#Depression Tw

[illputabexonyou]

Bex gave a heavy sigh. "You sound like Billie." She wished there was some magic way for her to convince people that they weren't monsters. She wished she could convince herself of that, too. It wasn't as easy as just telling someone they weren't. "Angry people are the least truthful, in my experience. They only want to hurt. I guess it's all just...experience. What we end up believing about the world." She looked back over at Bri and frowned sadly. She didn't like it when people were so down on themselves like this, but she felt as if there was very little she could do to help at the moment. "I still don't think you're a monster," she murmured, "so you can count that as at least one person who doesn't see you as the problem."

Bex squeezed Bri's hand back, before curling her arms back around her legs, pondering her words. "I mean, I think you are. Maybe that's not saying a lot because I'm not, you know, anything much, but-- but if I had to, if I were a vampire, I don't think I'd...I think I'd just let it happen." It was part of why she refused to take vampire blood. If something happened to her while she had that in her system, she might become one. The thought often terrified Bex. She'd rather just die. "Yeah, I kinda get that, too. Poppy is-- well, she's kind of distant, I guess. A lot has happened to her here, but she's trying hard to help me. But, I dunno, I guess I wouldn't say I feel like I can go to her with things. For a long time I really didn't have anyone, but I'd like to think I have Rohan now, even if he's not in the coven anymore. He's been really good to me. I don't deserve all his kindness, but I'm glad for it." She looked up over at Bri. "I know it's hard to trust people sometimes, but I think...I think if you want things to improve, you just gotta. That's what I learned, at least."

"Yeah. I am," She whispered back, more certain of that little tidbit than she was of just about anything else. Tilted her gaze up toward the ceiling, she gave Bexley another small shrug. "In my experience, people tend to be the most honest when they're angry. It's when all of those thoughts that creep into the back of their head that they wouldn't dare utter out loud on a normal basis, come flowing out and, if there is one word I have been called repeated over the course of the past two years and a half, it's that one," She explaining quietly. Her gaze fell back down toward Bexley as she gave her another small shrug. "When enough people tell you something to be true, you find yourself realizing that, it can't all be them whose wrong. Enough people and eventually you see that the problem is you."

"I get it," She nodded, reaching out and giving Bex's hand a small squeeze. A thankful look filled her eyes as Bex promised not to tell. "Nah. I'm not," She let out a small laugh at the thought. "I'm a big cry baby, but I don't actually want to die or wither up like a prune or whatever would happen if I don't at least take in coffee, you know? And I guess, but I don't really feel like I have anyone to go to about it? I guess Meena, but I kind of have this, maybe somewhat delusional mentality of wanting my teachers to like me and I know Meena's more of a boss than a teacher, but I still want to get the A, if that makes any sense? I tried to go to Aaliyah with questions but she kind of wound up hazing me instead. It was a whole thing and, I tried to ask Ken, but he also sort of implied that I should know all of this Vampire stuff already... But, what about you? Do you have any witches you feel like you can go to as mentors and stuff?"

[mysharona1987]

Total mood.

[bengals-barnesbabe]

(I’m Here) Let Me In

pair: joe burrow x wife!reader (separated)

a/n: plz check on your friends, family, moots. if you’re yn, just know it’s gonna get better for both of us.

TW: 18+ | language, drug and alcohol abuse, manic episodes, mental illness, mentions of sex, reader is hurting, Joe’s hurting, everyone is depressed now sorry

Main Masterlist

.・。.・゜✭・.・✫・゜・。.

Read the tag pls. Last warning ‼️

ʚ❤︎ɞ ᶫᵒᵛᵉᵧₒᵤ

[one-time-i-dreamt]

I was helping board passengers on a cruise ship and sang a song with two people who were dating about how one of them was still in love with her ex and the other was super depressed about her grandmother dying.

[youneedsomeprompts]

~ IN A VOID ~ FORESHADOWING DEPRESSION PROMPTS

requested by: @crochet-cafe request: How can I foreshadow or hint that my character has severe depression? I want to make the reveal a big deal when it happens and catch readers off guard

Feel free to use and reblog!

having other characters associate the person's mood with their character traits ("they're always grumpy")

masking their depression really well but being absolutely drained and a lot worse as soon as they're alone

appearing as a 'neutral' person, when their neutral mood actually indicates the emptiness they feel inside

their growing passivity makes them fade into the background

the more excited other people get the more downcast the person becomes (they get perceived as a killjoy)

they don't accept invitations anymore

they always say they're busy but can't answer the question what exactly they're doing

they show no emotional reaction in a fight

everyone says about the person that they have such a hard shell

they usually have been very caring and sensitive to everyone around them but suddenly they seem like they couldn't care less

for more inspiration/how to help: ~ SHOWING SUPPORT FOR SOMEONE WITH DEPRESSION ~ WRITING PROMPTS

note: If you or someone you know feels that way and really needs help, please seek professional help <3

[simvanie]

7 Sins Legacy - generation 5 (gluttony)

"Through all the failed attempts at trying to belong I overthink the obvious when I'm alone" 🎵

[anlian-aishang]

Levi with an (Episodically) Depressed S/O

Tags: levi x reader, angst, hurt-comfort, gn!reader Word count: 900

Levi invites you to shower with him, making the obstacle less daunting and much more attractive. In his black robe, leaning on your bedroom door, two towels slung over his arm indicate the knowledge that you will say yes and accompany him. The way that he looks, the low plea in his voice, how could you say no? 

It would be more accurate to say that he was bathing you, but he does not phrase it that way. Instead, he is humble, letting his actions speak louder than words. He does not tell you that he will shampoo your matted hair, does not flaunt how deliberately he exfoliates your limbs, he just does them for you. Some days, even just tipping the bottle or pumping some soap into your hand can seem mountainous. On those days, he sees those activities not as tasks, but as privileges. It is his honor to be the one looking after you in your most dire time. He would always prefer someone to take care of rather than someone to miss. 

Showering together not only ensures that you stay clean, but his company prevents you from those timeless sessions sat on the tile floor. At the moment you look refreshed but before you become sleepy, he jerks the handle to the left and halts the devastatingly relaxing rain. 

Always, your clean clothes are already folded atop the bathroom counter, waiting for you. Some times, you fail to remember that you did not put them there. Other times, you notice the sign of his relentless consideration, but are artificially silenced from expressing your gratitude. No matter in his mind. You are clean, clothed, and out of bed, and that’s already better than you were before. 

Without one complaint, Levi scoops your dampened towel and old clothes from the wet bathroom floor and drops them in the hamper for you. He has seen the piles that can amass, and if it were anyone else in any other circumstance, the clean freak would be quick to chastise, but any sight or thought of you disintegrates any instinct to discipline. You are sat in the living room, admiring the ivy that swirls around the balcony’s posts, thumbing the petals of the bouquet vased on the coffee table. White-gold rays move just a tad west to cast your figure in therapeutic light. You’re too tired to move away from the sun, and for once, Levi finds your fatigue favorable. As the morning temperature rises, he can see that your resting smile does as well. 

While you are entranced with the scenes of summer, Levi swiftly searches for and alleviates the areas you have left neglected. He dumps your sock drawer upside down and mends the pairs that you have discarded as singles. In your closet, he finds the clean pile and dirty pile and either folds it or washes it accordingly. Under your bed, on your nightstand, in your bedside drawer, he discovers the dirty dishes that have been missing the sink and returns them to their proper place. 

Between those tasks, he rolls his shoulders back or rubs the side of his neck and allows himself to sigh. It is difficult - not to bandage these tiny wounds - but to see the harsh bruises left by the illness. Sure, you were forgetful, and not quite as tidy as he was, but still - the mounds of laundry, hidden dirty dishes - this wasn’t like you. Levi lives for your joy - not the superficial smile, your peace - not the misleading silence. He lives for you - in sickness and in health. The times you forget your worth, that is when he whispers it in your ear. When the world is overwhelming you, he lets his touch communicate it. 

Once your space is in order, he can start to work on getting you to leave it. Rather than annoying reminders or obligations, he mindfully manipulates the steps of treatment into desirable invitations. Rather than Do you want to… or Would you like to…, his proposals are statements, taking the responsibility out of your hands. Concerts in the park this afternoon. Let’s go to the farmers market. Apple orchard just opened.

Or even less far away. 

Plants look thirsty, water them with me? Rain just cleared, read on the porch with me? Full moon tonight, stargaze with me?

To you, with me frames the activities, frames your presence as favors for him, and even in your lowest state, you are always keen to help him with anything. To Levi, it is no framing, your relationship is the greatest gift that fate has bestowed on him, and he treats you as such. It is in his selfless actions and his careful words, but it is more than that, traits you can’t quite categorize. The near flat, subtle smile you wake up to in the morning. The tight yet painless combs through your hair that leave you feeling divine. The low, calming timbre of his voice, decorated with a tender tone that he reserves for you. 

Even before the haze you’re in now, you’ve never been able to label those qualities of his, and instead settled: it’s just who he is. 

Like the sentiment that motivates his care: it’s what you deserve. 

// masterlist //

[blitzwhore]

wait, i don't understand, can u please if u want explain why they scrapped the "Stolitz Montage" song?

Yeah, I can explain! I actually have a lot of thoughts about these songs.

For context, at the beginning of Sinsmas, a song called Day By Day plays in the background while Blitz and Stolas run errands. Originally, a different song (untitled, so Sam Haft—the composer—unofficially called it Stolitz Montage) was going to play during these scenes, but they ended up scrapping it. I mentioned in the tags of a different post that I understood why they'd made this decision.

If you don't want to keep reading, my TL;DR is that I believe the tone and mood of Stolitz Montage doesn't fit Stolas' emotional journey in Sinsmas as well as Day By Day does.

If you do want to read my full personal analysis, keep reading below the cut!

-

(Note: I'm going to focus on the songs' lyrics, because I'm not knowledgeable enough about music to analyse the musical aspect of the songs. If anyone else wants to add their thoughts in that regard, be my guest!)

Let's start by taking a look at the lyrics of the scrapped song, Stolitz Montage:

So you're having a bad time

You're stressing and everything all seems much so

You've been having a sad time

And your family probably hates your fucking guts so

The song starts by describing Stolas' situation and emotional state in the days following the trial: he is sad and overwhelmed, everything feels like "too much", and his family probably hates him.

It's pretty clear from the get-go that they wanted a song for this montage that conveyed Stolas' struggle to adapt to life as a commoner, away from everything he's known, and having gone cold turkey on his depression meds (the lack of which is emphasised visually throughout the song).

The song is also in second person: Stolas isn't him, or me, he's you. This is something both songs have in common. It keeps the song at a slight emotional distance from Stolas. Whereas a first-person song would make the feelings too personal—would make Stolas too aware of his own struggle—and a third-person song wound be too distant, the second person allows Stolas to be only passively aware of his emotional state. He's not the one singing; he's the one being sung about. What he's feeling is being pointed out to him by an external, seemingly omniscient voice.

The song continues:

Ooooh-oh oooh ooh

I know you feel it too

You lost your way

And just can't fake it for another day

It's hard to take it

Just pretend you're gonna be okay

Here is where I think the tone of the song starts to deviate from what they wanted to convey in this montage.

At first glance, this is a continuation of the previous verses, and mostly expands on Stolas' emotional state: "it's hard to take it"; "you lost your way".

The key difference is that the lyrical voice now plays an actual role in that emotional state.

First, it states that it shares Stolas' feelings ("I know you feel it too"—implying that Stolas isn't the only one who feels this way). Thus, the lyrical voice starts shifting into an active character within the scene. And not any kind of character—one that can relate to Stolas and, more importantly, one that can offer some comfort.

Then, there's the line "just pretend you're gonna be okay". Now, I see two possible interpretations for this line. It can either be a piece of advice for Stolas (hey, I know it's hard, but just pretend), or another description of his struggle, a continuation of the previous line: "(it's hard to) just pretend you're gonna be okay". Personally, I lean slightly towards the former interpretation, especially because the lyrical voice's intention to offer comfort and advice becomes clearer in the next line of the song:

You're not okay and that's okay

This is where the focus of the song shifts fully towards a hopeful, even optimistic view of Stolas' situation.

Now, I get where they were going with this. "It's okay to not be okay" is a very powerful thing to say to someone who's struggling with mental illness and hard life circumstances, and it's one Stolas badly needs to hear.

In fact, it is a message that is conveyed to Stolas multiple times throughout the episode. By Blitz. Not through words, of course—but through actions. In the montage itself, as well as throughout the rest of the episode, Blitz constantly stands by Stolas' side, offers him company and comfort, meets him where he's at emotionally, doesn't pressure him to be okay, and (especially at the end in their apartment) gives room for Stolas' sadness and grief to exist. He hugs Stolas, puts his hands on Stolas' arms, and opens up emotionally about his own sister, and those are all ways of showing Stolas that it's okay that Stolas isn't okay.

But here's the thing. The knowledge that it's okay to not be okay is Blitz's, not Stolas'. That is Blitz's emotional state, not Stolas'. Stolas doesn't know it's okay to not be okay, and even though Blitz keeps conveying this message to him, he's not able to hear it just yet. Not this early in his descent to rock bottom.

In fact, learning that it's okay to not be okay is a journey that Stolas only begins at the end of the episode. By then, Stolas still isn't okay, but he begins to come to terms with the fact that that's alright. And he does this by allowing Blitz to sit in silence with him, to dance with him, to pry a laugh from him, to hold him without any expectations of being held back. The final scene of the episode is all about them both being okay even though Stolas isn't. We see this in the fact that Stolas lets himself stay in Blitz's arms, going as far as closing his eyes. He's there. He's finally in the moment. He's finally allowing the "not okay" feelings in his body to just be.

The Stolitz Montage song ends with:

You put one foot in front of the other

Then you take it day by day

Knowing you got nothing

You still got each other

Ooooh-oh oooh ooh

Again, most of these lines do match Stolas' emotional state. In fact, the notion of just living life one day at a time, just focusing on putting one foot in front of the other, is very representative of what a depressive episode can and does feel like.

But, in the very last line, the song shifts right back to a reassuring tone: "you still got each other".

Now, not only does the hopeful, optimistic sentiment of this line belong—once again—to Blitz's emotional state, it also goes directly against what the emotional arc of the episode aims to achieve.

Sinsmas isn't about them having each other—Sinsmas is about Stolas having Blitz.

It takes him all episode to realise this, too. At the beginning, when the montage takes place, Stolas is just going through the motions. As stated above, he's just focusing on putting one foot in front of the other—he's fully on survival mode. During the fight with Andrealphus, Stolas is shocked that Blitz came to save him, that he risked his life. That is the moment Stolas begins to truly comprehend that he can lean on Blitz. And then, after they get home, he slowly continues to learn it, as explained above. By the end of the episode, he's only just starting to allow himself to lean emotionally on Blitz.

And significantly, Blitz doesn't lean on Stolas. Because he's at a very different part of his own character arc, and he already had his opportunity to lean emotionally on those around him with Millie in Ghostfuckers, and to a lesser extent, with all his employees during their mission on Sinsmas.

Blitz has gone through enough pain, character growth, and healing to both understand exactly where Stolas is at, and be able to meet him there and be a rock for Stolas to lean on.

So the reason that line—that last line, positioned strategically to drive home its message that it's all gonna be okay—doesn't work for the montage is twofold. Firstly, because Stolas isn't ready to see that he has Blitz. Secondly, because it is now Blitz's turn to give comfort without needing to receive it in exchange.

And, if we take a look at the whole song, the reason it doesn't work for the scene is because it doesn't meet Stolas where he's at. The song says, "yes, you're sad, but—" and shifts to optimism. It doesn't fully allow Stolas to simply not be okay. To not be there yet. It doesn't fully allow his depression to just suck. The feelings of sadness and overwhelmingness are shadowed by a positivity and hope that belong to Blitz, and not Stolas.

Let's now take a look at Day By Day, and at which ideas from the original song were kept, which ones were changed, how, and why it works:

Ooh-ooh-ooh-ooh-ooh-ooh

You take it day by day

You got everything that you had thought you wanted

But you still feel so blue

And you don't know what to do

Right off the bat, the lyrics are very similar in tone to the ones at the beginning of Stolitz Montage. Once again, a lyrical voice in the second person describes Stolas' emotional state: he's blue (sad), he's taking it day by day.

But there's already a change. "You have everything you thought you wanted, but you still feel so blue".

The fact that Stolas had always wanted a life with Blitz is something the previous song doesn't touch on whatsoever. And it matters, because "what Stolas thought he wanted" is a central part of his arc in the episode. It comes back during his breakdown at the office: "and I did it for what?! These stupid, foolish fantasies?" And it comes back again when Blitz saves him from Andrealphus, and when Blitz dances with him and their eyes meet afterwards.

As stated above, this is the episode where it dawns on Stolas that he has Blitz. But he isn't there yet at the beginning of the episode, and so he still believes what he and Blitz had was just a fantasy of his. And because he's never had anything with Blitz that wasn't a fantasy, because fantasy is all he knows, he doesn't immediately know what to do with the real thing. With the domesticity, and the errands. He doesn't recognise the signs Blitz is sending his way that he's got Blitz to lean on.

These two lines are also important because they bring forth another aspect of depression that the previous song doesn't: that love doesn't cure depression, or make it magically go away. That going cold turkey on your meds and having a massive depressive episode is going to suck no matter how many good things you have in this life, because depression is a biological process, not a state of mind. Depression takes away your ability to find joy in things that used to bring you it. It takes away your feelings, your energy, your strength.

Notice that Stolas doesn't seem apathetic or hollow inside on the night of the trial and the morning after. Yes, he's had his title and power stripped, he's been physically assaulted in the street, and yes, he's worried about Octavia. Obviously, he shows signs of being dissociated, and he's exhausted. But, emotionally, he's still hanging on. He still thanks Blitz for everything, and he talks to Blitz in the morning, and smiles when Blitz offers to get him rats. Before the effects of going cold turkey on his meds start to kick in, he's grateful to be around Blitz.

It's during the montage, as the days go by, that he starts feeling blue. Because depression is very quickly taking away the joy he found in Blitz's company.

And that's why, even in the first few lines, this song conveys Stolas' state of mind so much better than the previous one. Because while the message in Stolitz Montage was "yes, you're sad, but—", the message in Day By Day is "yes, you should be happy, but."

It lets the sad win over the happy. It lets depression take Stolas down with it, it lets him feel helpless and lost. "You still feel so blue, and you don't know what to do."

The song continues:

You're sitting at the end of the rainbow, but the pain grows

And you can't help let the strain show

'Cause what else are you to do?

These lines emphasise the ideas presented in the previous ones: that Stolas should be happy, but he isn't. That the pain that has planted itself in Stolas is growing. So much so that he can't help but let it show.

Stolas' helplessness, his slow descent into misery, are given the room to exist. Everything around him seems fine, but he's not fine. And he's not told that it's okay to not be fine. Because this is Stolas' emotional state we're exploring, and for him, it's not okay to not be fine right now. He's too busy going through the motions to grant himself that kind of mercy.

The song finishes:

Keep it calm, life goes on, and on, and on

Nothing's wrong, nothing's wrong

So why do I still feel this way?

Ooh, ooh-ooh, ooh, ooh-ooh

You take it day by day

And, much like in the previous song, we get a small hint of what could be interpreted either as advice/reassurance from the lyrical voice, or as Stolas actively telling himself to pretend to be okay. "keep it calm, life goes on, nothing's wrong". In this case, though, I lean towards the latter interpretation for a very simple reason: the next line shifts to first person. "So why do I still feel this way?"

And that's the thing: once again, the hope and calm he's trying to make himself feel are immediately overpowered by his feelings of sadness. Once again, it's the sadness that wins over, and not the happiness. His depression is given room to drag him down, take him slowly towards rock bottom.

And once again, the last line—at least the last one before the chorus is repeated—is used to drive home the message of the song. But this time, the message is that, despite it all, despite having what he wanted, despite sitting at the end of the rainbow, despite trying to convince himself he's okay, he still feels sad. Because that's what depression does. No matter how many good things you have in your life, it drags you down.

And that message, in that last line, is delivered in the form of a question. "Why do I still feel this way?" This matters for two reasons. The first one is that it shows that Stolas isn't (fully) aware of what's happening to him. He obviously knows he needs his meds, he knows he should be taking them. We see him reach out for them. But he is also living his emotions, and not just experiencing them from the outside. And as the emotions take over, he loses perspective of where they come from, too caught up in how they're drowning him.

The second reason this matters is because the song and the lyrical voice don't offer Stolas answers.

In Stolitz Montage, Stolas gets an answer to his struggle: that, ultimately, [Blitz and Stolas] still got each other.

But in Day By Day, all Stolas gets are questions. What else are you to do? Why do I still feel this way?

Day By Day meets Stolas where he's at during the days leading up to Sinsmas after the trial. It allows for these questions to exist without an answer; it lets the answers come later in the episode. It lets his journey through the episode play out, allowing him to learn that he has Blitz, that he needs his meds, and that he has to be okay with the fact that things are not okay.

By the end of the episode, he can acknowledge that he made his choices and has to deal with the consequences. He starts to understand Blitz is by his side, willing to help him through this. That his relationship with Blitz might not feel like he thought it would, because he's too mentally ill and heart-broken to be there—but that they still have each other, they still love each other, and they'll be okay.

But during the montage, he's not there yet, and it wouldn't make sense for the song to be there, either.

So, yes, as cute and optimistic as Stolitz Montage is, and as glad as I am they released it anyways for us to enjoy, I believe the writers made the right decision by scrapping it for the episode.

If you read this far, thank you for your time! Please treat yourself to a glass of water for me, and feel free to share your thoughts ❤️

[sk1n-n-bone]

like okay is this thinspø or am i crazy :’)

[alexthebordercollie]

I accidentally deleted my old tumblr account :/ so if I'm stuck having to start over from scratch I may as well start with reposting my most popular comic. Before this was posted in separate pieces at least now it's all in one and in order. Insight into Bruno's depression and the way his mental health impacts the people around him. From his sobrina struggling with the weight of knowing he's struggling without understanding why to his hermana feeling bitter and abandoned by his withdrawal because she's struggling in her own trauma and doesn't understand the way Bruno reacts to his trauma.

[lilybug-02]

Chara gets friends in my head cannon so I don't cry at night. There is now a whole ghost society so everyone gets ghost therapy ❤️

[theatre-apocalypse]

Sharing my “Paul has MDD” propaganda.

[insaneinpink]

Genuinely don’t want to wake up in the morning, but I will. Then I’ll have to do this shit all over again. I’m so tired of “it’ll get better.” I want it to be better now! What’s the fucking point of waking up every day only to be absolutely fucking miserable. I haven’t enjoyed life since I was five years old, I’m so fucking exhausted. I just wanna be happy for once, but there’s nothing to be happy about. I just wanna go to bed tonight and never wake up again. I’m just a speck, it’s not like I’m making an impact. If I were to disappear, no one would notice. What’s the point anymore. There’s nothing to look forward to anymore. I’m so tired. I just wanna be done.

[softceleste]

Samantha Cormier in her short film, Something’s Better Than Nothing.

Please do not save, repost, or edit these gifs for any reason, use the reblog button instead. Also please do not interact if you’re a celeb rp blog, you write taboo content on your blog, or you run a fetish blog, thank you!

[mysharona1987]

[memepocalypse]

Take Care Of Yourself

tws; disordered eating / weight loss / starvation / depression

"I'm not watching you starve to death."

"Please, please, eat something."

"You've lost so much weight."

"When did you get so skinny?"

"You can barely stand up any more!"

"You have to eat this. I'm not giving you a choice."

"I made you food. Please?"

"When was the last time you ate?"

"Hey... hey. Stay awake. Look at me!"

"I don't... want it."

"I'm not hungry."

"You can keep lying to me but you can't keep lying to yourself."

"It all tastes bad."

"It's better this way, don't you understand?"

"it makes me feel sick to eat."

"I don't deserve to eat."

"No - I said no!"

"I'm not dying, I'm fine. You're being dramatic."

"I just... want to lay here."

"You need to get up."

"Hey, c'mon... at least sit up?"

"I'm going to drag you out of this fucking bed."

"When's the last time you got out of bed?"

"You can't just sleep forever."

"We need to get you up, go see some light."

"I'm fine here."

"Just - let me sleep. Please."

"Bed's fine. I'm tired."

"What do you care? Nobody cares."

"You can't give up like this."