#or the children who end up being brutalized to death | Explore Tumblr posts and blogs

cjrae · 9 months ago

Text

Rank And Responsibility. Or: The Hairpin Scene from Jinshi's POV.

Be warned now about the consequences of choosing to do an English Lit degree - you end up doing lit crit for fun. With that in mind, let's break down the hairpin scene at the end of Covert Operations (Episode 5). Mild spoilers for Jinshi's arc are below.

While this moment does kick off the romantic subplot, with all the implications that giving Maomao the hairpin out of his own hair has, I would argue that this is not the moment Jinshi realizes he's in love with Maomao. Instead, from his point of view, this scene demonstrates how Jinshi handles failure.

Holding Power In An Open Palm

This is still very early in the story. Our first hint to Jinshi's true rank does come in this scene, but for now we know him as the manager of the Rear Palace. For the three thousand people who live and work there, for all intents and purposes, Jinshi is the highest authority they will encounter. He literally has the power of life and death over them, either directly in the case of the servants and eunuchs, or in the case of the consorts, his word to the Emperor directly can serve the same purpose. We also see Jinshi use this power early on - he's not just there to keep order, but also to test the consorts' loyalties and virtue. We never see what happens to the lower-ranked consort who attempted to invite Jinshi back to her room, but at the very least that report ensures that her already small chance of the Emperor choosing her as a potential mother of the nation is utterly cut off - and if she doesn't bear children, she will be discarded.

We also know that Jinshi will not hesitate to order corporal punishment if he views it necessary - for example, when Maomao discovers that the toxic face powder is still being used by Consort Lihua's ladies in waiting, she mentions in the aftermath that the eunuch who failed to recover the powder was flogged, while the lady in waiting who hid the powder is put in solitary confinement. These are brutal punishments - and if we consider the historical inspirations, these are also very restrained consequences. For hiding an item that caused the death of the prince (unfortunately, the more valuable child) and has put the life of one of the Emperor's favored High Consorts in danger, Jinshi would be utterly within his rights to order executions. If ignorance is a sin, ignorance in the face of knowledge is a greater one.

Microcosm of Li

For all that Jinshi holds his power lightly, he also takes the responsibility that power bestows upon him quite seriously. It's worth noting that Jinshi takes over governing the Rear Palace shortly after Maomao's service contract is purchased. (Remember, Xiaolan talks about the "beautiful, new eunuch that's been posted to the central courtyard," which tells us that Jinshi has not been in the Rear Palace long enough to become a fixture - he's an object of speculation and admiration from episode 1).

In context it's clear that, with the birth of two Imperial children, his job is to ensure the survival of the Imperial line and investigate why children of the Emperor are dying consistently in one of the wealthiest and safest places in the entire empire. We're shown him running in between Lady Lihua and Lady Gyokuyou to ensure that their very sick children are being seen to properly, investigating what could be causing it, while also managing tensions as rumors about the Emperor's children being cursed begin to spread and outright accusations of sorcery are being thrown between consorts. While the audience might immediately scoff along with Maomao at the idea of one consort cursing another, if Maomao hadn't found the cause of death, those types of accusations followed by Lady Lihua's and Princess Lingli's inevitable deaths could have ended with Lady Gyokuyou's execution.

The Rear Palace is a reflection of the nation as a whole. No Imperial heirs plus the deaths of two High Consorts with various foreign and domestic political ties had the potential to thrust the entire nation into chaos. Jinshi's choices have very real consequences, so when Maomao discovers what the true cause of death is and sends her warning, Jinshi looks at Maomao and doesn't see a person. He sees a "perfect pawn." A tool, one with talents that have ensured that at least one Imperial child has survived and providing a rational explanation why these children have died so that it can be prevented from happening again - and a skill set that can be turned to preventing any more shenanigans in the Rear Palace that could threaten the empire's foundation.

And, as Gaoshun points out, in the beginning of the hairpin scene, she is a toy. Maomao amuses Jinshi up until this point.

For all that Jinshi is shown wielding power with a light hand and a responsible mindset, it literally doesn't occur to him that the people working in the rear palace have stories - some tragic - about how they came to be there. They are resources to be used as befits the Emperor's (and therefore the nation's) need.

Hidden Beauty

When Maomao turns around and Jinshi doesn't recognize her until she speaks, he's shocked. He thought he knew exactly who and what this girl was - ugly and unremarkable, except for her intellectual brilliance and the challenge in managing her by other means than empty compliments and smiles. He attempts to recover and assumes that she is enhancing her looks - and is shocked again when he realizes that the face Maomao has presented to him so far is a protective mask against attracting attention. In a world where beauty is both a currency and a tool that others covet, Jinshi doesn't understand why Maomao would deliberately devalue herself like that. So she tells him.

This is the moment Maomao becomes a person to Jinshi.

Not a toy, not a pawn. Someone who has been ripped from her home and her life illegally and sold off. It's in this moment that Jinshi is forced to confront the ugly side of the society he lives in, people who would rape Maomao out of pure convenience or just take a "borderline marketable" girl off the street in order to get extra drinking money.

Worse, Jinshi is complicit in Maomao's captivity. The Rear Palace has bought her contract - and as the manager of the Rear Palace, Jinshi is responsible for everything that happens within its' walls. The fact that Jinshi does not personally oversee service contracts is irrelevant. The buck stops with him. If the Matron of the Serving Women or whoever is below her is buying these contracts without checking their sources, that is Jinshi's fault because he has allowed a lax enough system to flourish. He has failed to govern this microcosm of the nation wisely, with thought for the welfare of the least powerful among his people. Worse, he has failed to even notice the problem - Maomao may say she's angry about having been kidnapped and sold, but she doesn't react in a way that indicates anger. Instead, she's resigned. Yes, what happened to her was wrong and she's angry about it, but there's literally nothing she or Jinshi can do.

Or Is There?

Jinshi offers Maomao two apologies, the first of which is our first hint to his true status. "I'm sorry we couldn't police them better." Maomao immediately blows off this apology - she points out that there's no way Jinshi should have known and has a very "all's well that ends well" attitude about her situation - her contract will be up eventually and in the meantime she's managed to land in a fulfilling role. Essentially Maomao is telling Jinshi that this apology is not his to make - he's overstepping his responsibility. And, if Jinshi were simply the manager of the Rear Palace, she would be right. It's his job to ensure that the Rear Palace is properly staffed, not to regulate that all contracts comply with the law.

Jinshi apologizes again. This time, he offers no other context. He doesn't accept Maomao's absolution of responsibility - because he knows (even if we, the audience, don't) otherwise. It can certainly be read as Jinshi refusing to accept easy absolution, and the rest of those witnessing the scene, apart from Gaoshun, certainly take it that way.

Instead, he takes the hair stick from his own hair and places it in Maomao's. Their entire relationship has just been upended; Maomao is a person who has been gravely wronged and it is Jinshi's responsibility to begin to make it right. Aside from the personal implications of giving her the hairpin (and the faint blush on his face makes it clear that he's aware of them), it is a form of restitution. There is an unspoken social contract Jinshi is offering that Maomao does not understand in the slightest. It never occurs to her that Jinshi would do something for her with no thought of what he would receive in return, because of the difference in their social ranks. But, from Jinshi's perspective, that social difference is the point. He has failed her and, as the person of higher rank, it is his responsibility to do what is within his power to begin to remedy the situation in front of him.

And, of course, in that moment he sees Maomao in a new light, the other meaning of gifting her his hairpin has fertile ground to take root in Jinshi's mind.

#the apothecary diaries #kusuriya no hitorigoto #jinshi #maomao #jinmao #long text post #apothecary diaries meta #kusuriya anime #knh #jinshi x maomao #jinshi and maomao #lady gyokuyou #lady lihua #princess lingli #gaoshun #hair pin #episode 5 #covert operations

783 notes · View notes

helen-lucilfer · 8 days ago

Text

CHROLLO FLUFF RELATIONSHIP ALPHABET

sfw (safe for work)!!! no smut in this one.

•─────⋅☾ ☽⋅─────••─────⋅☾ ☽⋅─────•

A = Affection (How affectionate are they? How do they show affection?)

Chrollo and affection are like cats and sleep—they simply just match. Chrollo will show you affection in mostly words of affirmation and acts of service, though he’d do basically anything to show his never ending affection for you.

B = Best friend (What would they be like as a best friend? How would the friendship start?)

Chrollo is like that calm and yet brutally honest friend that we all need in our lives. That friend who will give you actual advice instead of just saying what we want to hear, and yet he does it in the most polite and civil way possible. He’s the best friend who will support chaotic ideas but will also hold you back if he knows you’re going too far.

C = Cuddles (Do they like to cuddle? How would they cuddle?)

Chrollo isn’t exactly the type to initiate cuddles. As romantic as he is, physical affection isn’t his strong suit. He doesn’t mind it, but he prefers it if you initiate the cuddles instead of him. If he does cuddle though, Chrollo prefers being the big spoon.

D = Domestic (Do they want to settle down? How are they at cooking and cleaning?)

Chrollo dreams of settling down with you and living the rest of his life in peace—maybe even in Meteor City. He knows it’s a far fetched dream and something that will probably never happen, but he still thinks about it often. And Chrollo is basically a housewife when it comes to household chores. For some reason this guy knows how to do anything.

E = Ending (If they had to break up with their partner, how would they do it?)

Bold of you to assume that Chrollo would ever break up with his partner. He’s the type of guy to take “till death do us part” completely seriously—and you love him for that, honestly.

F = Fiance(e) (How do they feel about commitment? How quick would they want to get married?)

It completely depends. If he knows that you’re perfect for him, then Chrollo will marry you in a heartbeat. If you’re more on the annoying side, Chrollo will have to think it through a bit more before deciding to marry you or not.

G = Gentle (How gentle are they, both physically and emotionally?)

Chrollo is the most gentle lover ever, and I stand by that. If you’re mad, he’ll coax you in such a soft way that will honestly make you forget why you were mad in the first place. If you start crying, Chrollo will hold you in his arms and hold them while gently stroking your hair while whispering sweet things until you stop.

H = Hugs (Do they like hugs? How often do they do it? What are their hugs like?)

Again, Chrollo isn’t too fond of physical affection. If you hug him, then he’ll just wrap his arms tightly around you a bit stiffly. However, if it’s something cliché and romantic, like a meeting after years of separation, Chrollo will do the cheesy twirling you around in his arms thing.

I = I love you (How fast do they say the L-word?)

Chrollo would want to save it for a special moment, such as an intimate moment under the moonlight where he’s gently holding your face and whispering the words.

J = Jealousy (How jealous do they get? What do they do when they’re jealous?)

Chrollo and jealousy is a strange thing. He does get jealous a good amount, he just doesn’t show it outwardly. However, if you’re getting a bit too close with someone else, Chrollo will sneaking wrap his arm around your waist and stare directly into the person’s eyes with a threatening smile and say “My love, who’s this?”

K = Kisses (What are their kisses like? Where do they like to kiss you? Where do they like to be kissed?)

Chrollo’s kisses are soft and passionate—possibly the most romantic one could ever experience. Chrollo likes to kiss you anywhere on your face—especially your forehead—, your hands, and during especially intimate moments, on your neck.

L = Little ones (How are they around children?)

Chrollo is conflicted when it comes to children. On one hand, their innocence and purity intrigues him but also scares him; how could they make such rash decisions without overthinking it? On the other hand, Chrollo has a bit of weakness for kids. After all, his whole backstory is revolved around endangered children (manga readers, if you know you know.)

M = Morning (How are mornings spent with them?)

Chrollo doesn’t particularly enjoy mornings, but he isn’t overly grouchy or anything. Just tired and much less smiley. Expect a fresh cup of tea, some cuddles that you initiated, and some honey sweet yet genuine compliments from Chrollo that almost make your sugarless tea taste sweet.

N = Night (How are nights spent with them?)

Nights spent with Chrollo are so very comforting, especially after a long day. A vanilla and lily scented candle in your shared room, Chrollo reading you a book as you both finish a warm long bath, and once you fall asleep, a gentle “I love you” and forehead kiss.

O = Open (When would they start revealing things about themselves? Do they say everything all at once or wait a while to reveal things slowly?)

It depends on how long he’s known you. If you grew up with him, especially if you went through the Troupe backstory (Chapter 395-397) with him, then there’s really not much to tell you about, but he’ll be much more open with you if something’s wrong. If he met you later in life, he’ll have to make sure that you’re the right person before revealing bits and pieces of information about him at a time:

P = Patience (How easily angered are they?)

Chrollo and anger are like water and oil. You never know when he’s mad because he’s so passive aggressive about it. However, if he’s really agitated, then he will let some snarky comments out that makes it obvious that he’s annoyed and that you should probably stop whatever behavior is bothering him as soon as you can.

Q = Quizzes (How much would they remember about you? Do they remember every little detail you mention in passing, or do they kind of forget everything?)

Oh boy. If there was a quiz about you, Chrollo would pass as if it’s the most easy thing in the world. Every single question would be answered within 0.5 seconds because he remembers every little detail about you. Whether it was how itchy the pale blue dress you wore on your 18th date together was, or how cheap and well your black heels fitted you on your 4th date was, he remembers it all.

R = Remember (What is their favorite moment in your relationship?)

Chrollo truly appreciates those quiet days where he doesn’t have an upcoming heist, you’re not busy with anything, and you can just help each other out with mundane day to day house chores—the day full of genuine laughter. It’s boring and simple, he knows that, but at this point in his 26-year-long-life, it’s the most comforting thing Chrollo knows.

S = Security (How protective are they? How would they protect you? How would they like to be protected?)

If it’s something small and stupid, Chrollo isn’t too particularly protective. However, the moment you’re in a bit of danger, Chrollo will—without hesitation—protect you at all costs, no matter how much Troupe effort it takes. Chrollo doesn’t really want to be protected—not by you, at least. Chrollo thinks that it should be the other way around. He should be one protecting you.

T = Try (How much effort would they put into dates, anniversaries, gifts, everyday tasks?)

Oh gosh—Chrollo’s going all out. I mean, he has the money, why wouldn’t he? Bouquets and bouquets and bouquets of your favorite flowers, little things that remind him of you, expensive jewelry, the most luxurious 5 star restaurants…you’re lucky as fuck, you know?

U = Ugly (What would be some bad habits of theirs?)

Chrollo doesn’t really have any bad “habits”, but there are a few mental issues with him. His bipolar issues can get annoying sometimes—one second he’s the cold and ruthless Phantom Troupe leader who only smiles cruelly, the next second he’s the teasing and immature guy fighting people way older than him and cockily asking “who would win” like a child, the next second he’s the sweet gentleman who treats you like a princess.

V = Vanity (How concerned are they with their looks?)

Chrollo doesn’t care too much about his looks. He’s self aware that he’s handsome and that he looks more congenitally attractive with his hair down, he just doesn’t care. In his opinion, true love shouldn’t be decided by appearance.

W = Whole (Would they feel incomplete without you?)

Oh boy. Chrollo basically tells you every night that you complete him, that without you he’d be lost, that you’re his other half, that if you ever were to leave him that he would fall apart, that he needs you to live. So yes, he’d feel very incomplete without you.

X = Xtra (A random headcanon for them.)

If he were to ever have TikTok, all of the “Booktok Girlies” would be obsessed with him and he’d hate it.

Y = Yuck (What are some things they wouldn’t like, either in general or in a partner?)

Chrollo hates, and I mean HATE, people who are cruel and inhumane to children for no reason (Phantom Troupe backstory mentioned???). Chrollo knows that he’s being hypocritical after what he’s done to the Kurta Clan children, but he has very different expectations of himself versus other people.

Z = Zzz (What is a sleep habits of theirs?)

Chrollo definitely has partial insomnia. Have you seen the circles under his eyes in the 1999 version? And how in the opening scene of episode 54 of the 2011 version Chrollo was the only one who wasn’t sleeping in the Troupe???😭 If he sleeps, he’ll still be very on guard. The first time you guys shared a bed and you wrapped your arms around him from behind in your sleep, Chrollo literally almost jumped, preparing for an enemy attack, until he realized that it was just you.

#hunter x hunter #hxh #chrollo #chrollo lucilfer #hxh chrollo #hxh hcs #hxh x reader #chrollo hcs #chrollo hunter x hunter #chrollo lucifer x reader #yandere chrollo #chrollo x y/n #chrollo smut #chrollo x reader #chrollo x you

138 notes · View notes

bonefall · 10 months ago

Text

Clear Sky is a Monster.

Of all the characters in Warrior Cats, I think Clear Sky was the most heavily mishandled.

At every turn, the narrative begs you to sympathize with him, to "understand" the "misunderstood." To this end, his brother Gray Wing is used to "keep faith" in his inherent goodness, his abused son, Thunder, is forced to go back to him over and over, and his second dead wife is completely lobotomized in death to absolve him of all sin.

Because of this, of all this set-up for the "redemption" arc they're trying to tell in the last three books, DOTC is Clear Sky's story. Everything primarily exists to benefit and serve his arc. Thunder and Gray Wing might have POVs, but HE is the character who truly drives the plot. So in order to HAVE conflict for that back half, two evil foreign cats, Slash and One Eye, are summoned to act as contrast.

Their narrative purpose is to display "true evil" to make Clear Sky look less bad in comparison. Unfortunately, Clear Sky is the most malignant, deadly character who has ever blighted Warrior Cats.

The "pure evil" examples they summon aren't effective contrasts because they're flat. Clear Sky is what real abusers look like.

His rhetoric is what it sounds like when a cult leader is trying to keep control over a group. He lies when it benefits him, justifies his actions with his tragic backstory to assuage his guilt and manipulate others, and violently lashes out when his feelings are hurt before blaming his victim for making him angry.

He only made "some mistakes" in that SOME of his actions were accidents-- the vast majority of them were malicious, self-absorbed, intentional choices to punish, hurt, and kill others.

I've spoken about Bumble. I've tallied his body count next to Tigerstar. I've talked about how his infant son's death was his fault in sequel books, and called attention to the infected wound face shoving scene that no one talks about. I can't fit every detail into a single post-- because he's so rancid that I would practically be posting entire books.

So what I want to do here is tackle the heart of Clear Sky. Everything he does, everything he's motivated by, is absolute and utter control over other people. He leverages his "trauma" to evoke empathy from his targets to make them easier to manipulate. He's a dirty liar. He breaks down to physical violence when all other tactics stop working.

He's one of the most severe and realistic abusers I've ever read about outside of very adult literature-- and when I read the reasons why he's attracted to Star Flower, my stomach immediately lurched.

The Killing of Misty

Starvation Rhetoric and the Memory of Fluttering Bird

Aside; a question

Hunger as a punishment; he doesn't care about starvation

Exoneration arc

Predation: Star Flower is a replacement for his son.

I think that index is an evocative content warning. But to say it again; this post contains child and domestic abuse, physical assault, public humiliation, incestuous grooming implications, and a lot of murder.

I need to start with the death of Misty. I see a few people saying that Clear Sky killed her for "being on his land" or trespassing, but this is actually a misstatement that I feel is important to correct.

Misty and her children were on their own land. It was her house. Clear Sky killed her to take it.

This is one of the most important details to remember about Clear Sky, that this is the consistent end point of his obsessive need for power and control. By harassment, by violence, or by death, he will brutalize anyone who does not give him what he wants, or who makes him feel bad, and find some way to justify it.

This territory expansion was for no logical reason. There was plenty of food and plenty of land. Any aggression that's happening on this territory is in response to how he's been stealing land and mauling people.

When it's found out she was fighting to defend her children, Clear Sky's immediate response is to slaughter them too.

Petal doesn't have milk either. It wasn't about the logistics. He wanted to kill the kids, because looking at them made him feel bad, and she just managed to stop him.

Starvation Rhetoric and the Image of Fluttering Bird

It is often said that Clear Sky is doing this because he's "traumatized" from how his little sister, Fluttering Bird, starved to death in the mountains. That the emotion came from wanting to feed people. That's incorrect. It wasn't about food. Fluttering Bird's death, and all the "starvation" he's faced, are used as manipulation tactics to guilt, influence, and control other characters, particularly when he might meet resistance or be held accountable for something.

It was always, ALWAYS, about control.

He does not care about actually helping people; "Starvation Rhetoric" through Fluttering Bird is an image he can invoke to justify the actions that are as bloody and cruel as the one this post starts off with. Either in his own mind, or in the minds of the cats he's manipulating.

He does this to Falling Feather, before slicing her face open in anger when she doesn't buy it. He does it to Rainswept Flower, before he strangles her to death. And he does it in the chapter just before Misty's murder, both to his Clan and then to Thunder,

Clear Sky climbed up in front of an entire crowd and gave a grand speech about hunger and "adjusting" the borders around territory he plans to conquer. When he gets to "forgiveness" he feigns pain to make his point because he is performing. If the sentiment is not a total lie, then at bare minimum, he is intentionally playing this up for the crowd.

He is rallying the Clan to support his violence against the cats whose land he wants to steal, and selling it with his life's hardships.

The audience is clearly well-trained, because several cats recognize the cue, particularly Frost who is praised for loudly comforting him. This signals "loyalty" because showing your sympathy towards his "suffering" is how this type of emotional manipulation works. It creates a persecuted, righteous in-group.

He's also apparently used this tactic before, since this entire crowd knows what "I Would Never Forgive Myself " means.

He's made sycophants out of his followers. Like a cult leader.

His abused son, however, hasn't been fully indoctrinated yet. Seeing Thunder uncomfortable with the idea of expanding the borders for no reason, Clear Sky calls him over for a personal propaganda session.

Clear Sky begins the exchange by calling this a "duty" and a "great honor." Immediately framing what he plans to do as righteous.

He puts on the act when Thunder shows resistance, dramatically pausing to let the guilt trip sink in.

"Thunder waited, realizing that he said the wrong thing."

And then Clear Sky launches into infantilizing Thunder, talking down to him like a child who's too inexperienced to see the "signs of starvation," acting like he's being "patient" in "explaining" it.

And then we get it. "I know what starvation looks like (so stop trusting your own eyes) because I have been through more than you (so shut up and do what I tell you), and I'm being a HERO for what I'm about to do (so opposing me would make you a bad person)."

Thanks to these crocodile tears, looking "moved," the act works. The victim is immediately wracked by guilt because the abuser seems genuinely emotional.

He even lovebombs him over the corpse of Misty in the next chapter, making Thunder feel threatened.

Thunder doesn't have the words to describe what is happening to him, but he knows that this sudden snap to praise isn't natural. That something is very wrong.

A Question.

Before I move on to show that this IS an act, and that he is lying about how important avoiding starvation is to him, I will ask a question. Please think about it, because I promise I mean it genuinely;

Why does it matter if Clear Sky actually believes this or not?

The victims are just as dead either way, yes? Thunder is just as abused and guilt tripped. The entire Clan has been driven towards violence while coddling and cooing at their Supreme Leader. Clear Sky is slowly annexing the entire forest. If you have ever accepted that he had "good intentions" as an excuse for the harm he did, or that abuse and murder was what he imagined was "the right thing," or that his trauma justifies the way he leverages his own pain to make cats do what he wants... why do you think that?

Why does that make it morally better, as the narrative concludes? Would you accept the same for every other WC villain or antagonist? Tigerstar? Slash? Tom the Wifebeater? Brokenstar? Rainflower?

How could you tell the difference, if you couldn't read their actual thoughts on the page? ...are there any other "good intentions" you've accepted, somewhere else?

Don't share that answer with me. It's a question for you. Sit with it.

Hunger as a punishment; he doesn't care about starvation.

...but, regardless, Clear Sky is not deluded about starvation. It's a justification for his obsessive need for control, and always has been. There was no shortage before stealing Misty's land and kits, he is fully aware that there's more prey than they can eat.

He punishes Falling Feather with hunger and harassment for thought crime, by briefly thinking of leaving. But first, he invokes Fluttering Bird at her like he did before, flying into a screeching fit of rage when she doesn't buy it,

"I'm sorry I hurt you... BUT" is THE wifebeater phrase. THE stereotypical line of a domestic abuser. "I'm sorry I hit you... but it's your fault for making me so angry."

She went through the same exact starvation he did, calls out that he's just framing his greed as being for the collective benefit of his subjects, and is assaulted for that.

When we're in his head, we see his REAL concerns are not about hunger. He invoked Fluttering Bird to try and make her shut up and bow down to him; what he's focused on is her "gossiping" and "whining" about the open wound he left on her face. He's still furious at Fircone and Nettle for how Thunder QUESTIONED him. So he will "strengthen their commitment."

When "starvation" DOES enter his thoughts, it is to assuage his own guilt and JUSTIFY what he already did. What he already WANTS to do. It's post-hoc.

He had to suppress his own guilt at how his greed and ambition made these children into orphans, completely unable to admit that he's ever been wrong or has a change to make, so he invokes the starvation rhetoric at himself to excuse it. So he feels less bad.

Everything, EVERYTHING, in this confrontation is about his pleasure at being able to torment his subordinates. To continue the abuse when the initial confrontation is over. If it isn't pride in his power and control over them, it's plain sadism.

He invokes starvation in front of the crowd, again, after being pleasured at the guilt in her eyes, hoping that everyone sees her writhing with shame and embarrassment. Fear wasn't at the root of why he assaulted Falling Feather; rage was, and now he feels better that he got to humiliate the person who offended him.

Starvation Rhetoric is a manipulation tactic.

It goes RIGHT BACK to his twisted idea of "loyalty." Obedience.

A cat who's actually, primarily concerned about starvation wouldn't encourage other cats to steal her food if they feel like it. He wouldn't be using it as a weapon to retaliate against her because she hurt his feelings.

This is paired with the fact he restricts and monitors the diet of his cats. They eat when he allows it, and only what he gives them, in spite of there being piles of dead animals rotting, going to waste.

We then find he personally doles out food from these piles, plucking carcasses off them and flinging them at his cats, one by one. Probably so he can watch how grateful they are to him and make sure they stay a little hungry-- and definitely because it means he can control WHO gets to eat at all.

If Clear Sky chucked a mouse at Falling Feather and someone took it? She would have gone hungry. For not groveling to him. Like when he decides to starve her brother; a hostage who he promised to feed and care for.

He's a dishonest snake. He lied about abandoning baby Thunder, calling it a "test of strength," he lied about Bumble's death, he lied about keeping Jackdaw's Cry fed.

And he lied about starvation to Thunder, because he was just making up an excuse to steal more land.

He wasn't "seeing the signs" of starvation when he moved to "adjust" his borders. Even FURTHER into this so-called "delusional slip" into tyranny, he's freely admitting that it takes months for a person to starve when it benefits his sadistic need to punish undeserving cats.

"Dumb moor cats, always expecting more than they DESERVE."

Not need. DESERVE. It's not a delusion about starvation and it never was. STARVATION is how he CONTROLS SkyClan, and once again he's angry that his pleasure has been sullied.

The massacre at Fourtrees was started over Jackdaw's Cry catching a bat after being starved, on land that Clear Sky has decided RIGHT NOW that he also owns, because it mades him think about being disobeyed.

The bat is forgotten as Clear Sky pivots into a tantrum, wanting to make his family HURT for being 'disloyal' and 'ungrateful.' For leaving him. He LIKES seeing people grovel, cower, and beg, getting PLEASURE from watching how he can hurt and command other cats, and if you don't give him what he wants he will kill you.

Which, make no mistake, is what the "First Battle" actually is. Clear Sky attempting to murder those who don't worship him or swear their undying fealty to him and his twisted dictatorship. Particularly his own son, the most prominent victim of his emotional abuse.

It's not about the bat. It was never even about food or starvation. It's about retaliation for any perceived lack of control.

Once again he breaks out starvation rhetoric to try and manipulate someone, and when Rainswept Flower doesn't buy it just like Falling Feather didn't, he murders her in another fit of entitled rage.

Exoneration arc.

At the end of this battle that was entirely his own fault, we're introduced to the hollowed-out ghost of Storm. She has been flushed of all personality, so that she can be the perfect narrative mouthpiece.

She accepts yet another Fluttering Bird Invocation in spite of how we saw it's not sincere. He was lying the entire time and using starvation rhetoric as a manipulation tactic to get control over his victims.

And that's it.

That's the consequence. Storm's a little mad at him until he says "Buttering Flird" and she swoons.

He doesn't have to be ""afraid"" anymore because the cats just invented an afterlife to believe in. He keeps all of his power and influence and gets off scot-free, because "guilt" (which we SAW him repressing anyway) is supposed to be the best consequence for murder, abuse, and tyranny.

The husk of Storm even materializes again at the end of book 5 to say it outright; he "never drove anyone away." Not even after Book 4 where it's also his fault One Eye took over his Clan for 5 minutes. It was just destiny.

His "redemption arc" is just an exoneration arc. The narrative doesn't think he really did anything wrong.

EVERYTHING about Clear Sky has ALWAYS been about making grabs at power, but since the narrative didn't see a problem with him extorting his personal tragedy and the death of a child, his own sister, he continues doing it. As if these behaviors are normal personality 'traits'.

Even when that sister COMES OUT OF HEAVEN TO YELL AT HIM DIRECTLY,

He finds a way to COMPLETELY miss the point, so he can interpret her words in a bizarrely specific way that will conveniently end with him being the supreme dictator of the entire forest. Just like he ALWAYS does.

It's the entire 5th book. Clear Sky trying to convince everyone, including himself, that it's Fluttering Bird who wants him to grab at power, NOT himself and his own ambition, that THIS time, he promises, for realsies, it's actually about keeping everyone safe.

But just like ALWAYS, because he does not change, when this tried and true tactic manages to work on Thunder, during ANOTHER exchange where he's dramatically pausing and using the cold shoulder to make his pitiable act land harder,

He lapses right back into bullying his child, creating situations where Thunder will have difficulty or be put in pain, so that he can have an excuse to mock and belittle him.

And this all comes to a head when Clear Sky takes romantic interest in Star Flower, his abused son's previous romantic interest.

Predation: Star Flower is a replacement for his son.

Direct parallels are drawn between Thunder and Star Flower. Star Flower contrasts her loyalty to her father to Thunder's "disloyalty" to his own, in an appeal to Clear Sky.

Clear Sky brushes it off for now, citing that he cannot accept her because of who her father was.

But then, Thunder makes the connection between himself and her, because he knows what it is like to be a victim of parental abuse and correctly clocks that they have this in common,

On his vouch, Clear Sky accepts her into the group. She starts trying to offer himself to him; hunting twice as hard as the others, self-imposing harsh conditions like taking a wet sleeping spot. In their second interaction, Clear Sky begins to take interest in her.

Thunder himself points out that Star Flower is seeking an abusive tyrant to replace her own father, which reads like he's deflecting the stress of how his father is abusing him to deny a connection he already made. As if Thunder sees so much of himself in Star Flower that it makes him (rightly) feel sick that his father is romantically invested in her;

Thunder then goes on to follow his own advice and form his own Clan, because Clear Sky IS like One Eye... while Star Flower remains here. At Clear Sky's side. Because she feels like this is what she "deserves," that she "understands" him, truly believing that her crime (warning her father that Clear Sky brought an ambush in case he lost the 1 on 1 death match he requested, which he did) are on the same level as his abuse and murders.

Clear Sky is attracted to Star Flower because, in his own words;

She is young.

She will not betray him.

She won't question him,

and she obeys him.

We've seen what "betrayal" is to Clear Sky-- not taking his excuses or his beatings. To "disobey" is betrayal. To "question" is disobedience.

These are ALL things he's tried to drill into Thunder. We saw him happily exploit their difference in age to tell him he can't have an opinion. He constructed humiliating games in retaliation for ever being questioned. He tried to murder Thunder and his friends for their "betrayal." Even now, being disobeyed causes explosive reactions.

He was previously grooming the things he now identifies as attractive in a young woman into his child.

If your body becomes too useless to serve him, like Frost and Jagged Peak, you're thrown out. If you don't unquestioningly follow his bloody commands, like Falling Feather or Thunder, you're subjected to abuse and public humiliation. If you're in his way, like Misty or Rainswept Flower were, you die.

If you meet all of his expectations...

You will be in a horrific position where you will never have agency over your own life ever again. Every move, every word, will have to be carefully crafted so that he feels like you're "loyal" to him by the arbitrary standard he feels that day. Never step out of line, never doubt his decisions, never live for anyone except him and the children you will give him, not even for a moment, because then you will not be "worthy" of his grace.

Star Flower would be in serious danger if this series wasn't written by abuse apologists. They accidentally wrote a perfect reflection of how child abuse victims often find themselves in unsafe and toxic romantic relationships with large age gaps which mirror what they went through as kids; but this team doesn't clock it, playing this relationship as wholesome and genuine.

He finally has someone who ""understands"" him. Because they think the character they wrote is misunderstood.

but reality is plain to see.

Clear Sky is a monster. The most realistic monster in all of WC-- far, far closer to real life predators and domestic abusers than the "born evil" rogues like Slash and One Eye. The Erins seem to believe that what separates Clear Sky from One Eye is "fundamental" good and "fundamental" evil, when the truth is that they'd be separated by very, very little.

If they had realistic motivations, they would be exactly like the character their existence is meant to excuse.

Slash and One Eye HAD to be kept flat and one-dimensional. If the book was more earnest, the only difference between Clear Sky and One Eye would have been that One Eye is stronger. So strong that Clear Sky needed to manipulate the other groups into helping him.

While anyone can change, not everyone will, and Clear Sky has no reason to. He sees no consequences. He has everything he wants; power, a pretty and obedient young mate, and unchecked authority over a brainwashed forest cult. There is always a victim on a leash, a naive enabler, or a bunch of desperate and gullible marks somewhere in his proximity to bully into doing his dirtywork

Whether his "intentions" were sincere or not (evidence points towards not) at its root it was always about control. Power is something he perpetually keeps, and continues to violently use.

459 notes · View notes

evagreen-stories · 4 months ago

Text

Mother of the Realm | (Daemon x f!noble!reader) (part 1/?)

Summary: Left behind after the blacks take King's Landing, Aemond’s Lady-Wife finds herself striking a certain arrangement with the rogue prince to guarantee her and her children's safety, though strange occurrences should change the conditions of this arrangement drastically.

Warnings: dark!themes, dubcon/coercion, warcrimes, dark!daemon, age gap, time typical gender roles, lactation kink, breeding kink, p in v, throat fuck, canon typical behaviour, slight degradation, mentions of noncon/forced pr0stitution, mentions of violence, mention of arranged marriage

Non-Canon Storyline: : two years into the civil war, reader (young Lady of house Celtigar) married to Aemond, the war drags on for longer than in canon

Disclaimer: This Fic is written on the basis that most of what mushroom says is true! The story came to me in a fever dream and I felt like typing it out lol. This storyline is mixed of book / hearsay / imagination; I tried to write it all out in a way that makes sense and is easy to follow.

Divider @targaryen-dynasty

my masterlist series moodboard series masterlist

It's the dance of the dragons, the war has been going on for two years and has escalated to new dimensions of destruction and violence, with the blacks now having invaded and taken over Kings Landing and the Red Keep where you, the lady wife of Aemond Targaryen, live as well.

Married a year before the dance of dragons began, you have given him two sons already; a young boy of 26 months old, Rhaegar, and a babe of 11 months, Baelor, and are with your third; four months along, the maester’s presume.

Most green supporters were now locked in cells while you and your children were imprisoned in your chambers; a privilege you received as you are the only daughter of Lord Bartimos Celtigar, a loyal supporter of the blacks.

Who knows, had your father not been swayed by the sweet words and reassurances of queen Alicent, hadn’t fallen trap into accepting the marriage proposal to Aemond in an effort of hers to sway your house’s loyalty in favour of her side, perhaps then you would now be standing on the other side of this door as a free woman.

Instead, your own husband had kept you surveilled at all times ever since the war began, in fear you would run away and join the blacks, and had forbidden you from leaving the Red Keep ever since his return from Storm’s End where he had gone to secure a betrothal for his younger brother Daeron to one of the Baratheon girls; an endavour that would end with the death of Lucerys Velaryon and jump-start the most brutal civil war seen to date.

Followed by at least one kings guard as soon as you stepped out of your chambers, the presence of your husband and the freedom to roam the gardens and halls had made it easy to forget your new house rules on most days.

With the confinement you had found yourself in ever since the war began you had turned all your attention and efforts into becoming the best and most loving mother you could be. A desire perhaps fueled by the clear preference of your own mother towards your brothers.

You wanted to be better than that. You studied books and listened to old wives' tales ever since you had flowered, knowing it wouldn’t be long until you would be wed off to fulfil your duty as a proper lady-wife.

And fulfil your duty you would. Unlike most other nobles you had taken to not employing a wet nurse or nursemaids at all.

Being made prisoner in your own home freed up all your time to be able to do so. Your sons would sleep in your chambers and be on your lap all day long. Both had only ever drank your milk, knowing no other chest but their mother’s.

And yet, what had once been a cage with thin, golden bars and a nice view, had now turned into one of thick stone walls, the confinement of your chambers only being eased by the presence of your two young children.

The days were long alone, yet more peaceful for you than you had expected them to be. Even if your father had not come to see you once, you did speak to your trusted servants, listening to the tales they would tell you about just what was going on outside the very wooden door you would stare at daily.

And by the sevens, was it horrifying.

Rhaenyra, now dubbed ‘the cruel’ and ‘Maegor with teats’, had ordered the forceful taking of the two queen's Alicent and Helaena to a pleasure house, their services to be sold to whoever could afford it; at least those are the rumours that have been spread around the castle grounds.

Any woman would think this fate horrifying but even more so you: as wife of the prince regent at the court of the usurper you certainly were an easy target for the mad queen’s wrath. Worry of being made to share the same fate consumed you more with each day; a fear that would eventually make you request an audience with Rhaenyra.

Instead of her, you now find yourself with her husband the rogue prince – or now, the king consort – Daemon standing in front of you.

“I requested to speak to Rhaenyra.”

“Yes. And now you’ve got me. Speak before I change my mind.”

You stay silent for a few moments, pondering how to ask the question. "Is it true what they claim? About Alicent and Helaena, the pleasure house?"

"Oh it is true," Daemon said, walking slowly towards you as he spoke, his eyes roaming you from your head to your feet. He stopped a few feet before you and looked into your eyes, the smell of sweat and ash surrounding the dragon rider.

"Alicent is not a hostage nor a political ploy - she is a traitor, guilty of high treason, and will be treated as such. The usurper queen may say otherwise but we all know the truth."

“What about Helaena?” You say, almost pleading, Alicent and you had clashed often over the past two years, your differences in mothering and you not being devout to the faith being a frequent cause of argument; but Helaena – oh, sweet Helaena – is a different story.

Another victim of powerful scheming. You had to watch her suffer tremendously from the effects of blood & cheese, something that too shook you to the core. The son of your dear friend, slain so horrendously right in front of his mother and siblings.

"She had no choice in any of it, she is innocent."

"Helaena," Daemon said, scoffing at the mention of her name. Of all the greens, Helaena was the only one that he didn't really hate. "She may be innocent, but she knows what kind of people her mother and brother are and she remains loyal to them. What does that say of her?"

"Helaena never had a choice, neither did I. We are not like your wife Daemon; we did not have the blessing of having a king as our father that would let us do however we pleased. We were all forced into this." You protest, frustration now evident in your voice. "You have already killed her son. Beheaded him infront of her own eyes. Is that not enough?"

“We did not kill him; we simply avenged our own.” Daemon's scowl deepened as you spoke, though he had to admit you were right, at least somewhat. "Fine. It seems you are the only one who wants to plead for her safety. I will speak to the rightful queen, perhaps she won't be entirely opposed to your request of freeing Helaena.."

Daemon paused for a moment, gaze lowering to your bump, before speaking again. "Tell me. Who is the father of the child you are carrying?"

You look down your small bump at his words, laying a hand on it reflexively. "My husband, Aemond, of course. Why?"

Daemon took note of your movements as your hand went to your belly, a flicker of hatred in his eyes when you said Aemond's name. "Just making an observation. How old are you now? 20? And already three kids at your heels…”

"I will turn 19 soon. Yes, I’m carrying my third child. What of it?" you tilt your head slightly, taken aback by his change of topic and his increasingly intrusive questions.

"Three children, at nineteen." Daemon seemed almost impressed. He looked at your belly again.

"I don't know of what concern my husband and I's private matters are." Your voice betrays you, sounding way more hostile as you intended it to.

Daemon looked at you in a way that made you uncomfortable. He was eyeing your body up and down, and his silence made you feel his gaze prickling your skin. "Does your husband like seeing you pregnant?"

You stare at him silently, mouth agape at the shock of such an intimate question. "Yes..." You admit reluctantly.

A smirk broke through Daemon's frown, as a low chuckle came from his lips, eyes still lingering on your stomach. "He keeps you as his broodmare. You're clearly a fine one as well; babes not even out of the cradle before you’re with child again. I don't blame him."

"He is my husband. It's his right to have children with his wife." You say defensively; repeating the words you have been taught all your life.

"It is indeed." Daemon said, taking a step closer to you, invading your personal space. He took a deep breath through his nose, taking in your scent. This close, he could see his own reflection in your eyes. "His right, and your duty. You must be a good wife to please him so thoroughly."

You stare at him silently again, before shrugging timidly. "He doesn't complain." You don't want to risk saying too much, so you continue with the question you had been planning to ask all this while.

"Rhaenyra... What is she planning to do with me? With my children? I heard she has rewards out for Maelor…"

"She has no intention of killing you or your children. Though you may still be stripped of your title as princess." Daemon paused a moment before continuing. "As for Maelor... There is a bounty on his head, yes. He is the only remaining son of the usurper. Since he is so young she will let him live; but only under her influence."

He raises his hand to tug a strand of hair behind your ear. "She contemplated selling you to the pleasure house as well, you know? But since you're gravid and played no instrumental part in their schemes, I could persuade her not to do so."

You look at him wide-eyed, feeling a pit form in your stomach, as if your worst fears had been confirmed. "What- a-are you jesting?"

Daemon took note of your reaction. He was still close, he could see the outline of a dimple in your cheek and smell the sweet scent of your milk surrounding you; a smell still clinging to your body as you had just finished feeding your youngest before he entered the room.

"Indeed. Rhaenyra is not like other women. Much less merciful and the men that surround her even less so." He said, still smirking. His hand had found its way to your waist now, his fingers running along your side. "But a good word from me and I could persuade her not to do so. You should thank me."

You stare at him, your hand moving to hold onto his arm, ready to push him away. You study his face, recognising an unsettling darkness in them. "You wouldn’t do this just because. What is it you want from me?"

"Hmm..." Daemon took another deep breath, your scent was really strong with this one. Different notes were in your scent as well. He wondered if those were remnant of your perfume you had applied in the morning or perhaps an oil youve applied to your hair.

He let out a sigh as he tried to keep it from affecting him. He lowered his head towards yours and spoke slowly, every word a whisper. "No, you're right. I wouldn't do it just because. But for you, I could make some exceptions. You've always had my attention, you know that? The pretty little thing that you are, wed to my maimed nephew."

"What are you saying?" You try to sound brave but the quiver in your voice betrays you.

Daemon chuckled as he noticed your nervousness. He could tell from your shaking body that you were afraid. He put a hand under your chin, moving your head to look into his eyes. He spoke slowly and quietly.

"Let me have you and I shall guarantee your and your children's safety."

You stare at him bewildered, stunned silent for several long moments. "Are you mad? I will not betray my husband!"

Daemon chuckled, amused by your naivety and innocence. "Oh my sweet lady... Do you have any idea what you're in now? You're in war, taken hostage by your enemy. Your husband will be happy so long you don't die. I cannot sire a babe on you anyway, so there is nothing to worry about." Daemon smirked, looking at your stomach, and your body, that sweet aroma that surrounded you, drawing him closer and closer.

"Give yourself to me and I shall guarantee yours and your children’s wellbeing.” He doubles down.

You stare at him, trembling slightly in fear and anger, your voice growing quieter the more you struggle to contain your emotions. "You can't be serious. If... If my husband won't have my head for this, then your wife will."

He raised an eyebrow as you spoke, a smirk gracing his face. He was still holding onto you, close enough to kiss you if he wanted to. His gaze was fixed on your lips as well, and your scent was just so... Irresistible to him.

"Rhaenyra won't care. In our marriage we are free to seek pleasure wherever we like as long as our loyalties don’t falter. The things I can do to you, you will enjoy them alright..." His voice became low and quiet again as he spoke the last words, the hand that previously rested on your waist now slithering around your back and ascending lower and lower with each passing moment.

You stare at him in disbelief, fear and anger boiling inside you. Just when you want to protest yet again, the loud sounds of something collapsing startle you, your head snapping to look around Daemon's wide frame with urgency.

Your eyes settle onto Rhaegar. The wooden tower he was building had collapsed, an inconvenience the toddler quickly moves on from by starting to build it anew. Baelor sits not far from him, abandoning his own toy to crawl over and investigate his brothers doings.

The anger you had been feeling subsides immediately, replaced by worry and an urge to cry as you worry for whatever their fate will be as this war continues.

You don't want this.

You do not want to let him touch you, but it might be the only way to protect your children from harm, especially considering how cruel rhaenyra has proven herself to be. Your stare is focused on your oldest still, watching as his tiny hands wrap around each block and meticulously place one onto the other.

So innocent, so fragile.

"What about them?" Your voice as soft as a whisper.

Daemon didn't take his eyes away from yours. His gaze burning into you as he studies every expression you make. Your scent, your warmth, almost driving him crazy. "They will be taken care of. I told you I wouldn't let them come to harm." He said as he ran a hand through your hair, the curls of your hair wrapping around his fingers. "Don't worry, sweet girl, all will be well. If you agree to my terms, that is."

He can watch your jaw clenching and eyes gloss over before hearing the ever so soft word he has been waiting for leaving your lips. "Fine."

Servants had been sent by Daemon to take your children to bathe them and play with them. You did not miss the sympathetic look they gave you. Perhaps being able to tell what will happen to you purely based on his instructions to not return until he tells them to.

You’re standing at a window looking out at the city taking note of the sun lowering on the horizon, dressed in nothing but a simple silk robe, when the door opens and Daemon walks in without knocking.

He steps inside, wearing the same clothes from before; sword and dagger still at his side. He comes closer and takes in your appearance, pleased at the sight. He approaches you with a calm step until your bodies are mere inches apart, bringing his hand up to caress your arm.

"You’re trembling," Daemon spoke, his voice smooth and dark. His eyes were examining you again, taking in your appearance. You had changed from the last time he saw you, you looked more womanly now.

A mother to two already, with a third growing inside, the outline of your small bump visible through the loose fabric. His movements were precise and confident. You could tell he was trying hard to contain himself.

For now.

Your gaze follows the movements of his hand as it runs up and down your arm. You can feel his large calloused hand and cold skin through the thin fabric of your robe. It’s a stark contrast to your soft and warm skin, unmarked and unblemished from living sheltered all your life.

In a small voice, barely more than a whisper, you ask, “Can we just get this over with?”

Daemon nods, taking note of your trembling once more before he turns and walks over to a nearby table, taking off his sword and dagger and placing them onto it. His head tilted as he looked at you from where he is standing.

"You were quick to give into me so easily. Were you that desperate? Does your husband not satisfy you?" He said with a smirk, beginning to undo his tunic.

You tighten your jaw, upset at his words that, to you, sound accusatory of promiscuity - a sin for a highborn lady. A married one especially.

“Desperate to keep my children safe, yes. My husband always kept me well satisfied.”

"Hmm..." Daemon huffed. His body language shifted a little. He seemed more agitated and tense, not liking that you brought up Aemond's name, much less so that you praised him. He walked back towards you now, closing the distance slowly and taking a good look at you.

His eyes kept darting to your stomach as you spoke of your husband. With every movement you make you entice him even more. “I don't know what he does to you to satisfy you, but I assure you I can do it better."

You roll your eyes at his words; he had always been cocky.

"He and I are very compatible in that regard. Now, can you just do what you need to do? I'd prefer to get this over with soon." It was the truth. Aemond’s and your intimate life was very well. Three children in three years of marriage served as proof of that.

Daemon's blood was running hot at this point.

"Compatibilities. I see..." Daemon said, his words filled with mockery. "Well, there's nothing I'd prefer more right now than to be inside of you, so I guess we're compatible as well." He approaches you quickly, now dressed in nothing but his breeches, eagerly tugging at the belt holding your robe closed, watching as it falls open and reveals your bare body underneath.

He took a sharp breath as he took in your figure, almost letting out a moan of desire at the sight of your body, his gaze roaming your body eagerly.

“Gods, you’re stunning.” His gaze settles on your breasts, swollen from all the milk inside them. “I heard you don’t employ a wet nurse. Why is that?”

You stare ahead blankly, trying not to make any sound or expression when you can feel his hand rest on the curve of your waist. “I don’t believe its good for the mother-child bond. That mothers should nurse their own children, or they will bond with the wet nurse instead.”

Daemon smirks at your response, thumb caressing over your delicate skin as he now looks at your face. “Is that so? Does your husband enjoy watching you breastfeed?” He asks with a low chuckle before pulling you in, his hardened length in his pants now pressing against your belly as He holds you close with both arms wrapped around your waist. “Or does he enjoy tasting your milk himself? Do not lie to me, woman. You won’t like the consequences if you do.”

Your hands rest on his chest, you’re fighting the urge to push him away with every fiber of your being, your head hanging low as you do not dare to look at him directly. You take note of his skin; scars and healed burns covering his muscular form. The body of a battle-hardened warrior.

Reluctantly you admit, “Both…”.

“Oh… you’re even more of a little whore than I thought, aren’t you?” he whispers into your ear. “What an eager to serve little thing you are. You’ll make a good little toy for me after all.” One arm wrapped still around your waist the other moves to your front, his large hand stroking over that small bump of yours.

“Almost makes me sad you’re with child already. I’d have loved to pound my own into you.”

Your head snaps up at him now, huffing in offense you exclaim, “Daemon!”

He simply smirks, amused by your objection. Leaning in close he whispers into your ear, his hot breath burning on your skin. “You may be carrying my nephew’s child now but there is always a next time. A few more months and I could still make you mine.”

He turns around with you in his arms, leading you backwards towards the bed until you feel the mattress on the back of your legs. A small push of his makes you sit down on it. Knowing your duty, you take it upon yourself to scoot fully onto the mattress.

He watches with a smile on his lips as you do so, happy with your compliance before reaching down and spreading your legs open for him to look after he noticed you keeping them shut.

He takes a good look at the treasure between them, groaning out when his manhood twitches at the sight of it. He stands up straight again, taking off the breeches that held him contained until now as his intense stare moves up your body once more.

You feel so vulnerable and exposed for him, completely bare and spread wide open for him to examine as the intensity of his gaze only intensifies. He does not look like a man now. With his pupils blown wide he resembles more a predator ready to pounce its prey than anything else.

His gaze fixed on your cunt, as if in a daze, he reaches out tentatively, his rough fingertips grazing along the sensitive flesh for painfully long moments.

Tracing along the form of your fleshy lips again and again, your breathing is but nervous gasping as one shiver after the other runs over your skin.

Suddenly the sensation fades as he climbs between your legs, one hand on your thigh to keep you spread open for him as he starts pushing himself into you without any more preparation, blissfully surprised to find your cunt wet and welcoming for him.

He can’t hold back a low groan as he pushes himself all the way into you, leaning forward and lying fully on top of you. His face is mere inches from yours as he slowly starts to move his hips, deeply penetrating you at a slow pace while he studies your every expression.

Grunting, your hands move to hold onto his sides as his knees dip into the mattress on either side of you. You clench your jaw tightly, trying to stop any sounds from escaping your lips while you struggle to accommodate him.

Aemond was more than enough to satisfy you, but Daemon was a whole lot more man than him – in all regards.

He knows this, too. Its easy for him to tell by the way your nails dig into his skin as you struggle to get used to him.

“How come you’re so eager, sweet thing? Do you enjoy a man taking charge of you?” A wicked grin on his face his movements become more powerful, your body rocking back and forth with the force of it.

You want to say no, to deny every second of it and not give him the satisfaction of watching you enjoy his touch, but when he starts to hit an all too familiar spot inside of you, you crumble immediately. Not being able to hold back your moans anymore you can barely manage to answer him with a weak “…yes”.

“No wonder my nephew wouldn’t stop breeding you. You’re the perfect little plaything.” He pushes his body into yours, pushing you into the mattress while he whispers into your ear. “Don’t worry, sweet girl. I will violate you properly and make sure you enjoy every second of it.”

With that, his thrusts quickly grow rougher, starting to pound you with such force the entire bed rocks with it, all while watching every expression on your face.

His breathing heavy and rasp he soon shifts his attention down to your breasts, that are bobbing up and down with each forceful clashing of his hips into your. He tried to control himself, he really did, but he just cant anymore.

A hand cupping your breast he leans in, taking the sensitive nub on it between his lips. Just a few soft movements of his tongue over it and he can already taste it. Feeling the warm and sweet liquid dripple onto his tongue makes him humm contently as he starts indulging himself in the sweetness of you. His hips grind into you deeply but at much more humane pace than before.

Your eyes shut in pleasure, your own hands moving by themselves as they embrace him, moving into his hair and caressing his back. This is what Aemond liked, your dear husband.

Oh, if you would ever see him again…

Daemon is surprised, you embracing him was the last thing he expected, even less so you pulling him in more, but he loved every second of it.

He would swear he is in heaven. The warm embrace of his cock while the sweetness of your milk covers his tongue driving him crazy. It could have been hours of him doing this or mere seconds, all he knows is he finds himself spilling his seed into you way sooner than he wanted to, his relentless thrusting an expression of his frustration as his loud moans fill the room, shameless and utterly unafraid of how much the guards outside your door will hear of this.

His slow and deep grinding into your cunt continues as he stays suckling on your breasts, his spend soon clinging to both of your hips and pulling long white strings whenever he pulls away only to push back in with even more force. His antics only cease when he is sure he has drank all of what you can give, both your breasts feeling comfortably light while a throbbing sensation in your cunt would stay with you until the next day, you're sure.

He collapses onto you, still deeply buried inside, squishing your breasts under his weight while his heavy breaths right in your ear send shivers down your spine. Your arms travel by themselves again, wrapping around him and holding him close. Just how Aemond has always demanded you hold him.

“You’re a very good fuck… really good.” Daemon growls right into your ear.

A few moments later, he rolls off of you onto his back, laying next to you and catching his breath while studying your side profile.

This quiet moment gives you the first chance to gain back your senses, a wave of guilt washing over you as the sensation of another mans spend spilling out of you and running down your skin onto the mattress makes you realise the severity of what had just happened. Eyes fluttering, trying to ignore the burning sensation in them, you say, “I think… I think you should leave now.”

Had you have looked at him, you would have noticed his smiling face turn to stone in an instant.

This was the worst thing you could have said.

To command the dragon to leave your bed. He could not leave that be.

“Stay quiet. You have no say in this.” His voice is stern now and he rolls onto his side, leaning over your body and staring daggers into your skull, his hand grabbing your chin harshly and making you look at him. “If I want to abuse your pretty little cunt all night I will do so. And you will take it.”

“Don’t... don’t you have somewhere to be?” Your voice is shaky, your fear heightened by the anger you can see burn in his eyes. A desperate attempt of yours to sound considerate for his valuable time is only pouring more oil into the fire.

“Don’t try to tell me what to do. I have all the time in the world to play with you.” His fingers twitch slightly, as if holding back the urge to choke you. “Stop acting like a baby. You know the way of our world. You know when a woman is better off just taking a cock and shutting up.”

“Damn it, I need a break.” He sighs, it sounds almost like a growl as he tries to control his anger. He lets go of you, shoving you away slightly, as he gets up of the bed and takes a few deep breaths. “You got me all riled up, whore.”

You sit up in the bed, hugging your legs as you look at him. His large frame, the burn scars all over his back, his temper flaring and the sheer power he holds over your fate make you fear for the consequences.

You didn’t mean to upset his highness.

“Don’t call me a whore…” It slips out quietly under your breath, yet he hears it anyway. You weren’t used to such language. Despite his acts, Aemond would never say a foul word to you.

Oh, Aemond…

“Shut up, whore!” Daemons raised voice take you out of your thoughts. He barks, closing in on you rapidly and pulling your head back with a tight grip on your hair. “Would I send you to the pleasure house being called a whore would be the least of your problems! Show me some gratitude!”

Daemon‘s anger takes over, mixed with his still pressing need in his cock, he drags you off the bed and pushes you to your knees in front of it, the bedframe pressing into your back uncomfortably.

“Perhaps I was too nice to you.” He growls, hand still in your hair as he makes you look up at him, ignoring all your pleas and apologies.

“Let me show you your new place in life. Open wide.” He commands, his other hand having a firm grasp on his cock as he traces the form of your lips with it.

For the first time ever since his first visiy earlier today, genuine fear overcomes you. Not daring to oppose him, you open your mouth as commanded, gagging immediately as he shoves himself into your mouth.

Aemond enjoyed the mouth pleasures as well yet had been far gentler than he was. Your hands move to Daemons thighs on their own, trying to push him back just a little, but when his second hand too moves to your head and holds it in place, all hope for ease is lost.

Tears start burning in your eyes in an instant once the thick head of his cock hits the back of your mouth, even more so when you can feel it push in deeper, forcefully flattening your tongue underneath as he made his way into your throat.

The room fills with his sounds of pleasure, guttural moans and growls, your desperate gagging and struggle drowned out by the volume of his.

The bed behind you and his hands in your hair make any escape impossible and you thank the gods when after what feels like an eternity he finally pulls out of your throat, a string of saliva connecting him to you as you gasp desperately for air.

“Fuck, that’s it,” his voice is deep and raw with lust, “That’s a good girl, finally.”

The praise does little to make any of it easier as he thrust himself back into your mouth and down your throat before you even had a chance to wipe your now freely flowing tears.

Daemon soon loses himself in his depravities, the fleshy pouch on his stones slapping harshly against your chin with each thrust. Your face a mess of tears and spit you’re unable to do much more than dig your nails into his thighs and take all he wants to give.

By the time he shoves himself all the way down your throat, his hips flush with your face as he tightly holds your head in place and spills what else he had left in him into you, you’ve near lost all grasp on reality.

Your back and knees aching near as much as your jaw, you can finally breathe in relief once he separates himself from you once and for all, leaving you collapsing forward with heavy breaths as he stumbles backwards a few steps, groaning in satisfaction as he studies your pitiful state.

“This is where you belong from now on,” he says after a while, “On your knees for me, whenever I want. Do you understand this now, whore?”

On your hands and knees, still breathing heavily and coughing occasionally, you take a few moments to find your voice again. Avoiding his gaze, you mumble, “…yes.”

“That is no way to talk to your king,” he objects, “Speak properly, whore. You’re a princess, you know how to.”

Defeated, you make no more attempts to be willful. Looking up at him, you answer, “I understand now, my king.”

A wicked smile on his face he approaches you, petting your head a few times. “That’s a good princess. Now clean yourself up. You would not want your spawn to see you like this.”

Leisurely walking back to where his clothes lay discarded, he starts dressing himself as if this all had been nothing out of the ordinary.

Adding “I will be back for more once I feel like it.”, he grabs his swords and disappears out of the door just as swiftly as when he had arrived, shutting it with a loud thud.

You were still on the floor, your back now resting against the bed as you spread out your aching legs in front of you, hoping for relief in this much more comfortable position.

A thousand thoughts run through your head yet not a single one stays long enough to grasp.

With no idea just how much time has passed it is the sound of commotion in the halls outside tour door that draws you out of your blank stare. It was late in the day now and the sky barely lit. It was suppertime for most, and undoubtedly, the maids would soon return with your sons and serve your own meals.

You had hardly managed to throw your nightrobe back on, wipe away the remnants of him with the nearest piece of cloth and open the windows, hoping to ease the smell of sex in the air, before the knocks echo through the room.

Just as predicted, here were your sons, in the same carefree mood they always were. Happy to see their mother and now ready for a meal. Supper was served not long after.

While you had received only stew and bread before, the table was now set with the first mouth-watering meal ever since you’ve been made prisoner. While you sit there, little Baelor on your lap and Rhaegar on a high chair next to you, you watch them intently.

The way each of them indulges in their meals, digging into the food with their bare hands and making a mess that no doubt would require a second bath before bed, your heart aches and you struggle to hold back the tears.

They are so innocent, completely oblivious to the death and suffering surrounding them. Their helplessness stands out to you. Unable to even feed themselves without help, they very much depend on you.

As you go on about the evening, taking the time and enjoying the presence of your two loved ones, by the time you lull the little ones to sleep, you’ve made your decision.

You will do all it takes to keep them safe. All it takes to keep them from harm.

And if that means submitting to Daemon’s every vice without complaint, then so be it.

Authors note: This story is currently halted as I focus on my Aemond and OC works for a while but will eventually continue. Follow me for updates or comment to be put on the taglist for this fic in the future!

View this series masterlist and moodboard for extra content.

246 notes · View notes

matan4il · 1 year ago

Text

My grandparents were all Holocaust survivors. A large part of my family was murdered in that genocide. I chose to deal with the family trauma by becoming an educator on this subject. I give tours, lectures and workshops on the Holocaust, on antisemitism and on Jewish history.

Intellectually, I'm perfectly aware of how the massacre that Hamas perpetrated is NOT like what the Nazis did. More Jews were murdered over the course of just two days in Babi Yar (33,771 men, women and children), which is just one Nazi shooting pit out of almost two thousand, than during the entire Israeli-Arab conflict. Even after the carnage brought on by Hamas, this is still true. The Nazis were far more systematic (which eventually made them turn industrial) in carrying out the genocide of the Jews than Hamas has been. There's no comparison in terms of scale and industrialization.

And yet emotionally, I can't help but be hit by the similarities in terms of the immediate brutality of the murderers and the experiences of the Jewish victims. Because I am listening to the testimonies and some are so eerily similar to my research, I simply can't process how these are from recent days, not 80 years ago.

Jewish kids hiding from their would be murderers, scared to make a sound for fear of being discovered and killed.

Jewish families completely wiped out.

Jews asking themselves how did they survive and the person next to them did not.

Jewish people executed in droves, their bodies piled up.

Jews begging to be spared, to no avail.

Jewish women raped, most of them then killed.

Jewish babies executed in barbaric ways.

Jews being burned, some after being murdered, some while alive.

Jewish communities devastated. Take kibbutz Be'eri for example. It was founded before the State of Israel. Despite many terrorist attacks, it has continued to thrive in Israel's south. A small, close knit agricultural community. Over 100 people (at least) have been slaughtered there. Homes were destroyed. Everything the kibbutz's economy was based on was laid to waste, too. Be'eri has become synonymous with the worst of the carnage. IDK how they'll build their lives again after the war is over. IDK if they can. A community of almost 80 years, quite likely gone.

Foreign reporters who had been to kibbutz Kfar Azza all talked about the eerie silence and the stench of death rising from the bodies. Eerie silence is exactly how visitors to the sites of the shooting pits describe those places, while the allied soldiers who liberated the Nazi camps talked about the stench of death there.

Some of the reactions to this massacre also remind me of the Holocaust. Even though the Nazis, the murderers themselves, documented their extermination of Jews, there are those who deny the Holocaust happened, painting the Jews as liars. Similarly, even though Hamas documented themselves, and released the footage themselves, there are people going around denying the atrocities, painting the Jews as liars.

Then there's the justification of the mass murder of Jews by insinuating they brought it on themselves... Back in 1943, Franklin Delano Roosevelt, aware of the plight of Jews under the Nazis, told government officials in Allied-liberated North Africa that the number of local Jews in various professions “should be definitely limited” so as to “eliminate the specific and understandable complaints which the Germans bore towards the Jews in Germany.” Understandable complaints. Understandable complaints of Germans against Jews. Roosevelt, the liberal president, said that while Jews were being exterminated by the Germans. In the same manner, we're seeing people justifying the murder of Jews at the hands of Hamas, even though it's a known antisemitic terrorist organization which has repeatedly called for the murder of all Jews in the world. According to the Simon Wiesenthal Center, a reportedly Hamas affiliated Imam declared, "If the Zionist state were to move to the other end of the Mediterranean, our war would not be over, for the enemy is the Jew.

And while I stand by my statement that the scale is nothing alike, the carnage that took place in Israel IS the biggest massacre of Jews since the end of the Holocaust. Not even during Israel's Independence War and some of the massacres of Jews that happened during it (like the Kfar Etzion massacre) were this many Jews murdered during a single day.

Just like so many were silent back then as Jews were being both killed for being Jewish AND blamed for their own murder, many are silent now as well. Don't get me wrong, there are A LOT of amazing people who reached out to their Jewish friends, who showed they care, who took to the streets, who held vigils for the massacre's victims! Many heads of state also condemned this vicious attack. But I'm looking at Tumblr specifically, and it is FULL of posts justifying Hamas' slaughter of Jews. They're being reblogged everywhere, spread in every fandom. People who claim to stand for social justice feel absolutely no shame sharing such de-humanizing posts on their blogs. And what do we do? Are we calling them out? Do we make it clear that it is morally unacceptable to blame Jews for their own murder? Do we unfollow these bloggers, so that at least the dropping numbers send out the message that it is unacceptable to justify the massacre of innocent people?

TLDR:

This massacre is not like the Holocaust, but the cruel antisemitism that motivated it is the same. Let's not let antisemitism thrive here. Please do what you can (whatever that is) to stand for what's right.

(for all of my updates and ask replies regarding Israel, click here)

769 notes · View notes

i-am-traveling-the-multifandom · 6 months ago

Text

Blood and Cheese

Warnings: S2 E1 spoilers, mentions of SA, mentions of gore and blood

So, you are telling me that HBO made b&c an accident. It was supposed to be Aemond. And they made Heleana run while Jaehaerys was being killed and her daughter safe and sound. And Alicent and Maelor wasn't even there. What the hell??!!

They turned one of the best, in fact the only well written part of the book and turned it into this piece of crap

Aemond was never involved. Daemon wanted to kill a child when Luke died because he didn't have the guts to fight Aemond. Aemond might have been the reason the dance of the dragons began but he was never the cause of b&c.

Heleana begged blood and cheese to take her life instead of her children and in the show, she offers her necklace. The entire point of blood and cheese is to show a distraught mother trying to protect her children and being forced to choose which one of her children die. And they made her simply point at her son. Book!Heleana would never. Book!Heleana had to hold the lifeless body of her eldest child that didn't even have his head. She couldn't see his last expressions, was there fear on his young face or was it pain? She would never know until these ruthless killers were found. She would rather lose her life and her sanity than her own children. And in the end, she lost them all. And that is the tragedy of Heleana the Dreamer. That is the tragedy of a mother and a queen.

Jaehaera is sleeping soundly and isn't even harmed while in the books she was a traumatized kid. She was threatened with rape by a man when she was 6 years old. She watched her twin get killed in a helpless position and could do nothing to protect him. That possibly was a driving reason of her suicide.

Maelor was present there at the time of b&c and he wasn't even born in the show. He was two years old; he was a child who saw such a brutal murder. Heleana in her mind made the right decision by offering Maelor instead of the heir to the throne but imagine how much that would have mentally and emotionally scarred him, if it wasn't for his untimely death. He was a victim of 'the greater good'. But it was never him and if he had grown up enough to even form words they would have been of pain and sorrow.

Alicent was in her room having sex with Criston Cole while in the book she had to wait knowing that her daughter and grandchildren would enter any minute and be harmed. She was helpless in those moments, and God knows what went through the mind of this woman who loved her children so much. Her trauma is undermined. She saw her bed maiden killed knowing this might be the fate of her beloved children and it was for Jaehaerys. She had to take care of Jaehaera and Maelor while her own daughter sank into a deep and dark pit of madness. She saw her daughter commit suicide because of this. Do any of us ever stop and wonder if she blamed herself for all this?

Blood and Cheese was one of the most traumatic events in the entire history of Targaryens and I will murder those who say otherwise. Not because I am team green but because I have sympathy. Sympathy for two young children forced to witness such cruelty, sympathy for a child who was inflicted with such early death, sympathy for two helpless mothers who blamed themselves for their children's doom.

And the show destroyed it. HBO destroyed everything, from the cruelty and from the trauma. And those who have never read the book will never know. Never know the cruelty of team black. Blood and cheese wasn't revenge, it wasn't a son for a son. It was pure cruelty and malice. It was the murder of a child who had never done anything wrong, and the show erased it. They never showed what extents team black could go in the name of war and revenge.

And I despise HBO for what they did. Once again, they show that team black can do no wrong, that Daemon Targaryen's actions are justifiable because he did it for his 'family'. But he didn't, like always he did this for the sake of violence, and forever will.

This season is ruined from the beginning. HBO can do nothing to make it better.

192 notes · View notes

imaginesbymonika · 4 months ago

Text

LOML- loss of my life | Part 2

Pairing: Bucky Barnes x fem!Reader

Plot: You knew him at a time when he didn't, and now he is looking for you...

Warnings: depiction of violence, angst, mentions of (perhaps) death, angst, fluff at the end (maybe), takes place after TFATWS

Previous Chapter | Masterlist (don’t have on rn but im working on it)

Her gaze drifted over to the guard sitting on a chair near the huge metal door. She couldn’t help but scoff dryly when she realized that he was asleep—peacefully snoring. “What a prick.”, she whispered under her breath, before turning back to the Winter Soldier.

And for a brief moment, their eyes met, and he tilted his hair to the side... long brown hair softly falling on his shoulder. She couldn’t help but wonder who he was before all of this. He used to be someone’s baby. Some mother held him in her arms.

The Winter Soldier kept on staring at her. He reckoned that he had stopped wishing for things a long time ago, but in that moment he wished he could have read her mind. Know why she was looking at him with an emotion that wasn’t fear or bitterness. He swallowed thickly.

“I meant what I said, by the way.”, she unexpectedly spoke up, her voice cracking. She cleared her throat instantly:” I do think that you’re a good man, underneath all of this. I don’t know your name, and I doubt you do at this point. But please, try to remember that someone in here believes in you.”

She scanned his features but only saw how his left nostril twitched. “What are you doing?!”, a loud voice suddenly reverberated through the room, making her flinch. A second later, her face made contact with the cold floor. A groan escaped from her lips and when she opened her eyes to look at the grey tiles, there were a few splatters of blood. Her blood.

“You know the rules!”, the guard shouted, pulling her by her upper arm:” No talking to the subject!” His voice was rough and brutal, and the fist that hit her cheekbone was the same. The Winter Soldier watched. He knew what would happen if he attempted to interfere. She knew it too.

“I just…”, Sam began, looking at his sister:” He is distancing himself from me, and I don’t know why. Do you think I said something wrong?” Bucky and Sam were visiting Sarah and the children at her house. Sam’s eyes move over to the window, he watches how Bucky plays with his nephews outside. But even at this moment, there is some bizarre new emotion hiding in the eyes.

“I figure you tried talking to him.” “He’s brushing it off.” Sarah nods and sighs:” Well, I understand that you only want to help him. And I love you for being so caring, but you know him by now. He needs his time. Maybe he is still trying to figure it out himself.” At the sound of her phone ringing, she gets up and walks out of the room.

Sam knows she is right, he scoffs softly. “The Lady with the milk will be here any second.”, Sarah says as she enters the kitchen again:” Do you think you can help me with the cartons?” Her brother only nods.

Outside Bucky perks up at the sound of a vehicle approaching. A white van, with images of cows on the sides, drives up the road and parks right in front of the lake house. He observes how a woman with short black hair gets out of the car before he continues to throw the frisbee he’s been holding in his hands.

“Sarah! It’s good to see you!”, the woman lets out and Sarah, who is walking down the stairs opens her arms. “Y/N! I’m so happy, too.” Bucky freezes up. It’s as if every nerve ending in his body catches fire. His head snaps back to the woman. Y/N?

He watched how the guard dragged her out of the room. And despite her having blood all over her shirt, she was smiling at him. She couldn’t be mad at him for not doing anything.

“Bucky?”, Sam, who is leaning against the doorframe frowns his eyebrows as he watches over his friend's weird behavior:” You alright?”

Y/N! Oh god. Y/N! That’s it. Holy shit.

“Y/N!”, he repeats and points at the woman, like a child who just learned a new word. It leaves his lips like a promise he has made years ago. The woman blinks at him before she nervously chuckles:” W-What?” “Y/N.”, he throws the frisbee on the ground and storms up the stairs into the house, nearly tripping over one of the stairs. He softly shoves Sam out of the way before scanning the room for his jacket.

“Talk to me, Bucky!”

“Y/N!”, Bucky simply repeats, his pupils dilated:” Her name… it’s Y/N! Of course!” And with that, he quickly rushes out of the house.

#bucky barnes angst #marvel #bucky barnes imagine #bucky barnes x reader #bucky #bucky barnes #the winter solider x reader #the winter solider imagine #the winter soldier #marvel x reader #tfatw

131 notes · View notes

thesunisatangerine · 1 year ago

Text

against all odds (to wait for you is all i can do) – part six

alexia putellas x photojournalist!reader

warnings: explicit descriptions of violence, blood, and death

(a/n in the tags) [parts: one, two, three, four, five, six, seven, eight, nine, ten, eleven, twelve]

word count: 3.3k

You had to get out of there.

Tremors shook the ground as another shell made impact somewhere far to your right but it was close enough that the explosion left your ears ringing. You flattened your back further against the fallen wall behind you when you heard the unmistakeable sound of gunfire, the rubble that cut into your skin barely registered in your mind from the adrenaline that rushed through you. But the cacophony of noise amalgamated into something continuous, something malevolent and cruel; something that promised death in its wake.

Bullets embedded themselves in a column, a wall, a body–everywhere–and fine pieces of debris flew and pelted against the exposed skin of your cheeks and against your helmet. Your eyes watered from the fine powder of pulverised cement and the oppressive heat, while your lungs were smothered by smoke and a choking stench–something like freshly-laid asphalt mixed with the distinct, rancid smell of burnt human flesh, sulphuric and sharp.

Through lidded eyes you witnessed the depravity; the extent of humanity’s appetite for senseless destruction and anarchy. It was total chaos–no, it was worse than that: it was butchery and brutality at its finest; a type of hell on earth.

All around you were bodies upon bodies, men and women alike–children. Their faces, frozen and pallid, permanently bore imprints of terror and agony; their crooked fingers and still eyes fixated to the sky imploring in violent judgment–resentful and anguished in their silence–the unspoken question:

Why?

Everything overwhelmed you all at once: the sight and the smell made your stomach churn to no end. Even when you heaved the remnants of your stomach to the ground, the nausea remained, pulsing and gnawing.

Wiping your mouth with the back of your hand, you brought your camera to your eye and you willed the shaking in your bones to still.

You took a shot.

Another round of bullets splattered to a nearby wall and this time, you threw yourself front-first to the ground and you felt the rhythm of your heart reverberating against the mud. And a sinking feeling hit you. You’d bore witness to many conflicts, faced mortal peril, and was familiar to death like it was an old friend. Each time you were in such a situation, hopelessness never got the better of you–it was like you’d always known you were going to make it out each time.

This time it was different, you could feel it in your bones. You were going to die here and it wasn’t a matter of if, just when and how.

But you had a job. If you were going to die, you would die being the mouthpiece for the ones who’d already been silenced–from their premature deaths or from the hand of the power meant to protect them or both–to show the world what they’d suffered, what they’d sacrificed.

With that in mind, you steeled yourself. You loaded your camera with another ring of film, fingers stiff from the cold and marred by blood and mud, and you captured the scene.

Repeat.

There were people screaming, running, clamouring for survival. As you moved with them, you kept an eye out for other survivors who needed help to get out of there. You scanned the faces for the familiar ones of Jones and Gilda but they were nowhere to be seen. You’d lost track of them after the initial explosion and the chaos that followed so the only thing you could do now was to look for them as you went and hope for their safety.

Meter by meter, inch by inch, you moved slowly away from the direction of gunfire. You were farther ahead now but the gunners were still dangerously close, still close enough to be able to catch up to where you were if they continued their pursuit, so you remained crouched and cautious for any sound that could indicate danger.

When you came across the rubble of a fallen building–freshly destroyed by artillery from the smoke that came from it–you heard a whimper. It startled you; the softness of the sound barely pierced through the ringing in your ear but when you peered under a slab of concrete braced by a rugged beam, you caught sight of a scene that shattered what was left of your heart.

In the shadows, big eyes that you could not mistaken belonged to a child shone with terror, a little girl that looked no more than ten years of age, her mouth partly open in fear. You could discern another person next to the child but they weren’t moving at all and from the blood smeared on the girl’s cheek, you had a sinking feeling that the other person was dead.

Gunfire echoed somewhere behind you and you flinched at its closeness. How did they get so close so fast? You needed to get the both of you out of there. If you could save this child’s life then maybe, just maybe, your life was worth something after all.

You raised both of your hands up and spoke gently, hoping the little girl would be able to understand that you were there to help as you stooped to fit through the gap. The child hesitated and receded further back into the rubble so you tried again as you inched closer to where the other person laid unresponsive, patient despite the ever-closing sound of shots being fired.

You reached the other person–a woman–and when you placed two fingers against her pulsepoint and found no rhythm, you bit your quivering lip and looked at the child, chest heavy. And as if the little girl finally understood that you meant no harm, she inched towards you and placed her small hand in your open one. With a firm yet gentle grip on the girl, you guided the both of you out of the rubble.

Once outside, you carried the little girl behind a wall, heart breaking when you felt her shiver and at the fact that it took little effort carry to her for she weighed so little. And now with light and cover, you inspected the little girl.

To your relief, other than the trail of flaking blood that originated from the crown of her head and on her cheeks, the little girl looked like she didn’t sustain any other physical injuries. Satisfied for the time being you began to tend to her, gave her water and what little food you had on you, and then wiped away the blood.

After she finished, you detached the velcro of your bulletproof vest and unbuckled your helmet before you put them on the little girl. Then you hoisted the girl up on your back, leaving your camera dangling heavily on your chest.

You managed to sneak across the district without being noticed but you knew the danger was never far away. A little farther on, you began to recognise key landmarks that let you know you were close to the base you came from. So even when the muscles in your legs protested for you to rest, you pushed on.

Not a moment later though did loud shots fill the air and immediately, you fell to the ground, feeling fine rubble and shrapnels cut into the side you landed on as you manoeuvred your body so that the child wouldn’t get hurt. The little girl cried out and adrenaline coursed through your veins, instinct driving you to keep the child safe so you pushed the two of you against a nearby wall, your back to the open space while you shielded the child with your body, her head safely caged between your arms and chest.

You craned your head over your shoulders to figure out where the shots were fired but then a feeling of lightness passed through you followed by a growing thickness at the back of your throat. You coughed, the force of it made you keel forward, and as you looked down you saw fresh blood splattered on the face of the girl, her eyes wide with horror as she looked up at you.

Then you felt it, a burning sensation that enveloped the entirety of your right side which left you cold. When you looked to your side your shirt clung to your skin, soaked with blood.

No.

You sputtered again and you tried to breathe but the pain only intensified and instead of feeling relief, the act smothered you–it felt like you were drowning. Then everything began to blend together: the shapes lost their edges and some images doubled, but the light seemed to intensify on its own, swallowing all in its wake. Then you sagged forward and the ringing in you ears, too, blared unceasingly.

No.

You must…

The child…

Wait.

Alexia–

“–are you okay?”

You started as Derek’s voice brought you from your reverie, your mind someplace else that you’d already forgotten but the feeling that you were missing something important lingered behind in the back of your mind.

“Huh?”

“Honey, your brother’s been trying to get your attention for the past minute. Are you alright?” The familiar voice of your mom brought your focus to her. She sat at the head of the long table while Derek opposite you, and you found twin pairs of blue eyes looking at you with concern. Your mom stood, chair scraping against the tiled floor as she did and she made her way towards you. She put a palm over your forehead once she was close enough before she asked, “do you have a fever?”

“Mom, I’m fine. I’m just–” You began but suddenly, a wave of exhaustion came over you which left you cold. It was as if a sheet of ice was put over you and you felt the coldness cling to your bones, weighing you down as your body slowly began to freeze over. “I’m–I’m just tired. I think I’ll rest up now.”

When you moved to stand, staggering slightly due to the weakness in your knees, Derek snatched your hands and clung to them, and you looked at him in alarm, eyes wide.

“Please, don’t. Don’t.” He said through gritted teeth, the corners of his mouth drooped low in a pained grimace, blue eyes glazed over and brows furrowed in a silent plea.

His obsecration confused you and you were about to ask him why you shouldn’t rest if you felt tired when your mother placed a hand on your shoulder, her grip gentle yet firm. You turned to her and when you found her gaze, she wore the same expression as your brother.

“You’re brother’s right, honey. Just–please, just stay with us for a bit more.”

What was going on? Why weren’t they letting you go?

Another wave of fatigue doused over you but this time, pain erupted from your chest. So intense was it that it nearly made you keel over the table, nails digging into its hard surface as you tried to catch your breath but with each inhale the more it felt like you were running out of air.

“I’ll–I’ll join you in a bit. I just… I just need a nap.” You staggered to your feet, pulling your hands away from Derek’s grip with the remaining strength you had and brushed off your mom’s protest.

As you passed the full-body mirror just beside your bedroom door, you saw your reflection, haggard and pale, and with her were the familiar silhouettes of the people that haunted you… your mother and father. They stood there behind you–your mother to your right and your father to the left–but you only found an empty space where they stood when you whipped your head back to look for them.

So there you stood, rooted in front of the mirror as you soaked their images in but for some reason, your couldn’t quite discern their faces. They were blurred; it was as if someone had swiped their thumb over the freshly laid ink of their image and made their features indecipherable.

Longing prompted you to reach out a hand to try and trace the lost edges of their faces but instead of meeting the mirror’s smooth surface like you expected, your fingers sank into the mirror like it was made of water. Quickly, in fear that it would hurt you, you retracted your hand and you watched in awe as the mirror image went still again, back to the reflection of yourself and your parents.

Then out of curiosity you plunged your hand again into the mirror and instead of feeling pain, you felt… nothing. The sensations in your hand in the mirror stopped as if it had ceased to exist completely.

Would it soothe then the pain in your body if you stepped into it?

The thought tempted you and you stepped forward, ready to sink into this silver miracle, but something stopped you–a weight on your shoulder pulled you back from the mirror. You staggered backwards, caught off guard from the force of it, but when you looked back you found nobody however this time, when you returned your attention to the mirror, the reflection of your parents was gone.

Emotions bubbled in your throat, bitter grief and burning confusion a familiar taste on your tongue. Where did they go? Why did they leave you? And as these questions filtered through your mind, another wave of exhaustion doused over you, its weight was unbearable. You needed relief, and soon.

You were ready to step into the mirror–into oblivion–but it wasn’t there anymore. In fact, everywhere you looked there was nothing, just negative space as if the light had dissolved all existence but you. You looked down and you saw your reflection on the still water you were apparently standing on.

It was so still, so peaceful, and you feel so heavy. It would be easy to just sink into this blissful nothingness–this silence–after… that’s right, after having witnessed the revolting boil of humanity’s thirst for blood. Yes, that was it, the reason you were here: you were here to forget.

The longer you stared into the water, the more your will to remain standing frayed.

Not a moment later, you let yourself be plunged downwards into the cold water. Into nothingness.

You woke with a start, breathing sharply as you did, the sensation of falling still with you and the memory of the dream you just had lingered. It was about… what was it?

When you opened your eyes, you found golden light and you squinted at the stream of the early sun that found its way through the gap between the heavy curtains. Your cheek was warm against Alexia’s bare back and you relished the way her muscles shifted beneath her skin as she breathed, still deep asleep.

With her so close like this a sense of peace and calm washed over you, the kind that only Alexia’s presence could provide. You turned your head slightly and shifted closer to her, pressing a soft kiss on one of her shoulder blades before you nuzzled the nape of her neck where her scent was most prominent.

You sighed as you breathed her in.

“What are you up to back there?” Alexia’s voice, rough and heavy from slumber, met your ears and the question elicited a small laugh from you.

“Nothing. Just getting comfortable.”

Alexia hummed then she murmured, “come here.”

You moved as she began to turn and disappointment filled you from the separation but when she pulled you into her embrace after she settled on her back, the disappointment quickly faded away. And when she kissed you, soft and languid, everything melted away except for the tender warmth of Alexia’s lips.

You were content.

Suddenly, a gnawing feeling seeped into the edges of your mind and, little by little by little, apprehension filled you. There was something you’d forgotten, somewhere you needed to be.

You pulled away from Alexia’s lips. “What time is it?”

“Don’t go.”

Her answer jarred you. You lifted yourself up on your elbow and considered Alexia, confused as to why she would say such a thing. She knew you had to go. How could you not go? Where else could you possibly be? So you asked her as much.

“No, you don’t have to. Please.” Alexia placed a hand on your cheek, her eyes glassy. You sighed, turned your cheek away from her touch, and extricated yourself from her warm embrace. You stood at the foot of the bed and regarded Alexia again who was now sitting up, the sheets pooled around her waist, her chest bare, shoulders hunched forward as she looked at you. You only shook your head before you went into the en suite bathroom to get ready.

Once you got in the shower you, unsurprisingly, thought of Alexia and your confusion returned twofold. Why was she making this difficult? She knew you had to go. You already told her…

At that thought, you frowned as you tried to remember. When did you tell her? Why did you need to leave? The questions were beginning to make your head hurt so you left the shower, wrapped yourself in a towel and headed to the closet. In there, you found your stack of simple white clothes. You picked a white shirt and a matching pair of jeans and you made your way to the bedroom door.

As you passed by the bed, you saw Alexia just as you left her and from where you stood, you saw how small she looked. And those eyes… they shone with something you could only name as plea, the tears in them now in danger of falling.

Your chest ached and so did your head.

You shook your head and made your way to Alexia, pressed an apologetic kiss against her temples, then you moved to the door.

You opened it and an abyss greeted you, a world of no outlines, shape nor colour, just a brilliant white that called to you. Its pull was magnetic, like a tide that wanted to sweep you away, but there was something keeping you in place, an invisible tether and it was anchored to the woman sitting in your bed.

“Please, don’t go.”

You had one foot out of the door when Alexia spoke with such gentleness you couldn’t do anything but look over your shoulder. The sight of her crying made the pounding in your temples unbearable and the pain in your chest blazed anew, excruciating and cruel. The world blurred and warmth slipped down your cheeks.

Why were you crying? Why was this difficult? You had to leave, you were about to miss something important.

“Alexia, why?” You sobbed, clutching your chest. It hurt.

She was out of the bed now, right beside you, and she reached out and cupped your face with one hand, the other went to your hand on the door handle. Her touch that used to soothe you, that used to bring you peace and clam, sent pain to every nerve in your body. You gasped, your chest was in danger of bursting and your knees lost their strength. And then you remembered why you needed to leave: you needed this pain to disappear; you had to get better.

Finally, your knees buckled under your weight but Alexia was there to catch you, her body strong and firm, and oh, so warm.

“Alexia, please let me go,” you sobbed into her arms.

Everything hurt. But she held you, unyielding.

“Stay. Please, stay with me,” she whispered in your ear and the words were followed by another wave of pain. This time, you screamed in agony and clawed at Alexia’s shoulders to get yourself away but still, she didn’t budge.

“I got you. I got you. I got you,” she repeated as every nerve in your body screamed at you. Everything coalesced into a singular, never-ending noise but Alexia’s voice pierced through the veil like a silver lining, a life line that you held onto as you were washed away into an ocean of light.

#ap11 #not proofread #mine #my writing #a/n: sometimes it just hits you: the magnitude of man's madness. where does it stop? when? who will pay? why?#cant think anymore right now but let me know what you think about the story so far #apologies for the mistakes i wrote this in sleep deprived mode ill fix them later #woso x reader #alexia putellas x reader

514 notes · View notes