#Divorce Reaction

[poorly-drawn-mdzs]

Dungeon Meshi: The RPG

[goatderman]

pearl and grian siblings reacting to being called a cheater is the best, grian angrily climbs up to say 'bigb treated me right' in scars face vs pearl 'what do you mean,i didnt 2v1 you with scar, but if i did you could take it bc youre so strong and smart and im so sad and pathetic' while riding gems camel

[corneredcopia]

FADEL KNOWS😭

Stobotnik divorce transcends our private bubble

[loosethreadsofyoursoul]

while i will always love and appreciate the bisexual dean winchester agenda, i truly believe that if he was raised differently—or maybe if he grew up today instead—that boy would have been gay. like his love for women in a romantic/sexual context was always such a caricature and was continuously used as a symbol of masculinity that played against the roles assigned to him by his father growing up for the sake of suppressing any queerness he might exhibit. now whether that suppression was purposely written into his character or was a reaction to the character they had created, i’m not sure, but it’s there regardless.

i don’t mean to dismiss the love he felt for cassie or lisa, but particularly with lisa, i’m not sure he was ever in love with her, despite the fact that he did care for both her and ben. i get so frustrated watching the end of s5 because him going to her house and his perfect “apple pie life” being with her in suburbia genuinely came out of nowhere and i’ve never understood a) why it had to happen, and b) why it had to be lisa. but thinking about it in this sense, she was the closest thing he had in his life to everything he was raised to believe he should want by one john winchester, who lost his perfect wife, perfect family, perfect apple pie life and sent all of them down this path in the first place. so of course to dean, his happy ending would be with someone like lisa. but that’s the important part. someone like lisa, not lisa herself. he may have had love for her and he may have been able to picture a life with her, but it wasn’t necessarily because she was everything he wanted; she was a symbol of the things that tore his family apart and so to be with her felt like he was finally able to put some of it back together. and that makes me so sad for him because all of that is a result of the sense of responsibility ingrained in him growing up by john, not something he wanted for himself.

but back to his general attitude towards women, there was an excellent post that said he only acts like the typical womanizer he has a reputation for being around women deemed “stereotypical” by the misogynistic perspective. otherwise, he tends to take on a fairly brotherly role; he doesn’t tend to pursue any women he can “take seriously,” and is more intimidated or impressed by them than anything else. with the exception of cassie (which was pre-series and we never got full context for in the first place), he only ever pursued women with whom he would have a definitive ending—by that i mean women who he knows he’ll never see again or who would have a clearly defined role during the time they’re together that wouldn’t threaten the status quo. and yes these could also be the traits of a commitment-phobe or someone chronically on the move, but for one, sam doesn’t tend to do the same thing (see ruby, amelia, and eileen), and for two, given the things i mentioned already, it makes me consider it more of a result of him not actually being interested in women romantically.

his reaction to women when not purposely used as the butt of a joke or to perpetuate the “womanizer dean winchester” agenda is often so innately fraternal, caring in a way that doesn’t have any expectations behind it. and when there is a romantic context, so much of the relationship can be attributed to the way john raised him and the beliefs he has as a direct result; it’s never simply been built on the foundation of love.

every time he is dismissed as this macho het guy, it also dismisses so much of what makes him a wonderful character, and yes a lot of that is his queerness. so in a world where he didn’t grow up with roles and responsibilities that shaped him into someone he knew his dad hated and forced him to create this character for himself in order to survive? i think he would have been gay and he would have been okay with that.

[dumbnotstupidfuck]

shout out to brandon rodgers for giving us a bone chilling vocal delivery of ‘well, I’m not letting you, bitch’ that sounded straight out of every abuser’s playbook when you try to break things off, 10/10 no notes

[zishuge]

Di Feisheng taking every opportunity to roast Li Xiangyi; Li Lianhua is only amused Mysterious Lotus Casebook (2023)

[seasicksilver]

good old times

[nefertiti-fooling-fellow]

What if Aziraphale knew what kind of effect it would have when he offered to restore Crowley to full angelic status. What if Crowley walking away was what he wanted? What he needed to keep him safe? Aziraphale just never expected the kiss.

What if “Give Me Coffee or Give Me Death,” wasn’t just the name of a coffee shop, but also a threat? What if all of the lies we saw him told (Job’s children…The Miracle…), the performances we saw him put on (The Jane Austen ball…the Magician act) was all a lead up to his biggest lie yet? “You’re demons, you’re evil.”

What if that was what Aziraphale thought he needed to do to keep Crowley from putting himself in danger to “rescue” him one last time?

What if Aziraphale didn’t want to reform Heaven so much as he wanted to rip it up by the roots and tear it apart, so it can never hurt Crowley again?

What if he knew.

[actual-changeling]

three months! THREE MONTHS!!! and i STILL sound like a dying pterodactyl whenever i rewatch the final fifteen.

anyone wanna join me in my permanent residence?

[bnnywngs]

modern mdzs au where lan xichen and lan wangji treat their father as if he's dead because they haven't seen him since they were kids and have no idea where he is, and lan qiren does nothing and says nothing so people believe qingheng-jun is dead.

then suddenly, he reappears looking all sad and remorseful asking for forgiveness and that he wants to get closer to his kids. everyone else is just so shocked to see him alive, while lan xichen looks and feels troubled (he doesn't want to, but filial piety... but he don't want to even look at this man, but filial piety.... but this man is but a stranger to him, not a father at all, but filial piety...) and lan wangji gives him a dirty look, a firm no and walks away (like the petty bitch he is).

lan wangji somehow convinces his brother to make the man go away and to not forgive him, because he does not deserve it.

"abandon him as he abandoned us." he says.

"no pretty words and ugly faces can erase those years, xichen, he's never been a father to you." nie mingjue says.

"i know it's hard, but you should face your own heart, xichen-ge. if you wanted to forgive him, you would've done it already. he's a stranger, as you say, and you don't owe him anything." wei wuxian said.

in the end, lan xichen asks his uncle (who he always secretly thought as his father) to send his progenitor away.

"what do you feel?" lan wangji asked.

"relieved." lan xichen smiled "sad, but still... i'm glad i don't have to deal with that again."

[sforzesco]

ALRIGHT okay I will attempt to explain this to the best of my ability, which is currently being held together by tape and coffee

so I have a long running post philippi story focusing on the octavian-antony divorce arc conflict and it's heavily dramatized and full of dead people. it's one part historical, one part my own invention, and one part fucking around with ideas (or the lack there of) in movies about antony and cleopatra. many of which are bad! however. there is a bad one that's actually good. like, I wouldn't recommend it except that I talk about it constantly.

it's the 1953 movie, Serpent of the Nile and I have not known peace since watching it. it's one of the more interesting takes on antony and cleopatra (TO ME), and more importantly: I'm obsessed with the plot point where antony helps lucilius escape egypt to warn octavian.

this scene is partially inspired by that! this scene is partially inspired by several things, but that's the one to mention bc I haven't published any of this story except for the periodic scene I've drawn for fun so listing the rest of it will not add to this experience and also I’m very sleepy right now

the egyptian wall backgrounds in the first page and the last page are of a tomb wall painting, the third page uses an illustration of the death of antony for shakespeare's antony and cleopatra, and on the second page is actually my own painting of antony and cleopatra after giambattista pittoni's painting of antony, cleopatra, and the famous pearl incident

additionally, that last page. the floor. that's a relief commemorating the battle of actium. I'd been reading about depictions of actium and it is. intriguing, especially since my first thought wrt to all of that is usually abt the bodies in the water and how they'll never be buried or antony's parthian fuck up setting the stage for all of this.

also this specifically. fascinating.

Representations and Re-presentations of the Battle of Actium, Barbara Kellum

[louthestarspeaker]

There's like this one genre of post and video essay I keep seeing from people who say they aren't upset about the HTTYD casting for racist reasons, they're upset because they don't like the characters they love to change. They're attached to their appearance, and they'd be uncomfortable with any deviation.

I am going to give these people the benefit of the doubt and assume this is true. But, like, so? Why do you think your discomfort should be prioritized over representation?

You realize that's what you're saying right. They shouldn't have cast Astrid as a black girl to protect your comfort.

And you can say it's not about race and you'd be just as upset with any changes, but when you do that you're ignoring a larger context that I don't have the privilege to. This franchise (that I do love) has had a long acknowledged racism problem. People put the idea of a "faithful" adaptation on some kind of pedestal but HTTYD was not perfect, and I'm not interested in preserving that aspect of it.

And I can hear the original character defense coming from a mile and away and yes. Absolutely there should be original characters of color being written with intention from the very start. But if Dreamworks is going to thrust HTTYD right back into the center of the cultural zeitgeist again, then I am glad as hell they're doing it with POC included this time.

Do you know what it's like to be excluded so often you don't even think to look for yourself anymore? I grew up writing stories with only white protagonists because I, in the most literal sense possible, did not realize you could write stories a different way (and this wasn't a long time ago I'm young, you guys).

And the absolute joy that comes with seeing yourself represented in media you love? Do you know how much it changes you? I swear to God it alters your trajectory.

You don't get to put your comfort above others knowing they're accepted. Above little black girls all over the world watching this movie with a new kind of magic in their eyes because now black girls can ride dragons too.

It's not some great, egregious thing to you that Nico Parker is playing Astrid. It's not some mortal wound that you can never recover from. If you're so attached to one version of the character, then watch the version with her in it, it's not hard. The film isn't being force fed to you, if it makes you unhappy, act like a mature human being and don't interact with it.

But you don't get to exclude people of color again just because it makes you feel better that we're not there.

[daftmooncretin]

spock pretending not to understand figurative language and earth sayings just so he can roast people will never get old. like go spock play that bimbo act. what an absolute bitch.

[jokest3r]

Me after seeing the first cutscene of OG MW3 between makarov and yuri:

[maniacace]

"what were aziraphale and crowley up to before humans?"

"oh, flirting i guess"

[hazellvsq]

frank and piper are interesting counterpoint narratives to me. both of them have relatively mundane problems compared to the rest of the cast yet their parent's domains represent the heights of human passion as defined by the series, despite piper and frank both being (outwardly) dispassionate and (inwardly) mopey. the good end of these domains is love and protection (selfless), the bad end is heartbreak and bloodlust (selfish), which both of them try to resist. they both get claimed last out of their trios and had beforehand assumed that they were the children of someone else. both also experience perceived rejection from their mortal family directly before the series begins - both express anger and hurt at being "sent away". their rejection and unexpected claiming, back-to-back, results in discombobulation for them both, and feelings of humiliation brought on by both sets of parents.

they also both go through forced physical transformations by their parents to fit an ideal they don't want. all of the characters experience issues of identity and self-esteem but i think its the most pronounced with these two in the series. neither of them really knows who they are, and are pessimistic about their own capabilities. they are also counterpoints in that they feel disconnected from their own looks - both are very self-conscious people, but, based on how they're described by other characters, piper is probably the most beautiful member of the 7 and frank is probably the least. piper is frequently harassed and objectified, whereas frank is teased constantly about his looks. he neither feels as childish as his face is nor as grown as his body is, and he doesn't understand how to move through the world. both of which are common experiences throughout puberty - suddenly being treated differently on the basis of a body that's changing faster than you want or understand.

(discourse alert) i don't have a lot to add to the piper transformation discourse except that i do think its interesting that her blessing was temporary within the book and her love interest actually self-reflected on his reaction to it and realized that he should not have told her that she looked hot in that instance. rick did reverse frank's transformation five years later and i'm curious about his thought process about both writing it in the first place and in reversing it, and what feedback he received, if any. piper's transformation was a makeover whereas frank's was a puberty, which later rick walked back with "actually frank is still going through puberty". piper's was cheesy, sure, but frank's falls so flat bc that's just not how it works. its too much of a stretch. i don't even think it was in rick's og plan for frank, maybe he just watched captain america and was like "hell yeah i should do that" and flipped a coin between frank and leo, bc again frank was already initially described as physically grown in his debut book. and i can't even talk about hazel's reaction to to it bc its not real to me and i can't read suddenly. idk frank's plotline in general was too rushed in that book and he should have gotten another pov chapter set at least bc rick was trying to do too much too fast and relied on idiocy like the transformation to support it in the place of real character work when it wasn't even necessary for anything he accomplished in the book. he could've just walked around with better posture and achieved the same effect.