#Embroidery Design Tape

[jainnarrowfabricsworld]

Left: Front , Right: Back -Sizes Available -3/4 Colour Combos -Polyester, High Bulk, Cotton , Spun Polyester & Nylon Options Available -GOTS & Fair Trade Options Available -Oeko Tex Certified-Appendix 6 -MOQ 3000-5000m ( Prices Will vary as per quantity)

[aventurineswife]

YOU NEED REQS??? I HAVE REQS

model aventurine X designer reader and like aventurine is basically reader’s muse and she legit starts to fall for him

A Beautiful Wager

Summary: As a celebrated designer, your work thrives on inspiration from the extraordinary, and Aventurine—model, IPC executive, and a walking enigma—proves to be the perfect muse. Beneath his charm and confident smirk lies a man of contradictions, and as your creative collaboration deepens, so does your bond. When the walls Aventurine hides behind begin to crack, you find yourself gambling on something more valuable than art: his heart.

Tags: Aventurine x Reader, Fluff and Angst, Slow Burn Romance, Designer x Model Dynamics, Mutual Pining, Flirty Banter, Emotional Vulnerability.

Warnings: Mentions of past trauma, Emotional manipulation, Themes of self-doubt and trust issues, Subtle exploration of power dynamics.

The golden glow of Penacony’s fading sunlight streamed through the massive floor-to-ceiling windows of your studio, painting the room with a surreal warmth. Rolls of luxurious fabric spilled across the tables, and half-finished designs cluttered the walls, each sketch a testament to your restless creativity. At the center of it all stood him—Aventurine.

He leaned casually against the fitting stand, his long overcoat draped over one shoulder, golden jewelry catching the light. His eyes sparkled with a mischief that seemed to challenge the very laws of fate. “So,” he purred, voice smooth and tinged with amusement, “am I the perfect muse, or is my reputation doing all the work?”

You laughed, though his question wasn’t entirely untrue. Aventurine had become both a fascination and an enigma for you. As a designer, you sought inspiration in the rare and extraordinary, and he was all of that—and more. His flamboyant charm, the intricate details of his appearance, even the way he adjusted his glasses with a knowing smirk—it all captivated you.

“I wouldn’t call you perfect,” you teased, stepping closer with a measuring tape. “But you’re close enough.”

Aventurine grinned, tilting his head to let the light catch the peacock feather earring that dangled from his ear. “Close enough? My, my, darling, that stings. I’ll have you know, the IPC considers me the definition of perfection.”

“Perfection isn’t always inspiring,” you replied, your voice laced with a quiet sincerity that caught him off guard. “Flaws, contradictions—those are what make people fascinating. Like you.”

For a brief moment, Aventurine’s mask slipped. His ever-present smile softened, and something unspoken flickered in his eyes. But it was gone as quickly as it appeared, replaced by his usual devil-may-care bravado. “I’m flattered. Truly. Tell me, do I inspire chaos or brilliance?”

“Both,” you admitted, stepping back to admire your work. You’d chosen a deep emerald-green fabric for his ensemble, tailored to emphasize his sleek frame and finished with intricate golden embroidery that echoed the roulette wheel motif he favored. As you adjusted the final piece, your fingers brushed against his wrist.

It was subtle, but you felt him tense under your touch.

“Do you always gamble this much on your work?” he asked, his voice quieter now, tinged with something you couldn’t quite place.

“Only when the stakes are high,” you replied, meeting his gaze.

“And what’s at stake here?” Aventurine leaned in slightly, the playful edge in his tone giving way to something deeper.

You hesitated, caught off guard by the intensity of his question. His eyes searched yours, no longer masked by his usual flamboyance. For the first time, you glimpsed the man behind the facade—the vulnerability, the pain, the weight of secrets he carried.

“You...” you said softly.

The word hung between you, delicate yet unyielding. Aventurine’s expression shifted, the cracks in his armor widening as he considered your answer. He could dismiss it, turn it into another joke, another game—but he didn’t.

Instead, he reached for your hand, his fingers brushing against yours in a gesture that felt both tentative and deliberate. “Careful, darling,” he murmured, his voice low and filled with warning. “You might win more than you bargained for.”

You smiled, refusing to let him retreat behind his walls. “Good. I don’t design for safe bets.”

Aventurine chuckled, the sound soft and genuine, and for the first time, his smile felt real. “Well then,” he said, his voice a mix of challenge and admiration, “let’s see if you can outplay me.”

The room seemed to hold its breath as the two of you stood there, a designer and their muse caught in a moment that felt like the beginning of something neither of you could fully understand—yet neither of you could walk away from.

[purplephloxpress]

Another year, another Fanfiction Writers Appreciation Day!!!! If you are a writer of fanfic, please know just how appreciated you are!! Fandom would be such a different space without your creativity and labors of love. 💜

Holidays are all about making traditions, and the bookbinding friends with @renegadeguild once again came together to bind copies of fics for their authors as a show of our appreciation. This year I had the absolute joy of binding Emergency Help Wanted by the wonderful @piyo-13 and even got to collaborate with her on some of the design elements! It's a Modern AU Jiang Cheng/Lan Xichen fic that starts with a "help wanted" ad.

EMERGENCY HELP WANTED

I lied when I got my job. I told them I had a kid so I could leave early from work to pick him up from daycare, take him to doctor's appointments, and occasionally miss a day when he's sick. Long story short, I'm in too deep. I didn't think it through. Looking to rent a kid for bring your child to work day. Must be a boy ages four to six, longish dark hair, likes soccer. Must also be artistic as the macaroni noodle paintings I made seem a little advanced for his age. Also, I will pay extra for someone willing to play the role of husband when dropping him off. He's a prosecuting attorney who often brings his work home. Message me for further details. Serious inquiries only.

Ok. So. I may have gone a little feral with this one. Online "help wanted" ad spiraled into loading wheel scene dividers, spiraled into fake Google search result headers, spiraled into FULLY committing to those authentic looking text messages. In full color. (There are so many. I typeset in MS Word. It was SO worth it, but god what a struggle at some points.) And don't forget the "recent searches" title page! Or the computer cutout on the cover! (It's bluescreening, just like Lan Xichen through this entire fic!) Also that cover/title page image that I just kept adding details to. (It's supposed to be Lan Xichen's desk, so it simply didn't feel right until it had sticky notes on the computer, #1 dad on the mug, scissors and measuring tape, scribbles on the sticky notes) Did I have a ton of fun designing this one? Perhaps. Couldn't say. Maybe just a tad. (This is a lie I had an ABSOLUTE BLAST!)

Historically, I've waited until I finish at least the typeset before reaching out to the author, but not so with this one! I got the idea for the fake google search results from Piyo's authors notes, teasing the contents of the next chapter. But! Those didn't start until about chapter 4! So I reached out and asked if we could collaborate and I'm forever glad I did! Not only does this have teasers for each chapter, I also got to bounce design ideas off of her, including what shade of blue and purple for the text messages. Because my friends, that is a serious matter and changed SEVERAL times throughout the process.

Also shoutout to all my Renegade friends who gave input and encouragement over the past year while I worked on this (what endpages to use? how to make this shade of green perfectly Nie Huaisang? how do we feel about this text message design? or how about this one?) - I love you all dearly and appreciate you so much for putting up with my nonsense at all times.

Binding details below the cut!

Fandom: The Untamed/Mo Dao Zu Shi

Pairing: Jiang Cheng | Jiang Wanyin / Lan Huan | Lan Xichen

Bookcloth: Aqua/Purple Dubletta from Colophon Book Arts

Endpapers: Craft Consortium Ink Drops - Ocean pack

Textblock paper: short grain cream from Church Paper

Titling: We R Memory Keepers foil quill

Endbands: leather cording core, DMC embroidery floss for the bands

Body Font: EB Garamond

Title Font: Berlin Sans FB

Text Messages: Roboto

Additional fonts: Times New Roman, Kunstler Script, Magis Authentic

Title page image from Rawpixel and designed in Canva

Various computer graphics from The Noun Project

Tumblr insists on eating and doubling text in this section at its own whim, so if there's something missing that you're curious about, feel free to DM me an ask!

[sorensolsikke]

here's some punk diy tips and ideas

[other than crusty pants and battle jacket, although we still love those greatly.]

why should you diy, when you can just find decorated items everywhere, you can ask. what if you are clumsy at painting or anything?

firstly, good questions. we diy so we don't give credit to the big companies who rule the world. we diy to get more independent from the system we dislike. we diy so to save money. to express uniqueness, recognize eachother and be recognized. and especially to have fun and feel cool. diy is not only about clothing, but anything you can set your mind on. of course, one cannot make EVERYTHING for themselves, there isn't enough time and energy. but making at least small steps are already a statement and more than nothing. also, helping small artists by buying their products is also pretty punk.

that being said, i provide you with some tips of mine, all gained from experience:

anything you drew/painted on, you will WANT TO protect. acrylic paint/markers + acrylic paint varnish/transparent nail polish/textile medium are your best friends. read after anything that's new to you.

i highly recommend working with old clothing or thrift shop finds when it comes to textiles, as it is environmentally friendly and you will stay in budget. Anyways, always make sure that the material you use isn't gonna be problematic. for example, if you want to do some patchwork, the material shouldn't decay easily (if it does, it will come off so quickly.). if you want to paint on it, it shouldn't be rugged.

you can not only draw/paint on your canvas shoes, but can also sew, embroidery (just make sure to use a thimble, plus floss instead of thread could make your work more durable), and add beads and trinkets to your shoelaces. in the case of shoes, never use glue (neither hot nor instant glue) – it will come off quickly. for some inspiration, i'll show you my shoes!

(the fake moss is literally unstoppable from falling off or getting dirty. risky idea.)

it's good to carry around water and food!! you don't even have to pay for decorative water bottles and food boxes, as you can draw on glass and plastic just fine with acrylic markers. just don't forget to paint transparent nail polish all over your drawing. in at least two layers. don't be lazy or laid-back. even posca comes off while washing the dishes. and you WANT TO save your reference pictures/final designs, as the case of emergency is likely. but after all, my water bottle is exactly fine after six months, with no accuring problem.

if your current best option to get stickers from is aliexpress or overpriced decor stores, search for local artists and shops on instagram and tiktok, as it may be their most efficent way of getting you to know them. if it seems like you have no chance, you may can still find a print shop with the option of printing on self-adhesive sheets (at least in hungary, those are pretty cheap). and if you want drawings to print out as stickers, you may use your own or –ONLY IF YOU GET PERMISSION– other artist's work. not only good for decorations for like, headphones, but for vandalism too. WAIT WAIT who said that. who said it. not me. no never

(in case that's also impossible, you can create stickers by printing out/drawing a picture, cover it up in transparent adhesive tape, and then put some two-sided adhesive tape on the white side of the pic. it won't be that durable, but it functions.)

if you want to bleach-paint clothing, get some plastic brushes!! any other brush dissolves. draw your design first with chalk!! never forget to put cardboard inside the clothing, and to wash the finished work in a washing machine before you'd put it on. prepare to be patient with the process. and it's not dangerous to touch 5%-9% household bleach, just wash your hands soon after.

if you want your crusty pants to last veryyy long, wax them. look up on youtube jeans waxing.

some more things i made for myself so to give you some inspiration: totebag with pockets, a small crystal holder cabinet, badges, and i decorated some t-shirts, button-ups, an id card case, phonecase, laptop.

theoretically speaking, there is nothing that an individual would be unable to learn how to make, when it comes to diy. you can't imagine how easy it is to bake bread at home. consuming-focused media makes people believe that it's hard to make anything. of course, everyone has to decide about their own priorities, i don't want to convince or change anyone in here. and if you have any questions, send an ask!! i hope i had been helpful.

[yellowjacketsfashion]

While there are lots of options as to where you can buy a replica of the Yellowjackets Letterman Jacket, they’re not always easily attainable. Last year for halloween I made my own letterman and I figured others could find my process helpful. (The supplies I used were things I already had or were accessible to me but there are other ways to create the same thing. If you have different materials that also work feel free to make suggestions or use them in your process).

HOW TO MAKE A YELLOWJACKETS LETTERMAN JACKET:

Supplies:

• Gold/Navy Letterman jacket

• Printer

• White Printer paper

• Gold Felt

•Chalk

• Heat ‘n Bond

• Embroidery floss in the colors White, Black, Gold and Gray (I ended up needing two packs of white).

• Embroidery needle

• White (or light colored) tissue paper

• White fabric (I used cotton)

• Embroidery hoop

• (Optional) White and Black thread

• Glue stick

Step 1: Aquire your jacket.

You can do a lot of different things for the plain base jacket. I bought mine off Amazon but if wanted too you could probably sew one or buy one second hand etc. The only specification is that it’s Gold and Navy. It is important to do this first because everything else builds off of this step.

Step 2: Print out designs.

Use the photos I provided below and paste them into a word document. From there you can size them up or down to reach the size that you like for printing. The “Yellowjackets” logo is for the back of the jacket so when I did it I kind of split the photo in half and put it on two different pages. In the end it turned out to be just shy of 13 inches length wise. The round patch goes on the front and mine was 4.25 inches in diameter.

Depending on the size of your jacket your patches can be bigger or smaller, but once your happy with the sizing you can then move onto the next step.

Step 3: Gather supplies.

The gold felt is to be used to create the back patch. Because of the size of mine I was able to get a little 50 cent sheet of it (I was able to place the logo at an angle to fit it) but because the patch sizes will be different it’s important to bring your print out of the logo when shopping to make sure you have enough. Most craft / fabric stores should have this in stock. It’s also a good idea to bring your letterman jacket with you to try to color match the shades of gold/yellow as best as possible.

The embroidery hoop, floss, white fabric, and thread are for the front patch as I hand embroidered mine but in theory you could use an embroidery machine or printable fabric sheets to create your patch. If you use these other methods you’ll need different supplies and different instructions that I can’t give.

The Heat ‘n Bond is to iron the patches onto your jacket so they stick (though I’ve had to re iron my back patch because the fibers of the wool make it hard to stick to). It will essentially act as double sided tape.

Step 4: Creating & attaching the back patch

• Cut out a piece of Heat n’ Bond that covers the area where your logo will go.

(i am using colored paper in the example pictures. Yellow represents the felt. White represents the heat and Bond).

• Once you have the right sized piece of Heat n’ Bond, iron it onto the back of your piece of Gold felt (make sure to follow the instructions on the Heat n’ bond packaging).

•Use your printed template of the logo and cut out the words on the felt. You can cut out the logo on paper first and trace it or attach the paper to the felt and just cut them both at the same time. (I moved the dot on the J down so that it’s still attached just to make it easier but you can do whatever you want).

• Put on your Letterman and use the chalk to mark where on the back you want the patch to go. For this step it can be helpful to have someone else assist you (though it’s possible to do it yourself).

• Take off the jacket and lay it flat to align the patch up with your chalk markings. Once it is where you want it you can Iron it onto the back of the jacket (according to the instructions on the Heat n’ Bond).

You now have a finished back patch!

Step 5: Creating the front patch.

• Trace the design of the front patch onto tissue paper (I would suggest a dark pen or sharpie so you can see it really well). If you have trouble seeing the design underneath it can be helpful to hold it to a window pane when it’s sunny or another light source. The photo of the logo I included has a white border around the black words but the patch in the show doesn’t have it so I just ignored it. From there you glue the traced tissue paper onto the fabric.

• Cut out a piece of white fabric big enough for your embroidery hoop and glue the tissue paper sketch onto the fabric.

• Put the fabric/tissue paper into the Embroidery hoop.

• Thread the needle and start embroidering the design. I found it good to use different techniques on different areas of the patch (long white stitches on the wings versus short ones on the background etc. I also thought it was helpful to embroider in color groupings (so like white all at once or yellow all at once etc. so you don’t have to switch out the floss that much). Save the white outer circle and black outline for last though to help clean everything up. The white and black sewing thread can be used to outline smaller details or neaten up some of the floss.

• Once the patch is done cut out a piece of Heat n’ Bond that covers the back of the patch.

• Put on your jacket and mark with chalk where you want to put the patch. In the show it’s placed by the second from the top button. (See Jackie reference photo at the top of the post).

• Iron on the Heat n’ Bond to the back of the patch (following packet instructions).

• Iron the Patch to the jacket based on your chalk markings.

• You have completed the front patch!

Above are some photo examples of my jacket (please ignore my messy hair in the left picture, being in the snow got it ruffled up).

Sorry for the long post but I think I got everything covered. I hope you guys found this helpful but if you have any questions about the jacket, my process, or anything else feel free to ask!

[demodoggonetired]

After a few months of off and on again work, @cuips-not-cute 's Cyclical is now bound!!! 489 pages, 21 signatures, and about 1.25 inches thick!

And you should read their fic here!!

{Breakdown under cut!} - Contains Spoilers!

Uhh where to start with this. My first attempt at: a more standard book size (fun), a full cloth book (no problem here), full page illustrations (okay results), and chisel trimming (uh oh!).

(Suffice to say I need more practice with that last one, the foredge could have been worse, but it coulda been better - a little wonky but we'll just say it's got character).

I think what I'm most proud of is the color cordination of it all (and the end papers, oh my what a fitting find).

Materials: Made with Cialux bookcloth in night blue and Spanish MM marbled paper for the endpapers. The cover graphics are yellow Siser HTV, a black HTV, and Cricut metallic gold HTV (not near as shiny as one might like). Bound using linen thread and archival pva glue, endbands sewn using single strand embroidery thread in a double core style. Printed on Hammermill 20lb cream paper.

Cover: Cuips mentions Slaughterhouse Five at the start of the fic with a quote, so I used that as a bit of a jumping point for the cover design. Specifically this edition. Only instead changing the red for the blues of the upside down and a somewhat orange-ish yellow (both colors of which we see a lot in the fic). The skull and crossbones is similarly swapped with the hourglass on its pedstal in the UD woods with a flower and petals around it. The back cover showcases a sheep dog's wolf collar hehe. My biggest grief with this cover is that for some reason, one of the HTVs leaked glue when pressed. It doesn't look bad, just adds an odd shinyness but thankfully isn't sticky. Weird!

Title Page: A negative space hourglass with UD vines outlining the shape (perhaps a XII hidden in there too...). In the middle is a repeatedly circled sphere with sand pouring out and the title flipped to be reflected below.

Other tidbits that I think are neat:

All timeloops in the fic end with things dissolving into sand, so I tried to add a little falling sand graphic at those sentences.

The chapter end notes are titled "notes for past self" and the next chapters summary and beginning notes are "notes for future self" because it felt like it fit the timeloop theme

"say it out loud, it'll be okay" (with the Steve and Robin sheepdog and cat) and "enter sandman" have my favorite chapter title illustrations (oh man the feelings I have for the cassette tape..)

the book notes page has the same vine graphic as the title page but this time with flowers on it!

Overall I'm really pleased with how this bind turned out! It was a lot of fun and a bit of a journey to make!

+Bonus timelapse of sewing some of the signatures 'cause I find it fun to watch:

[greenhorn-art]

All The King's Horses | As You Are Now, So Once Was I by @samwpmarleau (grumkinsnark)

All The King's Horses [LiveJournal ch1] [Fanfiction.net ch1]

As You Are Now, So Once Was I [LiveJournal ch1] [Fanfiction.net ch1]

Fandom: Supernatural, Criminal Minds

Rating: Teen | PG-13

Category: Gen

Words: ~36,192

All The King's Horses: Protect and Serve. Fidelity, Bravery, Integrity. To what lengths would you go to uphold those oaths? When it comes to a particularly brutal and unsolvable case, the BAU just may have to resort to some more unorthodox methods. SPN/Criminal Minds crossover.

As You Are Now, So Once Was I: Sequel to "All the King's Horses." When Dean catches J.J.'s press conference on the news about a current case and notices a few...inconsistencies, he realizes the BAU is definitely going to need his help. Again. ON HIATUS

About the Book

FORMAT: Letter quarto, flatback bradel binding, french link stitch, no tapes

FONTS: EB Garamond [via Google Fonts], Supernatural Knight [via DaFont], D-Din [via Font Squirrel], Daniel [via DaFont], Permanent Marker [via Google Fonts], Arial

IMAGES: Seal of the FBI [via Wikipedia], Dean's handprint scar [by greenhorn-art]

MATERIALS: 24lb Xerox Bold Digital paper (8.5"x11"), 80pt binder's board (~2mm), 30/3 size waxed linen thread, embroidery floss (DMC #721), 1.9mm cording, brown cardstock, black Cialux bookcloth, gold foil transfer sheet (came with We R Memory Keepers hot foil pen)

PROGRAMS USED: Fic exported with FicHub, word doc compiled in LibreOffice Writer, Typeset in Affinity Publisher, imposed with Bookbinder-JS, title pages designed in Affinity Designer/Photo

.

I first read these stories on LiveJournal back in 2013, some time after I first encountered Tumblr, Supernatural, and the wider world of online fandom. Once I discovered SPNxCriminal Minds crossovers I devoured so many of them. Something about POV Outsider on the Winchesters, the existing connections with investigating monster vs human-crazy cases, and run-ins with the FBI... it's just works so well.

Of all the SPNxCM fics I read and enjoyed, All The King's Horses is among those that bookmarked themselves in my brain. Since it's been living there all these years, I thought it deserved a place on my bookshelf too.

(Rambling below)

Sourcing the Fic

I used FicHub to download the fics off of Fanfiction.net as HTML. Then I pasted them into LibreOffice Writer and created rich text documents of each fic, so I could Place them into Affinity Publisher.

The stories were crossposted, first on LiveJournal and then Fanfiction. I included the metadata from both sites in the appendices.

(It's fascinating to see the differences in the same work between platforms. FFN requires genres, so if the author doesn't add them on LJ then by default there's more info on FFN. But FFN limits listed characters to 2, so authors have to pick and choose the most important. Then there's the author's amusing disclaimers and spoiler warnings for these fics, which are only included in the LJ version)

Shoutout to the author for how they linked/listed their accounts on other platforms! Thanks to that I was easily able to track down all the tags/metadata for the fics, and find them here to express my appreciation for their stories!

Typesetting

Fonts

EB Garamond is my new favourite body font, 11pt as per my usual.

The title page is entirely Arial: 1) it was the closest match I have to the case file prop I was copying, and 2) if it was a government doc they wouldn't be using anything but the most basic fonts.

Headings and the the bullets bracketing the page numbers are set it Supernatural Knight, a free font in the style of Supernatural's title.

The location segments are in D-DIN, the closest free match to the font Criminal Minds uses (which is probably DIN).

Daniel is used for Dean's 'rushed but legible' note.

Permanent Marker for the 'thick black Sharpie' case file labels.

Artwork

Title pages designed as FBI case files, copied from a prop found online (specifically Etsy's propfictionstudios', but it's all over the web so no idea who actually created it). I had fun plugging in all the fanfic/bookbinding meta!

The ID# above the author's name is the FFN story ID, and the date is the date originally posted on LJ.

The handprint used in the headings of ATKH is Dean's scar. I traced off of a screenshot from s4e01 Lazarus Rising. I chose to use the handprint instead of the anti-possession tattoo or a Devil's Trap as my SPN art element because 1) it's specific to Dean, and 2) indicates/reminds that the story is not set during the season 3 Agent Henriksen/FBI arc.

Grabbed the FBI seal off of Wikipedia.

Construction

Both fics typeset and printed separately, then sewn together into one book. Title page for the sequel was tipped in like an endpaper prior to sewing.

Endbands sewn with orange embroidery floss (DMC 721) around 1.9mm cording. I chose orange because Dean's being in jail brought to mind the orange prison jumpsuits Sam and Dean wore in s1e19 Folsom Prison Blues.

Black bookcloth for the cover, like the Winchesters' beloved black '67 Chevy Impala. (I'd wanted a Supernatural reference to balance out the Criminal Minds-ness of the FBI case files).

I'd originally planned to make lineart of the front of the car, and have it stretch across the bottom of the cover (maybe even wrap around to the back). Even found a useful reference to trace [from here], but it didn't look as good as I'd hoped. Instead I reused the FBI seal and swapped out its text with the titles.

(The effect of shiny foiled FBI symbol on small black book reminds me of one of those FBI badge wallets!)

The foiling process was an unnecessarily long and gruelling affair. My laptop served as a massive power bank for the hot foil pen as I spent 2hrs ever so slowly tracing the image, and then 15mins on the author name and touch-ups. Did it need to take so long? Moving slowly, pushing down hard, going over everything at least three times? I'm sure it didn't. BUT I did not want to chance peeling up the foil to check how I was doing and risk shifting it. It was worth it in my books (haha) ‒ I feel giddy and kick my feet like a schoolgirl whenever I see it!

New Things

Used 24lb paper for the first time, and I love it! It's a little thicker and heavier then regular 20lb printer paper, feels more substantial.

The page numbers & running/section headers are along the outer margin, instead of in the header/footer. This was my way around Affinity's buggy-ness regarding pinning things inline in master pages. (More about that below). If I had been thinking, I could have formatted them like the tabs on a file folder and cut the textblock to match. Oh well, the things you notice once it's printed 😔

This time I also started new chapters/sections using text flow & paragraph spacing settings, instead of using a master. As always, there are pros and cons.

Pro: much faster and less involved. (find chapter start, apply paragraph style VS working from the end cutting text, inserting a frame break, unlinking frames, inserting new pages with master, relinking, pasting, and adding chapter title to a different text box)

Con: images need to be added manually (whether by adding image directly, or by applying a master with the image). I forgot to do this for the second fic, so only ATKH have Dean's handprint scar.

Difficulties Encountered

Affinity Publisher is fighting me on pinning things inline on master pages. They like to disappear on regular pages I've applied the master to. Sometimes it works, sometimes it doesn't, sometimes it only works on some of the pages. Idk what's up. (The bullet character only faces one way so I had use textboxes, flip/mirror one, and pin them inline to the page number).

So instead of having page numbers in the footer, bookended left and right by text boxes with Supernatural Knight's bullet, I put it vertically down the side.

Updated Publisher and all my paragraph styles' fonts changed/went funny. Something to do with the update's variable font support, I think. What was previously 'EB Garamond' regular, was now something along the lines of 'EBGaramond-Regular' which isn't a font. Issue seems to have ironed itself out in my original (near-complete) doc while I was busy remaking it. 😐

On the bright side, the update brought QR code generation to Affinity!

[willowisdead345]

50 things to do instead of binging!!

coming from personal experience from someone who has lost over 11 kg since I stopped binging a couple moths ago, these have worked for me

Remember binge urges don't last forever. It's difficult to resist them, but if you distract yourself or pass time, the urge can pass without the need for a binge. Stay strong, you can do it!

crafts:

Try embroidery/cross stitching

Make friendship bracelets, even better if it’s red (like the old ana bracelet lol)

Learn how to knit or crochet

Make a pompom

Learn how to make a bead lizard

Paint a clothing item with bleach

Make something out of clay/fimo/foam clay

Learn how to make a new origami design, there are plenty of instructions available

Try macrame, there are loads of easy instructions for it online

arts:

Paint, try painting with a different medium than usual to force yourself to concentrate harder

Draw something, you can use methods like the grid technique

Doodle! Try to fill an entire a4

Try to draw with crayons, have fun. For some reasons crayons make everything lower stakes for me

Make a children's story (not for actual kids though), write it and you can add pictures (bonus points if you make it disturbing)

Make a collage using old magazines, you can include motivational quotes

Make moodboards

Try making found poetry (for example with an old book or magazine)

ed-stuff:

Draw something, you can use your fave thinspo as a reference

Make yourself a diet/weight tracker for the next month (on paper or digitally) you can choose the theme of it yourself

write meanspo/sweetspo for yourself or find some

Try bullet journalling, you can make trackers for yourself (highly recommend one for not binging!)

Make your own motivational quotes, there are lists of “ana quotes” online, or you can go the funny route instead. A tip is to use lyrics from songs you relate to and adding a motivating picture as the background (maybe one day I’ll share my folder of these)

Write down your goals, make it look pleasing to you

Measure your circumferences with a measuring tape, you can write them down and compare later

Make an excel sheet where you can log stats and calories and stuff

Play with excel to make graphs of your weight loss or weekly intake! Lots of tutorials on how to make graphs, learning to use excel is a good distraction (has been really helpful for me to keep motivated and distracted)

Write a haiku/poem about your ed

Listen to triggering music

GROSSPO (ew maggots, mold and stuff like that)

Take bodychecks and compare to older ones

Watch other people binging instead of binging yourself

Calculate the calories of whatever you are craving, this always helps shock me and reconsider

Calculate your current bmr (base metabolic rate, you can calculate it online), calculate your bmr at your ugw too

self care:

Paint your nails/clip your nails. Toenails too

Take a shower or bath (seeing yourself naked helps a lot, and it helps pass time)

Put on a facemask

Do a foot soak

Try a new makeup look, it doesn’t have to look nice, you can even try to make the most ridiculous look ever

Apply body lotion throughout your entire body (again this helps you reconsider by making you self conscious)

get out of the situation and clear your head:

Go outside! And don’t take food or money with you. Just go outside to get yourself out of the situation making you want to binge

Take a walk, motivate yourself with cigs if needed (unless you're a minor). Or go sit and breathe in a forest or isolated area of a park

Go swimming! Yea in the summer, or in the winter. Ice swimming really helps shock your body out of binging

Exercise and do a workout, there are plenty of beginner friendly ones on for example youtube

learn new things:

Learn a new language, make the duolingo bird proud

Learn the alphabet in morse code! Or ASL!

Do your homework if you have any

Play with google translate and learn random phrases in random languages, or try to see what hilarious sentences you can come up with by translating several times

games and miscellaneous:

Play a video game, solitaire and firegirl and waterboy are my faves that are free through google, but find some you enjoy

Word searches! Or crosswords, or sudokus if that’s what you’re into, there are plenty online

Come up with your own list of 50 things to do instead of binging!! making your own list with things personal to you will help better

[priceswifebb]

Folkorico dancers Alejandro and Rudy x Fem Folkorico dancer Reader!!!

☆♡☆♡☆♡☆♡☆♡☆♡☆♡☆♡☆♡☆♡☆♡☆♡☆♡☆♡

Imagine you just moved to a new company and happen to catch the eye of Alejandro and Rudy. And at first its just because you're a new person inside the studio and to see how well you are dancing inside the class.

But it's not till you go up to one of them and ask for help on a certain step and the next time you come back to class and show your appreciation you baked them some sweets. Ever since that they've been stuck to your hip. (Food is the 1# way to their heart)

They are so helpful too need your skirt tied tightly? Alejandro's got it! Need hairspray or tape so you dont slip? Rudy's already grabbing some from his bag! Can remember a step to your song? They are already helping you out! Need water? Be prepared to have like four water bottles graciously given to you by the boys.

Always wanting to partner up with you when there's partner work needed. Rudy has legit tripped Alejandro just to be your partner for Chihuahua.

Alejandro and Rudy are your personal cheerleaders they clap, cheer and do their gritos supporting the loudest when you're on stage.

You've taken their offer of taking you to.one of the food trucks by the studio more than once. A small way they spoil you.

If you want some cute shoes for practice yknow the ones that have a cute design or embroidery on them? all you gotta do is show them which one you want and say how much you want them high chance you will get them.

[amybizarre]

🎄✨𝓐𝓭𝓿𝓮𝓷𝓽 𝓢𝓮𝓻𝓲𝓮𝓼 𝓝𝓻. 𝓣𝔀𝓮𝓷𝓽𝔂 𝓞𝓷𝓮✨🎄

𝓟𝓻𝓸𝓶𝓹𝓽: Christmas Sweater

𝓐𝓵𝓽𝓮𝓻𝓷𝓪𝓽𝓮: All

𝓣𝔂𝓹𝓮: Headcanons

𝓞𝓹𝓮𝓷 𝓽𝓸𝓭𝓪𝔂'𝓼 𝓭𝓸𝓸𝓻!

The Wallys and you are dedicating a day to wear cringy/ ugly/ cool/ funny Christmas Sweaters! Here' s the sweaters they chose!

OG

He chose a classic style sweater. It's blue and yellow just like his cardigan! Plus: Little apples are incorporated into the patterns!

Opposite

Initially didn't want to participate. You threatened him with being dissappointed and he caved. He came in a red sweater that only had a frowning reindeer on it at the front.

RF

He was really cheeky this time. He wore his normal black turtleneck sweater and simply taped a hand mirror to the front. Due to his height, the others would see themselves in the mirror. He proudly named his creation the "Ugly or Pretty Sweater depending on who's looking at it".

Gray

His sweater is also a classic style one with fir trees and snowflakes on it. Needless to say, it's all grey- But super fasionable!

Royal

His sweater is red with golden-yellow stripes. There's the typical small Christmas-y patterns on the stripes and some hearts. On the chest is an amazing embroidery of his royal crest!

Hunter

His sweater is dark gray with tiny skulls wearing santa hats. In the front it says "This is as jolly as I get".

Actor

Super glamorous cashmere sweater. "I'm the gift" is embroidered on the front.

Priest

Got a black sweater with the classic cringy type of pattern on it. There's a big ass cross on the front though-

Mob

The only one in a white sweater. There's a big apple on the back, much like with his coat, and a big ass eye on the front. Around the eye is a very festive Chrismas wreath! :3

Butch

Butcher's sweater says: "Dw, Santa doesn't believe in you either." The writing is sourrounded by little embroidered presents that are tumbling downwards into flames. The sweater is red.

Killer

He didn't have one, so you gave him one of yours. It's also red and has a classic pattern with Christmas trees on it. It's way too big on him, which makes him look kinda cute.

Watcher

Oh, a rare blue sweater! With white stripes framed by fir-branches and reindeer. His viewers are incorporated into the design, gracing the middle of the white stripes.

Reboot

Wears his standard sweater. Except the heart on it got replaced by a Christmas tree.

Vampire

His sweater is of a very dark grey. On it are lots of little bats with santa hats!

Jazzy

His sweater is blue! The pattern is basically cartoonish fairylights wrapped around his arms and torso, which are embroidered.

Swan

He got a black sweater with two swans in the front, elegantly framing a Christmas wreath.

Lovesick

His sweater is pink and has hearts in the otherwise Christmas-y patterns. His sweater says: "I can get you on the naughty list~"

You!

Yours is red with little santa faces on it. Your sweater says "Santa's Favorite Ho" (No offense, I'm joking-)

[pennyplainknits]

Four blouses

A year ago I bought a metre of some very lovely and expensive Liberty Tana lawn. It sat in my small sewing stash until I could find a pattern for it. Eventually I settled on the Perennial Blouse. I was drawn to the simplicity of the shape, which lets the pattern shine will still being fitted and not the giant sack with elastic waist which seems so common in Indie patterns and which I have many many bitchy thoughts about.

I made a quick toile and found that as usual I needed to take length out of the body. It's designed to sit at the natural waist and I have a rather short torso. That's why it looks like a crop top but I swear it's not, that's just how short my upper half is! For reference I am 5'6" (167cm) and yet need a 32in (81cm) inseam, I really am mostly leg.

I made the cap sleeve version, and it was a quick and fairly painless project that is really elevated by the beautiful finishing on the inside and the thoughtful pattern elements, such as a button hole guide and separate pattern pieces for any interfacing, a well as properly drafted armscyes (the amount of armscyes that are symmetrical makes me weep).

Here's some close ups of the pattern and the cap sleeves. I was very happy with the pattern. It's very economical for fabric, taking under a metre, and it really lets the print shine. In fact I was so happy I uh, went a bit wild

I had to give away almost all my handsewn shirts this year as my upper chest and shoulders no longer fit comfortable in them (swimming regularly will do that, and my high bust measurement has always been out of whack for standard pattern sizing anyway). So I wanted restock my handsewn blouses, and I knew I liked this pattern. So I made more.

This is a white cotton broiderie anglais, For this one I raised the scoop neck about 1.5 cm, and lengthened the body by a cm. I love the contrast of the orange buttons. I made the bias tape from some plain white polycotton because the embroidery on the body fabric would mean it was harder to use.

I've added pictures of the inside for this one. As you can see there are no raw edges anywhere in this blouse, which I LOVE. The seams are all french seams and the neckline/sleeve seam/armhole are all bound with an understitched bias facing. It makes the inside SO neat and tidy. So many patterns skimp on the seam finishing, instructing you to serge or overlock them (I don't have an overlocker nor any desire for one). And really if I wanted seams that were overlocked together, why would I bother making my own clothes. It's a seam finish I hate! I really appreciated the time put into the pattern to make the inside nice.

Next up is this fun orange number that I made as part of a Star Wars bounding outfit (I was BB-8). A lovely embroidered lawn which was SO lovely and well-behaved to work with. I cut it on the cross-grain so I could have the embroidery and cut work running parallel to the button bands

And lastly, this one in silk. It was a NIGHTMARE to work with. It's whisper-thin and slippery and semi-sheer. I gave it gelatine bath which did help to somewhat stabilise the fabric as I cut and sewed it but it also made it super staticky. I think I should have used more gelatine because although it was slightly papery it was still slippery and seemed to stretch and deform if you so much as looked at it wrong.

(Wait, I can hear you say. Gelatine? Like the stuff sweets are made of? Yes! It's a way of stabilising very find or floppy fabric. You mix gelatine and hot water (I used a ratio of 1 tsp to 500ml water), soak you fabric, and let it dry, whereupon you iron it, and cut out your pattern. It washes right out of the fabric when you are done).

The fabric fought me every step of the way. I was nearly done when I slipped cutting a buttonhole and ripped a tear in the button band. I had to do a small patch job and you can TOTALLY see it but I'm hoping the pattern makes it less obvious.

The finished blouse is wonderful to wear though, so light and elegant so I think it is worth it.

[lamaisongaga]

FASHION CREDITS: LADY GAGA BY ETHAN JAMES GREEN FOR VOGUE US OCTOBER ISSUE

I was highly expecting for Lady Gaga to land a Vogue cover and here we are, covering the October issue of the American Vogue. The photoshoot, which is highly inspired by her role as Harley Quinn in "Joker: Folie à Deux", was lensed by Ethan James Green.

Styling: Alex Harrington, makeup: Sarah Tanno-Stewart, hair: Frederic Aspiras, nails: Kim Truong using Glitterbels, tailors: Hailey Desjardins and Egle Paulauskaite, set design: Marla Weinhoff.

Photographed during her stay in Paris in July this year, the cover photo showcases Gaga in the blue embroidered trompe-l’œil synthetic hair coat made in collaboration with hairstylist Gary Gill from Balenciaga‘s 53rd Fall/Winter 2024 Haute Couture collection!

An iconic silhouette by now, Gaga rocks a pair of her favorite Marc Jacobs Fall/Winter 2016 Kiki buckled black leather platform boots!

The mixture of couture, high-end designers and emerging talent is immense in this editorial as Gaga wears the grunge-inspired Hodakova Fall/Winter 2024 argyle double knit sweater in this hauntingly beautiful shot. The sweater is an old Wolsey piece which was upcycled.

Hyperventilating is an UNDERSTATEMENT. I fell in love the moment John Galliano sent out his girls down the dramatic runway and ever since I was hoping to catch Gaga in one of the designs. Never would‘ve thought she‘d even get a whole custom look!

Gaga poses in custom Maison Margiela Spring/Summer 2024 Artisanal Haute Couture.

White cotton caisetted cape cut with the memory of an ulster coat, worn over a patinaed knitted silk bodysuit matching Gaga’s skin tone underpinned by a corset covered in jersey and a silicone hip prothèse.

A taped reverse swatching hat in white foam and caisetted cotton, patinaed knitted silk stockings and gloves, and custom Christian Louboutin for Margiela white patent leather criss-cross platform pumps with torn stocking overlay.

One thing you should know about Gaga is that she loves to layer multiple runway pieces to merge a whole new look.

From Dior‘s Resort 2025 collection, a love letter to Scotland, she wore a knitted argyle sweater with cut-outs, a tartan wool maxi dress which she layered underneath a mesh and metallic lace dress, and some argyle socks.

The Hodakova sweater makes a return, this time accessorized with an antique hand-painted plaque, ruby and diamond in 18kt gold brooch, and a smoky quartz and pearl in 18k gold brooch, both from Tony Duquette!

A shoe that changed herstory. Vivienne Westwood‘s infamous Fall/Winter 1993 Super Elevated Gillie platform shoes make a return, acquired from Pechuga Vintage. You might remember Gaga wearing a boot version of these for her 2010 Elle spread!

A firework of excitement ransacked my body when I first found out that Alessandro Michele would depart from Gucci to head over to Valentino as the new creative director.

LG is, to my knowledge, the first celebrity to rock a piece from the Resort 2025 "Avant Les Debuts" (Before the Beginning) collection – a pale-yellow chiffon mini dress with high collar, tiered ruffle puff sleeves and floral micro-element embroidery all over!

Paired with custom Maison Margiela distressed stockings and custom Christian Louboutin platform heels.

Gaga is working it in a bi-colored statuesque coat seen on Yohji Yamamoto‘s Fall/Winter 2024 "A Seamless Parable on Cubism" runway.

Rather than canvas and paint, Yamamoto’s medium is fabric and more than ever, it felt like he let his instinctual side take the wheel. Case in point: He said he couldn’t talk about how he’d arrived at these silhouettes. "During fittings, I can change, I can touch", he said with finality.

The look was crowned with a custom Vivienne Bow hat made of voluminous moiré fabric by emerging designer Andrew James!

One of the "Antwerp Six" designers, Dries Van Noten bid farewell earlier this Summer and decided to leave the fashion scene with a bang by celebrating his legacy at his final Spring/Summer 2025 collection where this epic embroidered cashmere coat is from.

Both her Tah ornamental black double-faced wooly cashmere hat with engraved metal accents ($2,700)...

...and Duras double-breasted boxy oversized coat rendered in bonded viscose with peaked lapel ($6,750) are from The Row's Resort 2025 lookbook.

Gaga is the first ever person to wear this vintage Givenchy by Alexander McQueen Fall/Winter 1999 "Execution of Lady Jane Grey" Haute Couture chinoiserie embroidered silk balloon sleeve coat and bespoke black dress, both sourced from LILY et Cie.

In 1999, McQueen was going through, in his own words, "an emotional turmoil" both professionally and personally. But instead of relieving himself, he ventured into his own despair to understand his inner demons more poignantly. This painful journey led Lee to Paul Delaroche’s tragic but beautiful 1833 painting, "The Execution of Lady Jane Grey".

Like a painter to a blank canvas, McQueen filled an empty room with extravagant offerings: romantic silk ensembles with floral embroidery, 16th-century fur-trimmed tunics, luxurious velvet coats, as well as the designer’s signature leather suits, cowl-neck dresses, and even a heightened-for-couture bouffant piece that paid homage to his plaid.

Dialing in on his inspiration, McQueen presented his clothes not on models but on fiber-glass-headed mannequins that emerged from trap doors in batches, as if the audience were in an art gallery rather than a fashion show.

It's almost unrecognizable but Gaga is draping this Chanel Fall/Winter 2024 Haute Couture black silk taffeta opera coat around her torso. This piece, which served as the show's opening number, features a ruffled neck, bejeweled buttons and a voluminous cut.

[thecephalopodagency]

okay so im currently in a ladybug/batman/justice league phase and every time marinette is kidnapped by the riddler shes like 'your suit is so awful' but i was thinking, as someone who does love the outfit, what if she did too?

so imagine marinette gets kidnapped by the riddler who plans on doing the usual riddler thing leading batman on a multi riddle scavenger hunt to find her and the moment she wakes up and she sees his suit she loves it?

hes standing there trying to explain to her the situation she's in but she's gushing about the embroidery of the question marks and the quality of the suit and somehow, her hands are free and her sketchbook is out (how did she do that? he was watching her the entire time one second hands tied, the next shes scribbling away)

she starts designing a new suit and hes so confused and just shocked by her reaction that he just starts answering her questions about his style and color choice on autopilot while he tries to figure out what is going on

shes somehow got the tape measure out and taken his measurments (she was literally chained to the chair, maybe her hands werent secured tightly enough, but the chains?? what is happening?)

just as hes starting to pull himself together shes showing off a whole page of alterations to his suit and a whole entire new one that, not gonna lie, he instantly wants on his body immediately

one thing leads to another, a few days later marinette is walking out of his base of her own free will and the riddler is admiering his new suit and the MDC buisness card she handed him before she left

(during this batman is losing his mind trying to figure out riddlers game since he was too busy getting a new outfit to actually send the rest of his riddles so the information batman got from the first riddle never led anywhere)

[interpol-anonymous]

ughhhh my boss is suuuper mad at me cause I beat up a grunt and stole their clothes

“stop that! You’re a professional and you can’t go around forcing random people to strip” well first of all I can use it for professional reasons, second of all I need to find their costume designer and kiss them with tongue because the seams are bound in the tiniest bias tape you’ve ever seen and the embroidery is done so neatly by hand and the fitting darts are even hand tucked rather than backstitched.

[submission received and posted]

[themakeupbrush]

What are your thoughts on the Schiaparelli tech baby, specifically in regards to any sort of societal commentary but also in terms of the rest of the collection?

Collection description from Daniel Roseberry

If there's one thing Schiaparelli is good at, it's having a weird showstopper that everyone will be talking about. It always feels a little gimmicky but clearly it works and keeps fashion week interesting, so I'm not complaining. Also, Daniel Roseberry's dedication to fashion + couture is always inspiring. You can read an article here where he complains about people feeding his work through AI, being inspired by other couture icons, and honoring a member of the atelier who's retring.

I think they accomplished the classic Schiaparelli goal of putting two unlikely things together and making them work, but to me this collection kind of felt like it had one too many design concepts going on. It had extraterrestrial, technology, texas cowboy, and then all the iconic Schiaparelli design elements. The outfits on their own were great and cohesive, but it kind of made the show feel like it was all over the place.

Collection description from Daniel Roseberry:

In 1877, Elsa Schiaparelli’s uncle Giovanni Schiaparelli, the director of the Brera Observatory in Milan, discovered something new: a series of channels, an area as large as the Grand Canyon, scoring the surface of Mars. He also coined the term “Martian”, and inadvertently began our modern fascination with creatures from out there, a fascination that continues to this day. So it makes sense that space has always been an informal code of the Maison. Elsa was, famously, preoccupied with astrology, and why not? Looking to the stars was clearly a family pastime. This collection is an homage to that obsession, as well as a study in contradictions — of legacy and the avant-garde, of the beautiful and the provocative, of the earthbound and the heaven-sent. But as art (and nature) teaches us again and again, the things and ideas that seem diametrically opposed to each other can also combine to make startling chimeras, objects composed of familiar parts that, when united, create something unexpected and new It is, in fact, one of the Maison’s guiding philosophies: Elsa was committed to unlikely marriages win her own design, and the looks in this collection honor that tradition, combining old world techniques (such as over-embroidered guipure laces, velvet and lace appliqués, and hand cut and embroidered chenille fringe) with new world shapes, patterns, and references (such as a motherboard-and-strasse microchip dress encrusted with pre-2007 technological artifacts — now, the technology I grew up with is so antiquated that it’s almost as difficult to source as certain vintage fabrics and embellishments). They also unite her personal references with my own: you’ll see abstracted references to iconographies of my home state of Texas throughout, from the bandana, here remade in hand-painted paillettes; to the cowboy boot, reconceived as a thigh-high fantasy bristling with buckles; to the iconic horse braid dressage knots redone as silk satin spikes and smothering a camel suede bomber jacket and a white denim corset suit. Elsa was famous for her codes — the keyhole, the measuring tape, anatomical body parts — and we’ve embedded them like Easter eggs in jewelry, shoes, clutches, and embroidery, a secret message from us to the woman who wears them. The result are a series of profiles both familiar and not — part human, part something else. And, therefore, totally Schiaparelli.

[zipper-and-ribbon-printing]

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