#And how that reflects on her now

[sovenasark]

More Amor, now with bonus Jeanne!

[astearisms]

fionna and cake drawings before and after watching the episodes so far. it’s nostalgic and somehow cathartic and poignant and relatable and—it just started

[turtleblogatlast]

Something I really like is that April’s constant stream of odd jobs she goes through is somewhat reflected in the boys as well. Like, you have April working at random pizza places or getting a crane license or being fully willing to apply for a job at a place clearly made out of cardboard. Then you have the boys as well who do anything from working as a basketball mascot, building a massive dog park, being waiters, getting a whole band gig at a theme park, etc, etc-

Main difference is that April actively applies for these jobs (and is hopefully paid for the short time she’s in them) whereas for the bros the jobs usually find them (and they practically never get paid.) It doesn’t even stop at jobs either, they just seem to casually amass skills in general.

I don’t know, I like how both April and the turtles are just so ready and willing to do things. Sure, they’re not always good at these things, but they do them readily! In a way, being heroes is just another job (well, more like volunteer work/vigilantism/another fun activity) that they initially took on because of their general sense of “why not?”

They’re very willing and open to trying out new things despite their tendency to revert back to what they enjoy (and how commonly trying new things ends up going wrong), and I think that adaptational interest of theirs really helps them be well rounded in multiple regards.

[nyatbinary-81]

@vulpixisananimal

[Soothing Restful Song]

[You hear a bell. Chiming, tolling, calling your name.]

[gummi-ships]

Kingdom Hearts 0.2 Birth by Sleep - A Fragmentary Passage - The World Within

[fluentisonus]

chiens-loups

[sukibenders]

Hear me out: you can ship JayVik without falling into or using rhetoric that fits the disposable black girlfriend trope. You can ship JayVik without using Mel as some conceived ploy or antagonistic plot device that makes her out of character. You can ship JayVik without falling into misogynistic rhetoric (eg. viewing female characters as disposable or stepping tools, amongst other things). You can ship JayVik without erasing the impact Mel has had on Jayce and their relationship because, whether you shipped it or not or even gave it the time of day, Mel and Jayce did care for each other, and to deny that or say Viktor held more importance/impact than her in Jayce's life to where she's viewed as "unnecessary" just to further your ship is so wrong and, whether you intended for it or not, does carry undertones where black characters, especially black female characters, emotional impact on others is ignored or downplayed even though there's context to support just how important it is/they are. Lastly, you can ship JayVik without using anti-black and misogynoir type rhetoric because the amount that has flooded this fandom, but especially from some fans of this ship, is atrocious. Ship what you like, but be respectful and careful with certain things you say, is all I'm saying.

[ratatatastic]

telling maffhew about his milestone like he's not gonna be a little sentimental about it as he tries to process it or alternatively man tries to be nonchalant about the passage of time in a sport cruel to the concept of it

"is it a bit more fun reflecting now that you have a stanley cup ring on your shelf?" "yes 😊 yes it does😄😄" colby who keeps his promises and makes sure to always remind maffhew hes a stanley cup champion this saga is so 😭😭😭

philadelphia flyers @ florida panthers pregame interview | 11.9.24 (x)

[dykedvonte]

The second fic idea is a what-if scenerio where Jimmy dies in the crash due to and altercation with Curly and how Curly would navigate being Captain once he has to notice the little things and how he and Anya's relationship develop as he adopts an identical view point to hers rather than just keeping the peace.

And maybe i will write it but only time will tell tbh but it's stuck in my brain dome for the time being.

[bixels]

So I l’ve been getting into your ko crisis story lately (it all sounds rlly awesome btw) and i was curious - you’ve said in the tags in a previous ask that ash is comphet, so is that gonna play a major role in her character arc/journey in any way?

Yeah, the story basically covers her journey of redefining her identity as a queer Asian-American disabled woman in a sports-entertainment industry, which is a media landscape that specifically targets, exploits, and fetishizes people like her.

[chibigaia-art]

ok i'm fine (<lying) SHE'S SO PRETTY I LOVE HER INTRO ANIMATION SO MUCH WSSSSDFDDFS

[kingofmyborrowedheart]

I’ve said it before but I will say it again, “Midnight Rain” and in particular the lyrics “I guess sometimes we all get/some kind of haunted,/some kind of haunted/And I never think of him/Except on midnights like this…” is a thesis of Taylor’s work and understanding how she process her experiences through her writing.

[averlym]

fairest of the fair

[gwandas]

SJM saying she wrote ACOSF at the lowest point in her life yeah we can tell

[littlespidermonkey]

I think in the universe where the Cullens aren't in Forks, Bella Swan takes a while to come out of her shell, but when she does, she's witty and passionate and smart as a whip, even if she's still quiet and reserved. She sits with Jessica Stanley, who demands the best of everyone, and tells her friends about her boyfriend down on the rez, who is sweet and caring and funny and good with his hands, who works for everything he's ever had.

After class, during a sleepover, Bella whispers to tell Angie and Jess about the night after prom, even though her father, loving and careless, worries about her only a normal amount and loves Jacob Black like his own. When she gets into Dartmouth--all by herself, through study sessions in garages and with Jessica and in Angela's house--she chooses to go to Stanford instead. She misses the heat and light on her skin, even after falling in love with the rain. Jessica comes with her; Angela and Eric go to U of Washington in Seattle instead, for education and journalism respectively.

Bella makes sure to call every week and then one day she drives down to Seattle and her boyfriend, warm like the sun she loves and at least twice as reliable, becomes her fiancé. The ring isn't especially big or ornate or pricey, but the way she smiles could trick anyone into thinking that it was. All of her friends, new and old, are waiting at the small party afterwards, and Bella laughs the entire time. The engagement cake--chocolate, her favourite--is sweet and moist against her tongue.

She moves back to Forks once she gets her masters in information sciences and becomes the town's librarian. She gets married a month before the move, barefoot in the surf and her old prom dress, both her parents weeping with joy and Billy Black beaming damn near as bright as his son, Sue Clearwater holding his hand.

She raises her kids --both beautiful children, blessed with Jake's thick, long hair--with Angela and Eric's and takes them down to Los Angeles to visit their auntie Jess and her husband Quil, who lavishes them with gifts from her career as a top surgeon. She jokes about having to support Quil's career as an environmental lawyer and displays each and every one of his wins alongside her diplomas. When William Black II decides he wants to be a doctor too, she writes him a shining letter of recommendation to her alma mater. Sarah, who has always been the spitting image of her father, joins and eventually takes over Jacob's mechanic shop.

On occasion, Bella fights with Jacob, even though he's the love of her life. Despite this, she is never afraid of him, and he never stops her from doing what she wants. Instead, he goes out and works on his cars and comes back in an hour later with slightly greasy hands and a bouquet of flowers from Emily Young's little garden, planted to celebrate her cousin Leah Uley's wedding. Bella makes him muffins, recipe courtesy of Sue and missing bites courtesy of Seth, Colin, Sarah, Will, and Claire, with raspberries, not blueberries, just how Jake likes them. They make up, and they make changes, and they go on.

Eventually, both slower and quicker than she realizes, Bella gets old. She lives in fear of losing herself, of losing her husband and her children, like her grandmother had. But she remembers her grandkids to the very end, even gets to meet her first great-grandchild a week before it happens. Her heart gives out before her brain does, too weak and too slow.

It was too full of love, the letter from Jacob says. Sarah reads it. Her father passed a day after his wife--simply too heartbroken to live without her. Much of the town of Forks and hordes of family attend their funeral, remembering a life well lived.

It is an unremarkable life, in the grand scheme of things. She does not live to be a thousand; she is no great beast, with speed like the wind and strength; she does not discover her powers or lead a great defiance. Bella Black, happy and human and surrounded by love, could never imagine wanting anything else.

[aroanthy]

kiryuu sibling stasis post-32 is so interesting to me. nanami tries to leave and is (temporarily but also, crucially, violently) prevented from doing so by touga and akio. after this experience she puts distance between herself and them: she leaves touga’s phone in the car, she resigns from the student council (though she dons her old uniform still), she repeatedly dismisses and undermines the authority of the rose code, of end of the world, of akio, of touga. but she’s still in ohtori, isn’t she? uncomfortable with the idea of leaving, uncertain if it’s really possible. she tried before, and it hurt her. deeply. it’s so interesting to me, nanami’s agency and how she limits her exertion of it after 32, when she realises it for what it is. contrast that with touga, who accepts this weird stalemate between them, who is, really, uninterested in having any relationship of any kind with nanami if he can’t gain something from her. he’s very passive with her after 32, compared to the passivity he’d always feigned towards her before in order to stoke reactions from her and then exploit them. i was thinking about how touga has always been able to sever his relationship with nanami, but chosen not to; first out of a sense of obligation (‘we should live to help each other’) then a realisation of how that could be exploited. i was thinking about how nanami has never realised her ability to leave, in part because it is limited by touga and the harm he does her. i was thinking about the desperation and confusion akio calls out to anthy with as she leaves. i was thinking about how different that is to the kiryuus’ strange semi-breakdown; touga doesn’t want or need nanami, and nanami might love her brother but she cannot trust him or feel safe around him, doesn’t want to see him anymore; she’s itching to leave, and just a little scared (you know, because last time she tried that her brother assaulted her), and he’s not doing anything because ignoring her means he doesn’t have to deal with the emotions of her leaving or staying. something something gendered power dynamics something something tragic siblings