#After the Star Allies arc

[raccoon-crown]

INKTOBER 2024: CAMP{ing} [Day 22]

Sorry for the rush but I almost didn't make it with this little one!

Yeah, this one is for the Dream Land AU too, after Hypnoss is gone, Frost, Surge and Zero start trying to grasp their new freedom with a camping day only for siblings.

Good thing that one of them is at least able to turn on the fire...

[vordenburg]

Adelaide Kane needs to reprise her role on SNW (somehow) so we can see her in Romulan tactical gear and with those famous pointy ears.

[gaytommykinard]

bucktommy actors au and it goes like this

evan buckley, who sort of accidentally gets into modelling/acting after he moves to LA. he gets discovered and cast into a sexy perfume ad and then another sexy music video and he rolls with it because why not, it's easy money and LA is expensive, and he starts getting small roles here and there and eventually lands himself a recurring role as a firefighter on a network procedural (because we love being meta). it's fairly successful and long running, and he's gone from being a recurring character to one of the mains, and he loves his job, he loves the show (almost as much as his sister does) (almost as much as his actual-firefighter brother-in-law hates it)

tommy kinard, former child star who was shoved into the world of Hollywood at the age of 8 and starred in a couple of blockbusters in the early 90s that everyone has seen, who was outed in his twenties and disappeared from the public for like, a decade, and now gets to pick and choose what roles he'll take on, so when he's asked if he wants a small recurring role on his favourite guilty-pleasure show he jumps at the opportunity (and then he finds out he's been cast as the LI for the hunkiest guy on the show? this is his lucky day)

this is buck's first role where he has to kiss a man and he's like whatever it's not a big deal, i'm an ally. he meets tommy and they get along so welllll. buck trying to find every opportunity to hang out with tommy, invites him to go hiking and asks him to read lines together, and tommy is no A-lister but he still has some name recognition and he totally uses it to get them a table at the restaurant with a 6-month waitlist.

and let's say it's a slow burn arc on the show, so they've been filming a few episodes by the time they get to The Kiss. and of course they have to shoot that like 12 times. and buck goes home at the end of the day and he's had a long day he's so tired he just wants to shower and sleep but he lays in bed like. i should text tommy. and then tommy calls him and they're talking and joking and laughing. and they hang up and buck still can't sleep and he's like. what is this weird feeling.

until one day they're hanging out at tommy's house and buck is doing that thing where he's flirting without knowing he's flirting and tommy thinks fuck it and kisses him and buck gets this stupid smile on his face because holy shit everything makes sense now.

[yourlazykitkat]

Joel's celestial symbol being a car isn't complete crack and actually might be a good idea.

In Fast and Furious franchise, one of movies' climax have the characters strap jetpacks to a car which is strapped to a military aircraft in which two characters drive off and are sent into orbit. Yes this is thing that happens and yes, it somehow does perfectly capture the narrative of joel's victory and what it brings to the celestial symbolism.

I have never watched the fast and furious movies, all i know about this franchise is this scene and that it's about family and that's all you really need to know. But still, i shall yap.

The Fast and Furious movies are a perfect intertextual lens to view the Wild Life season and Joel's victory. The franchise has two highlights to it: the fucking spectacle and the interpersonal relationships. Did I enjoy the mechanics of wild life? Not particularly but I enjoyed the spectacle; the rush of I don't know what the fuck is going on but I'm here for the ride. Did I enjoy the storylines? There won't many clear and strong storylines this season as much as there were ever-resonating character beats that I ate up like it was the last supper. (JUST LIKE IN FAST AND FURIOUS)

Pearl and Scott reluctant allies and healing, BigB and Cleo healing, Etho's slut arc, Bamboozlers overcoming their character's persistent struggle with loneliness together, whatever the fuck treebark is doing, pearl picking her champion in impulse, grian losing his two wings. DESERT DUO DIVORCE ARC IS OVER? OMG DESERT DUO DIVORCE ARC IS BACK ON. Bad boys finally kill scott, shinyduo situtionship (going insane over them- i can't wait for more of them), tango and bdubz as angry wives and of course: The family.

Gem and Joel's alliance was the most stable alliance in the season. We made jokes about the 4Gs as they became the 5,6-7 Gs. They never knew who they truly could trust. Mumbo and skizz' paranoia might of been a joke but grian's curse did wipe them out in the end, martynn has forever ruined any trust in future alliances after limited life (especially given how he planned to betray ren in third life...) so i did not have any faith in treebark lasting. I don't need to explain tuff boys, etho was cheating on them to their faces and bamboozlers came close but any bamboozler fan will tell you how anxious they were that something would ruin a group. Look at Timmy on the high that he could finally win and break the curse, always running off carelessly. Scar, who was so desperate to win grian's favour that he was spilt between him and bamboozlers. Lizzie, who wanted to do anything but die alone but multiple times in the series, could not find her boys.

But gem and joel were always there for each other, their trust and love in the each other displayed for the whole server to see in the centre of the map (the most dangerous part). Not only did it help each other, they solidified so many other alliances that were shaky for so long (adopting grian when he's alone coz no one deserves to be alone, giving the Gs a common enemy to unite against, "we are bamily"). This perfectly encapsulates the fast and furious thematic core, we have no idea what' going on but we'll make our last stand together.

Very long-winded post, might come back later to fix it (i haven't had the chance to explore joel specifically and what this victory means for him) but even though it ruins the celestial aesthetic, the car for joel is so perfect. If u need it all celestial, the shooting star works pretty well in adjacent but it's so perfect for the wildest, most scuffed season to ruin the aesthetic of the life series BUT STILL BE THEMATICALLY COHERENT.

I have my complaints for this season and it did take me a while to decide how i wanted to approach the narrative of this season. Genuinely the more i think about it, the more i love the season.

[literaryvein-reblogs]

Writing Notes: Plot Structures

A Quick Reference to 5 Plot Structures

8-STAGE PLOT STRUCTURE (Nigel Watts)

Stasis: once upon a time

Trigger: something out of the ordinary happens

Quest: causing the protagonist to seek something

Surprise: but things don’t go as expected

Critical Choice: forcing the protagonist to make a difficult decision

Climax: which has consequences

Reversal: the result of which is a change in status

Resolution: and they all lived happily ever after (or didn’t).

HOW TO TELL A STORY (Peter Rubie)

Once upon a time, something happened to someone,

and he decided that he would pursue a goal.

So he devised a plan of action,

and even though there were forces trying to stop him,

he moved forward because there was a lot at stake.

And just as things seemed as bad as they could get,

he learned an important lesson,

and when offered the prize he had sought so strenuously,

he had to decide whether or not to take it,

and in making that decision he satisfied a need

that had been created by something in his past.

MONOMYTH / THE HERO'S JOURNEY (Joseph Campbell)

Separation

The Call to Adventure

The Refusal of the Call

Supernatural Aid

The Crossing of the First Threshold

Belly of the Whale

Initiation

The Road of Trials

Meeting with the Goddess

Woman as Temptress

Atonement with the Father

Apotheosis

The Ultimate Boon

Return

Refusal of the Return

The Magic Flight

Rescue From Without

The Crossing of the Return Threshold

Master of Two Worlds

Freedom to Live

22-STEP STRUCTURE (John Truby)

Self-revelation, need and desire - combination of steps 20, 3 & 5

Ghost and story world - the hero’s counterdesire

Weakness and need* - the hero’s flaws are keeping them from having the life they desire

Inciting event - outside event that spurs the hero to action

Desire* - the hero’s story goal

Ally or allies - the hero gains an ally

Opponent and/or mystery* - an opponent or mystery that keeps the hero from reaching their goal

Fake-ally opponent - a shapeshifter or false friend

First revelation and decision: changed desire and motive - a revelation causes the hero to make a decision that results in a change in direction

Plan* - the hero’s plan to overcome their opponent and reach their goal

Opponent’s plan main counterattack - the opponent’s plan to overcome their opponent and reach their goal

Drive - increasingly desperate (and possibly immoral) series of actions the hero takes to defeat the opponent and reach the goal

Attack by ally - an ally confronts the hero about their increasing desperation and immorality

Apparent defeat - lowest point when the hero believes they’ve lost; for fall arcs, this may be an “Apparent victory” instead

Second revelation & decision: obsessive drive, changed desire and motive - the hero receives a new piece of information that allows them to continue towards their goal

Audience revelation - the audience learns a vital piece of information that’s kept from the hero

Third revelation and decision - the hero learns something about the opponent that will help them win

Gate, gauntlet, visit to death - pressure on the hero grows and they’re forced to face difficult trials

Battle* - a final (violent) conflict that determines who wins

Self-revelation* - the hero learns who they truly are

Moral decision - a decision that proves what the hero has learnt in the self-revelation

New equilibrium* - the need and desire have been fulfilled and the world goes back to normal, though the hero has changed

Stars (*) mark the minimum 7 steps that, according to Truby, are essential to every story.

ONE PAGE NOVEL (Eva Deverell)

Brainstorm 3...

...names:

...wants/goals/needs:

...locations:

...objects:

...obstacles:

...things lost/sacrificed:

...occupations:

...things on your mind:

Plotting Order

Resolution

Stasis

Shift

Trigger

Quest

Power

Bolt

Defeat

Story Order

Stasis: character isn’t living to their full potential - opposite state to Resolution.

Trigger: an internal or external impulse (or both) forces the character to take the first step towards their Resolution state.

Quest: character enters the new world of adventure, meets mentors or allies and makes a (bad) plan to solve the problem the Trigger created.

Bolt: (bad) Quest plan inevitably goes wrong.

Shift: character makes the paradigm shift necessary for them to inhabit their Resolution state.

Defeat: character makes the ultimate sacrifice.

Power: character finds a hidden power within themselves that allows them to seize the prize.

Resolution: character is living up to their full potential in their Resolution state.

NOTES

Choose a plot structure that works best for you.

Deviate from it as needed. It is a guide after all.

Some writers and editors advice you stick with a plot structure you have chosen:

Don’t look for an alternative as soon as you start to become frustrated with your first choice. You’ll only end up wasting time.

As with everything else, there is no single perfect choice.

And it may be the case that different projects need different methods.

Keep experimenting. Keep writing. Keep improving.

Source ⚜ More: Writing Notes & References

[voyagerweek]

VOYAGER WEEK PROMPTS

DAY 1 - JAN. 10: Favorite Episode | Away Missions

DAY 2 - JAN. 11: Favorite Character | Meet You in the Runabout

DAY 3 - JAN. 12: Favorite Relationship | Allies & Enemies

DAY 4 - JAN. 13: Favorite Season or Arc | Time Travel

DAY 5 - JAN. 14: Favorite Quote | Home Away From Home

DAY 6 - JAN. 15: Favorite Holodeck Program | Lost in the Holodeck

DAY 7 - JAN. 16: Caretaker (S1E01) 30th Anniversary | FREE SPACE

Fanwork originally made and posted on Tumblr for this event with the tag #voyager week will be reblogged by this blog. Racism, bigotry, harassment, or discrimination of any kind will not be tolerated. Be respectful of other fans and have fun! FAQs ↴

How do I participate? Make a new post on Tumblr with the tag "#voyager week" during the week of January 10-16, 2025. Crossposting to other sites such as AO3 is allowed, but please also make a new post on Tumblr so this blog can reblog it. If your post has not been reblogged within 48 hours of posting, please send a DM to @voyagerweek along with the post. Submissions will only be reblogged during the event week and for up to two weeks after the event. Please do not post a submission before January 10, 2025.

Why are there two prompts for each day? Do I have to use one or both? There are two prompts to cover multiple interpretations of the event. A prompt that is accessible for a writer may not be for a gifmaker, for example. You may choose to use one or both prompts for each day, or multiple prompts from different days combined in one post, or no prompt! These prompts are being provided 5 months in advance of the event so that there is plenty of time to consider them, but if none of them inspire you, feel free to make a fanwork about Voyager that does not incorporate any of the prompts. The prompts are meant to inspire but not constrain your creativity. You may also submit multiple posts in one day. Participate as much or as little as you would like!

Can I post X kind of fanwork? Yes! If it is made by you (or you have express permission from the original creator) for this event, it counts as a fanwork and will be accepted. The following list of types of fanwork is not meant to be restrictive but to provide examples: fanfic of any length, fanart/comics, gifs/edits/fanvids, playlists, moodboards, meta discussions/essays/headcanons, crafting/textiles, cosplay, and anything else made by fans to show appreciation for Voyager. **Please put long written works below a "read more" cut**

What if my fanwork is part of an ongoing work such as a multi-chapter fanfic or series? That's fine! As long as whatever you post is new and made for this event, whether you use one of the prompts or not, it will be reblogged (i.e. you may not make a post for a previously published chapter of your fic, but a new chapter or installment posted during the event is acceptable).

Can my work include other Star Trek shows/movies/books/etc? Yes, as long as Voyager or its characters are one of the main focuses of the fanwork, you are welcome to incorporate other media properties, Star Trek or otherwise.

Can my work be about an actor or the production/behind the scenes of Voyager? Yes, as long as the work's focus is still on Voyager (i.e. not a gifset solely of the actor in another show/movie).

Are OCs (original characters) allowed? Yes, if a Voyager setting or its characters are included in the fanwork as well.

Are AUs (alternate universes) allowed? Yes. Canon divergence and different settings (i.e. modern AUs) are allowed if the work still features Voyager characters or elements.

Is NSFW/adult content allowed? Yes, as long as you tag appropriately with trigger warnings and follow Tumblr's restrictions for explicit content. Reblogs of works that contain graphic violence, sexual content, strong profanity, or nudity will be tagged #nsfw for filtering.

Threshold Day is January 29 and already a recognized fan event on Tumblr, why are you having a Voyager event that doesn't include this day? The dates were chosen to coincide with the thirtieth anniversary of the original airdate of the first episode of the first season. This event is meant to share enthusiasm for the entirety of Voyager, and hopefully that will continue after the event week is finished.

**If you have any other questions not covered by this list, please send an ask to @voyagerweek.**

[whenmemorydies]

See this?

Carmy is about to pull this shit. He is really about to go in and likely blow up one of the only good relationships he has left from The Beef. After yelling at Tina from the pass. After stressing out everyone and their fucking dog cos he thinks this is acceptable behaviour if its all in service of a star?

This part of 3x03 Doors was such a jagged scene for me because of a few things (including what I've said above). What else got me:

Tina is someone Carmy knows, that Carmy loves (go back to their scene in 1x08 Braciole talking about Mikey. Go back to Carmy's soft "hey Tina you go ahead, you take the night off okay? I got you.");

Tina is an older woman of colour who has made the commitment to skill up so that she can work at The Bear after working at The Beef. Carmy has seen the work she has put in but in this moment, he pays none of it any mind. Imagine being T. Imagine how that would feel. Imagine how it would feel knowing all we know after watching Tina's journey in 3x06 Napkins. The thing is, Carmy doesn't need to know all of T's backstory to know his behaviour is unacceptable. The fact that he knows some of it and proceeds to act in this way is just more evidence of his white privilege showing its ass.

Carmy does not have the self reflexivity here to look at his young, white, male self yelling at this older WOC and see how fucked this is: how he's become another white guy in a litany of white men barking at workers of colour, not seeing Tina for the whole human she is but reducing her to a means of production. The racial dynamics on this show are so evident but don't get talked about nearly enough. I know the writers have crafted those dynamics on purpose because as beautiful a character as Carmy is, he's also a product of his environment as a white chef trained in a highly racially segregated field. This has repercussions for his relationships in season 3, particularly with the BIPOC characters in his life. @november-rising speaks about Carmy's behaviour in relation to Black women's experiences of love and professional recognition devastatingly here. Read their post and the reblogs.

While this shit made me so mad this season, it was also in character - as I've said here - for a white guy trained in fine dining to revert to established patterns of behaviour. Though, I'm gonna need the writers of the show to show US that they did this on purpose and have Carmy ATONE for this shit in season 4. Otherwise, what kind of redemption arc will this man have? This shit is hurtful to the BIPOC characters and BIPOC viewers of this show in no small part because white men the world over have a LONG history of using BIPOC people as a means of production and as a means of production alone. If you're unsure about this, please go look up the Transatlantic slave trade. Please go look up the history of colonial indentured labour. Please go look up The British East India Company. Please look up the forced labour regime in the modern prison industrial complex. Please go read a fucking book. And no I'm not saying Carmy is responsible for the slave trade (LMAO please hold fire if this is where your mind is going). I'm saying BIPOC folks carry with us a long ass history, an intergenerational history of this shit. But guess who else does too? White folks. So don't act like they dont.

This shit is also hurtful because we know how respectful Carmy can be. We’ve seen him in seasons 1 & 2. We know he knows what being a practical ally looks like (even if he may not have the language to name what he was doing) when he made sure to bring the staff of The Beef with him to The Bear and invested in them accordingly. We know he loves and respects them, none more so than Sydney. But there were so many times where he did not act like it in season 3. And when folks have got histories - not just personal but cultural too - as long and as loaded as we ALL do, actions account for a lot. What you do is the shorthand for who you are in the world, whether you like it or not.

Ok back to the scene.

Who comes in and simultaneously saves Carmy's ass and ANOTHER of his relationships? Who protects Tina and keeps the kitchen from exploding AGAIN?

Who supervises her sous chef like a fucking pro?

Sydney. Sydney. Sydney.

And who knows that he's in the presence of greatness but doesn't know how to articulate it cos he's not integrated, not by a fucking long shot. Who needs to attend some anti-racism training along with Al-Anon and therapy (so he can get the benefit of understanding his role in this system and get a better understanding of his own mind)?

Yeah you Carmen, you.

Better get on that shit before you lose the woman who is the beat to your whole heart another means of production to a chef who's going to pay her better, give Syd insurance from the jump and total creative control. Just saying.

[cc1010fox]

"He's alive..." the medical officer gasped, his breaths stilled by the impossibility right before his eyes.

Sure enough, the trooper, one that was supposed to be dead, was breathing. It was a barely visible rise and fall of his chest, something anyone else would have missed.

"No," came a voice out of frame, a voice matched to Commander Thire with a lift of the the medic's head. The recording caught the ever loyal ARC snatching the helmet off of another medic's head and tampering with its recording software. Ever loyal. Ever loyal to Fox. "He's dead. Do you understand? He's dead." The last thing the first medic recorded was a pointed threat, "And so are you if you make another unfounded claim like that," before his helmet was practically torn off of his head as well.

_

"Damnit, Thire..." Cody bit out as he switched the footage off. "You forgot to have the footage destroyed?"

_

The next recording started with the hurried panting of a non-clone trooper. He ducked behind the alien shrubbery as the commotion in the distance drew nearer. A clone's voice was picked up, but the words were unclear. Looking down, the trooper checked that his blaster was no longer set to stun.

"Deadly force?" The trooper jolted and looked up to find the smirking face of an aged clone, the grey from his temples mixing into the rest of his curls. The scar across the bridge of his nose wrinkled as his expression became more vicious. "The others already tried that." The clone reached down and tore the blaster from the trooper's hands. Fearless.

The recording caught the panicked gasping and whimpering from the soldier, caught how he tried to back away like a coward.

"Dogma, how do we react to deadly force?" the clone asked without turning his head away from his victim. No...his attacker. The troopers were the invaders after all.

Another clone's laughter could be heard nearby, yet out of frame. "With deadly force."

Fox, Cody concluded with absolute certainty, lifted the trooper's own rifle and ended the footage with a bolt through the man's helmet.

_

Cody sighed. Another ally he would have to call his enemy...At least he could get his mind off of having to hunt down Fox by looking into who Dogma was.

_

[ Got this in my head after reading this post by @the-stars-are-warring. Fox doesn't turn his head because he can't. ]

[buckysxgal]

I'd Let The World Burn - Eustass Kid x Reader

Picture I got from Pinterest - It's a screencap from One Piece

Summary: Just a little snippet of you and Kid during the Raid of Onigashima.

Word Count: 870

Details: Set in Wano Arc (specifically in Onigashima). Established Relationship. this is during the Big Mom fight. Kid saves the reader (and Nami, Usopp, and Otama by association). Kid calls reader 'Doll'. I tried to keep specifics about Reader (gender, race, etc.) out, if i missed something please let me know and I can fix it! I want this to be readable for EVERYONE. I listened to LET THE WORLD BURN by Chris Grey while writing this.

Also posted on AO3

Floral Banner and Support your Creators banner from @saradika

“WHERE ARE THEY?!” A voice bellowed out. The voice could be heard all throughout Onigashima. Currently, I was running with Nami, Usopp and Otama through the hallways of the castle. 

“Who the hell was that?” Nami said, startled, looking around for a person to match the voice while we ran. We turned right down another hallway only to bump into Big Mom again. She was now targeting Otama because she was ‘going against her’ by running away from her with us.

��I don’t think we have time to question that Nami.” I said while pointing up to Big Mom who was gearing up to attack. “What should I do about the ones I hate?” Big Mom started, speaking to her sword, the cloud and the sun floating around her. “I should kill them!” She screamed, lifting her sword up to strike.

Nami held the child closer to her body, and Usopp fell to the ground with a shout. I stepped closer to Nami and Otama, spreading my arms out and bracing myself with my eyes closed. Nami, Usopp and Otama’s screams were suddenly drowned out with the sound of metal scraping together. I looked up in awe, seeing my lover’s metal arm shooting out above us and hovering it in front of Big Mom’s face.

“You’re…!” Big Mom started before Kid attached his arm to her face and lifted and slammed her into the floor, cracking the floorboards with a call of Punk Gibson. His figure outlined appeared in the dust behind us as we all turned around to face our savior. Big Mom’s ally, the cloud that she called Hera, flew over to her asking if she was OK as she sat up.

“Kid!” Big Mom growled out. Kid came to a stop in front of us. Nami and Usopp let out simultaneous breaths of relief.

“Captain Kid!” They shouted, tears of joy and stars in their eyes.

“Go away, Straw Hats. This bastard…” Kid lifted his metal arm once more, metal from around the room latching onto his arm.

“Is my prey!” He continued. I smiled up at him as he looked down on me from my spot behind Nami, Otama, and Usopp, now noticing that I was here. He blinked a few times, staring at me processing my presence. 

“I’ve been looking for you all over.” He stepped closer to us and held out his non-metal arm beckoning me over. I stepped around the group and got closer to him. His hand came up to caress the side of my face, his thumb sweeping across my cheek.

“You hurt Doll?” He said gruffly. I shook my head ‘no’ and allowed him to press his forehead to mine. He stayed liked that for a moment before pulling away and shoving me behind him.

“Stay out of the way, Doll. I don’t want you getting hurt.” He muttered over his shoulder. I beckoned Nami, Usopp and Otama closer to me, stepping back from the fight. We started to run towards the performance hall I turned to look behind me and saw Kid cracking his neck gearing up to fight. 

“Kick her ass babe!” I yelled as I turned back to face Nami and Usopp. Nami looked over her shoulder to me and smirked at me.

“Doll?” She giggled.

“S-shut up.” I muttered as my cheeks grew hot. 

Time Skip to after the Raid - still on Onigashima

We had watched Kid and Trafalgar Law fight from a room off the performance hall. As soon as they cast Big Mom down that hole the two pirate captains fell to the ground, exhausted.

I ran down the steps towards where Kid was laying on the rubble. Nami, Otama and Usopp followed me, but stopped to fall in with the crowd surrounding the two exhausted pirate captains.

“Kid!” I screamed out, flinging myself onto his body, letting sobs wrack through my body.

“Please don’t scare me like that.” I whispered as I  let my hands curl into fists in his red fur coat. His non-metal arm came up and rested on the back of my head, stroking my hair as the sobs lessened. I could hear murmurs in the crowd, namely from the other pirate crews, wondering who I was.

“Don’t worry Doll, I ain’t going anywhere.” He whispered, placing a kiss against my hair. I smiled and lifted my head to look up at him. He sat up, lifting me with him and keeping me on his lap as he looked over me, assessing me for any injuries.

“What’s this?” He asked, pointing towards the scratch on my cheek. I lifted my hand towards it, remembering what happened.

“We were running from the fire, and I leaped out of the way of a burning piece of wood, landed on the floor, not gracefully, and scuffed my cheek.” I chuckled. He let his thumb graze it gently.

“I’m glad you made it out of this alive, Y/N.” He wrapped his arm around my shoulders, bringing me into his embrace again.

“Well of course Kid, can’t leave you behind can I?” I said, smirking up at the man, who returned the gesture. He placed a small kiss on the side of my forehead.

[anilyan]

Venti is Phanes + on Istaroth and the Primordial One

Not so crack theory: Venti is Phanes and is the androgynous being born from the Chymical Marriage between the Primordial One and Istaroth, before she was betrayed by the Sinners

(I posted this before but now it's properly explained)

I am using this lore in my old mondstadt fic, Nameless (actually soon to turn into trilogy, since vol 2 is about venti rewinding time and vol 3 is present time story and I took so long to plan all the lore with all the canon crumbs and theories we had...)

Yes, a lot of the info about gods is pulled from wikipedia, I’m not being paid to research more, okay? I just want to feed the brainrot. My main sources besides those are the videos listed at the end.

I would love if this theory made its way to some big lore content creator for them to analyse and criticize, because I have been rotating this in my head but I don’t have their capacity or knowledge to tear this apart.

NOTES:

This post contain minimal mentions of 2 leaks, about the rest of the collection of The Pale Princess and the Six Pygmies, and a sus minimal old leak about Venti

This post contains some references to the Penacony arc from Honkai star rail, but no knowledge about the game is required and in fact, I don't even play it myself and those are just sus parallels

0. Summary / main points

Istaroth and the Primordial One parallel Chronos (personification of time) and Ananke (most powerful dictator of Fate and mother of The Fates/Moirai), respectively.

Chronos and Ananke laid down the cosmic / orphic world that created/reshaped the world. In a way, that was an Alchemical Marriage, that also gave birth to the androgynous winged being Phanes/Venti, and to the Abyss,

Venti has many ties to fate, including extensive apple symbology visible even in wisp form. The apples, besides being a symbol of fate, also represent a dream bubble in accordance to the structure of Teyvat. Quoting his most sus birthday art, “It is written that there is a whole tiny world hidden inside an apple core”

Venti has at least some control over 1 half of Teyvat while the other half is ruled by The Night Mother/Nyx. He also offers us half of the apple in the mentioned birthday art.

Ananke was a serpent-like being, and we see a Black Serpent 1) coiled around Phanes 2) coiled around the pearl/cosmic egg in the Gnostic Chorus 3) in the Black Serpent Knights, who also had Ishtar/Istaroth’s star as a symbol 4) In Nibelung, if we consider serpents and dragons the same

Istaroth supported Khaenri’ah (thus why the Nation had her symbol) and both opposed the Heavenly Principles/Celestia, until she was betrayed by the Sinners/6 Pygmies and forgotten

The Primordial One was opposed by Celestia. We also know that Nibelung fought Celestia. They were either allies or even the same being (a black serpent), and their perceived opposition is not too different from how Remus went down misinterpreted by history

1. About the Primordial One

In case it’s not yet clear, this assumes that Phanes =/= Primordial One. After all, the book Before the Sun and Moon simply says that “The Primordial One may have been Phanes*”,* and the fandom just started equating the two.

I am of the opinion that the Primordial One and Celestia are in opposition, while Istaroth is on the side of the Primordial One, or at least opposed to Celestia too. Maybe the Alchemical Marriage was part of a plan of theirs. Read more about it in section 3.

And if the truth about Remuria taught us anything, is that some rivalries depicted in history are false. In the same way Remus went down as a Tyrant when in reality he never wanted to employ force and was even allied with Sybilla (a vishap), I would say that the Primordial One and Nibelung/dragons/vishaps probably found ways to coexist. We do know that Nibelung went to war against the Heavenly Principles/Celestia, but if Celestia and Primordial One opposed each other, that just makes an alliance between PO and the Dragon King more likely.

We don’t know if Primordial One = 1st Descender and Celestia = 2nd Descender, so I will avoid using those terms throughout the post. But if the 2nd who came = 2nd Descender = Celestia, then that would lend further credibility to the idea that Celestia and the PO are on opposing sides, since the 2nd who came basically stole PO’s ruling of Teyvat.

2. About Istaroth AND Khaenri’ah

Like I said above, I believe that Istaroth sides with the Primordial One and that both are in opposition to Celestia

Istaroth has the ability to create alt Looms of Fate through those seeds she gives away - those basically grow into trees that are databases of history outside the control of Celestia. I had already affirmed this for my fic before we got the 2nd Caribert quest, but at this point is practically confirmed.

Istaroth is based on Astaroth and Ishtar, and Ishtar’s morning star is an 8-pointed star just like the symbol of Khaenri’ah. And so the Black Serpent Nights probably served Istaroth in some way.

Khaenri’ah supposedly didn’t have a god, but let’s keep in mind Istaroth was forgotten by time. It’s also possible that, even if Khaenri’ah had a god, they still considered themselves the pride of humankind since Istaroth likely wasn’t associated with Celestia, as I mentioned

Speaking of Black Serpents, other prevalent Black serpents are the one in the Gnostic Chorus, and Nibelung, in a way (not sure if they are or not the same entity). So I would say that Nibelung is/was also allied with Khaenri’ah/Istaroth/Primordial One. Please refer to the section above for an explanation.

The 6 Pygmies and the Pale Princess is a book that is an allegory for the 5 Sinners of Khaenri’ah + Dainsleif and Istaroth. I include, at the end, a video that explains that properly and is very much worth the watch. From there (or at least, from the leaked volumes), we know that the Sinners basically betrayed Istaroth, which might explain why she ended up being forgotten and why Dainsleif is the only Pygmie that didn’t go fully down the Sinner’s path.

3. The relationship between the Primordial One and Istaroth

Like I say above, many things point to them being allied. At the very least, we can quite safely infer they both opposed Celestia/The Heavenly Principles and in turn allied with Khaenri’ah.

The cosmic/ orphic/world egg was created by Chronos (personification of time) and Ananke (most powerful dictator of Fate and mother of The Fates/Moirai). “Ananke and Chronos are mates, mingling together in serpent form as a tie around the universe. Together, they have crushed the primal egg of creation of which constituent parts became earth, heaven and sea to form the ordered universe.”

Ananke and Chronos have to be the PO and Istaroth - which one is which is a bit debatable, with their genders being a counterargument on its own. But I would say Chronos is Istaroth (due to her associations with time, although she is more a god of moments than of time) while Ananke is the Primordial One (who had the 3 moon sisters/moirai as shades + is probably the Dreamer/HSR’s SUNday parallel who plays the symphony that creates the fates reflected by the moons (read more in next section)).

The cosmic egg that birthed the world, together with the Abyss AND Venti, probably resulted from their Alchemical Marriage. I wouldn’t be too surprised if it was also the Gnostic Pearl depicted in the Gnostic Chorus cutscene, or even if the Black Serpent there was Ananke/Primordial One. In fact, that would only solidify the connections with the Black Serpent Knights and them wearing Istaroth’s symbol. And it would be extra funny if somehow the Primordial One and Nibelung were the same entity (since I already explained why I think they were are least on the same side)… and therefore were a black serpent/dragon.

Okay, but what is an Alchemical/Chymical Marriage? It’s a marriage between a Red King and a White Queen, the Sun and the Moon, gold and silver, sulphur and mercury. It’s sometimes pointed as the source of the Philosophers' Stone, and from that union of opposites is birthed an androgynous being. Btw, that marriage is facilitated by a dove, but this is off-topic and you can see why that is interesting in the last video linked. It’s also a process that sometimes involves ‘fermentation”, which is also off-topic but ties well with the wine-making process and other things mentioned in the last video too.

According to Jakob: "The Seal of Chymical Marriage was an ancient Fontainian ritual meant to seal off the source of life. Now it has been reversed, and all has been set free once more!" So, it can be used to separate the Primordial Sea from the world, which sounds similar to creating a world/pearl/philosopher’s stone/egg/dream bubble that floats in the sea of quanta or wtv is the logic used across Hoyoverse’s worlds. We confirm again this was necessary to create Teyvat's egg, and that the Primordial One couldn’t do it alone because two people are required for a marriage.

And do you know what Marriages also require? A ring. Who was escaping with a golden ring, that is an important figure of Khaenri’ah and the only Pygmy who didn’t act like the others/didn’t become a Sinner? Dainsleif, whose constellation is even a Serpent ring. May I point to the Das Rheinegold music drama, that is part of the series The Ring of Nibelung, and maybe use that as extra merit to associate the Primordial One with Nibelung?

4. About the world of Teyvat

Dragons = Vishaps = Sea slugs = Bees = Seelies. Yes. We already know that the the dragons and seelies in Genshin are based on irl sea slugs, I won’t elaborate on that. As for Bees, that is because we have seelie-like bees in Remuria, connected to the prophet Golden-Bee Sybilla (don’t mistake Sybilla with Sylla, who is a Dragon King, although I guess this is all the same family)

Teyvat is theoretically 2 worlds/halves, the version we know and the mirror world, that is probably the Abyss. Or maybe all of it is a mirror world, idk. We can even see similar world structures in Honkai Star Rail, especially in Penacony, where the world there is literally mirrored and a dream too. Some people say Teyvat is divided in 3 parts: the Light Realm, Void Realm, and the Human Realm. But I think the Pimordial One just transformed the Light Realm into the Human Realm, so there are still 2 parts only, and we know they can overlap anyway.

Cycle: People die » are absorbed by the roots » are supposed to travel to the top of the world tree (inverted, so top is in abyss) to become Irminsul fruit / stars » said stars form constellations that determine people's fate, or more accurately, since they are all in a dream, are data that allows the tree to predict their fates » it’s because people exist as stars that their fates and presence can be summoned in the form of shooting stars

Dainsleif confirmed that the leylines can be woven to determine Fate / have their records changed. The Loom used to weave them is a Symphony, or in other words, Remus’ Symphony of Fate is very similar or the same thing as a Loom of Fate, although maybe not at the same scale. It’s possible that other God-Kings also attempted to create their own Looms of Fate.

Add to that some Penacony’s parallels, and you can infer that the Symphony is controlled in a floating palace, that is actually a Grande Theater, by the Sun(day) (potentially Phanes or the Primordial One, basically the one who Dreams), and it’s reflected by the moons (Aria, Sonnet and Canon, so the musical associations are fitting). Considering that the 3 moon sisters are also probably the mythological Moirai who weave Fate, yeah, that tracks.

5. Finally, about Venti

Addressing the Venti is/isn’t the weakest Archon debate: Idk and I don’t quite care, because regardless of how much power he holds now, this theory is about his origins and role more than anything.

Venti is the one narrating the Gnostic Chorus cutscene, so clearly he knows about the origins of Teyvat and other important stuff. Yes, it can just be because of his ties to Istaroth who had the winds of time and bla bla, but I would say he has a bigger involvement.

In the Gnostic Chorus, there is a Black serpent, and I already mentioned how it ties with Khaenri’ah and Istaroth in the second section. Well, Phanes is a figure that has a serpent coiled around him too, Ananke, to be more precise.

Phanes was believed to have hatched from the egg of Chronos and Ananke (Istaroth and PO, section 3), OR Nyx in the form of a black bird and wind, OR from the cosmic /orphic egg placed in and hatched from Aether, who was the personification of the bright upper sky and another son of Chronos. Regardless, it seems like the egg birthed both Phanes AND the world?

Phanes is described sometimes as male, sometimes as androgynous. I don’t need to explain how that fits Venti. The androgynous part also fits with how a being born from an Alchemical Marriage should be androgynous due to being an union of opposites.

Phanes is also described has having wings and a crown. We are yet to see a crown, but at least the angel wings are there.

Some myths say that Phanes was Dionysus (god of wine… amongst other things), or Eros (god of love, yes I’m simplifying), and oh boy isn’t Venti the god of all of that too? Although this is complicated since it has to do with gods being iterations of past gods and such, you can read more about it here

In a certain play, after Phanes mates with Chaos, he creates flying creatures. It would also fit Venti well, especially given that tale from Amber’s Quest where he taught birds how to fly.

Okay, this gets less obvious now. Phanes is a first-born deity who emerged from the abyss and gave birth to the universe, and is a god of creation, light and goodness. The Abyss part is extra intriguing because the world has an abyss half, and some in-game books even compare wine with the Abyss, and also with the idea that drinking the abyss/wine is a way to acquire Forbidden Knowledge. Please, check the last video I link.

Phanes counterpart is Nyx (Night). In some tales she is Phane’s wife, sometimes his daughter, and in others she creates an egg from which Phanes is born, so wtv. I don’t know who Nyx is (besides being clearly The Night Mother from the book of the Six Pygmies), but it’s pretty clear that the Abyss half is under her responsibility in some way.

Oh, right, this was a sus leak that broke my mind months ago and seemed completely nonsensical, but since I started cooking this theory, I can’t help but look back at it. It claimed that Venti was the guide of the Primordial One. Humm… yeah, if Venti was part of a plan between Istaroth and PO, I can see that, although I don’t know what the goal could be. Maybe he is assuming Istaroth’s role now that she is gone in supporting the PO?

This is a very wild guess, but I really thing Venti has something to do with the Gnostic Pearl. Idk if that pearl is the same one that hatched the world, or something that holds the world together (think Mikha from HSR), but I can imagine him having some responsibility over taking care of it.

And if you think Venti holding Fate in his hands is a stretch… let’s talk about Apples. Especially in anime, Apples are often depicted as the fruit of Fate (look no further than Mawaru Penguindrum), and in Inazuma, the girl giving Fortune Slips is called Gendou Ringo, with Ringo meaning ‘apple’ in Japanese. Well… Mondstadt is a land full of apple trees, Venti loves apple cider and is often asking for apples to pay for his performances, is being given an apple in archon form in one of his birthday arts, created the Golden-Apple Archipelago, and even the top of his head in wisp form resembles an apple stem. Seriously, I go crazy with how many people never noticed that. This is too much in our face to not be relevant.

This sounds like a stretch, but apples are round and so the shape is not too different from a dream bubble. And do you know what the birthday art I mentioned had in the caption? “It is written that there is a whole tiny world hidden inside an apple core. Here, this half is for you. Let's take a stroll in the tiny little world. But remember to keep it a secret because... you're the only one I want to bring there.” If he isn’t holding Fate or a world in some way, then I don’t know what this is supposed to mean.

You know how I said that Teyvat is divided into 2 halves? That also connects well with his quote (when he gives us half of the apple/world), and with the idea that Phanes is the day while Nyx is the night. So maybe Venti is responsible for the half of Teyvat that we know/he gave us while Nyx is responsible for the Abyss side.

So… is there any proof that Venti is Phanes? No. Are there many many sus elements about him and connections with the things I listed? Yes. I could see the Traveler being Phanes and being entrusted the Light/Human half of Teyvat by Venti as a scenario just as likely, especially if The Abyss sibling ends up being/becoming Nyx, but I like this version more xD

But even if the main theory ends up being wrong, I hope people you got some things to think about.

Some videos for extra lore, more a less in order of relevance

https://www.youtube.com/watch?v=VZIR-tfzfd4 » Reinterpretation of all volumes of the Six Pygmies and the Pale Princess in light of finding out about the 5 Sinners of Khaenri’ah + Dain + connections of Istaroth with Khaenri’ah

https://www.youtube.com/watch?v=zK3xYKtUniQ » More about the connections between Istaroth and Khaenri’ah

https://www.youtube.com/watch?v=ePjY4c0Rj0k » Elaborates on how a Loom of Fate is basically another database, as opposed to the Irminsul, and mentios how Istaroth can could create several Looms of Fate

https://www.youtube.com/watch?v=mAm9uElsKd4 » Parallels with the Penacony arc from Honkai Start Rail and list of evidences that Teyvat is a Dream bubble

https://www.youtube.com/watch?v=vhST-fz6Yps » Video is from before we learned about the 5 Sinners, and I’m not fully sold on the chronology, but I still think it does a good job at elaborating n the serpent thing from the gnostic chorus and other things we can infer about genshin thanks to parallels to Penacony

https://www.youtube.com/watch?v=YHCv8KFdL6M&t=1045s » Ties sacramental bread and blood with wine and the way wisdom/abilities can be passed down thrown ingesting parts of gods, and the concept of fairy rings and The Ring of Nibelung, with the concept of a Chemical Marriage.

[kirbybecomesastarwarrior]

Once again I thank you all so much for supporting me during the Kirby OC Tournament. Especially all my followers & mutual who humored me with all the poll reblog stuff.

As promised the lore. (And I've been cooking this turkey for a while and it's ready to come out of the oven.)

Fair Warning contains spoilers... I will not be explaining all the details of what happening. This is incredibly vague & via musical... so I won't spoil that much (since this does take place during the final arc... Void Termina Saga). The events that are being shown do not happen exactly how they are portrayed, however the essence of what's happening is the same.

Morgan shall be singing "Last Midnight from Into the Woods,"

Spoiler warning, (More drawn content is contained below)

(OH NO WHAT'S HAPPENING TO KIRBY...Sorry, I can't explain it just yet... Nor why Meta Knight's mask is broken in half... maybe he got into a fight or something, hold the phone I thought Galacta was trapped in insanity... what happened... Sorry if I tell anything of that it'll spoil the good stuff)

Dame Morgan: It's the Last Midnight

So in summary: After they refuse to hand Kirby over, Morgan reveals there's a traitor in their midst... Fumu is the reason why Kirby is in the state he is in (Fumu is currently regretting her life choices). Leaving Meta & Gala shocked, and scared to death at Kirby's current state, while Kirby is sad, and betrayed again...~

And Morgan just having herself a time, living her best life~

In the KBASW series, she tricks three major characters:

Namely: Queen Ripple, Hyness, and Fumu/Tiff. (the most devastating one she tricks)

Dame Morgan is basically a mixture of: "The Witch" from Into the Woods, Morgan from (Merlin's 2008 TV series), Eris from Sinbad (she has the voice of Eris), and the Joker from Batman.

Morgan represents the opposite of Celestine... (via Morgan vs. Merlyn wizard rivalry) The Anti-Celestine so to speak~

The one person she hates more than Arthur is Merlyn/Celestine.

Celestine sees magic as a tool, not a solution or the answer to your problem... promoting true self-improvement comes from within. For there will always be...: another bridge to cross, another monster to slay, another woods to go into. The only way to ever truly be prepared in this world is to learn from each other... and to be kind to one another & share the experience. If you cheat your way throw life will just get harder and move with you... Being better and leading a good example will inspire others to be better along with you.

The change starts within, with us...

While Dame Morgan:

Life is unfair, you play by their rules, you follow the system, sacrifice everything to fit the mold, and yet you can still be cheated out of what you deserve...

And you're telling me I should just "hang in there," "hold on", "it's gonna be okay eventually keep smiling".... nah? Let's stop "pretending to be good", everybody is just in it for themselves so... if you do that you're just a fool waiting to be tricked.

Why not live just for yourself... why not cheat back... why not be the bad guy? That's why her theme is "Stella Jang(스텔라장) _ Villain(빌런)

Morgan represents the easy way out, a quick fix... to blame someone else...an escape. How did she obtain this dark magic... The Jamba Heart...Granting everyone's selfish desires... the reason why everyone falls for it is because she has the charisma to make the offer far too tempting and to pass it up, no.

And guess who was her first customer... Hyness~

The biggest change I probably did the to mix anime & game lore. (Kirby Star Allies) In KBASW AU... Morgan the one who convinced Hyness the Jamba Heart was what he needed to restore his clan. It's the reason she's able to stay hidden for a long while...Allowing the negative to naturally corrupt him and use him as a figurehead...

Despite giving him the Jamaba Heart... she did not tell him exactly how to break the seal on Termina... (Whoops she must have forgotten, how clumsy of her...) Purposely having him fail~

However, the secret to this lies with... FUMU!? Due to the reincarnation of the first ruler of Dreamland... she holds the key to unsealing & controlling Void Termina... She throws them to the wrong person. She's very much tricked into thinking she's helping "Kirby," but... yeah this happens instead.

And of course, there's always a price... though once you do realize you've been bamboozled, she'll remind you that she gave you a choice... Ultimately making you realize it's your own fault at the end of the day. Very much rubbing your head in the mess you've made for yourself. (which is exactly what she's doing to Tiff/Fumu right now.)

In summary, she pretty much invites you to be your worst self; she's the villain but deliciously so! :3

[amuseoffyre]

Since insomnia is kicking my arse of late, I naturally tilted into the thoughts about the nature of the 3-act structure and why S2 of OFMD may have felt off and incomplete to a lot of people.

I am fully in agreement that we lost a lot of valuable time with only 8 episodes and a lot of it did feel rushed, but for the amount of story and set-up and growth and development they needed to fit into 4 hours of television, they did astonishing things.

DJenks has said from the very start that this is a story that has been planned out to take 3 seasons. It's literally a 3-act play and we are currently right in the middle of the worst part of that timeline according to every traditional 3-act structure.

Act one/season one is self-explanatory. Like New Hope in the Star Wars Trilogy or Fellowship of the Ring, this is the set-up. We're introduced to our protagonists and antagonists, the relationships are given a foundation.

The beginning is Stede's journey to becoming a real boy. The inciting incident, the one that actually pushes his change beyond "playing pirates" is meeting Ed. The second thoughts come together in episode 8/9 after his confrontations with Jack and Chauncey and episode 10 is the climax.

Act 2/season 2 is never going to be as smooth and simple as act 1/s1. A big part of the A2/S2 job is set up for A3/S3 and this is what we're seeing and why a lot of story threads seem to have been left dangling.

Again, to call back to Empire Strikes Back and The Two Towers, the structure is much the same: the original batch of people are divided and scattered, the big enemy from A1/S1 is looming, new allies make themselves known. In SW, this meant the introduction of Lando and Yoda as allies plus the hint of the Emperor lurking in the background. In LotR, we have the Rohirrim, Gondor and the Ents as allies and the expansion of Sauron's forces in Helm's Deep, Osgiliath and the winged wraiths.

There's a clear trajectory following the A2/S2 structure:

obstacle 1 - the crews separated and struggling

obstacle 2 - the end of episode 2 and the repercussions of his actions

twist - just when things start to settle, the Ned Low situation happen and Stede kills for the first time

obstacle 3 - Ed's struggle with his identity leading to him leaving

disaster - Ricky's assault on the Republic

crisis - do-or-die battle because they have no other choice

climax - the last 15 minutes of ep. 8 live here.

As with SW and LotR, there's an ending, but weighted with the knowledge of a story that is meant to continue. Each of those act 2 films end with the heroes still aware of the looming threat, some of them heading out on new missions, and some of them resting and healing. There's brief pause, brief respite, a moment to take a breath.

We have all the characters in place now and the battle-lines have been drawn. Luke still needs to confront Vader (I see you, impending Ed and Hornigold confrontation), Frodo still needs to destroy the ring, Aragorn still needs to lead the army against the Black Gate, the second Death Star is still hanging in the sky.

I'm so excited to see what S3 brings because we have so many arcs ready to go: Zheng's vengeance trip, the inevitable enforced out-of-retirement arc for Ed and Stede, Hornigold, Ricky trying to maintain his tenuous control of the republic given how many of his people were killed when the crew escaped, the pirate rebellion gathering forces.

Also how often do we get shows/films where the supporting cast are given this much storyline? We have a named/speaking-role cast of upwards of 15 central characters. That is a staggering amount of people to work with, when most shows would only focus on the leads and a couple of their friends. Six is the average for most TV shows, while comedies can inch higher because ensembles, but most ensembles don't get as much as our crew did.

I know a lot of people aren't happy about Izzy's death. I know I would have liked to see him a lot more, because he's such a grumpy old bitch and I love him and him affectionately roasting Ed and Stede would have made my entire month. But I'm also aware that narratively, as a figurehead of the old ways of piracy and "we were Blackbeard", it was a symbolic death as well - a sign of the death of the old ways of piracy and of Blackbeard as was.

(Also, they Obi-Wanned him. I'm not over that. Gave him the "if you strike me down I will become more powerful" speech. I'm just... guys, your star wars nerdery is showing XD)

So while it was flawed in places and pacing, given the scale of the story they're telling, the number of pieces and characters they had in play, and the arcs they have been setting up while also still keeping the humour, I am giving a standing ovation for a remarkable piece of work.

[marvelstars]

You know while I understand completely why Anakin is disliked or hated in the fandom there´s one take about his story with Padme I will never get, the comment about how Anakin beat "poor innocent Clovis" as if he had been innocently just there hanging out with Padme and big bad Anakin came along and decided to beat him out of nowhere, he is even pictured as this kind of "Pro-feminist" character icon while I am like:

Clovis literally tried to force himself on Padmé

Sure he was a Senator like Padmé was but main reason why Clovis didn´t report Anakin beating him out has to do with the fact it isn´t a pretty picture for him, he would have to talk about how he was trying to kiss Padmé agaisnt her will and Anakin lost it when he saw them.

Their first interaction in the clone wars ended with Padmé poisoned, Anakin literally had to carry her out of Clovis house to seek treatment for her because he was allied with the same Federation that send killers towards her when she was 14 and used the opportunity to get the job done.

"Anakin almost kills poor Clovis out of jealousy"

Anakin beat him out because Clovis was trying to force himself on his wife, Anakin is a trained soldier and Jedi with a metal arm and the strongest force user ever while Clovis is a pampered Senator with light self defense training, if Anakin wanted Clovis dead he would have died, if Anakin didn´t hold himself back Clovis would have died with his first punch.

"Anakin was mean and controlling with Padme during this arc"

Anakin remembered the first time Padme tried to use her charm to spy on Clovis she ended up poisoned and tried to warm her about this, sure he was also afraid and jealous but he didn´t want her to be in danger again, yet respected her decision to keep spying on Clovis and after he lost it and beat him he accepted her decision of ending their marriage and guess what? He left her alone, I guess there is one character who understands no is no and it isn´t Clovis.

Later they only patch their relationship back because Padme had to call Anakin for help because Clovis, under pressure from Dooku, almost kills her and she needed Anakin to get her and Clovis out of there. Padmé would not have been in that possition if she wasn´t so confident that she could take care of herself on her own, with only one of her handmaidens help, so called handmaiden was killed because of Padmé´s imprudence.

I like Padmé as a character and I liker her initiative in the prequels, she is an heroice character, she is actually Sidious foil as a politician and sure many fans are like"yas Queen" tell that brute Anakin how it is but the truth is that she isn´t a perfect character and that´s great because well written characters are like that, she also makes mistakes that sometimes cost lifes, she is a complex character like many in Star Wars with virtues and flaws and Clovis most definitely wasn´t any kind of feminist icon as some in the fandom like to picture him.

Actually if this was an AU I actually believe it would have done Anakin and Padme well to stay separated for while to learn to appreciate each other out of a context in which they are trying to ignore their problems at their careers and actually come together stronger as couple but well, then again, if that were the case, ROTS would not have happened and we all know who wanted to keep them together but at conflict with each other in order to drive anakin further into madness and the darkside.

[mollywog]

Characters and Berries in The Hunger Games

Gale -> Blackberries

He plucks a few blackberries from the bushes around us. “And may the odds —” He tosses a berry in a high arc toward me.

In folklore blackberries are associated with bad omens. They can also symbolize haste and remorse. There’s a 1966 poem Blackberry-Picking by Seamus Heaney about growing up and loss of innocence.

Madge -> Strawberries

When we finish our business at the market, we go to the back door of the mayor’s house to sell half the strawberries, knowing he has a particular fondness for them and can afford our price. The mayor’s daughter, Madge, opens the door.

Strawberries often symbolize purity, passion (fuel for Gadge and Kadge shippers), and healing (Madge delivers the Morphling after Gale’s whipping).

Rue -> Unfamiliar Berries

I roll an unfamiliar berry in my fingers. “You sure this is safe?”

“Oh, yes, we have them back home. I’ve been eating them for days,” she says, popping a handful in her mouth. I tentatively bite into one, and it’s as good as our blackberries. Taking Rue on as an ally seems a better choice all the time.

These berries are never identified, so bear with me here…

We know Peeta mistakes nightlock (also not identified) for Rue’s berries, but that nightlock is toxic and Rue’s are edible. We also know Nightlock berries are dark (the dark berries glisten in the sun) and Rue’s berries are round (I roll an unfamiliar berry in my fingers), so two potential options are Elderberry or Blackcurrant.

In pagan traditions Elderberries are associated with Faerie realms - (fitting for the magical wisp of a girl who wore wings to her interview.) They heal; and are associated with breaking curses (Rue’s death has forced me to confront my own fury against the cruelty, the injustice they inflict upon us.)

Despite health benefits, in the middle ages Elderberries began to be associated with grief and sorrow.

Blackcurrants are often associated with protection (Here it’s safe, here it’s warm Here the daisies guard you from every harm)

They are also associated with gathering courage, specifically before going on a solitary journey.

Blackberries (bad omens) are referenced in the description of the taste of Rue’s berries.

Regardless of the berry, they also reinforce Katniss’s decision to take Rue on as an ally (Taking Rue on as an ally seems a better choice all the time.)

Peeta - Nightlock

My father’s voice comes back to me. “Not these, Katniss. Never these. They’re nightlock. You’ll be dead before they reach your stomach.”

Nightlock is likely based on two real ones: Nightshade and Hemlock.

Unsurprisingly, toxic Hemlock often has negative associations, however it is also associated with Socrates. Socrates was convicted of impiety, but refused to renounce his beliefs; Hemlock was his chosen method of death which could be viewed as either rebellious and/or a noble sacrifice. “Scholars surmise that Socrates conceived of his death as a freedom of his soul from the unreasonableness of humanity and the confines of his body.”

Nightshade has been suggested as the poison used in Romeo and Juliet (fitting for the star-crossed-lovers) and Macbeth (poisoning that lead to a civil war)

Thank you to @wistfulweaverwoman for assistance researching! Other interesting [x][x][x]

[therightrighthand]

Chaos Arc.

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So happy to finally finish this after keeping it on the back burner for so long! Read through the full story of Delgoth here!

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35 Betrayal: Anger and frustration began to fester. She felt like a fool being played and toyed with by the Inquisition, but what fueled her anger most was the insight she got from her time on Atoma Prime.

She saw how citizens were demonised and threatened for simply wanting to survive in a cruel world. Her anger allowed the taint of chaos to seep into the back of her mind. This led to a sudden outburst of violence and the unprovoked murder of an inquisitor during a private meeting as it all came to a head. All Delogth could do was flee to the Underhive of Atoma Prime and hope she would not be found.

36 Metamorphosis: After her fall from grace Delogth struggled in the Underhive. Without food, shelter or safety, she withered, but it was only at her lowest that she was granted a gift... Approached in a catatonic hallucination by a mysterious figure, Delgoth was offered the opportunity to play host to a new god, The Fathomless, The Son of Nurgle and the parasite god of decay, pollution and new life. How could she refuse?

By the chaos gods' graces, Delgoth awoke the following night in the generous care of the Benevolent Hand, a cult of chaos worshipers who'd found her starving to death in the filtration tunnels. Discovered by Jeremechy, a cultist whom she'd helped not long ago Delgoth was offered a sanctuary and home out of the kindness of their hearts, asking nothing in return, the truest nobility she'd once believed to be something the Imperium once stood for.

Over time, as her Psyker powers became more apparent, Delgoth was worshipped as a religious figure due to her connections to the Warp. Esepcially as her body began to physically change and mutate beyond her control, as the parasite started to grow ... and rebuild her her body, like a moth evolving in a cacoon.

37 Rebirth: After a year of incubation and growth, the parasite infecting Delgoth's body had completed its work and rebuilt what was broken; she and it were now one, and the power of the warp flowed through it, and her, like water through a stream. Her body wasn't just physically stronger, but her Pysker abilities had become fearsome to behold.

Among cultist groups, she had begun to embrace the role of a messiah, protecting the weak, spreading the good word of Nurgle, and tainting the lower levels with a toxic substance known as 'Blight'. Those who embraced Chaos and the Fathomless learned to live with Blight by growing immune, whilst non-believers suffered toxic poisoning or starvation of what little organic material wasn't tainted.

41-45 The Fathomless Blight: While becoming a religious figure appeased Nurgle and their offspring, voices from distant futures beckoned Delgoth to widen her ambition and share her gifts with the stars. During this period, Delgoth's body began to produce more parasites and use them to connect the minds of willing participants in a hive mind level of control. This became the beginning of her new army, The Fathomless Blight.

Piecing together fragments of the Imperium's tech and a few rotting corpses from fallen Astartes, Delgoth used her vast power to lead an army off of Atoma, and into the wider galaxy. They did not travel through ships but rather through oceans and seas, wading into the water on one side of the galaxy and out into another where chaos was most prominent. They were small, but they were formidable.

46 Eldritch Lord: The gods had truly smiled upon Delgoth, as each victor in her crusade brought her more power and allies to her hive-mind army. They infected oceans, corrupted landscapes, and attacked from the murky depths where the Imperium could not defend itself quick enough. For every planet that drowned in blight, millions would fall under her sway and become part of her infested trawl as the Fathomless Blight rose to power. With it, so did she as her body became to the Parasite's changes, as an Alpha level Psyker and an equivalent to some sort of Edlrtich Demon Prince.

Some tell tales that her reach is endless, that she can appear behind you in the death of night, silently lurching out of the water and taking you away in your sleep.

Whilst others tell tales of a small pollution scrubber who fell from grace.

Now Delgoth lurks on the fridge of Imperium space doing Nurgles bidding, but occasionally, she turns her sights past the walls of reality and the echoes of other worlds, other universes.

... other 'Del's...

-- Find my discord and other sites: linktr.ee/The_red_right_hand Do not use, repost or claim (rp) my art/character  Art © The-Red-Right-Hand

[arthurtaylorlester]

malevolent season 4 was... something, that's for sure

i want to preface this by saying i LOVE malevolent as a show and this is no means an attack on the creator or anything like that, i don't think i'll ever stop listening halfway, no matter how i feel about it. i'm not saying season 4 is all bad either.

it is a deviation for malevolent, though i found it VERY well written up until part 31 (and part 31 is my favourite malevolent episode ever)

s4 started off really strong for me, part 29 set the tone really well, much lighter after s3's emotional lows. the butcher was an interesting enough new villain to put yarson aside for now. part 30 had some charming moments, but the real star of the early season was part 31, a truly incredibly written and directed look into arthur's psychology. it truly gave us everything, from lore to highly comedic moments (to me)(no because why was arthur dreaming of waking up next to a shirtless man who tried to kill him)

parts 32 through 34 i'm not sure about, but i can write them off as awkward mid season points. part 34 was an interesting shift in perspective, but here is where my doubt's about the season's villains started rising

but the oscar & scratch arcs.... guys i'm gonna be honest, i might be oscar's #1 hater

scratch and oscar in this season were functionally useless filler. it's not unusual for arthur and john get sidetracked during their missions, but it usually ends up leading them right where they need to be by the season finale. this felt like a parenthesis that killed any tension created by the butcher.

this season had, quite unnecessarily, 3 antagonists. now this wouldn't be a terrible idea, had they been established before. but no. for some reason it was chosen to leave the only villain we could genuinely be afraid of alone, in favour of introducing not one but two antagonists yet to be established. neither because of this have the adequate fear factor (the butcher is better about this) and both get the most abysmal ends i could've imagines. what do you mean scratch is just gone like that after causing some emotional conflict with his deal. what do you mean the butcher was KOed by the fucking priest with a bedpan? what? that's it? you expect me to be scared or even care about the butcher now?

speaking of the priest. i want to like oscar i really do but. he's a terribly written character. we get to know him while arthur is teaching john intimidation tactics so out of gate our initial impression of him is as someone meek. and then in part 36 after "sorting out" the butcher, oscar just dumps out his trauma point blank to someone he's spoken to a handful of times in the past 3? 4? days.

malevolent in general has a bit of an exposition problem, but it usually works out if it's john expositing because. that's literally all he can do. but when a character with more agency do it, it makes them flat. oscar didn't have to tell us all that, he didn't have a reason. arthur confessing to 7 murders isn't a prompt to make himself vulnerable like that. i did not start caring for him, just because he had a tragic backstory. that's... not how you get someone to care about a character. oscar could be defined as a static character, and while it's not too unusual for a static character to be the focal point of an arc, i don't think it works the way most authors think it does.

also the worms in the farm only happened because of him messing with the stove so like. that's not helping his case.

the completely unnecessary farm arc concluded, we return oscar to the hospital, with arthur caving very quickly to john's demands if he truly cared about oscar so much. and so, a single episode before the finale, we get properly acquainted our main ally for the showdown. a choice definitely, but i feel like this one worked out pretty well considering noel had time to simmer before we got know of his past + he had interesting conflict with john and arthur.

and then there's the big one, the thing that appalls me entirely. leaving larson and yellow, the main villains of the finale COMPLETELY alone until the very end. why? why would you choose to not use them earlier? we spent so much time away from larson, so we weren't really as scared of him as we were at the end of part 28 (i literally was listening to the last 15 minutes of this ep on my toes because i thought he might do something) and we had had no CHANCE to even fear yellow, since we knew nothing of his power?

and what, the butcher is on our side now because noel granted his release? just like that? i know he's a contract killer but arthur insulted him to his face, he can believe they understand each other but did he feel no anger?

the finale did well, considering the context it was given to work with, though i did not understand the point of the memory thing... that didn't go anywhere? because not arthur nor noel actually lost anything. we don't know what the box was for, we only know some guy wrote "the birth of my son" on slip of paper and put it in. arthur assumed it was a memory, when it just as well could've been a literal offering, arthur assumed it would involve losing said memory, and they assumed it was related. initially i thought it would only go through if the ritual took place, which, it didn't. but reading back here is no further clarification on it. hold your angst horses, blindfaith enjoyers

i feel like john physically manifesting, if now an established power of his, was very cheap. unless it was a one-off, or some sort of power up, it just literally took away the main premise of the show. an all-powerful god rendered powerless by being stuck in some guy's mind and being forced to confront the troubles of someone infinitesimal to him. if you let him astral project and save people, then what's the point?

but i do actually think it was a one-off, so we'll see how it goes

simply put, john saving arthur when he jumped in s3 had more impact than this because he did it with a single, human, hand. no magic.

it was pleasant to have kayne and his expected chaos back, jarring as always. john's deal was exactly what we all thought it was going to be, maybe more about himself than arthur, but i don't think anyone can fault him for that.

one things though, and this questions may just be me not remembering, is arthur supposed to know that yellow is a separate entity from john when they realise larson has him in his head? because i remember arthur just assuming that 'yellow' just had all of his memories returned in part 23, and therefore not knowing that he's a separate guy from john.

just in general, i feel like s4 had a LOT of good ideas that weren't given enough room to breathe and therefore weren't written very well that really weighed down my enjoyment of the season. that's not to say there weren't things i liked. the emotional moments hit just as hard, like reconciling with daniel, the comedy was on point (genuinely this season was so funny) and even the most out of pocket thing arthur has ever said, calling john a child, no matter how much discourse it caused, was actually sort of in character for him? i mean arthur is an asshole so like i get why his immediate reaction to his severely emotionally unintelligent friend being possessive is babying him. they're awful people. they deserve each other. it made somewhat sense in retrospect.

all this to say, while i didn't hate s4, i think it had a lot of writing issues, especially when comparing it to the other 3, and it could've been done WAYY better but hey we all have our moments.

i await anxiously intermezzo's public release and the rest of season 5 👀