#Everyone can end up getting killed

[ghostlygravekeeper]

I sometimes wonder why some people in zombie apocalypse or adjacent settings decided having kids while said apocalypse is going on is a good idea.

[theoldkyokodied]

The Allegiance of the Ascended Vampire and the New God of Magic

[templegate]

We'll bring the true mastermind and everyone who's watching... We'll bring them down into utter despair!

[benevolenterrancy]

@hereticcryptid I appear to be slowly but surely developing an entire series about how Hensheng and Baxia apparently get fed up with their owners' inability to express their feelings and take matters into their own hands...

[carnivalcarriondiscarded]

Frank! fantasy flavor!

rambles:

i really wanted to blend that monk-class inspiration w/ Frank's personal vibe... i like to think that i Succeeded!

i turned his tie into a sort of brooch since, yk. bowties aren't all that Fantastical. they miss the style. also i think they'd be more comfortable with something smaller since he's very active and needs a wide range of maneuverability

i bet Eddie or someone wheedled them into adding the leather shoulder pauldrons - leather to keep it a bit more flexy, and also. it just looks Cool!

figuring out what would replace his vest was tough. i didn't want them to be entirely unprotected, but i couldn't give him straight armor. though i will admit! a sort of tight-fitting crop top was Considered! but i landed on a gambeson vest as the best fit - comfortable, flexible, a Vest, while providing some level of protection! also, gambesons are quilted, which fits Frank's diamond-checkered vest!

ive already mentioned that one of my favorite outfit things is Flowy Pants Tucked Into Boots, so... that choice wasn't very character driven. except the boots are a tall ankle wrap - for that extra stability and strength! their shoes are pretty flexible and are only a few steps away from being slippers.

and the half-skirt - open skirt? - thing (still don't know what its called) is purely some self indulgence. i think Frank looks great in skirts!! also imagining him Throwing Down w/ the added flair of the skirt... damn. it'd probably help confuse enemies too - what're they gonna do next? who knows! the skirt is in the way and adding extra Movement!

i like to think that his knife is either in a sheath attached to the back of the belt, or they have it on their thigh (under the skirt) like Wally's bag. he probably never uses it... punching is the way to go for Frank methinks. it's probably reserved for cutting ropes and fruit

speaking of punching.... wrist wraps! inspired by boxing gauze! pads his knuckles, keeps his wrist compressed, its the best choice for physical combat. though the wrapped knuckles probably always have blood showing through anyway... or no yeah it's mostly other people's blood...

as for scars - Frank probably has quite the collection! i imagine that they've been picking fights since a young age, and in such a dangerous world he probably got hit a Lot until they learned how to hit back. and hit back Well. still, i wanted to give him a cool face scar with a very lame backstory - a book with a crisp, sharp spine corner fell off a high shelf and bonked them in the face at juuuust the right angle <3 he probably stays very fucking quiet about it which makes everyone think there's some intense traumatic backstory behind it. there isn't. Frank's just embarrassed.

closing note: i imagine that Frank has zero magic. literally none. cannot wield it for shit cannot utilize it. he's just like Howdy fr

[d8tl55c]

oh boy !! ! ! ! !!! ! thANK y0u all for the kind words on my last art posts. you all get it and i was/still am so happy about it

as promised, here's some close-ups of the comic for image quality's sake, and other screenshots i rescued from the community whiteboard (and something else)

first up another sketch of mystery gender-ambiguous being. (please send me more name ideas for them if you got one- i like to hear em! (reminder it's the side character that appeared for <10 seconds in AvM Ep. 30))

a few fav scenes

emotional support cwab

they weren't meant for this purpose exactly, but i do have countless "fluffy sticks" loose in my notes and homework sheets from the school years.

papery critter.

even when i wasn't confident in fur or feathers, they helped me practice posing and create some satisfying gradients/flowing poses. (im a sucker for good tail poses) (oh yay! i found a good pic...)

and finally, little sneak peak for you for reading so far ;3

i realized that whiteboardfox is pretty great for my working needs. simple and to the point and all. feels nice with the mouse and the tablet.

so i started hashing out a big project idea just to see if it holds up and

[

several hours later ...

]

oh

oh man

it's a little bigger than i expected

<next>

[laurents-secret-diary]

Can we see any of your drawings you may have had for the side characters please??? 👉👈

I only got a couple so far! I think I'm gonna do Nicaise next

[ultfreakme]

Look you can’t dismiss Zukka as a crackship when they, overall, had more positive interactions with each other than many other fanon Zuko or Sokka ships that are taken more seriously because they’re het.

Like okay, you’ve got

the episode 1 armor parallel

 Sokka saying “if there’s one thing I know about Zuko, it’s that he never gives up”

Zuko’s time at Western Air Temple where Sokka’s the only one who’s helping him to his room and even smiling at him.

Then we get TWO WHOLE EPISODES(TWO) of Zuko and Sokka working together extremely well and the narrative itself showing how they complement and support each other positively.

Need I talk about the tent scene, yes its funny but also Sokka felt comfortable enough with Zuko at that point that he talked about his mom with Zuko.

The SWORDBENDING KAI

the fact that Zuko, Sokka and Suki become a little sub-trio during Ember Islands

the Search comic where they’re the only ones awake and they’re talking about family.

every zukka shipper knows this one, *ahem* “The prince and the fool, is that all you were, or were to one another?”

If we’re talking on Zutara terms, Zukka is equally as valid. Like yeah it’s funny as a dynamic but also, it’s not like this is completely out of nowhere. There’s stuff in there that backs up the ship rather well.

I think overall, Sokka saw Zuko as more of a person? The crystal caves thing put Zuko on Katara’s shit list, rightfully so, but it’s because Katara’s an idealist and sees the best in people. Unfortunately it goes the other way, she’s a lot more black and white about people than Sokka. Like if it were Sokka in the crystal caves and Zuko had pulled the mom story, Sokka would empathize but he’s not going to trust Zuko in any capacity or see him too differently unless he showed results.

Like he knows to some extent Zuko’s capable of good and even says that just being capable of good isn’t enough. He needs to show it. Zuko betraying them in the Ba Sing Se definitely would’ve pissed him off but like, to some extent, he’d have seen it coming. Sokka’s always been more nuanced on the morality thing than Katara and Aang. Which is why I think he more quickly was willing to give Zuko a chance at the Western Air Temple. Zuko was acting on his ability for good. Sokka being a skeptic actually helped them a lot(oh, Jet my boy).

Anyways Zukka rights

[feroluce]

Lucid Dreamer (1/2)

part 2

Gepard notices that it's been. Quiet lately. Like weirdly quiet. TOO quiet. He hasn't seen Sampo Koski in almost a week, which is about the longest he's ever been absent. And he is NOT worried. He's not! So what if they've been getting along more lately! So what if Gepard sometimes looks for him in his favorite hiding places! So what if he's been dreaming about blue hair and green eyes! It's nothing!!

But they're….strange, these dreams. Gepard doesn't usually remember what he's dreamt. It's out of his mind seconds within waking up. But these stick with him, they won't leave him be, they feel different somehow.

He dreams of Sampo bringing food to the frontlines and eating breakfast in his tent with him. Sampo always sneaks him extras. He dreams of chasing Sampo through the alleyways, Sampo sometimes letting himself be caught, Gepard sometimes catching him, and trying to ignore how it feels more like a game now more than anything else. He even dreams that Sampo tags along with him on one of his few civilian days. Sampo runs errands with him, prattles about inane bullshit while Gepard picks out groceries for the week, drags Gepard into some bakery he's never been to but he thinks Serval mentioned once.

And sometimes, it feels so close to reality, that Gepard half expects to see Sampo, shamelessly swaggering into the frontlines with all the guards' breakfast like his wanted poster wasn't only recently taken off the walls of Belobog. He's disappointed when it's always someone else instead. He tells himself his disappointment is ridiculous and if Sampo wants to go prowl around the Snow Plains or wherever he is, then fine. It's not any of his business.

…But it IS his job to investigate any unusual criminal activity relating to the frontlines. And the frontlines are Sampo's usual haunting grounds, and this is unusual activity, and Sampo IS technically a criminal, so it is absolutely part of his duty to look into this - is what Gepard tells himself the entire tram ride down into the Underground.

Natasha tells him he's gone, and Gepard has to steel himself. He knew Sampo made enemies wherever he went, there are a lot of people who would love his head on a platter, but he didn't think-

Natasha corrects him that she means literally gone. As in off-planet. Sampo always leaves her a note before he goes anywhere, so she knows not to expect any supply runs from him. He should be back in exactly two weeks. Thank the Preservation.

Gepard goes back home. He waits.

The uneasiness doesn't leave him.

"Where did you go?" Sampo stops dead in the middle of some story about Seele, and how you'd think someone with as blunt a mouth as her wouldn't have so much trouble asking a woman out, even if that woman IS the Supreme Guardian, and stares at him. He nearly fumbles his cigarette.

"Ahaha, what do you mean, I'm right here?" Sampo smiles at him the same way he always does. Gepard has no idea why he asked. It just popped out. He can never tell when Sampo is lying, anyway.

"I don't know. I feel like I haven't seen you in a long time." Gepard idly mouths at his own cigarette. He almost never smokes, but he wants to ration their stocks of Blizzard Immunity, and it helps with the cold. It's seemed colder lately, for some reason.

Gepard flicks his lighter once, twice, sighs at the third time because a metal prosthetic and thick gloves make the damn things so difficult. Sampo reaches over and wordlessly kisses the end of his cigarette to Gepard's, lighting it. "Thank you."

Nothing happens for almost a full 30 seconds. Something churns behind Gepard's ribcage. Because Sampo never leaves a "thank you" hanging. This is the part where he gives his spiel about how helpful and kind he is and Gepard either brings up how long his rap sheet was before Bronya helped clear his name, or just stares deadpan because seeing Sampo squirm is weirdly satisfying.

"…I'll be back in one more week."

Gepard jolts awake in his cot, mouth dry and eyes bleary.

The hell.

The next dream he has, Sampo looks tired. Sometimes he seems normal. Sometimes he says strange things, like how he wishes he'd gone to some restaurant in Belobog. Ate his favorite food more recently. Brought something with him. Gepard asks why he can't do that now. Where would he bring something? Sampo only shrugs. His rebuttals have less energy.

Gepard doesn't know if he wants to dream more, or less.

He ticks down the days on his calendar. Natasha hasn't told him any different. She promised she would if she got any kind of message. Sampo returns tomorrow, from whatever vacation or seedy business dealings he's been off having. He is not excited about it. He is not looking forward to it. He's not!!

Gepard falls asleep late that night, unable to settle. He dreams again.

He's alone. There are tons of people everywhere, the frontlines are always crowded. But he's alone. They all pass right by him as though he were a ghost. Gepard starts to walk before he realizes his feet are even moving.

He checks the trashcans in the dead end alley. He checks the supply crates that someone always stacks too high because they don't feel like finding more space for them. He pauses to check the soldiers that march past him, watching their footprints in the snow.

He finally finds Sampo on the rooftop along the northernmost wall, the one that looks out over the plains, towards Everwinter Hill, towards where the Stellaron had once been kept. With a full moon and an entire land of white snow, Gepard can almost see clear out to the horizon.

"Found you." Sampo stiffens, and Gepard is almost prepared for him to sprint off the roof. He doesn't. But he doesn't relax either. Gepard sits down next to him and stares out at the wastelands.

"…I fucked up." It wasn't what Gepard had been expecting. Sampo never 'fucks up,' Sampo just gets into incidents that are entirely, supposedly, not his fault and that he just happens to always be within the vicinity of.

"What did you do now?" It must be really bad if Sampo is coming to the Silvermanes for protection.

Instead, Sampo ignores his question completely. "See out over there? Right on the other side of that mountain. There's a safe house that way. It's hidden under a lot of snow and dead trees, but it's there. And in that safe house is a box full of letters. I need you to deliver those letters for me."

Gepard's brow furrows. It's a weird favor to ask. Sampo would never tell anyone where his hidden safehouses were. It defeated the whole purpose of a hidden safe house.

Something is wrong, something is really really wrong.

Gepard turns back to look at him again and startles, all of his questions dying in his throat, because the entire left side of Sampo's head is suddenly matted down, dark and sticky, his skin is dyed red red red-

"In three more months, there's gonna be something big happening." Gepard grabs Sampo's hand and it feels slick and warm against his palm. "I won't be here. So I need you to do my end of things for me." Gepard tries to keep hold, but something is fading, something is slowing, the sun is coming up but the colors are all wrong, everything feels like encroaching fog, Sampo's hand slides right through his. "I was gonna come back with my mask to finish setting the stage, but…" Gepard makes a frantic grab for Sampo's wrist, the air twists, he comes back empty-handed. "They have you. And you're the Iron Wall of Belobog. So it'll be ok."

Gepard finally manages to find his grip, snatches the front of Sampo's dark wet jacket and yanks him forward to hold onto him, and this close up, he can see it better, his colors are bleaching out, leaking outside the lines as if Sampo will become part of the background, as if he's fading into the strange fog that's been closing in on them. His fingers are already starting to feel empty again.

"Wake up."

Gepard jolts awake, uncurls his hands from where they're fisted in the blanket, scrubs the dampness off his face. Breathes. Breathes. Breathes. Today is supposed to be the day.

He throws on his civilian clothes, and he goes down to the shipyard the IPC had built. He finds a spot where he can see every person that returns to Belobog, and he waits.

And he waits and he waits and he waits.

No one he recognizes appears.

[herearedragons]

tag the oc that's most likely to get stuck in a time loop and what kind of time loop it would be

[puppyeared]

AND I MET THE CHANGE GOD TOO. OKAY. COOL OKAY

[problemswithbooks]

The 6 chapter epilogue moves to 'end' the Tododrama this chapter leaving a divided fandom...

For me I think that given the story the Todorokis have had up to this point it both makes sense and is the best we could have hoped for. I'm not one hundred percent happy with it, but I defiantly don't view as negatively as a lot of people seem to.

First off Touya dying makes sense and this is perhaps harsh but I hope he does. People theorizing that the mysterious Tenko like figure is Shigaraki and he will heal him and the rest of the LoV with his restored Overhaul powers is insane to me. With only four chapters left idk how that would even be covered or concluded, since even if they were healed they would all still be put in prison--it wouldn't erase the fact Touya killed 30 innocent people by his own omission. So, how Hori would cover that kind of plot in a cohesive way in four chapters is beyond me. It's pretty much people wanting a worse story because they want their favorite character to live.

Also, I'm a bit frustrated that yet again people are acting like Enji should die instead and making wild accusations based on nothing. Namely that Touya dying supposedly soonish negates Enji saying he'll watch him and his death will let him off the hook so to speak.

Enji has shown that he really loves Touya and feels immense guilt and rightful responsibility for how he treated him and his the rest of the family. Touya dying doesn't suddenly heal his permanently crippled body or give him back his Hero job. It will only make him feel worse. Also it's not as if once Touya is gone he'll ignore the rest of his family either. He still owes them as well, and will probably try to help them in whatever way he possibly can.

People acting as if Touya's death will free him or that afterwards he'll go on with his life completely happy and forgetting about him is just not in any way accurate to what we've seen of his character.

The other thing I've seen floating around is the idea that if Enji had been killed off during the first PLF War, Shoto would have saved Touya and the family would have been happy in the end. I don't think that's true. I will admit I'm bias because I like Enji and I'm not a fan of Touya, but given how Hori seems to have delt with the LoV and villains in general (unless he pulls a 180 and heals them last min) I think Touya was always meant to end up dying slowly in a hospital or get some other bittersweet ending.

BNHA is not grimdark by any means but it is not the idealistic manga of the past like Naruto. Hori punishes characters that make bad choices no matter how understandable or even shitty the choices they had were. Aoyama, despite helping defeat Afo, being a child and under the threat of death to him and his family, still drops out of UA because he feels he still has to earn his place there. Bakugou dies and his heart and hand will never be the same, while also having to deal with the guilt of Izuku loosing his Quirk (if that sticks). Enji, even though trying to change and atone for most of the Manga's run is still left permanently crippled, the job that meant everything to him, lost, his legacy gone.

For Touya who killed so many people without care, only to get back and his father. Who plotted to kill his little brother despite knowing he was abused. Not caring if his plans got his other innocent family members killed. After everything we've seen with other characters who did far less wrong and tried hard to amend those mistakes getting harsh consequences, I doubt it was ever the plan to have Touya sitting at the table with his family eating his favorite food with a smile, regardless of Enji being alive or not. To suggest that Hori only had Shoto fail because Hori needed Enji to be involved just isn't true. If Hori wanted to give Touya a happy ending he would have--many fans have already come up with how that could have happened even with Enji still alive.

The only criticism I agree with is Rei's ending. You can defiantly read how she wheels Enji around and answers his phone as them being back together or in the very least her becoming his caretaker. Now, That might not be the case--she could just doing those things because they were both going to see Touya and she's just helping him out that day, while they actually live separately, with Enji having a paid home assistant that couldn't or wouldn't go with him to see Touya (because of the stigma or visiting regulations). The issue is that we just don't know for sure and Rei has been shafted pretty badly.

That said, I wasn't expecting much from/for her anyway. I think getting a little blurb about what she was doing like Natsuo and Fuyumi did would have helped, but I sort of doubt Hori had any idea what to do with her character outside being Enji's abused wife and Shoto's mom. With him rushing to get these last chapters out I'm not shocked he just stuck her in the background, especially when Enji and Shoto as secondary characters needed the screen time.

[tenwhiteandalusians]

so no one was going to tell me if i got literally one episode further tenax drops that he’s the one who saved scorpus from his mom’s pimp AND that he’s intimately familiar with scorpus’ dick when he was younger. guys. guys.

[abandoned-quiche]

i think what undertale fangames should really strive for is to push undertale's themes of mercy to the edge - push the PLAYER to see what their limits are on who deserves mercy.

[brittlebutch]

actually it's kind of funny how people will say Alex's fatal flaw is that he 'doesn't ask for help' and that it's his determination to handle things on his own that leads to his deterioration and eventual death when his whole introduction to the present-day timeline was a very literal cry for help that simply went ignored

[snailvibes]

Thinking about how Max‘s habit of shying away from help or talking about things is because throughout that whole week she had to only rely on herself essentially. How she had the whole world on her shoulders and felt she had to carry it, not because no one else could, but because no one else would.