#CHAT ASK ME TO SHOW YOU

[caseyjones2012]

you guys I have made way too many spidersonas

most are based on fictionkins…

[moeblob]

Haley ! Dressed up as Dorothea (post skip) from FE3H!

In case anyone wants to know, the lineart took me as long as Clue (1985) with all three endings. Like. Just in case anyone wanted to know.

[greypetrel]

Crisp those Lines!

Or: a small collection of suggestions for a crispy, neat lineart.

SO MANY OF YOU ASKED FOR THIS (it feels absurd to say, yes), so here you go.

A premise: there's no right or wrong way of inking, and some of the following tips entirely depend on the type of inking I do. Which is neat and clean, with no blacks, and moreover: digitally. More under the cut because it's gonna be long and full of explanatory pictures. Here's an example:

SOFTWARES AND BRUSHES:

Let's address the elephant in the room: Photoshop SUCKS for inking and linework. The stabilisation of the brush there is SHIT. Good for colouring and painting and doing photobashing, but for Lineart you want it to be precise. Do yourself a favour and don't use Photoshop. I generally use Clip Studio Paint, but i have to say that the best program for it that I've tried keeps being Paint Tool SAI 2. It has few functions, it's true, and I use CSP because it has more instruments. But if you don't want to pay much, SAI is incredible as for brush rendition and stabilisation.

As for the brush: you don't need a fancy brush, anything in your software will go. What I use and what works best tho must have:

Tapered start and end.

High stabilisation (I go from 60 upward, lower it down for trees and grass or anything more natural that needs to be less neat and flowy)

Low tapering.

It must be set so that pressure controls only the dimension. The more you push on your pen, the bigger the line gets. No colour or opaciy variation!

On Clip Studio Paint, I use the G-Pen in the program. It's good as it is, but I think I did some variations as per here:

FILE DIMENSIONS:Better work larger and then resize down. Sizing files up digitally is possible, but it leads to unfocused images. I generally work on files at 600dpi (300 is fine too, but don't go any lower. Particularly if that's something you want to print later on, any printing wants a minimum of 300dpi). in roughly an A3 format (bigger dimension is 43cm). Most pictures I upload here are 6000x5000 pixel. A bigger file will give you more possibilities with brush sizes, and it'll be easier. Remember: digitally, sizing down is ok, sizing up is not something you should do.

SKETCH:

This is the suggestion I should follow but never do. Having a clean, polished sketch simplifies your life A LOT. This is because if you don't have to worry about drawing details and fixing the anatomy of your drawing during the lineart, and doing it so GOOD because it's the lineart... You'll go that much slower and your life will be more complicated (it's not impossible, my sketches usually are very rough. I am ok with it, the most I do drawing wise is during the lineart... But I'm lazy, don't do like me. A good sketch will help you out.) Compare the two sketches below:

Another note about your sketch layer: you know those memes that complains that the sketch looks good but when you hide it the lineart is shitty? That's easily solvable. When you're inking, lower the opacity of the sketch layer down, A LOT. I generally go for a 30 or 40% opacity (depending on the colour of the sketch. the yellow sketch will go around 40% because it's less visible, the purple one lower).

When you're inking, you MUST see clearly the lineart you're doing. If the sketch isn't contrasting enough, you won't see clearly what you're doing... It's like trying to sketch with a dim light, not seeing the paper clearly. See the difference:

BEFORE YOU START:

You probably have read it everywhere, but it bears repeating: warm up your hand. You're using muscles and for more than five minutes. The warmer they are, the firmer your hand is, the easier it gets controlling your lines. It also prevents you from damaging your wrist. Stretching is also great, and grippers are nice to have. Keep your hand fit!

As for warming up: I usually do some calligraphy exercises, practicing on flowy cursives. You want to practice varying the pressure of your lines in a single trait, hence why calligraphy is good. But generally, what you can do is...

PRESSURE VARIATION AND LONG LINES:

So. My main tip and trick is to vary the pressure of your lines. In the same line, and between different details. This will help making the lineart more dynamic and interesting. A note: this works for semi-realistic styles. If your goal is obtaining a Cartoon Network style: they have generally little to no variation and it works. My suggestion would be to study the kind of style and effect you want to obtain, different styles will work best with different linearts. If you're aiming at hyperrealistic painting, there's no point in spending time over a lineart, for example, I inked the same lineart, but with a brush that doesn't vary it's dimensions with pressure, and not changing the dimension of the brush.

What makes my linearts look "flowy" and "neat" is the fact that I tend to draw less lines and longer, and pay attention when I stop, to start the line where I end it. This will give the impression of one continuous, single line, and make everything more fluid. See above in the french hood: on the right, I left the line rough on purpose, you can see where I stopped and started again. On the left, where I took care of it, you can't.

Generally speaking:

Thick, dark lines communicate that the object is close to the viewer (always keep the viewer in mind!) or in shadow. Lines should be thicker on the outside of your objects, to separate two planes, and in stuff closer to you.

Thin lines are delicate, they should be used in the background, for small details (see the hair, the lips, the small wrinkles around her eyes.)

As for line continuity: in both cases, the line of her face is one single line I drew. This can be obtained with a smooth result, particularly in curved lines, by getting the brush stabilisation on higher settings (80-100): sacrifice speed for accuracy.

MORE IS MORE, WHEN IT COMES TO LEVELS:

Particularly when there are two objects intersecating, or more characters interacting… Instead of inking all on the same level, I always do one level for each object, trace the WHOLE line as if there was nothing above, and then erase where it's not shown. This is a little thing, but pays off. Always in the drawing of above, the feather and the hem of the bodice were on separate layers, and then I erased the bodice under the feather. Take advantage of being inking digitally and not traditionally!

For many characters, here's an example of a vignette of a comic page before cleaning it up and erasing. Every single character and the weapons are on separate layers

For this it's very useful knowing your recurring mistakes. For example, I tend to draw heads bigger than they should. I know I do, so generally I keep the head on its own level, and the body on another, so it's easier to modify and size down just the head without getting crazy selecting only the lines you want with the lazo.

Again, you're inking digitally. It's not easier than traditionally necessarily, take full advantage of your instrument!

OTHER TIPS AND TRICKS:

High brush stabilisation sacrifices speed for accuracy. The line will lag a little from your cursor. Get used to watching the cursor and not the line, and trust that the line will follow.

GO SLOW.

Rotate and flip the canvas. Don't ask me why, but tracing long lines towards me is always easier than not the other way around.

Use the Free Transform, Warp, Distort etc etc and the Liquify to your heart's content if you notice the lineart has something wrong. The only cheating in art is using fucking AI generators (and AI pictures are not art, sorry not sorry)

References are your friends. Study how an artist you like does the lineart. Try and imitate them, and if you can and need to post them: tag them! (don't trace and sell it as your own)

Experiment with brushes, find one that you like for the effect you'd love. You do you, there's no right or wrong way of inking.

Remember to breathe when you trace those lines! (and to drink and do pauses and stretch, you don't want a tendonitis!)

Have fun. Lineart is not evil, lineart is your friend!

I hope this essay is exhaustive enough. I'm tagging ALL THE PEOPLE that requested it (and giving each of you a muffin). @ndostairlyrium @narina-gnagno @salsedine @whimsyswastry @layalu @n7viper

If you have any questions, don't hesitate in asking!

[nattousan]

when

whe you, when You were just trying to put i n some extra effort to try adn improve yoursel f and it got misinterpreted as malicious n u get yell ed at

[crystallizsch]

Hello! I would like to say that your art my favorite in the entire fandom, I don't know how to describe it but it just feels the best 💃 The way you draw the characters is very nice, Jamil is one of my favorites and you have his personality captured very nicely! Anyway, I hope you have a good day and I hope a lifetime supply of your favorite food drops from the sky for you 🤸‍♀️

AAHH THIS IS MAKING ME CRYYY ANON

i've never received a compliment about my art like this before so that's such an honor to hear 😭💕💕

THANK YOU SO MUCH I WISH YOU ALL THE BEST (*chucks this out here as another thanks*)

[theheadlessphilosopher]

I really don’t understand why people hate Tommy so much? Like. It’s okay not to like the guy, but if you think he’s just a temporary love interest anyways then literally why do you care???

[strangersatellites]

pride, envy, wrath, sloth, gluttony, greed, ao3

Seven Deadly Sins Series (NSFW 18+)

lust (noun) - a shortcut to sexual fulfillment, but it doesn’t actually get you there. When you lust after someone, you are objectifying that person for your own selfish pleasure. 

The summer heat beats down with a strength that must rival that straight out of Hell, Eddie thinks. 

The thermometer Wayne keeps on the porch outside reading somewhere between ninety degrees and the devil’s asscrack and Eddie can feel all of it. 

Sweat rolling down his spine even where he’s sat in the shade, sunglasses and baseball cap on and a glass of ice water pressed to the back of his neck. 

You couldn’t pay him enough money to set foot in the grass, to feel the sun hit his skin and start burning it instantly.

The only thing keeping him even outside is Steve. 

Steve who is washing his car like it's the most important job he’ll ever have. He’s paying attention to details that Eddie’s never even noticed, let alone noticed were clean.

But that’s not what Eddie’s paying attention to anyway is it?

No. There might be one thing in the steamy July air that is hotter than the sun, and it's the thoughts running through Eddie’s head. There’s nothing cool about those. 

See, Eddie’s covered in a layer of grime and his hair has gone frizzy and he’s sprawled across the couch in a way he knows makes him look less like a man and more like a deflated balloon.

But despite the heat, Steve looks like a vision.

He’s got on a tight little pair of cut-off shorts that do absolute wonders for his thighs. 

He’s ripped the sleeves off and cropped one of Eddie’s old band shirts, a white one at that, and Eddie’s eyes can trail all the way from his shoulder to his happy trail, view unobstructed. 

He’s got his hair pushed back with a pair of sunglasses that started on his eyes but were apparently hindering his vision too much. Whatever. Eddie’s not complaining. He looks sexy with his hair pushed back.

It started out innocent enough. With Eddie mentally making a note to tell him he looks cute the next time he’s close enough to the porch.

But that was before he took a break from scrubbing to douse himself under the hose. 

Because now Eddie’s old, white band shirt is stuck to his skin like glue. Like it was painted on just for him. Eddie loves Steve’s strong arms, he does. But he’s never going to pass up an opportunity to watch the way the muscles in his back ripple under his skin. The “Metallica” stretched across his shoulders is just icing on the cake.

When faced with the wrath of the sun, Eddie’s skin turns pink and tender. But Steve goes a beautiful warm golden and his freckles seem to multiply. 

Right now Eddie’s eyes are glued to Steve’s legs. The way his muscles go taut when he squats down to scrub at his hubcaps. If he squints hard enough against the harsh afternoon light, Eddie can almost make out the indentions of his own teeth on the underside of his thigh. The fading purple bruise he’d sucked into soft skin, sweaty for an entirely different reason. 

He thinks of the way he’s made those strong legs tremble and shake. The way he’s had them wrapped around his waist, his head. 

Steve shifts and sits on the grass, leans back on both of his hands and throws his head back with a sigh. Eddie’s gaze gets redirected to the shirt clinging to his chest, his soft, but still strong tummy. 

He wants to lick his collarbones and leave bruises on his neck. More bruises, that is. There’s already a few mottled across his skin because Eddie just can’t help himself. How could he? How could anybody help themselves with Steve in their lap whimpering their name like a prayer? Eddie gave up trying to hold back a long time ago. 

When his eyes come back into focus Steve is stretching to reach across his windshield, back muscles stretched long and strong. If Eddie closes his eyes he can imagine the feeling of the welts he’d left across his skin. Claw marks drug all the way down his back. Can almost imagine the feeling that elicited them. The groan he’d pulled out of his boy in turn. 

Eddie snaps his eyes open and is met with Steve’s lazy smile looking his way and he really can’t be blamed for the heat it sends dipping into his stomach and the strained huff he grits out. 

The way Steve throws his head back again, this time in a laugh at Eddie’s distress, doesn’t help his case. 

It gets the worst though, when Steve sets to detailing the hood. 

Now he’s got his back directly facing Eddie. He’s bent over at the waist, hips popped back and his spine dipped low and Eddie’s not a praying man, he’s not. 

But he’s about to send up one of gratitude because sometimes he can hardly believe Steve’s his. 

And Eddie’s not stupid. He knows Steve’s onto him. He knows because he’d laughed. Because he’s peeking over his shoulder every few seconds to see if Eddie’s eyes are still on him. He knows because he’s tugged his little shorts up enough that the crease of his ass and his thighs sits right below the frayed denim hem. 

There might’ve been a time where Eddie would’ve tried valiantly to redirect his train of thought. To stop himself from making a fool of himself. But now Steve’s his boyfriend. And Steve knows Eddie’s thinking about getting him naked more often than he’s not these days. He’s just as bad. 

So Eddie lets himself sink into it. Into the visions of the bounce of Steve’s cheeks when Eddie smacks him. Of the tiny freckle just shy of his hole and how he loves to sink his teeth around it. The tiny heart tattoo on the back of his right hip that Steve totally should not have let Eddie give him, but they both love nonetheless.  

He thinks about the way his normally strong voice, breaks and goes soft when Eddie fucks him. The way he squirms when he rides Eddie’s face. 

The goosebumps that break out across his skin on the comedown and his glassy eyes and soft smile. 

His eyes are wide open but he’s so lost in the memory of his boy’s ass pulled against his hips that he misses when Steve stops washing his car and climbs the steps of the porch. Doesn’t see him until he feels his weight drop down across his lap and hears Steve ask what he’s thinking about in a sultry whisper.

So Eddie really doesn’t feel all that bad about his thoughts burning hotter than the summer sun when he says, “Nothing, baby. Just you.”

[razzle-zazzle]

Ok but what happens next 😭😭😭 how do the show and movie ninja interact I NEED THEIR SHENANIGANS /lh

Okay okay so. basically. the movie ninja are temporarily stuck in showverse, so the show ninja just kind of (slightly awkwardly bc they weren't expecting this AT ALL) take them in for the time being while looking for a way to send them back. we get to see the similarities and differences between the show and movie ninja, we get to see both groups reacting to each others' lore/lives ("you all still go to school? ew" "you all live together like a permanent sleepover? so cool!").

But also. When Ghost possessed Movie Cole. Movie Cole got a whole bunch of Show Cole's memories. They're all jumbled up and discombobulated, though, so for all that M!Cole knows more about his counterpart than any of the other ninja it's usually expressed in Sudden Realizations as the disconnected pieces click into place. Meanwhile, Show Cole kind of has Ghost and Corpse' memories, kind of, and Ghost was pretty much present the entire time he was in movieverse even if he couldn't be seen or heard for most of it (and did have a few episodes where he couldn't see or hear either), so Show Cole also has a weird amount of insight to his counterpart that he doesn't really actively realize he has. This leads to great interactions such as:

S!Cole: i mean, i kind of remember? it's in bits and pieces S!Cole: your history essay was awful btw M!Cole: what would you know, you literally— M!Cole: wait M!Cole: YOU DROPPED OUT OF MARTY OPPENHEIMER'S?! S!Cole: i still know half-assing when i see it! M!Cole: MARTY. OPPENHEIMER'S!!! M!Cole to S!Cole:

and

S!Jay: soooo are those memories making any sense yet? M!Cole: no S!Jay, thinking about the love triangle: oh thank fsm M!Cole: you two fight a lot, huh? S!Cole: i dunno what you're talking about, we're best friends S!Jay, opening the fridge: yep! we're—COLE DID YOU TAKE MY FUCKING PUDDING CUP AGAIN S!Cole: the best of friends 😌😊🌸✨

and

M!Cole, to S!Kai: so what's "human pinata" supposed to be M!Kai: the WHAT S!Kai: ...some things are better left forgotten S!Cole, from across the bounty: HE WAS AN ENTERTAINER AT KIDS PARTIES A FEW YEARS BACK M!Cole: oh M!Kai: oh? OH???? M!Kai:

There's more that I can't recall off the top of my head rn, too. But yeah once the slightly morbid twist is resolved Cleaved gets back to regular crossover shenanigans and impromptu cross-dimensional group therapy. Of course, there's also that fact that M!Cole's indentity was revealed back home, but surely that's not going to cause any problems when they finally figure out how to reliably travel through realms...

right?

[leverage-ot3]

sorry to keep personal posting but my day fucking SUCKED and ended with me dropping one of my brand new earrings from a set that I just finished cleaning down the drain, took the sink apart and still couldn’t find it 🙃

if y’all feel like asking a leverage/misc question for thoughts or headcanons I’d love to answer them in the morning! or even if you just want to say something about your day- I just like hearing from you guys 💖

[isthattetofrommesmerizer]

Bro...did you see the new just art vid?

...

Cause all I have to say is HOLY SHIT-

ahaha, well...

let's just say i did! and that i got very excited- ^^;

[heretherebedork]

Ray is so weird, I can never accept him dating ANYONE in this show. The way he got aggressive against Mew, because Mew did not want to have sex, is horrible. Just because you're a nice friend does not mean you're entitled to sex.

Ray is messed up and that was definitely wrong of him. Like, no hesitation, he pushed hard because he's been nice and Mew agreed to date him and he was wrong for that. No denials.

Ray is an addict with serious mental health issues and past trauma who was being used by his friend to hurt another person and actively lied to about their relationship.

Ray was wrong. Ray was upset that he was being used and his love was being used and he was asked into this relationship not because he was loved but because he was the best way to hurt someone else. And he lashed out in a moment because he saw this as just another thing that he was never going to be able to do that someone else did, more proof that he was being used and that he wasn't worth anything.

Ray was wrong. He should not have pushed Mew for sex or gotten upset when he was rejected. But he wasn't wrong in that Mew did ask him to be in a relationship entirely to hurt Top and that his love was being used to hurt another person.

He was not entitled to sex and he didn't get it and he was wrong to be upset by Mew's boundaries but that doesn't mean that Mew wasn't drawing boundaries meant to hurt Ray because he wasn't choosing him.

Mew only chose Ray because he was the easiest way to hurt Top.

This is not a show about anyone being morally superior, it's a show about messy young adult gay men who are discovering themselves and each other as they process their friendships, relationships, traumas,a addictions and the start of healing.

Ray is not worse than the rest of the show. He is different but everyone is making mistakes and that's the point.

Anyway, hi anon from last week. Again. You can block me if my takes bother you that much. Please do. I am just here to enjoy this morally ambiguous show for what it is, my own biases and all.

[sketchy-tour]

scuttles in

Dandy is precious and I feel like they would be friends with Gloom

Scuttles away

I AGREE I THINK THEY SHOULD BE FRIENDS!!!!

Gloom beloved @theknifeclown

[kaylazer]

back on my bullshit (meeting men im in love with). Ben Schwartz is so kind and tall :-) I didn’t totally freeze like when I met the Jonas brothers but the selfies we took are blurry so 😔

(at least I have these bc I told sam to record the whole thing heheheh)

[medi-bee]

Is riv your favorite slugcat? Or are they just your current slugcat?

I have a very hard time choosing favorites but

I love my little wet mouse very very much! They're so silly and i love giving them the goofiest faces of all time. But Saint might be tied with them as favorite, i love thinking about timeline shenanigans with them.... And I love Arti family AUs so much.........

[todayisafridaynight]

i feel so bad for fans of said characters 😭

so long as your heart is full of love a chara is never truly forgotten or underutilized i believe !

[thatonefreemanversefic]

i had a dream the three gordons burst into a musical number next chapter

HOW DID YOU GET ACCESS TO THE LEAKED CHAPTER!?!??!!?

AW BEANS!!! Now I gotta rewrite the whole thing again!!