#Catch Me In Hell

[catchmeinhell]

"Είναι Καλό Παιδί"

[keets-writing-corner]

Thinking a LOT about Lucifer in the latest Hazbin episode. Idk what I was expecting but not this??

As I was watching my immediate thought was just "huh... Lucifer is kinda of weird..." but as the episode went on I realized the issue

the dude is off the chain depressed, like he says it as a joke but holy cow it is SO BAD

He's manically just creating rubber ducks cuz his daughter really like it that one time but it's empty, it's never good enough but he keeps doing it, maybe cuz he doesn't know how to pass the time otherwise.

like I get the feeling he HAS better things he SHOULD be doing than making rubber duck after rubber duck. At first I was like, "Bruh why isn't the king of hell doing anything?" aaaaand then it became clear...

The dude is disassociating so bad he can barely hold a conversation let alone remember information. He clearly WANTS to, he wants to be involved with his daughter so bad, he wants to care about the things she's doing so bad, but his depression keeps interfering. It's like he can only hear every other word and he grasps onto the ones he does hear semi-out of context. Like you can see every time he catches something that he hadn't before and he just "well shit I didn't catch that part"

and that's why he reacts so weird when people talk to him. He is struggling so bad to engage with the conversation he's only getting 50% of it

does that look like the face of a man who knows what the hell the conversation is even about??? he is STRUGGLING

like Charlie spent so long telling him about the hotel, and he STILL didn't understand what she wanted. Yeah it comes off as ditzy but literally I've been in that position where your brain just "nope, not doing this right now" and nerfs your conversation comprehension. So as someone who's BEEN in that position, to me it feels exactly like what he's dealing with. He's sorta engaged with the conversation, but only as much as his brain will allow

For example, when I'm dealing with this, this is what someone talking to me feels like this where the crossed out parts are what I missed and bold is what I catch, "Hey! You know I was thinking for dinner we could either make some chicken with rice? But if you don't feel like cooking, pasta is super easy and you love that right? What do you want to do?" you can kinda get that someone is trying to talk to you about dinner, and towards the end you get the impression that they asked something that needs your input so you can decently put 2 and 2 together and try and pass off, but crucial bits were left out, I would have no idea that either chicken or pasta is in the conversation only having heard "rice". When someone is just talking at me, I can decently pass off as being engaged but the second I'm required to participate in the conversation I'm screwed. Seem familiar? At which point I have 2 options, try to give a bullshit answer, or admit that I missed what they were saying and ask them to repeat

Lucifer, unfortunately, is trying so damn hard to hide that he's dealing with like 24/7 dissociation, so he can't admit that he's missing entire chunks of the conversation, hence his really weird replies. He does eventually get the full picture and then he and Charlie start having the real conversation

Also, the Alastor/Lucifer rivalry was hilarious but also really indicative of more of what Lucifer is dealing with

Alastor is, unfortunately, really good at picking up people's insecurities, and thanks to Charlie's description earlier and watching Lucifer clearly trying to overcompensate, he immediately picks up on the fact that Lucifer KNOWS he struggles to be a good dad (we know cuz it's cuz of the depression, hard to be engaged when your brain keeps turning off) and decides to rub salt in the wound by pretending he's been acting as a surrogate father to Charlie. Now why Alastor decided to pick a fight with the king of hell is beyond me, I do not understand Alastor (and I LIKE IT) (maybe it's cuz Alastor thinks he's hot shit and was expecting Lucifer to at least have heard of him but Lucifer just treats him like a nobody? who knows)(why would Lucifer listen to radio anyways when he can't even pay attention to a conversation it'd just be white noise)

But yeah I just was expecting someone who oozed either charisma or presence and instead I got a depressed dad who's dissociating so bad he can barely function and be present in his life. The only thing it seems he CAN do is make rubber ducks cuz his daughter really liked it that one time

Idk Lucifer is tragic to me. Whatever the full details of what heavan did to him absolutely broke him and he can't deal with it. He's aware of it, and he doesn't know how to fix it, so he tries to over compensate and sorta makes an ass out of himself but no one says or does anything cuz this guy is supposed to be THE king of hell

Suddenly it's making a lot more sense why he just rolls over and lets heaven do what it wants and even told Charlie to go in his place the start of the show. He's not in any headspace to hold a basic conversation let alone negotiate! He didn't even know who Alastor was, he's been so out of touch

idk I like him, he seems sweet, I hope Charlie brings some light back into his life. He really needs to get out of that rubber duck room

[sableeira]

ode to a failed partnership

[sentientsky]

immense respect for michael and david and their ability to work professionally on set together. cause if i were in a show with my bestest friend in the whole entire universe, absolutely FUCK ALL would get done

[alpacacare-archive]

success

[batbrainrot]

Jason, walking into the kitchen:

Jason: Tim what the fuck are you doing

Tim, confused: ...c-cooking?

Jason: what are you doing to that chicken?????

Tim, holding one fork in each hand: ...seasoning ...it?

Jason, offended: no, the fuck, you're not! why are you using forks to do it instead of grabbing it with your hands like a normal fucking human being?

Tim, feeling personally victimized by raw meat: I'M NOT FUCKING TOUCHING THAT! IT'S A SENSORY NIGHTMARE!

Jason, pointing a gun at him: OUT. NOW.

[weebsinstash]

I'm not typically a fan of pregnancy au stuff for hazbin because it introduces a hell lotta new questions, but anyways, I DO find it absolutely entertaining thinking about a Reader who did the nasty with Alastor and had kind of a friends-with-benefits situation with him and he does his whole 7 year disappearing act without warning you or telling you anything at all (assumedly because he did not have a choice or opportunity) and he comes back, knocking on your front door, "say, doll! What's say we mosey on over to our old favorite jazz club to catch up on old times?"

and suddenly peeking out from behind your back is just the cutest little fawn with a head full of curls who is very clearly Alastor's son, clutching at your apron, "Mama, isn't he the man you listen to those old recordings of? He sounds the same"

Alastor feeling this, this WARMTH in his chest as you invite him inside your home and it's completely different from the last time he was there, filled with everything your son could need, his drawings and report cards from that nice school you break your back to afford stuck lovingly on the fridge and a hot home-cooked meal currently cooling on the stove as Alastor's invited for some food... if he feels comfortable. You and him discuss privately where your son can't hear as you get all weepy, "I'm sorry, but when you disappeared, I couldn't... ASK you what you would have wanted... I didn't want to have some kind of, of PROCEDURE and you hate me for it... and even from the very first scan, I loved him so much... he's my entire world... I couldn't even CONSIDER... getting rid of him. He's my beautiful smart baby boy and i would die for him"

Genuinely I think it would be real funny if Alastor is initially quite jealous actually for having to share you with a CHILD, but the more time he spends around the young boy, the more he realizes, oh, this is quite the upstanding young fellow! His mama raised him right and he likes to help around the house, likes to read lots of books, loves all kinds of music, helps his mother on all the crosswords and word searches and puzzle books, and he's smart enough to suss out pretty quickly, "sir are you my father"

and the second your son receives an answer, just, KICKING THE RADIO DEMON IN THE SHIN, "You're a horrible man!! You call yourself a gentleman but you left my mama to raise a baby all by herself!! You're terrible! Incorrigible! Disrespectful! Untoward!--" Your young son is breaking out the goddamn dictionary and synonyms on this man, "you lying, deceitful, devious, DEPLORABLE--"

And Alastor is watching this little kid threaten to beat his ass and not even caring that he's up against The Infamous Radio Demon, just shouting at Alastor until the young boy is absolutely changing colors in the face, getting SO SO upset for his mama that he's ready to FIGHT OVER IT, and Alastor is just, essentially, breaking out into laughter, "oh, so you ARE my son!! Aren't you a gutsy one!! Put JUST a little force behind that next one and it might actually sting a bit!" and pats the boy on the head. That settles it; he's accepted as Alastor's son like THAT

Of course, Alastor now caring for this boy does not come without its... complications. There might be some 'incidents' if you, for example, have other positive role models for your son, other men who are regularly coming around, making Alastor's new position as the boy's father and your not-quite-husband (yet) feel threatened and unstable and encouraging the Radio Demon to 'act out'. You're so happy to have Alastor back in your life that you don't even notice things are a little off until your son starts mentioning things like "Mama where did Mr Thomas go? He used to come by every Thursday to play chess but I don't remember seeing him for a while?" "Mama I know Benson has bullied me and pushed me down and stolen my things but I saw his mom crying outside the bookstore earlier saying he's gone missing and I think we should help look for him" "Mama I know Mr Alastor said we don't need her and he can teach me but I also like my old piano teacher. Could I have some lessons with her and some with Mr Alastor instead of just all of them with him? I miss Ms. Mason"

But like... you don't want to deny Alastor a relationship with his child after they both have already lost so much time and you don't want to deprive your son of his father without a good reason, so you stifle some of your suspicions. It's all for your son's sake, isn't it? And you can't help but, get a little selfish when Alastor insists on taking you and your boy out, going to see live bands, going to local events, taking your son to the county fair and you feeling tears in your eyes as, your boy finally gets to spend time with his father. It's like... it's like you're a real family... you've always wanted something like this, for him, for them, for yourself--

But... Alastor doesn't... see you THAT way, does he? He displays his emotions much differently than you, and there were even times in the past where Alastor himself drew the line in the sand that, oh yes you two were quite close friends, he has such a deep affection for you, but... romantically? Sorry, sweetheart, but no

... or so he thought. Now that he's back, he sees how deeply you love his son and sacrifice so much for him amd how much your son absolutely adores you and how, completely by yourself, without any of Alastor's help, you raised him into a fine young man that... the Radio Demon could see himself helping raise, a boy he can't help but feel a little pride in helping make and, can't help but feel a little sad he missed all sorts of important milestones for. And of course, of course of course of course, he missed YOU ever so much, and when Alastor looks up from his paper to see you at the stove, hair all out of place and your hands messy as you cook a meal for your son and his father, your little boy dutifully helping clean as you go, he can't help wish that THIS was how he spent his last 7 years.

Lucifer have mercy on anyone who tries to disrupt his new utopia of peace and tranquility. Could you even imagine, could you even fucking imagine you and Alastor are walking with your son and nearby TVs snap on and it's fucking Vox, showing your family on TV, talking shit to Alastor, using HORRIBLE language in front of your son--

And Alastor feels his love for you grow all the more as you use your own magic to surge through the television and begin strangling the newscaster right on the air, "DONT YOU DARE SHOW MY SON'S FACE ON TV YOU FUCKING--" and Alastor starts lovingly conversing with his son about how important it is to stand up for your family and your values as the pair of them watch you throw Vox around his recording studio in a frenzied rage, "You and your disgusting Vees always trying to peddle your worthless garbage to kids, you CREEPS!! BABIES DON'T NEED IPADS, RETINOL CREAMS, SKEEYEE DANCE ROUTINES, AND ATHLEISUREWEAR LEGGINGS THAT GO UP THEIR ASS, YOU CONSUMERIST IMMORAL SHELL OF A HUMAN BEING--"

Snapcut to you rejoining your family on the sidewalk with your hair a mess and visible blood on you while Vox is facedown on the floor in his broadcast unable to move before it cuts to a "technical difficulties, please stand by" screen. Alastor is oh so genuinely joyfully smiling, "Now who wants to go and get some waffles? I say we should celebrate any victory over our enemies with some tasty grub!!" and he takes you and your son's hands and is all but skipping down the sidewalk while his hated rival is bleeding out in his tower somewhere. Oh, Alastor will give the Television Demon his own revenge for daring to try and shame the lovely beautiful mother of his child and his beloved boy on that disgusting show. What kind of degenerate uses children for content, let alone threatens their safety? Alastor will be back for him later and do much, MUCH worse than you did.

For now, though? Alastor just wants to enjoy the sight of you and his son sitting in a booth with him while you all scarf down some hotcakes. A family of his very own, huh? How wonderful. If only his own mom were here to see it...

[linterteatime]

I love drawing funky dresses for bugs...well these aren't bugs bugs but rather human bugs but not really human but y'know y'know

[garmaballs]

now what are tiktok fans on...

[stalarys]

a man left red and alone all over again

[catchmeinhell]

Smile More

[bookshelfdreams]

one thing i love about charles is that he's always ready to throw down. no problem is so complex it can't be solved with violence. he looked at this fucked up, illogical world of supernatural horrors beyond comprehension with its myriad complicated rules, where every entity has it's own unique vulnerability and decided that you know what? there actually is a universal solution to every problem called Bash That Thing's Fucking Head In - and it works a solid 99% of the time!

Much like he doesn't care about every lock having a unique key, he doesn't care about the specifics of defeating monsters and nightmares. Yeah he knows all about casting spells, this next one is something called MOLOTOV COCKTAIL

[quipxotic]

Boy some folks are just really afraid of anger, huh? I would say anger in women, but it really does seem like anger period. And from fictional characters? Particularly when that anger isn't pretty or sexy. When it's messy or sulky or selfish, when it bites into the person who feels it as well as everyone around them.

Couldn't be me. Let people (and fictional characters) feel their feelings, even the unattractive ones, in this year of 2024 when there is so much to feel messy feeling about.

[uhbasicallyjustmilex]

okay so i finally finished it... allow me to present a comprehensive, chronological compilation of miles and alex singing *THAT* moment in standing next to me for the whole eycte tour 🌟

this video took me the better part of two months to make, and cost me a not insignificant part of my sanity (related: i may never want to hear this song again), so yeah... i hope you enjoy 😅

[inoreuct]

would you agree that we all need more Sanji getting nosebleeds over Zoro in this fandom?

YES *pelting down a hill waving the proposal for this in my hand like a madman* YESSSSSS

the first time sanji gets a nosebleed over zoro is his clue-in that oh. i’m not straight, am i. the swordsman’s doing a bench press (shirtless, as always) as sanji walks by (and sanji sneaks a look, as always, because who wouldn’t?) and when he glances over the plates he has to do a double take because what the fuck. zoro’s pressing more than twice his body weight. zoro’s repping more than twice his body weight. he’s just registered that maybe he’s stared for a bit too long when he feels something warm and wet on his upper lip, iron dripping over his mouth, and he books it for the galley.

he slams the door shut and presses his back against it before he slides to the ground and screams into his knees because what. the fuck. it’s not even that he’s getting hot and bothered over a guy; it’s just that the guy’s zoro. he’s not supposed to get nosebleeds over zoro.

but he does.

and it gets worse.

zoro walking around shirtless on deck? nosebleed. zoro re-tying the sails and just hanging on with his legs around the mast? nosebleed. zoro strutting out of the shower door, damp with steam and hair dripping wet and a towel around his waist? nosebleed. zoro tsking irritably and grabbing all of sanji’s food and packages from him to haul the whole lot over his shoulder? NOSEBLEED.

and not even that. he starts getting breathless around zoro and his chest hurts. he kicks zoro back while they’re sparring one day and the swordsman grins, feral and unrestrained and all challenge and teeth, and sanji’s heart spasms so hard that he actually wonders if he’s about to go into cardiac arrest. he’s barely twenty, he isn’t ready to die— much less because of some stupid marimo. chiselled abs and a nice set of biceps are only worth so much of sanji’s dignity. he twists and smashes the sole of his shoe right into zoro’s pretty face.

still, it gets so, so bad that he’s elected to just. avoid zoro completely. he’s sneaking around corners and running across open expanses ducked low like some kind of goofy thief and he knows it’s so fucking stupid but he doesn’t. he doesn’t know if zoro likes— no. he doesn’t even think about it. there’s no way, and if he gives himself false hope he’ll just break his own heart. he doesn’t know if zoro likes men, or anyone, much less him; nobody in their right mind would, not really. he's nice to have but not to keep and he's come to terms with it.

…until zoro corners him in the galley and demands to know what the fuck’s going on.

sanji stays facing away, slowly washing the dishes even as his heart pounds so hard it hurts. he is painfully aware of the way zoro’s seething like an over-boiled kettle in one of the chairs behind him, arms crossed over his stupidly broad chest and stock-still because he never, ever shakes his leg even though sanji knows he wants to.

his sponge squeaks across ceramic. the water’s warm against his fingertips, and his eyes flick up to meet his own reflection in the porthole window; he looks… well, he doesn’t know. scared, maybe. nervous. his mouth is thin, eyes wide, cheeks flushed, a shudder running its fingers down his spine even as his heartbeat thumps between his ribs and god, fuck, it aches. and he knows. he looks himself in the eyes and he knows that somewhere along the line nosebleeds had turned into falling in love and he was the stupid idiot who had just let it happen because he was too weak to pry zoro out of his thoughts.

his gaze flicks down sharply when he hears the sudden scrape of the chair, and zoro spits, “look, i can’t fix whatever i did wrong if you don’t tell me what it is.”

sanji’s heart throbs. “what?”

he can hear zoro’s scowl. “what, what? i obviously did something. you’ve been avoiding me like the plague.”

the cook almost laughs. he bites it down and swallows his words, salty-sweet at the back of his throat. guilt nips at him; zoro’s his rival and and his personal annoyance and a blockhead but he might also, maybe, just maybe, be sanji’s best friend. and sanji hasn’t been very fair to him lately.

he swallows again, clears his throat silently. “you didn’t do anything, marimo,” he murmurs to the plate in his hands, trying for airy and getting more somewhat vaguely strangled. he coughs. “just forget about it. sorry i’ve been weird.”

sanji will deal. he will, somehow; he’d been careless and careless is dangerous and for perhaps the first time in his life, he has too much to lose. he’ll squash his heart into a box and lock it down tight like he always has and it’ll hurt, but when does it ever not? he mentally declares the matter done and dusted as he shakes off the plate and gently sets it on the drying rack.

his lungs hitch as a callused hand cups his elbow.

zoro pulls him around. he’s too weak to resist. the edge of the sink digs into his hip as stormy grey eyes scan his face and zoro looks tense, his jaw set in the way it only is when he faces off with a particularly vexing foe.

“did i not look happy enough at dinner?" he asks, and it could be mockery but it isn't, not with that edge to his voice; not desperation, but damn near. like filter paper burning its way to ash. "was it my clothes on the floor? my boots on the bed? what?”

sanji can't stand it anymore. he looks away, tries to twist out of the invisible bonds zoro has him trapped in, but fingers looped around his wrist are all it takes to make him stay and fuck, fuck, he's so fucked.

"sanji, what did i do?” zoro breathes, brow furrowed, voice too near and too damn earnest, and sanji's throat bobs as he digs the heel of his palm into his eye.

this isn't how it's supposed to go. zoro isn't supposed to care. zoro isn't supposed to be standing here in the galley saying his name in that tone of voice. a hand carefully pulls his own away from his face, and zoro doesn't fucking let go, and sanji feels too much like he's been stripped down to the bone.

"i know," zoro continues, gruff like he doesn't know how to be anything else, "that i upset you. so would you please tell me what i did so i can fix it?" he bends lower still, ducking to try and catch sanji’s line of sight but sanji just can't look at him. "i'll fix it, i—"

"you can't fix this." the words are out and in the air before he can stop them, and a bittersweet smile curves his mouth. "there's nothing to fix, so you can't fix it. just let it go, alright?"

zoro wants to argue. sanji can tell. but the swordsman lets out a measured exhale after a long moment and pulls back, face carefully neutral. "at least tell me what's going on, cook."

sanji looks down at his feet. "...i can't."

"like hell you can't," zoro replies immediately, and it's such an abrupt reminder of their normal banter that it wrenches a rough noise from sanji's chest. "i was the one who held your hair back after you had, like, seven margaritas too many. don't think you could tell me anything worse than the experience of trying to stop you from falling into your own puke."

"oh, jesus fuck," sanji swears on instinct, then laughs. it's unfortunately hollow. "that was one time, asshole."

"one time too many," zoro hums, raising an eyebrow. "so you gonna tell me what's going on, or do i have to make it a captain's order?"

sanji grits his teeth.

"i will drag luffy in here, i don't care—"

"fucking—" he holds his breath, flipping around to white-knuckle the edge of the sink and letting it out slow. "fine. you ever loved someone, marimo?"

"sure." zoro shrugs easily, crossing his arms as he looks out the window. "kuina, but i think i learned to love her memory more than anything else. luffy, nami—" a near-unnoticeable flutter of thick lashes. "you."

sanji exhales through his nose as he rocks back on his heels. squeezes out air till it hurts. "you know that's not what i meant."

"what did you mean, then?"

he turns to look at where zoro has settled lazily against the counter, the moon turning his eyes to silver. "I mean the kind of love that makes your blood race. that makes you want more even when you know you'll never take more than you're allowed. the kind that makes your heart hurt so badly you feel empty without it."

the swordsman's face is unreadable as he tilts his head slowly. "i did say i love you."

it hits sanji like a bullet. he sucks in a sharp breath, and his throat burns as he turns away and tries to stop his shoulders from heaving up. "don't fuck with me, zoro. not about this."

it feels rather like a cruel cosmic joke. he's so near yet so far, just one step away with a gauzy curtain between but he can't touch it. he won't. he's got too many things on the line and yet he can't even name one of them.

"hey."

he squeezes his eyes shut against the burn of salt that shouldn't even be there, and look at that. little sanji's gone and broken his own heart again.

"hey," zoro tries again, more insistent, one hand hovering in the space between them and sanji feels the pull of it like a magnet.

he doesn't turn away as it cups his cheek. doesn't run as fingers slide through the short hairs at his nape, a thumb behind his jaw. his lashes are damp. it is everything he wants and everything he cannot have and he can't—

"look at me."

"i can't," he breathes, lungs rising fast and shallow. he's afraid to open his eyes. he's afraid of what he'll see.

"yes, you can." zoro shifts closer and another hand joins the first. it's big and rough and warm and he holds sanji's face like he's the moon herself. "look at me, curly."

he can't.

he does.

zoro's gaze is almost painful to meet straight-on with how intense it is. he seems to realise, face softening as he leans closer, closer, posture loose enough that it would be no problem for sanji to shove him away. "you love me," he breathes. "yes or no?"

sanji's heart stops. his tongue is clumsy in his mouth, his brain a mess of yesnoyesyesnoiwon'tican’tido—

"don't think." zoro's voice cuts through the haze as he shakes his head slowly; a sword through smoke, silver-bright, singing in the air and leaving silence. "don't think. you love me, yes or no."

the galley swims around sanji as his vision blurs. he feels his tears spill hot down his cheek, knows the way zoro aches to brush them away and yet stays still. he opens his mouth and it feels like stepping out of the only shelter he's ever known; he is an open fucking wound and he's raw and everything hurts, everything but zoro. zoro. zoro. "yes."

just one word, three simple letters, and still it feels like damnation; if he'd never said it he could deny it but now it's real. the swordsman relaxes, shoulders dropping enough that his forehead brushes sanji's, and sanji tracks the way his throat bobs. the way steel-grey eyes flicker over his face, molten in the light of the electric lamps and the moonlight spilling through the window, gilding zoro like something out of a dream. a fairytale sanji read as a child until the edges of the pages fitted familiar to his thumbs as his little hands reached for a happy ending that was never meant to be his.

he shakes, now, as zoro reaches up to run tentative fingers through straw-pale hair. "let me love you. yes or no."

"i—" the sound that twists from his mouth is cracked jagged down the middle, unpolished as a common pebble picked up off the damn street. "you don't—"

"yes or no."

"i'm not what you want," he gasps, his face wet.

"yes or no."

sanji wants to break apart. because zoro sounds like he's begging, and he cannot fathom anybody possibly wanting him that much. he wants to scream and cry and claw at the walls until his nails break. he wants to shatter into pieces all over the floor without having to worry about putting himself back together. he wants. he wants, and zoro's looking at him with the closest thing to reverence he's seen in his life, and even that isn't enough for him to believe it. "i'm not what you want."

he can barely look at zoro. he can barely look at himself. the shame is clawing a pit into his stomach, and he lets it, feels every inch of it, because what kind of person doesn't know how to be loved? his breath catches wetly as zoro cups his jaw in both hands, tilting his face up, and once again sanji is too weak to pull away.

"you are everything i want."

the words are so fierce, so sure, and sanji is cracking apart at the seams. the stitches pulled tight by his own hand are unravelling and he can't stop it—

"yes or no."

zoro's breath ghosts warm across his mouth, fingertips in his hair, just far away enough for sanji to see the way his eyes are blazing and yet he waits. his thumb on sanji's cheek is the gentlest thing sanji has ever known.

"you'll get tired of me," he tries weakly, one last time for good measure, and zoro just shakes his head. the resolve in his expression does not waver even once.

sanji breaks.

"yes." the word scrapes itself out of his throat seconds before arms are going around him, and he sobs. lets the swordsman bring them both to the kitchen floor as he curls up in zoro's lap, fingers clawing into his white shirt, numb with how hard he cries because nobody, nobody has ever stayed. not without him getting hurt in the process. he pushes them away when he gets scared and they let him and then it becomes his fault when it all blows up in his face, but zoro's not leaving, and it's so foreign to him that he's shaking so badly and he can't stop.

a warm, heavy palm smooths over his spine and he lets himself be shifted closer, settles sideways as zoro wraps an arm over his shins and rocks them until his breathing evens out. the embarrassment hits like a gut punch; he knows he looks like a mess, face blotchy and hair everywhere and eyes puffy as hell, but zoro cards his bangs out of his eyes and looks at him like he doesn't care, and sanji turns away.

he feels... fragile. like he's made of tinted glass and spun sugar, like he'll cave in at the slightest touch. there is something melting in his chest and it drips down over his ribs; pools fresh as a river in spring, offset by the grounding presence of zoro's hands on his skin. "don't say i didn't warn you," he mumbles, masking his very real fear behind a layer of watery bravado as he hides his face in zoro's shoulder, and of course, of course zoro sees right through him.

the swordsman's thumb traces the swirl of his eyebrow before zoro rests his chin on top of sanji's head. "i don’t listen. you know that."

you know me, is what goes unsaid, and sanji doesn't deign to reply. he buries his face into zoro's chest and breathes in the smell of steel and sword oil and— he sits up slightly, eyes narrowing. "you've been stealing my deodorant, yes or no." the way zoro stills momentarily is a dead giveaway, and he yelps when the swordsman flicks his forehead.

"would you rather i be stinky?" zoro scoffs, rolling his eyes gently as sanji settles back down with a huff.

"you still are stinky. if we're gonna be together i'm expecting you to shower at least once every two days—" zoro groans, and he powers through, raising his voice, "—and if you aren't fussy i'll let you shower with me."

the way zoro instantly stops complaining cracks a laugh out of him. it's weak and watered-down, but it's a start. zoro's hands slide back into his hair and he hums as he lets his eyes fall shut.

the moon's full tonight. their ship rocks gently, and sanji gets comfortable; zoro's warm and solid and happens to make a perfectly respectable pillow. the thought that he can have this now sends a thrill through him.

he's not a fool. he's not optimistic when it comes to this. when it comes to love.

but with zoro's thumb rubbing mindless circles against the side of his thigh and a kiss pressed to the top of his head, he's got a pretty good feeling about this time around.

[zipmode]

trying 2 figure out how to draw the sillayssssss