired ideas on divinity.

d. queer deficiency

when i look at a piece of art, i ask myself: "what does this give me that i can't get from the hunchback of notre dame (1996)?" if the answer is as limp as "uhh, gay people, i guess", i can probably look for my gay shit elsewhere and rewatch the hunchback of notre dame (1996) in the meantime.

but let's say that you have no standards. you've been waiting for ages for a show about gays by the gays for the gays, and by god you're gonna get it. this is it! here we go! time for some

generic twink obliteration

male sexuality as aggression and dominance displays

WLW (sex and chemistry not included)

a couple straight femdoms

and the stalest sex jokes known to man

...yeah, it's not very queer. and by "queer", i mean "questioning or subverting gender norms (including sexual roles) within a given cultural context regardless of creator identity and intent". i'm not a queer studies scholar so LMK if there's a more specific term for this, but whatever you call it, it's not in the hellaverse much.

there's not even any transness, literal or metaphorical, just ancient drag jokes. i guess the writers thought we would've been too controversial. so much for an indie animation studio that prides itself in the diversity of its staff both above and below the line, bakshi-style. i wonder how medrano, a bisexual woman, would've felt if told that a lesbian main couple in hazbin would be "too controversial".

4. spindlehorse and the vivziepop brand

spindlehorse toons underpays its overworked staff and keeps outsourcing more and more labor to even more overworked freelancers overseas to cut costs. a rainbow sweatshop is still a sweatshop, and just because these practices may be "industry standard" doesn't make them any more ethical.

the studio has also been repeatedly accused by current and former employees and contractors of creating a hostile and abusive workplace. AFAIK, it still has no dedicated HR person, and victims are too afraid of retaliation like blacklisting and online harassment to speak out.

this is exactly the stuff that unions exist to prevent. as i'm writing this, the IATSE (the parent union of TAG, which is the parent union of all US animation unions) is negotiating with entertainment industry executives for better working conditions, and if the execs fuck around like last year, it's strike time again. so watch this space, voice your support, and don't cross any picket lines.

i hope spindlehorse unionizes, but until then and for these reasons, i don't think you should give money to the company.

first of all, all content on amazon-owned platforms is ok to pirate, and all youtube ads are ok to block. everyone involved in making the episodes has (or should have) been paid upfront, so you're not taking the bread out of anyone's mouth.

next, let's look at the succulent offerings of the official vivziepop merch shop:

$10 pins and keychains

$15 sticker packs

$20 mugs and acrylic cutouts

$25 shirts

$30 metal cards (not even tarot)

$40 lounge pants

$50 mini backpacks

random $80 skateboard deck

forgive my latin americanness, but this is all stuff you can get made by a local metalsmith, print/sublimation shop, or just crafty people in your life. it's cheaper, customizable, and better for the environment to skip all the shipping and packaging. also, not painting your own skateboard is poser shit.

the hazbin website also has $15 pins, one $20 keychain, and $6 trading card packs. people are weird about trading cards, so if for some reason you wanna gamble for a mass-produced bit of cardboard, plastic, and tinfoil, at least bulk-order for all the vivziepoppers in your area so it's less of a huge waste. better yet, trace the designs and make infinite bootlegs.

at the end of the day, buying merch is not activism. your bulk order of trading cards will not save any wage slaves from getting evicted from their overpriced studio apartments. however, the shop links you to all the credited artists/designers, and more of your bucks will actually reach them if you buy their designs directly, then turn them into body pillows or life-sized bronze statues or whatever the fuck.

go through the credits of any episode of helluva or hazbin, and you'll find even more creatives you might wanna support. get jinkx monsoon's albums on CD. subscribe to actually good artist, animator, and composer gooseworx. lots of voice actors now have patreon, cameo, or self-hosted pages where you can write better lines for their characters and have them read it. these things may not look as shiny as Official Merch™, but we all need less plastic shit and more culture anyway.

[olderthannetfic]

Genuine question that maybe's dumb but I just gotta ask: why can all sorts of fan content be monetized except for writing?

I have no issue writing for writing's sake, I've been working on fics since before I had a bank account, so it's not that I want to be paid for what I put out, but... why are writers the only ones who can't?

Artists can create posters and graphics and put them on sale on pretty much every website that offers the service, video editors/makers can make 40 minutes long videos with their theories, character analyses, etc, and as long as they're careful with not using too much of the copyrighted material, they can go ahead with monetization. I've seen craftier people making dolls out of the characters, or knitting blankets, or making glass ornaments inspired by the original material and putting them up for sale.

And then there's us, writing fics and getting hit with shit on all fronts.

And I know that there are writers that turn their fics into original works (the most famous Reylo writers are now all getting very good publishing deals, for what I can see, and they're doing well in the indie department too), but they did have to change crucial parts of their stories in order to be taken into consideration (names of characters and places, pieces of technology, etc), whereas artists can just "Hey, I made a booklet of drawings of characters from X franchise! It's up for sale!"

--

Oh anon... This comes up like once a month, and the answer is that:

Artists are so subject to legal action and have their accounts deleted off Etsy et al. constantly. It is simply bullshit to think they face no problems with monetizing even if fandom culture thinks it's fine and above board.

Nonfiction commentary is highly protected, whether it's analysis videos or analysis blogs. If you write your meta and try to sell it, you'll be fine. That has nothing to do with fic.

A lot of it is about historical precedent and rights holders who choose to go after one thing rather than another regardless of the actual law.