Just had a thought about abilities in BSD.
Under a read more because I accidentally made a wall of text talking about this-
Oops ._.;
What if your control over your ability depends on how much you accept it as a part of you? The idea that every single ability has a consciousness, one that, no matter what, is made to protect or assist its user in some way. If you don't accept and come to terms with having a second 'you' inside you, then your ability will not work with you, simply because you are not willing to work with it when all it's trying to do is help you.
Because of this, it won't always do what you want it too at first, it won't always work, and it'll do what it thinks is best, not caring about what the user will think about it. You have to understand it was there to help you, learn that your ability is a part of you, even the parts that hurt others, the parts that hurt you, because in the end, all its doing is to fulfill the most human wish.
Survive. Live.
It's not always liking your ability, it's knowing that the ability is trying to protect you, to let you live and survive in grow no matter the cost. The pain it's caused will always be there, sometimes it will come back as a memory, and that pain comes flooding back. It's trying, and so are you. Yes, it will hurt sometimes, sometimes you'll wish you never had it, that you died instead of obtaining it, because that would prevent the pain it's caused. It's not learning to love your ability, it's learning that it embodies the part of you that wanted to survive. It's not entirely you, but a part of you. The more you know that, the easier it is to deal with and use to your advantage.
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Trapped in a vicious cycle of pining? Try gay sex! (More things to learn over at Tiger Tiger!)
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the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.
capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.
now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.
and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.
and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.
and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".
it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"
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thank u canon plant nerd megumi for my life
bonus:
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On autonomy, and what it means to be Obliged to Help.
Bonus:
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"Now, the vow will be honoured, and my Lord brother's soul will return."
Radahn stans keep winning, but I personally am in Miyazaki's walls rn
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hiii im sure you’ve answered this before but in regards to your twst x Pokémon, how do you choose which Pokémon go give to the cast?? really curious since your choices are unique :O
unique in a good way, I hope? 😅 (jk jk I haven't come across too many pokemon AUs, so I was going in without preconceptions, I guess!) I was sorta aiming somewhere between doing, like, a full AU with internal consistency and everything, and just picking entirely based on theme/character, so maybe that's why! basically I just set some arbitrary rules (no legendaries/no repeats/evo stages based on year) and then went on ~vibes~. a couple were also suggestions (thank you guys!) and last-minute decisions, so it was a bit of a delightful mess of ideas!
my one regret is that I should have given Riddle a Togedemaru after all. ...you know what, he can have one now, why not
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Shen Yuan getting transported into pidw isn't "the system punishing him for being a lazy internet hater," but instead representative of "step 1 of the creative process: getting so mad at something you decide to go write your own fucking book" in this essay I will
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Sol
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i need ghoap frantically making out against a door finally taking the leap on their feelings. need ghost grinding against soap, expecting to find him just as hard as him, only to feel nothing
and in all his wisdom and experience, he concludes soap was tortured and never told him
he’s trying to think of a delicate way to say he understands, that he’s been through it and it doesn’t change anything about how he feels (and who the fuck touched him so he can hunt them down and rend them limb from limb)
meanwhile trans!soap’s just trying to find the best angle to grind his cunt on ghost’s thigh
just it never even entering ghost’s head bc he’s never known a trans person but he has met plenty of people who’ve been tortured - himself included - so of course that’s his logical leap
soap takes off his shirt and he sees his top surgery scars and ghost asks if he wants him to kill the one who did it and soap just hums like, “actually, man did pretty good, they healed real well,” and ghost’s just teary-eyes with awe at how well he’s coping, “looking on the bright side, that’s my johnny.”
imagine he thinks johnny was fully castrated but sees he’s determined to still have a sex life with him so he buys packers and straps to help him bc hell yeah healing and soap’s just like, “holy shit i’ve never had such a thoughtful partner before, such a sweet man, lt.”
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The Valar's mistake did not lie in seeing a possibility of good in Melkor. Rather, their mistake lay in not seeing the equal possibility of him remaining evil.
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the prince and princess of dragonstone in aegon's garden
belated valentine's day post... it's my blog, i get to make sappy art of one of the most tragic couples in asoiaf. i maintain that there was a sweet spot, once they got used to each other's oddnesses and before everything went to shit, when they were happy.
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I hate the insistence in pushing Jason into the batfamily.
If he doesn't wanna go to dinner, he doesn't have to. If he doesn't wanna hang out with them, he doesn't have to. If he doesn't want to see them, he doesn't have to. If he doesn't even want to contact them, he doesn't have to.
It's so annoying to read fic and always see it presented as his Family Knows Better. Jason is just being silly by not realizing how much they love him and he just needs to let them break into his home and comms and life because they want him there.
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My favorite brand of Ratiorine is definitely:
"They both experienced immediate attraction upon seeing the other and are (silently) interested in the possibility of pursuing a relationship, regardless of their differences and the difficulties of their situations."
But also:
"Despite being two of the most hyper-competent people in the universe, they are absolutely idiot4idiot when it comes to romance or discussing their feelings, and they are about to make their complete inability to express themselves and court like normal people into everybody's problem."
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I’ve seen people bring up the fact that at the end of 2x04 Louis and Armand are fighting and then boom, start of 2x05 they’re the most sickly sweet in love we’ve seen them yet
I could be misremembering things. But uh. We haven’t heard anything about the removed diary pages since Louis asked to see them at the end of 2x01 and Armand agreed to gather them for him, have we?
Louis definitely hasn’t been given them because we know what’s in those pages, and we know it’s something Armand is trying to protect Louis from. But Louis was pretty insistent about it. And he hasn’t followed up on that at all since.
I’ve seen the interpretation that the beginning of 2x05 lovesick storytelling is just Louis and Armand putting up a united front to make up for fighting in front of Daniel before that. But the diary page discussion doesn’t happen in front of him. They have no reason to pretend in front of him for that particular thing.
Louis asked for the diary pages, Armand agreed. Louis was never given them. And we haven’t heard anything about it since.
I could see the performative unity interpretation of the 2x05 scene if it were in isolation. But both of these happen as they’re getting ready to sleep — getting ready to rest — and then the story abruptly forgets they ever happened. They parallel each other too closely for me to think the writers don’t want us to connect those
Armand, for as loving and protective as I know he’s trying to be, as well intentioned as I know he thinks he is, has rewritten the memory and mind and intentions and feelings of the love of his life multiple times in a matter of days
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