#Dynamic analysis

[polymathial]

Small analysis on the “true” names of the characters The Doctor & The Master:

Recently I saw a post about how Theta means death, and I thought why the hell not look up what Koschei means (outside of the villain archetype) and he means deathless. It had me thinking - these names that the fandom seems to have chosen from hints and archetypes are scarily accurate.

Theta; the meaning of death, the hero where we are constantly shown as the hero, is a morally gray character. They are never at the hands of death, they are death’s hands. They never welcome death, and may never die. But they welcome upon the deaths of others even unintentionally. To the point where they murder another child to protect their other half.

Koschei; the deathless, the villain which the hero can never rid of. They have “died” several times, and we are led to believe they’re really dead every time. But like a cancer that our hero can’t get rid of, they come back again and again. They are the hands of the universe, driven with a madness so pure sometimes it can be seen as beautiful.

These two are unable to be without each other, The Doctor, our Theta, cannot exist without the Master, our Koschei. To exist without the deathless brings the universe pure fury and destruction. They are two sides of the same coin, and I wonder if the fandom is even aware of how these names represent their characters so well.

[cevtoons]

Let’s talk more about MK & Mei’s friendship/dynamic.

Taken from This thread I made on Twitter.

[rx-aysgl]

On Kyle's Side: My Personal Take on Cartman And Kyle's Dynamic From Kyle's Point Of View

This is a four part essay in which i explore Cartman and Kyle's relationship, focusing primarily on Kyle's perspective. As said, i have broken it down into four different parts titled:

Sense of Identity

Martyr Complex and Competitiveness

Cartman

Their Relationship

There will be an extra chapter where i will make some additional commentary.

Hope you guys enjoy.

1. Sense of Identity and Selfishness

In the show Kyle is always concerned about “doing the right thing”, at least that's what he likes to tell himself. Though in reality, he is extremely selfish when push comes to shove and the reason for that stems from his constant questioning of his own identity and his stance in things. This makes him come off as rather inconsistent in a lot of ways. As a result, Kyle feels very lost. So what does he do? He decides to base his opinions and feelings and thoughts off of his environment because his own existance overwhelms him so much (eg. the "Tooth Fairy Tats 2000" episode). This puts him into this vicious cycle where he keeps getting lost even more due to not being able to pinpoint his own frame of thought and latching onto the external world that consists of many different people who have found their own way in life who also keep changing constantly and thus leaving all kinds of contradicting impressions on him. Throughout the series we see him try to change his apparence, religion, even his personality for the sake of fitting in (this also correlates to his martyr complex which i will get to). He creates this moral code for himself that he conditions himself to stick to in order to find his own identity and feel a sense of belonging but the sheer inconsistency of said moral code causes him to come off as indecisive, sometimes as a people pleaser and sometimes a hypocrite.

His defiance of a stable frame of mind pushes him to act on instinct and his momentary emotions while his refusal of self-acceptance causes him to distance his true self from others he considers close to him (Stan), hence the selfishness. It makes sense because how could someone get close to another when he can't even make peace with his own identity?

The reason i am mentioning this is to point out that since Cartman is so extreme in his beliefs and deliberately commits so many evil and selfish deeds, Kyle is obsessively drawn to him because it is so easy to call out and oppose him. Their polarity makes Kyle feel a sense of self he doesnt allow himself to truly make peace with and sugarcoat how fucked up he can be just like all the people in South Park that have wronged him but not enough to channel these feelings into. Cartman keeps Kyle grounded. Just like basically every other kid in the show, Kyle has done terrible things but he is so concerned about being right that he has to have Cartman by his side to make him escape from his own inner conflicts by reflecting it directly onto Cartman, the one person he is actually much more similar to more than he likes to think but he can only subconsciously acknowledge it.

2. Martyr Complex and Competitiveness

Another very essential aspect we need to pay attention to is Kyle's martyr complex. Kyle feels the need to not only to do the right thing but also to “sacrifice himself” for it. He is so self righteous to the point that not only does he not acknowledge his own flaws he also thinks he has to be and is some kind of heroic figure to others (eg. "Ginger Cow"), though this is more subtle compared to the other aspects of his personality.

The martyr complex causes Cartman to be seen as an even easier target than he already is and Cartman is more than willing to exploit Kyle for it hence feeding his very own complexes. They mutually feed off of each other to the point they are obsessed with each other and need each other. I would also like to point out that Kyle often shares some of his most vulnerable moments when Cartman is by his side in a suprising way (eg. choosing to stay by Cartman's side in the "You're Getting Old" and "Ass Burgers" episodes as an escape from Stan's depression at the time, crying with Cartman in "Kenny Dies" etc.) and vice versa. Though this is hard to notice on Cartman's side because Kyle conveys his vulnerability via confusion, sadness and desparation whereas Cartman does so via anger, jealousy and revenge.

3. Cartman

Cartman chastising Kyle like this most likely stems from how he believes Kyle was the catalyst to how fucked up he turned out to be due to his constant agression and bullying towards him in the earlier seasons, where he was mostly just a spoiled brat and nowhere near as bad as he is now. His pent up fury leads Cartman to also feel an extreme amount of envy towards Kyle with the reason of Cartman being a little more capable than Kyle at recognizing how him and Kyle share many similarities (being very emotionally driven, selfishness, neuroticism, stubbornnes, a habit of denying their own mistakes) who is in full denial of it on a conscious level. Cartman does try to get closer to Kyle and also the rest of his friends and seek their validation in the earlier seasons but as time goes by he realizes more and more that Kyle does not get the same treatment as him regardless.

Therefore, Cartman blames Kyle for his suffering and takes it all out on him in various disgusting ways because he thinks that Kyle deserves all the terrbile things happening to him.

It is very important to take into consideration how abhorrent Cartman's upbringing was and how influential it is to the way he feels towards Kyle. All of his childhood; he was raised with all kinds of abuse, neglect, extensive bullying and was depraved of almost all positive emotions. The result of this is Cartman ending up percieving positive emotions in a very traumatized, distorted and disturbing way. With this gradual build-up and "Scott Tennorman Must Die" being his breaking point by spreading fear to all of South Park and feeling an overwhelming amout of attention on him that he craved so much, Cartman ultimately comes to the conclusion that he can only and only validate himself by inflicting negativity on others. Independent from being conventionally "positive" or "negative" emotions, post-Scott Tennorman Cartman correlates all of his emotions to seeking attention and asserting himself as much as he can in means of a defense mechanism and in means of validating his own existance. His real feelings are filtered through a broken perspective, of which are conveyed intensely to the people he feels strongly about like Kyle or Liane.

How this all comes back to Kyle lies in the fact that Cartman also "benefits" from the way Kyle caters to his own problems via their seemingly very polarized relationship, not only does Cartman keep Kyle grounded as mentioned but Kyle does keep Cartman grounded as well.

At this point, their individual vicious cycles have become one, a constant play of cat and mouse; with both of them unable to differentiate which one is which, ever chasing.

4. Their Relationship

Describing their feelings towards each other as solely hate wouldn’t do justice to the times they tried so hard to keep the other in their lives (eg. the "Smug Alert" and "Skank Hunt" episodes) not only for the sake of just existing in each others lives or keeping in touch etc. but also to keep each other in their individual loops they are in, of which they cannot maintain with anyone else.

As a consequence Kyle and Cartman’s mutual obsession with each other leads them to go such lengths as saving each other multiple times. However, since there is a perpetual competitiveness between them due to Cartman's evny towards Kyle and Kyle's insatiable need to prove himself to be better than Cartman, they simply cannot stand each other’s happiness, especially if it involves someone really close to them, like a partner. Cartman ruining Kyle's potential romantic relationship with Nicole in "Cartman Finds Love" and Kyle trying to ruin Cartman's relationship with Heidi in "Doubling Down" and Kyle being unable to appreciate Cartman finally changing his ways for good and having a loving relationship and family in the Post Covid specials are all examples of both of them selfishly trying to involve the other in their own issues they should be able to deal with on their own, only have they not been such self absorbed people.

Their rivalry brings out the best and the worst in each other and they both know deep down that they are just like each other and they both hate it and feel an odd sense of comfort in it. That is exactly the reason why they simply cannot stand when the one of them goes on to have a happier life than the other. Not only do they feel as if they have lost some kind of battle but they also feel abandoned when it happens.

Extra Thoughts:

I find their relationship to be extremely complex and honest to god it has my multi media overthinker ass climbing up the walls and shitting furnitures. They are my favorite characters in the show and analyzing both of them was such treat to me. Due to some things i have mentioned in this essay especially on the last chapter, you can interpret some of them in the same vein as some kind of shipping subtext, even though this essay is essentially written in means of sheerly exploring this dynamic as it is. I honestly like keeping things really ambigious without necessarily categorizing relationships as romantic or platonic but if written properly i can enjoy both renditions of this relationship.

In order to clarify some things, i can enjoy romantic kyman ONLY AND ONLY in the condition of Cartman bettering himself over the years. I know it would be really difficult and may seem impossible to most of you but i find it an interesting and challenging story to think about and create content for. I believe that Eric is forever gonna stay as an asshole and i do not expect him to become an angel in the future. However I also think of him to be a really traumatized 8 year old, who is a really fucked up product of his really fucked up environment, a child who is smart enough to learn to be a better person, especially to those he values as his friends if given the proper opportunity. I do not think that their relationship will ever be a conventionally and classically an ideal one, especially from an outsider's perspective but Kyle and Cartman (and the entirety of South Park's cast) are both very far from being ideal human beings in the first place. At the end of the day, relationships can be very complex and unhealthy in real life, they always come in different colors and shapes. It is okay to explore a relationship in fiction without thinking it is the ideal relationship or the relationship you want to have in your own lives. It is okay to explore a relationship because it is interesting and well-written. This is what media literacy is all about.

As a disclaimer before some dumbass ship discourse happens, there are ofc some lines not to cross like the romanticization of inc*st, p*dophilia, r*pe and things like ww2 aus and shit btw. That being said, if you cannot separate fiction and reality to the extent i talked about in the previous chapter, this is your stupidity. Stop making it everybody's fucking problem.

anyways im gonna be extra deadass rn if someone gave me a 100k word long collage au that is written properly i would eat that shit up like theres no tomorrow. it doesnt even have to be romantic i just want more of them they are so interesting 😭😭😭 they also funny as fuck so the 2012 yaoi becomes even funnier. what a great dynamic godzamn 😭😭😭😭

Thanks for reading!!!

[sleeplesssmoll]

I realized that mesmer.jr might be one of the most unique suitcase crew member

This idea came to my mind because I read a post talking about "vertin being a Mary sue" not in the sense that she can do everything but rather everyone just likes her, the post pointed out that everyone vertin meet liked her, even Jessica who she only meet for a day was willing trust vertin more then blonney

It also pointed out that the only people who disliked vertin was forget me not and her teacher from the orphanage, they said that the only reason forget me not disliked vertin is because they were enemies on opposite sides, and her teacher disliked her because she was a chaotic problem child, they *had* reason to dislike her

But the moment I read that my mind automatically go to Mesmer, I thought "Mesmer doesn't like vertin" and the more I thought the more unique Mesmer became in my eyes.

Mesmer is probably one of the only people in the crew who just dislikes vertin, sure they could work together but Mesmer clearly dislikes vertin, and I think vertin doesn't like Mesmer either, not in the sense that she hates Mesmer but rather she wouldn't go out of her way to hang out with Mesmer.

Mesmer is unique because she doesn't exactly have a reason to dislike vertin, she just doesn't like her, sure she might be blaming vertin for the breakaway incident but she is smart enough to know that vertin was a child and she didn't know about the storm, so she wouldn't blame her fully

And it's not because vertin is an arcanist as Mesmer already said she can tolerate/normal towards the arcanists from the foundation like sonnetto, but even if they both are from foundation and can work together if required, Mesmer just doesn't like vertin, and neither vertin does like Mesmer all that much

Hopefully my points come across lol! I tried to address as much as I could but let me know if I missed something 😊

Why do people like Vertin?

As for the “Why Jessica chose Vertin over Blonney Question” I have a in depth answer here. I also explained why Jessica believes in Vertin’s words.

The simple answer is the way the proposal was made by Vertin as opposed to Blonney. Blonney means well, but her offer did not reflect Jessica’s concerns. Jessica’s decision is not about the different offers rather than the person saying it.

This is a great jumping off point as to why do people follow Vertin? This ties in a bit with my Manus Vindicate post but essentially the people who meet Vertin are cornered and don’t have many options to begin with (except Druvis but that’s a topic for another time). Here are some examples:

Regulus recognized the fact the Foundation would chase her down no matter how much she runs, which isn’t the freedom she wants. Jessica is scared of isolation and rejection from the outside world (humanity). Joshua is a troublemaker who doesn’t conform and suffers consequneces. These arcanists already have a motive/reason to follow her. Another thing to consider is what would happen if they did not? They would be stuck in their current situations for who knows how long. Vertin gave them a way out.

Another important tidbit is Vertin’s approach. In the most simple terms, Vertin listens to people.

This seems so small but think about the other ways we see the Foundation or Manus “convince “ people to join their cause.

Manus uses fear and control to herd people like sheep. Then they brainwash them to take away their agency. However the fear of the Storm and the discrimination against arcanists make them one of the few viable options for arcanists seeking shelter from a world that despises them.

The Foundation uses lies and keeps corruption to hide the abuse they put arcanists through in the name of humanity but they also provide “shelter”. To choose the Foundation is to choose to be a dog on a leash (unless your human), but at least you'll be safe from the Storm.

Finally, there is the Timekeeper. Unlike the other factions, Vertin listens to people’s concerns and addresses them directly. She does not make false claims and outright admits she will do what is in her power. She recognized Druvis’s grief and tried to show her a glimmer of hope. She wanted to understand Schneieder’s anger and desperation. She appealed to Regulus’s love of freedom and appeased Jessica’s fear of rejection by the world.

That being said, I wouldn’t say she’s a Mary Sue but a glimmer of hope for the vulnerable people she meets (that being said they could have built this up more but perhaps they had to keep things short and clean for brevity's sake. This bit is speculation). 

Mesmer Jr.

Mesmer is such a complex character! She is not easy to categorize making her very unique but I also feel she is misunderstood for that same reason. I mention her tragic talents in this post if you want a more detailed picture but the short version is she suffers a lot of trauma which affects the way she interacts with others.

I agree with you in that she is too smart to blame Vertin for the break-away event. However, I don’t think she dislikes Vertin, rather the way she shows concern for others is different from what people are used to seeing. Back in their younger days, it was Mesmer who confronted Vertin first at George the Oak Tree during their secret meeting. She was the first to speak up then and get things moving along because the others were tense and nervous.

Years later, we see her do it again. This time for Vertin’s sake in Nouvelles et Textes pour Rien- A Deep Sleep. Mesmer Jr. didn’t have to tell Sonetto that Vertin was being kept here against her will and that this is all part of Constantine’s plan, but she did. She says it's because she shares the same values. She cares about her friends but her trauma warps the ways she interacts with them.

In An Opened Sandwich it is stated that Vertin understands her trauma because they both carry it. She sees the scars on Mesmer’s hands but knows the emotional ones are the real issue because she is the same way.

In the Suitcase, Vertin doesn’t know how to properly interact with her but she tries to understand. Mesmser is always nagging her and has no problem ordering Vertin around, but that doesn’t mean she dislikes her. In fact, I’d say it's a sign of familiarity because she is not afraid Vertin will have an outburst like other arcanists. We can see this in her lines:

Bond Morning: Too many arcanists here, weirdos as well. Damn it... You'd better prepare me a room where I won't be disturbed. Last time, the girl doing the potion experiments made everything so dusty I could barely clean myself. 

(Note the difference in the way she talks about other arcanists as opposed to Vertin and Sonetto in the story.)

Bond Night: It's very quiet out there. The door is securely locked. At night, the river whispers outside the window. I must extend my gratitude since you prepared such a perfect room for me. Also thanks for your suitcase. That's all, that's it.

(While this is speculation, I know some people find the sound of water like rain, streams, the ocean, etc calming for the mind. I wonder if this room by the river was chosen for that purpose? It would show Vertin is considering what works best for Mesmer's condition)

The most interesting lines to me are these:

Monologue: That's it, that's it, enough... Stop crying, stop, and don't laugh. Don't be insane. I am fed up watching or hearing you. Leave me alone for a while! Just a while! Stay away from me!

This seems like a breakdown and she needs space from everyone to collect herself. It shows that she suffers and the strong mask she wears slips at times.

Suitcase Climate: Those insane people screamed and rushed out of the guardroom. They kept meaninglessly and repeatedly roaring. Then, their blood shed on the snowy ground. I've seen that a lot.

She opens up to Vertin about the violence she witnessed working in Laplace. Like her, Vertin's also lost people she was supposed to help.

Mesmer doesn’t go out of her way to hang out with others, but that is because she is protecting herself. You can read more of her voice lines here if you’re interested.

While I don’t think Mesmer and Vertin are super best friends or anything, I do think they recognize the trauma in each other that other people won’t understand. Vertin tries to accommodate her and Mesmer is grateful for that, even if she struggles to show it. Mesmer is also willing to help Vertin on her own principals.

She's such a badass. Tragic, yet headstrong. I hope we see more of her in the future.

[fennel-tea-and-nightshade]

Ok so, Eliana and Sweet Dream as requested by my dear DM and second part of this dynamic: Viper <3

Long dynamic commentary incoming:

So with Eli and Sweet, I really like how they are kinda two sides of the same coin. They kinda mirror eachother in a weird way. Sweet is an idealist and she will never give up, trying to make things better. But at the same time, she can't accecpt any "negative" parts about her. Eli on the other hand has completely given up in almost every regard, and she belives things can NEVER get better for her. She actively makes things worse for her. Both are too extreme is their view point. Both could technically learn from eachother.

Finding the "middle ground" has to be one of my favourite themes in general (for example that's the overatching theme for my Epochs cast). Sweet should learn to accpect that no, she can't be perfect and Eli should learn to have an open mind. Will that ever happen? Umm looking at their emotional issues, probably no. Eli is so freaking traumatized by her, it's more likley that once she gets all her bad feelings out of her system, she'll leave Sweet and never look back, rather than starting an actual conversation.

But that's another thing I really like about this dynamic. I said I want them to "shred eachother to pieces". They are the perfect candidates for shredding eachother to pieces. Why? I believe they hold a special kind of "emotional power" over the other. And that's what makes this particular god/mortal dynamic so freaking interesting! Eli could totally call Sweet out and it would absolutely destroy her. And vice versa.

With other "mortal/god" dynamics, even if the mortal has the power to emotionally fuck a god up, THE POWER IMBALANCE is REAL. Asklepios would have never dared to start a real fight with Nyx. That's madness! But with Sweet, while yes there is a power imbalance, Eli knows Sweet would never actively try to harm her. And that's what sets this apart from other dynamics in my eyes.

One last thing I love about Elis and Sweets dynamic: The irony of their situation. Eli is essentially everything that Sweet doesn't WANT to be. She's a ruthless killer who self sabotages to make everything in her life worse and ruins good things for herself. But Eli wouldn't exactly BE this way if if wasn't for her trauma. And her trauma was SEEING THE TRUE FORM OF SWEET. So essentially, Sweet Dream emotionally destroyed and fucked up a mortal, and made her become everything she doesn't want to be, by showing her her true self.

And holy fuck if that's not dramatic irony I have never seen it.

[ajayexplore]

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[shyjusticewarrior]

When Bruce said he was proud of Jason for stepping away from guns, Jason immediately clarified that he wasn't doing it for him.

When Dick said he was proud of Jason for stepping away from guns, Jason didn't feel the need to clarify this.

Interesting contrast I noticed.

[nnctales]

Machine Foundation: Types, Suitability, and Design Criteria

Introduction Machine foundation are the unsung heroes of industrial operations, providing the essential support needed for the seamless functioning of heavy machinery. A well-designed foundation not only bears the weight of the machine but also acts as a barrier against vibrations that could otherwise compromise structural integrity. In this comprehensive guide, we will explore the various types…

[cornmagnate]

I've been rotating this scene in my head for a very long time and I think very few people talked about it not just in terms of “look Copia’s so cute here” but in the context of character analysis. Because right up to this point, Copia behaves like an arrogant bitch and demands attention and validation from Sister, while considering himself as her equal.

But AS SOON as she hints that Copia is not doing what he should be doing (isn’t thinking about the show), he turns into a closed child who is afraid of being scolded by his mother. He immediately closes in on himself (eyes down, nervously fixing his hair to look like a professional, voice much less imposing, he os almost whispering) and shamefully tries to justify himself and I think this says a lot about how traumatized he is and how afraid he actually is of his possibly imminent demise

[aroaceleovaldez]

i have suddenly become obsessed with a theme that HoO established but never proceeded to extrapolate on, which is:

You are Percy Jackson, and you have been swapped with a boy who was allegedly everyone's favorite person, but they have decided to replace him with you. They just met you. You stand next to his best friend and the people he's known his entire life. In his home. In his cloak. In his place. They stopped looking for him.

You are Jason Grace, and you have just found out you have a long lost sister who completely replaced you in her life with this girl you just met. Your lives and personalities are mirrors. She is you, living the life you were robbed of.

You are Annabeth Chase, and you have just become starkly aware that you have been inhabiting the void left behind by your best friend's long lost brother. You and Luke were just replacements for him. Now you have to look him in the eyes when he has nothing and know you took that life from him.

You are Piper McLean, and you have just found out your relationship is fake and built entirely on the memories of Annabeth Chase. You have been given a boyfriend when hers has been taken away. You have no idea how much of it is real or not but regardless you feel like if your relationship isn't exactly in their image that you have failed.

You are Leo Valdez, and you have just learned that you are the echo of your great-grandfather. You are not your own person. You just exist to be a mirror of him. A doppelganger. An actor and stunt double facing all the danger he never had to but wearing his face. To be there for his best friend decades later simply because he couldn't. You are playing a role. A seventh wheel and a pawn for a goddess who carefully sculpted your entire life for her own purposes.

You are Hazel Levesque, and the only reason you are alive is because your brother couldn't save your his sister. You are a consolation prize. An apology. Your existence here is misplaced in every way but you inhabit it anyways.

You are Frank Zhang, and you are a shapeshifter. Inhabiting your own body feels strange and clumsy when you could be literally anything at any time. You are anything and everything and live your life with the simple certainty of knowing exactly how you will die.

[rose-tries-to-write]

Thinking about how, when Scar turns red in Third Life, his first actions are collecting flowers to beg to stay with Grian.

That, when faced with being a red life—the first and only red life—his first actions aren’t bloodthirst and anger but desperation to keep the relationship he’s made.

That, in a game where alliances are kept through deeds, debts, and doubt—he offered flowers. He didn’t sell the idea of staying teammates, he didn’t even try. He offered the flowers and begged to stay by Grians side, but was fully prepared to walk away without another word. Was prepared to forget his scamming nature, to lay down flowers and nothing more.

Also, in the image of the flowers being a bouquet, imagine him being gone for hours after his death.

Grian is waiting and Scar is holed up in the forest somewhere meticulously crafting this arrangement despite having no idea what he’s doing. He could only find two flowers, and the mess he puts together isn’t anything anyone would ever sell, but he made it from scratch. He put in the effort, spent hours on it until he deemed it perfect and only then did he bring it to Grian.

It’s ugly, and there is no twine holding it together nor a sheet, but the flowers aren’t wilted. All of them are the most vibrant, healthy flowers he could find and not one is missing a petal due to his hands.

His hands—used to scam, maim, and betray—made gentle for the effort of making something worthy of someone like Grian.

[irispublisherscivilengineering]

SFRC Modelling and Non-Linear Analysis of Beam- Column Joint Under Cyclic Loading

Abstract

In this paper reinforced concrete beam column joint is modelled and analyzed using ABAQUS software to compare the simulated results with the experimental study. The joint is the most critical and most important part of the multi-story frames or multi-story buildings when they are subjected to earthquake loading. In this research the joint is analyzed for two different types of non-linear analysis that is non-linear static analysis and a part of non-linear dynamic analysis for the visual comparison with the experimental study.

Read More about this article: https://irispublishers.com/ctcse/fulltext/sfrc-modelling-and-non-linear-analysis-of-beam-column-joint-under-cyclic-loading.ID.000671.php

Read More about Iris Publishers Google scholar Articles: https://scholar.google.com/citations?view_op=view_citation&hl=en&user=LoZ6uCQAAAAJ&cstart=20&pagesize=80&citation_for_view=LoZ6uCQAAAAJ:hkOj_22Ku90C

[necrotic-nephilim]

as much as I love the common "Tim worships/stalks Jason" trope in TimJay fanfiction because it's Good and making Tim a weird little freak is Fun, I think the underutilized dynamic is where Jason is the one weirdly obsessed with Tim and makes it Tim's problem.

Like, the moment Jason is confronted with the information that a third Robin exists, the first thing he does is cover his wall with pictures of Tim so he can just obsess and torture himself over it. That is the behavior of a man who is Unwell over Tim's existence and I love it.

red hood: lost days #4

And as much as a shitshow as The Titans Tower Incident™ is characterization-wise (though I think it has far more merit in depicting Jason's character than people give it credit for but I digress-) there's something very fun about the fact that even after kicking his ass, Jason respects Tim and is impressed by him.

teen titans (2003) #29

And on top of that, Jason can't seem to stop trying to ask Jason to Tim to work with him in some capacity.

robin (1993) #177

batman: battle for the cowl #2

While Battle for the Cowl is an exceptionally bad comic, especially for its characterization of Jason and the "be my Robin" bit is taken deeply out of context, I do think it's interesting how obsessed Jason is with believing that Tim is extremely competent, only held back by being "brainwashed by Bruce". (hence him leaving Tim for dead later on in the comic.) Jason seeing a darker side of Tim and wanting to bring that out of Tim, wanting to see what Tim could be if he let go of his loyalty to Bruce is so fun to me, tbh.

And in Robin #177, Jason seems genuinely upset Tim doesn't want to work with him. Jason sees such a raw potential in Tim and is obsessed with it, constantly wanting Tim to work for him and see Tim be the type of person Jason is. And despite Tim rejecting him, Jason doesn't shoot to kill Tim. I just cannot get over the fanfic potential of Jason obsessing over Tim, tracking him and seeing what he's capable of and what he could be capable of. Wanting to make Tim see things the way he does. To Tim it's corruption, to Jason it's freedom. Tim trying to 'save' Jason is fun and all, but Jason trying to corrupt Tim? That's even more fun to me. Watching that power struggle between them, Tim unable to get Jason off his heels as Jason gets more and more possessive and bold with each attempt.

And when Jason sees Tim successfully get Gotham back under control after a gang war, he's impressed. He praises Tim, even. And then Tim just. Breaks him out of prison.

robin (1993) #182

The way they're constantly trying to see something in the other that isn't there, hoping the other will come around? That is the most fucked up hate/love dynamic ever. Jason keeps coming back to Tim, keeps trying to find ways to get Tim onto his side. They're always chasing each other. And I think Jason would be the one to confess love first, the one to do anything to make Tim his. And when you consider after all of this, Tim has his Red Robin arc and is at his lowest, getting the closest he ever gets to considering murder? I think it'd be so fun to see Jason take advantage of that and worm his way back into Tim's life and finally push Tim over the edge.

[shaylogic]

Cat King: I know my kingdom better than you. I'm proud of my duties towards my citizens. I hold responsibilities that are very impressive.

Edwin: You've forgotten yourself in your own lack of self-awareness and self-worth -- exactly proving my point.

[oakgreenoak]

Something I've always found kinda interesting about Red and Green in gameverse is how they turn some of the Stock Shōnen Protagonist/Rival tropes on their heads.

This is really long character analysis of these two and various media counterparts of theirs, so I'm gonna stick it under a cut.

In some ways they fit their roles quite well - aside from the obvious colour associations, you have Red as the hero whose sense of justice is stronger than his sense of self-preservation, and you have Green as the privileged rival who cares about beating Red above all else.

But, if you look at it another way - Green's got the light spiky hair, the hot-headed and boisterous personality, the drive to Get Better And Win. He's designed to read as really open and chipper, yet snarky. Sure, he isn't dumb, but he's arrogant, and he's got something of a one-track mind; the guy finds himself in the middle of a hostage situation because he's just that hellbent on fighting his rival, and does not seem to be thinking about anything else. He's also got a motivation - given how the Professor talks to him in the championship room and supplementary material like his Generations appearance, it's not a stretch to think the reason he's so driven to Get Better And Win is to prove himself to his grandfather. It's shown in later games and supplementary works that he's become somewhat of a mentor as he got older and wiser.

Red, on the other hand, is a quiet loner whose only motivation seems to be to get stronger for the sake of getting stronger. He's level-headed and dark haired, his cap rounding off his edges and obscuring his face. He's heroic, but not really sociable, as evidenced by the fact he spends the Johto games alone on a mountain without having told anyone where he went. He seems isolated in a way that later games' protagonists really don't. He may have always been a step behind Green, but he's always better.

Equally fascinating to me is how other adaptations have changed the base designs around and rewritten personalities to suit different purposes, while still being visually recognisable as counterparts to their game-selves.

For example: Red and Green's counterparts in Special slot WAY more neatly into their stock shōnen roles, with Red as the boisterous hero and Green as the broody rival, and it's reflected in their new designs.

Red's hair becomes spiky to reflect his more excitable nature. His hat, in turn, never obscures his face; it's always either tilted back to accommodate his fringe or turned backwards. Green's hair, on the other hand, is not quite as spiked upwards and instead falls into his face, frequently obscuring his far eye in the same way game!Red's hat does.

And then, of course, the anime balanced them in a totally different direction.

Instead of scrapping Green's personality wholecloth, it's become exaggerated in Gary. He's not the broody antihero rival, he's the arrogant, privileged, better-than-you rival. He's always ten steps ahead of Ash, always pisses him off, and is ALWAYS better until the end of his run. The anime also emphasises his intelligence far more, with him doing things like rattling off dex info and the speed of light in mph off the top of his head, to further contrast him with Ash.

Ash, who is of course THE shōnen protagonist. He's dumb, but determined, and always ready to help people in need. Unlike game!Red, the power of friendship (with more than just pokémon) is central to him; any given season of the show is defined as much if not moreso by his travelling companions and interpersonal relationships as it is by whatever he's actually doing.

It's funny to me, though, how most adaptations seem to find the fact that gameverse Red and Green have swapped some stock roles as something to fix. Even Origins, which is probably the closest a high-profile adaption has come to game-accurate, made its version of Red louder and more standard-hero-esque.

I'm not knocking any of these things, of course, just observing. I adore both Special and anipoke. I just think that the way the game characters are written could lead to some interesting dynamics were it to be explored more.

[creantzy]

Defying God - a parallel between Fyolai and Stavrovensky

The Demons brainrot is taking over, and you know what happens when I acquire a new interest: my brain WILL find a way to connect it to my other interests, whether I like it or not!! And this is essentially what it's about xD I've come here to present a parallel I found between Fyolai (Fyodor & Nikolai from BSD) and Stavrovensky (Verkhovensky & Stavrogin from "Demons" by Dostoevsky). Before I start I want to clarify a few things:

• I don't think these two pairings are similar, I just love picking up any crumbs of connections I can find between my interests, even if it'd count as reaching.

• This interpretation (in either character's case) is in no way "the only true way of looking at it". It's merely one interpretation out of many and I chose to focus on just a few aspects out of the many others there are to explore in these complex characters. 

• Feel free to add onto or disagree with anything I say! I'm interested in your thoughts :D

WARNING: There will be spoilers for Bungou Stray Dogs and Demons.

The reason Nikolai wants to kill Fyodor is because he feels affection for him. Emotions are a prison to him, and he basically seeks the opposite of what his emotions make him want to do. Thus, in the face of affection, which makes you want to be closer and wish the best for your friend, he does the opposite and decides to kill said friend, going directly against his feelings in an attempt to prove free will. But here I want to focus more on the "You want to defy God in order to lose sight of yourself" part, specifically the bit about God.

One part of my interpretation is that Nikolai associates God with control. If there is a God who controls all, how can there be a free will? He wants to go against Him and His creations (the human mind, morality, etc.) to prove that it's possible. But God is very abstract - the idea of God is influential but varies depending on cultures, etc. For this point, I'll use the example of the biblical God, or, more specifically, some attributes commonly assigned to the idea of God:

• omnipotence (all-powerful)

• omnipresence (all-present)

• omniscience (all-knowing)

What I am leading up to is the fact that these traits can, in one way or another, be applied to Fyodor. Fyodor's character represents everything Nikolai wants to defy. Nikolai hates control; he wants to fight the idea of God and prove the possibility of complete independence. Fyodor (though not in a "direct" way) could be seen as a symbol for God. He knows everything, he is always present (metaphorically and sometimes literally, the way he spawns sometimes I swear-), and he seems to control everything. Only few people actually see him, but he pulls the strings behind the scenes, and his power is felt everywhere. For Nikolai, to kill Fyodor is not just a protest against his feelings of affection, but can also be a symbolic act of defying "God", of killing "God", by killing Fyodor.

This is supposed to be very symbolic and not taken literally. I feel the need to repeat this because I personally dislike the notion of Fyodor as a literal God (and disagree with the idea of him having a God-complex), so this is merely about the God-like traits he possesses, like a "substitute" for the idea of God, and how it interacts with Nikolai's philosophy. (I've also exaggerated some points for the sake of simplification - for example, I don't actually believe Fyodor is in control of absolutely everything, etc.)

Moving onto Demons:

Pyotr Verkhovensky grew up religious and (assuming based on Stepan's description) with a fear of God.

Now he's an atheist and very anti-religious. He plans to overthrow society, and destroying religion + everything it preaches is part of that plan. But interestingly enough, he picks not himself as the official future "ruler", but someone else: Nikolai Stavrogin. He chooses Stavrogin to be the role of the leader in Verkhovensky's ideal society. But not exactly the "leader" in the traditional sense, because he wouldn't necessarily give Stavrogin all the power. He would simply use him as a "pawn" (for lack of a better word) while himself pulling the strings behind said society. With that, Verkhovensky puts someone else above himself, in a God-like position, but he wants to do it while still keeping full control over Stavrogin. By doing so, he would overcome his childhood fear of God because instead of being controlled by God, *he* will control God.

(Same case here, not the literal God, but the character who he assigns God-like traits to.)

I am undecided (with both Nikolai's and Verkhovensky's character) whether this could be read as a solely subconscious intention or if it would make sense as a conscious one as well. Given that both have a different "main" goal (Nikolai focuses on emotions and Verkhovensky on the revolution) I lean more towards thinking it's subconscious (if present at all - like I said, just interpretations!)

It doesn't help that Verkhovensky describes his vision of Stavrogin's leadership as "hidden": Everyone believes in him and his power, but only very few people are said to actually have laid their eyes upon him. When I first read this part, I was honestly reminded of Big Brother from Orwell's 1984, but eventually realised that similar things can be said about God as well.

While these are parallels, they don't come without differences. Nikolai needs Fyodor dead, Verkhovensky needs Stavrogin alive. Nikolai wants to kill Fyodor for a sense of freedom, Verkhovensky wants to keep Stavrogin for a sense of control. Yet both symbolic goals are bound to fail:

Fyodor turns out to be unkillable, and Stavrogin ends up dead.

At the end, "God" stays untouchable.