#Campus buildings and architecture

[jcmarchi]

Celebrating the opening of the new Graduate Junction residence

New Post has been published on https://thedigitalinsider.com/celebrating-the-opening-of-the-new-graduate-junction-residence/

Celebrating the opening of the new Graduate Junction residence

Over two choreographed move-in days in August, more than 600 residents unloaded their boxes and belongings into their new homes in Graduate Junction, located at 269 and 299 Vassar Street in Cambridge, Massachusetts. With smiling ambassadors standing by to assist, residents were welcomed into a new MIT-affiliated housing option that offers the convenience of on-campus licensing terms, pricing, and location, as well as the experienced building development and management of American Campus Communities (ACC).

With the building occupied and residents settled, the staff has turned their attention to creating connections between new community members and celebrating the years of a collaborative effort between faculty, students, and staff to plan and create a building that expands student choice, enhances neighborhood amenities, and meets sustainability goals. 

Gathering recently for a celebratory block party, residents and their families, staff, and project team members convened in the main lounge space of building W87 to mingle and enjoy the new community. Children twirled around while project managers, architects, staff from MIT and ACC, and residents reflected on the partnership-driven work to bring the new building to fruition. With 351 units, including studios, one-, two-, and four-bedroom apartments, the building added a total of 675 new graduate housing beds and marked the final step in exceeding the Institute’s commitment made in 2017 to add 950 new graduate beds.

The management staff has also planned several other events to help residents feel more connected to their neighbors, including a farmers market in the central plaza, fall crafting workshops, and coffee breaks. “Graduate Junction isn’t just a place to live — it’s a community,” says Kendra Lowery, American Campus Communities’ general manager of Graduate Junction. “Our staff is dedicated to helping residents feel at home, whether through move-in support, building connections with neighbors, or hosting events that celebrate the unique MIT community.” 

Partnership adds a new option for students

Following a careful study of student housing preferences, the Graduate Housing Working Group — composed of students, staff, and faculty — helped inform the design that includes unit styles and amenities that fit the needs of MIT graduate students in an increasingly expensive regional housing market.

“Innovative places struggle to build housing fast enough, which limits who can access them. Building housing keeps our campus’s innovation culture open to all students. Additionally, new housing for students reduces price pressure on the rest of the Cambridge community,” says Nick Allen, a member of the working group and a PhD student in the Department of Urban Studies and Planning. He noted the involvement of students from the outset: “A whole generation of graduate students has worked with MIT to match Grad Junction to the biggest gaps in the local housing market.” For example, the building adds affordable four-bed, two-bath apartments, expanded options for private rooms, and new family housing.

Neighborhood feel with sustainability in mind

The location of the residence further enhances the residential feel of West Campus and forms additional connections between the MIT community and neighboring Cambridgeport. Situated on West Campus next to Simmons Hall and across from Westgate Apartments, the new buildings frame a central, publicly accessible plaza and green space. The plaza is a gateway to Fort Washington Park and the newly reopened pedestrian railroad crossing enhances connections between the residences and the surrounding Cambridgeport neighborhood.

Striving for the LEED v4 Multifamily Midrise Platinum certification, the new residence reflects a commitment to energy efficiency through an innovative design approach. The building has efficient heating and cooling systems and a strategy that reclaims heat from the building’s exhaust to pre-condition incoming ventilation air. The building’s envelope and roofing were designed with a strong focus on thermal performance and its materials were chosen to reduce the project’s climate impact. This resulted in an 11 percent reduction of the whole building’s carbon footprint from the construction, transportation, and installation of materials. In addition, the development teams installed an 11,000 kilowatt-hour solar array and green roof plantings.

[arc-hus]

Muir College Campus, Physics and Maths Building, San Diego - Robert Mosher

[emberwritesinsight]

So, while I was combing through Nanami footage to make the Circus AMV, I noticed a couple things in the Nanami Wearing Her Cowbell montage. One, she modeled for at least one art class, which means scattered in bedrooms and desks across Ohtori are drawings of the dumbest fashion decision she's ever made (also there's probably something to be said abt paintings/drawings vs pictures and all that thematic baggage but I don't have it in me to unpack that right now). Two:

I straight up forgot about this. I'm 85% sure this is the only time anyone wears a kimono in the whole series. Nanami looks great in this shade of blue and the pattern is vaguely reminiscent of v/ stylized cattle with the horns- though, to be honest, my first thought was "are those fucking bananas". Also, she's arranging what appear to be lilies- bigger Kanaeheads than me please feel free to go wild with that

[allisonperryart]

#ThrowbackThursday to another loose, stylized study - this time a building at UCLA! Thanks for looking, and you can catch the process video here:

[tj-crochets]

Hey y’all! Weird question time! Or more specifically, time for a weird question I’ve asked before Was the high school you went to all one building, several buildings you had to walk between with no covered walkways, or several buildings but with covered walkways between them? And where was the school (not specifically)/what weather? I grew up in southern California (where it is usually hot and rarely rains) and it never occurred to me a school could be all in one building until I saw my cousin’s high school in Oregon (where it is frequently cold and rains a lot)

[deconstructthesoup]

Blue gets it

[iknowwhereyousleepatnight]

The secret to good school is good funding. One day, I dream of a world where all schools have options for their children. Personally, I think it's pretty important for that sort of thing to start out early. See if you're actually into that think BEFORE you're 100k in debt and hating your life.

My area has some awesome architecture. One time, I wanted to do a project on it, and my teacher said it was too complicated. I cried, like genuinely left that class, found a place to sit down, and just cried. The buildings were pretty, and I wanted to talk about them. I really do love the amount of thought put into those buildings. The people who made them are dead, but their art is still there. A bunch of dudes 100 years ago sat down and designed this theater. Then more came in and built it. And here I am, sitting there.

Architecture is so awesome in the way that it's interactive. It can survive longer than any human.

definitely!! being able to explore interests before you gotta choose one for your career is soso important i rlly wish i got to try out some more shit before i had to settle on smth

also sameee my city has a lot of old architecture (especially my school. some of the buildings are falling apart but they're very old and very pretty) and im like just in awe of it like architecture is an art but it's more than an art because unlike a lot of art it's not just something to look at it's somewhere someone lives or works or goes with friends and makes memories like a lot of art doesnt have a practical function but architecture does and it serves as a setting for so much of people's lives and that's really impactful and so awesome because there's architecture everywhere and it's all so beautiful *dreamy sigh*

also sucks that ur teacher sucked i hate when teachers/profs won't let you do projects on what ur passionate abt like passion is the basis of learning why aren't u supporting that....

[bhrarchinerd]

International Affairs Building, Columbia University by Mike McLaughlin Via Flickr: New York City www.MikeMcLaughlinPhoto.com

[jahtheexplorer]

Princeton University

Princeton, New Jersey

[skrubu]

Elements and Interrelations by Pekka Nikrus Via Flickr: In album Designed Constructions

[memorabilia-memoria]

Tout est dans les petits gestes.

Saint Denis, janvier 2024

[jcmarchi]

Seen and heard: The new Edward and Joyce Linde Music Building

New Post has been published on https://thedigitalinsider.com/seen-and-heard-the-new-edward-and-joyce-linde-music-building/

Seen and heard: The new Edward and Joyce Linde Music Building

Until very recently, Mariano Salcedo, a fourth-year MIT electronic engineering and computer science student majoring in artificial intelligence and decision-making, was planning to apply for a master’s program in computer science at MIT. Then he saw the new Edward and Joyce Linde Music Building, which opened this fall for a selection of classes. “Now, instead of going into computer science, I’m thinking of applying for the master’s program in Music Technology, which is being offered here for the first time next year,” says Salcedo. “The decision is definitely linked to the building, and what the building says about music at MIT.”    Scheduled to open fully in February 2025, the Linde Music Building already makes a bold and elegant visual statement. But its most powerful impact will likely be heard as much as seen. Each of the facility’s elements, including the Thomas Tull Concert Hall, every performance and rehearsal space, each classroom, even the stainless-steel metal panels that form the conic canopies over the cube-like building’s three entrances — has been conceived and constructed to create an ideal environment for music. 

Students are already enjoying the ideal acoustics and customized spaces of the Linde Music Building, even as construction on the site continues. Within the building’s thick red-brick walls, they study subjects ranging from Electronic Music Composition to Conducting and Score Reading to Advanced Music Performance. Myriad musical groups, from the MIT jazz combos to the Balinese Gamelan and the Rambax Senegalese Drum Ensemble, explore and enjoy their new and improved homes, as do those students who will create and perfect the next generation of music production hardware and software. 

“For many of us at MIT, music is very close to our hearts,” notes MIT President Sally Kornbluth. “And the new building now puts music right at the heart of the campus. Its exceptional practice and recording spaces will give MIT musicians the conservatory-level tools they deserve, and the beautiful performance hall will exert its own gravitational pull, drawing audiences from across campus and the larger community who love live music.”

The need and the solution

Music has never been a minor pursuit at MIT. More than 1,500 MIT students enroll in music classes each academic year. And more than 500 student musicians participate in one of 30 on-campus ensembles. Yet until recently there was no centralized facility for music instruction or rehearsal. Practice rooms were scattered and poorly insulated, with sound seeping through the walls. Nor was there a truly suitable space for large performances; while Kresge Auditorium has sufficient capacity and splendid minimalist aesthetics, the acoustics are not optimal.

“It would be very difficult to teach biology or engineering in a studio designed for dance or music,” says Jay Scheib, recently appointed section head for Music and Theater Arts and Class of 1949 Professor. “The same goes for teaching music in a mathematics or chemistry classroom. In the past, we’ve done it, but it did limit us. In our theater program, everything changed when we opened the new theater building (W97) in 2017 and could teach theater in spaces intended for theater. We believe the new music building will have a similar effect on our music program. It will inspire our students and musicians and allow them to hear their music as it was intended to be heard. And it will provide an opportunity to convene people, to inhabit the same space, breathe the same air, and exchange ideas and perspectives.”

“Music-making from multiple musical traditions are areas of tremendous growth at MIT, both in terms of performance and academics,” says Keeril Makan, associate dean for strategic initiatives for the School of Humanities, Arts, and Social Sciences (SHASS). The Michael (1949) and Sonja Koerner Music Composition Professor and former head of the Music and Theater Arts Section, Makan was, and remains, intimately involved in the Linde Music Building project. “In this building, we wanted all forms of music to coexist, whether jazz, classical, or music from around the world. This was not easy; different types of music require different conditions. But we took the time and invested in making spaces that would support all musical genres.”

The idea of creating an epicenter for music at MIT is not new. For several decades, MIT planners and administrators studied various plans and sites on campus, including Kendall Square and areas in West Campus. Then, in 2018, one year after the completion of the Theater Arts Building on Vassar Street, and with support from then-president L. Rafael Reif, the Institute received a cornerstone gift for the music building from arts patron Joyce Linde. Along with her late husband and former MIT Corporation member Edward H. Linde ’62, the late Joyce Linde was a longtime MIT supporter. SANAA, a Tokyo-based architectural firm, was selected for the job in April 2019.

“MIT chose SANAA in part because their architecture is so beautiful,” says Vasso Mathes, the senior campus planner in the MIT Office of Campus Planning who helped select the SANAA team. “But also because they understood that this building is about acoustics. And they brought the world’s most renowned acoustics consultant, Nagata Acoustics International founder Yasuhisa Toyota, to the project.”

Where form meets function

Built on the site of a former parking lot, the Linde Music Building is both stunning and subtle. Designed by Kazuyo Sejima and Ryue Nishizawa of SANAA, which won the 2010 Pritzker Architecture Prize, the three-volume red brick structure centers both the natural and built environments of MIT’s West Campus — harmonizing effortlessly with Eero Saarinen’s Kresge Auditorium and iconic MIT Chapel, both adjacent, while blending seamlessly with surrounding athletic fields and existing landscaping. With a total of 35,000 square feet of usable space, the building’s three distinct volumes dialogue beautifully with their surroundings. The curved roof reprises elements of Kresge Auditorium, while the exterior evokes Boston and Cambridge’s archetypal facades. The glass-walled lobby, where the three cubic volumes converge, is surprisingly intimate, with ample natural light and inviting views onto three distinct segments of campus. 

“One thing I love about this project is that each program has its own identity in form,” says co-founder and principal Ryue Nishizawa of SANAA. “And there are also in-between spaces that can breathe and blend inside and outside spaces, creating a landscape while preserving the singularity of each program.”

There are myriad signature features — particularly the acoustic features designed by Nagata Acoustics. The Beatrice and Stephen Erdely Music and Culture Space offers the building’s most robust acoustic insulation. Conceived as a home for MIT’s Rambax Senegalese Drum Ensemble and Balinese Gamelan — as well as other music ensembles — the high-ceilinged box-in-box rehearsal space features alternating curved wall panels. The first set reflects sound, the second set absorbs it. The two panel styles are virtually identical to the eye. 

With a maximum seating capacity of 390, the Thomas Tull Concert Hall features a suite of gently rising rows that circle a central performance area. The hall can be configured for almost any style and size of performance, from a soloist in the round to a full jazz ensemble. A retractable curtain, an overhanging ring of glass panels, and the same alternating series of curved wall panels offers adaptable and exquisite sound conditions for performers and audience. A season of events are planned for the spring, starting on Feb. 15, 2025, with a celebratory public program and concert. Classrooms, rehearsal spaces, and technical spaces in the Jae S. and Kyuho Lim Music Maker Pavilion — where students will develop state-of-the-art production tools, software, and musical instruments — are similarly outfitted to create a nearly ideal sound environment. 

While acoustic concerns drove the design process for the Linde Music Building, they did not dampen it. Architects, builders, and vendors repeatedly found ingenious and understated ways to infuse beauty into spaces conceived primarily around sound. “There are many technical specifications we had to consider and acoustic conditions we had to create,” says co-founder and principal Kazuyo Sejima of SANAA. “But we didn’t want this to be a purely technical building; rather, a building where people can enjoy creating and listening to music, enjoy coming together, in a space that was functional, but also elegant.”

Realized with sustainable methods and materials, the building features radiant-heat flooring, LED lighting, high-performance thermally broken windows, and a green roof on each volume. A new landscape and underground filters mitigate flood risk and treat rain and stormwater. A two-level 142-space parking garage occupies the space beneath the building. The outdoor scene is completed by Madrigal, a site-specific sculpture by Sanford Biggers. Commissioned by MIT, and administered by the List Visual Arts Center, the Percent-for-Art program selected Sanford Biggers through a committee formed for this project. The 18-foot metal, resin, and mixed-media piece references the African American quilting tradition, weaving, as in a choral composition, diverse patterns and voices into a colorful counterpoint. “Madrigal stands as a vibrant testament to the power of music, tradition, and the enduring spirit of collaboration across time,” says List Visual Arts Center director Paul Ha. “It connects our past and future while enriching our campus and inspiring all who encounter it.”

New harmonies

With a limited opening for classes this fall, the Linde Music Building is already humming with creative activity. There are hands-on workshops for the many sections of class 21M.030 (Introduction to Musics of the World) — one of SHASS’s most popular CI-H classes. Students of music technology hone their skills in digital instrument design and electronic music composition. MIT Balinese Gamelan and the drummers of Rambax enjoy the sublime acoustics of the Music and Culture Space, where they can hear and refine their work in exquisite detail. 

“It is exciting for me, and all the other students who love music, to be able to take classes in this space completely devoted to music and music technology,” says fourth-year student Mariano Salcedo. “To work in spaces that are made specifically for music and musicians … for us, it’s a nice way of being seen.”

The Linde Music Building will certainly help MIT musicians feel seen and heard. But it will also enrich the MIT experience for students in all schools and departments. “Music courses at MIT have been popular with students across disciplines. I’m incredibly thrilled that students will have brand-new, brilliantly designed spaces for performance, instruction, and prototyping,” says Anantha Chandrakasan, MIT’s chief innovation and strategy officer, dean of the School of Engineering, and Vannevar Bush Professor of Electrical Engineering and Computer Science. “The building will also offer tremendous opportunities for students to gather, build community, and innovate across disciplines.”

“This building and its three programs encapsulate the breadth of interest among our students,” says Melissa Nobles, MIT chancellor and Class of 1922 Professor of Political Science. Nobles was a steadfast advocate for the music building project. “It will strengthen our already-robust music community and will draw new people in.” 

The Linde Music Building has inspired other members of the MIT community. “Now faculty can use these truly wonderful spaces for their research,” says Makan. “The offices here are also studios, and have acoustic treatments and sound isolation. Musicians and music technologists can work in those spaces.” Makan is composing a piece for solo violin to be premiered in the Thomas Tull Concert Hall early next year. During the performance, student violinists will deploy strategically in various points about the hall to accompany the piece, taking full advantage of the space’s singular acoustics. 

Agustín Rayo, the Kenan Sahin Dean of the School of Humanities, Arts, and Social Sciences, expects the Linde Music Building to inspire people beyond the MIT community as well. “Of course this building brings incredible resources to MIT’s music program: top-quality rehearsal spaces, a professional-grade recording studio, and new labs for our music technology program,” he says “But the world-class concert hall will also create new opportunities to connect with people in the Boston area. This is truly a jewel of the MIT campus.”

February open house and concert

The MIT Music and Theater Arts Section plans to host an open house in the new building on Feb. 15, 2025. Members of the MIT community and the general public will be invited to an afternoon of activities and performances. The celebration of music will continue with a series of concerts open to the public throughout the spring. Details will be available at the Music and Theater Arts website.

[rickchung]

University of British Columbia x Vancouver.

AMS Student Nest building.

[cgclarkphoto]

Futuristic in the now Tulsa -  cg photography

[allisonperryart]

Speaking of Scripps here's a #ThrowbackThursday to one of my favourite paintings of the Sallie Tiernan Field House. 🥰 Spent a lot of evenings working out here back in college - I miss having free access to a gym! 😭🏋️‍♀️ Thanks for looking, and you can catch the process video here: https://www.youtube.com/watch?v=QCxuDrP8ZvM

[effelier]