#And how that reflects on her now
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sovenasark · 5 months ago
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More Amor, now with bonus Jeanne!
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astearisms · 1 year ago
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fionna and cake drawings before and after watching the episodes so far. it’s nostalgic and somehow cathartic and poignant and relatable and—it just started
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mjulmjul · 2 years ago
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Katya / Goncharov
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turtleblogatlast · 4 months ago
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Something I really like is that April’s constant stream of odd jobs she goes through is somewhat reflected in the boys as well. Like, you have April working at random pizza places or getting a crane license or being fully willing to apply for a job at a place clearly made out of cardboard. Then you have the boys as well who do anything from working as a basketball mascot, building a massive dog park, being waiters, getting a whole band gig at a theme park, etc, etc-
Main difference is that April actively applies for these jobs (and is hopefully paid for the short time she’s in them) whereas for the bros the jobs usually find them (and they practically never get paid.) It doesn’t even stop at jobs either, they just seem to casually amass skills in general.
I don’t know, I like how both April and the turtles are just so ready and willing to do things. Sure, they’re not always good at these things, but they do them readily! In a way, being heroes is just another job (well, more like volunteer work/vigilantism/another fun activity) that they initially took on because of their general sense of “why not?”
They’re very willing and open to trying out new things despite their tendency to revert back to what they enjoy (and how commonly trying new things ends up going wrong), and I think that adaptational interest of theirs really helps them be well rounded in multiple regards.
#rottmnt#rise of the teenage mutant ninja turtles#rottmnt headcanons#like not even just jobs these characters just like to go out and do things!#even if they’re initially not interested they’re so curious and stuff that they’ll do it anyway#I wonder if April being as curious and incredibly open minded as she is rubbed off on the boys growing up#and they like
osmosis’d this personality trait from her to be like ‘yeah sure whatever’ to any antic#I also just think that they’re bored teenagers with a TON of time on their hands so they like to just live it up#I think the boys always had the desire to go out and apply themselves but meeting April likely pushed them more#y’know I wonder#what if April narrowed down just one job when in college and she actually managed to keep it#like
almost as a form of growth - she narrowed down jobs and careers and schooling as she hit early adulthood?#it’s kinda reflected in raph as well - originally so open and for goofing off but now much more singularly focused on hero stuff#kinda a sad way to look at growing up but it works here#because you have the three younger sibs still readily doing other things#not as focused on responsibility or singular paths#it’s sad because adulthood absolutely does not mean not being open to other things#but at that time in your life sometimes there’s a pressure and unwanted responsibility to pick a path y’know?#and it’s a relief to learn that actually there was never just one set path with one set trail you always had to stay on#and I think that’s reflected in how raph at the end of the movie opens back up to playing around and doing things for the fun of it
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gummi-ships · 10 months ago
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Kingdom Hearts 0.2 Birth by Sleep - A Fragmentary Passage - The World Within
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nyatbinary-81 · 14 days ago
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@vulpixisananimal
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[Soothing Restful Song]
[You hear a bell. Chiming, tolling, calling your name.]
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dykedvonte · 25 days ago
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The second fic idea is a what-if scenerio where Jimmy dies in the crash due to and altercation with Curly and how Curly would navigate being Captain once he has to notice the little things and how he and Anya's relationship develop as he adopts an identical view point to hers rather than just keeping the peace.
And maybe i will write it but only time will tell tbh but it's stuck in my brain dome for the time being.
#cause even if it got to Curly snapping and killing Jimmy for the sakes of the crew would you not have that guilt in being responsible for#anothers death espcially with all the responsibility on his shoulder and how he realizes he tried to be reponsible for things and made them#worse like the guilt drives Jimmy insane even if he doesnt admit like imagine Curly who would care so much and wonder if it shouldve#been him not to mention Anya being free from Jimmy but still not his actions and having to navigate still being stuck with the pregnancy an#the shallow feeling because relief doesn't mean happiness like i think shed believe shed be happier that Jimmy cant get to her anymore but#what now that their stuck? That the Captain is faltering and they are stranded for like another 6 months? If they even make it that long?#Like he may be gone but all his damage is still there and thr wounds fresh like its such a good concept i just cant divide my attention lik#that as i am still in college and it is sadly midterms#anyway uhhhh I just really want to write a fic where Curly and Anya can have that hard conversation on how he handled Jimmy constructively#and without him looking like undercooked skirt steak like there would be those moments where it lingers between the monotiny of staying#alive but how would they even address it? what comes first the sorry or the list of why he should be? like Curly places a lot of value on#his use to others and its interesing and subtle and its mostly directed between Jimmy who steers it and Anya who rides along with it#like go the thoughts and ideas i have but not the fuckin time!!!!#mouthwashing#mouthwashing game#curly#curly mouthwashing#anya mouthwashing#also daisuke and swansea are there but like i still have to think of the reflections they have and how to play with their characters in thi#idea world but yeah I want Curly to make amends and Anya to rediscover her autonomy and living outside that fear.
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fluentisonus · 4 months ago
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chiens-loups
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bixels · 5 months ago
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So I l’ve been getting into your ko crisis story lately (it all sounds rlly awesome btw) and i was curious - you’ve said in the tags in a previous ask that ash is comphet, so is that gonna play a major role in her character arc/journey in any way?
Yeah, the story basically covers her journey of redefining her identity as a queer Asian-American disabled woman in a sports-entertainment industry, which is a media landscape that specifically targets, exploits, and fetishizes people like her.
#ask me#itsthequeercryptid#i don't have much more to say on this cuz as of right now it's in like. early early development process and i'm not a queer woman so#i don't have much authority to say how i want this part of the story to go. even if it's my story i don't wanna set anything in stone yknow#but like. ashley's arc is realizing that she's been performing to appease people both in and out of her life. as both a daughter and a#pro boxer. and that she shouldn't have to force herself to be someone she's not. which in the story continuously hurts her#she doesn't need to validate her existence and find worthiness as a disabled and queer woman#especially to other people#one story beat i drafted is that ashley nearly gets s/a'd by a potential agent (keep in mind the project's inspired by psychological dramas#thrillers like utena and perfect blue) and it's one of the first big moments that causes her to have a crisis of identity#growing less and less comfortable in her skin - both organic and nonorganic - as she realizes how her body is perceived/ exploited/#/objectified as a vehicle for inflicting and absorbing violence. both physical and sexual. especially by men#and near the end of the story the beat is reflected/flipped when she comes together with noora and it's gentle and intimate#but again this is all very iffy. i'm not sure how appropriate this would be as a male writer.#i'm waiting to work with other writers who are more knowledgable on this before moving forward with anything
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chibigaia-art · 2 months ago
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ok i'm fine (<lying) SHE'S SO PRETTY I LOVE HER INTRO ANIMATION SO MUCH WSSSSDFDDFS
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kingofmyborrowedheart · 9 months ago
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I’ve said it before but I will say it again, “Midnight Rain” and in particular the lyrics “I guess sometimes we all get/some kind of haunted,/some kind of haunted/And I never think of him/Except on midnights like this
” is a thesis of Taylor’s work and understanding how she process her experiences through her writing.
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averlym · 11 months ago
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fairest of the fair
#hi! im alive and back and etc.#six the musical#six the musical fanart#katherine howard#thinking of that post going 'i think eventually you become the person you needed most' and like maybe that's the thing with my art#this started out as a redraw and <improvement meme> i think i've finally reached the stage where i'm making the things that my younger self#aspired to create. like i can do this now! i've reached That level of technical skill! tiny me would be so proud. it's very gratifying#redraw from august this year actually. i've made a surprising amount of improvement HAHA maybe it was the adamandi stuff getting me#back into digital rendering. i think that obsession has quietly slipped away but yknow. one never truly leaves a fandom. just less intensit#also speaking of old fandoms! we're back with the six stuff haha. as of writing i'm in the midst of blog revamp- figuring out how to chill#multifandom status doesn't mean ditch all the old stuff ! but i do feel much freer and less stressed. i think hiatus has been good for me#notes on this piece particularly: redraw about cutting hair and thinking of the lyric above. also lowkey &j ref + pinterest poem excerpts#of female suffering. and maybe a dash of amanda heng let's walk inspo. this work is really just full of contradictions..#1. the mirror and cutting hair as an act of self liberation 2. the & is part of the lyric but also a nod to &j (in another iteration it was#pink but the white looked better) and like. &j is really all !!! girl power!!! etc. and i was like hmmmm. also matching pink shiny aes#3. the frame as a cage; the mirror as a self reflection idea (ie. saville's propped insp) but also as a sign of vanity. 4. sparkly costume#and pretty pose- read one too many poems about women feeling like they have to be pretty even in their suffering. something i wanted to#explore. and also in 5. the show itself... all you wanna do is. despite all the dancing and pink and sparkly the content of the song is#darker. and even though it's a story of her suffering it's still presented as a shiny fun pop song and ajshdhfhfh ok... 6. the lyrics fall#outside the frame. sort of a caught inbetween. sort of a trapped in the narrative and yet#within the frame it's all. vaguely handwavy breaking free vibes. like i said contradictions?#7. cutting off the long ponytail vs the pull my hair lyric at the end. yeah#8. the blocked off & looks a bit like scissors. positioned to cut right at the neck#anyways yeah irl remains hectic! but if i get around to more doodles they'll appear here :)
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kadextra · 11 months ago
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me when the little baby empanada who already protected her slightly younger siblings on purgatory island gets to quesadilla island full of new dangers & gets very close to her older sister pomme, who is a living breathing example of the developing mindset that “you must be a soldier always prepared for danger in order to protect the happiness of you and your family” is necessary. they relate over anxiety, pomme gives her a protection helmet for her birthday and shares tips of survival. they are children.
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gwandas · 4 months ago
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SJM saying she wrote ACOSF at the lowest point in her life yeah we can tell
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aroanthy · 7 months ago
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kiryuu sibling stasis post-32 is so interesting to me. nanami tries to leave and is (temporarily but also, crucially, violently) prevented from doing so by touga and akio. after this experience she puts distance between herself and them: she leaves touga’s phone in the car, she resigns from the student council (though she dons her old uniform still), she repeatedly dismisses and undermines the authority of the rose code, of end of the world, of akio, of touga. but she’s still in ohtori, isn’t she? uncomfortable with the idea of leaving, uncertain if it’s really possible. she tried before, and it hurt her. deeply. it’s so interesting to me, nanami’s agency and how she limits her exertion of it after 32, when she realises it for what it is. contrast that with touga, who accepts this weird stalemate between them, who is, really, uninterested in having any relationship of any kind with nanami if he can’t gain something from her. he’s very passive with her after 32, compared to the passivity he’d always feigned towards her before in order to stoke reactions from her and then exploit them. i was thinking about how touga has always been able to sever his relationship with nanami, but chosen not to; first out of a sense of obligation (‘we should live to help each other’) then a realisation of how that could be exploited. i was thinking about how nanami has never realised her ability to leave, in part because it is limited by touga and the harm he does her. i was thinking about the desperation and confusion akio calls out to anthy with as she leaves. i was thinking about how different that is to the kiryuus’ strange semi-breakdown; touga doesn’t want or need nanami, and nanami might love her brother but she cannot trust him or feel safe around him, doesn’t want to see him anymore; she’s itching to leave, and just a little scared (you know, because last time she tried that her brother assaulted her), and he’s not doing anything because ignoring her means he doesn’t have to deal with the emotions of her leaving or staying. something something gendered power dynamics something something tragic siblings
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hephaestuscrew · 1 year ago
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One of the many Wolf 359 script directions that is Important To Me is this bit from Ep15 What's Up, Doc?, which comes after Hilbert has been threatening to tell Minkowski how Eiffel ended up on the Hephaestus:
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