#And a lot of fantasy

[tommyssupercoolblog]

The next time I see someone making fun of an Irish accent or the language I am legally allowed to hunt that person for sport /hj

[yeepof]

I understand that tall men are our POV characters, but surely being like a foot taller than everyone around them would have some occasional consequences

[littlestpersimmon]

the ornithologist and the lady of the forest

[twobeesornottwobees]

watching ally beardsley transition over the past five years has been really wonderful and affirming but also hilarious. they went from looking like siobhan to looking like brennan. truly the entire anglo-saxon spectrum of gender.

[monstermonger]

Elden Ring zine proof! I'm so happy with the print quality...

For those who remember these fanarts, here they are all bound together (finally)

[spindlerat]

More drawings based off screenshot

[bacchuschucklefuck]

typical tavern scene

[kingcael]

‘Tis good to see you awake, G’raha Tia.

[shadowtraveled]

"mithrun is the only real monsterfucker in dungeon meshi" is objectively the funniest bit you can get out of his everything, but in all seriousness i think his attraction to his love interest is deliberately overstated—and that makes sense, because romantic jealousy is a classic and digestible motive, which is explicitly what kabru was aiming for in condensing mithrun's backstory, and also because until chapter 94, mithrun wasn't willing to admit to the true nature of his desires.

but because romantic envy is both classic and digestible, it probably isn’t a unique enough or complicated enough desire to tempt a demon’s appetite. mithrun’s wish, as far as we can figure from kabru’s reduced retelling, was to have a life in which he had never become one of the canaries, and that carries like 3857 implications and desires within it. that’s delicious. his love interest acts as sort of a red herring to his motivation for making it, though. (side note: i'm saying "love interest" here because, keeping in mind that i barely speak japanese on a good day anymore, "想い人" is something i'd usually take as just kind of an old-fashioned and romantic way to refer to a lover, but in context i wonder if both the connotation of yearning and the vagueness are intentional, and i think this phrasing gets those aspects of it more effectively. anyway.)

mithrun considered his love interest to be untrustworthy. there was a minute where i thought that comment might be about a similar-looking elf (yugin, one of his squad members), but comparing the two…

the "sketchy" arrow is definitely referring to the elf we know as his love interest—the bangs go toward her right, she only has the one forehead ornament, and, most notably, her ears aren't notched.

every time she’s given a full-body depiction in his dungeon, she’s drawn as a chimera, with the body of a snake from the waist down. (side note: the “what if a dungeon has chimeras before reaching level 4?”/“then the dungeon lord is unstable” exchange just being mithrun grilling his past self alive is so funny. he’s so. but anyway) there are a couple things about this.

first, the snake part of the chimera appears to be modeled after some species of coral snake mimic

which, in the biology-for-fun manga, i… doubt is a coincidence, especially with the added context of the “untrustworthy” comment. the dungeon’s conjured illusion of mithrun’s love interest was a harmless copycat of a venomous original. for whatever reason, he felt this person was a threat and made up a "safe" version of her to be in a relationship with, and while it’s definitely possible to be attracted to or even love someone you find to be toxic and/or intimidating, when you take that into consideration alongside the configuration of her body, you get some interesting implications.

which brings us to our second point: if we assume that mithrun was not in fact fucking a snake, then sexual attraction, at least, was so far removed from his idea of a relationship with this person that he did not even bother to keep her dungeon copy human enough to maintain the illusion of the option of a sexual relationship. this is somewhat echoed in the depictions of their interactions, which also imply a frankly unexpected romantic distance. she kisses his cheek and he doesn't seem to react; she's at the edge of a narrow bed with only one set of pillows, on top of his blankets while he's underneath them.

the kiss is particularly interesting because it seems to contrast the text. kabru's narration tells us this was everything mithrun could have asked for, but mithrun is there looking unreadable to pensive, likely because this is right before the panel that makes it clear things in the dungeon are beginning to go wrong.

walking through this backwards for a minute, we have the physical barrier of his bedding and the spatial separation inherent in a bed made for one person, the emotional barrier of his mounting anxiety getting in the way of his ability to enjoy the affection he sought, and... the snake, which historically carries the connotation of temptation, yes, but also mistrust, barring physical intimacy. okay. ok. if a dungeon reflects the mentality of its lord, all of this might suggest that mithrun was not able to have any real desire for a relationship with this person. his unwillingness to be vulnerable or let another person in was insurmountable. but in that case, why was she such a focal point that she remained to the end, after his dungeon had stopped creating iterations of his friends to come and visit him? why would he get so upset over her meeting with his brother that he became lord of a dungeon about it?

well. mithrun's brother was also interested in her, probably genuinely. and mithrun had to win.

you have an older brother who your parents completely ignore, probably in part because he is chronically ill/disabled and almost definitely in part because he received a ton of recessive traits that resulted in rumors that he was an illegitimate child. you are aware, most likely because those same parents fucking told you, that you actually are an illegitimate child. but they keep you around because you had the good fortune of looking just like your mother. what can that possibly teach you but that you, like your brother, are disposable?

it's utterly unsurprising that mithrun, under these circumstances, developed a pathological need to be better than everyone around him. people don't keep you otherwise. i'd argue this is also why he says he looked down on everyone he knew while milsiril claims his dungeon reeked of feelings of inferiority—he sought out people's worst traits and prioritized them in his mind to protect his already extremely fragile sense of self-worth, and all the while he tried to be as likable and high-performing as he possibly could be. his parents disposed of him anyway, but even then he tried to keep up the performance. he was kind to everyone. he never once lost to a dungeon.

when he saw his "love interest" meeting up with his brother, what he saw was himself being replaced by a person his parents had always treated as worthless, and if that was what they thought of the child they'd kept, what value could anyone possibly see in the bastard they'd given away to die? mithrun and kabru tell the story like he wanted to win this unnamed elf's heart, but it was never about being with her. it was about cementing his worth, proving that he didn't deserve to be thrown away.

and so it's particularly cruel that his demon discarded him, too. but maybe it's also particularly gentle that, in the end, there was someone who refused to even consider giving up on him.

kui laid it out in three panels better than i could hope to.

yeah. it's love. you wanted to be loved, even when the only way you were able to understand it was through the desire to be wanted, and you wanted that so badly that the idea of being consumed felt like the promise of finally mattering to someone.

[ribbittrobbit]

these kids are incredibly stressed out

[bingsoo-jung]

my funny controversial veilguard opinion is that while i get why people are saying the 'sexy lof' armor is orientalist and i do think there's a convo to be had there... that armor is also based off of actual clothes people historically wore in southeast asia. like this

is absolutely based off of these

and while these are stylised forms of the outfit it's not because of the skin being shown. the women wearing shirts underneath are not wearing it as thai people wore tabengman historically. because historically we didn't really wear a lot of shirts, shirts were not legally mandated clothes until the 1940s. my thai grandmother is older than that. in fact a lot of asia didn't get around to stigmatizing and sexualizing breasts until the 1800s or later (like you can find photos of korean women in the 1900s with their breasts out and that was fine and normal culturally). the reason these are stylized though is bc they're made of silk and they're wearing brocades. most people would've worn this in plain fabric without gold brocades bc silk and gold are expensive.

and, to be clear, a lot of both the LoF and qunari armors and fashion is based off of historical southeast asian fashion. isabella is straight up wearing a hmong necklace.

the qunari ropes are also almost certainly based off of muay boran kard chuek which is this old way of binding your hands with hemp ropes in thailand for boxing. you can also see that in qunari concept art they've drawn them with intricate knots that are very chinese in origin, they're wearing armor in rattans weaved patterns. (i'll also point out that it was explicitly said in the past that people from east tevinter, which is closer to seheron, look like dorian, and dorian's va is half indo-fijian and half malay. that man belongs to the south pacific.)

and yes, we could have a whole conversation about specifically choosing to look at these armors instead of other southeast asian armors. but i think a lot of people think the armor is based off of western fantasies of belly dancer costumes... which while may have played a part, it's also very clear to me that the devs have used a lot of southeast asian inspiration for seheron, rivain, and part of tevinter.

[dimension-20-brainrot]

THAT WAS FOUR ROUNDS OF COMBAT.

There were lots of legendary actions and reactions and prepared actions but that was FOUR ROUNDS.

24 SECONDS plus a few minutes here and there to answer academic questions?

So IMAGINE that you transfer to a new school where your adventuring party just kills rats in the woods and then you’re the designated cleric for the popular kids in their Big Battle.

They’re crushing it. They’re unstoppable. It’s been 24 seconds of battle and they’ve obliterated every monster that appears. You lock eyes with their cleric, the Chosen One of your god who strayed from the light. Then you die.

[redlettermediathings]

[monstermonger]

I recently bought an art book on Caspar David Friedrich, whose emotional work stuck with me since I first saw it in a museum years ago. Over the course of a few weeks, I read about his life and at the same time did studies/interpretations of many pieces. It was a really enjoyable and fulfilling project; here's a good lot of them together :)

I was happy to see many people enjoyed Friedrich's work+my interpretations while posting them individually. It took way too long, but I FINALLY set up a print shop for some of these + some other pieces for those who expressed interest. Thank you so much!

[beetleandfox]

I love how unsanitized The Terror feels. Like there’s grime everywhere. You can tell those men smell bad. When they do surgery you can hear the bone being cut, when they get sick they look genuinely ill. The main character’s actor even has pockmarks, he LOOKS like he could be from the 1800s! And idk, I think it’s cool that we’re so aware of the characters’ carnal desires. They’re hungry, thirsty, freezing, etc, and it is so obvious that they have a body with needs!!

I think this also accounts for how horny the show feels, even though everyone is bundled up 90% of the time and there are no real romantic subplots. Besides the fact that it’s a very carnal show, it just has the intimacy and grime of true horniness. Is this thing on