#Are actually getting better copies

[revenantghost]

My deluxe edition that my sister bought for me for my birthday (it was spring, when they were supposed to be released lol) came and I... am so afraid to open it

[suckishima]

lmaoooo the kuroken is strong with the crunchyroll subs

[moeblob]

So does he, Gallagher.

[flowerakatsuka]

Cover Illustration for Monthly MdN Special Issue : Osomatsu-san ( vol. 264, april 2016 )

[too-much-toulouse]

but are you really a fan of that book if you haven't reread the series so many times that all your copies are threatening to split in half

[spitblaze]

gnc and butch women (cis AND trans) and transmascs are punished for performing masculinity past certain thresholds of arbitrary attractiveness because people that cishet society categorizes or clocks as 'women' are not supposed to perform masculinity. hope this helps 👍

[ganondoodle]

you know when you have an idea for a drawing and it just wont let you rest until you at least sketched it?

... yeah

....

demise and hylia (humanoid forms) sleepy cuddles o((>ω< ))o

[anistarrose]

This isn't something I would describe as a prominent or even intentional theme, but there's something fascinating to me about how TAZ Balance characters associated with composing and performing music are almost entirely correlated with either being forgotten, or having an incredibly warranted fear of being forgotten.

Johann is obviously the latter. I have an ongoing fic about his parallels with Barry — who plays piano, and who is the character we see spend the most time knowing he has been forgotten by people dear to him, and grappling with it. And I've seen the Johann and Lup dynamic get well-deserved attention in AUs where she lives, and they get to relate to each other as violinists — yet the parallels are at their strongest in canon, where Lup is the "most" dead of all the undead characters, the "most" forgotten, the most reduced to a near-invisible specter haunting the narrative, and the most like Johann's worst nightmare.

There's even a parallel with Davenport, who is a beautiful singer, and whose life story and dreams and achievements are all completely erased. So that's three different characters whose forgotten stories — which Johann obviously does not know — still serve to silently justify Johann's fear of the same fate, emphasizing just how likely it is that it could come to pass. How yes, it would be that horrifying.

And as a non-musician, but an artist of a kind myself... it all resonates. The fear of one's legacy being forgotten is a common fear in general, but it has a particular type of teeth to it for us creatives, who shudder in terror at the thought of a masterwork — that feels like a piece of one's soul — being forgotten, let alone cut short by untimely tragedy.

But that's why I treasure, so dearly, that all of these musically inclined characters — Barry, Lup, Davenport, Johann — are not forgotten permanently, but instead immortalized by the Story and Song, no matter the varying degrees of alive and dead that they wind up in the end. I treasure the parallels between these characters that say being forgotten is a grounded, reasonable thing to fear; that it is scary — but that no matter what, memory will still find a way.

[iamthevampqueen]

Felt like trying to make an arcanists in a nutshell for my oc

[cottonbopp]

Jashtober Day 22 - Cog "If thought itself is death, why not set pen to paper?"

+ here are some of the bg images, which i wrote out in a notebook myself !! Took too long writing em just to cover em up hehe

Both taken from sections of chapter 1 of 1984 :D !!

[nenoname]

one of stan's "low points" being struggling to run the shack in 1998 aka 2 years before the twins were born and soos came into his life....

that had to be the peak of his loneliness huh.

[spiderh0rse]

every lets player in the world is cookie9

[triglycercule]

ok so there's murder time trio where theyre best buddies and get along and sometimes even having more than just platonic interactions. and then there's also the murder time trio where they genuinely just don't like each other and avoid each other and do NOT get along and to me there's just a VERY clear timeline of events that could connect these two group dynamics. like these 2 could coexist,,,,,,

nightmare's fresh outta his little corruption sequence and he needs his henchmen. goes out and gathers the obvious three killer horror and dust (does it really matter how he got them??? kidnapping or not the trio will warm up to him). its his first time having to deal with mentally unstable grown up mortal men and he really has no idea how to manage the team so he lets them have some slack. spoils em a bit yk yk stops fights allows them to hang out allows em to screw around the castle even COMFORTS them,,,, shocking i know (a slightly nice nightmare interpretation from triglycercule? UNFATHOMABLE!!!!)

this killer's fresh outta something new so he's still kinda curious and nosy. he hasnt seen the multiverse and especially not interacted with nightmare/horrordust so he's kinda more outgoing and friendly (ish. to get to know better everyone and satisfy the curiosity of seeing what reactions and feelings these fellas could give him.) bc killer's not that much of a prick and horror and dust would naturally SLIGHTLY get along (and if in the right environment be good buddies. which is nm's lenience and killer's not shittiness) the mtt actually get along pretty well and are good buds!! like the first group dynamic i mentioned where the bad sanses are just kinda like a friend group except they have some weird work relations

and then a fight breaks out and nightmare kills either dust or horror (what about??? anything!) likely dust first because he's more likely to be wary of nm (if kidnapped) and also because he's just kinda more actively righteous compared to horror (who likely wouldn't do much against nm) or killer (does not give a shit.) dust dies, horror likely dies defending dust and that just leaves the og killer and nightmare

nightmare is like "oh shit i just killed my workers". he'll take like a week to ponder what he did and then completely move on (because hes an ass like that.) nightmare gets another horror and dust to replace the ones he killed. and killer is just like wtf how do i deal with this. the guys i were kinda friends were are dead but their copies are right here. like he knew copies existed in the utmv but he didn't think nightmare was so willing to replace them so fast???

this killer's still adapting to the multiverse and stuff (it probably hasn't even been a year since he got snatched up!!!) and yeah hes aware that copies exist and he could get replaced by one but he didn't think that it would LITERALLY HAPPEN RIGHT BEFORE HIS EYES. so he decides to stick more around nm and avoid getting replaced like the og dust and horror because it really just hammers in the point that he's kinda useless if he speaks out like those 2. hes avoidant of the new replacements as well bc hes still new to this experience and is getting used to the whole implications of two guys that were once him and he was friends with died and got replaced by basically the same person

but they still have to work together for obvious reasons. and even if killer's avoiding horror and dust they probably aren't avoiding each other and probably are like wary friends/acquaintances. and naturally killer HAS to become okay worker buddy pals with them because hes stuck living with them. nightmare's a lot stricter and cold to avoid something like dust's rebellion against him happening again. mtt are wary of each other (mostly towards killer. horrordust are pals and killer's kinda growing more apathetic to the duo because he's already experienced a lot of the stuff before with the og two that died.) but theyre still "friends" you could say

and then perchance maybe horror and dust decide to let killer in on a lil secret theyve been cooking up. theyre planning to escape (kidnapped DUH. and nm isn't as nice as he was to og horrordust to warrent them to wanna stay) and even though they don't really trust killer theyre still letting him in on the plan and offer for him to come with them because they lowkey feel bad for him and he's really not all that bad under all the bullshit

but killer saw what happened to the og dust and horror so he says no. and the night that the duo are planning to escape he just has this overwhelming sense of dread. the next morning he wakes up to nightmare standing over his bed with a cold glare telling him of horror and dust's attempted escape and death and killer just kinda. sighs. his dread was right (he was lowkey hoping that they could escape so they didn't die like the original 2)

and then the cycle repeats. previous dust or horror or both die to nightmare or some random outside force or escape (because it has to happen eventually right??) and the pair keep getting replaced. killer keeps witnessing their deaths and replacements and at this point he's just so used to it that he doesn't even TRY to interact with the new horrors and dusts. theyre not even like real people that are getting killed and replaced like robots to him anymore they're just distant coworkers that get fired and then a new one comes to take up the position

each new dust or horror is icked out by nightmare and killer. nightmare is incredibly cold and intimidating and dictatorial and just sucks in general. and killer gives them this distant look. like he knows something they dont. he's already proven to them that he knows that they should obey nightmare and how to deal with the king and they know he's been here longer than them but even when he's not with nightmare or not talking about him they get the blank stare

sometimes when a nicer replacement of horror decides to do something nice for killer like make him a meal he just gives him that look and declines (there's already been countless different horrors that tried doing nice stuff for him. it's not new and nice in his eyes anymore.) maybe when a dust replacement gets irked by killer's apathy and decides to try and say something that'll bother him or snoop through his personal stuff killer will just walk away or kick him out of his room with that creepy ass blank stare again (it's not the first time a dust has tried to rile him up. it's not new or interesting and just predictable)

killer just doesn't CARE about the new horrors and dusts. they're all pretty much the same two guy except maybe a bit nicer or meaner or quieter or even taller or something?? all he really cares about is is serving nightmares atp, no other outside relationships. and ngl he doesn't even care that much about nightmare either. he's already figured out his thinking he's already figured out all of his likes and dislikes and what not to do to piss him off. the only reason he's still dealing with him is because he doesn't have anything else better to do and he doesn't wanna be useless to the one guy that he's served all this time

he's just kinda stuck in an empty boring limbo that killer's only maintaining due to a lack of motivation and any other priorities. and personally i just think this bad sans dynamic is lowkey tragic because like killer keeps witnessing all these guys that he used to be friends or enemies or rivals or whatever with and they just keep dying or leaving him behind. not one ever stays for THAT long (because no wayyyy a dust or horror would take being under a cruel nightmare well) and it's given him this idea that none of these people matter (aside from the important one which is nm) because they're just gonna leave me and the connections ill have formed with them will be for nothing so why even try being vulnerable and friendly and interacting with these cheap copies of the guys i USED to be friends with

[mercymaker]

went to bed last night feeling that it was finally time to step back and let the dust settle and try to get things back to normal and then woke up to all that

[lostandbackagain]

under-appreciated moment in fool's assassin was when bee looks at fitz shortly after the funeral and goes "well,, I have a lot of things to do so I'll be seeing you around i guess"

[actualaster]

"The improvement isn't significant enough for advertising to be able to convey that it's so much better you should definitely spend money on it even if you played the original" isn't the winning argument a bizarre number of graphics-obsessed gamers think it is